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#pooja bhatt
pixlerelish · 6 days
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And in the presence of god no less...
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bwaldorf · 2 years
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love like religion.
inspired by these amazing posts: 01 by @metamorphesque & 02 by @ijaazat
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thatbitchsimone · 6 months
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bollywoodirect · 4 months
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"Tum Aaye To Aaya Mujhe Yaad,
Gali Mein Aaj Chand Nikla Jaane Kitne Dinoon Ke Baad,
Gali Mein Aaj Chand Nikla"
25 Years of #Zakhm (25/12/1998).
Directed and written by Mahesh Bhatt, Zakhm was produced by him along with Pooja Bhatt. The film stars notable actors such as Ajay Devgn, Kunal Khemu, Pooja Bhatt, Sonali Bendre, and #Nagarjuna.
It is inspired by the life of Mahesh Bhatt's mother, Shirin Mohammad Ali, with Pooja Bhatt playing her character. Zakhm received acclaim for its contribution to national integration, earning the Nargis Dutt Award for Best Feature Film, and Ajay Devgn won his first National Film Award for Best Actor for his performance in the movie.
The film's success is also attributed to key contributors like Girish Dhamija, who wrote the dialogues, Tanuja Chandra and Mahesh Bhatt for the screenplay, and Mukesh Bhatt as a producer.
The film's engaging visuals were captured by cinematographer Nirmal Jani, while Sanjay Sankla handled the editing. The memorable music score was composed by M. M. Keeravani, with lyrics by Anand Bakshi, adding depth to this celebrated film.
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Paap (2003)
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hirunoka · 1 year
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SRK being adorable as "Roop" in "Chaahat" | Part #1 | Part #2 | Part #3/6
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filmmakersvision · 1 year
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Chup Review
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November 27, 2022
by Inakshi Chandra-Mohanty
Many films have been made on the film industry. Films that show the intricacies of the process through the eyes of an artist integrated within it. But few have shed light on the tumultuous relationship between a filmmaker and a film critic. The two professions are constantly at loggerheads. It’s a never-ending battle due to the refusal of each to understand the job of the other. Chup uses a fictional tale of a serial killer that targets film critics to comment on the filmmaker-critic relation. This psychological thriller relies less on suspense and more on the interesting characters and passionate story that attempts to burn bridges between the opposing professions.
The strongest aspect of Chup is the intrigue. The buildup of how these four characters and two parallel stories will converge. And the way in which the contrasting elements of the multiple narratives lead to an exhilarating climax. This is further enhanced by its passion for the art of cinema. Writer-Director R. Balki made this film out of a pure love for the process of filmmaking. It is an ode to classic cinema with many references to the art behind old school romance. It specifically pays homage to Guru Dutt and his classic film, Kaagaz Ke Phool, and focuses on the relevance of that film in the filmmaker-critic debate.
Though the film is a multi-starrer, Dulquer Salmaan is the star of the show. Elaborating on the details of his performance would reveal too much of the mystery, but his ability to transfer between the different shades of his character is brilliant. While the remaining actors do well in their respective roles, much of the film’s impact rests on his shoulders.
Where Chup falters, is in its investigative suspense. While the police chase of this brutal criminal is smart, the characters pursuing the case have barely any background or emotional depth. Despite having considerable screen space, Sunny Deol has little to do in the film. Though he and Pooja Bhatt do well in the roles written, they have little impact due to the lack of characterization. Their characters are nothing more than props in the investigation.
Despite these minimal flaws, Chup stands out due to the themes it explores, albeit in a jumbled state.
It is natural for a filmmaker to feel disheartened on reading a scathing review. However, it is also important all types of reviews to exist. Otherwise, there will never be a standard for good cinema, filmmakers will be stuck in the land of mediocrity and no one will aspire for any better. 
As a filmmaker and a film critic, someone who has seen both the blood and sweat that goes into the simplest details in a scene and someone who has watched countless films forming strong opinions on them, this divide is something I have witnessed myself. This is a battle I am constantly fighting within. That is why Chup resonates so deeply with me. It is a confused film, one which mirrors my constant confusion between the two worlds. Chup is the product of an artist and a critic, one that cannot differentiate between the two. That’s why the messaging of Chup is so muddled. Because on one hand it puts out valid points in the defense of film criticism and on the other hand romanticizes the life of an artist engulfed by the world of cinema and pained by the words of critics. 
Through its confused state, it is not clear whether Chup has a defined message. The struggle between art and criticism will continue to remain. But somewhere in the midst of all the craziness, there is a sense of peace. A calm that sets in only on the union of the critic and the artist. Chup is at its best when the two are together, making their monotonous moments come to life with their common passion for cinema. And that may be the message that the filmmakers strive to convey. That just like Chup reaches its highest peak through the bonding of the critic and the artist, cinema will reach greater heights through a combined effort. Both the critic and the artist are necessary to make great cinema, and neither works without the other.
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rajeevpradhan · 9 months
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rasxkolnikov · 2 years
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old Bollywood 90’s song >>>>>>>>>
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pixlerelish · 12 days
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krazyshoppy · 2 years
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रिलेशनशिप में पूजा भट्ट के साथ मारपीट करता था ये अभिनेता, तंग आकर एक्ट्रेस ने उठाया था ऐसा कदम
रिलेशनशिप में पूजा भट्ट के साथ मारपीट करता था ये अभिनेता, तंग आकर एक्ट्रेस ने उठाया था ऐसा कदम
Pooja Bhatt Trivia: महेश भट्ट (Mahesh Bhatt) की बेटी पूजा भट्ट नब्बे के दशक की टॉप अभिनेत्रियों में शामिल थीं. पूजा भट्ट ने अपने फिल्मी करियर (Film Career) में एक से बढ़कर एक शानदार फिल्मों में काम किया. पूजा भट्ट बॉलीवुड (Bollywood) की एक ऐसी अदाकारा हैं, जिन्होंने अपनी फिल्मी जिंदगी के साथ पर्सनल लाइफ में भी बहुत सुर्खियां बटोरी. एक बार उनका अपने पार्टनर रणवीर शौरी (Ranvir Shorey) के साथ किसी…
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thatbitchsimone · 6 months
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bollywoodirect · 4 months
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“Hum tere bin kahin reh nahin paate Tum nahin aate to hum mar jaate Haaye pyaar kya cheez hai yeh jaan nahin paate Hum tere bin kahin”
32 Years of #Sadak (20/12/1991). Sadak was directed by Mahesh Bhatt and written by Robin Bhatt. It was produced by Mukesh Bhatt. The film stars Sanjay Dutt, Pooja Bhatt, Deepak Tijori, Sadashiv Amrapurkar, Avtar Gill, and Neelima Azeem. The cinematography was handled by Pravin Bhatt, while the editing was done by A Muthu. Music for the film was composed by Nadeem-Shravan, with lyrics written by Sameer, Surendra Sathi, and Rani Malik. "Sadak" was a production of Vishesh Films.
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Paap (2003)
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pressnewsagencyllc · 2 days
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To Dear Friend Deepak Tijori, A Special Message From Pooja Bhatt: "30 Plus Years Of Shared Laughter"
Image was shared on Instagram. (Image courtesy: poojab1972) Veteran actor Deepak Tijori is making his directorial comeback with Tipppsy. The film will be released on May 10. To make it memorable, Deepak’s long-time friend, actress Pooja Bhatt, has written a note on Instagram. The actress, who shared the screen space with Deepak with Sadak, said, “30 plus years of shared laughter, tears, joy and…
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filmonizirani-filmo · 1 month
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Big Girls Don't Cry (BGDC) (2024) - #AmazonOriginals, #LovleenMisra, #MukulChadda, #PoojaBhatt, #RaimaSen, #ZoyaHussain https://filmonizirani.net/big-girls-dont-cry-bgdc-2024/
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