calling my lover "mine" but not in the way that my toothbrush or notebook are mine, mine in the way my neighborhood is mine, and also everybody else's, "mine" like mine to tend to, mine to care for, mine to love. "mine" not like possession but devotion.
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i need to sit in a silent dark room for approximately three hours doing nothing rn or i will never be normal again
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One of the changes made in TGCF audio drama episode 6 is about the origin of the scorpion snake of Banyue. In the original version, the scropion spirit and snake spirit were forced to mate, gave birth to scorpion snakes, then were killed by the king of Banyue. In the revised edition, the ghosts of scorpion spirit and snake spirit lingered on after their death and went to find a ghost king in a faraway place to ask for his help for revenge. The ghost king combined their bodies into the scorpion snake to terrorize the people of Banyue for eternity.
I think this revision reinforced the theme in the story that ghosts and ghost realm, vilified and shunned as they are, stand for justice and fairness to a much greater degree than people might think. The Heavenly Realm headed by Jun Wu enforces order and maintains a semblence of peace and harmony in the world; it rewards perpetrators of violence and covers up any traces of violence. But if you want real justice, if you want to adress the wrongs done to you and seek revenge on evil, it'd be better to ask help from ghosts or even turn into a powerful ghost yourself.
The hierarchy of the world in Chinese myths puts the heavenly realm at the top, human realm in the middle, and ghost realm at the bottom, and most Chinese proverbs and idioms involving ghosts have negative connotations. TGCF challenges the traditional notoriety and lowliness attributed to ghosts in this sense.
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my toxic trait is that I think it would’ve been better character development if Naruto realised he didn’t actually want to be Hokage (functionally a deskjob except in times of crisis) and left with Sasuke on his redemption roadtrip, after which they both became vigilantes protecting the underdogs of the world from the corrupt power structures enabled by the very existence of militaristic mercenary societies like Konoha who can hire out super-strong child soldiers to protect the rich, in this essay I will
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the "big picture" - whether that refers to some detached, calculated greater good; ruthless ambition and progress for the sake of progress; or even the dear listeners' cosmic indifference - as an antagonistic force in wolf 359 is so fascinating to me because of the way eiffel as a protagonist is set up to oppose it, just by nature of who he is. eiffel retains his humanity even under the most inhumane circumstances. his strength is in connection, and with that he's able to reach others who share his core values, but he's operating under a fundamentally different framework from the show's antagonists. he can never understand where they're coming from or be swayed by their points of view because, for better or worse, he can only see the world through a close personal lens.
it's an ideological conflict he has with all of them, but notably with hilbert: "you talk about helping people, but what about the real, live people around you? [...] that's your problem. you're so zoomed out." eiffel will never, ever see that "big picture" because he is so zoomed in. at his best, he puts things into perspective and grounds the people around him. at his worst, his perspective narrows so drastically inwards that he becomes blind to everyone and everything else. his failings are deeply, tragically human - they're personal, they're impulsive, they're self-destructive. they're selfish. no matter how much he might try to narrativize or escape from himself, he's still left with doug eiffel: "it's taken me this long to realize that running from everyone else means that you're alone with yourself." eiffel could never be convinced to harm others on purpose, but he has hurt people, and it's never been because he didn't care. the very fact that he cares so much, that he's incapable of reconciling the hurt he's caused with the things he values, is what keeps him from real growth for so long. where many of the other characters in wolf 359 will justify their cruelty in service of something they consider more important, eiffel is so caught up in vilifying himself and the fear that he's always going to harm the people he cares for without meaning to that he shuts himself off from the people who care about him and perpetuates his own self-fulfilling prophecy.
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hey rae! you said you haven’t been reading many fics lately and i was wondering what were your favorite books you read this year :))
LOVE this question omg thank u 4 giving me an excuse 2 talk abt books <3 i'm gonna split this into fiction + nonfiction + poetry...will try 2 keep it somewhat concise but. fear it may get long...
fiction
the archive of alternate endings, by lindsey drager [favorite book i've read all year]
how to live safely in a science fictional universe, by charles yu
giovanni's room, by james baldwin
stone butch blues, by leslie feinberg
i'll give you the sun, by jandy nelson
and then i woke up, by malcolm devlin
on earth we're briefly gorgeous, by ocean vuong
cursed bunny, by bora chung
i have the right to destroy myself, by young-ha kim
infect your friends and loved ones, by torrey peters
the bloody chamber and other stories, by angela carter
at least we can apologize, by lee ki-ho
nonfiction
playing the whore: the work of sex work, by melissa gira grant
cistem failure: essays on blackness and cisgender, by marquis bey
gender trouble: feminism and the subversion of identity, by judith butler
essays against publishing, by jamie berrout
trans liberation: beyond pink or blue, by leslie feinberg
females, by andrea long chu
socialism: utopian and scientific, by friedrich engels
capitalist realism: is there no alternative? by mark fisher
whipping girl: a transsexual woman on sexism and the scapegoating of femininity, by julia serrano
poetry
soft science, by franny choi
grit, by silas denver melvin
in the pines, by alice notley
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another very silly writing rule I remember from high school english class was the idea that you should not repeat yourself in essays. books and essays that restate their main argument each time they present new evidence has always been very effective for my own learning, especially when the topic is complicated. the “no repeats” rule makes sense when it’s used to discourage students from trying to beef up word count and encourage students to properly synthesise their own arguments, but it was never explained to me in those terms, it was all just these writing axioms you had to follow to produce a “good” piece of writing
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I’m seeing an increasing amount of theories about roman committing suicide and I’m honestly kinda confused as to why people are thinking that. I’ve never seen roman as a character that would make an active choice to end his life but I get that this is an unprecedented situation within the story bc of logan’s death. Do you have any thoughts on this?
yeah honestly not to be a cunt but i think these theories just fundamentally misunderstand both the show and roman as a character. like you said, roman doesn't consider himself an active agent in the way that would be required for him to commit suicide. in general roman doesn't actively seek suffering the way kendall does; roman accepts it passively and tries to suffer beautifully. like, roman would let someone tie him to a train track wearing only a torn nightie but he wouldn't jump in front of the train himself, ykwim? i think the suicide truthing is coming from either a very rigid prescriptive understanding of what 'appropriate grief' is and the belief roman isn't doing it 'right' ... which ... lmao. or, a misunderstanding of the pills situation: roman was taking his daddy's pills around because he was trying to consume his body and preserve it like a religious relic. it's not an 'addiction arc' (<- not even something that kendall has! because that's not how drugs are written on this show! but i digress.) like if roman commits suicide i honestly will have to revise so many judgments about what this show is trying to say, politically and psychologically. it's not the Characters Facing Consequences show it's literally the Characters Getting Away With Everything And Feeling Dead Inside show. IN MY OPINION
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yaoi-ass dialogue notwithstanding it's interesting how episode nagi flips the striker/midfielder dynamic (where the midfielder is specifically subordinate to the striker, and all non-striker roles have connotations of impotency and I do mean that in every sense of the word) that blue lock has established so far. reo passes to nagi yes which is generally treated as a failure of proper (masculine) egotism in the main story but he flat-out makes nagi call him boss and nagi's just down for that. episode nagi does nothing to challenge this reading. nagi is the active player here but he's still serving reo
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i dont think this would fix anything or make people agree with me but if everybody kept in mind the historical context that "canon" as a term is the manifestation of legal and cultural structures which create and enforce specific rights to properties, physical and intellectual, as a requisite for the continued existence of modern capitalism. canonicity arguments are all derived from debates on who can decide what is true or not, and what version truth that entity makes everyone else subject to.
very catholic, as is the origin of the term! and it gained fannish connotations via ACD's holmes stories - a term co-opted to express this same struggle of legitimacy and power amidst the victorian anxiety about the post-industrial revolution ability of the increasingly literate masses to weigh in on literature, and, god FORBID, write and distribute their own!
"canonicity" is fundamentally about class, capital, and power and has been for over a century now even just within the domain of fandom. we cannot just escape "needing to get paid for art to live" or "not getting sued for violating copyright" by wishing very hard but i think about this every time fanon vs. canon stuff comes up. fanon is worse because it's such a voluntary embrace of the initial concept that sucks and turned even further inward among audiences.
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the entire thought process behind "One-Armed Scissor" was having B'Elanna being like 'I wish Seven would shut up forever', but then Seven goes 'the only solution to this problem I'm having is for me to remove myself from the equation' and B'Elanna is like, 'no that's the stupidest thing I've ever heard and you can't do that'
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ppl on booktok are like you GOTTA read this its the BEST book ever its a spicy mlm retelling of peter and the wolf 🌶️🌶️🌶️ the author is a working class millionaire and this is their 8th first debut!
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I think the thing about ntn is, it's like making a friend who you broadly agree with on the most important things but who you HARD disagree with on some of the details
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i mean in a show where someone gets killed nearly every episode, most of those people dying by the main characters’ hands, who “deserves” death and who doesn’t and who gets to decide that is always blurry. and is never addressed directly in the show, as that would question the authority of the main characters, which makes these discussions always a bit of a slope. i do agree that those people amy killed probably weren’t. the best picked to die. like she would probably be powerful enough to take on more “deserving” targets. but then again who gets to decide that etc. just to clarify, i’m not trying to disagree with you, i just always like to bring thoughts to the table and see what everyone else thinks. the girl next door certainly is an episode !
About Amy picking more "deserving" targets:
I don't think Amy actually cared all that much how "bad" the targets were tbh. I don't think she spent time evaluating and researching each victim through a Dexter-esque kill code before murdering them. She had no time for that—her son was actively dying, and if she wanted to save him, she had to kill quickly. She was still stalking and killing while Sam was actively hunting her because the situation was that urgent and dire. No—what Amy did is pick conveniently and opportunistically. She picked people who happened to be out at night, alone, whose deaths the police would have little interest in prioritizing. Her goal was never to act out vigilante justice—taking an extremely short amount of time to notice that someone was a petty criminal just helped assuage some of her guilt about it.
For the rest of it, let me give you three situations:
My child is being stalked by a serial killer. The killer comes to my house with the intention of killing my child. I kill that serial killer.
There is no enforcement of law where I live. Murderers run amok, able to stalk, murder, and even eat their victims and no one does anything about it. I decide to act as a vigilante to defend the victims of these killers from stalking, killing, and eating them by killing the people who I know are stalking, killing, and eating them.
I have a child who is dying and requires a heart transplant in order to survive, and I know that my child will not survive long enough to receive an organ donation on a very long waitlist. However, there are plenty of people around me who have working hearts, so I hunt down one of them and kill them and arrange to have their heart transplanted into my child.
These three scenarios become increasingly morally grey from one to the next (in fact, I have absolutely zero issue at all whatsoever with the first, and in its specific context, not much issue with the second), but the third is very very different from the first and second, is it not? And to me, a very obvious example of something that is evil.
Whether the target I pick in the third scenario is a person who’s never even jaywalked before or whether it's Tim who lives down the street who I knows deals drugs, or hell—even if it's a dude on death row—doesn't change the fact that the only one trying to and succeeding at trying to kill anyone at the end of the day is just me; that nobody threatened or wronged my child; that nobody was trying to steal their life. In this third scenario, there is no evil figure I am fighting directly against. I steal people's lives and essence in order to keep my child alive out of nothing more than selfishness.
While I agree it's easy to get into the weeds of vigilante justice, we shouldn't, because that isn't even what Amy was doing. She is not #2—she's #3. What she did versus what Sam and Dean do as a job (#2) are ultimately very different things in terms of the motives and circumstances involved, the victims, and the aggressors.
In the end, the whole discussion started with me bringing up a specific line, where Sam says that he and Dean would both murder strangers in order to feed their insides to a loved one just to keep that loved one alive, which is very very different from what they do on a regular basis in terms of circumstances and motives, regardless of if we're talking people who "deserve" to die or people who don't.
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