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#and that character is most likely dead
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aroaceleovaldez · 3 months
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Nico referring to his mom as "Mama" implies he most likely at least used to refer to Hades as "Papa" and i 100% headcanon he still does but mostly in the manner of him having the entire Underworld wrapped around his finger for being the baby of the family
#pjo#riordanverse#nico di angelo#headcanon#my art#nico flexing youngest child privilages by pulling out the most pitiful expression he can manage#anyways i find it fun to explore character word choices#cause yknow no two characters are going to select their words the same way#or even necessarily think about it to the same degree#i like to think Nico thinks about his word choice a lot#so of course every time he uses ''papa'' he fully knows he's pulling the Baby Of The Family card#Hades definitely knows this too but falls for it every time anyways#cause Nico hasnt called him ''papa'' regularly since getting his memory wiped - just detached ''father'' or at best ''dad''#so it just reminds Hades of How Much He Just Wants His Children To Be Happy Like The Old Days#and how much poor Nico has been through and he's just the baby of the family and-#cue Nico smugly staring at the camera cause he knows how much power he holds#also i say Nico is Hades' only son cause mythologically even when Zagreus *is* Hades' son (rarely) he's. dead.#a major part of Zagreus' mythology is that he died#and im p sure every other deity said to be Hades' children are all goddesses and also are like 50% of the time not his#theres also only like 3 of them. and as far as we know in riordanverse canon one of them is implied to not be his daughter#so Nico is Hades' only son and also youngest in the family (cause Hazel is older by a month chronologically or 1 year biologically)#(and everybody else is a deity if children of hades at all)
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listen I expected literally Nothing from the D&D movie okay, like I can't make it clear enough that I expected the most soulless money grab with a good cgi budget imaginable, I went in having already gone through every stage of grief and landed on acceptance and LISTEN
I fucking CRIED during this dumb RPG movie. it wasn't just "not terrible" it was objectively good with a clever plot and compelling characters and sincere emotional beats. this movie loves D&D so fucking much and it NAILS the "a bunch of goobers try to be cool and accidentally discover The Power Of Friendship And Also Great Violence" classic D&D party vibe. their barbarian's last name is fucking Kilgore and my entire family cried in the theater.
I hope they make twelve of these motherfuckers.
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taxinealkaloids · 1 year
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horrible children who are. so so mean to each other
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Actually I lied I don’t like sex put your clothes back on today we’re going to talk about CHARACTER ARCHETYPES, TROPE SUBVERSION, and MARTIN K. BLACKWOOD
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lord-squiggletits · 2 months
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I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.
I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.
The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...
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Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.
I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.
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And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?
It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.
To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.
In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.
Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.
So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.
What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.
Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?
#squiggposting#pharma apologism#i'm sure the doylist reason for the writing is just that pharma was a designated villain#so since he's a villain and 'crazy' it's fine for everyone even the good guys to treat him like complete trash#i just think from a watsonian perspective taking a sympathetic approach is way more interesting and logically consistent#what i mean is like. from a meta perspective one of the best ways to show that a character is super evil and not worth saving#is when even the good guy heroes. the ones who are supposed to be kind and compassionate and wise. see him as dirt#and this is also kind of a necessity in most plots bc TF is the kind of series that just needs action villains and long-term antagonists#so not every villain is written or has a plot to be made redeemable. and pharma is one of these bc he's not important or a legacy character#so from a doylist (meta) perspective you could read the autobots' disregard of pharma as a sign of#'this guy is not meant to have your sympathy as a reader. pay no attention to him'#but from a watsonian (in universe) perspective it paints a miserable picture of pharma being utterly forsaken by the ppl he served alongsid#and like yeah i'm super autistic about pharma so of course i view him with sympathy but like#the idea of being a loyal and good person for years only to be subjected to a Torment Nexus of#being blackmailed into breaking all of the oaths you held sacred. under threat of you and all your comrades dying horrible torturous deaths#then when your comrades find out about it they focus solely on the 'harvesting organs' and not on the 'blackmail' part#and then you get literally left for dead by your comrades and best friend hating your guts#and then you get rescued by a guy who uses you as a test subject for his evil machine#this is a fucking nightmare scenario like pharma could hardly be suffering more if the author TRIED to make him suffer#and for me it's like. the evil pharma did can't be decontextualized to what drove him to that. as well as the question of like#how easily ppl can write someone off as evil and turn a blind eye to (or even find satisfaction in) their suffering bc theyre evil#and either brought it on themselves or it's just karma paying a visit#like. i feel like if pharma WERE a shitty doctor and a terrible person his whole life then the delphi situation would feel like karma#but the way it's written and the lore retroactively put in makes it feel more pharma getting thrown in a torture carousel#and THEN becoming evil. but then being treated as if he was always evil or was some sort of bad apple#bc like i'm not opposed to LOLing when a villain gets a karmic torture/death related to the wrongs they committed#but in pharma's case it feels less like karma and more like endless torture + being abandoned by ppl who should have been more loyal
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guy who so desperately tries to find god. who wants to have faith in a higher authority to guide him out of the hole he's in. from the weight of guilt from simply existing, as the person he is. but every time he thinks he's answered his higher calling it turns out he's made the Morally Incorrect choice and his path to goodness and holiness was the road to the devil all along
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river-of-wine · 3 months
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I find Miss Grimshaw’s death to be one of the most interesting out of the characters that die in RDR2 because there is just so much going on with it. She begins chapter six shooting an innocent woman, doing what she believes is the right thing as the arbiter of justice she is described as. She shoots an innocent woman through the stomach for a perceived betrayal, and in doing so, she damns herself. Grimshaw ends the chapter being shot through the stomach by Micah, by the real traitor that she failed to recognise, for what was, in Dutch’s eyes, her own perceived betrayal. Molly confessed to ratting on the gang, something that she didn’t do but knew the consequences of, and Grimshaw, as her final action of the game, turns on Dutch, the man she has been loyal to for so many years, on the side of John and Arthur. Grimshaw’s death comes at such an interesting part in the story, such a climactic moment, and yet it is almost entirely unnoticed by everybody around her. In this huge moment, this standoff between what remains of the gang, the murder of one of its longest standing members just kind of happens, and then the standoff continues as Dutch gives a speech over the dying, agonised screams of a woman who has spent so many years loyally at his side, who has taken her first real stand against him, who has been murdered, who is now a traitor and not worth acknowledging. Grimshaw dies in pain, perhaps the most that we hear from a gang member’s death that we actually witness, though I’m sure Kieran’s torture at the hands of the O’Driscolls was even less pleasant. Grimshaw’s death is the death of what may have still remained of the gang, the security within it that she helped to provide, and her death is the justice that she failed to correctly serve returning to her, her failure to actually kill the traitor then killing her. She is shot through the stomach and dies in pain and the man she had been so loyal to simply does not care
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mumblesplash · 1 year
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don’t you hate it when your civilization flees deep underground to escape the wither only to find yourselves trapped down there with something even worse. anyway surprise! i can still draw
#my art#minecraft#minecraft fanart#minecraft ancient cities#they named it the warden because they were its prisoners i will die on this hill#see fellas when i said i was brainrotting about ancient cities i meant like advanced stages of decay#Bad Syndrome: instead of a brain there is sculk#i'm still pondering additional designs for like guards/soldiers and redstone specialists etc#also yeah i was like ok time to design generic ancient city residents for outfit concepts#and bc i'm me they immediately became Characters and now it's a whole thing#their names are echo and felix and they hate each other <3#echo was actually a temple kid like felix growing up but he fled to the outer city due to irreconcilable differences w the sculk worshippers#felix keeps trying to convince him to come back bc he was one of their most talented alchemists#they don't quite have echo's talent for magic but they make up for it in charisma and violent tendencies#neither of which have yet proved effective in convincing echo to come work for them#these days he mostly dedicates his potion skills to making life a bit more bearable for outer city residents#he got the nickname 'echo' due to his knack for inducing realistic auditory hallucinations of dead loved ones#...i TOLD you it turned into a whole thing#i also have a pet theory that ancient cities invented skeleton horses bc they needed horses but also leather and meat#but that's mostly bc i think the phrase 'have your horse and eat it too' is rly funny
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kaekoi · 6 months
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red, i love you and the world
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x-mensirens · 19 days
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strawberrybyers · 3 days
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will won’t die because 1) i simply don’t want him to and 2) making him the main character for s5 after sidelining his upside down connection and watch the love of his life date his sister for 2 seasons only to immediately kill him is CRAZY lmfao. like i see why people are connecting the dots to will dying in s5, but if there’s one thing i believe is that will byers will definitely suffer, but he will not die.
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tistheblackraven · 21 hours
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Here is a summary of Wolfstar in All the Young Dudes from the pov of someone who's consumed 163 chapters in a few days and still reading it:
Sirius: Hey, do you wanna talk about it?
Remus: No, why would you wanna know, do you tell me everything?
Sirius(trying to open him up in the kindest way): I wanna know for this reason and I have these things going on with my life that I would like to share with you.
Remus: Who cares what going on with your life stop being a spoiled brat, you're acting like a victim. (Yells while answering the first question Sirius asked and says some hurtful stuff that shouldn't be forgiven that easily.)
Sirius: Oh wow I didn't know you had these things I'm sorry even though I didn't do anything other than asking how you feel and telling you how much I care about you. The things you just said to me will have no consequences and I don't care if you think your problems are more important mine. Thank you for communicating with me via shouting and using my trauma against me. You're such a good boyfriend.
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floorpancakes · 24 days
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ok but im rly into the idea of till having a new era that brings the light back to his eyes and drives him forward if he gets to escape the arena. idk where he'd go from there but i want to see ivans sacrifice both haunt him and drive him to actually live his damn life after being the captured bird refusing freedom cause of mizi. once he knows she's alive with the resistance he might be able to actually experience other things and widen his world and if that happens and he puts his personal sense of rebellion towards the human cause OR settles into finding some other way to feel fulfilment that isn't a single person that could be deeply fascinating to me i think
#alien stage#ramble#idk#till alien stage#as an xxxholic fan i want to see caged birds fly and all the fear and loss and grit and progress that comes with it#till era would be so fucking fun#especially when characters r built arnd one person or one goal or something you want to see them find new things to suffer or thrive abt (?)#random inconsequential thought imagine till hooking up with hyunas besties and they become a resistance throuple#idk i just want till to experience the wider world as the one that was the most restrained by his heart AND literally#cause even compared to the other anakt kids he suffered so much in those damn buildings and labs#i wanna see him freed and what that means for ivans legacy as the person who was unseen but someone who both contributed to and desperately#tried to stop his pain and confinement no matter what#honestly the thing i wanna see most rn off the top of my head is#till coming to terms with what he knows and sees about ivan now#no matter how he feels about it i think ivan wont be forgotten that easily#i want to know whats going thru tills head rn immediately in this moment#cause this snapped him in some way and he is acutely aware of things he didnt even notice before#while handling the mizi desth thing#that he assumed was happening#if he is assumedly saved i want to see the explosion that is knowung mizi is alive#knowing ivan is dead and how ivan felt#and knowing he has a way out of the cage#because its a triple whammy#i want to see his brain exploding in real time thinking abt all these things#and what sort of person the revelations will make him become#also i want to see mizi and till have like an actual conversation cause itd be a wildcard especially right now
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starry-bi-sky · 1 month
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more cfau miscellaneous things because Childhood Friends Danny and Jason have my head and heart always and I need to finish rewriting chapter two dammit (and redo the half-finished chapter 4 because its just Not The Vibes). i'm almost through I need to get through the graveyard scene. (i just stubbornly refuse to have it be shorter than the original chapter and thats the little death. that is the mind killer.)
Danny and jason’s ghost forms both smell faintly like burnt flesh and cigarettes. However, Jason has a more smokey smell while Danny’s smells almost,,, electrical? In a sense? Like he just straight up smells like burnt flesh and sulphur while Jason smells like someone put him in a smoker first.
It’s very much an unpleasant smell but Danny finds an odd comfort in it just as much as he finds a comfort in the smell of nicotine.
(Jason post-revival smells burnt flesh once and is immediately offput by the fact that it brings him an instinctive comfort. He doesn’t realize its because it reminds him of Danny, and is uncomfortable by it.)
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In an au of an au, Danny’s altercation with Rath ends with Rath regaining enough of his sanity to snap out of the grieving state and ends with him breaking down. Instead of being souped and imprisoned, Rath, who is permanently 14, decides to Move On into the unknown. He’s exhausted, heartbroken, and tired.
(Is this influenced heavily by the ParaNorman scene where he talks to Agatha and helps her move on? Yes. But it doesn’t fit with the Original Storyline so im shoving it into an Au of an Au.)
Rath tells Danny that Jason lied to them (which he genuinely believes), and that he’s tired of waiting/looking for him/grieving. Jason is gone. He isn’t coming back, he abandoned them. And he wants his mom and dad, and his sister, and his friends. And he’s ready to join them.
He leads Danny out to Gotham, which other than Amity Park might’ve been the only city left untouched due to Rath’s own mental block on the place. They go out to the park he and Jason used to frequent or up to one of crime alley’s rooftops, and there Rath lies down and goes to sleep. Only to never wake up again, materializing into nothing as his soul moves on.
Before Rath leaves, he forces Danny to promise him that he’ll only wait for Jason for ten years. After that if he doesn’t find him, or if Jason doesn’t show, then Danny has to move on. Whether that be like how Rath does, or if its inly mentally/emotionally, doesn’t matter. He has to move on. Don’t wait for him. Don’t waste his time any more.
(“Oh, and if you find him, kick his ass for me.”)
Danny reluctantly agrees, and Rath lies down. Danny sings to him as he falls asleep.
(Angsty points if the vigilantes including Red Hood caught wind of their presence and were silently watching from the shadows. Rath might know they’re there, but Danny’s too focused on Rath to notice.)
(If only so that Red Hood realizes that this is what happened to Danny, and that Danny is gone before he can make things right. The tragedy, folks. The angst. The initial realization that Danny was Rath, and then also that Danny was dead and has been dead for years, and that before he moved on, he moved on believing that Jason abandoned him.)
(like i said it doesn't fit in the original timeline/storyline hence why its an au of an au and isn't nearly a fleshed out, but i was largely just focusing on the tragedy of Rath moving on and Jason being alive to see it and realize just who Rath is.)
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Just like how the Lazarus pits shot Jason's twiggy 4'6-5'4 (depending on what you find) feet tall and 86lb ass up like a tree an essentially fixed his malnutrition, the portal did the same thing for Danny.
(granted i forgot about malnutrition and danny's likely stunted growth at first -- his family lived in crime alley and despite both his parents working, I don't think they had enough food all the time. He probably wasn't as badly malnourished as Jason was, but he wasn't healthy either.)
Granted his ghost in its "natural" state (14) is short, and his growth spurts were slow at first, it did result in him reaching his dad's height. There were points where it just happened overnight, like a baby. He went to bed one night 5’6 and woke up the next day 5’10.
Jazz is shorter than him. Although I have't decided if she's even liminal at all (and if she is, it didn't cure everything because she would have also suffered childhood malnutrition, and since in au canon their parents didn't get their hands on physical ectoplasm until after they got to Amity Park. So the exposure is less.)
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Danny's voice absolutely sounds like canon Dan's. It kinda just dropped one day when he was 16-17 and never went back up. Sam and Tucker sometimes ask him to just talk about anything because they find his voice soothing.
I'm not sure yet how Danny would feel about it at first considering Rath, but I imagine that Rath, when he did speak, would have had a quieter and scratchier/weaker voice considering he's spent the last decade shrieking and crying.
(and i suppose technically that shouldn't have any effect on his throat considering he's a ghost and idk if that would actually affect him, but i like the idea so im keeping it)
In the beginning you could hear him from a mile away by the sound of his loud, echoing wails, but ten years later you can only really hear him by the soft, shuddering sobs he makes. Like he's gasping for air that isn't there. The future is full of very quiet survivors.
And it's much easier to speak when you pitch your voice upwards (especially when whispering/speaking quietly) so he might've spoken in a higher, airy pitch in order to be heard. So Danny might actually find a comfort in having a lower voice.
#tw mentions of gore#cw gore#i suppose this counts as gore#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc#dpxdc crossover#childhood friends au#cfau#really leaning into the idea of rath just being a horror. the horrors! i am delighted in the horrors!#im having fun with it#i swear to god turning 19 turned a switch on in my brain because i am much more comfortable with gore and heavy injury now than i was l#literally a year ago. the urge to write about some of danny's most horrific injuries in his fights is STRONG#like the hORRORS folks. *th horrors*. i dont think i'll ever write a dissection fic because that icks me out but the idea that danny's had#to stitch up his own throat because it got slit in a fight nd he cant shift back to human until he's done because his ghost will survive bu#his body wont#the idea that he's been impaled multiple times before and it hurts each fucking time but he still gets up and hurls the hurt right back in#equal measure. because that's how you wanna play? okay. lets play. he's 14 and his best friend is dead. he can play.#and the idea that all ghosts have 'corpse' forms where their ghosts look exactly like how they died. and danny is utterly unrecognizable#jazz being liminal or not just isnt important to me because she's barely gonna show up in the story anyways#same reason why i hardly use the headcanon that ellie becomes danny's daughter because what use is she to me like that? she'll hardly have#an impact on the story and i refuse to treat characters like props. if they can't help progress the story then they aren't included
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thatonefandomjumper · 6 months
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Once again I am expressing how much I hate the punching line gag.
Leo, a character that's been canonically abused his whole life and struggles with major self worth issues, who'd died to save the world and has spent the last few months in the company of a person that treats him like dirt, finally comes back to the one place he felt a smidge of comfort an safety in after years of instability and hardships, and what greets him...?
A guy so mad that he didn't discuss his suicide with him first (despite him properly coming up with the plan after said guy had left the Argo) that he organizes everyone in the camp to line up and hit him, even people he doesn't know.
And he has no choice but to just laugh it off, because it's clear that no one has any sympathy for him. And Leo realizes this place rejected him too.
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