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#wintertable
saribrum · 1 year
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My dnd group and I have been playing Curse of Strahd for a few months now, and all of our characters have had a few Tarokka card readings. I thought it would be fun to design the main cards we all pulled, and I wanted to really base them off of our characters.
So, to start us off, we have Belladonna Wixx, @wintert-ide ‘s necromantic wizard/ cleric who hates death, but is also dying herself due to a pretty awful curse (long story). She is the older sister to my boy Atropa and the two siblings are really close and basically attached at the hip.
A lot has happened already in our game, but we have a long way to go still. Barovia is a scary place and we are all just trying to make it out alive.
Loving every second of it!
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senualothbrok · 1 month
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OC meme
Thank you for the tag @theletteraesc <3
I tag @practicallydeadinside-blog @auroraesmeraldarose @miradelletarot @dolceaspidenera (no pressure of course) and anyone else who wants to play!
Aurora is the heroine of Progress and Promise, and she's very dear to my heart. It's been lovely to think more about her and introduce her to you all!
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B A S I C S
Full name: Aurora Dekarios (nee Wintertal) Gender: Female Sexuality: Straight, mono (she believed she was asexual before meeting Gale) Pronouns: she/her
O T H E R
Family: Gale (husband). Estranged from Edna (mother), Regis (father), and Tobias (brother). Birthplace:  Waterdeep Job: Manager of Serpentil Books & Folios. Freelance illusionist, working with poets and playwrights to produce stage shows. Phobias: Weight gain, ageing, insanity/losing control of her mind Guilty pleasures: expensive perfumes, lazy days in bed, maladaptive daydreaming Hobbies: reading, writing poetry, perfecting her illusions, sculpting/pottery (just taken up), playing the piano (Gale is teaching her), any time spent with Gale and Tara.
M O R A L S
Alignment: Neutral good Sins: Envy Virtues: Diligence
T H I S  O R  T H A T
Introvert / Extrovert Organized / Disorganized Close-minded / Open-minded Calm / Anxious / Restless Disagreeable / Agreeable / In between Cautious / Reckless / In between Patient / Impatient / In between Outspoken / Reserved / In between Leader / Follower / Flexible Empathetic / Unempathetic / In between Optimist / Pessimist / Realist Traditional / Modern / In between Hard-working / Lazy
R E L A T I O N S H I P S OTP: Gale/Aurora Acceptable Ships: None OT3: None Brotp: Aurora/Tara (Aurora views Tara as a cross between a sister, mother, and best friend), Wyll/Gale (Wyll was Gale's best man at their wedding). Notp: Any pairing that doesn't involve Gale and Aurora.
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systemendeavors · 21 days
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As the game’s gone on, there’s been a small ship forming between @wintert-ide’s character Bell and Solomon. It’s a VERY unconventional one, but one that fits the very strange place they’re in and the very strange people they are.
Heavily inspired by the song “Meet Me in the Woods” by Lord Huron
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selfkelp · 1 year
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I have a weakness for feral women what can I say Elka belongs to @wintert-ide !
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Reflecting on Beate Gütschow's Work
Breaking down the artist's way of work, investigating the 'I' series.
Transferring landscape paintings which incorporates conditioned visual perceptions to photography, Beate Gütschow digitises anolog photographs by following principles of studio paintings inspired from the Baroque times to the 18th century.
“You only need two or three of these rules, and the photos look like paintings, because that is how we have been trained to perceive things,” she explains.
Challenging the norms of perception, she’s able to detach herself from conventional image schemes to create her own reality, portraying an attempt to describe the object’s conditions.
Approaching new interpretations of traditional pictorial representations, Beate abandons her natural and urban scenes and dabbles on a more staged and confined space. The interiors have nothing in common with the daylight-flooded interiors of Dutch painting. Reminding us of advertising agencies, laboratories or offices and even photo studios, the various contemporary locations which are functionalistic rooms which allows a variety of things appear to stand under careful scrutiny or, in the case of the photo studios, to be in the process of being turned into “images.” There is a pause, a short delay, before, one can imagine, the objects are rearranged again.
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Using the aspect of flattening to make images, the two objects are viewed from overhead and depicted approximately life-size in the illuminated image. Identified, the black covering of the automatic transmission and rod next to it, assuming, linked to an automotive background as well. The meaning of their juxtaposition may not be clear at first glance, photographed against a wall of white tiles reinforced by the white flash from the front, the image is evidently attempting to describe the objects’ conditions. The work’s title can be translated as “Are you ready?”
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worm-pie · 1 year
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anyway hiii i changed my url!! winterter --> worm-pie  ^_^
also i remade my art blog! it’s @wintertorta
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444names · 1 year
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the entire gnomish dictionary BUT "a" is replaced by "e"
Bebel Becithnig Begim Beigl Beleye Bente Bentielfed Beretine Bestione Bindol Bithernteg Bleedh Bleibrel Blerst Blodur Bloonn Bodri Bodrion Bolos Bretion Brileer Brive Broet Bulth Bumbribrok Bunen Ceepled Ceethe Cefin Cefly Celcole Cenden Cerevindre Cerle Cessietch Cessnos Cherity Chile Cleste Clithreg Clowesc Cluccomel Coberum Codrilbon Concen Const Coonc Cored Corfed Coros Cothrencel Cowin Cowlert Crectify Crezle Cruen Cruib Cudeck Culug Cusissity Cwedow Cwery Cwilp Cwiotherd Cwirt Cwity Dechi Deedrin Deing Deity Delfi Delne Dereek Deriol Derros Detunly Dirithrer Dislemeb Divreithil Domeit Doope Dorrog Drice Drinth Drity Duite Dullepel Dureser Ebodrink Ecrindres Ecthelump Ecthlin Edwedinc Eephyr Efells Egetsive Eidweinly Eincrice Einent Eirweided Eitend Elceg Elenguif Ellin Emostetuim Endes Entet Enthin Enthon Equell Eroch Errot Eshien Eusheblith Euthevwed Evreugled Eweth Ewoomle Expele Expler Expos Febommem Feboute Feelf Feethening Fegibling Fegled Fegot Fegoter Feideed Feldowly Feled Feleve Felomfin Felthon Ferinwer Fetter Fided Fingriped Finstir Fintents Fleedher Floodwes Flounwegre Fofene Fordelew Foreng Formeith Foroep Forooke Forrie Frifi Fughtelf Fuibi Fulging Gebleubrol Gedgere Gelumplep Gemfiscy Gendrion Gethen Getim Ginwelth Gioss Gleth Glevelch Gliner Glivert Glocky Godrog Gofint Goleirn Gomeight Gomen Grechicure Greert Greess Grellgreth Grendeert Grenin Greny Grietim Griffint Grion Grosterpe Gruegge Gruister Gruns Gwedronor Gwegiwl Gwegovend Gwelle Gwenuinc Gwerc Gwerdhre Gwerl Gwiminc Gwinint Gwirtum Hebes Hebloon Heideemed Helin Herdething Herdhrigli Hettre Hewing Hewinybont Hienion Hiolm Howly Huelthi Humbing Hurblengum Idhre Idregen Ilins Illobi Ilvete Innioloste Inteeng Iondle Irche Iriost Ithends Jecthrodre Joill Joisonend Kinge Knest Lenorocim Lerri Leteirth Leybrouse Liele Lighboss Lingros Linnil Litelc Lithirm Loctin Lourtherin Lussencle Lutterdunt Lónetho Lûgrey Mectumplod Meighty Meithlive Meitiod Meleugerke Melty Melvricks Mentleck Meusten Mever Mevethe Mevrod Milthin Mongui Moreeke Moropped Motick Mughtheg Muiten Mûstumee Neblindeil Neblise Neete Nemeverk Nervilook Nesid Nessethe Nestel Nicertiver Niottly Nivent Noodri Nosting Nothet Nothweemmy Nouthos Nufug Nuitelod Nuthold Nutte Obegive Obeiren Oding Odrios Odrows Oefidib Oftned Oldor Oplekne Ordhros Orser Othergivol Ovengledh Ovist Pectoemble Peethe Peglinflos Peimfer Pelesteth Penctenne Peopperkly Pevrilless Phorse Pidhe Plecter Plemioner Plour Polved Potel Pronn Proper Prothe Quithe Reity Rellog Remel Rementheir Remog Rencleng Ressooting Retiolde Reviceith Rezenno Robinste Rolumlost Rufle Rumbos Rustros Rônining Rôthewl Scone Sebrepel Sedhote Sedhwe Sedin Sedly Seeter Sefrim Seldron Seles Semor Senin Senkint Senwi Seque Sessinn Setetick Sethe Sheeve Shiore Shuse Sicilth Silvent Sincerthe Singued Sipeer Siron Slecherc Sneuruid Snouskull Sonstirthe Southwein Specthol Spectholde Spiol Spley Stecom Stered Sufelthon Suight Suillog Suithility Sulenthê Sunge Surstien Susking Swege Swelthi Telth Tendly Teneug Tentledhri Tenwilfulc Terduive Terseed Tersunt Theet Thines Thisthwin Thlize Thooddy Threlc Thrion Thripsem Throsset Thwenc Thweret Ticuge Tielt Timoss Tiouse Tiveng Tomerd Tooleel Toron Towity Treed Trether Tublielw Tubred Tudhirty Tuelool Tultos Tulwistion Tummenlib Tunde Tunisc Turder Twirstlesc Twithient Ucklerth Udgme Undring Unner Vidhwin Weleptog Welle Wenth Wetes Wherew Whessed Whielerf Whorse Wintert Woetilmed Wrecthing Yoken Youskind
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Kerstglans wintert over Oostende: Fonkelende triomf op de Nieuwjaarsreceptie https://www.westnieuws.be/kerstglans-wintert-over-oostende-fonkelende-triomf-op-de-nieuwjaarsreceptie/?utm_source=dlvr.it&utm_medium=tumblr
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es wintert 🌚❄️⛄️
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ardn632niamhbeattie · 8 months
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Beate Gütschow
“representation means not only a (technical) relationship to the object photographed but also a particular relationship between this photographic record and the viewer  communications that can be read or interpreted in a particular way” (Magazine Kunst Bulletin (Zurich), 3/2008)
Gütschow creates visual practises based on the potential of manipulation, exhibiting highly produced and clearly arranged photographic images. Making all of their image content entirely fictional. 
“The pre-photographic method is a different way of approaching the image. With photography you are usually forced to choose a piece of reality, so the result is a framed section of this reality that has been extracted from a much larger situation. Using a pre-photographic method, reality is not the starting point; the starting point is the blank canvas, or in my case the empty document, the digital sheet of paper: I am free to do whatever I want with this space; I can place all sorts of things inside it.” (Gütschow)
Gütschow's photos are all montages made up of various images taken by them. Using Photoshop to combine pieces from various shots into a single image. Creating these apocalyptic urban settings that appear real yet make you think twice.
 Gütschow has also used this concept to draw attention to the erroneous viability concept of modernism by using faultless architectural structures and urban plans. Creating a real world that could become the future implies the concepts of fact and fiction and debates about reformulating conceptual processes within art. 
Beate Gütschow's work is an excellent example of photography manipulation. The black-and-white composition aids in manipulating the scene, conveying to the viewer that his photographs are a framed section of reality. I liked how Gütschow said, “With photography, you are usually forced to choose a piece of reality, so the result is a framed section of this reality that has been extracted from a much larger situation.” It emphasises how we, as photographers, have power over what others perceive and how we can modify reality and the scene presented to create art based on our preferences.
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saribrum · 25 days
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Are you going to post more about your Curse of Strahd game? I saw some of your cards and Im super interested in your party!
Oh my gosh, hey! Yeah actually, I’m in the middle of doing a campaign recap since my group has been playing for awhile! You can expect to see that soonish, aka as soon as I get it condensed enough haha. Here’s a doodle of the gang to hold you over for now tho! And you can find more of the game under my #sabr tag! Thanks for having an interest, means a lot to us!
Raisa: @legendlorelibrary Bell: @wintert-ide Solomon: @systememotions Dungeon Master: @arasdain
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I chose this series by Beate Gutschow to reflect on because I enjoy the composition she used. The style of these shots appears to be natural and untouched, however elements of the photos have been manipulated, but it's been done in a way that doesn't appear obvious to the viewer.
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Her work is so minimal, but effective. This image is one of her more subtle works that appears very realistic. Some of her other works are a little more obviously manipulated because they're just a little too perfect looking. I love all the shapes and lines that make up this photo and the black and white element makes it calming to look at.
The planning fantasies of the 1970s are exposed as failed utopias that “tip over into the threatening emptiness and decay of what has become an unworthy future” (Katja Blomberg). I feel this quote sums up her work very well. Her photos are almost unsettling but with calming elements also. Sampling is something I want to understand more and try to use for this semesters project.
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lachlandirectedimage · 9 months
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These three images from this series bring together the themes I get from the artists intention. Responding to Post-War era modernity with desolate landscapes in tune with the concept of pure utility and stripping out character. The style itself intentionally takes out the natural elements of photography. Its almost flattened nature due to the technique takes out any focus or specificity that helps develop the feeling of the abstract from humanity. Its very deliberate commentary on modernism is a much more subtle form of post-modernism for the era
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myluckypony · 1 year
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nowayhomebucky · 1 year
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kind of want to change my main url and need a new wintert theme for this blog
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elkevoss · 1 year
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Happy Friday…. Ich wünsche euch ein schönes Wochenende. Meine letzte Hortensienblüte aus dem Garten. So langsam sind alle verblüht und bald werden meine Hortensien eingewintert. Wintert Ihr eure Hortensien auch ein oder bleiben Sie draußen? #hortensien #hortensienliebe #hortensienblüte #garten #elkevoss_de #ü50blogger #ü50bloggerin #deutschland_blogger #blumenstrauß #fridayflowerday https://www.instagram.com/p/CkjdFJNsvTx/?igshid=NGJjMDIxMWI=
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