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listingcereals · 5 months

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Calendar of Resistance for Palestine! Events and actions around the world

Saturday, November 25

ARGENTINA

BUENOS AIRES, ARGENTINA – Sat Nov 25, 11 am, Parque Centenaria (Bicycles for Palestine.)

AUSTRALIA

CANBERRA, AUSTRALIA – Sat Nov 25, 1 pm, Garema Place.

GEELONG, AUSTRALIA – Sat Nov 25, 12 pm, 115 Moorabool St, march to Marles’ ministerial office.

GOLD COAST, AUSTRALIA – Sat Nov 25, 3 pm, Broadwater Parklands.

HOBART, AUSTRALIA – Sat Nov 25, 1 pm, Davey St.

LAUNCESTON, AUSTRALIA – Sat Nov 25, 2 pm, Civic Square.

PADSTOW, AUSTRALIA – Sat Nov 25, 12:30 pm, UMA Centre.

WOLLONGONG, AUSTRALIA – Sat Nov 25, 2 pm, Crown St Amphitheatre.

AUSTRIA

WIENER, AUSTRIA – Sat Nov 25, 2 pm, Wiener Neustadt, Herzog Leopoldstrasse 32.

VIENNA, AUSTRIA – Sat Nov 25, 3 pm, Christian-Broda-Platz.

BELGIUM

BRUSSELS, BELGIUM – Sat Nov 25, 6 pm, Gare Centrale.

CANADA AND QUEBEC

MONTREAL, QUEBEC – Sat Nov 25, 1 pm, Place des Arts.

OTTAWA, CANADA – Sat Nov 25, 1 pm, Parliament Hill.

VANCOUVER, BC (CANADA) – Sat Nov 25, 2 pm, Vancouver Art Gallery.

SAINT JOHN, NB (CANADA) – Sat Nov 25, 12 pm, King’s Square.

WINNIPEG, MANITOBA (CANADA) – Sat Nov 25, 1 pm, Manitoba Legislative Bldg.

ENGLAND

ALTRINCHAM, ENGLAND – Sat Nov 25, 11 am, Barclays Bank, George St.

BLACKBURN, ENGLAND – Sat Nov 25, 11 am, Barclays Bank, Darwen St.

BOLTON, ENGLAND – Sat Nov 25, 11 am, Barclays Bank, Market St.

BRIGHTON, ENGLAND – Saturday Nov 25, 12 pm, Clock Tower.

BURY, ENGLAND – Sat Nov 25, 11 am, Barclays Bank, Central St.

ESSEX, ENGLAND – Sat Nov 25, 12 pm, Square 5.

LIVERPOOL, ENGLAND – Sat Nov 25, 2 pm, Bombed Out Church.

LONDON, ENGLAND – Sat Nov 25, 12 pm, Park Lane, Central London.

MANCHESTER, ENGLAND – Sat Nov 25, 11 am, Piccadilly Gardens.

OLDHAM, ENGLAND – Sat Nov 25, 11 am, Barclays Bank, High St.

ROCHDALE, ENGLAND – Sat Nov 25, 11 am, Barclays Bank, Yorkshire St.

STOCKPORT, ENGLAND – Sat Nov 25, 11 am, Barclays Bank, Bridge St.

FRANCE

MONTPELLIER, FRANCE – Sat Nov 25, 4 pm, Place de la Comedie.

PARIS, FRANCE – Sat Nov 25, 2 pm, Place de la Nation.

TOULOUSE, FRANCE – Sat Nov 25, 5 pm, Metro Reynerie

GERMANY

AACHEN, GERMANY – Sat Nov 25, 3:30 pm, Hauptbahnhof

BERLIN, GERMANY – Sat Nov 25, 3 pm, Oranienplatz.

BERLIN, GERMANY – Sat Nov 25, 3 pm, Anhalter Bahnhof.

DRESDEN, GERMANY – Sat Nov 25, 2 pm, Wiener Platz

FRANKFURT, GERMANY – Sat Nov 25, 3 pm, Hauptwache.

FREIBURG AM BREISGAU, GERMANY – Sat Nov 25, 11 am, Augustinerplatz.

SAARBRUCKEN, GERMANY – Sat Nov 25, 3 pm, Landwehrplatz

WEIMAR, GERMANY – Sat Nov 25, 3:30 pm, Hauptbahnhof

WUPPERTAL, GERMANY – Sat Nov 25, 2 pm, Geschwister Scholl Platz

IRELAND

BELFAST, IRELAND – Sat Nov 25, 1 pm, Outside Ulster University, York St

SLIGO, IRELAND – Sat Nov 25, 3 pm, GPO.

ITALY

MILANO, ITALY – Sat Nov 25, 3 pm, Piazza Castello.

REGGIO EMILIA, ITALY – Sat Nov 25, 3 pm, Piazza della Vittoria.

JAPAN

SENDAI, JAPAN – Sat Nov 25, 2 pm, Sendai Station

TOKYO, JAPAN – Sat Nov 25, 2 pm, Tears for Palestine, Shibuya (Hachiko)

NETHERLANDS

GRONINGEN, NETHERLANDS – Sat Nov 25, 2 pm, Ossenmarket.

HOOGERHEIDE, NETHERLANDS – Sat Nov 25, 2 pm, Kooiweg 40. Shut Elbit Down.

TILBURG, NETHERLANDS – Sat Nov 25, 2 pm, Central Station.

MORE IN REBLOGS

#palestine #israel

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kokiafans · 1 year

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KOKIA in flashback - 2009

After her 10th anniversary year, KOKIA does decidedly not take it easier in 2009. She releases two albums on the same day: KOKIA∞AKIKO ~Balance~ and AKIKO∞KOKIA ~Balance~, to celebrate the conclusion of her 10th anniversary year. The AKIKO album is only available via her webshop and at concert venues and is distributed via her own office, anco&co, whereas the KOKIA album is distributed via Victor Entertainment. She explains that the AKIKO album deals more with her ‘inner’ songs, as she feels she is both KOKIA the artist and Akiko the person.

She departs on a world tour this year, called infinity (as the ∞ symbol from her albums is the symbol for infinity), starting in Japan before traveling to France, Ireland, Poland, Belgium and Germany. This results in two concert DVDs: 2009 infinity tour at Tokyo, recording the performance in Tokyo, and Wherever I am, a 3 disc documentary covering her journey and performances abroad.

2009 also marks the start of her Life Trilogy digital singles, with the first two releasing this year. The final one will come out next year.

◆ Lives and events ◆

January 16 Essential Time (Ebisu LIQUIDROOM)

February 28-March 1 KOKIA Live in Naeba Prince white notes vol.3 (Naeba Prince Hotel Chatelaine)

March 31 YOU SING, YOU WANT (Shibuya DUO Music Exchange)

【KOKIA world tour 2009 「∞」 Infinity】 April 29 - Tokyo, Bunkamura Orchard Hall May 4 - Osaka, Sankei Hall Breeze June 12 - European tour 2009: Paris, La Cigale June 13 - performance on a cruise over the Seine river June 14 - Paris, Le Divian du Monde June 16 - Dublin, Button Factory June 17 - Poznań, Blue Note June 19 - Brussels, Botanique-Orangerie June 20 - Cologne, Blue Shell

July 11 4th Keyaki festival (Niigata, Nagaoka City School for Handicapped Children gymnasium)

July 20 8th Kobe Love Port - Port Festival (Kobe Meriken Park)

July 21 Eclipse festival KOKIA talk session & mini concert (Kagoshima Port, Honkô-ku, Waterfront Park)

July 26 Gion Kashiwazaki festival (Minatomachi beachside park, sunset dome)

August 7 D-51×KOKIA BEACH LIVE in OTODAMA SEA STUDIO (Kanagawa, Zushi Kaigan OTODAMA SEA STUDIO)

August 29 KOKIA sebone LIVE 2009 (Aichi, Arc Riche Toyohashi, The Grace)

September 12 (September 26/October 10) KOKIA tokai no kakurega concert ('hideout in the city’) (Tokyo, sonorium) ※ Event exclusively for members of the KOKIA fanclub, club ancoro, 4 performances total

October 17 Niigata Prefectural Niitsu-minami senior high school memorial ceremony on the 30th anniversary of its founding: KOKIA live (Niitsu-minami senior high school)

November 21 BREEZE BREEZE Music Live KOKIA (Osaka, Breeze Breeze Media Court)

November 26 Uiguru kara kita shounen ('Boy from the Uyghurs’) screening & KOKIA mini live (Tokyo, Uplink Factory) ※Movie for social awareness, Uiguru kara kita shounen ('Boy from the Uyghurs’) which uses KOKIA’s Lacrima ('Tear’) as end theme

November 28 Saturday Hot Request (Tokyo, NHK broadcasting center) ※ Public live broadcast by NHK-FM

December 5 SATURDAY GO AROUND from Jazz Dream Nagashima ※ Public live broadcast by ZIP-FM

【KOKIA Winter Live Tour 2009 12 gatsu no okurimono ('December present’)】 December 11 - Aichi, Nagoya City Chikusa small theater December 13 - Fukuoka, Hakata Gate's7 December 14 - Hiroshima, Club Quattro December 15 - Osaka, Sankei Hall Breeze December 21 - Miyagi, Sendai retro Back Page December 23-24 - Kanagawa, Yokohama Landmark Hall

December 25 KOKIA Kokoro no akari live ('light in the heart’) vol. 2 in KYOTO 2009 (The Museum of Kyoto, Annex Hall)

◆ Releases ◆

March 4 Release of the French edition of Fairy Dance ~KOKIA meets Ireland (Wasabi Records)

March 18 Release of original album KOKIA∞AKIKO ~balance~ (Victor Entertainment)

March 18 Release of original album AKIKO∞KOKIA ~balance~ (anco&co.) ※ Simultaneous release of a mainstream version and indie version, KOKIA and AKIKO, two albums that are each other’s counterparts (On April 29, a ∞ album 2 disc collection BOX including both albums gets released. It includes image clips for Ooki na senaka ('Broad back’).)

May 20 Release of the French edition of Balance (Wasabi Records) ※ 2-disc box with KOKIA∞AKIKO ~balance~ and AKIKO∞KOKIA ~balance~

July 22 Release of concert DVD KOKIA 2009 infinity tour at Tokyo (anco&co.)

August 5 Release of the iTunes Store exclusive digital EP Kimi o sagashite/last love song ('searching for you’) (Victor Entertainment) ※ Chapter 1 in the <Life Trilogy ~inochi no 3-busaku> ('trilogy of life’). Mini album with 4 tracks

September 23 Release of the European Tour documentary DVD Wherever I am ~wordt tour 2009 in Europe~ (Victor Entertainment)

November 18 Release of the iTunes Store exclusive digital EP single mother/Christmas no hibiki ('Christmas echo’) (Victor Entertainment) ※ Chapter 2 in the <Life Trilogy ~inochi no 3-busaku> ('trilogy of life’). Mini album with 4 tracks

December 2 Release of best-of album Coquillage ~The Best Collection II~ (Victor Entertainment)

December 2 Release of the French edition KOKIA COLLECTION 2 (Wasabi Records) 3-disc collection box including the albums KOKIA∞AKIKO ~balance~, AKIKO∞KOKIA ~balance~ and Fairy Dance (French edition of each)

◆ Other releases ◆

January 21 Release of the omnibus album Okaeri ('Welcome home’) (Sony Music) ※ Concept album collecting only timeless classics sung about great love for humans. Arigatou… (the pearl edition) ('Thank you…’) is included on this.

February 5 Release of the PlayStation 3 game Demon’s Souls ※ Vocals and chorus for the opening theme song Demon’s Souls and the end theme Return to Slumber

February 18 Release of Dare mo shiranai nakeru uta official compilation album (‘songs no-one knows that make you cry’) (VAP) ※ Official CD for the Nippon TV show Dare mo shiranai nakeru uta (‘songs no-one knows that make you cry’). Includes Watashi ni dekiru koto ('the things I can do’)

February 18 Release of Dare mo shiranai nakeru uta gaiden ~ staff ga erabu kokoro no best one ~ (‘songs no-one knows that make you cry extra – best from the heart chosen by staff’) (Victor Entertainment) ※ Official program album for the Nippon TV series Dare mo shiranai nakeru uta (‘songs no-one knows that make you cry’), Victor Entertainment compilation. Includes Watashi ni dekiru koto ('the things I can do’)

April 22 Release of the single KARMA (Glory Heaven) ※ Opening theme for the animated TV series Phantom -Requiem for the Phantom

August 15 Release of the image sound album Bungaku shoujo to yumeutsutsu no senritsu (‘Book girl and the half-asleep melody’) (Lantis) ※ Performed the song Anata to deatte (‘Meeting you’)

August 26 Release of the single Transparent (Glory Heaven) ※ end theme for the animated TV series Phantom -Requiem for the Phantom

October 21 Release of Kidou senshi gundam 00 ('Mobile Suit Gundam’) Voice actor single Ayahi Takagaki come across Feldt Grace (Inori †/Justice) ('prayer’) (flying DOG) ※ First single produced by KOKIA. Also did the chorus for the B-side song Justice.

#KOKIA #25 years of kokia in flashback

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script-nef · 3 years

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Tokyo to France

Category: fluff

1.6k words; Office date [1/6]

Gojou Satoru is many things. The Strongest Jujutsu Sorcerer, an official title which is proven often to be true; humanity's ray of light in the fight against cursed spirits—see the "strongest sorcerer" bit; a teacher at the Tokyo Prefectural Jujutsu Specialty High School even though most, if not all, of the Sorcerers Exclusive don't really approve of him; and a total bother.

He has an aloof and laid-back aura, indicating he doesn’t really care about much other than his missions and his occupation as a teacher. He’s whimsical and spontaneous, sometimes selfish in the extreme, putting his desires—like his all-too-often snack breaks—first ahead of anything, except for critical situations. And even then he might still not come. Add his total disregard for higher-ups who pretend to see the “bigger picture”, and there’s a lot of reasons why everyone he’s ever met—well, most of everyone since the newest kid Itadori is yet to experience the full "Gojou's shitty antics" ride just yet but it'll come soon, you can tell—are often annoyed by him.

And the one person who experiences this more than anyone is you, who's currently suffering under his relentless chatter after another successful mission. He always does this, like you’re the only person in the world he can talk to (read: bother).

You don't have anything specific against the man, he’s usually a good friend and a welcomed fellow sweets enthusiast, it's just that you're currently behind on your assigned paperwork and he's a great distraction. His tales are often laced with humour and he has a natural knack for storytelling. The fact that Gojou has a nice, soothing voice which beckons for your attention is also a factor. If you didn't have work you'd be fully invested in his recount but as previously discussed, he has shitty antics and one of those is not particularly caring about whether the other person is busy or not.

He keeps talking and words like “egg tart”, “Shibuya” and “internationally famous” slip through your defence, forcing your brain to block out the lengthy paragraphs on the report and enticing you to listen to him. After a while, you decide that this is getting nowhere. You can’t remember the last couple of paragraphs and Gojou is usually relentless, but you can hear his voice weakening just a bit as you pretend to ignore him.

Resigning yourself from the work and leaning back onto the chair, you make pseudo-eye contact with him. He seems to brighten up just a bit when you do so, the strength of his voice returning. That makes a ghost of a smile appear on your lips. You'll just have to pull an all-nighter after your dinner with Ken-chan.

Gojou always has great stories about his trips everywhere, both in Japan and overseas. Having a teleportation skill is incredibly useful, you realise with envy. If only I had his inherited techniques is a thought which pervades your mind often.

"And I was so close to getting the egg tart but the person in front of me bought the last one! I waited for an hour! For nothing!" The story is topped off with a small pout as he slouches on the chair, chin sitting on the backrest. You laugh, amused at the sudden change of mood. Only he could go from happy and light-hearted to gloomy and dejected in a breath, jokingly or not.

An easy conversation flows between the two of you as you finally disregard your work, chin resting on your palm and eyes crinkling with laughter.

It’s nice like this. He’s been coming around the office more lately, sometimes armed with sweets and sometimes with an agenda to whisk your time away for his use because he’s bored. It’s mostly fine because a person to talk to is welcomed after a couple of hours by yourself, staring at lit screens until you can feel your eyes die off. You once got a scare because everything had a weird white outline when you finally diverted your eyes from the screen. In a sense, he was keeping your sight safe. He smiled when you said that, replying “Glad I can be of service!” before rattling off another description of a strawberry cheesecake he found in Belgium.

“It must be so nice, being able to teleport places. It takes me so much time just to travel within Japan, honestly such a bother. And I can’t really go overseas either with so many tasks to do with all the cursed spirits running around.” Sighing, you slouch on the desk and bury your face in your arms, missing how Gojou’s lips immediately quirk up.

“I can take you there, you know.” Your head shoots up at that, staring at him with wide eyes. “I can take you anywhere. How about France? We’ll be there in the blink of an eye. We can spend a couple of hours there, eat as many pastries as we want to and just snap right back here. What do you say?” His foot taps on the ground repeatedly, like he’s nervous or agitated. Is he in a hurry or something?

Well, it doesn’t take you long to come to a decision. The offer sounds nice. Really, really nice.

It’s been a while since you had a break. Not like you can take a long one since cursed spirits are unpredictable in their appearances and need constant attention so that civilian casualties don’t occur. Which means the workflow never stops coming. A trip to pastry country sounds amazing.

“Sure, that sounds good. We need to set up a ti—”

“Gojou-sensei!”

The door slams open, the sound echoing through the hallway and the office. Gojou’s new student, Itadori Yuuji, leans on the door while gasping for breaths.

“Hey, Yuuji! What’s the rush?”

“We’re supposed to be training! I was waiting in the room for the past 10 minutes!” A quick glance at the clock indicates 6:40 and you finally notice the sun setting over the mountains. The fading light paints the room in a golden warmth, which makes you wonder why you didn’t notice how fast time was flying. Probably because you were too invested in your conversation with your friend.

Who is now picking himself up from the chair and putting up theatrics by brushing off non-existent dust from his pants. Small giggles escape at his antics. A glance at Itadori tells you he’s close to dying from either dehydration or exhaustion. He must have run all over the campus trying to find Gojou. You wonder why he doesn’t just use his phone. You do live in the fifth technological age and sort of expect a teenager like him to be able to use one.

“Itadori-kun, do you want some water?” Rising out of your seat, you reach for a cup but Gojou’s hand stops it by covering yours. He twists your hand in his and interlaces his fingers with yours.

“No, it’s fine. We’re going to go now. Think about the time and date, okay? Keep in mind the time difference.” He gives the connected hand a slight jiggle as a farewell, skipping out of the room with a bright “Goodnight!” He’s initiating a lot more physical contact recently. Wonder what that’s about.

Itadori watches the scene unfold from the doorway, jaw slack. His eyes follow Gojou but as soon as he’s out of the room, they snap to you. He stares at you so intensely that it looks like his eyes are going to pop out of its sockets pretty soon. You have no idea why he’s staring at you like this and why he’s not following his teacher. It’s like he’s frozen solid in his spot.

Some—read all—of his students sometimes complain about his walking speed, how he purposefully uses his leg length as an advantage and briskly walks on ahead, leaving them in the dust. Some—again, read: all—of your co-workers said the same thing as well. You asked him about it one day and he replied with a great big smile, “I just do it for fun!” He doesn’t do it to you, though. It’s weird because he does it at least once to everyone else you ever met, even your own brother, despite him being only a few centimetres shorter than Gojou. It apparently played a part in his reluctance to partner up with him. Or just generally hang out with him. You wish he’d give Gojou a chance, he’s not that bad once you get to know him.

Hm, maybe I just don’t have an interesting enough reaction for him. Am I not interesting? Is it a really weird and backhanded way of telling me I’m boring? The train of thoughts takes off, expanding and multiplying until you realise Itadori is still imitating a befuddled statue.

You stare at him. He stares back. He doesn’t break eye contact. This is a really weird thing to think right now but he would absolutely crush everyone at a staring contest.

“Itadori-kun? Don’t you need to go?” That seems to startle him out of his stupor.

“Ah, ye—yes! Sorry for interrupting!” Before you can assure him that there was nothing to interrupt, the poor boy stumbles out of the room and also manages to bonk his head on the door and wall no less than twice. Yelps of “I’m okay!” and “Don’t worry!” followed by his running stops you from checking up on him.

“Man, Gojou must really have his hands full taking care of such a clumsy boy. Thank God Fushiguro is a bit more calmer. Now, where and when should we go… Probably should find out the time difference like he said… Oh! Maybe I can invite Shouko and Ken-chan to come along! They need to get out and have a holiday as well. I’m sure Gojou won’t mind if I invite them.”

Masterlist | Next chapter →

#gojou x reader #gojou imagine #gojou satoru x reader #gojou satoru imagine #gojo x reader #gojo imagine #gojo satoru x reader #gojo satoru imagine #jjk x reader #jujutsu kaisen x reader #jjk imagine #jujutsu kaisen imagine #jjk #jujutsu kaisen #gojou #gojou satoru #fluff #series #female reader

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chaletnz · 2 years

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Tokyo: Temples and Pancakes

I was up early again to get a quick shower in before all the (presumably) Tokyo salarymen in the room woke up to start their day. On my way to the train station I stopped in at Benitsuru to reserve a table for lunch for me to finally have my eagerly anticipated super-fluffy pancakes. They took my name and non-refundable 1000 yen deposit, which would later go towards my lunch, and scheduled me in for 1pm. I then had a coffee at Coffee Supreme in Shibuya - a new and apparently New Zealand influenced coffeehouse with just a row of a few seats in front of the shiny new La Marzocco coffee machine. I believed the NZ influence once I saw the Pic's peanut butter on sale there! They made a nice flat white to start my day out the right way before I carried on on my journey to Hamamatsu-cho station to get my Covid test in preparation for my flight to the USA. At the station there was a small Mannekin Pis statue resembling the famous one in Belgium but that the Japanese dress up in various seasonal outfits. It took me a bit of wandering around the various platforms to finally locate it - on the same platform where I had arrived and walked left rather than right! I walked down into this suburb of Tokyo and found the medical clinic for my Covid swab test, I handed them all my paperwork and then they directed my focus to an iPad sitting on the counter where a doctor was online waiting for my "consultation". He basically asked me my name and whether I was in good health then he told me to go into the side room for my swab. I was whisked in and given a swab test that made my eyes water unlike my first one in Kutchan that was totally fine. They passed me a tissue and got me back out into the reception area, gave me a collection slip and told me when and where to pick up my certificate for flying. All in all it only took about 5 minutes but it cost a hefty 25,000 yen which had my eyes watering again... After the swab I bought a bottle of water as I was finally allowed to drink again and I walked to the nearby Zojoji temple, Seishoji temple, and climbed the Stairs of Success. They were seriously steep and my knee started to hurt just looking up at them, but I followed all the elderly Japanese people climbing up and made it to the top! Time was starting to run away on me and I made my way as quick as possible back to Benitsuru for my 1pm seating, knowing that if I was late I would lose my spot. It was down to the wire but I arrived at about 12:59 and they invited me inside to sit at the end of the bench. It was quite cosy, only about 12 people could be seated at once. I ordered the plain pancakes with butter and honey and patiently waited and watched as the two chefs prepared the pancakes systematically for the other patrons. I saw how perfect the bacon looked for the bacon and egg pancakes someone else was getting and asked the waiter if I could add bacon to mine. He rather rudely told me, no it's too late, even though it took at least another ten minutes before my pancakes were served up. I paid about 1400 yen for my pancakes, and they were pretty good. Super thick and fluffy but not overwhelmingly sweet or heavy. They were otherwise quite plain and just didn't blow me away like I had expected, I also found the waiter very arrogant which put me off the place too. I'm glad I tried it out but I probably wouldn't go back...

On my way back to the train station I passed a nice handmade card shop and ended up chatting with the owner in there and buying a few cards to send out. The train then took me back to Ginza to get Jo's very important Shiseido items at last! I still had enough time for another coffee so I went to Aoyama to check out Little Darling Coffee Roasters. It was a large green park area with some loungers, tables, and space for kids to run around in the middle. The cafe itself was huge and filled with potted plants and loads of tables, plus a massive roaster too. I ordered a flat white and it was card payments only which was a shock! I'm sure many Japanese would get caught off guard. After my coffee I headed into Shibuya for a spot of shopping again at Uniqlo and Village Vanguard which plays some great Japanese pop, punk, and rock music as you wander and look at all the strange things they sell there. At sunset I found myself in the Lindt cafe with a delicious chocolate frappe overlooking the scramble crossing. It was once to sit back and relax while watching the busyness of Tokyo on the streets below, it was suddenly dawning on me that I didnt feel quite ready to leave Japan yet. I've grown to really love it here, but I guess I've never been ready to move on from any country, I always get too comfortable! I also picked out a mix of Lindt chocolates for Jo before heading into Tokyu Hands for my final shop of more postcards and calendars. Just as I was about to enter I saw a bin full of little flip wallets for 500 yen so I grabbed one of those too (and it's now my new main wallet!). Once my feet and back started to ache from shopping I took the train back to my hostel and wrote out all of my postcards for friends to lighten my load before flying. On the way I visited 7 conbinis to try and find a cheesy pizza flavoured steamed bun and got lucky on the very last one! I'd been meaning to try one for ages and now I had the true fear of missing out so I made sure to get one - it was delicious of course! I'll certainly miss the convenience store offerings!

#Japan #Tokyo

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01136088 · 3 years

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about two years ago I met a friend from belgium in a bar in shibuya and we both agreed the music was too loud so after wandering a couple blocks or so we got on my bike (me pedalling and him on the back rack) towards shibuya, the only neighbourhood we thought would still have open bars, where I caught a beetle on a planter at the crossing, which I repeatedly, drunkenly presented to people as "ore no musume kabuto-san" until a pair of siblings visiting from Iran found it amusing enough to buy us drinks in a basement bar where I inevitably lost my passport and most of my memory from my last night in Tokyo.

I wish I could say goodbye to all of the people I met that night. The French couple in the bar and the girls outside the convenience store. But I'll.never remember who they were or all of it, any of the other details or people. I'll never remember anything after the end. And that's, it.

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ground-flesh · 4 years

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[Playlist] 2019.10.26(Sat) The Sound Of Rain@Shibuya TANGLE

▼DJ Michi-Silve Playlist (Artist name - Song title [Release year,country])

Zounds - Can't Cheat Karma [80,UK]

Crisis - Alienation [81,UK]

Gattopardo - Nova Guerra [14,Brazil]

Totenwald - Terror Age [18,Germany]

The Estranged - Don’t They Know [08,US]

Blind Seagull - Train To Tallinn [17,Russia]

Elysian - Twist of the Knife [18,US]

Kuudes Silma - Kuolemaa [15,Finland]

Grauzone - Schlachtet! [81,Swiss]

Il y a Volkswagens - Kill Myself [81,UK]

Red Zebra - Paradise Lost [83,Belgium]

Fad Gadget - Lady Shave [81,UK]

Colouroid - Shove [17,Sweden]

Ash Code - Drama [14,Italy]

#postpunk #deathrock #newwave #coldwave #synthwave

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hr-muziek · 5 years

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HR1809 : MAHER SHALAL HASH BAZ : bleus de la brousse

Imagine that it is summer in the mid-2000's, you are in the south of France in a small hamlet & there is a concert in the community house. You arrive to see a guitar player & singer, a bass player, a trumpet player & a percussionist playing elements found in the kitchen, all playing, what sounds like the "bleus". There is a tension in the space as it takes time for partitions to be found among the myriad of papers before the players then they play the bleus, the bleus, the bleus... These bleus in different scales & imagery are provided by Tori Kudo & his project Maher Shalal Hash Baz captured live on cassette at Hameau de la Brousse, on the 26 of June 2007 during their first tour in France. Years later this cassette is duplicated into a limited edition by the Brussels, Belgium based label Hôtel Rustique & you happen to see it right here on the internet. You notice a string of song titles with indecipherable codes, you figure out that BDJ = Blues du Jour, Em or Cm or whatever indicates the chord & the other numbers indicate the date of composition. Intrigued by the sound, you take a chance & buy the cassette.

crédits paru le 27 décembre 2018 Tori Kudo : guitar, voice Naoki Otani : trumpet Koji Shibuya : bass, melodica McCloud Zicmuse : percussion Recorded live on cassette by Koji Shibuya at Hameau de la Brousse, France on the 26 of June 2007

HR1808 : » bleus de la brousse « by MAHER SHALAL HASH BAZ

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marketresearchtrendsblog · 3 years

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Craft Beer Market: Global Industry Analysis, Trends, Market Size, and Forecasts up to 2025

The report on the global craft beer market provides qualitative and quantitative analysis for the period from 2017 to 2025. The report predicts the global craft beer market to grow with a CAGR of 13.88% over the forecast period from 2019-2025. The study on craft beer market covers the analysis of the leading geographies such as North America, Europe, Asia-Pacific, and RoW for the period of 2017 to 2025. The report on craft beer market is a comprehensive study and presentation of drivers, restraints, opportunities, demand factors, market size, forecasts, and trends in the global craft beer market over the period of 2017 to 2025. Moreover, the report is a collective presentation of primary and secondary research findings.

Request to Fill The Form To get Sample Copy of This Report: https://www.sdki.jp/sample-request-103925 Porter's five forces model in the report provides insights into the competitive rivalry, supplier and buyer positions in the market and opportunities for the new entrants in the global craft beer market over the period of 2017 to 2025. Further, IGR- Growth Matrix gave in the report brings an insight into the investment areas that existing or new market players can consider. Report Findings 1) Drivers • Rising number of microbreweries • Growing consumer preference for low alcohol by volume (ABV) beer 2) Restraints • High penetration of the traditional beers 3) Opportunities • Increasing spending capacity of the consumers Research Methodology A) Primary Research Our primary research involves extensive interviews and analysis of the opinions provided by the primary respondents. The primary research starts with identifying and approaching the primary respondents, the primary respondents are approached include 1. Key Opinion Leaders associated with Infinium Global Research 2. Internal and External subject matter experts 3. Professionals and participants from the industry Our primary research respondents typically include 1. Executives working with leading companies in the market under review 2. Product/brand/marketing managers 3. CXO level executives 4. Regional/zonal/ country managers 5. Vice President level executives. B) Secondary Research Secondary research involves extensive exploring through the secondary sources of information available in both the public domain and paid sources. At Infinium Global Research, each research study is based on over 500 hours of secondary research accompanied by primary research. The information obtained through the secondary sources is validated through the crosscheck on various data sources. The secondary sources of the data typically include 1. Company reports and publications 2. Government/institutional publications 3. Trade and associations journals 4. Databases such as WTO, OECD, World Bank, and among others. 5. Websites and publications by research agencies Segment Covered The global craft beer market is segmented on the basis of type, and distribution channel. The Global Craft Beer Market by Type • Ale • Lager • Porter • Stout • Pilsner • Other Types The Global Craft Beer Market by Distribution Channel • On-trade Channels • Off-trade Channels Company Profiles The companies covered in the report include • The Boston Beer Company • D.G. Yuengling and Son • Anheuser-Busch InBev • Heineken N.V. • Stone & Wood Brewing Co. • Bell's Brewery, Inc. • The Lagunitas Brewing Company • New Belgium Brewing Company • Sierra Nevada Brewing Co. • Chimay Beers and Cheeses • Other Companies What does this report deliver? 1. Comprehensive analysis of the global as well as regional markets of the craft beer market. 2. Complete coverage of all the segments in the craft beer market to analyze the trends, developments in the global market and forecast of market size up to 2025. 3. Comprehensive analysis of the companies operating in the global craft beer market. The company profile includes analysis of product portfolio, revenue, SWOT analysis and latest developments of the company. 4. IGR- Growth Matrix presents an analysis of the product segments and geographies that market players should focus to invest, consolidate, expand and/or diversify.

The dynamic nature of business environment in the current global economy is raising the need amongst business professionals to update themselves with current situations in the market. To cater such needs, Shibuya Data Count provides market research reports to various business professionals across different industry verticals, such as healthcare & pharmaceutical, IT & telecom, chemicals and advanced materials, consumer goods & food, energy & power, manufacturing & construction, industrial automation & equipment and agriculture & allied activities amongst others.

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pucatronictv · 3 years

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ITA (Primitive, SIDE B)

90年、DJをスタート。Dub, Soul, Funk, Acid Jazzなど様々なジャンルを通過。

01年、Primitiveのオーガナイザー、レジデントDJに。

以降、好評を博し続けているアウトサイド・パーティをオーガナイズ。

大きな反響を呼んだDeadmau5をはじめとする海外アーティストの招聘を実施。

05年、中村料理とLive Unit"SIDE B"を結成。Deadmau5、D-Nox&Beckers、Pig & Danらに絶賛される。

08年2月、ファーストEPを日本屈指のアナーキー・テクノ・レーベルWC Recordings よりリリース。

ドイツのベテランDJ Alex Bauにその音が認められ、Alexのレーベル"kumo"からリリースのオファーを受けるなど、世界各国のレーベルから立て続けにリリースを重ねる。

09年5月、初の海外NY公演を、10月にはベルギー公演を成功させ、11月、Frame Recordings(jp)から初のアルバム"Primitive"をリリース。

10年以降、BON Sweets & Smile（恵比寿）、CANO BAR（渋谷）、CAY（表参道）、1/3bar（秋葉原）など、カフェやレストランへのラウンジ音源提供開始。

現在はTechno、Houseなどのダンスミュージックからelectronicaなどのラウンジセットまで、幅広く活動中.

Started DJing in 1990. Passed through various genres such as Dub, Soul, Funk, Acid Jazz.

In 2001, became a Primitive organizer and resident DJ.

Since then, we have organized an outside party that has been well received.

Invited overseas artists such as Deadmau5, which has received a great deal of attention.

In 2005, formed Live Unit "SIDE B" with Nakamura Cuisine. Acclaimed by Deadmau5, D-Nox & Beckers, Pig & Dan and others.

In February 2008, the first EP was released on Japan's leading anarchy techno label WC Recordings.

The sound was recognized by German veteran DJ Alex Bau, and he received a release offer from Alex's label "kumo", and released in quick succession from labels all over the world.

In May 2009, he made his first overseas NY performance, and in October he made a successful performance in Belgium. In November, he released his first album "Primitive" from Frame Recordings (jp).

Since 2010, we have started providing lounge sound sources to cafes and restaurants such as BON Sweets & Smile (Ebisu), CANO BAR (Shibuya), CAY (Omotesando), 1/3 bar (Akihabara).

Currently, he is active in a wide range of activities, from dance music such as Techno and House to lounge sets such as electronica.

#tokyo #underground #music #YouTubeLive #djmix #technomusic #housemusic #deephouse #framerecordings #wcrecordings #primitive #electronica #kumo #side b

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market-research-updates · 3 years

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Digital Light Processing (DLP) Projector Market Share, Major Companies Profile, Size, Growth, Competitive Landscape and Key Regions 2025

The DLP Projector Market is expected to register a CAGR of 5.9% during the forecast period of 2020-2025. Digital light processing (DLP) projectors use a display device which includes optical micro electro mechanical technology using a digital micromirror device.

- The increase in the number of digital screens in the film industry, growing digitalization in the education sector, and increasing adoption of 3D projection in emerging applications are the factors that are expected to drive the market during the forecast period. - Demand for short-throw DLP projectors and ultra-short-throw DLP projectors is higher as compared to normal-throw DLP projectors, and this is expected to boost the market growth in small-space applications. As these small-space applications are accompanied with business, entertainment, and education sectors, they are further anticipated to positively impact the market growth. - Owing to advantages such as high contrast feature, reliability, reduced pixilation, durability, and portability, these projectors are becoming popular in the market. Conversely, high cost and lack of knowledge may hinder the global DLP projector market in future. - COVID-19 is having a significant negative impact on Electronics Industry. A significant amount of uncertainty exists because of the changing scope as well as the reactions by governments and companies. Dependencies in the supply change and availability of critical components are likely to hinder the market growth of DLP Projector Market.

Click Here to Download Sample Report >> https://www.sdki.jp/sample-request-85980

Key Market Trends

Increasing Number of Digital Screens in Film Industry is Expected to Drive the Market Growth

- Increasing number of digital screens in film industry is expected to drive the market growth as conversion of analog screens into digital screens is helping DLP projectors gain popularity. Number of films released all over the world has increased during the recent years, further driving the DLP projector market. - DLP projectors are used in the film industry because of the increase in the number of 3D films and their cost-saving benefits over traditional projectors. Companies such as Barco N.V. (Belgium), Christie Digital Systems Inc. (U.S.), and NEC Corp. (Japan) are some of the major manufacturers of DLP projectors for the film industry. - DLP projectors operate fast and provide extremely high-contrast pictures. Moreover, DLP projectors are generally smaller and lighter than other types of projectors which is likely to boost the usage of DLP projectors in Home Entertainment & Cinema industry. - According to SAPPRFT (State Administration of Press, Publication, Radio, Film, and Television), China is anticipated to have over 60,000 cinema screens by 2020. The increasing number of movie screens and the interest of viewers in 3D movies is expected to drive the growth of the market.

Asia-Pacific is Expected to Hold Largest Market Share

- The Asia-Pacific region is expected to dominate the DLP projector market, during the forecast period. The major factors driving the scale and growth of the Asia-Pacific market are the increasing investments in the consumer electronics market, as well as the strong demand from the automotive, healthcare, and education and research markets. - Increasing adoption of advanced technologies in Asia-Pacific's entertainment segment offers an opportunity for market growth. A growing bias for 3D films from the audience in APAC countries has been observed which is likely to propel the growth of market. - A growing number of film screens and viewer interest in 3D films drives market growth for 3D DLP projector in APAC. A growing demand for home theater and gaming projectors provides an opportunity for the APAC market as there are many players offering low-cost projectors for applications for home theater. - Asia Pacific is anticipated to be the largest player in the global DLP projector market as it is considered as the home for many companies. Moreover, with the improvement in the economy, it is likely to fuel up the investments in the R&D activities for advanced technologies which will further boost the market in this region.

Competitive Landscape

The DLP projector market is highly competitive owing to the presence of many large players in the market operating in domestic as well as in the international market. The market appears to be moderately concentrated with the major players adopting strategies like product innovation and mergers and acquisitions. Key players are Texas Instruments Inc., BARCO Technology Company and Optoma Corporation among others. Recent developments in the market are -

- April 2020 - Barco partnered with Australian distributor World’s Best Technology Distributors (WBT) for its portfolio of projectors and AV technology.The collaboration will help with Barco’s national expansion and enable the business to enter new vertical markets such as retail signage, display and education. - March 2020 - BenQ has introduced their range of Smart Projectors to cater to the new working trends, BenQ Smart Projectors give a Wireless, Driver-less, PC-less & Effort-less experience for Smarter Meetings.BenQ Smart Projectors comes with a USB Type-A port that supports a wide range of file formats including JPEG, PDF, Microsoft Word, Excel, and PowerPoint files.

Reasons to Purchase this report:

- The market estimate (ME) sheet in Excel format - 3 months of analyst support

For more information, please contact:

Hina Miyazu

Shibuya Data Count Email: [email protected] Tel: + 81 3 45720790

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alexracheltravel · 6 years

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Day One: Walking Off the Jetlag

Overview: We woke up before 7:00 am. Nothing was open, but we were starving, so we went and got food at 7/11, as well as a coffee. Then, we made our way down to Shinjuku, and took in the sights. From there, we took the Metro down to Shibuya, stood in the famous crossing, and had a mid-morning meal down in a big food Mart. We had a lot of exploring, and also went in a giant mall, filled with video games, manga, and CDs. Of course, it was only about 1:00, so we took the train up a stop to visit Meiji Shrine, the largest Shinto shrine in the city, honoring one of Japan's past emperors. We had an amazing time observing Shinto ritual, strolling through the gardens, and relaxing. Finally, we had our first sit-down meal: ramen (what else!), before taking a nap in the hotel. Our night began We made our way down to the infamous Golden Gai, a network of back alleys filled with bars and restaurants, each containing no more than ten seats. This nightlife hub had a mixture of tourists and local “members only” bars. We went to Nagi, a well-known ramen shop, and sat down for a few drinks beside some friendly Australian tourists at a random bar, of which we don’t even know the name. Then, we did some wandering down the Shinjuku streets, bought gummies in a local convenience store, before going to bed. We’ve got an early day.

Itinerary:

Walking Around Shinjuku - Day Shibuya Crossing Tokyo Food Show Shibuya “Mall” Meiji Shrine Ramen #1 NAP!!! Golden Gai Ramen #2 Drinks Lawson’s Convenience Store

AJM: To be honest, we did a lot today, and I’m pretty impressed in how easily we’ve adapted to the subway system. It’s not as overwhelming as the map may suggest.

RMF: I think my favorite part of the day was how peaceful the Meiji Shrine was. With a close second being “Tokyo Food Show.” But I want to talk about the shrine first.

AJM: It was filled with beautiful wood, trees, and wow, that architecture was so great. What was that thing you said about this shrine and how we can’t replicate it back home?

RMF: I think something that stands out is that American culture doesn’t have anything focused on peace and tranquility. Anything you see that does that in American culture is appropriated from other culture, like yoga or meditation. I wish that was more important to Americans.

AJM: We have religions that replace that. Like the Amidah in Judaism, which is all about silence and prayers with God. But I do agree it’s very different, and I really loved that we saw that group before us take part in a ritual, even if it looked like all they did was put a tree branch on a table. Now, can we talk about the “Tokyo Food Show”?

RMF: Yes, please! What your favorite food?

AJM: The hand roll sushi. That tuna belly was great. One thing I had no idea about was how amazing the soy sauce also tastes here. It sounds silly, but the soy sauce really is better than it is at home, and I have no clue why that is. But the Tokyo Food Show really was like an underground Chelsea Market, filled with cool food vendors, and a really nice-looking grocery store. I could have spent a lot more time, and a lot more money there.

RMF: That was my second-favorite place we went to today. I have a favorite sweet food and a favorite savory food. My favorite sweet thing was that kiwi/lime/mint gelato. Yes, this wasn’t Japanese. But it was so delicious. The combination of all green flavors rocked my little world. My favorite savory thing was probably the gyoza we had.

AJM: That whole complex was amazing. Upstairs there were music and bookstores. I don’t think we’ve ever seen that much manga in one spot before. But there was also so many CDs! The CD isn’t dead in Japan, folks. Honestly, this was a good day, even though we failed to fight jetlag, and took like a three-hour nap in the middle of the day.

RMF: But it was worth it. By the way, we had ramen twice today. I liked the first one better, but the noodles in the second one (nami noodles) were terrific. Gotta respect that noodle game.

AJM: Agreed. I liked that ramen more than you did, the one at Nagi. It had a weird broth, and it was a little oily, but I think that’s part of the appeal, especially because we were down in an area known for pub fare.

RMF: We met nice people today. One woman who helped us with directions on the train, some Australian tourists at a bar, and the bar owners, who spoke very good English, but not a lot of it.

AJM: It was a nice bar, and I like that there were bars for locals as well. It was a very interesting area for sure. I can’t wait for tomorrow!

RMF: And if we can’t sleep, the Japan vs Belgium soccer game is on at 3:00 AM.

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reshamsblog · 3 years

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The latest research report on End Load Cartoning Machines Market was conducted across a variety of industries in various regions to provide a report that has data surpassing 100+ pages (Based on 2020 COVID-19 Worldwide Spread) The report offers a mixture of qualitative and quantifiable information focusing on aspects such as key market developments, industry and competitors’ challenges in gap analysis and new opportunities in the End Load Cartoning Machines market. Various leaders along with players that are emerging, have been profiled in this report.

Some are the key & emerging players that are part of coverage and were profiled in current version are Robert Bosch GmbH, Omori Machinery Co.,Ltd., Mpac Group plc., ROVEMA GmbH, EconoCorp Inc., PMI KYOTO Packaging Systems, A Langley Holdings Company, ADCO Manufacturing, Tetra Pak International S.A., Marchesini Group S.p.A., I.M.A. INDUSTRIA MACCHINE AUTOMATICHE S.P.A., Douglas Machine Inc., IWK Verpackungstechnik GmbH, SHIBUYA CORPORATION, among other domestic and global players.

Click Here to Get Sample Report Of “End Load Cartoning Machines” Market https://www.databridgemarketresearch.com/request-a-sample/?dbmr=global-end-load-cartoning-machines-market

An introduction of End Load Cartoning Machines Market 2020

End load cartoning machines market will reach an estimated valuation of USD 3.1 billion by 2027. End load cartoning machines market report analyses the growth, which is currently being growing due to the rising applications in various end-use industries and will create various opportunities in the forecast period of 2020-2027.

Adoption of cartoning machines for packaging of cosmetic products, sundry goods, food stuff and confectionary, integration of advance technology, introduction of robotics will speed up the packaging process are some of the factors that will likely to enhance the growth of the end load cartoning machines market in the forecast period of 2020-2027. On the other hand, growing preferences towards brands according to their differentiated packaging style will further boost various opportunities that will lead to the growth of the end load cartoning machines market in the above mentioned forecast period.

Crucial Market Segment details-:

By Orientation (Vertical, Horizontal),

Capacity (200 CPM, 200 CPM to 400 CPM, More Than 400 CPM),

End-Use (Food Industry, Beverage Industry, Pharmaceutical Industry, Homecare Industry, Others),

Dimension (Less Than 200 CC, 200 to 1000 CC, 1000 to 5,000 CC, 5,000 to 10,000 CC, Above 10,000 CC),

Country (U.S., Canada, Mexico, Brazil, Argentina, Rest of South America, Germany, France, Italy, U.K., Belgium, Spain, Russia, Turkey, Netherlands, Switzerland, Rest of Europe, Japan, China, India, South Korea, Australia, Singapore, Malaysia, Thailand, Indonesia, Philippines, Rest of Asia-Pacific, U.A.E, Saudi Arabia, Egypt, South Africa, Israel, Rest of Middle East and Africa) Industry Trends and Forecast to 2027

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kokiafans · 1 year

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KOKIA in flashback - 2008

We have made it to 2008, the year of KOKIA's 10th anniversary! She celebrates this milestone and her new-found independence accordingly with multiple (!) new albums: the anniversary album The VOICE (with a Japanese and European release), the album Fairy Dance which she records in Ireland, and Christmas gift, a Christmas album (with once again a Japanese and European release). We also get the complete collection 1998-1999, gathering all her songs from her Ponyo Canyon era.

She also returns to Europe, this time performing not only in Paris, but also Brussels, Belgium. She draws 1,800 people to her performances in France, expanding her scope there.

At the end of the year, she travels to the United States for her Music Gift project, where she hands out 10,000 copies of the single Music Gift by herself dressed as Santa in New York City, in memoriam of the 9/11 attacks. She includes a new version of remember the kiss on this; Remember the kiss (dedicated to "New" NY).

◆ Lives and events ◆

February 16 ＋0°C snow music festival 08 (Niigata, Tôkamachi, Echigo-Tsumari gathering hall Kinare) ※ Charity event for recovery after the Chûetsu offshore earthquake

February 23-24 KOKIA Live in Naeba Prince white notes Vol.2 (Naeba Prince Hotel Chatelaine)

【KOKIA European Tour 2008】 March 22 - Best-of, Paris, La Mutalité March 23 - VIP, Paris, Café de la Danse March 25 - Intime, Brussels, Le Botanique

【KOKIA The VOICE~10th Anniversary concert】 April 11 - Osaka, Osaka Kōsei Nenkin Kaikan, arts hall April 16 - Tokyo, Tokyo International Forum Hall C

April 21 20th peach blossom viewing festival (Niigata, Kariwamura 2nd gymnasium) ※ 2 performances in 1 day

May 11 Sakae Minami music festival '08 (Aichi, Yaba Park)

June 28 (July 13/August 16/September 14/September 15) Afternoon tea party with KOKIA (Tokyo, Club PASONA Omotesando) ※ Event exclusive for members of the KOKIA fan club, club ancoro. 5 tea parties in total

July 12 KOKIA special concert in Ario Nishiarai (Tokyo, Ario Nishiarai) ※ 2 performances in 1 day

July 26 Gion Kashiwazaki festival fireworks stage ~restoration support concert~ (Minatomachi beachside park, sunset dome)

August 2 SURFSIDE RADIO '08 in Fukuma beach (Fukuoka, Fukuma beach SURF SIDE CLUB) ※ Live recording broadcasted by CROSS FM

August 3 Marinoa City Fukuoka presents FM Fukuoka Summer Special ~Summer Mari '08~! (Marinoa City Fukuoka) ※ Live recording broadcasted by FM FUKUOKA

September 27 Fairy Dance~KOKIA meets Ireland~ (Roppongi STB139 Sweet Basil) ※ 2 performances in 1 day

September 28 Troubadour LIVE for TENSEI (Tokyo, Katsushika Symphony Hills) ※ charity concert to help Tensei Iwata, who is battling a disease called idiopathic dilated cardiomyopathy)

October 4 TOKYO Music Marathon music festival in Tokyo International Forum supported by Victor 80th anniversary (Tokyo International Forum Hall C)

October 13 KOKIA Special Live in Ario Soga (Chiba, Ario Soga) ※ 2 performances in 1 day

November 2 Azabu University festival 2008~KOKIA concert (Kanagawa, Azabu University)

November 8 Ritsumeikan University School Festival UK with JP~2 way love special screening after the presentation, KOKIA LIVE & TALK (Shiga, Ritsumeikan University Biwako Kusatsu Campus)

November 16 KOKIA Christmas gift Concert 2008 (Tokyo, Dai-ichi Seimei Hall) ※ Extra performance on November 20

November 21 My Space cafe presents at Spuma escala party vol.2 (Shibuya Spuma)

November 30 LOVE FM AIR-STAGE World AIDS day Fukuoka (Fukuoka, Tenjin IMS, IMS Plaza) ※ Live performance broadcasted by LOVE FM

December 15 Apple Store Shibuya in-store live (Apple Store Shibuya)

December 23 Uta no Chikara tour '08 ('The power of song') (Fukuoka, Gate's 7)

December 24 ZIP-FM Xmas Square KOKIA LIVE (Aichi, SUNSHINE SAKAE) ※ Live performance broadcast ZIP-FM

December 25 Uta no chikara tour '08 ('The power of song') (Annex Hall of The Museum of Kyoto)

December 26 KOKIA Kokoro no akari live ('light in the heart') (Annex Hall of The Museum of Kyoto)

◆ Releases ◆

February 20 Release of original album The VOICE (Victor Entertainment and others) ※ CD to commemorate her 10th anniversary. Simultaneous relesae in Japan, Europe and Asia.

July 16 Release of concert DVD The VOICE 10th anniversary concert (Victor Entertainment)

September 24 Release of the album Fairy Dance ~KOKIA meet Ireland recorded in Ireland (Victor Entertainment) ※ First album recorded overseas

October 22 Release of the French edition of Christmas gift (Wasabi Records)

October 22 Release of the French edition KOKIA COLLECTION (Wasabi Records) ※ Collection box of 3 albums: Christmas gift, The VOICE and aigakikoeru (listen for the love) (French edition for each). The French release of Christmas gift is ahead of the Japanese release.

November 12 Release of Christmas album Christmas Gift (Victor Entertainment) ※ First Christmas Album

December 3 iTunes Store exclusive distribution of the EP Love Tears (Victor Entertainment) Mini album with 4 songs, including Arigatou... (from KOKIA 2007) ('Thank you...') and Watashi ni dekiru koto ('the things I can do').

◆ Other releases ◆

January 23 Release of the single Tatta hitotsu no omoi ('Only one thought') (Marvelous Entertainment) ※ Opening theme of the animated TV series GUNSLINGER GIRL - IL TEATRINO-

September 17 Release of best-of album KOKIA complete collection 1998-1999 (Ponyo Canyon) ※Album collecting the best of from her Ponyo Canyon era.

◆ Books ◆

April 11 Release of the KOKIA 10th anniversary book KOKIA 10th memorial book ※ Lavish memorial book talking about her 10 years as KOKIA and half her life as Akiko Yoshida. Includes a DVD with bonus footage and her first directed movie, Ojiichan no chuuripu ('Grandpa's tulips').

◆ Other ◆

May 27~ Sang the main song for the 'promise version' of the TV commercial for Mitsuya Cider

Fiscal year of 2008 Winner of the Ningenryoku taishou ('Grand prize of social grace') Won due to the song Watashi ni dekiru koto ('the things I can do'), created to encourage people struck by disaster

December 9 Appearance in the Nippon TV national network series Dare mo shiranai nakeru uta (songs no-one knows that make you cry') ※ Episode introducing and self-accompanied piano performance of Watashi ni dekiru koto ('the things I can do')

December MUSC GIFT project Handed out copies herself in New York of her CD MUSIC GIFT, including Remember the kiss~dedicated to "New" NY, the song that she initially wrote after the terrorist attacks on September 11, 2001 and recorded anew in New York with the choir from the New York church

The album The VOICE wins the Domestic World/New Age Award at the ADLIB sponsored ADLIB Awards 2008

◆ Videos with links to watch ◆

Opening theme Tatta hitotsu no omoi ('just one thought') for the 2008 series GUNSLINGER GIRL -IL TEATRINO-

#KOKIA #25 years of kokia in flashback

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someshd95 · 3 years

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Die Bonder Equipment Market Report Explored In Latest Research 2020 – 2027

Market Analysis and Insights: Global Die Bonder Equipment Market

Die Bonder Equipment Market is expected to reach USD 1,088.15 million by 2027 witnessing market growth at a rate of 3.6% in the forecast period of 2020 to 2027. Data Bridge Market Research report on die bonder equipment market provides analysis and insights regarding the factor such as increasing demand of microelectronic components.

Die bonder is defined as a system which helps in placing the semiconductor device and die bonder equipment is a type of assemble equipment and semiconductor packaging used to fabricate semiconductor devices. Generally the most important function of die bonder is to pick the die from wafer and attach it to a substrate.

Introduction of stacked die technology in internet of things enabled devices, increasing demand of semiconductor integrated circuits, rising adoption of hybrid laptops, high definition television are some of the factors that will enhance the growth of the die bonder equipment market in the forecast period of 2020-2027. On the other hand, surging demand of 3D semiconductor assembly and packaging will further create new and ample opportunities for the growth of die bonder equipment market in the above mentioned forecast period.

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Increasing demand of polymer adhesive water bonding equipment and high cost of ownership are acting as market restraints for die bonder equipment in the above mentioned forecasted period. On the other hand, mechanical unbalance of moving parts will act as a challenge for the growth of the market.

This die bonder equipment market report provides details of new recent developments, trade regulations, import export analysis, production analysis, value chain optimization, market share, impact of domestic and localised market players, analyses opportunities in terms of emerging revenue pockets, changes in market regulations, strategic market growth analysis, market size, category market growths, application niches and dominance, product approvals, product launches, geographic expansions, technological innovations in the market. To gain more info on die bonder equipment market contact Data Bridge Market Research for an Analyst Brief, our team will help you take an informed market decision to achieve market growth.

Global Die Bonder Equipment Market Scope and Market Size

Die bonder equipment market is segmented on the basis of type, bonding technique, supply chain participant, application and device. The growth among segments helps you analyse niche pockets of growth and strategies to approach the market and determine your core application areas and the difference in your target markets.

Die bonder equipment market on the basis of type has been segmented as manual die bonders, semiautomatic die bonders and fully automatic die bonders.

Based on bonding technique, die bonder equipment market has been segmented into epoxy, eutectic, soft solder and others.

On the basis of supply chain participant, die bonder equipment market has been segmented into Osat companies and IDM firms.

On the basis of application, die bonder equipment market has been segmented into consumer electronics, automotive, industrial, telecommunications, healthcare, aerospace & defence.

Die bonder equipment has also been segmented on the basis of device into optoelectronics, MEMS and MOEMs, power devices.

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Die Bonder Equipment Market Country Level Analysis

Die bonder equipment market is analysed and market size, volume information is provided by country, type, bonding equipment, supply chain participant, application and device as referenced above.

The countries covered in the die bonder equipment market report are U.S., Canada and Mexico in North America, Brazil, Argentina and Rest of South America as part of South America, Germany, Italy, U.K., France, Spain, Netherlands, Belgium, Switzerland, Turkey, Russia, Rest of Europe in Europe, Japan, China, India, South Korea, Australia, Singapore, Malaysia, Thailand, Indonesia, Philippines, Rest of Asia-Pacific (APAC) in the Asia-Pacific (APAC), Saudi Arabia, U.A.E, South Africa, Egypt, Israel, Rest of Middle East and Africa (MEA) as a part of Middle East and Africa (MEA).

North America will dominate the die bonder equipment market due to surging demand of semiconductor ICs, while Asia-Pacific will expect to grow during the forecast period of 2020-2027 due to rising demand of tablets and smartphones along with prevalence of large number of manufacturers.

The country section of the report also provides individual market impacting factors and changes in regulation in the market domestically that impacts the current and future trends of the market. Data points like down-stream and upstream value chain analysis, technical trends and porter's five forces analysis, case studies are some of the pointers used to forecast the market scenario for individual countries. Also, the presence and availability of global brands and their challenges faced due to large or scarce competition from local and domestic brands, impact of domestic tariffs and trade routes are considered while providing forecast analysis of the country data.

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Competitive Landscape and Die Bonder Equipment Market Share Analysis

Die bonder equipment market competitive landscape provides details by competitor. Details included are company overview, company financials, revenue generated, market potential, investment in research and development, new market initiatives, regional presence, company strengths and weaknesses, product launch, product width and breadth, application dominance. The above data points provided are only related to the companies’ focus related to die bonder equipment market.

The major players covered in the die bonder equipment market report are Besi, ASM Pacific Technology., Kulicke & Soffa Industries, Inc., Mycronic AB, Palomar Technologies, West·Bond, Inc., MicroAssembly Technologies, Ltd., Finetech GmbH & Co. KG, TRESKY Automation, Smart Equipment Technology, Hybond Inc., SHIBUYA CORPORATION, Paroteq GmbH, Tresky GmbH, DIAS Automation (HK) Ltd., SHINKAWA LTD., FOUR TECHNOS, FASFORD TECHNOLOGY CO.,LTD., UniTemp GmbH, among other domestic and global players. Market share data is available for global, North America, Europe, Asia-Pacific (APAC), Middle East and Africa (MEA) and South America separately. DBMR analysts understand competitive strengths and provide competitive analysis for each competitor separately.

Customization Available: Global Die Bonder Equipment Market

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royjessan · 3 years

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Die Bonder Equipment Market Popular Trends & Technological Advancements To Watch Out For Near Future - Global Industry Analysis 2027

Market Analysis and Insights: Global Die Bonder Equipment Market

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Global Die Bonder Equipment Market Scope and Market Size

Die bonder equipment market on the basis of type has been segmented as manual die bonders, semiautomatic die bonders and fully automatic die bonders.

Based on bonding technique, die bonder equipment market has been segmented into epoxy, eutectic, soft solder and others.

On the basis of supply chain participant, die bonder equipment market has been segmented into Osat companies and IDM firms.

On the basis of application, die bonder equipment market has been segmented into consumer electronics, automotive, industrial, telecommunications, healthcare, aerospace & defence.

Die bonder equipment has also been segmented on the basis of device into optoelectronics, MEMS and MOEMs, power devices.

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Die Bonder Equipment Market Country Level Analysis

Die bonder equipment market is analysed and market size, volume information is provided by country, type, bonding equipment, supply chain participant, application and device as referenced above.

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Competitive Landscape and Die Bonder Equipment Market Share Analysis

Customization Available: Global Die Bonder Equipment Market

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Hong Kong: +852 8192 7475

[email protected]

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