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#young damon albarn
autism69 · 19 days
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emilyblame · 11 months
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skincareroutine · 3 months
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idk how i dont get banned on dating apps cus i just have no filter cus i swear im like a personality/menace user i dont actually wanna find someone i just do it for funnies this guy had on his profile that his perfect first date is that "i dont die" and i sent him a message saying my perfect first date is that you do die. men cant handle dark humor
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lilac-mushroom · 2 months
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His blue eyes and unibrow have captivated me
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modifiedamnesiac · 1 year
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vampirologist · 2 years
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HELP
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guiltyonsundays · 2 years
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God I love it when you can trace a musician’s evolving maturity - either lyrically or musically or technically - across their albums and projects
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lefreck · 4 months
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I have the literal worst sinusitis I’ve ever had I’m basically incapacitated by sickness and the fucking sun is out for the first time in ages and I can’t leave the mf house because I’m so sick and I haven’t exercised for days and I’m so bored I’m actually going crazy
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bandcampsnoop · 2 years
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9/27/22.
JJULIUS is Julius Pierstorff (Gothenburg, Sweden). I learned about this from one of the many emails I receive from Monorail Music. He is a member of both Monokultur and Skiftande Enheter, but Jjulius is more in the realm of experimental than straight pop or garage rock.
"Vol. 2" recalls the work of Damon Albarn's "The Good, The Bad, and the Queen" or any number of Mikey Young bands (solo, Total Control, etc.). And while this doesn't sound anything like David Bowie, I can't help but feel that Pierstorff was influenced by Low-era Bowie.
This is released by Mammas Myseriska Jukebox, a label based in Gothenburg, Sweden.
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transgenderer · 2 months
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Not sure how to feel about Damon albarn musically surviving twinkdeath by puppeting a digital puppet who stays young foreve
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tianleash · 1 year
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is it me or xixi and young damon albarn have similar vibes?
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firesnap · 5 months
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Okay I'm sharing my review here from just an initial listen of Wilbur Soot's new sad boy msuic.
I liked it. It's experimental. It's a Tour Bus album -- which is one that's usually very confessional and experimental and occasionally difficult and self-indulgent.
There are definitely some failed experiments here. One of them, the one where he sounds like he's talking to a group of children, is fascinating even if it doesn't work as a song. I was saying it sounds like he's having a a brutal and actually honest conversation with his chat. He's lowering the walls as a persona and, in twitch chat fashion, getting replies back of young-ish people just sorta echoing the last things he said. Like, whether I think it works musically it's still interesting.
And there are other moments where he's yelling and the music is clashing and it's not for me, but I love that he's trying it at all.
I love that this doesn't sound like YCGMA 2.0. It's brutal, and has him showing off a lot of new skills and growth, and experiments with music in a way that's new for him. The little melodies (and bleeps and bloops) that are laced through all the tracks are interesting and create a thread you can follow through all the songs.
Lyrically, this is the best Wilbur has ever done. It's honest and raw and deeply moving to the point of being uncomfortable. At times I zoned out and stopped listening to lyrics because it honestly felt invasive. It's not lyrics that would work for indie pop rock songs.
There are some songs that are such an emotional gut punch and then paired with some of the most melodic Wilbur-esque chord progressions you've ever heard.
There are times where his vocal growth really shines and you can hear a warmth and strength to it that adds layers to what would have otherwise been a very Acoustic Wilbur era type song. There are times when he plays with falsetto and enunciation to create sort of conversations in songs with himself.
Lyrically and vocally you get a lot of influences from Sparky Deathcap and Crywank, but the most experimental music side reminds of some of Damon Albarn's more quirky solo music.
It feels more like a complete album than YCGMA. Even the songs I didn't think worked still fit into the scheme of things and made it feel like an entire story.
I really recommend listening to all of it in one sitting.
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missrayon · 11 months
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this shit haunts me even if they're joking damon albarn fans think hes a gay icon for his anti sex anthem when in reality he was accusing someone who identified themselves as bisexual of dangerously confusing young people about their sexuality for simply existing androgynously
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stxrshxpxd · 10 months
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fic fridays masterlist <3
brett anderson: right down my spine
graham coxon: “i wish i was there”
damon albarn: bad dream
brett anderson: “we should really take more photos like this”
jamie hewlett: “we talk too much”
graham coxon: “i’ve gotta paint you”
hugh grant: partners in crime
damon albarn: “if i was a stranger”
graham coxon: last girlfriend
hugh grant: “pretty face, but not much more to him”
damon albarn: ”you don’t need to drink anymore tonight”
hugh grant: biting back
damon albarn: “you need me”
hugh grant: birthday boy
damon albarn: “clearly im shitfaced”
jamie hewlett: “you don’t know me very well”
damon albarn: “nothing ever happens”
young thranduil: “i enjoy watching you squirm”
damon albarn: 10:30 am
brett anderson: sweet talker
hugh grant: wings
damon albarn: “i have my ways”
graham coxon: band practice
brett anderson: afterparty
damon albarn: a familiar face
brett anderson: “we’re definitely staying in tonight”
damon & graham: “i’m just the pretty face”
graham coxon: best friends
graham coxon: best friends (part 2)
liam gallagher: “he fancies you”
legolas: feast of starlight
aragorn: “you’re drunk. get some sleep.”
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smtorama · 1 year
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One of the prettiest real life men - young Damon Albarn
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gerardpilled · 9 months
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It’s unfortunate David Tennant is too old to play young Jarvis Cocker in the inevitable britpop movie because I do think he would be great. Alas, there is still James Acaster. Also I will be available to play Damon Albarn and I can do a pretty good British accent
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