Tumgik
#and I know it’s something that happens to anyone at some point and all that and some people have it way worse than me but fuck does it still
felikatze · 2 days
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QoL as Kindness: ISAT's diagetic tutorials
This is the hopefully first of a series of posts I'll be doing reinterpreting ISAT's Loop through the lens of START AGAIN: a prologue's context. As such....
Major spoilers for both ISAT (all acts, including optional content) and SASASAP (all endings).
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One of the biggest differences between ISAT and SASASAP is it’s QoL – it’s Quality of Life. QoL refers to all the little things that make a game just that little bit more playable; quick to navigate menus, quicksaving… tutorials.
It’s not really a surprise that SASASAP is as RPGmaker as RPGmaker gets. This isn’t a criticism, just an observation, and also a compliment to how much Adrienne’s skills with the engine improved between releases. Still, there’s some things that ISAT has over SASASAP.
ISAT’s QoL is absolutely essential to making it bearable. Anyone ever watch an ISAT playthrough where the player sighed in relief as the tutorial on picking where you loop came up?
SASASAP lacks a lot of ISAT’s QoL because it’s an earlier project without a studio backing it, but what impresses me is how this change ties into narrative.
Because the greatest chunk of ISAT’s greatest QoL is provided by Loop.
Even before you ever meet them, they’re already over your shoulder. Loop is the tutorial, speaking to you inside your brain. It’s genius, in that no player is ever going to question this. Hell, SASASAP’s movement tutorial is the exact same thing with less flavoring
This reframes what the QoL is – it’s not just a convenience to the player, it’s a convenience to Siffrin, too. It’s diegetic. It’s not something the game is giving you, it’s something Loop is giving you. Let’s look at what Loop gives you, and more importantly, why.
Zone Out
The first of the QoL features I want to talk about is the Zone Out function, the absolute bread and butter of not making this game a total slog.
The Zone Out feature as is did not exist in SASASAP (because Adrienne didn’t know how to do it yet) – instead, some doubled scenes let you just skip them entirely outright. There’s only two extremes: listen to all of it again, or none of it.
ISAT’s zone out system is much more dynamic, since it fast forwards dialogue line by line, letting you zone in whenever you’d like, and forcing you to zone in whenever a) something notably new happens, or b) whenever Siffrin speaks.
The way this feature is introced by Loop is kind of genius. Because Loop’s tutorial is about one thing – it’s okay to skip.
“You might miss what your party is saying, but who cares, right? If you make them mad, you can always loop back and they'll have forgotten all about it!”
It’s a cruel joke, or at least it seems that way on the surface. It’s also genuine advice. And a cruel joke at the same time. For Siffrin, freshly starting the loops, this is scandalous, but for Loop, who’s long since desensitized, it’s the same old same old.
What Loop’s doing here, by joking about Siffrin not listening to the party, is alliviate Siffrin’s guilt when they inevitably take Loop up on the offer. Because, even though Loop loves their party members…
From SASASAP, when sitting outside the bathroom:
(Will you get farther this time?) (Will you live this time?) (Or are you stuck listening to the same lines forever?) (…) (Stars, you’re so tired.)
Loop knows intimately well that Siffrin is going to drive themself insane trying to be a people pleaser every single loop, so this joke is telling the outright – don’t bother.
At first, Siffrin (and the player) still might. I really enjoyed reading the same conversations five times minimum because they’re fun and I’m deranged, but at some point I did start skipping them. And it was a relief to know there wouldn’t be anything new.
Siffrin: “Should I check everything again?” Loop: “You mean, should you check the same barrels, the same closets, the same objects on tables every loop?” Loop: “I mean, you can, but… You know things won’t change, right?” Loop: “If you really want to get a certain item again, or listen to your friends repeat something funny, you should!” Loop: “I personally would only check two or three things every loop, and ignore the rest.” Loop: “It will just make you crazy to expect something to change, when nothing will.” Loop: “All that might change is your reaction to it!”
The game is telling you, Loop is telling Siffrin, don’t drive yourself insane playing, please. The characters aren’t going to remember if you skipped something.
In the course of my script wizard activities, I’ve gotten an in-depth view of just how much that actually holds up. Pretty much all major differences are by Act, unrelated of how often you’ve done something. Minor variations apply for other things, but… those variations are minor.
And this also points out what all those variations are. Siffrin’s reactions!
Loop’s pre-empting Siffrin’s guilt, cuz they probably felt it themself. Hell, we do know they felt the pressure to perform and make sure nobody notices anything’s wrong, in SASASAP! Right up until the finale, Loop was driving themself up the wall.
(You have to act, you can't crack, you have to fake it and play it exactly as you did the first time for the whole way through so your friends don't find out anything is wrong) (You don't want to know what would happen if they knew their quest was in vain) (If they knew their quest for justice and change always ends in stillness and death!)
Acting everything out perfectly is one of the ending paths for SASASAP, which results in… complete and utter failure. Obviously.
(You acted perfectly normally, didn't you?) (Nothing out of place, nothing weird, every line the same as it might've been the first time?) (Ah…That was your mistake, wasn't it…?) (Because… Didn't your very first time… end exactly like this?) (The King throws the Housemaiden's body onto the floor again.)
Zoning out for too many conversations actually awards weird points in SASASAP, locking you out of the Perfect Ending. On the other hand, acting “perfectly” in ISAT… has no awards whatsoever. No special scene or or optional event or anything at all. You get nothing for paying attention!!!
So spare yourself the pain already, m’kay?
(On that note: I don’t think Loop not being sarcastic about it would’ve like… worked. At the start of ACT 2, Siffrin isn’t going to believe Loop when they say “Stop forcing yourself to relive the same thing over and over because you’ll start seeing your friends as disposable actors and lose touch with reality.” That all comes later, when Siffrin can look back on Loop’s words and see how right they were.)
Loop Back
The second biggest sigh of relief in any given ISAT playthrough is probably this specific tutorial.
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Loop graciously shows you that you don’t need to loop back all the way to the beginning every single time. You can pick and choose where to go, even going forward by paying up with Memories of Skirmish.
This is a feature SASASAP does not possess, for the reason that it is much, much shorter, only covering about as much as one floor of ISAT’s three floor House.
But… since this is a character showing this to you, Loop showing this to you, we can ask… when did Loop learn this? After all, START AGAIN, Loop’s loops, do not have this feature.
“It'll save you time, so it's important, so listen up!”
This feature not existing in SASASAP means this is a thing that Loop did not know exists during their own time as Siffrin.
And that’s just the thing, isn’t it? SASASAP’s Siffrin does not know how to do this. They cannot pick and choose where they end up, as demonstrated wonderfully by SASASAP’s True Ending. There’s an even more wonderful implication, though –
On SASASAP’s Perfect End path, when exiting the final room before the King, Isabeau says this:
Isabeau: “…I'm glad you're feeling better, though!” Siffrin: (…?) “What do you mean…?” Isabeau: “Oh!!! Um, you were…” Isabeau: “Well! You were acting a little weird when we were way closer to the Castle's entrance……” Isabeau: “You weren't really listening to us, you were kinda smiling the way you do when you're actually not happy…” Isabeau: “…and you like, almost acted like you knew exactly where you were going?” Isabeau: “But clearly you're feeling better now! You're acting just like normal!!!”
SASASAP’s Siffrin knew how to do this, somehow managed to lock themself into the House’s last floor… and then forgot how to get back. By making this tutorial, Loop is ensuring that Siffrin never will.
“What can I do next?” – SASASAP’s greatest flaw
So, if you’ve had the pleasure of playing START AGAIN START AGAIN START AGAIN: a prologue yourself (as you should), then you’ve probably faced this scenario, or some variation of it:
I got to the end, I died to the King, but… what do I do next? The game tells me to go for the extremes, but how do I do that?
(edit: apparently some of yall just managed to speedrun sasasap in two loops. You're gonna need to stay with me here, please. Suspend your disbelief a bit, because a lot of people [including me] were dumbasses about it)
Maybe you try another loop, but just get the same ending again (or a differnet one, depending on a coinflip). You’re getting frustrated. Getting the Perfect Ending demands pinpoint precision to avoid everything weird, the True Ending demands good memorization of every single damn key in the game, and the order you do everything in. (Though, to be fair, the requirements on that one are actually more merciful than one might expect.)
Point is, in SASASAP, it’s incredibly easy to get stuck in that endless loop of “What the fuck do I do now?” It’s not uncommon to think you got it right only to get the same result anyways. What does one do in this situation?
They consult a guide, obviously.
START AGAIN’s ending requirements are frustrating. They are. When I tried to go for either the Perfect or the True Ending, I saved inside every single room, just so I could get right back to it when I inevitably fucked up five times minimum. This is both criticism… and praise. Because Loop is the major reason that ISAT does not suffer from this same problem.
Whenever you’re stuck in ISAT, Loop is just a single loop or call away at any times. And besides that, no plot requirement in ISAT demands nearly as many moving pieces all at once as SASASAP does – the “Sus Route” has been relegated to an optional ACT 4 exclusive event, instead of the game’s True Ending.
Instead of consulting an external guide on how to progress, you have one right there in the game, always ready with the next tip. They’re not infallible, mind you – enough time in Isatcord’s #game-help proves that, but Loop solved all of the moments I got stuck and frustrated in ISAT for me.
(Primarily that one time you need to figure out that a photo is similar to being stuck in time. That moment in particular is actually commendable, as you need to ask Loop about it twice before they tell you, leaving you a last shot to try and figure it out on your own.) Loop is a feature that nullifies SASASAP’s greatest flaw in its successor, and they choose to do so.
Memory of Keys
In my humble opinion, Loop does this because… they do not want Siffrin to suffer as they did. They want Siffrin to escape. And there is no greater example of their kindness than how Loop treats keys.
First of all, all keys in the game have a sparkling effect on them if you’ve picked them up at least once before, making it immediately clear where in the room they are. This means you don’t need to search every single room top to bottom for them, as you had to do for any keys and Star Crests in SASASAP. It’s some nice QoL that just means you don’t have to re-search the same area if you happened to forget which specific cupboard the key was in.
Key point being: SASASAP did not have this feature. In SASASAP, you did have to memorize where all the keys are, and doing so is expected if you want the True Ending.
Loop does not want Siffrin to have to do this. Because…
From SASASAP’s True End:
(The torch in the infirmary? That’s important!) (The key in the book? Soooo important.) (The names of your friends, that have been by your side throughout this entire adventure?) (Not worth remembering.)
Compared to ISAT’s ACT 2:
Siffrin: “How come I can see where the keys are?” Loop: “Whaaaaat? You caaaaaan? How can that beeeeeee?” Siffrin: “Is it thanks to you?” Loop: “Maybe.” Loop: “I figured you'd have other things to worry about than where a stupid key is.” Loop: “No need to thank me.”
To Loop, that they memorized the House’s layout over their friends’ names is a defining moment to their own failures. After all, in all likelihood, the True End of SASASAP is the last loop before they called it quits. It’s a traumatic experience from them, one that came from having to remember all the dumb fucking keys.
They do not want Siffrin to experience this. They do not want Siffrin to have to memorize the House, to push away what actually matters in favor of efficiency. So Loop is directly, personally, giving them a boon, so that Siffrin does not have to.
Conclusion
There’s probably more tutorial things I could talk about, but I feel like you’re seeing the pattern now, even if I don’t bring up saving level ups or keeping equipment or the “You’re stuck” signifier, least of all cuz they don’t have direct points of comparison with SASASAP like my other examples do (SASASAP has no changeable equipment, and saving levels doesn’t matter if you only have one floor, and you can’t softlock either.). So.
Loop’s tutorials all belie a fundamental kindness to their character. Everything that made their own experience trapped in the timeloop just that bit worse, they’re choosing to do away with it for Siffrin. They are choosing to make Siffrin’s time here easier.
Zoning out too much lead to them never paying attention to their friends, forgetting their names, so they make sure that Siffrin can still zone back in whenever something new happens.
Loop trapped themself for years on the final floor, locking themself out of progress that might lie further back, so they’re ensuring Siffrin knows exactly how to loop forwards and backwards so it doesn’t happen again.
Loop lets Siffrin keep equipment across loops to cut down on time spent doing the exact same thing over and over.
They are saving Siffrin time, and they are giving Siffrin comfort. At every single turn, Loop is saving Siffrin from the same pitfalls they fell into without anyone to guide them out.
It's honestly incredible to transform an increase in skill into an actual narrative element. Yes, SASASAP sucks more to play. But ISAT sucks less, because Loop wants it to. It's the perfect marriage of real world circumstance and storytelling. I could... probably pull another comparison here, saying it's like a game and its remake - overhauled graphics, expanded story, and loads and loads of QoL, because the makers of the remake realized something. They love the original, but parts of it do suck, and there's so much that can be done to make a new player's experience smoother. Metanarrative commentary,,,, woah,,,,,
Every single one of these QoL elements I’ve mentioned function as a crutch for a player’s failing memory, but also Siffrin’s (similar to what I talked about in my previous essay on ISAT’s ludonarrative - the player and Siffrin are always in sync, even in how tutorials benefit them). Loop doesn’t know the player exists though (only the Change God does), so they do everything for Siffrin.
To keep Siffrin from forgetting. To help Siffrin focus on what’s important. To make Siffrin’s journey just a little bit less miserable. Loop directly improves ISAT’s QoL. For you. For Siffrin.
From Loop’s introduction:
Loop: “See, I’m useful! I’m very useful! That’s why I’m here, helpful Loop.” Siffrin: “Why are you helping me?” Loop: “…” Loop: “Because I think you should be helped.” Loop: “I won’t always have the answers, but… I think having someone on your side to talk to is better than dealing with this alone.” Loop: “Right?”
From Loop’s hangout:
“But it’s fine.” “Whether you believe me or not, I’m here to help you.” “So you can escape this loop.”
And finally, from the start of ACT 3:
Siffrin: “Are you really here to help me?” Loop: “Stardust…” Loop: “…” Loop: “Yes.” Loop: “If you can believe anything, believe that.” Loop: “I asked to be here, so I could help you.”
And I do believe them. Loop’s feelings on Siffrin are… complex, to say the least. They love Siffrin, and they hate him in equal measure. They’re jealous, and spiteful, but underneath everything…
In SASASAP, if you die to a Sadness thrice, you get this monologue:
(Sometimes, when you loop back here…) (In the corner of your eye, you can sometimes see someone that looks just like you.) (Is it a you from another loop? Remnants of your past failures?) (Are you going crazy?) (May they succeed where you cannot.)
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purplesuitcowboy · 24 hours
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for everyone who wanted me to write daddy x daughter again, i hope this does something for you. i might write a sequel with some sharing if i feel inspired. also, this is not suppose to be realistic. it's porn.
tw: rape (she consents but it's a bit weird), fake kidnapping, and incest
"Don't look at me like that," her father told her pointedly. "I told you that you needed to pay attention when you went out but you didn't want to listen to me. You didn't believe me and now look at you."
Despite the chiding, Hannah continued to glare at her father. She understood the lesson but surely, this was several steps too far. He'd been telling her for years that she needed to pay more attention to her surroundings when she went out at night. Over and over, he told her that she shouldn't dress like a little slut when she went out alone lest some man take it as an invitation and help himself. Of course, she hadn't believed him. She was doing what all of her friends did and nothing ever happened to them - save for being cat called or occasionally groped on the bus.
None of them found themselves semi-kidnapped by their own fathers like Hannah had or if that had, they hadn't ever mentioned it to. She pulled fruitlessly at her hands which were bound together and tied to bar on the roof of the van. Fucking asshole. It didn't exactly prove his point that he had "kidnapped" her and not some stranger. Still, she hadn't even heard him coming, too absorbed in texting back her sorority sister Abigail to pay attention. He'd walked up behind her, shoved a funky rag over her face and pulled her into an alleyway before she knew what was happening. He could have been anyone but he just so happened to be her dad.
She was relieved to the point of near tears when she saw her father's face. She thought he was going to save her but she quickly figured out that was not exactly the situation. The earlier fear had dissipated and in its stead, she felt annoyance. He had proved to her that he was right. She would have told him as much but she couldn't really speak with the ball gag in her mouth.
"You earned this. I need you to remember that this is what happens to girls who don't obey their fathers." He told her as he grabbed her feet and untied them. Feet freed, she kicked at his hands. He caught them easily, moving them out of his way. " I know you're in college now and you think that you know everything but I am still your daddy." Perched between her legs, he reached up and released her hands from the ceiling. She sagged, hands hanging limply in front of her. Her shoulders ached from having her arms tied above her head for so long. He left them tied which earned him a displeased grunt from Hannah.
"Oh, we're not done yet. You think a kidnapper would just let you go without getting a taste of that sweet little cunt of yours? I don't think so - especially, since you seemed so determined to give everyone a peak, wearing this strip of fabric that you call a skirt around. Showing off your ass for every man to see." He grabbed her ass to prove his point, roughly fondling the soft flesh. A distorted squawk made its way from Hannah's lips, expressing her surprise at her fathers actions. Up until this point, this had not been a pleasurable experience but the thought of getting fucked by her father, even as a punishment, brought a warm feeling between her legs.
Her father exited the vehicle, standing on the ground between the open back doors. He dragged Hannah forward, grabbing one of her free feet and pulling her towards him. Positioned between her legs with her lying down on her back, it was fairly easy to pull off her skirt and panties, revealing her pussy to his gaze. His eyes landed on the sparkly jewelry that decorated her clit and he scoffed.
"Unbelievable."
He was disgusted that his daughter was such a slut but painfully turned on despite himself. He'd seen pierced pussy's in porn before but never in person. He wanted to take her little jeweled clit and suck on it until she cried and begged him to stop. Absentmindedly, he grabbed his hardening cock, rubbing it through his cargo shorts. Hannah watched him as he examined her body. She loved it when men looked at her like that like she was nothing more then a walking set of holes for them to fuck. She never imagined that she'd get a look like that from her daddy. Her desire to be fucked was quickly overriding her previous anger with him. He rubbed at her clit with his fingers,jostling the jewelry. Hannah shuddered in response to the sensation, rocking her head back against the floor of the van as her back arched. Fuck. She'd been so sensitive since she'd gotten it.
He crawled back into the van, sitting on his knees near her head. Quickly, he pulled his hard cock out of his pants, pulled the ball gag out of her month, and shoved his cock down her throat. The ball gag slumped down onto her chest, leaving a trail of spit in its wake. The sloppy "gluck, gluck, gluck" sound of him fucking her mouth quickly filled the van, married with the sounds of his heavy breath. Taking a firm hold of her hair, he guided her head back and forth. Hannah eagerly accepted her "punishment", relaxing her jaw and using her tongue to caress the underside of his shaft.
He pulled out of her mouth, a thin line of drool connecting his shaft to her open mouth. Delicately, almost lovingly, he rubbed the head of his cock against her plush lips, smearing precum across her mouth. Locking eyes with her father, Hannah slowly licked the precum off of her lips and then leaned toward to lavish the tip with wet, sloppy kisses. He watched enraptured as she clumsily used her bound hands to hold his cock while she took him deep into her throat. Somewhere in their combined pleasure, the point of the exercise was lost.
He pulled her to her knees and drew her bound hands up to the ceiling of the van, tying her hands to it. He pulled her hips to him, leaving her positioned with her back bowed and most of her weight held by her hands. Looking at her, he clicked his tongue.
"We can't have that. Can we?" He told her, as he leaned forward and wrapped his arms around her chest. Grabbing the front of her button up blouse, he pulled roughly at the fabric. The cheap buttons quickly pop off of her shirt, scattering and skittering across the floor of the van. He pulled at her bra, freeing her tits from the cups. It was immediately clear that her nipples were also pierced.
"That's better," he said, tugging on her nipples until they hardened to stiff points.
Hannah whimpered as her daddy pulled on her tender nipples. Her cunt seemed to throb, begging for attention.
"Please fuck me," she told him, earning a chuckle in response.
She felt the head of his cock tease her entrance, rubbing against her slick folds and bumping at her clit. She rocked her hips against him, trying to encourage him. He slipped the head in only to slip it back out, and grind against her cunt.
"Please fuck my pussy, daddy. I want your cock so bad. Please," she begged.
"I don't know," he told her, reaching between her legs to slowly rub her clit. "You have not been very respectful lately. I am not sure if you deserve it."
Hannah gasped, at the contact. She could probably cum from his fingers but he was just going so slow. She pushed her ass back towards him, and spread her legs further to give him more access.
"I'll be good. Daddy, I promise."
Finally, he relented. He pushed the head of his cock into her wet hole. Slowly, he worked inch after inch of his thick dick into her tight cunt until he'd filled her completely. Hannah moaned as her pussy stretched to accommodate his massive length. It hurt so deliciously. She wanted to rub her clit so badly. Unable to do much else, she began to rock herself back and forth, fucking herself on her father's cock.
"I love your cock in my pussy," she told him breathlessly. "You stretch my little cunt out so good."
He grabbed one her of legs and threw it over his shoulder, using it for leverage to fuck her harder. Hannah's voice rose an octave as her father began to fuck her from this new angel. With his free hand, he rubbed her clit, fingers clicking against her jewelry, and he continued to do so until her legs were shaking and she was cumming on his cock.
"Whose pussy is this?" He asked her as he roughly fucked her through her orgasm.
"Yours daddy," she told him, saying it over and over again until the words seemed to loose all meaning.
She slumped against the rope, as he pulled out, body exhausted from the events of the day. In the midst of their fucking, she'd lost track of the feelings of pain in her shoulders, and wrists but post orgasm it all came rushing back to her. He swatted at her ass, causing her to jerk forward. Laying down, he pulled her on top of him. His cock easily slipped back into her sensitive hole.
"Oh, no. You're done when I say your done. Ride daddy's cock, baby."
Hannah opened her mouth to complain but another swat to the ass motivated her to move her hips. Her father tugged at her hips, pushing his cock deeper into her. She held the rope that connected her to the roof of the van to steady her as her father took control, roughly fucking into her.
"I love watching those fat tits of yours bounce as you ride my cock," he told her.
She rode him until his thrust's grew erratic and he came deep in her womb. After the sensitivity wore down, he pulled his cock out of her pussy and tucked himself back into his shorts. Finally, he released her from the ceiling and untied her hands. The skin was red and raw where the ropes had sat. He examined her wrists carefully for damage and determining them not substantially hurt, kissed both of her wrists. Body stiff and unwieldy, Hannah crawled around the van to grab her discarded skirt and panties.
Her father crawled out of the van. She watched him look around and seemingly spotting something, she watched his face split into a wide grin. She scrambled trying to cover herself as she heard an unfamiliar voice.
"Hannah, baby. Come say hello to Chris. He let me borrow his van for your little lesson."
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wolfiesmoon · 3 days
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Phone number
Haruka Sakura x fem!reader
hello this is my windbreaker debut 😍😍😍
i've been thinking about babyboy sakura way too much lately, and come on how do you expect me to resist a tsundere who gets flustered easily
speaking of flustering sakura...😈
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"Hey. You're a member of Bofurin, right?" you tapped Sakura on the shoulder while he was walking down the street.
Two weeks ago, you happened to see him patrolling the town and beating up some bad guys that were causing trouble. Ever since then you haven't been able to stop thinking about him. Maybe it's the strange yet intriguing appearance or maybe it's the serious, no nonsense expression on his face that you can't get out of your head.
You're still kind of processing it since it came out of nowhere, but you think you might have a crush on him. At the very least, you're interested to the point where you want to meet him again and shoot your shot.
This brings you to where you are right now. You happened to see him again while running errands around town and thought to yourself "now or never".
"Yeah, what do you want?" he sounded like he was slightly bothered by you approaching him, but you happened to notice the slight pink dusting his cheeks which let you know that might not be the case.
"I need help with something." you intertwined your fingers, putting on your best sweet smile and trying not to show that you're nervous as hell right now.
His expression became slightly more serious, somewhat like the cool expression he was wearing during the fight 2 weeks ago. It was a silent way of telling you to go on.
"Something's missing and I need help finding it. It's your number." you screamed internally because that line sounded way cooler in your head and hearing yourself say it now makes you feel like the biggest idiot on Earth.
He stared at you weirdly for a few excruciating seconds like you did in fact just say the stupidest thing ever which made you instantly lose all the confidence you built up.
"So, uh, you know, if you could give your number to me, that would be nice?" it's almost like you enjoy digging your own grave.
He furrowed his brows as if he's thinking hard before turning completely red all of a sudden. You giggled about how he looks like a tomato internally but on the outside you were too mortified to do anything other than wait for his response. He changed colors like those LED lights. It's almost impressive.
"My number? T-To you?" he seemed genuinely surprised to say the least. He looked shocked to a comical degree.
You nodded and he fumbled around his pockets to pull out his phone. He stared at it for a few seconds before awkwardly asking "How do I do that, again?"
He was firmly avoiding eye contact with you now, which is kind of strange compared to the way he was confidently exchanging eye contact with you a few moments before. You aren't sure if he's embarrased because you're asking him for his number or if it's because he has no idea how to exchange contact info. But if he's embarrased about it, that means he's atleast a little interested, right?
"Give it here." you gently held out your hand and he gave you his phone without saying anything. You added him on LINE, probably wearing a stupidly giddy smile on your face while doing that without even noticing.
"There..." you handed his phone back to him. "So, um... see you around?" you smiled at him one last time, turning around to get the hell out of this awkward yet exciting situation and waving back at him. That was the most awkward you've felt in a while and you kind of ended the interaction suddenly because you couldn't take it anymore.
"S... see you." he choked out, barely audible to you.
When you were firmly out of view, he realised that he has a nosebleed. A girl... just gave him her number. A girl... just... He feels like he might just faint from all the blood rushing to his face. Not to mention he's going to have to clean up his nose before anyone notices.
He stared at your contact name with a little heart next to it for far too long when he was all alone that night.
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peaches-and-creamm · 3 days
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LOVE LANGUAGES!
a/n: thanks 🎥 nonnie for requesting sm! means a lot! hope i do ur requests justice 🙂‍↕️
also i read throu this once and saw how much i did acts of service/gift giving LOL
and nonnie if you're seeing this i'll most likely do the other request you asked for!
featuring: Megumi, Nanami, Toji, Yuta, Toge, Yuji, Satoru, Suguru
warnings: breeding kink in suguru's, fem!reader in suguru's and gn!reader everywhere else!
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MEGUMI'S love language would be 🥁🥁
quality time with a sprinkle of words of affirmation!
✎ it's no secret Megumi prefers the idea of "together alone", aka just sitting in the same room each of you doing different tasks or even just scrolling on your phones. (you don't even have to be near each other, honestly-)
✎ one of his favorite activities to do with you is when it's later at night and you're sitting nearby him while he just rambles on about random facts he finds interesting.
✎ the fact you'll just sit there, smiling at him like an idiot while you hold him close to you as you listen to every word he says- even asking him questions about whatever it is he's talking about makes him feel all fuzzy.
✎ at this point you know every little thing that's going on in his book he sometimes likes to read outloud to you, saying his theories or random things that happen to contradict themselves in whatever it is he's reading currently.
✎ a lot of the time he'll awkwardly just clear his throat and apologize for rambling, but each and every time you compliment him by saying you love his voice as he speaks about anything he's passionate about he thinks he falls harder for you(if that was even possible-)
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NANAMI'S love language would be🥁🥁
acts of service/gift giving!
✎ Kento really appreciates coming home from a long day and being surprised by the fact the kitchen was clean when he was supposed to be the one doing it- or the smell of something cooking in the kitchen flooding his nose the second he opens the front door just, he just. he really likes it, ok?
✎ He knows he isn't able to be there for you a lot of the time (missions, teaching, ect.) so if you ever come home and he's somehow there before you you best believe there's some sort of little trinket on the table waiting for you.
✎ He's not one for pda all that much but you bet your ENTIRE ass that if he sees you after a long day he doesn't care where you two are because he is about to just hide in your arms while you rub at his back.
✎ And god forbid if he ever returns home and sees how excited you get to show him some random trinket you saw in the store- handing it to him and claiming it reminded you of him. He's literally teared up before over this- (don't call him out though he'll deny it-)
✎ Has an ENTIRE shelf just dedicated to random shit that you've gotten him, and if anyone even looked at it wrong he'd almost get offended (once again, don't call him out-)
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TOJI'S love language would be 🥁🥁
acts of service and gift giving! (home made gifts bc bro BROKE!)
✎ ok so we know the dude's kinda a jackass but he does NOT skip out on just randomly giving you just absolutely HIDEOUS homemade gifts.
✎ like? how does he even MAKE them so ugly ?? isn't he good with his hands....??
✎ anywayyy, he'd probably kill anyone(like, actually kill them-) if they ever tried insulting the fact you gave him an ugly stuffed animal that you said reminded you of him
✎ like "why does a grown ass man have a stuffed animal of an ugly monkey...?" then boom, they just got punched in the face
✎ do NOT interrupt this dude when it comes to anything you need. he may be pretty 'cold hearted' but he strikes me as the kinda guy to just stand in front of you if you even slightly squinted from the sun.
✎ he'd get a fucking plank of wood if there was a puddle so you don't ruin those new shoes you've been so excited to get.
✎ so tldr; he'd grovel for you for SURE- and if anyone questions if he loves you they're going home with a black eye 🥰
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YUTA'S love language would be 🥁🥁
words of affirmation/physical touch!
✎ ok let's be completely honest here- the dude's just everything starved. So when the two of you started dating (with A LOT of long months of convincing Rika to not obliterate your entire bloodline-),
✎ he was basically just all over you- though it did take a while for him to actually realize it was OK to want to touch you, that you actually liked it, that you weren't just pretending to enjoy it to spare his feelings or something.
✎ as much as he loves going out on dates with you (he'd spend all the money in the world just to see how your eyes sparkle whenever he buys you a new dessert you've been wanting to try-)
✎ his ideal thing would just be the two of you- his head on your chest listening to your steady heartbeat as you caressed his hair- your nails scratching at his scalp every now and then.
✎ and there's been MANY times he's just started crying into your chest while you hold him- just because you remind him how much you love him, how proud of him you were- you would go on and on for hours if it's what he needed to hear.
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TOGE'S love language would be 🥁🥁
words of affirmation!
✎ he just needs to know it's okay that he can't talk to you- that it's okay that at night when the two of you are alone holding each other close that it's enough that he's just there with you.
✎ toge loves whenever you compliment him- especially when it's about the marks on his face/tongue.
✎ the way you'll pull down the zipper of his uniform just to plant a kiss against each of his cheeks makes him melt.
✎ compliment him on literally everything please! he loves it so much and it means so much to him- like way more than you could imagine
✎ sometimes(ok, basically nightly-) he'll just be laying in bed, flushed face in his hands while he repeats the compliment you'd given him that particularly made him want to just get on one knee and propose on the spot
✎ I stg this guy is just a big baby- hold him and tell him it's ok and that's all he needs to make his day better tenfold.
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YUJI'S love language would be 🥁🥁
physical touch!
✎ I feel like it's so obvious that if you spot him from the corner of your eye you better believe he's about to full sprint to you in excitement and squeeze the ever loving SHIT out of you
✎ he's a spinner for sure- picks you up, spins you around just to hear how you giggle before complaining about how he's making you dizzy
✎ there's rarely a moment where he doesn't just want to squeeze the hell out of your cheeks, and he just fuckn LOVES to squeeze both his and your cheeks together while he tightly hugs you.
✎ if you're in bed together his face is always buried in your shoulder, laying gentle kisses against your skin.
✎ if he isn't being gentle and loving with his kisses he just grabs you by your cheeks and just SMOTHERS your face with kisses.
✎ also he thinks it's really funny to steal some lipstick from either you or nobara just to run up to you and put a FAT kiss against your forehead- leaving a hard to get off mark lasting for hours
✎ he insists on using the waterproof ones because he thinks it's funny to see you walking around with a mark on your forehead because of him-
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SATORU'S love language would be 🥁🥁
gift giving(as if that wasn't obvious enough- rich lil asshole)
✎ he does NOT care where you are, what you're doing- NADA
✎ he's runnin' up to you just to shove a shopping bag in your face and proudly putting his hands on his hips while he waits for you to open it.
✎ a few times you were too busy to open one of his gifts and he literally just opened it right in front of you and went "LOOK! LOOK, IT'S THAT BRACELET YOU WANTED- LOOKKK!" like a toddler trying to get his mom's attention.
✎ it always ends in a giggle and a "you need to stop buying these things, you're enough of a gift as is."
✎ he'll pretend to listen but at this point you know better than to believe he'll genuinely stop giving you random shit that reminded him of you.
✎ like what do you mean this ugly shirt that was WAYY too expensive that's also too big reminded him of you??
✎ what do you MEAN you had a mental breakdown because the shirt is a light color and you spilled wine on it and there was a stain that didn't want to come out-
✎ so tldr; DON'T LOOK AT SOMETHING IN THE WINDOW OF A SHOP. HE WILL BUY THE FUCKING STORE-
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SUGURU'S love language would be 🥁🥁
words of affirmation/gift giving receiving-
✎ he's on his hands and knees for you- NOPE- don't care if he's supposed to be the leader of this wacky ass cult- you're the only person who's aloud to even remotely give him any sort of order to do somethin'
✎ he likes to give you gifts also, but barely to the extent of Satoru- he prefers handmade gifts over anything store bought. But that's just because he's used to everyone buying him whatever he wishes.
✎ so it's a really nice change of pace whenever you bring him a new origami animal you've been trying to master.
✎ he even has a little table by where he sits up on the little stage, your little art projects resting on them as "beautiful decorations done by my lover."
✎ ^ that's what he says anytime someone asks them about it. he'll happily ramble about how excited you were to gift him each one.
✎ he's addicted to praise, it's actually kinda crazy at this point-
✎ you made a breakfast a small child could've made? he's kissing the ground you walk on for blessing him with a meal in the morning-
✎ plus- if you ever do anything for the girls just know he's about to give you an amazing gift- that gift being his cock while he overly praises your motherly actions.
✎ maybe he'll make you an actual mother just to see how much your loving actions change..
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M.LIST!
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lionheartedmusings · 2 days
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hi everyone! i'm once again showing up on your dash with a life update and a request for help, but this time a much brighter update <3 i know i haven't been very active around here but i've been very busy (in a good way) and do want to return to my previously scheduled shitposting soon.
halfway through may i managed to escape a very toxic and damaging living situation and got my first payment from twitch! the support that i've received has been groundbreaking and i couldn't be more humbled and thankful for everyone who's dropped by a stream. something something dreams coming true in ways we didn't expect.
the unfortunate part is that moving took me scrounging up 200€ and a lot of penny pinching, and thankfully (and thanks to the 76 dollar payout from twitch) i was able to survive and keep working as hard as my mental health allowed me to.
i'm currently in the middle of a subathon and i'm? confused and shocked by how much support i've gotten for it, to the point that when the next payment i receive will be my first proper paycheck in over half a year. for the first time in ages, i'll be able to pay my bills and eat and not be panicked about tomorrow, upgrade some things for stream *and* still have some savings.
the problem becomes the fact that twitch only pays out on the 15th of every month and until that happens, i'm at an absolute zero in my accounts and food has run out as well as shampoo and bodywash and all those necessary things. i was incredibly lucky that a friend was able to help me get feminine hygiene products this month. i'll provide screenshots below.
if anyone is able to help me get past this last hurdle i would be eternally grateful, or if you could reblog that would already be so appreciated <3 but if you read this just as an update on my life, know that i am so at a loss for words from all the kindness and support i've been shown, and that if my life is changing it's because of everyone's support and good vibes. thank you <3
my p*ypal <3
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g0at0ad · 12 hours
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so what the hell is the protocol?
everyone in the tmagp fandom is rightfully going insane over the multitude of references to "the Protocol". given that this statement was given in 1685, it existed far before the magnus institute was ever a thing, so what gives? well here's all our information on it so far.
it was first mentioned in episode 4, "taking notes". alice. confronts sam on him looking it up. it's described as very super duper secretive, and sam could get in a lot of trouble if people found out he was looking into it. this bit is also a little strange, because alice (and seemingly ONLY alice) gets a security notification about sam looking it up. why alice? this could be another case of the computers having some sort of sentience. one od them wanted alice specifically to know what sam was up to.
in any case, the information we get about the protocol is that it involves a group called starkwall, who are apparently private military contractors. they involved in something called the "San Pedro Square Massacre", so despite how secretive they are, there is at least one event that is well known enough that sam knows about it.
starkwall doesn't get mentioned much, but (and this might be a reach) in episode 7 "give and take", a bunch of weird shit happened at hilltop centre. and i know we've all already lost our minds on the "hilltop" aspect of this, but what i'd like to point out is how the episode ends. the statement giver is saved by a bunch of seemingly military personnel, who proceed to go in guns blazing and burn the building down. the statement giver is then told they're not to talk to anyone about this group or what their identity is. sounds like starkwall to me.
and then we have this episode, where robert talks extensively about the protocol. he never explicitly says what the protocol is, but through context clues it's pretty easy to guess that it's some sort of procedure enacted to protect the world from supernatural events. in this case, isaac newton and his dog that is now a tree. robert hooke advocates for the destruction of isaac's lab and all his research.
some people have already pointed out that in real life, isaac newton did study alchemy, and most of his research on the subject was destroyed when his lab burned down. so if the tmagp universe has at least a similar history to ours (aside from all the supernatural stuff), then the protocol was enacted and they did end up destroying newton's lab.
but that's not the only use of the protocol mentioned in this episode. robert hooke also mentions the use of the protocol in london some years prior, seemingly to do with an "awful plague". again, this statement is given in 1685. in 1666 was the great fire of london.
so the protocol seems to explicitly have to do with solving supernatural problems by burning them down. we have the great fire of london, we have isaac newton's lab, and we have hilltop centre. we still don't know what exactly the san pedro square massacre was, but i'm willing to bet it ended with flames.
which brings me to the magnus institute. many notable things are different about it compared to the TMA world, the most notable being that it burned down in 1999. i'm also willing to bet that starkwall, or whatever they're employed by, was behind this. this show is called the magnus protocol after all.
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koolades-world · 2 days
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Hi hello! Congrats on 2k!! I'd like to request "is that my shirt" and/or "you're so cute it hurts" with Asmo please
thank you! of course i can :)
yet another cute prompt combo! and with asmo? you're a genius
this was my first time writing in a separate program so if the formatting and the way it's written feels a little strange or different that's probably why. i'm still trying to figure things out, so please don't mind that haha. it kind of threw me off but i'll get used to it eventually
enjoy <3
prompt 7 and 29 w/ Asmo
When Asmo said he’d be gone for a long weekend, you assumed you’d be alright. After all, it was just two and half days. You both had your separate lives too. The initial separation was tearful on Asmo’s end, but you thought you’d be fine.
Unfortunately, you were wrong. The first evening alone was strange for sure. You were so used to spending you evening with him and Mammon, chatting about your day while Beel sat quietly in a corner, munching on whatever snack he happened to have at that moment. Mammon was happy to have you all to himself, but it felt wrong without Asmo.
The next morning felt strange too. Since it was a RAD day, you had to go without him. You were so used to doing your vastly different morning routines side by side while the two of you shared your plans for the day. In his absence, he gave you free reign of his room and bathroom in case you needed something. You took him up on his kind offer because fighting for the regular bathroom wasn’t something you wanted to do that early in the morning. The other brothers would gladly share with you, even if they were in the shower, but you didn't want to share our routine with anyone but him.
You didn’t share too many classes with him, but the ones that you did were empty feeling despite everyone else being present. Lunch was a bore too. The evening rolled around again soon enough and by that point, you fully felt the absence and missed him. Of course, you still spent time with the other brothers. But you dearly missed the time you spent with Asmo. You missed the sound of his voice, and his presence in general. His brothers didn’t seem to mind as much as you, probably because he’d done this a million times before. As much as you wished he was having fun on his trip, you couldn’t wait to have him back.
On day two, a Saturday, you found yourself in his room again. The other brothers were busy for the next hour or so, giving you a little free time. You sat on a lounge chair in his room on your D.D.D, doom-scrolling. You saw some of the pictures he posted on Devilgram, and made sure to give him a like and leave a sweet comment. He responded pretty quickly, leaving you with a fuzzy feeling. He told you that he missed you. You sighed. He had only been gone for about two days, and you’d gotten to the point of wallowing in his room. It was a little pathetic. As you sat there, you gaze wandered over to his giant closet. You gave into the urge and got up to explore.
You’d been in Asmo’s closet countless times, but you’d never been in there by yourself. He had countless drawers and shelves full of various accessories. Walking a little further into the closet allowed you to reach the actual clothing. Everything was neatly organized by color and style. A little more walking took you past his fancy, and casual outfits to all the way in the back were he kept his sparse pajama collection. It only took up one rack compared to everything else’s several. You leafed through it and found something you didn’t even know he owned.
You’d never seen him in it and it didn’t even look like a purchase he’d made. It was a large t-shirt and a pair of tiny short that didn’t look as if they’d cover much and didn’t match the shirt at all. It looked a little worn, but ws still in good condition. But the fact that he still had it said something about the meaning behind it. While his other pajamas were more luxurious, something about that pair called to you. You took it off the hanger and brought it back to your room to change into it for bed when the time came.
Just as you’d intended, you wore it that night to bed and it was just as perfect as you’d imagined it would be. It was made of a very soft material, and even smelled like him. While you still missed him, it help soothe you a little. Besides, you’d see him sometime tomorrow afternoon.
None of the brothers seemed to recognize the clothes as Asmo’s. It made things easier for you. You spent the evening with Beel and Belphie, since Mammon happened to be busy, so it was considerably quieter without him there. Still, the three of you had a great night snacking and watching your favorite tv show. You fell asleep later than you usually would because Mammon and Asmo were the ones that insisted you throw in the towel and call it a night. As a result, you woke up considerably later the next day.
After checking the time, you realized Asmo would be home soon. So, you got up and got yourself ready for the day. Preferably, you’d be out of his clothes by the time he got home. No sooner than you’d left his bathroom and was about to get something to eat, you heard the front door open.
“I’m home!” You heard the voice of your favorite demon ring out through the giant, empty foyer. You rushed to meet him there.
“Asmo!” You ran up behind him, trapping him in a hug.
“Mc! You came to greet me! You’re just the best.” He took his sunglasses off and hugged you back ferociously.
“How was your trip?” You didn’t want to let go, but you had to. You wordlessly took one of his bags from him and followed him back to his room.
“It was so much fun! I think you would’ve really enjoyed it. Next time, you have to come. We can share a room <3.” You were glad to have him back.
“Glad to hear you had fun. I missed you.” You set his bag down on the floor.
“I missed you too, my sweetie pookie bear.” You started to laugh at that ridiculous nickname. Soon, both of you were laughing. You hugged him again, jovial to have him back.
While he was hugging you, Asmo came to the realization that you were wearing his clothes. “Is that my shirt? I see you took a stroll through my closet. It looks cute on you.” He would recognize that material anywhere.
“Oh, I hope you don’t mind. I put it on because I missed you. It reminded me of you.” You suddenly felt shy and couldn’t meet his eyes. He squealed.
“Ah, you’re so cute it hurts!” He squeezed you, only causing you to grow more sheepish. “I actually got that the first time I spent a night in the human world and needed something to wear. I could’ve just worn something of Solomon’s, but I didn’t feel like we were close enough for that yet. I kept it for the memories, but it seems as if I’m making more with my other favorite human.” He winked at you.
"I’m honored I’ve earned such a title.” You couldn’t deny how elated spending time with him made you. Just being around him was an automatic mood booster for you. You were delighted to hear that he felt the same.
“I have a little unpacking to do, so if you’re up for it, I can tell you all about my trip while I do. But after that, I need you all to myself for the evening. We can get your favorite for dinner.” He pinched your cheeks.
“I can’t say no to you. Tell away.” You perched yourself on the edge of his bed. As he began talking, you listened carefully. He told you everything animatedly, and you couldn’t help but admire how gorgeous he was. You looked forward to your evening with him, and were happy you missed each other equally.
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AITA for pointing out contradictions in my friend's speech?
This happened a few years ago but I still think about it sometimes. I had a friend at school, let's call them Alex [16X, gender irrelevant], who I had been struggling to communicate with. I'm autistic and I don't get social cues. They knew about my diagnosis, but still relied on social cues when speaking to me. I have misunderstood them several times because of this, then reminded them that I don't understand them if they aren't being direct, they promised to be direct text time and I foolishly believed them.
Later, we started communicating better... almost.
It's just that when they're exhausted(?) They don't really want to talk to anyone, and instead of saying it directly, they go back to using social cues again. I had no idea what they were feeling at the exact moment or if they're exhausted at all, so I continue talking to them unbeknownst of me.
I tried looking for a pattern to recognize whenever Alex doesn't want to talk to anyone, but I could never find it. They wanted me to figure it myself because "it's clear".
So, whenever Alex was feeling that way, they never said what they meant, ever.
Example #1: one day I was telling Alex about the movie I saw. I saw that they had tweeted about it and even made a comment about the ending scene, so they definitely watched it, so I mentioned it and mentioned a spoiler plot point.
They said "Hey, take it easy, some people don't like spoilers."
The only other person who was in the room was the person who recommended the movie. I pointed out that everyone had seen the movie already and Alex said, "you don't know for sure." And I reminded them about how they tweeted about and the other person said it was good. Alex got up and left, stopped talking to me for days, then told me the truth that they just didn't wanna talk and I should've picked it up.
Example #2: One time Alex was still in class sitting alone and I asked them if they were gonna leave, they said they're waiting for "Beth" so I can leave by myself, I told them Beth was absent and she wouldn't be coming here. Alex got angry and yelled at me for being insensitive and not knowing when to leave people alone.
Thing is, I can't tell if it was a lie, or if they were genuinely mistaken/misremembering something and I think clearing things up is helpful. Why can't people just say they don't wanna talk instead of making up a lie that's easy to figure out and call it social cue? The thing is, everyone else in the friend group told me I was being insensitive and "press the issue" when they clearly don't want to talk and "were being polite about it". So was I TA for pointing out something is contradictory/untrue?
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ingravinoveritas · 3 days
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I find these very awkward just cos there no smile coming from both of them at all which make me think something isn't right with recent events that happen also something defo brewing cos here it look like they undercomforable and doesn't look like neither Arms are around each other neither. This defo looks cringe cos literally no smile from either since recent events that happen
I will use this as an update to this post from earlier, to clarify that it seems Michael was at A View From the Bridge tonight, rather than Kiss Me, Kate.
It turns out that Callum Scott Howells (who played Owen in Michael's directorial debut, The Way) was in the play, and I'm going to put up a few pictures of Michael with Callum and Dominic West that pretty much say it all:
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The last one is a particular favorite for oh-so-many reasons (hello, arms, and also twink/Daddy vibes...), but I'm just sort of floored at the difference between these pictures and the pictures with Anna. If people are unwilling to see that difference/how unhappy they both seem at this point--to where neither Michael nor AL look like they're even trying in these pics--I'm not sure what else can really be said.
All I can say is that Michael's face is visibly lit up in the picture with Dominic and the pictures with Callum, which makes it more noticeable when his face is not lit up otherwise. And I know we could say there are a hundred reasons why he looks so sullen in the first set of pictures (he's tired, travel issues, etc.), but what takes this into the realm of purposeful for me is seeing him with the other people at the after party. I think Michael is an incredibly good and talented actor, but when he's being himself, he is never going to pretend to feel something he doesn't feel, or to pretend not to feel something that he does. And that seems clearer than ever in these pictures.
Could I be completely wrong about all of this? Of course. But I'm hard-pressed to see how anyone can keep ignoring what is plainly right in front of us, and has been for some time. I'd be glad to hear from my followers as well with your thoughts...
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adriftallmylife · 3 days
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Coming on here really quick to say that just because Benedict Bridgerton doesn't like society or tries to get away from girls at balls doesn't mean he's gay.
But actually, has everything to do with the fact that he's always been the second son. The first in line for Viscount if Anthony were to die before he has a male heir.
He's the spare.
The runner up.
Everyone's second choice. Nobody's first choice.
Hell, there's even a portion of the ton that doesn't even know his name. Just that he's a Bridgerton.
Him breaking from society rules is because he wants to have a purpose and doesn't see the ton as really having a purpose. It's just a marriage mart where people are auctioned off to the highest bidder. Real love matches don't happen that often. He's constantly fighting with who his last name is and trying to find himself apart from that last name. It's the name Bridgerton that matters to people not Benedict himself.
So, he finds something he enjoys. Art. Something where he can be himself. Express himself freely without judgement. Because art is what you make it. It's entirely up to the one in front of the canvas. And then what happens? He finds out that his brother bought his way into art school. Did you see how excited that precious golden retriever was when he got in? Aside from the fact that he was high as a damn kite when he read the letter, that was something that meant so much to him. And then in the end to find out all of your hard work, your labor of love, actually meant jack fucking shit to anyone because his brother tossed some cash at the school. And that was what mattered. A donation. Not Benedict himself and his talent.
Could Benedict be bisexual? Sure! I wouldn't have a problem with it on the condition that it was actually happening, and it was well written and had time given for character development. And it wasn't used just for ratings. They've already skipped his season once, to wait any longer doesn't make sense. And if they did it now and then immediately introduced Sophie people would just be bitching that they were Queer baited. When actually that's not what is fucking happening at all. I don't understand how Benedict going to a party held by his art mentor, walking in on him having sex with a man, getting pissed off at said art mentor for his gay lover trying to find a wife and that he is lying and manipulating women translates to Benedict being gay.
Luke Thompson has also said before that Benedict is a very open person, not necessarily sexualy, but open to life.
He needs to be in order to figure out who he is. Him being with Gen in season one was the viewers introduction to Benedict not giving two shits about society. That hard-working people are just as deserving for nice things and his company just as much as anyone else is. His threesome with Gen and Lady Granville was experimentation. That's cool and fine. IDK what's going on with Tilley Arnold (i mean I have two guesses and I don't like either one). But him sleeping with different women isn't him lying to himself about his sexuality. It's him trying to make a connection, trying to find something for himself that gives him that sense of purpose.
Then when he's at his lowest point...
SOPHIE BECKETT ENTERS THE FUCKING CHAT!
Anyway, my point is that all of Benedict's character development is leading him to Sophie.
Sophie Sophie Sophie.
Why?
She's the first person to get to know him. To understand the fact that he's not just a second son but a human being with emotions and talent and deserves to be celebrated for those talents and to have his emotions comforted (she calls his family out on it and gives two shits in doing so). Sophie Beckett is a girl who grew up in horrible conditions. Tormented by her stepmother and stepsister. Turned into a slave inside her own home. Her mother died giving birth to her and the Earl being her father isn't even something that's allowed to be talked about. He's cold and distant with her. Not to mention the fact that her stepmother embezzled her money. Straight up stole her dowry. She's been abused, mistreated and despite all of that, she's still a good fucking person. A person, a woman, who sticks to her principles because at the end of the day that's what she has. And she refuses to put a child in a situation like she grew up in.
They see parts of themselves in each other. Sophie lifts Benedict up to who he's meant to be. Gives him a purpose. Benedict calms Sophie protects her (and yeah Book!Ben does it in a really red flag kind of way) and shows her love for the first time in her entire life. Introduces her to a family who accepts her for who she is and loves her, not in spite of it, but for it.
I just don't understand why fandoms as a whole push sexualities onto characters. I understand the need for more representation, and I fully support that. But we should be creating more roles for those sexualities not just shoving them onto people. Especially when it's the woman of the heterosexual couple that always gets torn to shreds when a fandom decides that a man should be gay instead of straight. You can't give viewers the LGBT support they want and then shit on feminism in order to do it. Bridgerton introduced us to Granville and Lord Wetherby, they gave us a gay storyline that could have been really intriguing and heartbreaking and lovely and then they just didn't fucking do anything with it. Netflix (and other networks) don't actually give a crap about it, no matter how often they want us to believe they do. What do they care about? Ratings. That's legit it. They don't care about creating genuine stories for those of that community. They care about money.
Anyway, I'm rambling now.
IN THIS ESSAY I WILL!
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Welcome back ! Would it be ok if I request Yan Luffy for the yandere alphabet? Y , X , S , N , M please 💗
Mask: Are their true colors drastically different from the way they act around everyone else?
No, not at all. This man is very open and proud about who he is. The Luffy that you see vs. the Luffy that everyone else sees is the same exact person. He has no shame about what he's doing, nor does he think it's wrong, so he doesn't care to hide anything from other people.
Naughty: How would they punish their darling?
I've touched on this in a different post discussing the Straw Hats punishing a darling, but his go to method is isolation. Luffy hates being alone and knows how painful it is, and while he isn't happy about it, he knows that this will work to get his point across. Oh, you want to be left alone despite having such a loving boyfriend and crew? Alright, let's see how much you like it after having several days of seeing no one. It takes a lot to push him to this point, but once he's there, there is no amount of backpedaling that you can do to get out of the punishment. After you're out, you'll be so desperate for human interaction that you'll eagerly soak up every bit of attention that he gives you.
That's the only big thing that he does, everything else he does mainly boils down to exposure therapy and ignoring your behavior. If you try to run, he just grabs and yanks you back without even looking up from what he was doing. If you try to escape his affection, he's coiling around you like a damn snake. If you try to vocalize that you don't like what's happening, he shoves some food in your mouth to shut you up. It's possible to get him to hit you, but he strictly only does that in retaliation of you hitting him first. He'll only hit you as hard as you hit him, so you won't have to worry about getting the same treatment the people he seriously fights get. Afterwards, he won't apologize until you apologize for hitting him first.
Stigma: What brought about this side of them (childhood, curiosity, etc)?
Oh, it was 100% his childhood. Between being abandoned by his entire biological family and his crippling fear of loneliness, it really isn't surprising that he's so extreme about keeping a significant other around. He doesn't want to be alone or abandoned again, and he'll do anything to make sure that you can't do that to him. All of his behavior feels normal and justified to him. In this world, you have to fight for what you care about. Why wouldn't he do that for his darling?
Xoanon: How much would they revere or worship their darling? To what length would they go to win their darling over?
He loves you dearly and would do anything for you, but I wouldn't necessarily call what he does worship. His obsession for you makes him extremely loyal and supportive. No matter what, he's got your back, and he'll go through hell to keep you safe and happy. Same goes for your goals in life, he wants to do everything he can to help you achieve them. You're on the same level as anyone else in the Straw Hat crew, you just get extra affection and kissed sometimes.
Yearn: How long do they pine after their darling before they snap?
It's a combination of fast and slow, if that makes sense. His initial interest in you happens quickly. You do something the piques his interest and makes him want you on his crew, and you will be before the end of the day. At that point, he's already yandere for you, but only platonically. As time goes by, the romantic feelings very slowly start to grow. He starts seeking you out more than the other Straw Hats and is even more touchy than usual.
It doesn't click for him that he's in love until someone else points it out to him. Then he goes back to moving very fast. Once he gets it, he gets excited. This is like a new adventure to him, and he's eager to explore every facet of it. I wouldn't really call it snapping, he just suddenly starts suffocating you in his love.
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mixelation · 3 days
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so i think the order of events in (a)synchronicity is this. btw this is going to fully lean into shinigami shenanigans incuding...... sexy shenanigans
minato saves tori and she decides she is going to kill him
tori makes minato soup
some other stuff happens including minato tracking her back down and her breaking minato's arm
minato is obsessed with her now
over the course of this tori has been killed a few times to really drive home what happens when she "dies"
jiraiya and kushina both promise minato they will help him get laid
minato is reporting on tori at the beginning but he lapses and fails to communicate adequately to anyone how deadly she is. he's in love, okay, and the only people he respects are egging him on
he kills a bunch of people at her request and tori decides she DOES like him back. this isn't even the "kill one thousand iwa-nin in one go" thing btw
the "kill one thousand iwa-nin in one go" thing happens and it's not even on konoha's orders. minato just does this to get his girlfriend back. he's super happy about it too because now they're together <3
konoha is finally like: wait. wait what the F U C K
hiruzen is like: drop yur girl and take this genin team and minato is like: no i can do both >:(
konoha goes to check out tori but she's just. some. lady????
and so konoha is like. oh my god, the yellow flash has completely lost it. let's wok him to death
and then that DOESN'T WORK
konoha decides the solution is to kill tori. but they want to send minato a lesson because he's actively ignoring direct orders to dump her and they can't let him realize they actually can't stop him from doing whatever he wants.
so the plan is: use jiraiya to distract minato with a mission. kill tori and physically cut the hiraishin marker off her skin. then move her somewhere and mutilate her corpse for the "lesson" part. thy'd prefer to mutilate her FIRST but also they don't know if she has a way to summon minato. so the priority is to kill her and get the marker off
however jiraiya is not stupid and also he's a nice guy who really does want to get minato laid. he realizes something is up after minato says something incongruent with something hiruzen said to him
minato show up just in time to see tori is freshly dead, and then all the konoha-nin still on the scene just. die? he didn't even do anything???
tori flips out bc the shinigami si still possessing her and it gets ~greedier~ every time she dies but she LIKES minato and NOT HIM--!
the shinigami is like: you know what. you're right. even though i'm perpetually starving, this guy is the only one who's ever filled me.
and then the shinigami is like: in want him inside us though, right now
tori: minato. fuck me. right now minato, confused and overjoyed and also sensing something is weird and terrible: you were DEAD??? tori: i'm fine. we want you to. minato: all the grass around you is dead
jiraiya has been completely ignored in this and he's run off to hunt down someone from the konoha team who went off as a messenger. jiraiya takes him captive to come back to tori alive again and doing. whatever the fuck that is
minato instinctively kind of knows what happened and he's freaked out but also. that's his cute girlfriend and someone stabbed a senbon through her neck. :<
they get the full story out of jiraiya's captive
this is some sort of moral turning point. tori decides she does want minato for forever, and to do that she'll have to end the war and maybe konoha itself. minato suddenly finds his faith in his own village tanked. jiraiya is beginning to suspect hooking up with tori is a bad idea
also
tori: please? pleeeease?
minato, in tears: no i'm NOT going to choke you to death in bed to have kinky shinigami sex
tori: i have never been hornier for you though :<
minato: (sobbing)
and maybe
tori: hey if the shinigami kills everything but you while we do it. do you think you're shooting blanks or what
minato: please stop trying to run experiments on my dick
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smallmightsupremacy · 6 hours
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Why we are getting a dvk3
So. The war is over now, and everything is supposed to go back to normal, right?
Wrong. I don't know about you, but this recent chapter was... a roller coaster of emotions, to say the least. We went from the highs of graduation to a mysterious new character all the way to some panels showing how Izuku isn't doing well mentally. And I have a lot of thoughts about that last point in particular. Especially for what this means for Izuku and Katsuki's relationship going forward. So, well before reading this chapter, I was a firm believer that we were going to get a dvk3. It just makes sense, right? Every pivotal moment of their relationship has been a dvk moment, so it wouldn't be a stretch to assume that the third pivotal moment of them becoming true equals would be a dvk too. Not convinced? Well, I'm going to breakdown one specific moment in this chapter and explain why this makes me even more sure that we're getting a dvk3 The moment I'm referring too is Izuku's interaction with Ochako:
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We start off with Izuku looking off into the distance after hearing the words "why I wanted to become a hero" from Mawata. It wouldn't be a stretch to assume that those words were enough to make him reflect on himself and beliefs; to reflect on his own why. Why exactly did he become a hero?
Well, we already know the answer to that: to save people with a smile.
But in the final war, did Izuku actually achieve that? He doesn't seem fully convinced about that idea:
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He believes that he didn't fully save Tenko, and those feelings of self-hatred, of not being good enough rose to the surface when the why of becoming a hero was brought up. Hence, his pensive expression in that first frame. Clearly Izuku's going through some turmoil right now. Self-hatred, emptiness, probably no sense of direction about where he wants to go in his life now that he's quirkless... the list goes on. So what does he decide to do about it? He approaches Ochako:
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Maybe it's to talk about her moment on the UA rooftop which was referenced just before, but it doesn't seem that way. They've already talked about that moment already, why bring it up again? I mean, you could argue that it's Izuku telling her not to be so humble or embarrassed over that moment, but his reaction when she changes the direction of the conversation says otherwise:
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He looks so upset, like he wanted to truly talk about his feelings with a trusted friend. The war is over. There's no need for him to control his heart again. He can finally talk about his feelings... yet he gets brushed off.
The fact that this panel of him frowning is right next to one of Ochako laughing says A LOT too It wasn't an accident that this panel of Izuku was put next to one of Ochako smiling. This was done for a reason. I think that reason is to showcase Izuku reaching a realization-- the realization that everyone is starting to move on from the war and smile again while he's stuck in a slump. I think it's in that panel, where he decides that he won't try to talk about his feelings again. If he does, then he'll bring down the mood and no one will be smiling anyone. Remember, Izuku still blames himself for the reason why his class got targeted, so he probably blames himself for them getting injured and upset from the war too. In his mind, the least he can do is keep quiet about his feelings and suffer in silence at the gain of everyone else's happiness. That being said, this is by no means an attack on Ochako's character at all. She's a great friend to Izuku- hell, that's probably the reason why he decided to go to her specifically to talk about his feelings -but I think there's a part of her that doesn't want to talk about what happened in the war either.
Even if there was, she still would've said something or shown concern if she could truly see how much the war was impacting Izuku. Instead, she misses it. She misses it because, as close as they are, she's the person from class 1A that knows Izuku second best. So that leaves only one person who can help Izuku process his feelings: the one person that knows Izuku best; the one person that will be able to see through his guise of pretending to be alright and save him before he reaches the point of self-destruction; the same person that has proven that they can and will do something like that time and time again. Sound familiar? Yeah. Katsuki is the only one that can help Izuku right now.
But it's not going to pretty. I'm not necessarily saying that dvk3 will involve a fight. On the contrary, I think that's the last thing that should happen for a multitude of reasons: Katsuki is still recovering, their relationship is at the point where they can have vulnerable conversations without throwing punches (read: the hospital scene), and it wouldn't make sense at all to have them throwing punches. Izuku hasn't got a quirk anymore; against Katsuki, he doesn't stand a chance of winning the fight. And that just negates all their growth of becoming equals. So perhaps we shouldn't call it Deku vs Kacchan 3, but rather Deku AND Kacchan 3 It's going to be a fight of them accepting feelings; both each other's and their own. There's going to be crying and tears and so much pain, but it's going to end up with Katsuki reaching out to Izuku so we can get that long awaited and incredibly foreshadowed handhold. So we can see that Katsuki still sees Izuku as an equal, quirk or no quirk.
At least, that's what I hope. I'd love to hear your thoughts about this too!!
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sapphicwriterao3 · 2 days
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🕊️ here to explain punishments that mommy has given me before. not quite sure why i’m being made to humiliate myself since i’ve been a very good girl recently, but here we are 🙄
like mommy said in her reply to my first ask, 200 spankings was one of them. although that was only on my ass and i’m pretty sure it was more than that. unfortunately for mommy i love spankings so that on its own wasn’t enough. i also had to spank my clit with a wooden spoon, and i’m 99% sure i spanked my tits a few times too?
which brings us to the next point, nipple clamps the entire time. i think i had them on for about 45 minutes? it was going to be longer, but i begged and begged and begged for them to come off, and she finally took pity on me. but not before she had me flick them for her, and also she had made me lie face down on the bed for a bit, pushing against them to make sure I really felt it.
mommy also makes me cockwarm a lot. she made me cockwarm my fingers, and when i was face down against the bed, i couldn’t help but grind onto my hand a bit, it was RIGHT THERE!! but mommy had to punish me more, because i was not allowed to touch my clit yet. she said she was going to teach me self control, and made me place a finger on my clit, but i was NOT allowed to move it at all. i didn’t want to know what would happen if i disobeyed so i kept it there, it was torturous. i could feel it throbbing against my finger, my pussy was dripping and i was whining so much.
i think that’s was around when i got to take the clothespins off. but they went straight back on, this time one on each of my pussy lips and one on my clit. it hurt. a lot. i asked mommy if i could use something other than the clothespins, and so she let me take them off. and then i had to hold an ice cube on my clit until it melted, while my pussy was stuffed with ice too. (if anyone else is going to use ice, please be very careful. it needs to be melted a little bit before you start to avoid burns, and also you should check each piece to make sure there’s no sharp edges. pain is nice but you do not want lasting injuries!!! also don’t use it inside too often, having water up there frequently can disturb your ph. stay safe!!)
anyways, i’m sure there’s details i have accidentally missed. from other sessions, mommy has been known to make me keep my panties in my mouth (and sometimes put them back on after), or to scroll through her likes and spank my clit every time i see something i like. we’ve also played with my ass a bit, but i’m pretty new to that, so it’s never really been as punishment.
oh, we also used mommy’s wheel a bit at the start. but i was having some.. issues with it so we moved in from that pretty quickly.
i hope this was enough detail mommy
-🕊️
thank you, princess.
for the record, you and I both know I'm making you do this because you love the humiliation.
does that answer your question, @catgirlinheatsquared?
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penkura · 1 day
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Fever Dream [2/2]
Note: Hi! This is part 2 of the request from the lovely @xxchaosjojoxx for Penguin x Reader! :) I finally got it done, I really hope you guys will like it as much as the first part! It may have gotten away from me, sometimes I don't know how to stop myself and just add more parts, that's probably why the WCI chapter of 'knowing' was almost 8k words. :')
Oh well, again, hope you all enjoy!
Part 1 here!
Taglist:
@bby-deerling | @xxchaosjojoxx
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Penguin doesn’t think anything is wrong the next day, not at first anyway. He’s finally over his fever with strict orders from Law to take it easy and let others help him out, which he promises to do with the threat of toilet cleaning duty over his head, the thought of asking you or Shachi more than anyone else, especially when he goes to greet you that morning before breakfast.
Only, you give him a wide-eyed look before shouting your own ‘good morning’ and quickly walking past him, saying you’re starving and want to get breakfast right away, when Ikkaku asks what’s wrong. When your best friend sees Penguin is the reason you’ve run to the kitchen faster than she’s ever seen, Ikkaku just smiles a bit, laughing slightly.
“Oh it’s you, Penguin. Morning, happy to see you’re better!”
“Ha, thanks, Ikkaku,” before she gets past him to kitchen, Penguin grabs her wrist to stop her, “Is [Y/N] okay…? She’s never run away from me before.”
“Mm,” nodding, Ikkaku keeps grinning like a devil before Penguin lets her wrist go and she pats him on the shoulder, “She’s doing great, thanks to you.”
Ikkaku doesn’t tell him anything else, not even when Penguin tilts his head in confusion and tries to ask what she means, she just continues on to the kitchen. He follows suit shortly after, catching your eye again and giving you a smile, but it falters when you look away quickly, turning to Jean Bart and asking him something. That’s not normal for you, anytime Penguin speaks to you or gives you a smile, you always reciprocate, you have from the very beginning. When you joined the Heart Pirates you seemed so nervous about everything, Penguin made it his job to help you get comfortable, he didn’t really expect to fall in love with you over that time. He seriously thought you felt the same, that he’d be able to ask you out soon and start courting you.
But now he has to wonder what he did to make you be like this around him. A few of your crewmates notice the difference, shaking their heads at Penguin or snickering over it, especially when you finish your breakfast and take off before he can stop you. It starts to frustrate him, to the point Penguin looks at everyone still around with a frown, though some of them don’t meet his eye (granted they can’t even see his eyes but still).
“…what the hell happened?”
+!+
You don’t stay around Penguin for very long that day, if you can help it. Law paired you both up briefly to wash the dishes, Penguin being surprised when you put your headphones on and ignore him this time. Whenever you do any task together, the two of you would have a blast, chatting or swapping jokes or book recommendations, time flying by and you both feeling like you’ve gotten closer. You’ve been a Heart Pirate for five years now, there’s still so much Penguin has to learn about you he feels like, but if you won’t even talk to him now, it feels like your growing relationship, still a friendship, is starting to backslide.
And he doesn’t know why. You were fine two days ago, what happened yesterday?
“Shachi…” Penguin’s whining pulls Shachi’s focus from his task of checking supplies, Law wanting one more run to the island before you all take off. He barely looks at his lifelong friend before going back to making notes on what the ship could use extra of, since the next potential stop is weeks away from the current one.
“What’s up, Pen?”
“[Y/N]’s been ignoring or running from me all day!”
“Oh yeah?” He snickers a bit, knowing exactly why, Ikkaku had told him and Shachi may have let it slip to a few people who knew how smitten you two were with each other. He really did hope this was the push you both needed to get your relationship going.
“I can’t figure out why, and everyone keeps shaking their heads at me! Did I do something??”
“…wait, you don’t remember?” Shachi stops writing to finally look at Penguin, who shakes his head with a pout.
“No! And if someone says that one more time, I’m going to—”
“Dude, you told her you love her.”
Penguin stops ranting and rambling when Shachi says that, his eyes widening as he barely manages to get a quiet ‘huh’ out before his friend nods.
“Ikkaku said that [Y/N] told her you thought she was Ikka, and were asking how to tell her that you love her—”
“I don’t—” Penguin feels his face turning red and starts to pull his hat down over his face.
“—and then you kissed her before passing out from your fever. That’s the basic gist of it, man.”
Shachi is somewhat amused seeing Penguin fully cover his face with his hat, a bright red blush showing through what’s visible. Twenty-eight and still nervous as hell when it came to romance, no matter how times he’s flirted with other women in the past, it stopped the second he met you when you joined them. It was like a flip switched in Penguin’s brain that told him ‘she’s the one!’ and he’s been enamored with you ever since.
Not like you didn’t feel the same, he’d heard it from Ikkaku constantly. She tells him everything about what you say regarding Penguin, how much you like him back and wish you could make a move but you didn’t want to ruin your friendship in the process. A fair reason, though if you’d only known sooner how in love Penguin was, you probably wouldn’t be running from him all day. Penguin probably wouldn’t be going through such mental anguish and feeling like he’s done a terrible thing by kissing you like that.
He keeps muttering about how that was so wrong, he messed up, you must hate him now. How could you not? He probably just stole your first kiss! And without even asking if he could kiss you! That wasn’t fair to you, he just feels awful about it.
Letting him have a few minutes, Shachi eventually pats Penguin on the shoulder, giving him a smile.
“You should go sit down and talk to her. You guys need to work this out, but I doubt she’s mad at you.”
“Shach—”
“She’s probably more embarrassed than anything, based on what Ikka told me. So just go give it your best shot, Pen.”
+!+
Law pairs you up again that day to work on the crew’s laundry, something that shouldn’t take long or cause Penguin enough stress to make his fever come back. The only thing really stressing him out is the fact you still haven’t really spoken to him, except when you tell him you’re taking clothes to their respective owners. The few times you leave to do so, he tries to hype himself up and convince himself to just talk to you, see if you’re mad or if you’re willing to work things out with him.
When you come back the last time, no headphones in sight, he feels like he has a chance.
“Captain wants me to help him with something, can you finish here?”
His shoulders slump and he’s about to say that he’ll be fine, but instead Penguin shakes his head.
“No, uh, I mean, yeah I can, but…can we talk?”
You bite your lip a bit, Penguin not looking at you, and you shake your head slightly.
“What’s there to talk about? You were sick, it wasn’t on purpose.”
“But what I did was wrong, even if it was because of my fever.”
The way he sounds when he speaks almost sets you off, you almost start telling him that no it wasn’t a big deal, you have the same feelings for him. You were just shocked he returned them! Okay maybe a little embarrassed still, but that was all on you, he’s the first person you’ve ever kissed, you don’t know how to handle it yet.
“I,” you want to tell Penguin he really didn’t do anything wrong, but even though you can’t see his eyes for that hat, you feel like he’s giving you puppy dog eyes and you’re going to absolutely break down and try to kiss him if this keeps up, “I need to go!”
“No, wait, please!!” Penguin grabs your arm, nearly begging you to stay, “I…I’m sorry for kissing you! But I…I love you! So please…stop running away from me.”
You’re both silent for several minutes, you still don’t look at Penguin and it makes him so much more anxious. He needed to apologize, right? That would fix it, it would fix everything. He was delusional and didn’t think that fever dream was reality, he made a mistake and kissed you without permission or knowing he was even doing it. He felt so bad about it, that’s not how it should’ve gone!
“This wasn’t…how I wanted to tell you…”
“…how did you want to tell me?”
“I…I wanted to take you on a date,” he quietly speaks, while you turn around and watch him, Penguin doesn’t lift his head to look at you, “I was going to take you out yesterday but, well, you know…”
“Yeah, I know,” the laugh you give when you respond makes Penguin finally look back to you, he’s almost shocked to see the blush on your face as you slip your hand into his and lace your fingers together, “I would’ve said yes, if you asked.”
“…yeah?”
Nodding, you let Penguin pull you closer to himself, slipping his other arm around your shoulders in a hug that you return. He’s honestly glad to hear that you’d agree to a date with him, finally deciding to ask you today.
“So…will you go out with me tomorrow? Before we leave the island.”
“I’d like nothing more, Penguin.”
“And,” he takes a breath and sets his forehead against your own, giving you a better look at his pretty blue eyes and the blush across his own face while you smile, “Can I kiss you…for real this time?”
You giggle a but and nod, wrapping your arms around his shoulders.
“To your heart’s content.”
You’ll probably have to talk about things more later, but the grin Penguin gives you before properly kissing you makes you forget about anything else you wanted to say.
At least until Law comes looking for you and has to break you apart before you two take things too far, deciding that he’s not going to be pairing you up for tasks again anytime soon. You and Penguin making out isn’t what he meant by taking it easy.
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rambleyrambles · 2 days
Text
Hey buddies!
What's up with Mollie in Chapter 1?
There's a couple different things I wanna cover, so bear with me as I ramble on a little bit to figure out where to start. Like, I've got something I haven't seen others mention, a few theories tied to it, and other speculation. So I guess I should start with that appearance?
Also note: I'm not going to be going over the mascots as a whole here. They definitely need something all to themselves, so maybe I'll ramble about that some other time.
And just so we don't get too long and clog anyone's dash~💜✨
So! A Mollie thing I haven't seen anyone else talk about!
Well, the other day I saw this post, and as you can see by my tags (under the little "info" tab at the top) I was planning on playing again to see it for myself. I can confirm that exists, and I'll get back around to that in a little bit.
Having played through the game a few times, I've been slowly getting accustomed to the sound of Mollie's voice and I've been trying to make out the words she says. So imagine my surprise when I heard her in the section before where I thought she first appeared in the queue to Rambley's Railroad! You can hear her very faintly in the background repeating the words "set up" after Rambley directs you to the gift shop for your Critter Cuff. (Can be heard here. I've linked to Rambley's last line so you can hear how she mimics it.)
To me, this sorta brings into question how long Mollie was watching Ed. I mean, before it seemed like she happened to be in the railroad's area and was sneakily watching you after you stumbled into the area she was occupying, but now? Now we know she was outside in that starting area. Granted, she sounds kind of distant unlike when we hear her "Closed for repairs" after Rambley and Finley's interaction, but that doesn't mean too much because the little "Hey buddy" she lets out in Lloyd's Mane Stage when she leans around the door to storage. (As demonstrated in the video I linked, you can turn on your way to storage and see her right away once you hear her.)
Now that I've written all those mimicry bits down, it feels a little weird that she mimics only Rambley, especially given she's not directly repeating him when she appears at the end of the hallway in the Mane Stage. Rambley does say it in that area, but it's not in that same call and response manner like the other two. Something to think about.
With all this in mind, I think it's plausible that Mollie could have seen Ed before the first encounter in Rambley's Railroad.
How soon does Mollie know Ed's there?
This is more speculation on my part, as the earliest I can definitively say is the Critter Cuff mimicry being around when she likely notices him. That being said, we do have a gear that falls at a suspicious timing.
That being said, if you've seen David Baron's video on his beta test footage, you'll notice the gear was already there from the start. He makes the suggestion that the gear be out of the way and fall from somewhere above when it's needed so it doesn't confuse the player. It could be argued that that's all that is, but I'd like to point out the whole suggestion was for the gear to fall when Rambley tried and failed to open the door, thus causing the building to shake due to failing equipment just enough for the gear to fall. The timing we see in the final game does not match that. (Whole video can be found here.)
I think it's not out of the realm of possibility that Mollie could have known about Ed's presence the whole time, and could be the reason the gear falls in the first place. It's suspicious enough timing, and I'm not sure what Rambley himself could do to make it fall unless you want to argue something about having a mechanism up there, but this is a pretty specific situation he'd have machinery to deal with considering there's not supposed to be a hole in the ceiling there to begin with.
What Mollie's motivation for helping would be... I'm less sure about that. Especially as it related to my next point.
Did Mollie sabotage the mechanisms we needed to fix?
This is in reference to the Indigo Violet Generator from getting in the front gate, and the machine backstage that we needed to fix in lieu of getting an introduction to Salem. Before realizing Mollie was in the beginning area, only one of them was anywhere near her, so pulling any lines to correlate her and them just didn't make sense. With her being heard in that first area now though...
I think it's possible that she could've been the cause of the gears being out of place. She's present in and around where both are and we don't see any others like it in the chapter.
It's especially interesting because one is in the backstage area for Rambley's Railroad, where we see her pop in and out of while we're on the ride. One could even argue that she could have sabotaged that area while we were already on the ride, though that's between hard and impossible to prove at this point in time.
What makes Mollie aggressive?
While not exactly tying into my previous points perfectly well, I do think the fact that she's so passive and just follows you around until the very end is strange. When she shows up in Lloyd's part of the train ride, Mollie is quite literally within grabbing range of you. If she wished you ill will, surely she could have done something then?
If you want to argue that Rambley was right there at that point, might I raise her appearance in the Mane Stage. As far as we're aware, Rambley might not have been able to see her there, so there's no reason for her to hold back. Lloyd was fended off with a high pitched noise from the Critter Cuff, but it's long stopped doing that by the time you potentially see her after you leave, and that's only if you see her after you leave.
Mollie doesn't get aggressive until you're far into her area, and about to head further in. It's only then that she properly gets in your way with the intent to rip Ed's throat out. So is there something in there?
(It can be argued that Lloyd is similar. Even when it'd potentially be easier for him to attack, he moves away. That's a post for another day though.)
Beyond any narrative design decisions for how to get the player to Oceanic Odyssey after getting spooked by a lurking threat; I have to wonder if there's an in-universe reason for why Mollie stalks along so passively before turning into a threat in that spot.
Is there something beyond the door she came through that is important to her? Is she trying to protect something? Is that just an area she considered private/safe/hers so this is something territorial? Is there something she wants to protect? Is there someone?
The last one is unlikely, but it's interesting to think about, if nothing else.
Final Thoughts 💜
While this isn't an exhaustive list of everything about Mollie, I feel this is a solid base for discussion or to at least think about. I mean, I barely touched on her mimicry as a whole. There's a whole box of interesting lines with all sorts of interesting implications! Unfortunately, I don't really know how to dig through game files to find them all and listen to them on loop until I understand them, so I'm stuck trying to understand them over the loud - but absolutely a banger - chase music.
All in all, I hope I gave you all something to think about!
Bye for now, buddies!~
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