#sonya whiskey rose

[anemoia-comic]

Finishing it LET’S GO GET IN HERE! If you would like to see pages and other art projects early, please check out my patreon! https://www.patreon.com/Gutterbunny666

#comic #webcomic #anemoia #anemoia a midwestern gothic #whiskey #Sonyawhiskeyrose #alexis astaroth #sonya whiskey rose #goth #goth girl #punk #punk girl #furry #sfw furry

[gutter-bunny-art]

doodle/concept art for a character in my Anemoia project. Their name is Sonya "Whiskey" Rose. They/she pronouns Trans femme Punk, outgoing, confident, guitar player, Edgelord, horror movie fanatic, Satanist, radical left-wing politics, couch surfer, does drugs. They are confused as to why they are still alive right now. Hiding a secret not of guilt but they don't know what is going on or who they can trust.

#cat girl #cat enby #nb #lgbt #punk #punk nb #punk girl #thigh garter #thigh highs #punk fashion #punk aesthetic #anemoia #anemoia comic #Whiskey #spiked bracelets #spiked collar #decay with me #piercings #sfw anthro #furry art #the horns #Sonya Rose

[mktheeldergodsmustbecrazy]

Character Info Sheet

I got this from @dearlokigodofmischief. This’ supposed to be one of those fill-out-and-tag-x-number-of-people things  I decided to use it for my Mortal Kombat OCs to show off my crappy character creation skills.

Also, I do apologize for the unevenness of the layout. For some reason, it’s not behaving. Anyways, to start things off, I have an honorable mention bio for the character I’d LOVE to have in the story but can’t fit her in

▌NAME: Lavinia

▌FACE CLAIM: Caitriona Balfe

▌AGE: Appears to be in her thirties

▌HEIGHT: 5′6″

▌SPECIES: Human

▌GENDER: Female

▌NATIONALITY: Earthrealm

▌BIRTHDAY: March 3rd

▌SUN SIGN: Pieces

▌RESIDENCE: Her boarding house in 1880 something Oregon

▌MARITAL STATUS: Spinster

▌PROFESSION: In the story’s original “plot”, Lavinia was a gunslinger running a boarding house during the 1880′s when she meets up with Raiden, Johnny, Sonya, and a fourth character and she lets them crash at her place but I had dropped this plot because everything was just not working. And then, Erron Black happened....

▌DRINK: She loves her whiskey and tea but don’t give her vodka; she’ll shoot you for trying to poison her.

▌FOOD:  She has a big sweet tooth so anything dessert related.

▌DAY OR NIGHT: Daytime

▌SNACKS: Candies and fruits,

▌PET: A big scary-looking dog with the personality of a teddy bear

▌COLOR:  Green

▌FLOWER: Cactus rose

▌SEXUALITY: Curious

▌BODY TYPE:  Very fit

▌EYE COLOR: Blue

▌HAIR COLOR: Brown-Black

Now, onto the characters actually showing up in the story

▌NAME: Maria Scerri

▌FACE CLAIM: Marion Colliard 

▌AGE: 49

▌HEIGHT: 5′7″

▌SPECIES: Human

▌GENDER: Female

▌NATIONALITY: Earthrealm/Italian-French Corsican

▌BIRTHDAY: June 7

▌SUN SIGN: Gemini

▌RESIDENCE:  Studio apartment in Astoria, OR

▌MARITAL STATUS: Either divorced or widowed from her estranged husband, Kano. 

▌PROFESSION: She worked as a server at a local coffeehouse/bistro under the alias “Mary Rose Bennett” before being blackmailed back into the Black Dragon. She also teaches self-defense and is working a memoir of her life.

▌DRINK: She tries to avoid anything hard, preferring tea, water, and lemonade.

▌FOOD: She likes simple foods.

▌DAY OR NIGHT:  Daytime

▌SNACKS:  She really doesn’t have a favorite snack

▌PET:  She has two corgis

▌COLOR: Blue, White, and Silver

▌FLOWER:  Lilies

▌SEXUALITY: Grey/Demisexual

▌BODY TYPE:  Athletic

▌EYE COLOR:  Blue

▌HAIR COLOR:  Dark

▌NAME: Elaina Ramirez (Evelyn “Evee” Bennett)

▌FACE CLAIM: Melonie Diaz

▌AGE: A few years older than Cassie

▌HEIGHT: 5′1″

▌SPECIES: Human

▌GENDER: Female

▌NATIONALITY: Earthrealm

▌BIRTHDAY: August 23

▌SUN SIGN: Virgo

▌RESIDENCE:  A shared apartment in the DC area

▌MARITAL STATUS: In a relationship

▌PROFESSION: FBI Agent

▌DRINK:  Coffee; not just for the caffeine, she actually enjoys it.

▌FOOD:  Anything fried

▌DAY OR NIGHT: Night

▌SNACKS:  Does beer count?

▌PET:  She doesn’t have one yet but would like a cat

▌COLOR:  Black

▌FLOWER:  Violets

▌SEXUALITY: Lesbian

▌BODY TYPE: Like a brick house

▌EYE COLOR: Brown

▌HAIR COLOR: Black

[rivercityreveille]

river city reveille playlist- October 24 & 29

Black Rose- Willie Nelson

Go On- Chris Knight

The Way it Goes- Gillian Welch

  Standing in the Shadows- Hank Williams, Jr.

Feet Off the Ground- Jade Bird & Brent Cobb

Highway Lines- Jack Klatt

  Early in the Morning- Harry Nilsson

The Angels Rejoiced- Dolly Parton & Sonya Isaacs

Bottles  & Bibles (live)- Tyler Childers

  I Have Learned to Do Without You- Mavis Staples

Strange Feeling- Billy Stewart

Dreamer’s Holiday- Buddy Clark

Honeysuckle Rose- Louis Armstrong & Velma Middleton

  Astral Plane- Valerie June

Saturday’s Children- Circles Around the Sun

Pull Yourself  Together- Buddy Miles

  Honky Tonk Women- Jerry Lee Lewis & Kid Rock

Die Rockin’ – Whiskey Myers

Honky Tonkers (live)- Dale Watson

  I Don’t Like Half the Folks I Love- Paul Thorn

Good Ol’ Days- Allman Betts Band

Willie Got There First- Avett Brothers & Asleep at the Wheel

She’s Almost You- John Paul Keith

  Only Child- Raconteurs

Let the Good Times Roll- Joey Welz & Link Wray

  Ballad of Love & Hate (live) – Avett Brothers

[shirtysleeves]

From Musæum Clausum

OR

BIBLIOTHECA ABSCONDITA

CONTAINING SOME REMARKABLE BOOKS, ANTIQUITIES, STATION & MOTION PICTURES & RARITIES OF SEVERAL KINDS, SCARCE OR NEVER SEEN BY ANY MAN, WO OR OTHERWISE, NOW LIVING

17. The Obviator (NBC; 1986-1988; running time: 48 minutes; 73 episodes; starring Edward Woodward, Patrick Macnee, and Patrick McGoohan).  NBC’s merely intermittently successful “Monday Night Football-trouncer” (as NBC president Brandon Tartikoff described the series in an intra-office memo) about a man whose job is to get people out of the way in the most literal sense (as series-creator Reinhold Weege [Barney Miller, Night Court, etc.] described the show in a pitching-tag that in the series’ third and final season [in UKspeak: the show’s third and final series] was incorporated into a quietly stentorian Don LaFontaine-voiced voiceover of an Incredible Hulk-style montage sequence leading into the opening credits]) has been universally hailed in retrospect by television critics as the most salient forerunner of such utterly irreproachable and 24/7, 7/52, and 52/10 oral gratification-exacting drama-series (or shows) as House, Breaking Bad, and Dexter, series (or shows) centering on a so-called morally ambiguous protagonist, in this case the unnamed title character, played by Woodward.  The lengthy (2-3 min.) opening scene of each of the show’s (or series’) first 59 episodes was of an ascot and cognac snifter-acting-exacting, beveled walnut wainscoting-swathed tête-à-tête conference between the two senior administrative figures (Macnee, McGoohan) of the Organization (in UK-distributed versions: Organisation) That Shall Not Be Named under any Circumstances, or OTSaNBeNuaC.  Minus a bit of preliminary “How’s the wife’s lumbago?”-style small talk, each of these conferences consisted entirely of a highly circumstantial briefing of McGoohan by Macnee (or, from Episode 43 onwards, Macnee by McGoohan, reportedly as a consequence of some behind-the-scenes rank-pulling on McGoohan’s part [“I was on Columbo as a villain twice—once as the commandant of a military academy and again as the CIA’s most-wanted double intelligence agent, both of which appearances self-evidently blow away your single supporting non-villainic appearance as a bloody twopenny-halfpenny bumbling cruise-ship captain in shorts,” he screamed during lunch at the studio canteen whilst menacing Macnee with a prawn fork-impaled custard blancmanche of potentially asphyxiating dimensions, according to Rona Barrett] on some ostensibly potentially world “peace”-annihilating or saving event—a summit between or among two or several major nation-State executives, a treaty-signing, a conveyance of some highly destructive weapon or highly toxic material across state (or State) lines, the walking of a major nation-State executive’s prize miniature Schipperke with a multi-milliard-dollar insurance policy autc.  At the conclusion of the briefing McGoohan (or, from episode 43 onwards Macnee) would lower (though not set down) his snifter, frown with seeming worried thought, and query Macnee (ditto, mutatis mutandis), “But what about [the surname of the obviatee, generally some utterly untranscribable syllable-string of apparently Slavic, Magyar, or Indian- Subcontinental {though never east-Asian, owing to the microepochal geopolitical necessity of offending neither the Chinese nor the Japanese nor the Vietnamese nor the Filipinos} origin]?”  To which query Macnee (ditto simpliciter), holding his half-full snifter aloft within inches of his lips, would reply with chilling equanimity, “Oh, he [or she]’s been obviated, of course,” and then drain the glass in one gulp.  The remainder of the episode would consist of a single protracted flashback dramatizing the circumstances leading to the obviatee’s obviation by Woodward only minutes—and, indeed, sometimes even only seconds—before the commencement of the potentially world “peace”-annihilating or saving event. The central turbine of the episode’s suspense-dynamo was the audience’s initial unawareness of whether the obviatee was ultimately to be obviated qua indispensable instrument of the attainment of OTSaNBeNuaC’s objectives or qua insufferable obstacle to that attainment—hence, whether he or she was to be saved from destruction or consigned to it; whether in obviating the obviatee Woodward was to rescue him or her or bump him or her off.  So, for example, on the salvational obviational hand, in Episode 27, “A Knight to Re-Member,” in which the PW“P”-A/SE is the fitting-out of the British foreign secretary, Sir Roger Twitt-Thornwaite (Charles Gray), with a prosthetic penis containing a so-called listening device or bug, the obviatee,  a master de-fluffer (a young Hugh Laurie) charged with forestalling an inevitably cover-annihilating erection of Sir Roger’s non-prosthetic membrum virile has to be got(ten) out of the way of the highly radioactive glutinous polonium discharges of a Soviet assassin (an old George Pravda)’s so-called double-dong water pistol. (Naturally such a highly off-colo(u)r or blue scenario occasioned many a demurral from the NBC censors, but in the end the excision of even the most marginal meta-priapistic components of the script was obviated by a resourceful combination of verbal innuendo and film-editing.)  A fine example of the other, destructive obviational hand is furnished by Episode 67, “As Ye Sow, So Shall Ye Weep,” in which Woodward is tasked to lure an obdurately recumbent 23-stone (146-kilogram) female pig (Sonya, who, incidentally, at the time was pregnant with Suky, the principal non-animatronic portrayer of the eponym of the 1995 cinematic international smash hit Babe [such that one may readily infer that no actual pig suffered any great harm {at least any great non-psychological harm} during the filming of Obviator Episode 67]) from athwart a two-lane stretch of U.S. Highway 301, and into a custom-built “slaughter cabana,” to make way for a convoy of Camp David-bound MX missiles.  Throughout the first nine-tenths of his share of this episode, Woodward’s comportment towards the pig is so gentle, playful, and indeed amorous (at one point he serenades her to the Spanish-guitar-strummed strains of Lorca and Shostakovich’s “Malagueña” with a long-stemmed rose clenched between his teeth) that the viewer can be forgiven for all the while supposing that he or she is in for a denouement of the same jib-cut as that of On Her Majesty’s Secret Service.  It is only when, at about 40:03, Woodward moves off to the shoulder and starts waving a red cape at Sonya that the viewer even begins to suspect that he may have a destiny less ingratiating than cross-species matrimony in mind for her.  The spike in ratings numbers occasioned by this tearjerker impelled the show’s producers both to include Woodward’s psychoanalytic transference vis-à-vis his obviatee as a plot-device in every subsequent script and to postpone the moment of revelation of the determinant hand ever closer to the conclusion of the episode, such that by Episode 71, “The Perils of Pauline” (whose very title was and is a godsend of a dead giveaway to any viewer attuned to the richesses of ambiguity inherent in that wee preposition of), one sees Woodward not only falling in love with but becoming betrothed to his obviatee (Charo) by 27:32, and in the episode’s final half-dozen seconds, he is seen sawing away the ropes binding her to a railway track in the immediate path of an oncoming train; but no sooner has the last bit of twine been severed than the camera cranes back to reveal that the track is only inches away from a terrifyingly high steep cliff edge down which Pauline-stroke-Charo precipitously tumbles to her death and Woodward’s unmistakable gratification.  Ever keen to rub the viewer’s nose in the moral ambiguity and psychological complexity of their protagonist, the producers invariably rolled the closing credits of each episode over a micro-scene palpably set during the evening after the obviation, a micro-scene in which Woodward was to be observed either celebrating or mourning depending on whether he had bumped off or saved, respectively, the obviatee.  Thus, under the CCs of “The Perils of Pauline” one sees him reveling in a brothel with a half-naked doxy on either brimful champagne flute-bearing arm (L: Claudia Schiffer, R: Cindy Crawford); whereas under those of “A Knight to Re-Member” he is seen brooding in a manifestly inexpensive hotel (or possibly even motel) room over a brimful ashtray and alternating jiggers of two different mid-shelf bourbon-style whiskeys (Jim Beam and Schlomo Minkowitz, respectively).  The deafness induced by the groundbreakingness of this scene is surpassed in intensity only by the blindness induced by the brightness of the limitless prospects consequently opened up.

#Musaeum Clausum #Sir Thomas Browne #Pastiches #Edward Woodward #Patrick Macnee #Patrick McGoohan #Charo #Breaking Bad #House #Dexter #The Equalizer

[anemoia-comic]

Double Page Spread!!

#punk #goth #comic #furry #cat girl #cat #furry comic #sfw comic #house show #anemoia #whiskey #sonya whiskey rose #alexis astaroth #punk girl #nb #guitar

[anemoia-comic]

two pages posted, so if you’re on twitter, you’ll have to crack this link open to read all of it.

Progress is slow going, but I’ve got a double page spread coming in that should make up for it. 

#alexis #alexis astaroth #sonya whiskey rose #punk fashion #goth #bunny #cat #cat nb #bunny girl #goth girl #punk girl #Goth fashion #goth aesthetic #punk comic #punk aesthetic #furry #sfw furry #furry comic #comic #webcomic #comic page

[anemoia-comic]

After this, there will be a lull in pages for a while. I’ve decided I want to switch up from uploading one page a week to uploading multiple pages in a single post once a month. I figure a monthly wait for a decent chunk of story is better payoff as opposed to slowly drip feeding my audience one page at a time. The next upload will be sometime in August so stay tuned for that. 

#goth #punk #anemoia #anemoia comic #comic page #webcomic #lgbt comic #furry comic #sfw furry #furry art #alexis astaroth #sonya whiskey rose #goth girl #punk girl #goth aesthetic #punk aesthetic #alternative fashion