A 100% accurate depiction of the duel scene from NtN.
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Reunited (and it feels so good)
After being away on a - rather exciting - press tour for Oppenheimer, Cillian comes home and surprises his wife with flowers. Champagne by the fireplace follows (because having him home is a cause for celebration) before the two find themselves wrapped up in each other under the covers.
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Created in celebration of Alex @cillmequick hitting 1500 followers — I just had to do something with your lovely Lockdown couple … I hope this fits them well. Congrats on your much deserved milestone! 💕
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Silent Treatment
This moodboard goes to @cillmequick and her 300 Followers Milestone! I know you're not hosting a celebration dear Alex, but i didn't participate in the 100 Followers one and i thought of redeeming myself with this silly little gift 😁
It depicts my favourite chapter (so far!) from your amazing story The Lockdown Sessions (the muffin-gate episode and it's consequences 😂)
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Just listened to: Elton John - “The Lockdown Sessions”
[Calling this album The Lockdown Sessions is a bit misleading as it implies a much greater degree of organization than is actually present here. This is, in essence, a collection of singles and guest appearances Elton has made recently. His involvement ranges all over the place: some full duets, some where he’s just singing the hook and some where you would not know he was present unless you were told.]
Track listing:
“Cold Heart [PNAU Remix]” featuring Dua Lipa
“Always Love You” featuring Young Thug and Nicki Minaj
“Learn To Fly” featuring Surfaces
“After All” featuring Charlie Puth
“Chosen Family” featuring Rina Sawayama
“The Pink Phantom” featuring Gorillaz and 6Lack
“It’s A Sin” featuring Years & Years (originally performed by Pet Shop Boys)
“Nothing Else Matters” featuring Miley Cyrus, WATT, Yo-Yo Ma, Robert Trujillo and Chad Smith (originally performed by Metallica)
“Orbit” featuring SG Lewis
“Simple Things” featuring Brandi Carlile
“Beauty In The Bones” featuring Jimmie Allen
“One Of Me” featuring Lil Nas X
“E-Ticket” featuring Eddie Vedder
“Finish Line” featuring Stevie Wonder
“Stolen Car” featuring Stevie Nicks
“I’m Not Gonna Miss You” featuring Glenn Campbell
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Riding beside me, silver light lightning,
time quickly disappears
Born out of fireworks, still looking skyward as darkness reappears
E-Ticket, Elton John & Eddie Vedder
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Now I’ve got that feeling once again
I can’t explain
You would not understand
This is not how I am
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The Lockdown Sessions
Moodboard inspired by the multi-chaptered fic by @cillmequick
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This idea came to me out of nowhere and I decided to run with it. I hope you like it, Alex. 😊 I looked back at the chapters’ titles and decided to choose symbols that represented a mix of some of my personal favs and some of the important ones. Thank you for sharing this lovely story with us - it truly reads like a movie in the sense that I can visualize everything that’s happening as I’m reading it. 💕
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Folklore: The Long Pond Studio Sessions (2020)
This is perhaps the most Pandemic Lockdown of all concert videos. Am I a pretentious indie-head who only deigned to listen to this in 2020 because I was losing my mind and knew about the involvment of various Dessners from The National in the record, and because Sufjan Stevens’ The Ascension was still months away? Yes. Did I drink an entire bottle of rosé while listening to it and grudgingly admit to myself that I liked it? Yes. And what better way to capture that tenuous moment of transition midway through lockdown than with this moment: some performers are together in an isolated location, others “Skype in” as it were. It’s minimalist in all regards. The camerawork isn’t terribly interesting, but I suppose there are only so many ways you can shoot a studio. Early tracks are stripped to the bone in a way almost pushing beyond simplicity, though the overall performance of the album does gain a greater degree of textural variety and interest as it goes along. It’s a fine document of a fine album and a bit of a snapshot of a time we’d probably all rather forget on some level or other.
What’s more interesting to me is how I felt ever more like some sort of anthropologist while watching the film. Co-producer Jack Antonoff reads as the coolest middle schooler in his wardrobe and try-hard attitude, though by midway through I just wanted to bully him or something. Aaron Dessner, meanwhile, was introverted and the picture of impeccable musicianship—every once in a while the camera seems to gasp at him effortlessly and efficiently ripping out fingerstyle riffs while Antonoff frantically strums away on the other side of the room. The fireside chats were a thing of beauty even just in terms of watching where the wine bottle wandered and whose glass had a different level than in an earlier snippet. It’s a little goofy and weird, everyone extremely complimentary, but at the end of it all, the musical synergy is there. If nothing else, there are subtle casts to Swift’s gaze which indicate just how personal this is, even beyond lyrical jabs. If she’s got a bit of a mask on in interviews it slips away some in performance. Unless this is just another intentional layer. Let’s over-analyze the piece.
THE RULES
PICK ONE
Select either LOCKDOWN, PANDEMIC, or QUARANTINE and sip whenever that is mentioned.
SIP
A track begins.
The camera seems shocked at Dessner's musicianship.
Every time someone at the fireside chat takes a drink.
Exterior drone shot of Long Pond Studio.
BIG DRINK
William Bowery is mentioned or credited.
Jack, a 'bit' has to be funny for it to be a 'bit'.
AW SHIT THE WINE BOTTLE MOVED
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