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#back to practicing drawing people :)
lucabyte · 27 days
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Taking pride in One's own appearance.
#you people are becoming my guinea pigs for my finally learning how to communicate information via comics. a thing ive needed to practice at#also BLEGH. YUCK. andrew hussie was right candy makes you sick. this is a little too saccharine for me. yeesh. let me get back to the meat.#isat#isat spoilers#in stars and time#in stars and time spoilers#isat fanart#in stars and time fanart#isat siffrin#isat loop#sifloop#doodlebyte#'let me get back to the meat' i say eyeing something similarly sickly in my sketches. at least it's mildly tormented as a counterbalance...#you people have no idea how much im having to stay my own hand. oh i can draw miserable nudity but the most basic of fluff? visceral#anyway i dont know the logistics of picking up a glass eye or where loop got money (besides pilfering from siffrin) & ive previously drawn#sif with a vague blank middle-grey eye as either being scarred over or a blank occular prosthesis put in quickly at the nearest town#i dont know that they'd have a glass eye during the game but considering prosthesis are reccomended to keep the skull etc from deforming#id imagine it would probably come up postgame as something to do now theyre not on a time limit trying to save the country#plus i assume that having it gouged at by a sadness wasnt exactly a clean wound by any measure#all this to say. idk i just wanted to get some information across in comic form to Test my Abilities#and we're far enough down now to say my absolute most wretchingly sweet fluff headcanon that actually inspired this#which is that i think siffrin gets into the habit of not wearing the eyepatch around loop so they kinda match.#and as a signifier to the other that they're letting their guard down around them. vulnerability etc.#just kinda wearing it around their neck so they don't lose it
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anonymouscheeses · 2 months
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Charlie will always be on time and even early to whatever it is she wants to get to. Unless she worked all night before on what she wants to do for the the activities next week. Then she would rather die than step foot outside.
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dunkinbublin · 1 year
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Hiya! First of all just want to say I absolutely ADORE your art, the way you draw the lil silly guys makes me wanna scream and put them in my pocket! :,)
Saw you were taking requests and kindaaaa vague but Tails reminding Shadow of Maria always makes me crazy if that’s something you’d be interested in or have any ideas for! <3
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AHHHH ty ty. i think about that a lot too.
(for u too @myyla-x)
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anewp0tat0 · 1 year
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I was inspired by something again
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frascospecimen · 5 months
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I want to draw her better later but well I love her so much
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squidpedia · 1 month
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What was it like for you starting out as a beginner artist? How did you improve?
I mostly just incessantly practiced, experimented, and observed a lot for as long as I can remember. I grew up on a lot of videos going over tips and techniques for beginner artists and mostly just observed their processes and would try to bring them into my art. Othertimes I would just constantly experiment with my artstyle (what if I made the shoulders more defined, what if I changed the size of how I draw eyes, what if tried drawing different body types, what if I tried a pose with a lot more foreshortening etc etc). I tried to push myself a bit further everytime like maybe spending more time on the overall piece, adding backgrounds, drawing multiple people interacting. Drawing challenges also helped a lot I think since they pushed me out of my comfort zone or forced me to approach my art in different way than what I was used to. Things like “draw something using only one line and not lifting your pen from the paper”, or “create a bunch of random shapes using a colored marker and then turn them into characters/objects”, or even just dtiys challenges were great for this. A lot of the drawings I made from these didn’t really end up being things I was super proud of after finishing them, but thats fine since I still learned a lot and they still helped with improving. A lot of it was honestly just not being afraid to draw something I might not be happy with later in the name of getting that practice in and trying new things all the time.
I hope this is helpful, but I’m not too sure so I’m sorry if it isn’t, this is the best way I could think of summarizing it!
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Seems that a handful of you were interested in seeing my old Dalek art, so I bring you this piece I made back in the ancient year of 2019!
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gio-cosmo · 2 months
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The p3r dlc really has me walking around Tartarus with the Junes theme playing in the background. What a time to be alive.
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escuerel · 5 months
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didnt get anything done for soriku week but i still wanted to draw them ...
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tianhai03 · 2 years
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getting cocky.
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quirinah · 2 months
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how do you get your colors to look so nice and your lineart so red and vibrant? i love it
omg anon thank you!! 😭 im going 2 be honest I am Not Great with color theory... but i like having my sketch pages look cohesive to me...
BUCKLE UP this is going to need a readmore bc i like talking.
I always sketch in neon colors it's a habit i picked up from an old teacher but I'll think of a color usually on a whim and draw with that. and then if i want to draw something else ill pick another color that i think goes well with the page. usually most of my color schemes r analogous (colors right next to each other on the wheel)
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yanked this from recent dunmesh post; i kept most of my colors within the pink/red/orange range.
i wouldn't recommend doing everything in monochrome or analogous palettes though because it's sort of a guilty crutch of mine XD.
sometimes when im coloring ill change the layer mode of the sketch. color burn gets you either very very bright or very very deep colors depending on the color of the flats underneath. multiply and linear burn do the same thing but they're a lot tamer and generally always return darker colors. im sure there's some technical bits behind this though. ill either color my lineart afterward to compliment the color of the flats, leave it as is, or mess with layer modes if i feel like it. my favorite trick is color burn + linear burn + some combination of two lineart layers and just fiddling until i get a nice burn effect.
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mithrun was done with crimson red on color burn.
coloring... like 999% of this is relative color which is like. kind of the idea that colors look different when placed next to each other. if you eyeball it a bit it's pretty noticeable.
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what i used to do a bit ago was i would fill in the area i wanted to color with one big mask of color, make a new layer that has a clipping mask down to the flat layer of color, and then draw my actual flat colors. the color of the mask helped me pick my flat colors bc if I picked a color i think stood out too much next to the mask i could kind of just adjust it until it looked a little more cohesive.
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old ish drawing next 2 a canon reference. i ignore local color a lot...mea culpa....but my overall color palette here was a light pink, so the shirt here is actually a desaturated pink? or violet i believe. if you shift sort of that purple color far enough into the gray area of your color wheel it can take on a blueish or even greenish hue. it being next to a lot of warm pinks/fuschias helps.
a neat thing that kind of helps is that if you desaturate or saturate certain colors they can kind of take on a certain hue? not sure if this makes sense. sort of how orange here turns tealish blue the grayer it gets. so if im drawing something that's predominantly orange and i have a blue color i can just take an orange color and desaturate it until i get a color that sort of looks like blue. and that way it kind of looks more harmonious? at least to me XD
shading. i don't apply serious lighting to a lot of my drawings, but a helpful bit is that the shadows tend to be the opposite of whatever color the lighting is? i try to think first about the "mood" or the main color i want to go for in the drawing and then i pick a shadow color opposite of that. so for here, i wanted the lighting to be a coolish magenta so the shadows r lime green. if there's anything off i fiddle around until i get something i like. the shadows on the skin here were too green initially so i shifted them a little more orange.
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there's a "band" of color going on between the transition of the shadows to the light. generally this could be for a lot of reasons and i tend to use it differently (core shadow? overexposure? etc etc). but this is a color post so ill try not to go too off track.
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but generally digital doesn't "mix" colors the same way traditional colors do if you use RGB (cmyk is a bit better with this but is kind of a pain to get used to), so to make blending a little less muddy, i sometimes add an intermediate color to smooth things out a little. for example, mixing digitally blue n yellow tends to get you gray, but generally, blue + yellow makes green, so if im making a blue->yellow transition ill slap some green color in the middle so it flows a little better.
I do a lot more cel shading nowadays. if you've been on here for a while earlier this year i have another style of coloring but it's not really accurate to how shadows really work so i wouldn't recommend looking at it. it's mostly to add zest and texture to the underlying flat colors.
coloring your lineart does a TON to helping your colors look vibrant, though its like the garnish on a dish to me (same with shadows). i think it's good to try and play with your flat colors and try to make sure those look in order first before adding flourishes. usually ill leave it a dark, saturated color that again matches my overall palette but sometimes i go in and color them by alpha locking my lineart layer and picking a color that matches the flat colors underneath? not sure how to explain it properly.
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i used a darkish purple for shuro's ponytail to match the dull red of the flat colors (more relative color! trying to simulate a black/brown while keeping the pink palette there) but a lighter crimson for laios's blond. the light was this super intense like blush pink so i thought it might be cool to add this neon salmon red in the areas of that light to really give off that vibe of a very bright intense rim light.
sometimes you could also tweak with gradient maps or color balance, which adjusts hue based on how light or dark a color is. these r fun to mess with as a final touch but i need to watch using them because they can become crutches real fast XD but those are also just tools to help you. in the end just developing a good sense of how color works and how you want to use it is the best place to start.
LONGASS ramble but yeah. tldr just kind of train ur eye for color and look at what you like best. which is unhelpful and a little sucky but it really is just observation and practice and maybe some personal zest.
happy drawing!
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crescentfool · 4 months
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5, 9 and 16 for that artist ask meme!
5. favorite little detail in a drawing you did
this one was kind of hard to answer because i lean so much more to simplification over 1:1 detail... that said, i really loved these ones!
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the bag from the top photo is from here, minato nui on left is from some con-related draws, the ballpoint splatling on right is from a vintage draws compilation!
i just really enjoy drawing little objects and props, and as much as i'm allergic to backgrounds, i hope to overcome that next year because my friends know i love getting obsessed over random objects for a few days...
9. any new art mediums youve tried (or overall styles if you havent tried new mediums)
i haven't gotten to do much mediums outside of digital art unfortunately.... but i would say this year was the year of chibification! i turned so many characters into little guys this year (shoutout to the nui tree!). which is really ironic because i also realized this year i find full illustrations more satisfying to work on throughout the process, despite the "simplicity" of chibis.
i did some limited color styles too! (blue, purple, and red + b/w). hopefully i can do more deliberate color palette stuffs though. i think it'd be a great exercise.
stylistically wise i think i could've tried more, but. its ok! thats what 2024 is for. yipee!
16. favorite piece of art from someone else (if you have one)
it feels like a cop out answer to say this but any gift art i got of my splatoon character... LOL... i didn't expect to get so attached to him (i changed my name in game to minatoast a JOKE!!!!). um. drops this gallery link here and scuttles away. im so very grateful. you're telling me people actually took time out of their day to draw my little guy? incredible!
ocs aside, i'd like to take the time to highlight some art from people on twitter (kitaro havers rise up!), since i do consider the things i reblog to be art i'm very fond of...
this art from tin of ryomina with flowers is so. oh my god. i was SO BEWILDERED AND HAPPY!!! i was minding my own business and then saw this rt'd on one of my friend's pages... i forget who lol but i was like "WAIT TIN Kick_TheeCan DREW RYOMINA??? I LOVE THEIR ART OF THE P3 PROTAG WHAT." i feel like i got pushed down a staircase in tartarus (positive)
and this art from chris (str3wberryy), my god, the composition fucks severely. i want to eat it. he also has an alt account on twitter (@/makotoyukilover) if you want to see more of their p3 protag arts :D
i also enjoyed seeing p3 arts from yamad_125, BSZZOWL, and elulit2. im so serious if you like ryominaigis you'll probably like taking a gander at these artist's media tabs! i find my way to see the twitter arts one way or another, nothing can stop me 👁👄👁
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xskyll · 2 years
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Joke’s on you, that wasn’t even Izuku. It was the guy from Food Wars with the bangs. The AM stands for…Amazing…Menus. Yeah.
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dollarneko · 10 months
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I don't normally post wips but I'm excited to show what I'm working on...
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anyway, feenris is important to both their characters because he taught her that her kindness wasn't a weakness, and she taught him that he could still have conviction without losing the parts of him that purely cared btw. if that even matters to you.
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vonnebenan · 7 months
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It's been ten years since I started drawing fanart, and I thought this would be a good occasion to share some of my first attempts:
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... I like to think that I've improved a little since then.
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