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#and i think i've been lacking that for a bit because i haven't been able to write
ao3commentoftheday · 6 months
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any advice about how to deal with posting a fic and getting radio silence? I know ppl aren’t owed engagement ofc, but I feel embarrassed at having spent so long on something no one cares about, and although I liked thinking about the characters and fandom before (and was considering writing more about them), now I can’t think about it without feeling that overpowering embarrassment 😭 part of me wants to delete the fic, but that would mean having to open ao3 and look at it again LMAO
sorry for the venting, I know this is probably a me problem, but has anyone else felt this, and if so, is there any way to make this pervasive shame go away??
*hugs* This is a very painful thing to experience and there isn't really any way to make it just go away, unfortunately. However, you can reflect on it a bit, when you're ready to.
Writing and posting are separate activities. If you've enjoyed writing the story but you haven't enjoyed posting it to the Archive, you can always continue writing just for yourself. This may or may not be something you'd enjoy - you know better than I do whether some of your enjoyment came from the anticipation of a reaction to your work.
Try to analyze where your embarrassment is coming from. Is it worrying that your story was poorly written? A lack of a reaction doesn't mean that the story is bad. Being unpopular doesn't mean it's bad, either. If your story is good to you, then it's a good story.
Is your embarrassment from feeling like you were "caught trying." Is it a cringe at the idea that you put effort into something that someone else doesn't (appear to) find valuable?
Is it actually embarrassment at all? Are you feeling a different kind of hurt instead? Did you hope that someone in particular would read your story and now you feel ignored? Did you hope to be embraced by your community and now you feel shunned?
These are difficult questions that I'm asking and you might not want to think about them right now. That's okay. You don't need to if you don't want to. You can definitely delete the fic and pretend it never happened. Or you can log out of that AO3 account and create a new one and never look back. Maybe you just need to take a week or a month off for a hiatus of sorts and when the ache isn't as bad, you'll be able to face it all again.
When I felt this way, it was because I felt like I'd put something into my community and that I'd been ignored. But since that time, I've found one person who gives me all of the community support I used to get from an entire fandom, and now when I post something on AO3 I don't actually need a response anymore. I get all of the fun and excitement and validation etc from my conversations and RP threads with my best friend.
Once you've got a little distance from the pain of this moment, try to figure out what it is that you were hoping to get and then figure out how you can get it. Maybe it's through posting fic to AO3, but maybe it's not.
Let's see what others can suggest. This is not something you're experiencing alone, anon. So very many of your fellow fan writers have experienced this too ❤️
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taffywabbit · 11 months
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idk if i'm way off the mark on this, but the way some people are responding to that Guillermo del Toro interview about the decline of studio animation is a bit frustrating to me. specifically the bit where he talks about "emoji animation" and how everything is over-animated and pushed too far and things are rarely allowed to not be ultra-cartoony (y'know, because animation always needs to be marketable to children who are never trusted to have attention spans, right?). like, i think he's generally correct about it! but some folks are taking the wrong message away from that.
i've seen people going off about how "soulless" and "corporate" various recent examples are, and talking about these pieces of media as though they're the result of some kind of personal failing or lack of skill/range on the part of the animators, and it's just like. do people realize that's the only animation you're usually allowed to DO in the industry, unless you get incredibly lucky and land yourself on a project/studio that's unusually cool?
when i was in college for animation it was literally drilled into us nonstop that everything had to be pushed more, that exaggeration was not a guideline or a sometimes-treat but a hard rule that always had to be applied regardless of what was going on, because the viewer couldn't be trusted to pick up on subtlety and we sure as hell couldn't be trusted to convey it. you ever wonder why there's such a specific vibe to a lot of self-directed student films, particularly ones that are focused on character acting/interaction or deep emotions and introspection (especially when there's minimal/no dialogue)? it's because for a lot of young animators, they haven't had the freedom to experiment with realism and subtlety up to that point and they're likely not going to have it again for a while (or at all, unless their career path leads to higher positions where they might have more creative direction over the things they work on. which also becomes a lot less likely if they're anything other than a cishet white dude, for what it's worth).
i would LOVE to see more nuanced, realistic, understated motion and acting in animation. i WANT more characters to be able to express what they're feeling through natural body language and facial cues and for scenes to allow me to breathe instead of spelling everything out in giant bold flashing text all the time. what del Toro wants to see changed in the animation industry sounds great, and i hope others join him in seeking to revamp what modern animation is allowed to be.
but as things currently stand, and as they've stood for a long while now, most artists doing the grunt work on the shows and movies you see are completely at the mercy of corporations and networks who have a vested interest in producing a very specific kind of marketable and cost-efficient media all the time. (and by extension that style is ALSO what's taught in most animation schools, because their job more than anything is to grind you down into a perfect little sweatshop worker who will bend over backwards to meet quotas and get your work approved and not question the higher-ups, even if you have little to no personal investment in the projects you're working on, so that the studios who employ you can maintain their good reputations or whatever)
anyways idk what my point was here, this really just sorta became a rant and my views have undoubtedly been coloured by my own personal experiences (this kinda shit is largely why i dropped out before my last year of animation school, for the record).
i guess just be kind to folks in the animation industry? they've had it fucking rough nonstop for well over a century (the majority of them are still not unionized and there's HUGE pushback against doing so in many places). i assure you they are doing their best to infuse the latest uninspired illumination flick or weird spinoff kids' show with literally any amount of soul they can. you don't have to like the stuff that gets produced by any means! be a hater! i'm certainly not gonna stop you. just remember where these creative decisions come from and why these conditions exist, and consider that when YOU watched something and thought "hmm that could've been done better", you can bet your ass someone actually working on it probably thought the same thing but couldn't do anything about it. these things WILL change as the industry itself improves, but in the meantime folks have to pay their rent, and that usually means doing what they're told and working in a way that will minimize revisions and meet quotas so they can keep their jobs. it sucks, but it is what it is.
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meanbossart · 13 days
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Another much overdue ask compilation! Some short-ish lore asks (Gale, Gort, DU drow relationships and pet-companion preferences) and a couple of art/advice ones sprinkled in. THIS IS BY NO MEANS ALL OF MY ASKS so as usual I appreciate everyone's patience!
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I actually think he'd give them a pass entirely as soon as he noticed. Correct me if I'm mistaken but half-drow get No love from underdark drow and are usually surface babies right? So that fruit is miles away from the tree lol. I think he generally has a bit of a soft spot for mixed kinds since he himself feels like an amalgamation of sorts.
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Thank you! They're kind of a pain in the ass to draw at times for that very reason but man I do like the look 😩if other people like it too then that makes it all worth it!
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THAT'S TRICKY TO ANSWER BECAUSE OFTEN TIMES I'M NOT... REALLY TRYING. I've draw a ton of horror comics for mine and my partner's series' SAD SACK and SORTIE, so I think it just comes naturally to me 😅 also I do genuinely find expressive and, uh, rugged faces more attractive? (I think they look rugged, again that's what people tell me at least.)
I think the secret might be adding bits of realism in there. I get a lot of comments about the wrinkles and eyelashes I add to my art, as well as the way I draw individual teeth (though I've lately been making an effort to simplify my style in favor of drawing faster, so I haven't done that as much or in as much detail.)
Both symmetry and the lack of it can also add to that effect. I have employed both facial unevenness and almost point-perfect symmetry to achieve something a little frightening or otherworldly in my work. [MORE UNDER THE CUT]
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Thank you so much!!! The contrast is very much intentional, that's what DU drow's character is all about ;)
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Hahah well I somewhat doubt Bhaal would care that his spawn gets named, but either way he stripped himself of his name as soon as he killed his foster parents and abandoned the Underdark. He had a drow name that I jotted down somewhere but it's completely irrelevant because nobody has used it since he was a child, and he doesn't remember it (even pre-tadpole/having his brain scrambled.) Here's a little write up about his origins that might shed some more light on that: https://meanbossart.tumblr.com/post/739688837431836672/did-drow-ever-have-a-childhood-before-the-temple
And about his original drow-given name and the reason behind it: https://meanbossart.tumblr.com/post/741350986692591616/drow-had-to-have-been-given-a-name-by-his-adoptive
Everyone just referred to him as his supposed race, or as Bhaalspawn or Bhaal's child, and any other similar titles. Orin called him "kin" and "brother" and Gortash likely called him his associate. Post-tadpole the camp grows entirely used to calling him "the drow" and he has no desire to change that or to choose a proper name.
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THANK YOU BOTH SO MUCH😭 no reason to be intimidated, I'm just some rando drawing BG3 fan art LOL I've been drawing since I was a child, and started taking it semi-seriously when I was 16 years old, so twelve years ago! That's around the time where I got my first non-display tabled and used that well into my twenties, prior to that I only did stuff on paper and liked to do inks color with pencils. I never really ventured into traditional painting at all except for a little bit of water-coloring in college.
Traditional and Digital art are very much different beasts. Which one you want to start with is, in my opinion, just dependent on what you want to do. Digital art gives you a lot of tools that makes learning easier, but you might find yourself having much steeper of a learning curve if you ever decide to do traditional art instead. If you want to be good at both, you need to practice both, since the skill doesn't entirely translate from one medium to the other.
Naturally you will be able to draw well on either, it's just... Different. I will say though, that I think if you're still learning you should use whatever allows you to look directly at what your hand is doing, so either traditional or display tablet/Ipad. I have no idea what a non-display tablet would do to a beginner, but remembering my experience with it I feel like it might be a huge detriment to developing the skill (feel free to share your experiences in the replies if you disagree, as I would definitely be curious to read them!)
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YOU KNOW ME BABY IT WAS MESSY AND COMPLICATED the tldr.: is that they were "buddies", absolutely no romance intended there on either mine or DU drow's part, but due to his nature the friendship was extremely weird.
Here's a couple of replies where I go into more detail about it: https://meanbossart.tumblr.com/post/739191190871818240/i-dont-have-a-particular-question-in-mind-sorry
https://meanbossart.tumblr.com/post/744952815768764416/so-not-sure-if-youve-covered-this-but-i-thought
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That's definitely reserved for the vamp LOL DU drow very much enjoys when Astarion teases and fusses over him, and while Astarion probably got a kick out of acting that way around such a big and scary looking guy at first, I think by "now" (later and post-game) he's pretty much immune to DU drow's looks and just enjoys doing it in earnest.
He's not at all averse to being touched (even rather intimately) by close friends, but he wouldn't be quite THAT vulnerable with anyone else.
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HE REALLY DISLIKED GALE... He irked him out by seemingly fostering a rather persistent romantic interest in him for at least half the time they spent together (very much based on my interpretation of their in-game interactions at the time, though my Gale might have been a little bugged.)
But also they had a... Fairly in depth relationship still? Gale was a staple in my party, and even though I antagonized him constantly by the end of the game it still felt like they had so much weight in each other's lives, if that makes sense. I might need to do a bit of an "update" on the DU Drow/Gale lore sometime, I feel like I've had some thoughts since that warrant more exploration of their dynamic (you can find a lot of old asks about it if you just search the Gale Dekarios tag in my blog though).
The gist of it is that DU drow found him arrogant and duplicitous, his constant optimist irritated him to no end and felt like it veiled a stream of self-pity (two things DU drow despises) Gale's attempts to get through to him only added insult to injury. By the end of the game he decided to pursue the crown of Karsus and this only lost him even more respect in Drow's eyes, seeing as he doesn't value godly power at all.
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I was pretty overwhelmed by the game at the start so I actually missed a lot LOL including Scratch. I did get the owlbear cub though, which DU drow gladly welcomed into camp since it was injured - but I think he would have wished for it to remain a wild animal and to return back to it's home after it had grown up a bit. He didn't really make a "pet" out of it more than he just looked after the little guy in the way it's mother might have, probably with Shadowheart's help.
He wouldn't be opposed to proper pets though if one were to stumble into his life. He'd definitely be more of a cat guy because of their independence and strong little attitudes.
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It is very hard to build proper rapport with him. He will be "friendly" to most people who have a good sense of humor about them, but friendSHIP is another thing entirely.
I think it's kind of circumstantial. He's very economical in his relationships and doesn't really seek them out at all - so a situation where he's forced to be in someone's company might be the only way to develop a bond with him, as he doesn't appreciate insistence either and that's more likely to push him away. He doesn't value status or titles either (kind of looks down on them really) so that won't help.
I think he just likes people who are true to themselves and their nature, sometimes even if the nature is one he disagrees with at it's core. This is why he liked Gortash, why he and Shadowheart got along so well, and why him and Astarion fit together so seamlessly despite seeming so different. Likewise I think it's why he didn't jive with people like Gale or Wyll, because they seemed to be rather... Dishonest with themselves and their own end-goals.
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mysecretlittlelibrary · 8 months
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Secrets That Whisper & Shout
Pairing: Moonknight trio (Steven mainly) x Reader
Word Count: 3.9k
Warnings: idk brief mentions of violence
Genre: fluff & minor angst
Summary: you are extremely intrigued by your neighbor and the voices you can sometimes hear in his head because of course your neighbor seems extra susceptible to your powers
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***
It's an interesting way to live life, being able to see into people's minds. To alter their memories, control their actions, hear their deepest inner thoughts even if you're not trying to sometimes. It can be weird but you just try your best to live your life normally. Right now the biggest hindrance to your delicate balance of normal is your neighbor. He lives across the hall for you and unfortunately, for some reason, you keep finding yourself inside his mind. It happens when you let your mental guard down for a little too long. You've always compared people's minds to houses, or offices full of filing cabinets, your powers give you a key basically but it seems like your dorky neighbor's mental door is never closed let alone locked.
The weirder part is what you hear when you do find yourself in his mind. For most people, the voice in their head sounds like them- and while you've never really spoken to your neighbor, you know for a fact there's no way he's simultaneously a nervous Brit, a cocky American, and a grumpy Spanish speaker. There are three voices in his head as opposed to one, they speak to each other and seem entirely independent of one another. You haven't intentionally done any snooping in his mind but you can imagine his mental filing cabinets are entirely different than any you've been in. It's not really your business though so you never look into it. No matter how curious you are about how and why he has three voices in his head. 
You know very little about your neighbor. From accidentally listening to his mental debates you think his name is Steven. The other voices have names too but you're unclear who is who because you've never stuck around long enough to discern that. He's not very social and only leaves his apartment for work or errands. He hardly ever takes phone calls and he never really calls anyone- except, around the time you moved in he used to call his mom pretty often but you think she never answered and eventually, those calls stopped. The strangest detail you've realized is sometimes he'll sneak out of his apartment, through the window and you have no idea where he goes or what he does but he's always back within a week. You don't mean to keep tabs on him, sometimes you cast your magic out to scan for threats and you'll notice the lack of presence in the apartment across the hall.
He's a curious case, your neighbor across the hall, and today you've decided you're going to bite the bullet and speak to him. Your curiosity about him is the main reason and you hope that being able to assign personhood to the voices you hear will quell it even a bit. You cross the hall and knock on his door confidently before you can convince yourself not to on one Saturday afternoon when you know he's home. You checked first. There's some shuffling on the other side of the door and eventually, it opens a bit hesitantly but it opens.
"Hi! My name is y/n. I live across the hall from you." You say, your chosen tone is friendly but soft.
"I'm- Steven. Can I help you?" He asks sizing you up.
"I hope so! I was baking cookies and even though I went to the store before I started I guess I didn't make a complete list of things I needed because it turns out I actually don't have enough sugar so I was just wondering if you had any I could borrow by chance?" You ask. You are baking, but you also definitely have enough sugar, it just seemed like the simplest way to initiate conversation. A bit cliche but it's a classic for a reason.
"You want to borrow sugar?"
"Yes. A cup if you have it." You hold up your measuring cup with a smile. Steven pauses for a moment before he answers.
"Sure. I've got some. Come on in I'll pour some for you." He says walking into his apartment. You follow him in glancing around. The studio style flat is full of books littered everywhere, it's the first thing you notice when you walk in. Steven takes the measuring cup from you and quickly grabs his container of sugar to pour some.
"Thanks so much! I'll bring by some cookies to repay you!" You tell him.
"Oh, no thank you. I appreciate the offer but I am vegan and I'm sure you don't intend to bake vegan-friendly cookies so-" He trails off with a shrug. You frown but make a note of the information. He's vegan. "I've never seen you before." He says after a moment while he puts up his bag of sugar.
"That's probably because you don't leave much besides for work. I've lived across you for over a year." You muse.
"Hey! I- I leave!" He turns to look at you.
"To do your laundry at the witching hour when you're the least likely to run into people?" You smirk a bit at him.
"No." He huffs.
"Thanks for the sugar, Steven. Hope to see you around more." You toss over your shoulder as you walk back into your apartment.
You do make a handful of vegan cookies for your neighbor, even though it wasn't your plan, after checking to find that it really is just a couple of minor changes, vegetable oil instead of butter, water or nondairy milk instead of eggs, and since you don't already have vegan chocolate you leave out the chocolate chips- at least according to the recipe you found. They're basically sugar cookies and you only make six for Steven, some of which you sprinkle with cinnamon to make up for their plainness, but you imagine they're a decent thanks for the sugar you borrowed- even if it was a ploy.
A couple of hours later, you knock on Steven's door again, this time with a small Tupperware container for the cookies you made him. He opens it again with the same confused frown after a few moments.
"Hi again! I know you said not to bother with the cookies because you're vegan but I wanted to say thanks anyway so- I adjusted my recipe to accommodate. They're sugar cookies except two of them are cinnamon, I wasn't sure if you like cinnamon so I didn't make them all cinnamon but the cookies are vegan. So, thank you, for the sugar." You say handing him the plastic container.
"You adjusted your recipe so that I could have some cookies?" Steven doesn't seem to believe the words even as he says them.
"Yes. I know you said I didn't have to bring any but I wanted to anyway. Since I did use your sugar to make them."
"Thank you. I appreciate the effort. I can't wait to try them."
"If you ever need anything, just knock." You tell him and wait for his cautious nod. "I'll be seeing you." You say leaving without waiting for him to agree with that statement. From then on, Steven does in fact make a point to speak to you more often. The first time is a couple of days later, he runs into you in the elevator and tells you he enjoyed the cookies. He'll definitely speak to you when he sees you around the building but it's on you to actually make plans if you want to see him otherwise and sometimes you do. You invite him out to lunch, have him over for tea, suggest movies to watch together, you even visit him at work every once in a while. The first time you went to his job you didn't even know he worked there, I mean he'd told you he worked at a museum but you never thought to ask which one, but once you knew he worked there you definitely made a point to pop in and say hi when you're around and he's working. It takes a while but you manage to build a pretty good friendship with him over the next few months to the point where you're hanging out a couple of times a week these days. In fact, he's supposed to be over later today to show you some movie he's been dying for you to see. For now, you're sitting on your couch reading a novel until he gets here. It'll be another few hours before he comes knocking at your door. 
You've really enjoyed getting to know him, more than you expected to honestly. He's as sweet and awkward as he comes off at first glance but there's something endearing about his gentle shyness even when he's raving about whatever thing has most recently captured his attention. You find yourself looking forward to the time you spend together more than you like to admit. You have no idea if your fondness is reciprocated to the same extent and you also have no idea how to broach the subject with him. Much like a skittish animal, you're always careful about how you make changes to your dynamic. It's something you try not to dwell on, if he likes you or if you'll tell him you like him and how to do so, things are good between you two and as they say, if it ain't broke don't fix it. 
Your head snaps up at the sudden rush of fear you sense. The book in your lap long forgotten anyway as you had been lost in your thoughts until the dread you felt in your very bones pulled you from them. It's not your own though, that panic, and you have to take a moment to pinpoint the source. You gasp when you realize it's coming from Steven. It's been a while since you felt someone's feelings so uninhibited and you rush out of your apartment before you can even consider a plan. He must be in trouble for you to feel his alarm this way. When you reach for his doorhandle you hear some sort of crashing sound inside and you force open his apartment door to find Steven evading someone attempting to corner him in the apartment.
"Steven!" You gasp when the masked intruder chucks some sort of dagger at him.
"Y/n?! Get out of here!" Steven shouts at you from behind the couch. You ignore him and charge the attacker by launching yourself using Steven's side table. The attacker can't react quickly enough to the kick that you aim directly at their chest and they go down hard. You don't give the stranger a chance to get up and strike either of you, taking advantage of their disoriented state you slip into their mind, 'suggesting' that they leave and forget they ever came here, forget Steven even exists and forget you while you're at it. When the masked assailant stands again they climb out of the window they came through without saying a word.
"Are you alright Steven?" You frown turning your attention to where he's frowning from behind his kitchen counter. When did he move behind the kitchen counter?
"What just happened?" He blinks at you.
"I am- a magical being of sorts-"
"Like a witch?"
"Something like that. I mean- I can do magic in the more traditional sense, like spells and such but most of my powers are telepathic. I can read minds and alter memories, reshape reality-"
"What?" You hardly register Steven's shocked exclamation.
"I mean that can take a lot of energy depending on the scale, like I obviously can't do it for everyone, everywhere, at the same time but like- I could say, make it look and feel like there are spiders all over this room." You shrug.
"Why would you ever-"
"Arachnids are a common phobia, it's gotten me out of some touchy situations." You say.
"That doesn't explain what just happened though." Steven shakes his head.
"Oh, I can control people if it comes down to it. I just- made the person leave and forget you exist."
"You can do what?!" His eyes widen.
"I don't use it! Usually. I've only done it a couple of times to protect myself or someone who really needed it." You shrug.
"And your protection was to force someone to do something else against their will?!"
"Hey, that person was literally trying to kill you! I could've taken the violent route instead but I'm not a fan of it!"
"So that man-"
"Doesn't remember being here, doesn't remember attacking you, doesn't even remember you exist. You're safe." You say.
"Holy shit."
"Look I wanted to be honest with you because I care about you but if this is too much for you to handle then- I will leave all I ask is that you keep my secret to yourself."
"You won't just... take it from me?"
"I don't want to. And I won't, unless that information in your hands becomes a threat to my life."
"Have you ever used them on me? Your powers?" He asks. You pause for a moment considering how to answer. Admittedly he doesn't seem to be taking all this super well, you wonder if it would be worse to just say no but looking at him you can't bring yourself to tell the lie.
"I have. Not- on purpose and nothing altering. No mind control or memory changing or reality reshaping- absolutely nothing that changed anything about you it's just that sometimes your thoughts are loud. You yell in your head a lot- in several voices. Sometimes I can hear them." You explain.
"You can hear them? The different voices?"
"Yes. I don't quite understand it but I never snooped I just- would leave when I realized it was happening again." You say.
"I think you should go." Steven says avoiding your gaze. Your shoulders drop for a moment that you're sure he doesn't see.
"I see. Alright but Steven-"
"Your secret is yours. I won't tell anybody." He says quietly. You nod although he's still not looking directly at you.
"Okay. If you need anything- my door's open. Otherwise, take care- Steven." You say and exit his apartment before he can respond. Steven's reaction hurts more than you'd like it to, you suppose you wouldn't have been able to keep the secret from him forever though. It would've come out eventually, especially if you got any closer to him as you had considered. 
The next two weeks are weird. Steven doesn't text you, or call you, or come over for tea or lunch, you make a point not to visit him at work as you are positive he's avoiding you based on the fact that he's clearly adjusted all of his habits so as to not run into to you around the apartment building. That- you think stings more than his initial reaction. To think he was so put out by your revelation that he no longer wanted to even risk seeing you... Whatever, you wouldn't dwell on it. The world keeps spinning. A sudden knock on your door interrupts you before you can focus back on what you were working on. With a confused frown, you walk over to the door and look through the spyhole to see Steven standing in the hall, and that surprises you immensely. For on that knock was sharp and harsh in a way you've never heard Steven knock on anything ever, but also for him to just show up at your door after 2 weeks is... unexpected. You pull open the door and lean casually against the frame.
"Hello." He nods and you immediately notice he does not sound like himself. You quirk an eyebrow at him.
"Steven? Hi. What are you doing here? And- why are you talking funny?"
"I'm not Steven my name is Marc Spector." He says.
"Did you hit your head or something?" You snort crossing your arms in confusion.
"No? I'm perfectly fine."
"Right except your name isn't Marc Spector it's Steven Grant. Unless you've been lying to me since we met which- would certainly be interesting but I don't think that's what's happening here." You say.
"Not quite. See we have a... condition-"
"Do not tell me about what's wrong with your body!" You put your hands up to stop him.
"It's psychological." He says.
"Oh okay. Proceed." You say.
"It's called dissociative identity disorder. My mind is- fractured. Essentially this body houses more than one consciousness." He explains.
"This sounds very Jekyll and Hyde and if you're coming to me to say you're a serial killer I don't-" You trail off when suddenly something clicks. "Holy shit you're one of the voices in Steven's head!" You gasp. You knew he sounded familiar but you didn't pinpoint it until just now.
"First of all, it's my head okay I am the original. Secondly- Steven told you about us?!"
"If he did do you think I would sound as confused as I do right now? No, he didn't tell me anything. I just realized why I recognize your voice." You say.
"Recognize my voice?" Now he's looking at you like you're crazy.
"I can hear you sometimes. You are quite loud- especially compared to the other one."
"You can hear us?" His eyes are wide as saucers.
"Yes, never on purpose though. I'm a telepath. I can read minds and change memories and alter reality and stuff like that so- sometimes I can hear you- which by the way we still haven't answered the billion dollar question why are you here?"
"Steven has been moping around for over a week now and every time we force him to leave he looks longingly at your door so I came to find out what the hell you did to him because I swear-"
"I didn't do anything to him. I told him I was a telepath and he freaked. He's been avoiding me since. All on his own. And before you start throwing around threats I'll warn you Marc Spector that I could take hold of your entire fractured little mind without even breaking a sweat. So tread carefully if you're going to start swearing things." Your eyes narrow at him.
"He's been avoiding you?" He blinks.
"We talked about my powers, he asked me to leave, and so I did. Probably assumes I'll take advantage of him using them or something." You shrug.
"Well you did just threaten me."
"It wasn't a threat it was a warning. Besides I'd never hurt Steven, you I don't know and you did start a pretty menacing sentence that prompted me to- never mind."
"Now I'm confused. If he's avoiding you, why is he moping around the apartment?" He frowns.
"You're asking me. You're the one that shares a body with him." You say.
"Explain to me exactly what went down?"
"I was in my apartment and someone attacked Steven- I don't know who or why but could feel it so I went over to help and I used my powers to get rid of them."
"What'd you do? Launch him out the window?"
"No? I just made him forget about us and where he was but when he mindlessly climbed back out the way he came in without attacking us I obviously had to explain some things. I guess Steven didn't take it all that well." You shrug.
"That doesn't sound right. I think you should talk to him."
"I- don't think he wants to do that." You shake your head.
"No. No, this has gone on long enough. Hang on." Marc says.
"Marc seriously mind your-"
"Y/n?" He grimaces. You recognize immediately that it's Steven you're talking to now.
"Steven- one the uh- voices? Marc? He thinks we need to have a conversation. Does he make a habit of meddling in your life this way?"
"Less often than you might think but- I do owe you an apology." His head drops.
"What for, exactly?"
"How I- handled things before. I was... cold, it's just that when you said you could hear Marc and Jake I was worried about what else you-"
"I'm sorry, who is Jake?" You shake your head at him.
"The identity disorder thing- there are three of us as far as we know. Myself, Marc, and Jake." Steven says and you nod as you piece it together.
"Would it be presumptuous of me to guess that Marc and Jake are not your only secrets?"
"No actually. Marc is an avatar."
"Of what?" You ask. Steven's shocked confusion prompts you to fill in the gaps, "I've met avatars for each of the sins so, one of those maybe? Or a celestial body of some sort? The moon perhaps- I'm guessing you don't mean in the same sense as the cartoon boy because people with elemental manipulation do not refer to themselves that way in real life so-"
"Khonshu." Steven says when you trail.
"What?"
"He's- Khonshu's avatar."
"Egyptian God. Interesting. Correct me if I'm wrong he's the god of justice, right?"
"That's right." He nods.
"So the guy that was attacking you a few weeks ago was probably mad at him for- something related to that."
"Most likely. Can't imagine a museum guest putting a hit out on me for not having any more pyramid pens or something." Steven scratches the back of his neck and you chuckle a bit at his joke.
"Interesting."
"Look- that day, I wasn't sure if this was something I was ready to tell you. I've never told anyone this before, the only person that knows is Marc's ex-wife, so when you said you could hear our thoughts I was worried you knew more than just that there were voices in my head and- I'm sorry." Steven trails off with a sigh.
"So- what changed? Why are you telling me now?"
"Well Marc revealed himself to you." Steven says. "But more than that I just- really hate not being able to talk to you. I like my life way more with you in it but I- after how I reacted I sort of figured I'd earned my misery, that I didn't deserve your forgiveness because when you chose to trust me with your secrets I turned you away, I even judged you, instead showing literally any modicum of support of the person I care about. I made an ass of myself."
"I wasn't upset with you, you know. I mean as far as shitty reactions go yours doesn't even make the top 5. You didn't tell the apartment building to gather their pitchforks so- I count that as a win." You shrug.
"I would never-"
"I know." You nod. "While we're- confessing our sins anything else you wanna share?" You ask with a chuckle. Steven holds your gaze for a long moment and there's a brief second where you consider finding out for yourself what he's contemplating so hard, you won't of course, but the silence drags long enough to make you want to rescind the question. Eventually, Steven's hand grabs your arm and yanks you towards him. His eyes are so wide at the action you'd think he's not the one who pulled you but before you can ask him about it his lips are on yours. The kiss is short and a bit unsure but his mouth is soft against yours and when he pulls away still with that wide-eyed look you do nothing but blink at him for a moment.
"I- I'm so sorry that was- I mean Marc was- I didn't plan- I wasn't going to-"
"Steven." You place your hand against his cheek to halt his frazzled rambling. "Did you want to kiss me?" You ask.
"I've wanted to kiss you for months." He breathes.
"Then don't apologize. I've wanted to kiss you too."
"Really?"
"Yes so- I think I'm going to do it again." You say pausing long enough to give him an out. When his eyes flutter closed you take that as your sign to lean forward and connect your lips again. You're sure in that moment you could do this forever and you silently wish to whatever powers above that you'll have that long to do it as many times as you wish.
***
A/N: I'm thinking of turning this into an anthology (like There is No Right Way) of the moonknight trio dating a telepath because I think it would be interesting idk- anyone interested in more of this dynamic?
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gwynfahr · 4 months
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Lying down on the bed, you're half listening to the litany of praise and pure filth coming out of Jordan's mouth non-stop.
How could you pay attention when she has two fingers attacking your G-spot with a concerning precision ? They've been at it for a while now, getting you so close and stopping right when you're about to come. And there she is with her condescending smile, nodding sweetly "I know, baby, I know. It feels so good you can't take it ?" their head cocks to the side and she adds "But you asked for it, asked for me to overwhelm your little pussy until you can' think anymore... Do you know why ?" the question is asked through clenched teeth.
Her movements speed up and she adds pressure to your clit, her left hand forcing your stuttering hips to stay still on the mattress. You think you might die from the way they've been at it for an hour now.
And then suddenly they take their fingers out and you really cry over the lack of stimulation as you were so close once again.
Jordan lands a slap to your core and you let out a wounded little whimper. "Answer the question baby, or you won't get to come at all."
It takes some time before you're even able to remember the question, but when you do, you answer with a little voice. "You're doing this because I haven't been taking care of myself properly. And I've been overthinking too much."
"That wasn't so hard now, was it ? You need to take care of yourself, baby. Or daddy won't make you come. You just need someone to wear you out so your little brain can finally sleep correctly. I can do that." she adds, her eyebrows raising as she looks up at your tear streaked face begging her to let you finish.
You might have a chance to make her fold right now if you play correctly. You pout a bit, doe eyes in full force "Please daddy, I'm so sorry, please let me come, I want it so bad."
They crack, obviously, they could never handle the doe eyes with the begging. Her hand goes back to your cunt and she asks while rubbing your clit excruciatingly slow "And you'll take care of yourself ? Drink and sleep and eat ? Stop being so stressed over things you can't even do anything about ?" you nod fervently "Yes ! Yes yes yes I swear it ! Please..."
Jordan smiles proudly kissing your thigh "good girl". Then her mouth is on you, fingers back in your cunt fingering you fast and efficient as she sucks your clit into her mouth and you can't help but moan loudly, fisting the bed sheets in your hands. You try to close your legs instinctively but Jordan's strong shoulders keep them open, leaving you forced to take it, the pressure building up and up and up-
"That's it, good girl, good fucking girl" she says as she drinks up your release while you ride out your orgasm on her fingers. Little moans and whimpers coming out of your mouth.
When you come back from your high, you kiss you partner, who then looks at you with a gentle gaze "You need to take proper care of yourself, baby. The finals are in two weeks, and you studied like a mad woman already, you can't pull all-nighters every nights, alright ?".
You nod as you press yourself closer to them, cuddling on the bed with your head in her neck, inhaling your partner's scent. You listen to their heartbeat as they switch to their male form, strong arms holding you close. "I love you Jordan."
"I love you too" You hear him answer as you fall asleep, for the most peaceful slumber you've had in a long time.
I mean you've got your own super hero to take care of you during your sleep, how could you not sleep ?
_________________________________________
A 'gentle' reminder to take care or yourselves !! Drink water and eat at least two times a day !
❤️❤️
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Also Jordan's wearing this because I said so and also, yeah I fucking love that shirt on them, byyyye
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dnalt-d2 · 18 days
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I wasn't able to watch Quackity's stream just now but from what I'm getting, it's a really unfortunate development
Basically that Quackity is stepping away from the QSMP for a bit and leaving the Administration of it to other people due to fear for his personal safety, and this next part might be slightly unrelated, but it's something I've been kinda wanting to say for a bit, and this gives me a good chance to do it
I remember a lot of people wondering why Admins had to stay anonymous to the public and this sort of thing is why. If experienced streamers, who are used to dealing with this sort of thing, are going through this, imagine what could have happened to the Admins if people found out who they were
Like imagine we knew exactly who was behind the Code attacks that killed Bobby, Tallulah, or Dapper. You really think people wouldn't have dog-piled on them because they killed their favorite Egg?? Imagine people knew who Leo or Sunny's admins were during all their "drama." People were already crossing boundaries before they knew who the admins were, and I don't think it would have gone well if that information were out in the open at the time
To me, it didn't seem like a good idea to throw people who were inexperienced with this into the spotlight like that. And THIS is why. People are still dog-piling on anyone they think is the problem, and that isn't okay. Quackity just talked about how scared he was for his actual personal safety, and that's not okay. People get the smallest scrap of information and latch onto it like it's gospel, and things like this happen. It's why I haven't even made a post about some recent developments, because I know a lot of what's being spread is speculation, and I don't like to spread around things I don't have concrete information on. Maybe if CERTAIN things were more open, this all wouldn't have been as big a problem, but the fact that this is the end result kinda makes their privacy more understandable
Because this is the kind of thing it leads to. Everyone demands every bit of information, pressuring people to the point that they just want to do SOMETHING to get people off their backs even a little bit. As far as I know, Lea DID NOT mean to leak that kind of information, but she was being bombarded for information, and just tried to provide some evidence for what she was saying, and probably didn't realize that it could lead to this (That's if the information I have on that is correct, that she basically leaked a payment document that had Quackity's full legal name, and that's how people managed to track down his information. If this isn't correct, please let me know, I haven't seen enough information on it to verify 100%)
(And I wanna say that this isn't me excusing the fact that the Admins couldn't talk to each other or the CCs when it was relevant to the server. That sort of thing is a textbook manipulation tactic from bosses who want to take advantage of their workers and using the lack of information as a weapon to that end)
I said before that I NEVER expected concrete updates about everything, just hoped for acknowledgements that things were still happening at all. Because the fact that streamers are in the public eye doesn't mean everything they do needs to be public knowledge. People online love to criticize paparazzi for constantly bombarding celebrities and invading their personal lives, but this is starting to feel startlingly similar, and I don't like that. Yes, the people involved should have that information, but we should not
I really hope people manage to stay safe through all this, including Quackity and each and every Admin/Ex-Admin that's been at the center of this. There are some things going around them that I don't agree with, but that doesn't mean I wish harm on them for it. That's the magical thing about the internet. You can just not interact with people you don't agree with, and I really wish some people would remember that. Especially over on Twitter. Because Holy Shit
Anyways, that's about all I have for now, probably won't be too active for a bit still because of IRL stuff, but I'm still here. Watching
WATCHING YOU ALL
**Okay Edit I didn't know this but
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I actually didn't know Leo's admin was public at the time, but considering that, I guess it's not too widespread. So while it seemed to be alright, it could've gone a lot worse if that Admin was more well-known. Or if Sunny's was known at all. Either way, thanks for the clarification!!
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kanansdume · 22 days
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I've recently been watching these very interesting Star Wars video essays on YouTube (yeah I know, a rare breed) and it brings up these comments Lucas has made about how he views Star Wars as almost like a silent film in terms of how important the visuals are to him in comparison to the dialogue. But this essay also points out how important Lucas finds all of the "rhyming" moments in his trilogies and the way he utilizes them to remind you of something else for emotional or thematic reasons. And there's so many of them, both in visuals and in dialogue, and it's interesting to consider how important this is to him, the repetition for a purpose as well as the storytelling through visuals above everything else and then to look at Star Wars since the Prequels came out and realize how little has really been able to match up to those ideals since then.
The ONLY thing that's come out since the Prequels that I think really hits these two things the same way is, in fact, Andor. One of the things I noticed about the way people discussed Andor as it was airing in a way I haven't really seen for any of the other shows or films was the visual SYMBOLOGY. So many times I saw people noticing the Imperial cog everywhere, from the aerial shot of Narkina 5 as the prisoners escape to the architecture of Mon Mothma's house. There were people picking up on the use of items in Luthen's shop that are familiar from other things to give this idea that Luthen is from another time, he's attempting to preserve this world he lost, that if you're not looking closely enough you won't notice what he's really saying or doing with this shop. The color choices for the different locations and people got analyzed because the people involved spoke about how they intentionally utilized color to SEND A MESSAGE about the characters and the world. We know that the people who made the costumes and sets really worked hard to treat Star Wars almost like a period drama and study the history of the franchise as if it were a real place so that the things they came up with felt like they belonged in this world everyone knows so well even if it's completely new. And of course there were all of the myriad references to things from Rogue One, the constant repetition of "climb", the sunset on the beach, etc.
Nearly EVERY SHOT in this show was created with so much intention behind it in order to say something meaningful about the characters, the world, this specific story they're in, and the overall saga of Star Wars itself. It's insane how much greater impact this show was able to achieve through the incredibly careful usage of visual symbols and thematic repetitions, much like Lucas did before them. It feels like they didn't just study the history of the galaxy far far away, but they studied the history of STAR WARS and what Lucas was trying to do and say with this story. They peeled back his onion a bit more and were able to create something that really has that same visual feel even when it's not created for a child audience. It also is experimenting with its narrative style through its structure and through Cassian's character being allowed to be somewhat more reactive than proactive, and while that didn't work for everyone, it does feel like it's following in Lucas's footsteps of experimentation through Star Wars. Push the boundaries of what Star Wars is and can be and what you can say with it.
But this only works because they peeled the onion back enough to TRULY understand all of the messages Lucas was sending with it. They got the heart of Star Wars and despite its lack of space wizards, despite the lack of most major characters in the Saga, this was a show that honestly got the message more than just about anything else Star Wars has put out since the Prequels. The choices between selflessness and selfishness, the themes about how you always HAVE to make a choice even when it feels like you don't have any (sometimes ESPECIALLY when it feels like you don't have any), and how important it is to make sure to choose the path of compassion above everything else. The themes of connection to others, the symbiotic circle and the impact even the smallest person can have on world around them, it's RIGHT THERE and it's CENTRAL to Andor's storyline.
So yes, it experiments a little with narrative structure, but it's possibly the most Star Wars thing to exist Revenge of the Sith because it honestly truly GETS what Star Wars was about, both in its themes and in its filmmaking. A lot of people said that Andor didn't feel like Star Wars to them, usually because of the lack of space wizards and the fact that it's not a story aimed at children. But to me, Andor is EXACTLY what Star Wars is and has always been. They're stretching the boundaries of what Star Wars can be, but it's saying the exact same things Star Wars has always said, it's just saying it slightly differently. This doesn't feel like fanfiction to me, not really. Unlike things like the Mandoverse or the books, Andor isn't just taking some of the toys out of the sandbox and going to play with them somewhere else. Andor is IN that sandbox. It's building a slightly different sandcastle, but it's still within the sandbox, using the same sand that Lucas did.
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im-sew-curious · 3 months
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There’s something wrong with me. I was so excited to see this photo. Yeah, of course, for the obvious reasons. But also because it confirmed and showcased an alteration that has been done to Taemin’s clothes so he’s less likely to split his trousers.
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Taemin in his pleather pants at his Metamorph concert, 2023.
He’s got crotch gussets. Such a sexy term, I know. Basically, it’s a long triangular piece of fabric that’s stitched from the crotch down into the trouser legs. This provides some extra depth to allow for a fuller range of movement during squats, lunges, etc.
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The gusset is that piece of pleather, pieced inside those red lines.
Sometimes it’s made of matching stretch fabric, and sometimes it’s the same fabric as the trousers. The width and length of the triangle can vary based on the amount of extra ease required for the specific movements. In this specific pair, the gusset is truncated at the zippered knee so there’s no point.
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Jinki during the Your Number Performance Video (Black Version) showcasing a beautiful example of a gusset
During a fitting, it’s important to have the performer do all of their most extreme moves to make sure things don’t bunch or bind. Since we don’t normally get…excellent crotch shots…of Taemin, like that one, I can’t tell how common it is for him to get these gussets.
If it’s a shopped garment and not custom built (I’m assuming the Metamorph pair is custom) and they have the money, it’s possible they could purchase two pairs. They could then cannibalize one pair simply to make perfectly matching gussets.
If the trouser hem is taken up quite a bit, it may also be possible to use that fabric to make some.
It's also notable that the seams in these trousers are “flat felled.” That’s the type you typically see on jeans. It’s topstitched twice so it’s a very strong seam, which also helps to prevent split crotches.
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You can see the beautifully done flat felled seams at this intersection of center front seam, front and back leg, and gussets. It's so pleasing to me!
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Here's what a flat felled seam looks like. Hefty jeans seam. Big, beefy jeans seam.
Perhaps his most famous “blowout” was during the 2012 performance of Sherlock at the KBS year end music show. But he’s pretty famous for them in general.
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That's just impressive
I’m not quite sure when Taemin’s styling team started incorporating crotch gussets into his costumes…my research is pretty spotty.
There is one instance during his Danger era in 2014 where he had a sort of gusset installed, however, it lacked a center front seam. This, along with the fact that his trousers were riding low, didn’t provide the correct…body geometry, to broadly explain it, to really help. It was also very wide and not tapered, which widened his whole trouser leg. It was also not stitched securely enough to keep from popping open at the center front. But this is the first attempt I've seen trying to accommodate his issues.
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You can see how it lacks the refinement and finesse of the future "generations" of gussets.
There were at least two instances of Taemin splitting his trousers in 2016 at a DxDxD concert and a Drip Drop live performance. His striped DxDxD suit definitely did not have gusset, and I’m unsure about the latter. I think it’s interesting that they tried a gusset on him two years prior, then didn’t again. Except….
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Taemin's gusset-less suit which he wore during Shinee's DxDxD concert in 2016, which split during the show.
All of SHINee had crotch gussets in their Your Number suits in 2016. I wrote a whole thread about that here.
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So basically, I’m confused. It seems like the usage of gussets in Taemin’s trousers was very sporadic.
I haven’t seen more recent examples of either gussets or split trousers, other than the Metamorph trousers. But I haven't been able to get good views of most of the things he's worn over the last 7 years. This could mean that his team has begun to incorporate gussets into more of them, or we just don’t know about the blow-outs. Or I haven't done enough research. I got a good view of the inner legs of his blue satin suit in the Idea MV and I didn’t see anything. Same with his black Criminal trousers.
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Nope?
Wearing trousers high on one’s waist and very close to their body helps a great deal. You can see that in the blue satin Idea trousers. That way, the loose fabric doesn’t stretch more than it should as the legs splay apart and cause ripping. The styling team may have made sure to do that more. It’s possible that they could have also made sure to incorporate more stretch into the trousers they buy (or possibly, occasionally, make) for him.
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Taemin's Kcon look. You can see how the trousers go nearly all the way up to his "natural waist" (which is where you crease when you bend to your side.) That helps keep them up to where they need to be, preventing a saggy crotch, which, in turn, prevents rips.
Working with performers for many years, one gets to know the idiosyncrasies and patterns of the way they move in their clothing. I worked with one performer in musical theatre who was infamous for splitting his trousers. We searched for matching fabric before we even tried on his trousers for the first time, knowing he would be getting gussets.
All this is to say, I applaud the stylist team for making these accommodations for Taemin. He, more than anyone, needs these alterations to give him peace of mind to perform "full out" and stay rip free!
Here’s a bonus 9 minute compilation of Taemin ripping his trousers. Serial Pants Ripper Taemin. (Cw: The last bit is uncomfortable, featuring some prompting from hosts for Minho to touch Taemin’s butt to see if it was pointy, which was preferable to the host doing so.)
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ellephlox · 1 year
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Castle in the Sky
Summary: You try sparring with Matt because he wants you to learn self-defense. A minor bump to the head, as it turns out, opens up many doors.
Pairing: Matt x f!reader
Warnings: Hit to the head, some physical intimacy (but no smut)
A/N: Haven't written in months because I've been working on a writing project of my own but here I am again!! I'm absolutely THRILLED to see the new photos of Born Again and I'm also dying to watch Kin season 2 (haven't been able to watch it yet unfortunately).
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"Matt, I know it probably pains you to hear this, but I'm seriously going to be a waste of your time."
"You could never be a waste of my time."
"I appreciate the sentiment, but really, I don't think you understand just how bad this is going to go."
"It'll go fine. Just give it a shot." Matt was in a tee and shorts, an excited energy in the way he beckoned you forward. Training, he called it. Self-defense lessons.
It sounded more like a painful exercise to you.
"Besides," you continued. "Let's say I was walking down the street and some malicious guy approached me with a knife and was all, Give me your money or I'll kill you—"
Matt scowled. "If that ever happens, I'll kill him first."
"In that situation," you pressed on, "I guarantee that I would freeze. Any punches or flying kicks or whatever that you have tried to teach me would be sitting uselessly in the recesses of my mind. I'd be scared or disbelieving and I wouldn't even move. Really."
"It wouldn't hurt to try learning, sweetheart."
You sighed. "I'll try, for your sake, but don't think that I don't see through your motivations."
"My motivations?"
"You just want to kick my ass and then laugh as I succumb to your ninja skills."
"It might possibly be a contributing factor."
You gave him a light push. "Alright, then. So you really think you can teach me something?"
"Sure. Anyone can learn." Matt quickly pushed the sofa backwards and faced you, suddenly appearing much more imposing than he did when... well, when he wasn't about to spar with you. You lifted up your hands uncertainly, trying to mimic the boxing pose you'd seen him take on in Fogwell's.
"Okay. That's your first mistake," Matt said, stepping forward to grab your wrists and adjust them.
"How did I already screw up? I only lifted my hands."
"When you're assuming a defensive stance, you don't want to keep your hands that low. It's better to keep them up a bit higher to protect your ribs and face."
He moved your hands upward. "Good. You've got your thumbs right."
"See, I know what I'm doing," you said dryly. "Next time I get attacked on the street they'll be intimidated by my correct thumb placement."
"And you'll be grateful that your thumbs aren't broken after you throw a punch. I learned that the hard way." Matt paused for a moment. "I made the mistake of putting my thumb out. Stick didn't tell me. He said he thought it'd be a good way for the lesson to stick if there was a physical reminder."
"Bastard. Now I want to learn how to fight." You lifted up your fists. "Because if I ever get the chance to meet Stick, I assure you that he will be very familiar with my fists."
"I appreciate that support, but if that ever happens, I very vehemently would recommend against that." Matt held out his hands. "Attack me. I want to see what your fighting style is."
"You mean my fighting style or lack thereof?"
"Just go for it." Matt stood there confidently, his hands crossed in front of him casually and his eyes trained on your collarbone.
"I don't want to hurt you," you said uncertainly. "I mean, I know how dumb that sounds, because you're freaking Daredevil, but it feels wrong to just... throw a fist at you."
Matt only laughed. "Sweetheart, you won't hurt me."
"You sure?"
"Positive."
"Um." You considered your hands, feeling suddenly self-conscious. "Don't judge me, okay?"
"Wouldn't dream of it."
Tentatively you sent a fist towards the left side of his abdomen. You expected him to just sidestep it, especially since it was a slow-moving punch — you didn't have the heart to put all of your strength into it, no matter what he said — but instead he blocked your arm, braced his other arm against your own, and forced you to twist around until your back was against his front and his arm was around your neck. "Come on, sweetheart, you can do better than that."
He was taunting you, and it worked. "Fine," you said, and you tossed your elbow back with the intention of slamming it into him, but it hardly did anything at all; he took the blow as though you'd thrown a marshmallow at him.
"Go for the groin," he advised.
"Don't have to tell me twice," you said, lifting up your knee with the intention to nail him, but he took the opportunity to sweep your other leg out from under you. You fell to the floor, groaning. "I thought you wanted me to try getting you in the groin?"
"And I wanted to show you how that makes it easy for an assailant to knock you down. One foot on the ground is a surefire way to have zero feet on the ground."
"Come on, you kick all the time — flying kicks, spinning kicks, twirly-whirly kicks—"
"I don't do twirly-whirly kicks. And you can go for the groin, occasionally, but only when the timing is right and you won't get knocked down."
"I promise you that if I somehow manage to get in a fight with someone, the last thing I'll be doing is analyzing whether or not the timing is right for a groin kick, Matt."
"Okay. Try a heel palm strike." He took your arm and guided you through the movement, flexing your wrist and showing you how to pull your arm back quickly. "And go for the nose, or throat, if you can. That's effective. The ears are a good target, too. It's disorienting, even for someone who doesn't rely on their hearing to move around."
You gave him a look. "Please tell me that you don't get your ears boxed on a regular basis."
"Only twice." Matt kept going before you could say anything else. "There's several escapes I want to show you, in case you're ever being held against your will."
He proceeded to demonstrate to you the different ways you could free yourself, whether you were held in a headlock or your hands were tied; for his sake you tried to do as best as you could, though you felt fairly certain that each time you "freed" yourself, it was Matt letting you go, so you could experience the maneuver fully.
"Now get down," he said.
"On the floor?"
"For escaping while mounted. Lie on the floor, on your back."
"Why do I feel like you have ulterior motives?" you asked, smirking at him as you obeyed. He climbed on top of you and grabbed both of your wrists with a devious glint in his eyes.
"Never said I wouldn't enjoy myself," he said. He locked his legs around your waist and grabbed both of your wrists, pinning them to the floor. "So, if you ever find yourself in a position like this — God forbid — then what you're going to do is—"
"Panic and wait for the devilishly handsome Daredevil to show up and rescue this damsel in distress?" At Matt's expression, you backpedaled. "I'm kidding. Kidding. I'll fight back."
"Even though your wrists are pinned, your hands themselves are still free. Try to grab my wrist with your left hand."
You tugged, and Matt allowed you to pull your hand over so that you had your left hand securely locked around his wrist. "And what if my assailant is too strong and I can't do this?"
"Odds are that no matter how strong they are, if you can start kicking with your legs, spit in their face, or scream — anything to distract them — they're not going to be 100% focused on your one left wrist. They'll be contending with your flailing legs."
"Okay," you said doubtfully. "So I just grab your wrist... then—"
"Put your foot on my hip, push, and pull at my wrist simultaneously."
"But you've locked yourself around me," you said, struggling fruitlessly. "How am I supposed to move my legs?"
"Roll onto your hip. It'll create space. And if you can, reach up and grab the ear of the assailant, then pull them to the side."
"I'm not testing the ear move on you," you said firmly. "Nope."
"I second that," he admitted. "But try the hip roll."
To your surprise, it actually worked. And this time, you felt the natural shifting of your bodies, so that you could even slightly believe that it would work on your assailant no matter how big or strong they were. You rehearsed the move with Matt several times, swapping out which hand you used to reach up to him.
"Okay. Again, and faster. Real-time, if you can. And at the end, I want you to roll out all the way, and get out from under me," Matt said.
"Okay," you said, feeling that things wouldn't bode too well for you if Matt was going to put an ounce of effort in, but you got back in position. He grabbed both of your wrists, this time digging his knees painfully into your ribs, just enough for it to hurt without doing any real harm. You gasped, struggling for breath, and lunged forward to loosen yourself slightly, trying to roll over to no avail.
"Try again," Matt said, and you did, spontaneously leaning upwards as you jerked to the left and reached for his wrist. Once you had it, you pulled as hard as you could, pushing your knee against him. You could feel him yielding a bit, going easy on you — which slightly pissed you off even though you knew you'd have no chance against him otherwise — but at the same time it was still exhilarating.
Finally you freed yourself, and rolled out to the left and onto your knees, just as Matt followed through with your shove and lunged to block you.
"Keep going," he urged. "Get back on your feet."
You obeyed, adhering to his commands as he gave them, and it really was like a waltz once you got into the rhythm, dodging and learning to recognize which hand motions meant what.
"Now try dodging a new type of punch," he said, as a way of warning. "I'll be coming from this side over here."
"Which way do I go? To the left?"
"Right. And be ready, because this time I'm going to fight back more."
You weren't quite sure how it happened, though. The sweep of his arm, as you put all your weight to the left, resulted in you losing your balance and toppling over the follow-through of his leg, your arms to the side and unable to get forward quickly enough to brace yourself as your head made a beeline for the edge of the coffee table.
The impact it made felt as though someone had hammered a nail into the top of your forehead. You yelped, hand now free so that it could jump to the spot of impact.
Matt's reaction was visceral; like a TSA agent oddly eager to frisk, he had his hands out and seeking the exact spot where your forehead currently felt like the site of an excavation. "Dammit, I'm sorry — are you okay?"
"I'm okay. Sorry. I didn't think that would happen."
"Why'd you go left?"
"You told me to go left."
"No, I said right."
You snorted despite yourself, closing your eyes against the ebbs of pain. "I interpreted 'right' as 'correct'. My bad."
"No, it's my bad, I should have—"
"Not your fault at all," you managed, brushing at your head. You expected blood, but it was dry. "Just a bump. I should have seen that coming."
"You probably have a concussion." Matt's tone was strangled, his left hand cupping the back of your head while his right grazed the bump. "I could call Claire, and have her come over—"
"Uh, no." The thought of having Matt's practically on-call nurse drop everything she was doing to come help you was mortifying. "I don't even think I have a concussion. Ask me my name. Bet I can ace any question you've got." Physically you pulled his hand away from your head. "Matt, really. It's okay."
"You're trying to mollify me."
"You're too worried," you said playfully. "It'll take more than a little bump to take me out. If you can get sliced up by the Yakuza, I think I can handle a love tap from the coffee table."
"That wasn't a love tap. I could hear the impact on your skull. And I can feel the heat already from the bruise forming."
"See, we don't need Claire. I'll never need to go to a hospital again with you around." You patted at your head and ignored the accompanying stab of pain that would otherwise have made you flinch if Matt wasn't there to detect it. "Can we go through the move again?"
"No."
"But you were the one who wanted me to learn in the first place."
"We'll go to Fogwell's another time," he said. "Someplace with floor mats and no sharp coffee table edges."
You rolled your eyes, but you could already see that his mind wasn't going to budge. He sat in a crouch, his head still tilted towards you as though he couldn't help keeping a constant monitor on your head, and it struck you, with the position he was currently in, how easy it would be to knock him over.
"Cow tipping!" you hollered at him, diving forward and throwing all of your weight against his side; from his crouched position on the tips of his feet, there was nowhere to go but sideways, and for one delicious microsecond, Matt Murdock, the same man you had seen balance precariously on fire escapes and jump nimbly from roof to roof, was forced to fumble his arms out in time to catch himself as he fell to his left. You leapt atop him, straddling his chest with your knees.
"You took down a blind man who was trying to help you," he mocked. "Shame on you. Were you faking the head pain, too?"
"I'm not that devious," you said. "Say mercy and I'll let you go."
Matt tipped his head back against the floor, his eyes reflecting the evening sunlight as it came out from behind the clouds. Without seeming to notice, his hands crept up the outside of your thighs, making goosebumps prickle on your skin. "You think that I need your acquiescence in order to get up?"
You leaned forward, pressing your hands against his shoulders. The muscles tensed under your fingertips, the biceps under your thumbs ready to spring into action at any moment. "As far as I'm concerned, right now I've conquered you, and if anyone were to see us then I think they'd agree with me."
"It's touching to see how much this means for you," he said. "I'll let you enjoy your victory for a bit longer."
"And then?"
"And then I get to win." His voice was lower, reminiscent of the devil, and your stomach dropped. Still you could feel the muscles poised under your hands, and you could feel your blood rising into your cheeks as his own hands crept lower.
You egged him on. "You can try," you said. "I'm warning you, though, that I could beat you whenever I want, easily. I just like to pretend I'm not as strong as I actually am. Wouldn't want to hurt the ego of Daredevil."
"Of course. How thoughtful of you, sweetheart."
"Yeah, you know me."
"I'm guessing that was you who took down the trafficking ring a few nights ago, then? Left all those men unconscious in the alley?"
"Uh, obviously." You leaned in closer. "That's why you've got to play nice, Murdock. If I get mad, I might just go all Hulkish on you and you'll be begging for my mercy—"
Quickly enough that you jumped, startled, Matt rolled out from underneath you with even more ease than you would have expected, and with a swift grab of your wrists, he pinned you down beneath him, just like earlier when you sparred.
"You were saying?" he asked, grinning. Immediately you tried the move that had worked on him previously — he definitely was going easy on you earlier, then — but this time he blocked it. You scowled, and tried again; once more it yielded nothing.
"You're not getting up until you make some amendments to what you were saying, Y/N."
"Well, let me clarify," you began, and Matt's lips lifted upwards as he began to smirk.
Nope. He's not getting any satisfaction yet.
"I'm currently giving you the impression that you've won," you continued, and his expression shifted, as though he were trying not to laugh. "It's an important part of keeping your ego up, of course. Every so often I like to give you these little nuggets of delusion."
"Nuggets of delusion," Matt repeated.
"Sure. I'm selective with them. But when I feel like you need a bit of a self-esteem boost, then bam, you've got it. So right now, I'm giving you a nugget. It's all part of my strategy." You lay beneath him, the floor hard on your back, as he seemed to mull over what his response was going to be.
Instead, he simply took your wrists and moved them above your head, where he pinned both to the floor with his left hand and then moved his right hand down to your throat.
"What?" you managed. "You don't like delusion nuggets?"
"I want you to admit you're lying."
"But you already know I'm lying."
"I want the verbal confession."
"I confess to nothing," you said stubbornly, your heart picking up as his thumb brushed over the center of your throat.
"Try again, sweetheart. And remember that I know where you're most ticklish."
"Uh... you are by far the strongest man I've ever met and I could never compare to you?"
"And what else?"
"I love you?" you said, your voice higher than usual, because damn, Matt leaning directly above you was distracting.
"Better." He released your wrists and pulled you up into him.
You buried your head into his chest, sighing. "Can't believe you just tackled a concussed person to the floor."
"That was not a tackle. That was... one percent effort. Even half a percent." He paused a moment. "And you said the bump wasn't anything to be concerned about."
"Mm. Did I lie?" you asked him, kissing his hand.
"No," he admitted. "But I still don't trust you."
"You shouldn't. Because the next time you're tying your shoes, or cleaning out underneath the oven or something, I'm totally going to cow tip you again."
"Seriously? 'Cow tipping'? Did you make that up?"
"For a guy who knows everything, I'm appalled you don't know what cow tipping is."
"Please tell me you've never actually shoved a real cow over."
"You really do think poorly of me," you said, stretching. "Just you wait, Murdock. When you least expect it, you shall be cow tipped again. Just you wait."
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staytinyville · 7 months
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Stay Alive (9)
BTS poly!ot7 x Reader
Magical Creatures AU
Series Masterlist
Warnings: None
NOT BETA READ (I did try the best to my ability)
A/N JUNGKOOK'S SONG!! I am updating today because for heck if it didn't make me motivated. Please read A/N at the bottom of the page in order to speak more on the subject. All my thoughts and thirsts shall be there.
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You tried your best to keep a positive look on your face, but it was clear how exhausted you were with the dark circles under your eyes. You had been shuffling your feet along the hallway you had been down so many times that it was muscle memory to stop at a specific door. However before you reached the ones you needed to get to, someone had stopped you.
“Hello, (Y/N).” Hoseok’s bright smile woke you up just a bit. 
“Hi, Hobi.” You gave him a sleepy giggle, bounding closer to the boy.
“Is everything okay?” He frowned as he took in your state, eyes scanning over your look.
“Yeah.” You sighed. “I just haven't been sleeping fine these past few days. I've been having these bad headaches.”
Hobi hummed, nodding his head as he thought about something. “Would you like something for them?” He asked you, gesturing to his room. “I can help you.”
You glanced at his door, pursing your lips. “I don't want to intrude.”
“Don't worry.” He brightly waved you off. “Come in. Don't mind Yoongi.” He dragged you into his room, lightly pushing you inside. 
Just like Hoseok had said, Yoongi had been laying on his bed with his arms behind his head. “Hi, Yoongi.” You smiled softly.
The boy only blinked slowly at you, humming in a greeting.
“Now let's see.” Hobi skipped over to his desk, pulling out some boxes and going through the contents. You walked closer, wanting to take a look at what he had. 
“Here you go.” He exclaimed, holding up a bag of herbs. “This tea should be helpful.”
You hesitantly reached out to grab it, eyes looking over the dried plants inside. They looked like herbs picked directly from the plant rather than the ones you’d find in a tea bag from the store. These were herbal teas in their raw form. 
“You get tea here?” You questioned, looking up at him.
“They have me do a lot of things here.” Hobi sighed. “Most of which works with herbs and such. I have a garden in the greenhouse.” He explained to you.
“That sounds wonderful.” You smiled, thinking about the kind of flowers the man might have there. 
“For someone like him.” Yoongi snorted from the bed. Hobi frowned at his friend, rolling his eyes. 
You tried to give them a light laugh but you felt a sudden pressure in your head that made you wince. Hobi immediately picked up on it and turned to you. “You okay?” He asked.
“Yeah.” You sighed. “Just the headache again.”
“If it helps, I know a bit of hypnosis.” Hobi explained. “Maybe I can help you out a bit.”
You looked at him oddly. Hypnosis was for those trying to get something out of the other person. Well from what you could gather with how magicians used the tool. “How will hypnosis help?” You asked.
“It will put you to sleep. You will get undisturbed rest.” Hobi told you.
You sighed deeply, contemplating his offer. However you realized you were at work and sleeping on the job was not at all an option. “As much as I want to, I have things to do-” You  tried to tell Hobi.
“Don't worry.” Hobi waved you off. He dragged you to the bed, giving Yoongi a pointed look to get off. “They won't notice.” Hobi grinned. 
“It's not like any of the notes you write down are different day to day. We are still the same as we were yesterday.” Yoongi mumbled to himself, getting off to give you room. 
“How 'bout it?” Hobi smiled at you.
You took a seat on the bed, shoulders dropping as you thought it over. It had been a couple of days since you had a good night’s sleep. You had yet to notice it affecting your work life, but you do notice how often the headaches come back. You would get a migraine at night and not be able to sleep, thus creating headaches throughout the day due to lack of sleep. 
“Well alright.” You sighed, looking at Hobi.
The man gave you a kind smile as he lightly pushed you back to lie down. You hummed to yourself as you realized how comfortable the bed actually was. It was like any other mattress, you had figured it was more of a hospital bed but you realized since they were actually living in the facility they would get comfortable furniture. 
Hobi waited for you to settle in, before moving his hands around for a moment. “I promise nothing will happen.” He spoke to you. 
Your eyes glanced up at him, causing him to pause just a bit. You looked at him with such hopeful eyes that it made him worry about what he was doing. You were trusting him and he was invading your space without your consent. 
He knew how important those kinds of things were in his way of life but he had people to protect. As much as he knew he was going to have to pray the universe wouldn’t be mad at him, he had to find what it was blocking your memories from him. 
He waved his hand over your eyes again, a purple mist flowing around his hand. Your eyes didn’t get the chance to grow wide from the swirl of color because you were suddenly brought into a deep sleep. Whatever it was that came from Hobi’s hand’s was now lost in your mind. 
“You sure about this?” Yoongi questioned as he watched your sleeping figure from the otherside of the bed. 
“There's something blocking her childhood memories for some reason.” He explained. “I can't find them.”
Yoongi frowned as he took in his friend's words. As they settled in, he came to the realization that he had been invading your privacy. “Are you the one who's been giving her the headaches?” He crossed his arms, frowning.
“I didn't realize how blocked they were.” Hobi shook his head. “Maybe I'll find something with her actually under my spell.”
Hobi began to waved his hands around your head again, the purple mist growing more as his energy seemed to dispel around him. Yoongi watched as his friend’s magic consumed his body, intertwining with your body as it seeped into your mind. 
He had always loved watching Hobi work with his magic. The tricks and spells Hobi would use seemed to memorize everyone who watched. However Yoongi had never seen him use his magic on someone who didn’t know about it. He knew the repercussions Hobi would get for using magic on someone against their will and it left him worried for the boy’s safety. 
“Hobi, don't go probing where you shouldn't.” Yoongi spoke up.
The normally happy boy looked confused for a moment, his eyes squinting down at your body. As his magic connected itself with your mind, he realized how easy it really was to look into your life. However, there was just one small section that didn’t seem to allow him entrance to.
“I don't think it's that.” Hobi said.
He watched the scene in your head play around for a moment. He was in the middle of some forest, following behind a little girl who was skipping along. He realized it was you when you would turn to look around the place with curious eyes. 
You were a little girl, no older than 10 by the looks of it. Hobi smiled softly as he noticed you still had your sense of kindness even if you were a child. You would look at everything with care and softly touch the nature around you. You had always had your heart on your sleeve, Hobi could tell. 
However he found it odd that you kept talking to yourself over your shoulder. Like there was someone walking along with you. He couldn’t find whoever it was you were speaking to, but Hobi noticed there seemed to be the figure of a ghost around. They were the same height as you, and looked to have the same figure as well. Hobi realized it was meant to be another little girl. 
You kept talking aimlessly with someone who wasn’t really there, conversing like they were replying. You two seemed to walk further into the forest, looking over things here and there. Hobi glanced around, frowning as his surroundings suddenly started to look familiar to him. 
Before he realized it, your memory continued on, the man almost losing sight of you. He rushed towards where you had gone, coming up to a clearing in the trees. The mountains were looming over him as the beginning of one opened up to create a cave within its body. Hobi now knew he had been there before—so long ago.
You and the ghostly looking silhouette walked into the cave, giggling as a light within seemed to shine brighter the closer you all got. Hobi’s eyes went wide as he ran in to chase after you. He stopped in his tracks as a crystal clear pond laid out before him, the water mirroring everything around it. 
As he watched you reach down into the water, something electrocuted his entire body causing him to scream. He fell back onto the ground, hands seizing up. His eyes went wide as your smaller self turned around and caught his stare. 
“Hobi?” Little you questioned. 
You woke up with a loud gasp, sitting up quickly and looking around in a panic. The boys were quick to snap their heads towards you. 
“Hey.” Hoseok quickly stood from the chair across the room, rushing towards you. “You okay, Darling?” He asked, running his hands through your hair.
You moved to grab onto his hand, furrowing your eyebrows as your mind seemed to catch up that he had been in your dreams for some reason. “What happened?” You asked, lowing his hand into your lap.
“Nothing from what we could see.” Hoseok shrugged, looking as though he actually spent the whole time watching you sleep rather than probing your mind. 
“You were sleeping just fine but then started to mumble about someone named Nabi.” Yoongi called out. 
Both you and Hoseok turned to the man, frowning at the revelation. You because you actually had no clue who on earth that was and Hobi because he hadn’t heard you say that name while he was inside your head. 
“Nabi?” You questioned.
“Do you not know that name?” Yoongi asked.
“No?” You shook your head, trying to come up with an answer. You would understand why you would say Hobi’s name, but as far as you knew, you didn’t know anyone with the name Nabi. 
“Hey, don't worry about it.” Hoseok took you out of your head. “You'll just give yourself a worse migraine.” He gave you a small smile afterwards. “You should go check on Joonie and Kook. Maybe it'll help.”
You moved to get up from the bed, stretching your shoulders. “Yeah. I guess.” As you came to a stand you noticed the headache was gone and you did feel a bit more refreshed. “Thanks, Hobi. I do feel refreshed.”
Hobi’s eyes softened as they took in the look in your eyes. It made him feel bad just a bit but there was something keeping you from knowing everything. Even he knew it was a terrible thing to be kept from all your memories. Maybe he was selfish for wanting to look into it for himself but now he knew that someone must have messed with your mind.
“Of course.” Hobi smiled at you. “Have a good day!” He called as you waved at him. 
Once the door shut, Yoongi walked up to Hobi and crossed his arms. “So?” He asked.
“She's been to Yuri lake.” Hobi’s lips pulled down as he frowned, thinking to himself. 
Yoongi’s eyes went wide, dropping his arms to his sides. “You sure?”
“There's something keeping me from looking into it but she's been to the lake as a child.” He hummed, turning to his desk to look over somethings in his grimoire. “With someone else.” He added. 
That someone else must have been the Nabi person you called for in your sleep. While Hobi didn’t get the chance to hear you, Yoongi saw and heard everything you did outside of your mind. “You think she knows?” The pale boy asked. 
“I don’t think so.”
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Series Masterlist
@h3arteyes4mingi
MY THOUGHTS ON 3D:
When I say this man--is scrump-delicious. When I say this man is SO fine. Jungkook wasn't in this chapter but I couldn't wait to speak with you guys about his song.
Jungkook is for sure one of the boys who I can just look at one day and claim him as my bias. AND HIS MUSIC! This man knows what he is doing. He knows what we say. He knows what we edit. I'm positive he got a tumblr man. I would not be surprised. He knows the metaphor behind all that water he has in both of his music videos.
Aside from him obviously catering to the masses though; Jungkook's music calls to me a lot like how Yoongi's does. I listen to all of them but I know I have a certain taste when it comes to it. I have a good amount of songs that make me want to dance but Jungkook's songs make me want to dance with other people. (Even if I can't) The songs make me actually want to be social and confident in myself. At that point it's not even about the fact that Jungkook sings it but I really like the lyrics even if it's meant for men lmao. It makes me feel great that there are people out there who find you attractive and can have that much passion.
Please share your own thoughts about it. I want to hear all about it!
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asoulwithadream · 6 months
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okay my expectations for thirteen were pretty low, since as someone relatively knew to the series i'd just heard bad things about both her and chibnall's writing. BUT I'VE BEEN SO PLEASANTLY SURPRISED???
i fucking love thirteen. she's the perfect mix of human and timelord, and i mean that metaphorically. she's kind of the only doctor so far i've actually been able to relate to? she acts the exact way i would act if i were the doctor. the little arm swivel with the sonic? naming things willy nilly? she has the genius, the perfection, and she lacks is social contexts realistically but she still recieves love for it. shes loved for all her flaws, the same flaws i have, and it makes me feel loved. shes funny, she has morals, shes smart, she takes her time, she prioritises her friends, her goals are always to reunite and save as many possible.
she is a unit of a character and i love her. if you haven't noticed, i haven't quite been able to put her characterisation into words because shes so special to me that i think that if i did it would leave me head forever. if that makes any sense.
but i think what made me realise this is the speed i've been going through her episodes? in the past i've noticed that i haven't been really watching dw daily with the other doctors: obviously it was close, especially for the good story arcs and dramatic moments. but sometimes i'd stop in the start or middle of a season and just leave it for a bit before coming back.
but the MINUTE i saw twwfte (which perhaps may not have been the best introduction so far, but even so) i was hooked for some reason. and i just kept watching and watching and loving almost every episode and just watching. and of course i have my complaints but gosh this is good, you know what i mean?
and i have midterms!!!!!!!! i have a quadratics test in two days!!!!!! i don't have time to watch the haunting of villa diodati! but look at me go.
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crystalelemental · 7 months
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Character Analysis - Carmine and Kieran
I have been trying to write something on this for the majority of the week and haven't been able to organize it in a way I like. So this will not be coherent, but since I've had my second go through the DLC story, I have...a lot more to say on Carmine and Kieran.
Seeking Strength Kieran's big focus by the end is on not being strong enough, and needing to become stronger than you. I think it's largely accepted that this is to defeat you, that he has it out for the protagonist. I disagree.
Consider why strength is important, and when it became clear. The first time Kieran mentions strength, it's in front of the ogre's cave. He talks about wanting to battle, thinking maybe that could impress the ogre. And he loses. Which is whatever, the ogre didn't show. But then it does. To you, and to his sister, but not to him. Internally, the connection is clear: the ogre doesn't trust me, because it sees me as weak.
This goes back even further, though. Think about your introduction to him. Carmine battles you to kick you out, and you win. Carmine's response here is interesting. She comments on everything, and actively makes fun of you if you use a not very effective attack, snarking that you must not know your type matchups after all. She oozes confidence and control, to excess. But when she loses, there's a bit of a fist shake, but rather than anger, she turns away and looks...sad. Losing upsets her, and while she bounces back, that moment suggests a deeper vulnerability and need to seem strong.
And to Kieran, she does. She's constantly in control, and by and large, he seems to follow her pace. If she asks him to do something, and by asks I mean tells, he generally follows through. And he saw someone beat her. There's someone stronger than his sister now. And that's interesting. I think there's a lot more to it, but I'll save that for a later section. For now, the point is, Kieran's always been focused on strength, because he admires Carmine's strength, and wants to be more like that.
I think this recontextualizes your final fight a bit, too. Carmine tells Kieran that he can't make Ogerpon go with him, she has her own will to choose. Kieran still insists he needs this battle, and it seems like the perception of this is "he's ignoring it." But I don't think he is. At this point, he's lost multiple times, each time thinking it's his lack of strength that resulted in him not getting what he wanted. It was, at first, to meet and befriend the ogre. And yeah, he'd still like to. He's still trying, given the stipulations of the fight. But he's also fighting for his sense of self-worth. He feels he's not strong enough, and that lack of strength is holding him back. He's seen his sister lose twice now, yet she's still confident. But he lost, and feels like he's losing more of what little he had to start with.
Belonging and Isolation Carmine's hostility toward outsiders is, as expressed, a matter of feeling like her hometown is becoming a tourist trap. I think what often gets missed in this is that Carmine herself is...fairly traditional. She cares about the customs of the village, the sanctity of the crystal pool, and the prominence of the Loyal Three. She even remarks that obviously she likes the three better, Kieran just likes the ogre because he's a ten year old boy and they're always into weird monster things. She considers integration with the village something important, and deep down, cares about it as a whole.
That's not to say she gets along with everyone. The Caretaker seems more than happy to make the conversion if it helps the town thrive, and Carmine actively disagrees with that. Her hostility is clear to us, and she makes her reason known, but it's not clear how much the villagers seem to understand this. They tend to treat Carmine's responses as part of an attitude problem, more than anything. The Caretaker is pre-emptive in calling out Carmine to get along with everyone. They know she's not happy about it, but expect her to just deal with it, and kinda treat her like they expect problems. Calling them the "Lousy Three" gets an almost exasperated comment about her attitude and a correction, like they fully expect her to be this way, and don't consider the why behind it.
By contrast, Kieran...successfully talks them into abandoning their ancient beliefs and understanding of the past in the course of a single afternoon.
For all the emphasis on Kieran seeming lonely, and I do believe he himself feels that way, Kieran...seems pretty well accepted by people. Think about how significant it is that they're willing to listen to him, with such seriousness, that they'll believe him when he says their understanding of history is wrong.
I think this plays into an interesting dichotomy with the siblings. On the one hand, Kieran is pretty well accepted, but genuinely lonely. On the other, Carmine seems perfectly fine being by herself, and doesn't seem to interface well with the others. But when you look at what they want? Kieran doesn't seem to care that he runs contrary to everything the village stands for. The ogre is cool, he likes that best, and sees little of interest or value in the three. He doesn't really care to integrate with the village. But Carmine does care, and isn't successful at it. By all accounts, she doesn't seem to have friends either. But when a new kid rolls in, and her brother takes an interest in them, she still focuses on him first.
Justice and Fairness Carmine is, at her core, pretty focused on what's right. Despite being more aligned with tradition in her village, when her grandfather reveals the truth, she's immediately furious on Ogerpon's behalf. She has no reservations about telling the rest of the village, until he appeals to her sense of reason, and she understands where the concern might be.
Carmine's reactive, but she's not a fool. She's pretty grounded, but in that way where I think it causes her to miss some things and seem unconcerned with feelings. But she does care about how people feel; quite a bit, really. When Kieran tries to give his ogre mask to you, Carmine intervenes and tells him not to. That's his favorite mask, and he shouldn't have to go without. Besides, practically speaking, we just buy the new kid a mask they like at the festival. It's pragmatic. But it also misses that Kieran was okay with sharing his mask for his friend. She cares about his feelings, enough to worry about him giving up something he cares about. But it's in a more...avoidant sense. More on that later.
By contrast, Kieran seems focused more on fairness. It doesn't matter the reason or intent, you left him out of what you knew. You didn't tell him about the ogre. You ran off with Carmine and pushed him aside, and that's not fair. He was your friend first, and he cared about the ogre first, and it isn't fair that suddenly that all doesn't matter. In that sense, he's very emotional, but doesn't really consider the rational cause of things. It's all about how he feels. This runs very counter to how Carmine is, being very emotional, but focusing more on the practical reason than how she's feeling.
I think you can also see this in how they express themselves. Kieran has no trouble opening up the instant you're on your own with him. He'll tell you all about how he thinks the ogre is cool, and that he was only scared of getting yelled at for going to the mountain. But Carmine legitimately struggles with it. She has a tough time being honest with people, and her sense of what being mean to someone is, boils down to "I didn't hit him." It's as if she doesn't really understand that her words can hurt people, or perhaps why someone would be hurt by them. The idea of "What you're saying was rude" is secondary to the practical outcome. If it's true, it doesn't matter how I say it. If it's what has to happen, it doesn't matter that it comes out as "Kiki, get out of here." Her mentality seems to be that she knows best, and is going to act on that, and there's no reason for people to be upset with her if she's right.
Sibling's Bond In one of the earliest scenes, we get a very good sense for the dynamic the siblings have. Kieran has taken an interest in the player, but barely speaks to them, turning his face away and not even listening to them. Carmine intervenes by explaining what he's thinking and asking for you to battle on his behalf. Kieran shies away, Carmine takes control, and Kieran is more than willing to cede that control to her. In this situation, it works out, as he gets to spend time with a new friend. It is the first, and only, time this dynamic works in their favor.
Every other instance of this particular dynamic coming into play hurts more than helps. When Carmine interrupts you talking about the ogre, and insists Kieran not find out, that's her assuming control like usual. Same with telling him to just leave the next morning. Kieran shies away from staying to help with the mask quest, rather than confront that someone else gets along better with Ogerpon. This is a dynamic they've had for a long while, and there is evidence to prove it.
"I hate when he gets like this." Carmine's clearly annoyed, but the phrasing evokes the sense that this isn't just something that happened before, it's happened often. And she's not happy about it. Kieran running off crying is the only time she really expresses anything truly negative about her brother, and it's telling of what she herself can't handle.
If Kieran's crying, it's because something's bothered him, and as the one who takes care of him, that feels like it's her fault. I talked about how Carmine is integrated with the beliefs of the village, if not its people, but there's a bit more to it. Carmine's generally apathetic about whether people like her, she's more concerned with being right, and doing right. Carmine cares about being a good person. And if her brother's throwing a fit, it's putting her in the position of the bad guy, and criticisms about being nice to him evoke an outrage. "It's not like I hit him" isn't just telling of her lack of awareness for how her words come across, it's indignation that her grandfather is implying she's at fault. Kieran crying is the one thing that she cannot tolerate.
And for Kieran, that makes it a very effective play. Because I keep going, I need to be clear: I am not saying Kieran is being manipulative. He's like ten, and highly emotional. He's not sitting around thinking that if he just cries, Carmine will do whatever he wants. He's just having an emotion, and Carmine has a reaction. It's the dynamic that turns this into a recurring feature of their relationship.
The behavioral term is Negative Reinforcement: an outcome that increases the chance of the behavior occurring in the future, by removing an aversive stimulus. When Kieran wants something, and it doesn't happen, he'll get emotional and cry. Carmine, feeling guilty or responsible, folds to make him stop. The initial aversive - not getting what he wants - is removed as a consequence of his crying, making it more likely to occur again. But the same is true for Carmine. She cannot stand that crying, so when she gives in, the crying stops, reinforcing capitulation.
It's a situation where neither is really at fault. They're both kids, and have that sibling dynamic. Older siblings take care of the younger ones. When you have an older sibling who feels responsible for the wellbeing of the younger, and cares deeply about taking care of them without knowing the difference between "helping them do it" and "doing it for them," you get Carmine. When you have a younger sibling who is particularly emotional and withdrawn alongside them, you get Kieran.
And the DLC is the breakdown of this dynamic.
Another really fun behavioral term: Extinction Burst. Extinction refers to when reinforcement is removed as a consequence of a behavior. Effectively, you decouple the behavior and what typically happens. An extinction burst is the oft emotional blowup that comes as a result of a behavior no longer meeting its typical, expected reinforcer. Think about when your computer won't turn on. How many times mashing the button does it take before you check the power cord? Do you stay calm during that or start cursing it out, maybe worrying that something's broken and desperately hoping it turns on if you just hit it right, or hold it long enough? That's the extinction burst in play.
That's what's going on with Kieran. He's finding his independence, but as part of that, he's learning what it means to have it. Sometimes things don't go your way, and you have to live with that. Even crying won't get the situation to change now, and he...hasn't figured out what else to do. Unintentionally, by handling things for him, Carmine's left him in a situation where he's unequipped to manage circumstance. All he can think is pushing for strength, and battling you over and over and over in hopes that this time, he'll win.
By contrast, Carmine's doing...really well. She adapts well, makes quick friends with the player as well, assumes a sort of leadership role in the quest, and demonstrates the reality that for all her bluster, she does care and is fairly well adjusted. She's had the experience to manage frustrations and setbacks, even if they're difficult, to the point that by the end of your last battle, she can earnestly smile and congratulate you. Her dynamic with you is thriving. And, for a while, your dynamic with Kieran was too, before his perception of inadequacy interferes. It's sad but worth noting: the happiest we see either of them is when they're away from each other.
I don't have any profound thoughts beyond this, nor guesses to how Indigo Disk might play out. But I think it's interesting how they managed to create a story with a compelling conflict, where these is no true "bad guy." I was initially kinda down on the DLC, I felt like the legendary stuff was kinda bland. But I've really come around on these two, and look forward to the next part.
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rainymoodlet · 3 months
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🌧 rainymoodlet is in full hiatus mode! 🌧
hoo... absolutely sick to my stomach writing this. ✌ for more information, please read below! thank you all for following my stories, loving my bachelor challenge, and loving my little pixels as much as i do. 😊
Well, my darling fellow simblrs... it's happened. It's been a bit of a long time coming over the past few months, but I've finally decided to put my blog into a permanent sort of "hiatus mode". I am a person who is riddled with executive dysfunction and lack of self-control, and I know that if I don't legitimately cut myself off from Simblr™ and the disassociation it's allowed me, I will. not. quit. 😅
I originally joined Simblr back in 2021 during a really difficult and isolated time in my life. I haven't been able to speak much to it because of the legal issues it's tied up in, but Simblr became my escape whilst in the throes of seeking justice against my abuser in a time where my entire family had abandoned me, and my fiance and I were living alone in my parents' house with only the two of us to swirl in deep and massive depression. Sims has always been my escape; from 2004 onward, it has given me narrative control and visual fantasy for as long as I can remember, and it will always be a deeply comforting and "safe" game for me.
But when I joined Simblr, it was out of many of the reasons that I think we can all relate to as writers and creatives. I had the idea for Loved by the Sun, and as I kept imagining and writing and building this world, I thought: "I deserve to show this to people. I really want people to see this. And I really want them to think it's good." I had been existing on the fringes of Simblr on my own personal Tumblr blog: I've seen countless legacies rise and fall, countless dramas spread out across blogs that are no longer active and haven't been for years. I wanted people to wake up and roll over and check my blog, desperate for updates, eager for more.
And more than anything, I wanted to escape the day-to-day hell I was living in.
But as the years went on, I've noticed that the excitement and creativity that drove my creation of my account has dwindled beyond measure. And I will put that on myself - starting a Bachelor Challenge like Kiss Me in Komorebi was one of the beginning nails in the coffin of my creativity and enjoyment of Simblr. I do not regret it one bit, and I am so grateful for the following it's gained and the genuine enjoyment you've all had with KMiK. It's my proudest achievement, it's pushed me to be a better editor and a better screenshot-taker, it's challenged me in my way of playing and it's introduced me to so many wonderful people.
But of course... I me'd it up. 😎
I've become obsessed to an egregious degree with the perception of my handling of this challenge. I want everyone to feel as though their sim gets enough screen-time, I want everyone to feel that the creative effort they put into submitting their sims was respected, and I desperately don't want anyone to feel left out or as though they're being ignored in favor of other contestants. It became so much less of telling Dan's story and journey, and all about how I was appearing as the Master of the Game.
And to be honest, my obsession with "staying relevant" in the fast-paced scroll of the Simblr Dashboard, believing you all would stop caring or stop reading if I didn't post as quickly as possible, was my own doom from the start, fkdfdjk.
In my life, I've had countless opportunities to turn my life around and start changing for the better. And time and time again, the energy that could have gone toward improving my situation or bettering my relationships has gone toward Simblr, and this online environment. I have practically no life beyond the screen: my days off are spent taking screenshots or spending four hours on builds that I still won't finish, obsessed over every angle, desperately seeking out that ~sparkle~ of simplicity and not-trying-too-hard I apply to all of your screenshots.
I am a dopamine and serotonin fiend, and though I can pinpoint in my life where trauma and isolation has pushed me to my online spaces, I was hyper-aware of the reality that in a few years, I won't be involved in Simblr. I won't be posting constantly, I won't care about the mods or the updates or the custom content.
And the stories I've written will be monuments to the time I've wasted, working on chasing the serotonin monster instead of bettering my own life and my own situation.
And now, I've got a real chance to do something better with my life. My fiance and I are at a crossroads of choice - we can change our lives for the better this year, or we can accept that the years of inaction we forced ourselves into out of the fear of moving forward have doomed us to a life we're not happy with. And I am one stubborn bastard when it comes to giving up.
The friendships and connections I've made here are some of the most meaningful in my life, and I hate that I've pulled back in the way I have. Along the way, it became much more about the notes, the numbers, the interaction, the reblogs over likes - and I lost myself and my friendships to my own mismanagement of my time and energy. I could spend five hours on one build, going from 7am to 12pm in a lightning speed of disassociation and obsessive Alt-clicking, and at the end of the day sit there and go...
What the hell have I done today? I could have messaged someone, I could have chatted with my friends, I could have done something. But no, I built a science lab, or a date location, and fretted the entire time until my stomach felt sick that it just "wasn't right" or wouldn't "look the way I wanted it to" in my screenshots.
I deeply, deeply love my stories, and I am so proud of them and what they've done for y'all and how you all have enjoyed them. I am incredibly lucky for the experience I've had on Simblr, and I know that there are plenty of blogs out there that sit with little interaction when they deserve so much more.
And yes, I will admit. The tendency of a 15-minute slapped together CAS edit of mine getting more notes and spotlight than the posts of my stories I've put legitimate effort into has fucked with my brain.
Simblr has changed from the story-laden place it was when I was following y'alls stories and legacies from 2015 onward. There's absolutely nothing wrong with that! Online spaces shift and change just as much as the social media sites like TikTok and Instagram, that go through trends and phases and fads and memes the same way we do. We are not above other social media in that regard, and I think there's a general sense from Simblr that we're some isolated island; we don't follow trends, we don't have fads, we don't have audio trends that get slapped on every other six-second video.
But I will raise you the Blender Phase and the Edit Phase as evidence every time.
I need to take some serious introspection time, and commit a lot of my energy to things that can bring me positive change outside of this online space. I hope to be able to come back as a better, healthier person, but to be honest, I don't really know when that will be. (Even this post is something I feel I have to do to be responsible, not just disappearing in the middle of this Challenge, leaving you all hanging djfh) I hope this doesn't come off as some high-horse rant, or leave a sour taste in y'alls mouths.
I just... I'll really miss this space. I'll miss the sims, I'll miss you guys, I'll miss your posts and your legacies and your sense of humor. I want to thank so many people, but I don't want to tag you all and shove this post into your activity streams dkfd.
I can't give any commitments to appearing more in Discord or even being present on this space - I've gone to the point of disconnecting the Chrome browser that's for rainymoodlet from my main icon bar, like I am going straight cold-turkey. I'll still be playing Sims, but I'm going to try and reconnect with it for myself - not for the screenshots, not for the stories, and not for the desperate want for people to understand what I'm posting or for it to make sense or satisfy, dfkj.
I am so, so incredibly grateful for every single one of you, and I hate to just drop this out of nowhere. But I need to do this, for me and for my future. And now I'm just sitting here like "Shannon, it's simblr, fucking chill." dkjfd I JUST... this space has done so much for me, and I genuinely feel a sense of loss in leaving. Especially in the middle of a story, fkgjfkg.
I really do genuinely love and care for you all. Please take care of yourselves, okay? Mama Shan does genuinely want the best for you, and I can't thank you enough for letting little old dorky ass me be a part of your community and your lives.
'Til next time, y'all. I'll see you soon. 💛
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WIBTA for agreeing that my friend may need to work on their confidence for the sake of keeping a job?
(🕴️👔📚 <--- just so I can find this)
Genders are irrelevant, I'm 19 and my friend "Sam" is 20. Idk if this may be relevant but for for a bit of context we finished school in the same year as each other after our A Levels (so at 17 and 18 respectively), and neither of us are/have plans to go to uni/college.
After school, I had managed to get a part time job that was fixed term up until the end of that Christmas period, and about a month or two afterwards I'd been lucky enough to land a full time job (though I've since left that and moved to my current job). During this time, one of Sam's family members had some health issues come up so they put off any job searching to be a carer for this family member and signed up to claim a carer's allowance so they could still be getting some income. After a little while, the family member's health began to improve and Sam said they were going to be looking for jobs again, though they were still a carer for the family member, and so I started offering help with things like sorting their CV/interview prep/etc, and Sam had then gotten a job similar to my first one, part time retail, though their job had been listed as a permanent position while mine had been fixed term.
However, after a couple of months (I think it was two or three months off the top of my head) Sam came to me and said that their workplace had let them go, citing that they lacked the confidence for the job. Okay, no massive biggie, Sam took it in their stride and still had the caring for their family member to fall back on while they looked for other work, so we'd each silently chalked it up to teething problems (hell, I know I had issues with my confidence when I started any of my jobs). They did get another job not too long after that, this time as a carer in a nursing home, great! Whenever we caught up on how things were going, Sam always said they enjoyed it but did occasionally mention that their line manager had commented that they seemed to need to build their confidence a bit in their role. Again, could easily have been teething problems, so I had offered a few tips that I'd picked up on from my experiences to help build their confidence.
As of writing this, Sam texted me yesterday saying that they'd been let go from this job/hadn't passed the probationary period because their confidence was still lacking in their role (may be worth noting for a bit of context here that when I then asked about it, Sam said to me that they hadn't had any 'actual' feedback about this being an issue, not sure if it's exactly relevant as that might be a separate issue though).
Given that this is the second job that Sam has lost due to not having enough confidence, I want to say something to them about working on their confidence in work, even if they go down the "fake it till you make it" route just to help them out with securing a job in future, and I don't want them to have to be stuck with references from their now-previous employers that boil down to "we had to fire them because they were unconfident" which could potentially cause quite a few issues for them when applying for new jobs.
I haven't said anything yet, as I don't want to overstep anything with Sam and come across as a pretentious ass because I just want to be able to help my friend out but I don't know if I'd be the asshole for agreeing/pointing out that they'll need to work on their confidence for the sake of future jobs, so any feedback would be much appreciated!
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wolfjackle-creates · 2 months
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1000 Follower Celebration!
I'm blown away, honestly. The last time I had any notoriety in a fandom was back in, like 2007 or 2008 when I was on the Dibbuns Against Bedtime fan forums for Redwall. I was made the head of my dorm as the site started dying because I was the most active member in said dorm.
But you all? You're here because you like something I'm making? It's so wild to me. I appreciate every single one of you. Every like, every reblog, every comment. They warm me up.
I've been thinking over the last few days what I want to do. The obvious answers—prompt fills, polls to determine what I write, story snippets—I do all that with too much regularity. And I'm trying to avoid taking on more fics as I focus on the ones I've already got going.
So we're gonna do something a bit different this week.
Over the next week (From Wed 2/21 to Wed 2/28) send me the title of one of my WIPs (listed below) and I will respond with a few paragraphs. Not my usual 1.2-1.6k that I like to do for WIP Wednesday, but a few paragraphs. At the end of the week, I'll compile them all and post everything in a single post.
I won't be adding all the links like I usually do with each addition to a story until I post that final draft, but I'll tag everything with "[story name] 1000" so you can click that and follow along with the fic in some sort of order.
There are six WIPs eligible for the game! Please limit yourself to one fic per ask, but you may send in multiple asks. I will request that, for now, you limit yourself to one request per fic (aka a max of 6 requests per person). If I find that I'm able to keep up, I may waive that request in the upcoming days. But it will depend on how busy my inbox (and life) get.
Bring Me Home
Ghost!Robin
Answer My Call
I'll Carry Your Heart (Until I Find You Again)
Want to Hold On and Feel I Belong/Bad Reveal AU
Empathy!Verse
I totally forgot about the Empathy!Verse when I did my last ask game. Mostly because that has been entirely written on Tumblr and I...kinda forgot to transfer it to a Scrivener document. Ooops. 😅
Something to Feel isn't on this list because I want to dedicate my time to it today. I'm close to the end, I think, and already have one ask in my inbox about it that I totally meant to get to before now (if it's your ask, I promise I haven't forgotten you!).
Brief Story Summaries
Bring Me Home: Tim and Danny are online friends and know each other's secrets. Currently in the arc where the Young Justice and Team Phantom help Danny escape after a reveal gone wrong.
Ghost!Robin: Jason is haunted by the ghost of the Robin he used to be. Danny finds out when Jazz introduces him to Jason over a meet-the-in-laws dinner. Currently, Jason and Robin are meeting with Frostbite to learn what may have happened.
Answer My Call: Jazz is sending texts to Danny after he escaped a GIW facility and they can't talk. But it turns out Jason is the one who's actually been getting them.
Carry Your Heart: Jason and Danny meet in the Ghost Zone while Jason is dead. They become friends. But Jason runs to Desiree to wish for his life back. A wish she fulfills. Danny goes to visit him, only to find his core left behind in a lair that's in ruin.
Bad Reveal AU: Danny is living with the Waynes when he finds out they're also the Bats. He freaks out because he believes the bats are working with the government (aka the GIW). So he shoots Bruce and runs away. The bats are now trying to convince him it's safe to come home.
Empathy!Verse: Liminal!Jazz is studying in Gotham and feeling the lack of other liminals to interact with. After getting used to the undercurrent of emotion that follows all interactions with ghosts/liminals, humans just feel...flat. Then one day, she literally runs into another liminal as she's going to the library. Jason Todd. Only... he doesn't know what it means to be liminal. So Jazz is there to show him.
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violet-moonstone · 9 months
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THW Rewrite
More headcannons because I have not been able to stop thinking about this franchise for the past 13 years, and I have over a decade's worth of opinions.
I've already posted some of these ideas but ehh it's fine.
While I enjoyed watching it for the first time, THW was disappointing to me for a variety of reasons. (The music was probably the best out the franchise though, I'll say that) Grimmel didn't reach his full villain potential since the writers used Ruffnut's lack of judgment as his key to success instead of him being a capable strategist. (Also they did my girl so dirty. She may be a dumbass, but she's not an idiot!) I don't like that the dragons left after just 6 years. I don't like that all the riders except for Hiccup and Astrid are just played for laughs instead of shining like they do in RTTE. I don't like whatever the hell Snotlout's obsession with Valka was, and I didn't like Toothless' "romance" with the Light Fury. I hate that even dragons can't escape half-developed romance and a nuclear family as the ultimate character accomplishment.
So here are my edits (looking back, there's quite a bit going on, so it may need to be split into 2 movies or a short TV series)
The time jump happens between movies 2 and 3. (I want a full movie with bearded Hiccup and "Homecoming" does NOT count) 10-15 years have passed, so the riders are about 30-35. Zephyr and Nuffink are either little kids or preteens and are getting to an age where they're starting to train dragons.
Astrid is more rough around the edges like she was in HTTYD 1 and Rob/Dob/RTTE, not just Hiccup's supportive gf/wife. Instead of making her softer, motherhood has made her fiercer because she has more people to protect. Hiccup on the other hand is a doting father and can't say no to the kids if they give him puppy dog eyes: heart melted every time.
Toothless finds his original flock(?)/herd?/murder?/unkindness?/parliament? of Night Furies instead of just one "soulmate". Each can have their own personalities and roles in the group while Toothless is the baby. I think it would be interesting if, like Hiccup, Toothless was quite small compared to his peers - potentially explaining why he was on his own and got separated from the group before meeting Hiccup.
Dagur and Heather are brought into a council meeting as Berserker allies. Hiccup greets them in a way that clarifies things for audience members who haven't watched the show. I suppose Mala would also be in it too. I don't dislike Mala but I hate her and Dagur's relationship. More development needed there.
Gustav should be there too, still very much trying to prove himself as a dragon rider and occasionally messing things up.
In terms of the main plot and villains, I'm not too picky, although I've said before that I'm tired of dragon mind-control being the main villain tool. I'm fine with it if Drago comes back as the villain, but if not, the villain should just be dragon hunters or rival dragon riders who use their dragons for conquering/raiding other settlements.
It can hit pretty much hit the same story beats as before but with better character dynamics.
Make Ruff and Tuff more instrumental to mischief and redirection in a way that helps the plot.
Give Fishlegs more credit for his discoveries and record-keeping about dragons.
Snotlout and Eret are together (or implied to be together if that's the best we can get). Snotlout is also no longer Hiccup's rival - he should be his second in command. They can disagree from time to time, but ultimately, his loyalty is not in question.
Fishlegs and Ruffnut have kids who cause chaos with Zephyr and Nuffink.
It would be cool to include a couple characters from other parts of the world with dragon mythology. I understand that Vikings are white but if we have goddamn flying dragons, there's no reason there can't be visitors from other cultures (who aren't villains).
Ending option 1: The movie can end with the dragons going away, but now they've been with the Berkians for over a decade and it just feels more impactful.
The "there were dragons when I was a boy" line can either be Hiccup talking to his grandson after an even longer time jump, or Nuffink talking to his own kids about Hiccup's adventures.
Ending 2: the Berkians go to The Hidden World with the dragons. Hiccup writes a memoir to leave behind. We hear him reading from it at the beginning and assume that means dragons are going to leave, but it's actually a diversion to make people think dragons are gone so no one tries to look for them.
Ending 3: We accept that HTYYD takes place in a different world so we don't have to explain why dragons don't live among us anymore. The movie ends with Hiccup vowing to make the archipelago safe for all dragons and Nuffink and Zephyr take up the mantle of discovering new dragons. The dragons stay and they all live happily ever after, the end :)
I'm tempted to actually write this as a fanfiction but I already got a lot of writing projects atm. We shall see.
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