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#them as equals and doesn't constantly insult them and talk to them like pets. and then when something as small as Looking Different breaks
ashtxeman · 3 months
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BIGGER Punch-Out!! Relationship HC's!
Shhh.. I went into more depth on a couple of the mentioned relationships from the last post..
Kaiser and Joe are obviously a romantic duo! They often go out on walks (since Kaiser likes the peace and Joe thinks forests are good places to kiss), eat at restaurants or visit each other's houses and talk over coffee. Sometimes they'll train together until Joe becomes distracted looking at Kaiser and gets decked by a punching bag.
Disco and Hippo are an unlikely friendship to be sure. I've touched on this before but since Kaiser and Joe go off on their own little ventures, Disco and Hippo are stuck together and have to come up with things to do. Disco enjoys taking Hippo around the city and showing him cool details about everyday life to help the other get accustomed to the ins and outs of such a different environment (during the time between contender and TD, Disco was the one who gave Hippo the suggestion of a guard for his stomach, but unfortunately he was too busy having his own crisis to actually help Hippo find one).
Hondo and Hugger are next, and they're probably the most obvious best friends out of everybody. They've known each other for years and compliment each other well. They're both good cooks, polite people, encouraging to others and know when to draw the line. Hugger's sense of humour also balances out how emotionally dry Hondo can be, they're pretty much each other's bread and butter. Most of the time they enjoy going out on hikes or on rare occasions volunteer together at pet shelters and help get some good animals to equally good homes.
Tiger and Don are.. hard to explain. 90% of the time they're forced next to each other and throw insults to pass the time, and the other 10% they're getting into fights over said insults. It's impossible to count the amount of times one of Tiger's clones has stolen Don's toupee and stuck it to the ceiling as a joke. Poor Hugger has to act as the Dad for them, separating their fights and calming tensions with his signature 'I'm not mad, just disappointed' glare. Hondo threatens them with his signature 'So help me God if you don't stop now, there will be hell to pay' glare. Both work. Overall Don and Tiger are good friends, they just express their friendship in very.. bothersome ways.
Aran. Dear God. You'd assume he doesn't have any friends, but there's two notable people. First off there's Tiger, who people actually know Aran gets along with well. They enjoy poking fun at others to pass the time and usually stand in the corner of the room pointing things out and making each other laugh. Tiger is also one of the only people who supports Aran's pranks, but mostly because if he supports Aran then he can't be pranked himself. It's a friendship with benefits, in a way. Second off there's Hondo, who nobody knows about. Both Hondo and Aran keep the friendship they have hidden well under wraps, with Aran constantly sneaking over to Hondo's house so they can watch anime and draw.
Soda and Bull are similar to Hondo and Hugger in the sense that they've known each other for ages and everybody knows it. There's never a time when they're apart, since Soda's always there to help Bull stay calm and Bull's always there to stop Soda from being too social (like starting conversations with shady strangers since he can't read people very well). Sometimes they're forced to go their separate ways when Soda goes off with his doctor or Bull goes to therapy, but they're never away for long. Usually they hang around in a dry cleaners run by an old couple they enjoy the company of, since it's quiet and they get free stuff if they behave.
Last is Macho and Sandman, an unlikely pair! Even though Macho started off hating Sandman since he was the one thing keeping him from the title, he came to like him more after Mac stormed the ranks and they ended up becoming good friends. Macho often trails after Sandman when he goes to volunteer work like cleaning the rings after matches or helping in soup kitchens, even if he hates it.. he basically just does it to be around Sandman more. Now that is a huge signal right there, but Sandman really doesn't catch on, since Macho is naturally a himbo and at this point Sandy doesn't question anything he does or says. He is beyond being questioned.. there's not a thought in his brain.
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ieatadoptmepets · 1 year
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britta using a deaf girl abed liked to win some stupid challenge and then patting herself on the back by saying she "gave a differently abled person a job" really pissed me off.
britta has always been a fake performative activist and I recall hate it. britta herself though, this isn't a jab to the writers or her actor who all made britta. first season, she builds her whole personality on being an activist but she doesn't make any effort to do anything for the causes she talks about, then gets upset when annie and shirley start doing something for it and get interested in activism because they take away her thunder, and only then did she start trying to do real things to support her causes.
she calls herself a feminist but actively tears down women who doesn't fit her rigid standards of how to be a woman, much like the people she claims to be against. she'll turn against her friends and insult them and their family for sucking up to the oppressive male dominated patriarchy and destroying what it means to be a woman, when they were just gonna get makeovers with their mom. she'll embarrass herself and get into unnecessary fights to prove a bs point because a woman showed an extra inch of chest to get more money for a cause they both support. any instance of a woman (this goes for all non men of course (i say this as an afab trans person) but trans people haven't been ever mentioned in the show) not hating themself for being a woman, not hating their cis afab bodies, not repressing their sexuality and attraction and doing what they want even if it lines up with what a sexist man might want to see, she hates it. she treats it like women can only be happy when they are the opposite of what the patriarchy says, putting them all into the same kind of strict oppressive state, just with opposite rules.
she treats herself like she's better than anyone else simply for just being britta and refuses to even acknowledge that people are different. she constantly forces abed to function in her fake therapist neurotypical ways when her and the group fully know he's autistic and handles things differently. when he warps reality in his mind to cope, she doesn't worry more on how he commonly gets so stressed out or overwhelmed with hard situations or feelings that he has breakdowns that convince him of false realities or that he chooses to believe in realities he knows are false because he has no idea how to cope, she obsesses over how he's not coping by the book and will yell and chase him down to get him to speak his feelings, something she should is hard for him to do, in a way she knows he can't do. speaking more and abed for a minute, it was so sad when troy left because he said no one gets abed and he only got him a little bit. as an autistic, abed makes the most sense and is the best character. it's sad that no one gets him and treats him like a pet or baby.
branching off what I said before, she acts like she does the most political change but doesn't do jack shit. she admits that she doesn't even vote and still does nothing for change unless it's momentary and gives her popularity and the spotlight. she says she's an anarchist or at least a former one but she still keeps up that talk even after abandoning it, and then she has an existential crisis after seeing that her former anarchist buddies are judgemental and decide her worth based on how much activism and protests she's done (none). just in the meowmeowbeanz episode, she stages a revolution to bring everyone back to equal, but when jeff got everyone to delete the app and revert back to a rateless system, she lost her mind that people were moving to the bigger cause behind her instead of treating her as a higher entity instead of focusing on a bigger cause that actuality helps people.
this was just a rant on britta, any britta opinions are welcome. the show is still enjoyable with hey but there are often parts that piss me off. and this isn't argument or discourse, please don't take this in a hostile tone
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charmixpower · 2 years
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More Riven headcanons, because I'm procrastinating finishing s4 ep 24:
Riven definitely struggles to express his emotions. All positive emotions are expressed as pride/arrogance and all negative emotions as anger, no matter what the actual emotion is. He gets better at expressing his negative emotions, bc he really wants to stop hurting the people around him, but continues to suck at expressing positive emotions
All this to say that Riven brags about Musa near constantly. People who don't know Riven think he's just smug about dating a famous person, but in reality this is his version of gushing
Riven definitely has a Twitter dedicated to Musa....His social media presence isn't as curated as Brandon's bc he made the account on the whim (the other guys keep all their socials completely private or dont have one connected to their public fame). Musa was getting Stan accounts and he needed to make sure they all knew who Musa's REAL number one fan is
The guys thought the reason Riven had specialized insulting nicknames for them was bc he was just dedicated to being a dick, by s2 they all have new much nicer nicknames and they realize that no, Riven is just the type of person to give people nicknames
Bloom is called Carrot top, Musa gets Muse, baby, and in s3/4 kola (based on her cuddling habits), Brandon is very often called your royal highness, he repeatedly calls Sky sunshine, Mainframe ect. Riven is a nicknamer, and I'm right kfjejr
For some strange reason the fairy pets are just as weirdly drawn to Riven as the pixies. He doesn't mind because he also think they're cute. He isn't allowed in love and pet during business hours bc he disrupts everything
I can see him getting beyond pissed when Roxy gets possessed. Anyone who brings the white circle back near the poor girl is getting a chair thrown at their head
The moment Musa gets ahold of (1) musical, Riven has got sing duets with her. He doesn't mind all that much but he finds is embarrassing. Musa is elated to find out he has a weirdly nice singing voice
I feel like somewhere in s2 he falls into a group dynamic with the guys of not being too restricted during missions because Riven is at his best when he's making shit up on the fly, while also being attentive of the group. Riven cares about his friends dammit
I think they stop with really strong leadership around this time bc no one cares whose in charge their gonna die, and this equality makes Riven a lot less edgy in the squad
Riven has a stutter. It only comes out when he's really excited, nervous, or caught off guard, but it's there. Anytime he has to talk about his feelings there are so many filter words. He's pretty insecure about it but thankfully his friends don't mention it
Riven is a huge pet person and does end up cuddling all of Roxy's pets anytime he's over, Roxy can respect this
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kali-tmblr · 5 years
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Snowbirds of a Feather: Parallels in the Lives of Qrow and Winter
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I didn't pay much attention to Qrow and Winter as a potential couple in their introductory scenes in "Brawl in the Family" because I was so blown away by the improvement in the writing that those scenes represented. Such economical exposition! Yes, the couple's relationship could be called "cute", but there wasn't any real "meat" to it at the time. It wasn't until a volume and a half later in "A Much Needed Talk" that it became clear that the two of them had lived parallel lives on opposite sides of the track.
Let's revisit those scenes from the start of Chapter 3. Not a lot has really happened yet. So far there's been students fighting in the Tournament, vaguely underhanded maneuvering from Cinder's crew, and a flashy, drunken stranger watching the fights unimpressed from a barroom TV. Then an equally flashy ship flies overhead, and Weiss runs off showing more joy than she's shown in the entire series to this date. The drunkard also notices the ship, and declares it a warning of a far bigger fight than anything going on at the Tournament.
Weiss introduces the audience (although not Ruby who is standing right beside her) to her flashy older sister, Atlas Special Agent Winter Schnee. It's a painfully awkward meeting. My first reaction to Winter was, "What a tin-plated asshole." A second later it became, "This is the most socially awkward character in an entire show full of socially awkward characters, and probably the shyest as well, hidden underneath a thick armor plating of formality."
In their meeting the Schnee sisters are each "code-switching" with each other between two different behavior models without seeming to find anything odd about it, and giving poor Ruby (and the audience) a case of whiplash, as well as a sense that things are seriously messed up in the Schnee family. Weiss vacillates between excited little girl and cold formality, with a side order of abusive to Ruby when Ruby is informal. Winter vacillates between cold, sneering, condescending, and abusive; and mere cold formality. In the case of both sisters it quickly becomes clear that cold, sneering, condescending, and abusive within a hierarchical structure is what they grew up with. Winter can sneer at and abuse Weiss, but Weiss can't do the same back at Winter. Instead, she abuses the lower-ranked (to the Schnee family) Ruby. More to the point, Weiss and Winter obviously expect nothing else from each other. It becomes clear that they do care about each other, but they don't know any other way to show it.
But while sneering condescension and abuse is clearly the default mode in Winter's mind for meeting with her little sister, it's not the mode she stays in. She overtly makes an effort, not once, not twice, but three separate times in one conversation to code-switch from abusive condescension into the merely cold, militaristic formality that she must have picked up at the Atlas Academy. It obviously doesn't come naturally to her in speaking with her sister, it's the abusive condescension that comes naturally, but darn it, she keeps trying!
It's heartbreaking.
This scene is just so elegant. It not only introduces Winter and shows us a ton of details about the Schnee family dynamics, but it also provides callbacks to Season 1. The audience is reminded of what Weiss was like when she arrived at Beacon and how much progress she has made in socializing. We're also given a hint as to maybe why Weiss chose Beacon over Atlas Academy if that's all the social skills her sister learned there. And we're also given the contrast between the cold formality of the Schnee sisters and the loving warmth of Ruby and Yang. At the end of the scene Winter and Weiss are headed for the dorm, where I am eagerly looking forward to Yang teaching Winter a lesson on the proper care and maintenance of baby sisters, especially baby sisters who also happen to be Yang's teammates, which may or may not involve fisticuffs.
I'm still waiting for that scene, because that's when the story takes a turn.
The drunkard lurches forward, easily decapitating two of the latest models of Atlesian Knights in spite of being unable to walk in a straight line, and begins hurling insults on the Atlas military directed at it's highest ranking member present, Winter. He calls her ship "gaudy", which while it is objectively true, is also ironic coming from the only man we've met who wears a cape. She calls him "Qrow", the name of Ruby and Yang's heretofore unseen uncle, and he calls her "Ice Queen", to the confusion of Weiss.
In this scene what Winter doesn't do is even more interesting than what she does do. She's being insulted by a falling down drunk, and she DOESN'T respond with the same sneering condescension she just used on her own dear sister, even though many people routinely use that tone with drunks. She maintains a now angry formality. He's handing her opportunities to sneer on a silver platter, and she's not taking them. This tells us that sneering condescension is a holdover from her childhood, not something she normally uses in her adult life.
More importantly she allows her own little sister to prance right up to this drunkard and confront him. She doesn't react at all when the drunkard puts his hands all over her sister's head and uses it for balance before gently pushing her sister to the side. This scene tells us one of two things. Either Winter doesn't care about her little sister's welfare, or she is convinced that even though obviously incapacitated by alcohol, with his motor functions, vision, and reason clearly impaired, the drunken man is in spite of this no threat to the young woman. That level of conviction speaks not only of lots of prior experience, but a high degree of trust in spite of their current animosity.
The insults continue with Qrow upset about Ironwood's humiliation of Ozpin before the Vale council at the end of Volume 2 , reminding the audience of that development. However much the two leaders have been downplaying their disagreement in their personal meetings, it obviously has their loyal bannermen up in arms.
(Some people have assumed that Qrow and Winter were former lovers, but I don't see anything here that really supports that premise. They're simply arguing over policy. Lovers would have a more thorough knowledge of each other's buttons.)
Winter holds her ground until Qrow starts threatening to blab state secrets in the public square, then she changes tactics. Unfortunately for her she attacks him instead of grabbing him by the arm and dragging him somewhere out of earshot. But it's fortunate for us, as we get the best 1v1 duel so far.
As good as it is, it's also clear Qrow is holding back. Judging from the Ursa we will see Winter summon in the next episode, so is she.
Qrow keeps one eye on the Beacon Tower, and when he sees Ironwood coming up behind Winter, he goads her into attacking an unarmed man in front of her superior. In this way he publicly humiliates Winter as Ironwood's proxy in a similar manner to how Ironwood has publicly humiliated Ozpin with the council. The action is childish and petty, but not personal, a drunken, juvenile payback.
Winter's opinion on the prank isn't known, but she is clearly furious.
Then the action switches to inside Beacon Tower, where it becomes clear that both combatants are intensely loyal to and highly valued by their respective Headmasters, although Qrow outranks Winter and has her thrown out. Then we move on to info dumps and plot developments galore.
The way these scenes fold so much information inside them is vastly improved over the first two Volumes. But as lovely as our snowbirds look together, there's no real reason to ship them - yet. That would wait until we began to get Qrow's backstory in Volume 4. Once Qrow begins to talk about his childhood, it gradually becomes clear how much his life story has echoed Winter's life story. Shall we count the ways?
1) Horrible childhood: Qrow grew up an unloved, unwanted child in a chaotic, abusive bandit camp, and quickly becomes the camp scapegoat. From what we have seen Winter grew up in a home that was cold and abusive, where order and affection came from the servants, not her parents.
2) Grew up in the shadow of a narcissist: Winter grew up in the shadow of her narcissistic father Jaques. Qrow appears to have grown up in the shadow of his narcissistic sister Raven. Both narcissists have shown that they only regard other people as tools or enemies, including family. This tends to leave a child with major insecurity issues.
3) Escape to Academy: Both Qrow and Raven made it to Huntsmen Academies, where they encountered genuine order and a semblance of fairness for the first time. The Academy was the first decent thing that happened to them, and in that environment both of them blossomed.
4) Remade themselves into the Headmaster's pets: Both characters appear to have used their time at their respective Academies to reinvent themselves. Both of them took the ethos of their schools and their Headmasters to heart. Each one strove successfully to become their Headmaster's trusted eyes and ears in the field.
5) Flashy exterior, insecure interior: In each case a flashy exterior conceals deep insecurities.
6) Guilt over children: This one's a bit of a stretch, but not much. Winter constantly telling Weiss she has to be strong sounds like guilt over the fact that Winter had to leave Weiss behind in an abusive situation in order to go to Atlas Academy. As for Qrow, after growing up unwanted I think he would have panicked over Yang and Ruby growing up motherless, tried to be there to help Tai as much as he could, and felt guilty about having to leave on missions for Ozpin, which wouldn't help his drinking any.
7) Socially Awkward: They're both socially awkward. Winter conceals her social awkwardness behind a formal exterior. Qrow hides his social awkwardness behind drinking and physical seperation.
8) Arrested Development: Both of them successfully escaped traumatic childhoods and reinvented themselves as Teacher's Pets, completely loyal to their respective saviours. And there both of them seem to have stopped maturing. Growing any more would have meant questioning their idol, and neither one was willing to do that. We saw how Qrow was shaken to his core when the man he reveres turned out to have feet of clay. Should Ironwood fall from grace, it will be no less traumatic for Winter than Ozpin's fall from grace was for Qrow. But perhaps on the other side of that they will both finally find themselves standing as their own people.
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