I am just now realizing that the first episode of Interview with the Vampire Season 2 drops on Mother's Day in the US, which:
1) is hilarious
2) makes me imagine a bunch of goths all across the nation, me included, twitching their way through nice dinners with their families as they await the moment they can bolt for their AMC Plus account
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ok last thing i SWEAR im gonna shut up after this but i just wanted to post michael rianda's outline for the jack kerouac wendy episode that i mentioned. it definitely needed a lot of work but i do like it in concept. image ID/transcript below the cut (warning it's LONG)
[image 1 ID: a screenshot of a tweet from michael rianda. it reads: "I Found a Lost Wendy Episode of Gravity Falls! We were always trying to crack a Wendy episode. This was my favorite. I love the teenage feel of wanderlust + getting excited about reading "On the Road." I love the backstory and flaw. It didn't work but I always liked it." end image 1 ID.]
[image 2 ID: a screenshot of michael rianda's outline. from here i will simply transcribe what he has written, only fixing typos that interrupt screen readers.
Episode 3.
Wendy's "On the Road"
This is the first in a series I did where I wanted to get to know a character better, and I started with that desire, and followed it through.
Cold Open:
A woman answers a phone at a Wal-Mart type superstore place. Wendy's on the other end with Dipper and Mabel. She asks to be transferred to extension 234. Extension 234 connects them to the stores loudspeaker speakerphone. Wendy starts making joke announcements over the loudspeaker: Wendy: "Clean up to aisle 6, customers seem to be projectile vomiting all over eachother." Mabel and Dipper are laughing hysterically. The woman can't hang up on Wendy so she calls the cops.
Wendy's still going. Soos asks if she could get in trouble for it. Wendy brushes him off. Then the cops show up. Stan sees Wendy arrested and swells with pride- "she HAS been learning from me (quietly weeps) I'm so proud."
Act One:
Open on Manly Dan... by his age it must be the past- he teaches his boys to chop wood and they're all struggling. A huge tree drops in the distance. When the dust clears... it's little Wendy.
He tells her to climb aboard his shoulders my little axechild! They happily gallop off. They love each other. It's very sweet.
Cut to present day: A confrontational Manly Dan is bawling Wendy out for getting in trouble for the prank phone call. He tells her not to be so impulsive and do the first thing that pops into her head. Wendy insists Manly Dan is the most impulsive person she knows, besides the cops left her off with a warning. She brushes it off by saying she has to go to work.
B story. (Not sure what)
Wendy's reading On the Road at work. She's getting progressively more pumped about this book. Mabel asks what it's about. She explains it all and the kids are pumped. They're swept up in this romanticized teenage vision of hitchhiking on the open road.
Stan has to leave for some secret portal reason and Wendy's like: "Let's do this right now!" (Secretly she just doesn't want to go home and deal with her dad.) "Let's do it let's just hitch hike. Leave town! Start a new life! Like Jack Kerouac!" Mabel is enamored.
End image 2 ID.]
[Image 3 ID: picking up from the transcript of the previous image:
Soos is wary of leaving the shop at first. But Wendy talks them into it. A couple of her friends come. Lee, Nate, Thompson, and Tambry.
They get on the road and are immediately having fun. Things are looking up. Soos is worried. Wendy: "Easy Soos, we're in Oregon... it's just going to be a bunch of nice hippies..."
Cut to a terrifying crazy red eyed driver without a face driving towards them. Act break.
Act Two:
Wendy and Co are having fun just like you should on a road trip/vagabond adventure. They're stopping at mini-marts and getting lame snow globes- and making fun of them. Things are looking good. It's like a road movie.
They all relate to each other about problems with their parents. Wendy doesn't say much but she has a flashback to her and her dad drifting apart.
Stan B Story.
The scary faceless driver comes by and offers them a ride. (they can't see his ghoulish faceless self) Wendy immediately says yes before anyone else can decide. People are like "I don't want to go hitch-hiking." "Wendy: It'll be fine! Come on- this is the adventure of our lives. People in those stories never said, no I'm scared." She makes them all go in.
It's creepy and tense in the car. Eventually the guy reveals himself to be a horrifying ghoul face and locks the doors. They all go screaming into the distance.
Act Three:
He takes them to the "End of the Road" Diner. Or you hang a lampshade on it and have it be Bob's Big Boy but with a David Lynch head on the outside. There are other people that get taken there and stay forever and are sort of these lost souls that are stuck there. From all different eras. It's like this terrifying Lynch-ian dark version of an idyllic road trip stop. Basically it's a Lynch parody fest with Soos and Mabel. Like these little creepy old couple are walking in fast motion out of a wall and Soos is pushing them back in. "Whadda you doin grandma and grandpa... get outta that mouse hole. Get back in that mouse hole you goofs." (Probably too insane) Anyway, everyone wants them to have "the special" and after you eat the special, you stay there forever.
Wendy's really guilty that all this is her fault.
End image 3 ID.]
[Image 4 ID: the last of the transcript:
Wendy wants to impulsively react, but remembers her dad. She thinks carefully what to do and comes up with a plan- and chops down a tree on the driver.
They all come home- relieved to be back in Gravity Falls, and her dad is chopping wood in the back- he's still mad at Wendy.
Wendy: Hey... Dad?
Manly Dan: (grunts)
Wendy: Can I chop some wood with you?
Manly Dan just nods and waves her off. They fell the tree.
Manly Dan: Haha! That's my little axechild!
Wendy smiles and keeps chopping.
Something like that- obviously a lot of variables to be figured out- but I love the teenage feeling of this and love that it gives Wendy a story and a flaw. Still needs work to make her better but it's a start.
End image ID.]
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I just improvised like half of a dnd session and STILL managed to get the plot going where I need it to, in a COMPLETELY different way than I thought I was going to get that information, got the party to COMMUNICATE with each other, and introduced a BOOKSTORE GHOST WITH A CAT WHO MADE A DEAL WITH A PLAYER THAT SHE WOULD COME BACK AND TELL HER THE REST OF HER STORY bc they’re in an apocalypse so there are no more books to read and aaaaa
Now I get to design a mini dungeon for the players to steal a car from the neighborhood dealership that has been turned into a home base for the gang of republican dads who are also trying to survive this zombie apocalypse
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You know. A lot of the time I read ppl's anecdotes here and minus the "and everyone clapped" type ones, I never really disbelieve them.
Like maybe they're eliding some things or smoothing parts out for flow or leaving off certain identifying details but it's extremely rare I disbelieve them... because while on a vacation, I've gone skinny-dipping in a hot spring and met a 60yo lesbian divorcee celebrating her one year divorciversary so we went to the beach and got stoned and then went barhopping. I only know her first name and we will never meet again.
Humanity is weird and messy and serendipitous and I love it.
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Welcome to the ool (please keep the p out of it)
+
“I’m right and you know it,” Mal crows, pushing her way through the crowd of kids and tourists in the shallows of the wave pool. “I’ll get the boys to back me up on this one! Everyone does it!”
“Just because everyone does it doesn’t mean it’s the right thing to do, babe.” Evie says, but she’s laughing and letting Mal pull her along easily by the hand, and there’s warm sun and the promise of cotton candy in Mal’s immediate future, and things are….not the worst right now.
Mal kicks a spray of water at a toddler’s face on her way by, just because she can. “I think everyone does it,” she says loudly, reveling in the dirty look the kid’s adult gives her. “And the only difference between honest people like me and cowards like you is that I’m not afraid to admit it.”
Evie hums, and taps her finger twice against Mal’s wrist. Two taps means dodge left, so Mal throws herself sideways practically before the instruction registers. She clamps down hard on Evie’s hand, hopefully pulling them both out of harm’s way, away from whatever danger Evie saw while Mal was distracted with her correct opinions about pissing in swimming pools.
Unfortunately, the impossible weight of having all of the correct opinions is too heavy for one teenage to bear, and Mal’s dodge throws her directly into one of the water geysers.
Evie cackles.
Mal comes up sputtering with a face full of water. There’s water in her nose, which burns, and in her mouth, which is probably gross.
She could make it grosser.
Evie bats away the halfhearted mouthful of water Mal spits at her. “Rude. Don’t be a brat.”
“I’ll be whatever I want.” Mal says, and scoops her face back into the geyser for another mouthful.
“Don’t spit piss water at me!” Evie shrieks, batting the second, much more forest up stream out of her face. “I don’t know where that’s been!”
“You’re the one who pushed me into it!”
“Because I’m right and it’s disgusting and you need to suffer for your crimes!”
Ouch. “I’ve never done a crime in my life,” Mal says, swallowing the remainder of her mouthful before she can consider the potential consequences of her actions. “And I’m hurt that you would imply such a thing. I’m actually an innocent child, and you dragged me into a fountain like a common criminal.”
“Technically, you dragged me.” Evie points out, waving her arm, where there are indeed droplets of water clinging to her warm, sun-kissed skin.
“Point,” Mal agrees. “But only because you took advantage of my survival instincts to make me do it. So really it’s not my fault, and we should steal a bucket to dump the disgusting baby piss water on the boys, right?”
“This is why I love you, babe.” Evie says. “You come up with all the best evil plans.”
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