Tumgik
#too many muses
Note
Ash received a message from the planet the Milan was berthed over. "Lord Finley, this is lord Zarath, I'd like to make use of your services." The voice was slightly sneering, exactly what you would expect of a noble on an important planet such as this.
- Noctine for Ash
Ash sighed the tone alone made him want to say no. This was exactly why he didn't usually stop by his more well off planets. He set a reply a few moments later. "What service exactly?"
116 notes · View notes
bubblegumflavor · 10 months
Text
Damn, I used to have only one ship I actively created for and now I have three ships at the same time... And a million ideas!! I need help :'D I have so many LawRusso wips (and I keep sketching ideas instead of finishing XD) I have Jally wips and many more ideas and I haven't drawn them even close to enough, and now I am having a clown crisis!!! (I just had started to actively draw Akabuggy when Cobra Kai suddenly happened and fully occupied me but now with the OPLA and Buggy being so beyond perfect and the Cobra Kai/TKK fandom becoming more and more quiet, my urge to draw my captain is stronger than ever :'3)
3 notes · View notes
butcharium · 1 month
Text
I often do think it is important to call myself a woman. In past I've had kids ask me "are you a man or a girl" and in hindsight I think these kids were quite perceptive of the world. Especially when you're in your 20s it's men and girls, I've seen students write pieces describing themselves as men, but their female peers of the same age they call girls, but I have also heard bisexual women say they like both men and girls. In past I've fallen into that myself and said that yeah I'm a lesbian I like girls, but do I? No I am in my twenties and I am actually only attracted to my fellow adults - women. It does feel more serious, less trivial, both to be and be attracted to women as opposed to girls, and that can be a bit uncomfortable to be faced with. It is also important to me as a butch. I am no longer a tomboy I am a butch I am no longer a girl I am a woman. I am a woman and women can be like me. I don't feel like I've succeeded enough at adulting to call myself a woman, but that doesn't matter. I am 25, and if the word bears other connotations so be it, that's not my problem.
2K notes · View notes
Text
Tumblr media
sorry for the Complete Lack of Scribbles! all i have to offer rn is this <3
1K notes · View notes
deus-and-the-machina · 3 months
Text
hythlodaeus be like "teehee I hope I can be of some use" *clean headshot* 😊
bitch they wanted you for the aether-centric governmental position I know you think your curmudgeony cunt husband is amazing but stop selling yourself short its a slippery slope to sacrificing yourself to make god smh
205 notes · View notes
mishapen-dear · 5 months
Text
tbh i think that even unwinnable fights should be winnable. some of the BEST fights i've ever run as a dm were ones i built kill the players (in a fun way. I had some cutscenes prepped so even the loss would be a different flavour of win)- but then they were clever bastards and managed to either win the fights or pull themselves out of trouble. I think it's perfectly fine to plan for a fight that players aren't supposed to win, but you need to let them. if they can't win, they can't lose, and the meaning of that encounter is diminished. do that too many times, and they stop trusting you to give them roleplay prompts and start expecting to sit there waiting while you drive the story for them.
but if they can win... if there is always the chance to win, no matter how impossible the odds, then they ALWAYS have hope. they always get invested. they feel the big emotions of success or the big emotions of failure, and you fucking Win as a dm/roleplay prompter/lead bastard.
153 notes · View notes
ride-a-dromedary · 7 months
Text
Why, yes, I am thinking about Halsin and Astarion slipping into speaking patterns that fell out of fashion 200+ years ago, and when speaking to each other, it becomes an eclectic mix of centuries old slang they pull out of nowhere, standard fantasy speak, pieces they picked up along the way, and "shit's wild, bro".
Bonus points, for more fun, if they have different threads of different old speaking patterns because they come from two different places.
213 notes · View notes
nateezfics · 6 months
Text
Tumblr media Tumblr media
he looks so vampy in these photos;; i’m so in love
232 notes · View notes
sugajimin · 1 year
Photo
Tumblr media
‘on the street’ poster
03.03 | 2PM KST
631 notes · View notes
mappingthesky · 11 days
Note
not a prompt necessarily but I’m always down for planymphia angst 🙏🙏🙏
in response to multiple asks i’ve received for planymphia angst… here is this <3
i know baby, no attachment
None of this had been in the plan.
It was the first thing they’d talked about that first night in Jane’s apartment; Neither of them were looking for anything serious. They were both unavailable, incapable of making any promises. Not now. Not yet. It would be clean, simple, no strings attached. Just two people using each other. Innocently, admittedly using each other, but using each other nonetheless.
They’d been on the couch in Jane’s dimly lit apartment. Jane was an obvious sort of gorgeous. It was the first thing Nymphia had noticed about her, what drew her in on that first night they’d met: she’d been wearing something meant to lure you in, hypnotized by the clinging of her clothes to her body, the wave of her hair, her eyes tightlined and sharpened like knives. Jane was almost lethal to look at, all done up and primed to kill; the most magnetic friend-of-a-friend Nymphia had ever been introduced to. She was somehow even more gorgeous now, sitting on the couch in her casual clothes, her face aglow in the light of the television, her auburn hair pulled up into a messy top knot. She was painfully, effortlessly attractive, and, much to Nymphia’s surprise, only so much of a smooth talker. She came off suave at first, all punchlines and quick remarks, but after a while Nymphia could start to see her thinking. Jane would be in the middle of a sentence, flying through it, hurtling towards some revelation, and then she’d catch herself. She’d pause, freeze on a word and scoff at it, like she was considering whether whatever she was about to say would be worth the sentiment. And then she’d go a bit shy, averting her eyes and playing with the pilling on the upholstery, giving away just how carefully considered she was. And just when Nymphia was starting to think that Jane was completely nervous to her core, that Nymphia might actually have the upper hand in this situation, Jane would bring it back. She’d pick her head up and let the words go, say something so stunningly direct and devastating. It left Nymphia a little breathless, a little too endeared, a little too eager to kiss her.
They could have guessed at the chemistry, but it didn’t come close to the real thing.
What happened when Jane’s skin hit Nymphia was the sort of collision that produced suns and planets and supernovas, flinging particles off into space with enough pressure to form entire worlds. Nymphia could practically see the stars behind her eyes, fluttering shut when Jane was hovering above her, hand between her legs, finding some undiscovered place that Nymphia didn’t know had been there all along, waiting to be found. Jane turned Nymphia’s body into something more than it was before, transforming her irrevocably. Jane was a comet crashing through her atmosphere, and Nymphia was awe-struck, staring at the sky and watching the sparks shower. You can’t be prepared for such life-altering things, it's what makes them so devastating.
What neither of them could have predicted was the ease of what came after - the lying in bed, talking about it. The debrief. Nymphia was a bit too happily fucked, and unwilling to share the extent of her satisfaction. She was worried she would come off easy, inexperienced somehow. Jane, however, was endlessly attentive. She wanted Nymphia’s experience of the encounter, all the details - what she liked, what satisfied her the most, what she wanted more of. Her sheer desire to please was enough to pull the details out of Nymphia. She was rewarded when Jane allowed her to relive it, this time through Jane’s eyes. Jane’s gaze was far off with remembering, a smile playing at her lips as she recounted her experience of Nymphia in such erotic detail, every telling arch and shudder, and the whole thing was so overwhelmingly flattering that it sort of made Nymphia want to do it all over again.
Nymphia had known better than to pack an overnight bag. She thought she had, anyway.
Her eyes were closed and she was nearly asleep when she’d mumbled, ‘I should be going soon.”
Jane just chuckled. “You’re half asleep already.” Her fingers trailed up the curve of Nymphia’s thigh. “Just spend the night. If you want to.”
Nymphia's eyes were suddenly open, “Yeah?” Jane traced stars onto her hip.
“Mhm,” Jane hummed, eyes flickering up, then back to the curve of Nymphia’s waist.
Nymphia closed her eyes, savored in the feeling of Jane on her skin. A long moment passed.
“D’you cuddle? Or is that against the rules.”
Jane’s hum was an amused look at you asking so soon. She was already pulling Nymphia to her chest.
That first night turned into a three-day sleepover, because of course it did. Nymphia and Jane stretched themselves over the long arc of the weekend, sharing the sort of welcome, unexpected ease that you can’t put down, the kind that you’ll happily destroy your routine over and resign yourself to picking up the pieces after the fact. One weekend became another, and then occasional nights at Nymphia’s apartment with the door shut and her duvet crumpled at the end of the bed. And then they added the weekday rendezvous: Nymphia meeting Jane at her place after work on Thursday evenings, promising not to keep her up late and failing miserably, leaning her head on Jane’s shoulder in the morning as she locked the door on her way out. And then Nymphia was bleeding into Jane’s week, her Tuesdays and Wednesdays, her breakfasts and dinners, her late-night ice cream cravings and subsequent walks to 7-11. And then it was all too regular: Nymphia and Jane, Jane and Nymphia.
It's been a few months now, and there are so many things Nymphia loves about Jane.
She loves how Jane drives with one hand on her thigh, or with her fingers in her mouth. How she looks over to the passenger seat with that special look that's reserved just for Nymphia, and makes her feel like the only person she's ever wanted. She loves how she listens to her music loud, sings along when she’s drunk and tossing her hair, or when it's Sunday morning and she’s at the stove and there’s a record spinning in the living room. Nymphia loves how unabashed Jane is, how bold. How she never hesitates when it comes to the people in her life, how to be loved by Jane is to be fiercely defended by her. Nymphia loves how Jane kisses her in the middle of her sentences, especially when she's talking too much. She loves that Jane is so rough. How she can fuck her like she hates her. She loves how Jane can be so tender. How she can fuck her soft and slow, as reverent as religion. How Jane can make a mess of her, then put her back together again.
There are so many things Nymphia hates.
She hates that Jane is so impulsive, how she strikes so thoughtlessly, how she has to return to the wounds later to draw the venom out of them. How Jane is so stubborn, so set in her ways, so inflexible. How there’s two Janes - the one she’s with now, the one she is around her friends. The one who doesn’t kiss her, hardly touches her aside from a possessive arm around her shoulder or a tap on her knee. How the real Jane, Nymphia’s Jane, emerges as soon as they’re alone together, the one who will see her downturned gaze on the way home and coo what can I do, princess? Hmm? What can I do to see that pretty smile? Nymphia hates that she forgives Jane so easily, that she crumbles every time, that she loves Jane completely and entirely and beyond any measure of hurt that she could unknowingly inflict upon her.
She hates that she’s still sitting at this party, long after Jane promised they’d leave. She hates that Jane’s friends clearly like her; they laugh at Nymphia’s jokes, compliment her shoes, send knowing glances and winks across the room every time Jane so much as mentions her name. She hates how, when they ask what they are, Jane is all too quick to brush them off.
It's obvious that Nymphia’s upset by the way she pounds up the stairs, by the way she wordlessly digs through her purse for her keys, by the way the anger and the hurt and the disappointment emanate from her like poison.
“I just can’t believe they asked that,” Jane scoffs. Nymphia says nothing, gritting her teeth as she turns the key in the lock.
It should be obvious, but Jane is a bit too self-absorbed to notice.
“Like, we don’t even know what we are,” Jane says, and Nymphia feels sick, because she thought she did. “Why would she put me on the spot like that? In front of everyone?”
Nymphia pushes into the apartment, beelining for the kitchen.
“I mean, it was weird, right?” Jane continues, relentless. “Why do they need to know so bad?”
“Yeah,” Nymphia’s voice is hard, laced with venom. She chucks her keys onto the counter with a little too much force. “Why would they?”
“Right,” Jane doesn’t notice. “It would be nice if they could just let us-“
“I don’t know why they could possibly be so confused.” Nymphia interrupts, working off her thigh-highs.
Jane misses a beat. “Wait. Are you-“
“I can’t fucking imagine why they’d think that we’re together.” Nymphia lets her boots drop to the floor, one gut-wrenching smack after the other.
Jane blinks, brows knit together. Nymphia straightens up, fumbles with things on the counter that don’t need to be fumbled with. “Are you upset about this?”
“Why would I be upset?” Nymphia picks up a stray mug, sets it down again. “You just told all of your friends that we’re nothing serious. Why would I ever be upset about that, Jane?”
“I didn’t say that, Nymph,” Jane starts, already on the defense. “I said that we’re something.”
“Oh, right. My bad.” Nymphia scoffs. “We’re something. Let me know when you’re ready to illuminate me on whatever the fuck that means, Jane.”
Jane recoils at Nymphia’s profanity, unfamiliar with her frustration. She’s never seen her like this- so hurt, so ready to retaliate.
It's not funny. Jane shouldn’t laugh. She really shouldn’t, but she’s viscerally uncomfortable and horrifically unprepared for this situation, so she does anyways. “Are you really angry about this?”
The whole thing is white hot and embarrassing, and Nymphia has tears in her eyes when she turns and whips her purse to the floor.
Jane jumps. “What the fuck?” She’s wide-eyed, both hands held up in shock. “Nymphia. Are you serious right now?”
“I don’t know Jane,” Nymphia bites. “Are you serious?”
“What?”
“I kinda thought you might be,” Nymphia steps over her bag. “Y’know, because you cut me a key to your fucking apartment. I thought maybe that constituted we were more than,” she curls her fingers in the air, “something”.
Jane shakes her head, jaw tight and temple pulsing. When she speaks, it's in a lower voice, almost ashamed. “I don’t want to talk about this right now.”
“You never want to talk about it!” Nymphia’s voice cracks, a desperate wail. Jane’s mouth opens, already halfway towards defending herself until she looks at Nymphia and sees her bottom lip quivering, the spilling over of her tears. Jane looked back with a concerned, almost panicked expression, lips frozen and slightly parted.
“Do you love me, Jane? Do you even fucking like me?”
Nymphia surprises herself with the question. She’s so amped up, so high on adrenaline that she lets it all out- the culmination of weeks of words she’d bitten back, suddenly pouring forth from where they’d been collecting in a lump in her throat.
“No, seriously, do you? Because I can’t fucking tell. I think you do, because- because you say all these beautiful things, and you spend so much time with me, and you take such good fucking care of me. So you must fucking love me, right? But when your friends ask, I have to sit there and listen to you tell them that we’re something. Like it’s so fucking confusing to you. Like it's a goddamn secret. Do you know what that feels like?”
Nymphia is fully pacing now, walking the length of the kitchen over and over again. Jane follows her with wincing, pained eyes.
What Nymphia hates, more than anything, is that she doesn’t hate Jane at all. Not for any of it.
“I’m fucking in love with you, Jane, alright?” Nymphia whines, hands whipping through the air with frustration. “I’m so in love with you, and everybody fucking knows it. Your friends, my friends, my mom, everyone! But no one seems to have any goddamn clue if you love me too. And you know what? I’m not sure if I do, either.”
When she finally expels the last of the words from the hole in her heart, Nymphia looks up through her tears. She can barely stomach the sight of Jane, lips parted and wordless, unsure of what to do with the outpouring of Nymphia’s heart. She stares at her, eyes twisted in pain, then looks to the ground, like Nymphia’s words have slid off her and collected in a puddle at her feet. Nymphia just cries, a pained and exhausted whimper on her lips as she pushes past Jane and into the living room. She collapses on one end of the couch, pulling her knees to her chest and hiding her face behind one hand, hot tears sliding down her cheeks and into her mouth.
Jane stands in the center of the room with her back turned, still facing the phantom of Nymphia’s words that may very well haunt her kitchen forever. Her head is spinning, because how the fuck did this happen. Nymphia is openly sobbing behind her, and the sound is so gut-wrenching that Jane is nauseated.
Nymphia makes a horrible, shuddering gasp for air and Jane finally breaks, crossing the room and dropping to her knees on the floor where Nymphia sits. She doesn’t even look at her, just sobs, and Jane can physically feel her heart fucking breaking.
“Nymphia,” she says, placing her palm on Nymphia’s knee. “Nymph. Hey.”
Nymphia shakes her head, face contorted with tears. She flinches at Jane’s hand like it fucking hurts, and Jane winces as the guilt slices through her. She exhales a sharp puff of defeat and drops her head in hurt.
Nymphia just cries and cries, and the reality of the situation sinks in Jane’s stomach with every sob. She’s sick to her stomach with concern, worried that Nymphia might actually fucking hyperventilate, and then she’s gently begging the girl to breathe. She goes to reach for Nymphia again and pauses, scared to reach out, scared to hurt Nymphia, scared that she’ll recoil from her again. It’s then that Jane knows, for the first time in all of her life, what she wants. She knows, right as it threatens to slip out of her hands.
“I’ve never done this before.”
Jane hears her own voice. Her words hang in the air for a moment, floating like smoke between Nymphia’s shaky, shattered breaths. Jane looks up.
“This,” she says, a tentative hand on Nymphia’s knee. “What you and I have. I’ve never-”
The words are hard for Jane to stomach. They don’t pour out like Nymphia’s do. They catch in her throat, feel wrong in her mouth. She’s not sure they’ll be enough.
“I’ve never had this with anyone,” she says. “I’ve never wanted to. Not until now.”
Nymphia wipes at her eyes, shudders a bit as her breathing quiets.
“I, um,” Jane glances down, scared to look. “I don’t know how.”
Nymphia finally looks at Jane, so small and nervous and crumbling at her feet. She wants to take her hand, to show her, to be endlessly patient even if it kills her. The desire is so enormous, even now. She almost hates herself for it.
“I know I’m fucking it up,” Jane says to the floor, her voice tiny and wavering. “I’m sorry. You don’t deserve that.”
“I just need to know,” Nymphia whispers.
Nymphia swallows hard, and then Jane looks up and its so fucking harrowing, so moving, because Nymphia can see the guilt in her eyes, the desire, the glimmer of words she can’t figure out how to say. She watches as she considers, catches herself, lets it go.
“I do.” Jane says. Nymphia’s heart plummets, because she knows what she means.
“I don’t want to say it now,” Jane says. “I don’t want it to be an apology. I want you to know I mean it. Is that okay?”
Nymphia nods and Jane mutters over and over I do, I do, you know I do.
It's beautiful and tragic and overwhelming, and Nymphia wants to crash into Jane, to merge together and surpass the need for words entirely. It's too soon to know yet if it's for better or for worse, only that she does it - that she reaches out and takes Jane’s hand.
“I don’t know if I’ll be any good at it.” There’s a hint of a smile on her lips, a bit of Jane laughing at herself. “But I want to try.”
Nymphia just nods and feels more tears streaming down her cheeks, and Jane’s crying too, and then they’re crashing into each other. Nymphia is leaning down and throwing her arms around Jane, who is sitting forward and clinging to her like she’s scared to let her go. Like she caught a shooting star in her bare fucking hands.
It's a whisper against her hair, but Nymphia hears it. “Can I try again?”
Nymphia could hate herself for it for all of forever. She’s prepared to. Jane doesn’t know what she’s doing, and she doesn't either. Nymphia nods anyway.
It's a new world, one of their own making. It's unexplored, uncharted, and they’re venturing into it together, hand in shaking hand. It's dangerous. She’s doing it anyway. She might hate herself for it. It might be the bravest thing she’s ever done.
63 notes · View notes
beatleswings · 5 months
Text
Tumblr media
MARIANNE FAITHFULL and BOBBY ELLIOTT of THE HOLLIES. 1964.
87 notes · View notes
compassionately · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Some of my favorite G2 symbols, from mylittlewiki
78 notes · View notes
johannestevans · 6 months
Text
favourite thing about abusive husbands and serial killers etc on tv is that like. somehow it's always somehow the guy's mother's fault.
like this guy could have hung drawn and quartered his entire family and the plot will be like "and this is all bc of his mom"
"this guy is a controlling and abusive rapist, all because his mom was just TOO nice to him"
"this guy kills people and systematically abuses every woman he's intimate with, bc his mother abused him"
"this guy's mother ABANDONED HIM, CRUELLY, as an INFANT, which made him kill"
like sure maybe that guy's mother sucked but like. did his father. his grandparents. his great aunt. or like, hear me out here… maybe HE sucks? maybe HE chose to do some murders, and it's not one of his parents' fault for what he did as an adult?
104 notes · View notes
butcharium · 1 month
Text
I love how tracking my period is also a way I can track my mental and physical health, as everything is connected and these really impact the reproductive system. Usually it is more used so that if your cycle has any sort of irregularity that's a sign something's up, but my default is that something's up so my period cycle is deeply irregular and almost nonexistent. Tracking my period is then a way I can keep tabs on my improvement - any sort of regularity and especially just having some sort of menstruation at all is a sign that something is going better in my life. Especially since I often struggle with being in touch with how I'm doing it is so great to have my period cycle to help me be aware - when am I in a good state when in a bad? what factors could positively or negatively cause a change? A few years back I made a drastic life decision, and it felt like a confirmation that it was the right thing to do when I got an actual proper menstruation not long after (and it was - my stress reduced my physical and mental health improved)!!!! To me this is invaluable!!
Anyways guess who just started breading and could cry tears of joy 😭😭
38 notes · View notes
untodeath · 28 days
Text
howdy, ❤️ this for something small?
40 notes · View notes
non-un-topo · 11 months
Text
Tumblr media Tumblr media
My Neekeys over the last two-odd years. I was curious to see the changes 🤔
206 notes · View notes