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#the reviews were right
novelconcepts · 2 years
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The defintion of hell is knowing a show is incredibly well-received in its first season, but if people don’t become machines churning out tweets, content, and rewatching 24/7, there’s no likelihood it’ll get a chance to tell its whole story. This shit is madness. Shows in different genres shouldn’t have to pit-battle for dominance. First seasons are MEANT to be baselines establishing worlds and characters, not complete storylines. The idea that this golden age of television has turned into “get it done in one or get out” is revolting.
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vavandeveresfan · 19 days
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Rowling on the Cass Review.
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One of those doubling down on the lies.
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My thoughts on The Ballad of Songbirds and Snakes movie
I don’t know if I liked it as much as the original films (maybe Mockingjay 1 & 2 as they are pretty emotionally draining), but I still enjoyed it.
I think where it fell a little flat for me is 1. The beginning was a bit slow (tbh I only really started getting interested when Lucy Gray stuck that snake down that girl’s dress & even then I enjoyed the story more when the setting changed from the Capitol to the district) 2. I knew Snow would survive 3. I’d already been spoiled online for a lot of stuff that happens & 4. while I know the director did his best to make Snow as “likeable” as he could for as long as possible, even before he started getting “a little too comfortable” with killing & snitching I didn’t find him as sympathetic as Katniss or Peeta (but that is probably again down to the fact that I know what he goes onto do & there’s no real way around that), this made engaging with him difficult for me.
The world is fascinating. Getting to see all the new locations we never had access to before as well as old locations now in a totally different light (for example district 12 which, while still clearly suffering, seemed like such a bustling industrial town compared to how it is in Katniss’s time). It might have a much more retro aesthetic but there's also just a more vibrant, natural, wild & lawless atmosphere to this movie compared to the others in the franchise. The whole scope of the film just felt more cinematic then I remember the others being yet also weirdly intimate. Maybe because it was one contained story & we knew the main character’s fate from the start. I also loved the title cards signifying the start of each section of the story like from the books & wished they'd done something similar for the other films. It just added a certain flair to the whole thing. Almost gave it the vibe of a tragic play.
The costuming was great. The bright red of the academy uniforms.  Flickerman’s snazzy suits. Snow’s dapper black & white outfit. Both peace keeper uniforms (despite one of them giving very ‘1930’s Germany’ vibes) looked great. Grandma might have been a bigot, but at least she was well dressed. Everything Dr Gaul wore (except the top that looked like a used tampon, lol) was exquisite. The main ladies of fashion, Tigris & Lucy Gray slayed. Our Future Capitol stylist looked like some regal yet exotic bird & Miss Survivor was giving Bohemian, country girl realness the entire time she was on screen. Even the extras were serving (like that random couple Snow walked past on his way to the reaping ceremony).
The music was amazing. Every song that played was fantastic (shout out to Olivia for her end credit contribution). The lyrics & instrumentation were beautiful & my god does Rachel Zegler have pipes! Anyone who says the singing scenes are cringy is just stupid like I’m sorry you can’t appreciate art. Also, the words ‘ballad’ & ‘songbirds’ are literally in the title. Plus, Lucy Gray is from the poorest district, so what exactly do those people want her to do in her free time? She can’t exactly hop on an X-box for a few hours. Not too mention that (as the offspring of someone who’s musically inclined) I can tell you, it’s completely realistic for a musician to use their craft to help them deal with trauma & Lucy Gray clearly had more than her fair share of that.
The Grandma'am helped to paint a sadly very realistic background for Snow. As who among us hasn’t met at least one delusional old person who thinks that their/their group’s suffering (regardless of the severity of it or the reason behind their former/newer status in society) means that no one else are deserving of even the tiniest shred of humanity & there are some people who are unlucky enough to not only be related to these people but be raised by them.
Hunter schafer as Tigris is clearly the superior Snow when it comes to things like empathy & overall mental stability but I do kind of wish they’d been more for her to do. Credit where credit is due though her & Tom did actually look like they could be related & I did buy their familial bond (which makes her appearance in Mockingjay so much sadder in hindsight).
Peter Dinklage as Casca Highbottom was a bit of a mix for me just due to his purpose as a character & the limit of film as a form of media. Like sure the audience know that Snow’s going to become an irredeemable monster in the end but without a window into his mind it really does just seem like the Dean is just out to get him & even when we find out why it seems kind of unfair. Like sure his dad sucked but haven’t the Games shown that blaming children for violence caused by others is unjust (& like ok he hates Coriolanus & probably the grandma but Tigris hadn’t done anything to deserve living in poverty, as she can’t control who she’s related to)? Plus, it felt like he could have at least tried taking Snow under his wing at some point to try to hinder Dr Gual’s influence. Saying all of that, though, Peter Dinklage is great at playing an addict with depression & the idea that some drunken rambling could lead to such long-lasting suffering is terrifying. Also its pretty realistic that living with that kind of guilt & in such a cruel environment for that long would make most people jaded & bitter, even if they did have good intentions.
Omg we finally get a Mayor family on screen & they’re assholes! Madge would be so disappointed 😭. It was interesting to see how harsh & overall “boot licky” the mayor & his family seemed compared to decades later, which makes sense as the war wasn’t that long ago for them so the dad probably felt more incentive to align himself with the Capitol as well as not feeling very connected to the district people as 12’s decline probably didn’t fully set in until they really started running low on coal & Snow became president (oh I just know he wanted to blow that district off the map 😆). I also wouldn’t put it past Billy to come up with some sob story of how he really does love Mayfair but wicked Lucy Gray is somehow preventing them from being together. Still no excuse to try to send her to her death twice in one week, though. Definitely not a girl’s girl.
Ok, so a liar. Cheat. Drunk & someone who hits women. Is there anything good about Billy Taupe? Also, trying to get your ex back, while your current girlfriend is literally standing right next to you? Dude, have some god damn back bone! You made a choice, now stick to it. Also, fumbling Lucy Gray, for a girl like that? What’s it like having no brains or taste? Well, too bad, coz you’re stuck with her forever now, lol.
Viola Davies, the actress that you are. What else is there to say? Dr Gaul is almost comic book levels of insane. Like she is how the Right see women in STEM, on crack! I don’t know what she did to get into character, but whatever it was, it worked.
Jason Schwartzman as Lucretius Flickerman is a very interesting addition to the story despite playing such a small & seemingly insignificant role. He is strange in how unthreatening he is while also extremely blasé about the abhorrent violence he witnesses that it’s as funny as it is disturbing. Making him come across as  more human yet harsher than his son, who at least pretends to care about the tributes (in a very Capitol way, obviously but still). There’s also a polish & confidence to Tucci’s performance that I think Schwartzman did a great job of avoiding copying (despite knowing what audiences were probably expecting) because not only are their characters in entirely different stages of their careers but the whole ethos of the Hunger Games is different in Snow’s youth than it is in Katniss’s. Caesar is a well established presenter & during his time, the games have always been a success (minus the year with the tundra) that the entire Capitol is invested in & seemingly in support of. On the other hand Lucretius had the unique task of not only coming into a job like this with zero experience (I mean imagine going from announcing the weather to presenting the fucking hunger games) but also there were no vibes to try to emulate let alone guidelines to follow because he truly was the first person to do this. On top of that, the "event" his presenting has been panned for years as both boring & unethical. Schwartzman brought a slightly awkward, experimental, yet try hard vibe (like a comedian who's desperate to get a laugh) that I think worked wonderfully for the character.
Tom Blyth's performance was great & he was visually perfect for a young Snow (the power of a good wig! Who knew lol). Even having the cool, analytical stare of Donald Sutherland, down pat. While his appearance was very Eminem during his peacekeeping days, his realisation in the cabin and subsequent breakdown in the woods were crazy. There was so much tension between him & Rachel in that scene that for a second, it literally felt like all the air had been sucked out of the room. I could almost hear the record scratch for both of them, & all that building paranoia finally coming to a sudden crescendo in the way that it did? Pure cinema!
Josh Rivera, as Sejanus, was honestly a mix for me. Obviously, I agree with his morals, but his way of going about it did seem a little dumb. However I do think it’s pretty realistic that a teenager, especially a rich one, would be rather naive. Also I’ve heard that he’s smarter in the book & I think at times my frustration with him is more just down to the fact that I’m seeing him from Snow’s point of view. Meaning scenes that would be portrayed as noble in any other film instead come across as almost painfully inconvenient because the focus is always on how they affect Snow rather than the actual victims of the situation. Lastly, sorry, Snowjanus shippers, I just don’t see it (especially on Snow’s end), but whatever floats your boat.
Rachel Zegler played Lucy Gray with the perfect mix of natural charm & emotional vulnerability with clear pride in her culture & a refusal to let the world around her change who she is. Yet there was also an air of mystery & a subtle resilience to her that makes her potentially surviving out in the woods for years without being detected actually believable (though I don’t buy the theory that she went on to become president Coin). Definitely the highlight of the movie for me.
PS. I'd love to know what you think of my review in the comments/tags & am open to criticism (as long as it's respectful) just remember that I'm only talking about the movie so please don't reference anything spersific to the book.
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ramayantika · 5 months
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So Barbie was man hating but Animal should be taken as a movie
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kindacts · 9 months
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i've watched the get low scene a stupid amount of times but it's just too good. like... alex being an absolute dreamboat dancing on the other side of the floor while henry sneaks peeks at him and awkwardly tries to bop along?? and of course the way alex looks at him when everyone drops low and henry gets all shy and blushy? aforementioned genuinely sweet/serious moment happening as lil jon screams about shaking ass which is also the funniest thing ever? matthew lopez did suchhh a great job capturing the heady feeling of a crush damn
ETA apparently kyle hanagami the LEGEND choreographer was behind this so no wonder it was so damn smooth, thank you king
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carefulfears · 7 months
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when i was researching californication reviews for my essay there was one guy who was like "it's unrealistic that all these women just throw themselves at him" and it's so funny because every woman i know is just like "WOULD."
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dad-friend · 5 months
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ok listen. i know hbomberguy said he doesnt wanna become the type of youtube who spends their time doing drama videos or ruining ppl careers but like. if somebody doesnt start doing crazy detailed research on ryan hall, yall then i will
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I think it is EXTREMELY cute that Pac hides whenever he's embarrassed. If he's embarrassed he'll either hide his face in his hands and completely disappears off camera or his character will run to a completely different room and he'll hide his face in his hands.
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sanchoyo · 8 months
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Tokyo Mew Mew AU where instead of looking like a generic black cat in her cat form, Ichigo actually looks like a real iriomote wildcat.
Masaya, upon encountering her in her cat form for the first time, gets SUPER concerned that this incredibly endangered cat is just. wandering the busy, high-traffic suburban area and might get hurt or worse, and resolves to take it to the proper experts instead of home. Cue Ichigo having to frantically escape a LOT faster than she did in the series.
After they start dating and he Knows she's a mew mew it's a funny story looking back, and going forward he tries to help her keep her secret!
...But Ichigo's school friends catch him carrying her in her cat form around school (trying to find a more private place to help her get back to human form) and they tearfully approach her like, hey, Ichigo, we don't know how to break it to you, but...we think the reason your boyfriend is so knowledgeable about the environment? He's smuggling animals or something. he was sneaking around with one and acting really sketchy. Your boyfriend is an endangered animal smuggler 😔
And they take her being really defensive of him as Denial. Masaya thinks this is HILARIOUS and assures her that its fine with him if they think that about him so long as her secret stays safe. Ichigo def ends up telling Moe and Miwa that she's a mew mew in this AU to clear Masaya's name in the end, though. They're mortified they accused him of that, but he assures them he appreciates their efforts to make sure Ichigo is dating a decent person and not like. An Animal Smuggler.
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getvalentined · 17 days
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Thinking about finally throwing all my FF7 meta analysis and lore deep dive stuff onto a sideblog. It'd be reblogged from here, but I'd be able to organize it a little better, have a directory so people could find things more easily, and maybe it'd stop people from regurgitating things I say word-for-word for brownie points when they can just find and reblog the fucking original post(s).
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pochapal · 29 days
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clocks changed and now it's bright out at 7pm
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quaranmine · 2 months
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Things that Could've Happened in Firewatch AU but Didn't
Hi, and welcome to scrapped plot points. This fic had a general direction from the beginning but a lot of details came together as I went.
🔥First of all, I've posted the discord message before, but I actually originally envisioned it as "ambigious" whether Mumbo was dead or alive. This was scrapped the moment I tried to determine HOW one makes that ambiguous. think about it for a moment.
🔥I've also stated this before but I initially wanted this to just be a string of vignettes throughout the summer with no real plot or resolution to it. This is where I got a lot of early ideas for Grian and Scar hangout/character relationship development back in Dec 2022 (Scar and Top Gun, Scar's job as a door to door salesman, etc) (the salesman idea was actually from one of my tumblr asks, thanks!)
🔥Originally I....had more of a human conflict present? I actually struggle to remember some of what I planned because it got scrapped so quickly once I thought it through more. But you can still see references to it in my notes:
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(last one is from first draft of chapter 11, one year prior to the final draft.) There's??? so much conflict implied here. Grian gets CHASED! people BROKE into his tower! someone STOLE THE BIKE! drama!!
I scrapped it because it was too unbelievable. Specifically, it was unbelievable for this plot line. I still had the same "truth" to the plot present—that there was no conspiracy and Mumbo had just died after being injured in a place outside the initial search zone. All this other behavior would have just been red herrings from people who had nothing to do with Mumbo's disappearance.
A lot of this also very reminiscent of the actual Firewatch game type of intrigue. I was always heading to a similarly anti-climatic ending (aka no overarching conspiracy) as the original game. But this did not fit. Because...why would someone else do this? They wouldn't have the same motivations as Ned Goodwin in Firewatch. It'd just be some pissed off teens/the firework couple who decided to mess with Grian to throw him off. Except they wouldn't know they were throwing him off anything, because they wouldn't know him, so it'd just be purely some third party messing with him. But I felt like real life is rarely this....malicious. I've had people go out of their way to harass me with road rage, sure. But all of this drama was scrapped because I felt it was SOOOOO unlikely for a random person to just be harassing Grian like this Just Because. It did not fit! It was so coincidental and requried people to make questionable decisions that I couldn't fit into any good framework of motive.
It was a bad idea and I'm glad I abandoned it. It might have been a good idea in a different context...but it did not fit at all here.
🔥I briefly toyed with something like what happened with Cian McLaughlin happening in this fic. Cian McLaughlin is an Irish man who went missing in Grand Teton National Park (nearly adjacent to this story's setting) in 2021. He was never found, unfortuantely. His case is notable because a woman provided a false eye witness report of seeing in a completely false location. On purpose, to be clear. She purposefully lied to the National Park Service about seeing him somewhere she didn't, while providing enough personal detail they thought it was a real report. She claimed to have done this to ensure that multiple locations were searched for him, to expand the search area, but she really just derailed over 500 hours of search time to the wrong place. It's so sad.
I was like, this is an intriguing case. What if this happened with Mumbo? What if this is why he was in a different location than the search was? Because someone falsely reported him being where he wasn't? But I faltered on it for many reasons. First of all, I felt it was kind of disrespectiful to Cian Mclaughlin and his family to blatantly draw off details of his real life disappearance in such an obvious way. It's a recent one too. This is not a cool mystery detail, this is real life and a real person and a real grieving family. Secondly, it goes back to the problem with the other issue about people interfering the case: why? You could ask why this woman interfered with Cian's case too, and that's real life. But in a fictionalized setting—why? What would it add, when I know that the truth of what happened to Mumbo was going to be mundane anyway? Why introduce this bizarre secondary plot element just to distract Grian and the reader? It could have just been a mistaken report, not a purposeful one, but it's just derail the story in a very unsatisfying way.
In the end the only remaining trace of this idea is Grian in chapter 5 (?) saying that someone had seen Mumbo at the Cloud Lake Trail and provided an eyewitness report. Which, for the record, is supposed to be an accurate account—he did go there, his car was there, and he did get spotted there at the beginning of his trip. He just diverged from the trail at a later point.
🔥I meant to do a fun little formatting thing and have Mumbo's past through processes and actions be intercut with Grian's present-day processes in Chapter 11. Or to put that more clearly, when Grian was running down the mountain away from the fire (but before he saw Mumbo) I wanted his choices to be contrasted with the ones Mumbo made. It would've been a stylistic choice. Mumbo's paragraphs might have been in italics, and I toyed with doing a right alignment instead of left alignment so it'd really stand out. The idea was to show how their two independent thought processes converged and led them to the same point on the mountain at different times. It would've been the only time in the story we ever got something from Mumbo's POV.
I scrapped this because I hated what I'd written in Mumbo's sections and never got around to rewriting it or adding it in retroactively. I think it was a cool idea but I did not pull it off. I don't the the fic is worse for it, though. I think it does a good enough job leading the reader into that parallel without spelling it out Quite that much. I also kind of....like that Mumbo never has his own voice in this story to explain his own decisions. It's sad, but it's part of the story.
🔥I seriously did not always have the main wildfire at the end of the story in the plot. I actually initially had Scar just coaxing Grian to tell him where he was, or allowing the search and rescue to come find him. And that would've been it, the search and rescue coming.
🔥Or.....when I toyed with whether or not Grian and Scar should meet at the ending of the story, I also considered an alternate ending where Scar came to Grian to rescue him. That he reported Grian's location to SAR, and then came himself. I scrapped this because it made no sense logistically. It's all well and good for there to be a dramatic scene of Scar coming to Grian's aid and them meeting for the first time in person. But Scar is miles away. And more importantly, Scar has an established disability and chronic pain that limits the trails he walks on. He specifically says he hasn't explored trails too far from his lookout because it'll pretty much wipe all his spoons for ages. (well, he doesn't say spoons because this is the 80s, but that was the meaning.) I was like okay. He's not only far from the trail but he's literally physically unable to make it there in time and one thing I'm NOT doing in this fic is undermining his disability (especially since I already had to make him a ~certain~ degree abled in order to do the job.) So I kept him in his spot. I think it added more tension anyway, because it's such a special kind of horror he experienced having to witness everything go down but be unable to help Grian other than over the radio.
🔥Speaking of the wildfire, I had a version where Grian escaped it for an embarassingly long time. Like until January or even February still (of this year!) The idea was the Grian outran it and then got found. A lot of this was just that I didn't want to figure out how to write him surviving a wildfire. I knew it'd be difficult and straddle the line of unbelievable. I wanted to take the easier way out of writing the scene.
But honestly...there was no way else the scene could've gone. I spelled it out in chapter 8 with my rather blatant foreshadowing—you CAN'T outrun a wildfire. I mean, I guess in good circumstances with good wind and experience you probably could. Afterall, hotshot crews and wildland firefighters are able to get in and around the fires without (normally) casualties all the time. But fires move faster than people. WAY faster. It'd just be a disappointing conclusion for Grian to somehow be the Super Lucky One who somehow skipped being in the danger. No, I had to follow through with what I'd set up and just go for it.
🔥I also entertained an idea of him sheltering in the overhang with Mumbo. It would've played out nearly like the fire played out in the main fic, the only difference was with him. It was the most "meaningful" option for shelter (since the other options were no shelter, and random shelter.) He would've been surviving death right next to Mumbo, who didn't survive. I could have made that very poignant if I wanted.
But I disliked this because I'd already written the part about Grian deciding to move on. I felt that bit of the scene was really key for the message of the story as a whole.
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I wanted Grian to make the CHOICE to live instead of just refuse to move and survive anyway. You know? Grian, in-universe, would have no idea what decision would lead to his survival. But as the author with the power to do what I want, I knew he was surviving all my options. So my options were: 1) easy scene to write where he survives but doesn't experience much danger, 2) hard scene where he survives and makes the conscious decision to live and move forward, and 3) medium difficulty scene where he survives but was still emotionally stuck-in-place.
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(Above: some random notes I typed about the finale scene options on my phone, in a situation where I should NOT have been writing fic notes on my phone lol)
In case it's not obvious, the final scene is the second one—Grian makes that key decision to live, but still experiences the danger I've set up so that I can follow through on the tension I created.
🔥I restructured the final chapter so that there was a bigger gap in time between Scar and Grian talking about Everything and Grian arriving. I initially had it when Grian essentally just came...and then like 5 mins later they were laying all that out while Grian sat on the bed. It just made the vibes of the scene Off. It was too quick, not satisfying. So I kept most of the same dialogue and stuff and structured it into a chapter where Grian meets Scar, and they kind of spend a mostly chill afternoon talking and hanging out until they delve into the Deep Stuff later that night while stargazing (let's be real you can never go wrong with stargazing for a deep scene.) I felt it was likely they'd kind of pretend everything was "normal" at first until they were more comfortable in each other's prescence. Also, we ALL know the middle of the night is when the real stuff comes out lmao. You can see my cut up and reused pieces of the original chapter version in the indented italic parts of chapter 12. I liked some of those interactions so I wanted to preserve them somehow even though the final chapter was structured in a way that cut it out.
So far, that's all of the major plot differences that I can think of at the moment. Some of the other elements (like the mistaken permit situation) came into play after I already had chapters uploaded, but I don't have a concrete idea of what might have happened in their place. Chapter 9 really evolved and got out of hand as I wrote it, but I knew from a few chapters earlier that he was going to do Something that got him fired. So I was able to refine the specific actions when I got there, since I just knew it had to be major and outlandish in the name of getting more information.
I had most of this story worked out ahead of time. But there were absolutely major changes that happened during the course of writing it. I was just fortunate that my intense outlining and focus on it ensured that I never encountered a situation where I had to make changes that majorly affected an already uploaded chapter. Yay for sticking close to the general outline even when the details were in question!
If I think of anything else, I'll reblog this post. :)
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chrissysky · 1 month
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Me: clipping this out of context but does it even really need context? My wife: Ew.
Anyway, the new Quinton Reviews is out.
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theforesteldritch · 10 months
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Explaining to doctors and health care workers that if I’m pregnant, it’ll be with Jesus 2.0 or something, now even more impossible! My friend I do not have the internal organs needed for that, I’d be like the Virgin Mary but intersex.
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counterfeit-stars · 11 months
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I think I’m really funny actually
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