Just a test comic, cuz i love the idea of drawing these two going around in their daily life causing trouble, would you like to see that??
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imagine seeing your older brother at a pub in the middle of post apocalyptic 2007 san fransisco, who you haven’t seen in 300 years (you’re a vampire) who is still ridden with peach fuzz and acne and looks scared to death, and all you want to do is beat the pulp out of him for abandoning you for so long
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this is making me lose it
( id: a cropped image of a black and white comic. In the first panel, a person with a rat head and spiky hair is listening to the radio and says: mmmm, sounds like throbbing gristle. In the next panel, the radio is saying: sorry folks, you’ll never believe this but I’ve just ruined a stylus. I forgot to put a bloody record on.)
-> from the punk fanzine “Kingdom Come” published in dunfermline, Scotland, in the late 70s. The comic is by Dennis W Jubb
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Digital Main Character (1 of 2) Mockup
Here is a digital and colourised drawing of one of the MCs of Bad Brainz. I couldn't be bothered to finish his arms haha.
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Something REALLY interesting about this scene
At the beginning of the scene Miles confronts Gwen about the 'small elite strike-team' comment.
Gwen lies and plays it off, saying that most of them are part-time anyway.
IMMEDIATELY after that in the next line dialogue, Hobie confronts Gwen and asks her 'Gwendy, how much have you told him about his place in all this? - Maybe not enough.'
Hobie is expressioning disappointment towards Gwen. He doesn't approve of her lying to Miles, knowing what's gonna happen to him. He doesn't agree with them keeping him in the dark - which is why later in the scene he says
'I haven't gotten a Scooby Doo, mate. But that's what they want.'
He's warning Miles that they're keeping in him the dark, on purpose.
ONCE AGAIN Hobie showing foward thinking and outwardly disapproving of the obviously unfair treatment that Miles is given. He's not angry at Gwen, but he's willing to tell her straight up that she's not doing or telling Miles enough to protect him.
Miles deserved to know Miguel's motives BEFORE meeting him. That's why he pointed it out then.
He's ALWAYS looking out for Miles
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Gigi, frankie, and poppy of peach riot
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the sun mourns in vain for the white-throated rail: a comic about disability and the unwanted able-bodied grief for past selves.
[IMAGE DESCRIPTION:
Page 1: The sun holds a white-throated rail, a bird with a red head, a gray body, and a white throat, in its hands. The sun speaks in a tone represented as sorrowful pity through a drippy speech bubble.
Sun: Looking at you makes me sad!
Rail: What?
Page 2:
Sun: Looking at you makes me sad!
The sun stands with a hand clutching its face.
Sun: How miserable it must be to be flightless! Don’t you yearn for the skies? Don’t you wake up grieving you’re still on land?
Page 3: The white-throated rail looks down in frustration in the hand of the sun.
Sun: (speaking off screen) I’d simply perish if I were you!
The rail speaks, looking down. Pink flowers bloom towards the bottom of the page, petals and pollen blowing in the wind.
Rail: Why do you put your words in my beak and your grief in my feathers? Am I not beautiful?
Page 4: The bone of a white-throated rail is positioned against a colorful galaxy dotted with flecks of stars.
Rail: Am I not adaptability in action? Am I not evolution in motion? Do you mourn the days you weren’t a star? Do you mourn when the sky was cold, how unbearably hot you must burn to keep embracing it every day?
Page 5: The sun looks at the viewer.
Sun: Why would I? That was then, this is now. I am content to be in this state.
Page 6: The rail looks up at the sun off-screen.
Rail: Well…So am I.
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