L'Officiel octobre 1958 N°439-440
Simone D'Aillencourt wears a draped hat by Lanvin-Castillo, made with white moire from Hurel. A small bow adorns one side. Black veil by Judith Barbier stopping at the mouth. Mauboussin jewelry. Photo Philippe Pottier.
Simone D'Aillencourt porte un chapeau drapé de Lanvin-Castillo, fait d'une moire blanche de Hurel. Un petit noeud orne un des côtés. Voilette noire de Judith Barbier s'arrêtant au ras de la bouche. Bijoux de Mauboussin. Photo Philippe Pottier.
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Codie Young by Giampaolo Sgura for Vogue Germany, 2013.
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La Mode illustrée, no. 18, 5 mai 1867, Paris. Voile de fauteuil. Ville de Paris / Bibliothèque Forney
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Sigrid Agren, portant un bibi à voilette Victoria Grant, photographiée par Claudia & Stefan pour la série Beauté Fière Allure du numéro d'août 2012 de Vogue Paris.
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@voilette. ‘ are you a helpful wizard, or the kind that sits in a tower reading moldy books ? ’
❛ do i look like the type of wizard who sits in a tower and reads mouldy books ?! ❜ clearly, she was asking simply because he wasn't dressed in his f̲i̲n̲e̲s̲t̲ ̲ ̲c̲l̲o̲t̲h̲i̲n̲g̲. today, he managed the outer workings of a suit, though these were disguised beneath the glamour of his less conspicuous rugby jacket &. t-shirt. no one would suspect him of being a wizard today. except those who already k̲n̲e̲w̲ him ( or suspected him ! ) to be one, of course. as though to confuse her even more, he thrust his hands in his jacket pockets, looking her over t̲h̲r̲o̲u̲g̲h̲ ̲ ̲h̲i̲s̲ ̲ ̲f̲a̲l̲l̲i̲n̲g̲ ̲ ̲b̲a̲n̲g̲s̲. ❛ eugh … i'm a helpful wizard. plenty of people come to me for help, you know. why ? ❜ &. just like that, his frustration faded into something a bit more smug. ❛ do you need help ? ❜
* .゜ scenario prompts ! 𝚘𝚙𝚎𝚗.
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Squad
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if @voilette hadn't noticed his approach by the sound of his little trip, she'll at least hear his knuckles against the bench, a soft little greeting before he sits by her. her fanciful clothing reminds him so much of shu that he feels not the slightest bit of apprehension whenever he comes around. ❝ maido, emma. er … ❞ h͟i͟s͟ ͟ ͟e͟n͟g͟l͟i͟s͟h͟ ͟ ͟i͟s͟ ͟ ͟s͟u͟b͟p͟a͟r͟ ͟ ͟a͟t͟ ͟ ͟b͟e͟s͟t. ❝ how long you've been here ? ❞ ♡
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what she is called is count less. from light of god to fire-starter and thus maki is no child in the measures of charm. for which ˢʰᵉ ˢʰᵉᵈˢ ᵗʰᵉ ʷⁱˡˡˢ ᵒᶠ ʰᵉʳ ʸᵒᵘⁿᵍ ᵃᵍᵉ to tie her tongue on the CALL OF A MESSIAH . ° — ❝ and what do s͟h͟e͟ s͟h͟e͟d͟s͟ t͟h͟e͟ w͟i͟l͟l͟s͟ o͟f͟ h͟e͟r͟ y͟o͟u͟n͟g͟ a͟g͟e͟ , a wealthy little / @voilette lady peeping in on things 𝒔𝒉𝒆’𝒔 𝒔𝒖𝒓𝒆 𝒕𝒐 𝒈𝒆𝒕 𝒃𝒊𝒕𝒕𝒆𝒏 𝒃𝒚. . ❞
her tone is saturated in a playful timbre , brushed down in a pink smile playing cat to the WOMEN’S MOUSE ° — ❝ big things grow in this place , they like to make off with you and make a doll out of your parts. . ❞ ˢʰᵉ ᵗʳᵃᶜᵉˢ ᵃ ˢˡᵉⁿᵈᵉʳ ᶠⁱⁿᵍᵉʳ ᵃᶜʳᵒˢˢ ʰᵉʳ ᵗʰʳᵒᵃᵗ to situate exactly what she was describing. ° — ❝ s͟h͟e͟ t͟r͟a͟c͟e͟s͟ a͟ s͟l͟e͟n͟d͟e͟r͟ f͟i͟n͟g͟e͟r͟ a͟c͟r͟o͟s͟s͟ h͟e͟r͟ t͟h͟r͟o͟a͟t͟ , and that’s why you came ❞ her head tilts to circumference the other , 𝒉𝒂𝒘𝒌𝒊𝒔𝒉 𝒐𝒑𝒕𝒊𝒄𝒔 𝒕𝒓𝒚𝒊𝒏𝒈 𝒕𝒐 𝒔𝒕𝒓𝒊𝒏𝒈 𝒐𝒖𝒕 𝒉𝒆𝒓 𝒓𝒆𝒔𝒐𝒍𝒗𝒆 , as to frighten her away. she hadn’t the time to play babysitter today.
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❝ oh, pardon me? ❞ the witches’ hand reaches out to gently touch upon the arm of the woman she’s addressing: SHE KEEPS HER TOUCH LIGHT AND RESPECTFUL, her fingertips warm and electric. [ the magic under her skin flows with a tangible current: it vibrates like a busy beehive to the touch. ] ❝ your shoes --- where did you get them? i’ve been looking for that color. ❞
@voilette, random muse starter call.
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US Vogue November 1, 1955
Anne St. Marie wearing a black velvet hat with a mesh of a brown veil hiding the edge as well as the woman's face, making the eyes enormous, mysterious. By Tatiana (du Plessix) of Saks Fifth Avenue. Muff, from Norwegian blue fox from Saga.
Anne St. Marie coiffée d'un chapeau envelours noir avec une maille d'un voile marron masquant le bord ainsi que le visage de la femme, rendant les yeux énormes et mystérieux. Par Tatiana (du Plessix) de Saks Fifth Avenue. Manchon, de renard bleu norvégien de Saga.
Photo Roger Prigent
vogue archive
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"Robe de Garden-Party" ayant appartenu à Madame Segond-Weber, "Capeline" par Virot ayant appartenu à Cléo de Mérode (circa 1900) et "Robe de Jour" en dentelle d'Irlande (circa 1905) à l'exposition "Mode & Sport, d'un Podium à l'Autre" au Musée des Arts Décoratifs (MAD), Paris, février 2024.
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❝ e-eh?! ❞ he could have sworn this is where the auto part store is! has he taken a wrong turn? that’s when he sees her. she doesn’t look like she’s from around here, but he might as well ask. one can never know for sure! so he asks, plain and simple. and loudly. ❝ oi!! you know where ___ is?? it’s always been here! ... i think. ❞ he points almost accusatorily, but he means no hostility; more he is excitable, and full of energy. ❝ how could this have happened?! i know my way around here better than anyone. ❞ he grumbles that last part, tugging at the neck of his one-piece garage suit. well? where is it?!? // * @voilette
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@voilette / em ma
fem busied herself with petting the fluff ball . the creature wagging its tail due to pure joy ( & ) excitement . it was upon shadow looming did she halt action . colorless pupils looked upwards to the caster . she spoke with a deadpan tone . ❝ … … is he yours …. … … ❞
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My OCs I made for each part (their outfits and weapons (Part 2)):
AC III (Connor): Tehya Celeste Kenway
AC IV: Branwen Paloma Edevane
AC Rogue: Alanna Sesen McGann
AC Unity: Voilette Eloise Robideau
AC Syndicate: Catherine Sarah Hammond
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