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thedevilsoftruth · 2 months

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Haven't posted in a while, but something that was really bugging me a lot was some shit I noticed when rewatching the Moon Knight series that I think a lot of comic book fans could relate to. I know, Mr " um actually " comic book guy is talking right now but imma need you all to bare with me here for a second. and before any of you start typing, please remember everything said here is MY opinion. All I ask is that you're respectful. I'm going to start of with how I don't understand the hype around this motherfucker.

Literally the most whiniest mf in the ENTIRETY of the MCU. The only people who can like or tolerate this bitch are mfs who have 9 hours of daily screen time on TikTok, listen to hyperpop music and think that he's a soft uwu meow meow baby girl hurt emo princess boy.

Moon Knight is literally one of the most metal superheros out there and the directors saw that and said, " now imagine that but we make his woman so much better than him and water him down and completely change his back story and then wipe our asses with it, spit on it and then pretend we were trying to show representation. " Like what the fuck are you fucking doing?

My first problem is that I felt like this show focused too much on Layla and her relationship to Marc... Nvm, Sorry I lied. Not Marc, fucking STEVEN. This show isn't about " Layla ", its about MARC and Steven and JAKE. (I'll talk about Jake later) Like can we just... " Are you an Egyptian superhero? " " I am. 🥺" GIRL BYE 💀💀 this part of this show was so bad it made eternals look good. This was cringe on the level of seeing your mother do a dab. All that episode 6 was about was Layla kicking ass and that's it. I don't understand why Kevin Feige has the urge to make everything about badass women. Like theres ABSOLUTELY nothing wrong with that, I love badass women and we need more women superheros, but I'm just saying, I came here to watch MOON KNIGHT not Layla El-faouly.

So funny how they make a show about Marc Spector and he only gets like 20 minutes out of the 6 hours of the entirety of the show. I think the most time he got on screen was like episode five and maybe two but that's about it. It felt like he was only there to make things depressing and to make Steven Grant have better character development because he himself is just so fucking boring and not funny. Marc Spector is so much more than " I got hit as a kid and my alter ego is fucking my ex wife. " He's a Jewish antihero struggling with a personality disorder that's eating his life away and a toxic relationship with a man who's been basically lying, emotionally abusing, and manipulating him since his CHILDHOOD. What I love most about Marc Spector is that he's not like all other these mighty superheros, he's just some dude. He just some dude with real human struggles like you and me, trying to figure himself out and navigate through his disorder. Marc should have had a bigger role in this show but I guess Steven Grant and Layla were more interesting than him. Steven is the main course, Layla is the desert and Marc is the salad off to the side that's barley been eaten.

Steven Grant is not a shy British man with great manners who works in a gift shop and is giving in his moms flat, he's a savvy millionaire ( who's from Chicago, Illinois, so as Marc and Jake ) who works in the film industry and lives in a mansion. Those are two completely different characters. Everyone that I've seen who's criticized Steven in the slightest has said that he was bland, boring, and the producers were trying too hard to make him funny. You can't try to have something that's just straight up sad happening with a character and then pretend that it's funny and try to make it into comedy. That's just not how it works and it's not realistic. That's why movies like The Crow are good and movies like Renfield are bad. The Crow takes itself seriously and is genuinely sad but lightly sprinkled with comedy, Renfield wanted to be a bit sad, but ruined itself by trying to hard to make every scene funny.

The only good scene in this entire show is the scene where Marc says, " you are you the only real superpower I ever had " or whatever the fuck. I didn't pay attention because all I could think about was the scene from frozen where Anna fucking froze and Elsa cried about it and then unfroze her with her tears or something. I guess her tears must have been really hot.

What I'll give Muhammad Diab credit for is casting. Having Layla be Egyptian is good, and having Oscar Isaac casted as Marc is also really good. Everyone In the comics is white for a character normally centered around Egyptian bullshit. They also got Khonshus personality right and that's about it.

I hate how the producers said that this show was all about " representation" and then didn't add Frenchie, who is a gay french guy in it or Bushman who is a black mercenary because he was " too much like Killmonger " ( which doesn't make any fucking sense because they are drastically different on so many levels but okay. ) they also said that this show is they're most brutal and violent show yet, but they were " violent " ( and bloody-ish ) the first three episodes and then just kinda gave up towards the end.

For the last thing, I'm gonna talk about Jake finally. Just pretend that I'm sighing right now. Like a really audible, dramatic sigh.

I get they wanted for us to differentiate the differences between each personality with accents but Jake doesn't need to speak Spanish. He doesn't speak Spanish in the comics and having him do it is completely unnecessary. I get it's Hollywood and Hollywood needs to make everything sexy and attractive, but Jake Lockley is the least sexiest alter of Marc Spector. He doesn't wear a suit with black leather gloves or drive a limousine, he's a fucking taxi cab driver with a really weird mustache who wears a turtle neck. When I think sexy, I don't think taxi driver. And it ruins the point of Jake Lockley as well because Marc uses Jake to see what's going on on the streets in New York. New York is really busy and crowded, so people are more prone to using a taxi, not a limousine unless you're bougie and rich.

Anyways that was my rant. Good night.

#marvel #marvel cinematic universe #marvel mcu #marc spector #moon knight #steven grant #jake lockley #marvel smut #moon knight comics #marvel comics #steven grant slander #marvel slander #moon knight slander

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athena-85 · 2 years

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Why go out on networks with those arguments?

How do they go on to talk about someone's womb with what right when it's a touchy problem of real people so many women struggle with fertility issues REAL people that they are seeing how a lot of insensitive people throw away "arguments" as to why a woman is worthless if she cannot have children. So many damn hundreds of years we women have fought to continue getting misogynistic comments from other women sucks.

They like so much to defend themselves saying that Elain is not real but and the people who represent themselves with Elain are not real? So many comments that she is boring and bland, so people who are nice have her personality

I'm so fed up with these damn comments I'm in the fandom why it's important to me ACOTAR took me out of a very dark place in my adolescence reading saved my life and that's why I love it and it seems like shit to me that the solution is that I have to go, the one that has to change, why if those idiots are the ones who make the fandom something disgusting.

I just need to calm down a bit because these comments really hurt me.

Hello Anon,

I agree I am fed up too!

The frustration is felt by many fans not only Elriel’s.

Sometimes when I feel that way I try to remember when fans (unfortunately mostly women) say stuff like that it is a reflection of their own inner turmoil and ignorance to their own personal prison.

They clearly have been raised to think of a woman’s worth in a certain way. SJM even makes comments about these views points through her characters within canon;

Amren: don’t under estimate Elain

Azriel talking about the Nephelle Philosophy: ““We—Rhys, Cass, and I—will occasionally remind each other that what we think to be our greatest weakness can sometimes be our biggest strength. And that the most unlikely person can alter the course of history.” “The Nephelle Philosophy.”

Feyre: reflecting on how SHE views Elain and not really happy with feelings about it in her bonus POV

Elain/ Nesta: “should I tend to my little garden?” Throwing in Nesta’s face that she can’t belittle her and then prevent her from doing more

Mor “the truth speaker”: saying to Elain how wise she is in ACOWAR when she reflects on Greyson.

Cassian: commenting on how Nesta was wrong about Elain she isn’t a “loyal dog” that she saw everything and understood why it happened.

Rhys: comments on how maybe Elain is just trying to please everyone and hasn’t had her time to be herself.

These “fans” also don’t really show up to these discussions with anything in their hands ;

What I mean by that is they currently have no good argument or evidence for what they want to happen in the series, so they lash out with cheap shots. This “gaslighting” is a way to distract from the debate

Evidence: SJM has not taken the time to build up Elain and Elucien’s relationship. She has not made it enemies to lovers she has made them both INDIFFERENT to one another. She has not connected them in anyway other than the mate bond, so this begs the question, if the mate bond didn’t exist would they care for one another?

Gaslighting

They insist they’re right and refuse to consider facts or your perspective - “ but they are mates”

deny or scoff at your recollection of events - this is why ELRIELs are constantly made fun of for bringing up canon and posting screenshots of the books. Bc we have to show our evidence or people say we can’t read the book no” reading comprehension”

twisting or retelling events to shift blame to you- saying we interpreted it wrong, even though they are always saying “ I feel”, “ Azriel only wants her for sex” “ Azriel is like a brother to her” “ Azriel just wants any female for a mate”, Elain can’t handle Azriel he is too dark (where does it say that!!!???)

I also think that if women view the world that way it is very sad.

Sometimes when you are frustrated take a break and remember in 5 years this will all be over and none of the “noise” will matter.

I am also happy to hear anyones rants about it because I have felt that way too.

Hope your day is going better ❤️🌹🍞

#acotar ask #elriel

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nyadversary · 2 years

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related to last, i've been thinking about this a while and i really think fanfics that get their serial numbers filed off so they can be published as original fiction suffer for it. i know it's low-hanging fruit to criticize fifty shades of grey but it's the main story like this i'm familiar with (in that i've actually read it) so let me use it as an example to illustrate my point:

let me first say that i don't think fifty shades is a Good Story as either a fanfic or as an "original work." it's poorly written, its characters are bland, the relationship between the romantic leads is so bad i spent the whole book rooting for them to break up, etc. but i really think it lost something by not being a twilight fic anymore. removing that context weakens the story. to be clear, fifty shades was always an AU story without any vampires or werewolves etc., it's already a step removed from the canon twilight universe, and in that sense it was easy to change the names and turn it into original fiction. but at least if it's a twilight fic, if the characters we're reading about are bella and edward rather than ana and christian, we go in knowing who they are and having a reason to root for them getting together (presumably anyone who clicked on the original fic was already invested in the bella/edward relationship). as it is in the published story, ana and christian barely feel like defined characters (and everyone else is quite blatantly nothing more than a cardboard cutout of a person) because in the original version, the fanfic, there was no need to define who these people are in advance. the readers knew them going in and these are not new characters that need to be established. because the published version is just the fanfic with the names (and a few other details) altered, the work is never done to properly establish these characters, to give us a proper sense of setting and to make the work feel grounded. everything feels hollow as a result, because it's been stripped of the context that made it work in the first place.

i can't give e.l. james credit for the basic premise behind fifty shades, as she's actually not the first person to have written a twilight bdsm AU story. this was, from what i've heard, a popular fandom bandwagon at the time that she jumped on. but it's easy to see why this concept caught on in the twilight fandom. if you want to write about these characters and their relationship dynamic in a world where edward isn't a vampire, there need to be other reasons why it's not easy for him to pursue a relationship with bella, why their worlds would seem simply too different for it to work, why she would feel torn between the comfort of her familiar life and the dangerous allure of the life edward leads. from that perspective, it makes total sense that he'd become a billionaire with sexual trauma and a thing for D/s. billionaires live lives far removed from that of the average person, they move in different social circles, they have vastly more power. the will-they-won't-they aspect of the bella/edward relationship that so many people were compelled by in the first place hinges on the fact that edward is a vampire and it is straight up unsafe for him to have sex with bella — he's so much stronger than her, he fears he'll hurt her, he fears he'll lose control of his urges around her, he's uncomfortable letting her pursue him because of all of this. this dynamic is preserved by having him be someone who's only comfortable engaging in casual D/s relationships, always in a position where he maintains control, never allowing himself to become too emotionally invested, keeping her at a distance for (at least in his head) her own safety. again, while i'm not saying fifty shades is good — it really, really is not — this is a character dynamic that i'm willing to accept given the context of the twilight series, that i understand why twilight fans would like, that preserves and even provides commentary on their canon dynamic (even though i don't think james intended her story as commentary on twilight, i think it Says Something that you can swap out a vampire for a billionaire). once it becomes original fiction, i no longer know these people, i don't have a reason to root for their relationship, i'm missing the context that makes this work as a commentary on anything at all.

furthermore, fanfic writing isn't novel writing, and this isn't a knock against fanfic. i think fanfiction can be really fun and enjoyable and can have interesting things to say about the canon it's based upon, there are unique challenges that come with working with someone else's characters and universe in your own writing, i don't mean to devalue it in any way as a type of writing that people do. but when working with characters and a setting that is already established, you have the freedom to just skip the setup and get straight to it; there is a preestablished context that allows you to do things you wouldn't be able to do in an original story. fanfics are also published serially, one chapter at a time, and paced accordingly, whereas a novel is meant to be taken as an entire work and the only point at which you must stop reading is when the book ends. because of the way in which it is written and consumed, a chapter at a time, fanfiction tends to feel much more episodic than novel-writing, with chapters being more self-contained and often ending in cliffhangers to compel the audience to want to come back for more. you don't have to do this with a novel, and it often hurts the sense of pacing to do this with a novel. again to use fifty shades as an example, many chapters feel like "filler episodes" to keep the audience interested while they wait for the next sex scene (even though in the published book, there's no need to wait — anyone reading can simply skip ahead), and the chapters tend to end in cliffhangers that don't end up going anywhere in the next chapter (because in the fanfic, the important part is that the cliffhanger keeps people coming back to check for updates, not that the cliffhanger itself has a payoff — the story updating is the payoff). you can't remove a fanfic from its original context and expect to get a good novel out of it, for the same reason that you wouldn't post your original novel a chapter at a time on ao3. something is always lost during this process and nothing is gained, except money. and as long as money continues to be the driving force behind why books get published, this is going to keep happening, and we're going to see more and more of these mediocre-at-best longfics being transformed into downright shitty "original fiction" for the sake of book sales.

#my nyas?#sorry this got long i've been thinking about this for a while now #i have english major disease

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bookwyrmshoard · 1 year

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Well Met, by Jen DeLuca

A charming, delightful romance set in and around a small Renaissance Faire, Well Met was a welcome, summery treat in the middle of January. I loved Emily, whose first-person narration gives the book its tone and perspective. On the heels of a breakup that left her questioning her own worth, Emily left her jobs in the city to take care of her sister and niece as April (a single mom) recovers from a devastating car accident. April’s small town hosts an annual RenFaire, and Caitlin, Emily’s teenage niece, wants to volunteer, but she can’t do so without an adult guardian. So Emily finds herself drafted into playing one of the two “tavern wenches” for the duration of the Faire. Too bad the Faire’s organizer, high-school English teacher Simon Graham, has taken such a dislike to her. Although his piratical alter-ego certainly seems to like her, flirting with “Emma,” her tavern-wench persona, at every opportunity. It promises to be an interesting summer.

Jen DeLuca deftly juggles summer fun, humor, and real emotion, and she gets the balance between her main characters’ antagonism and their undeniable attraction just right. Enemies-to-lovers isn’t usually one of my favorite tropes, but it works really well here, in part because Simon and Emily are never really enemies. Simon appears to disapprove of Emily, which makes her bristle and judge him right back. But there are moments of sympathy and understanding between them, even relatively early on, that offer strong hints that they are misjudging one another and could easily become friends if they took the time to get to know each other a little better.

Because we’re always in Emily’s head, never in Simon’s, we see the whole relationship from her perspective. That can be limiting in a romance, but DeLuca does an excellent job of letting the reader know there’s more going on in Simon’s emotional life than Emily initially recognizes. And their physical attraction is written perfectly, particularly the swoon-worthy kissing scenes (omg, that sonnet scene!) I also appreciate that Emily’s emotional arc isn’t centered solely around her relationship with Simon; it’s also about her own self-worth, her relationships in general and with her sister in particular, and discovering what she wants to do with her life. Her growth comes, and needs to come, on all those fronts.

If I have any complaints about Well Met, it’s that the setting is so generic. I don’t mean the RenFaire; it’s clear that DeLuca has some background there, and she really makes it come alive. Likewise, I suspect she has some theater background, because she absolutely nails the feeling of freedom that can come with playing someone different from your everyday self. But her fictional small Maryland town is so bland and generic, it could be almost anywhere. (Well, anywhere that has woods nearby; it’s clearly not southern Arizona.) I lived in Maryland for a lot of my childhood, much of that near a small town; I grew up playing in the woods. None of DeLuca’s vague descriptions said “Maryland” to me. Take the Faire woods, for instance. There’s very little description of them: no mention of what kind of trees there are or how tall, nor of the understory plants, and these woods are apparently devoid of both scents and sounds. And although DeLuca mentions the heat occasionally, and how dirty the Faire volunteers get, she mostly leaves out the summer humidity that can make the air feel like thick soup and leaves you feeling hot, sweaty, and ennervated. (Also, it never rains on Faire weekends, which is wildly unlikely.)

But that’s a minor quibble in a book that is otherwise a delightful, summery concoction of love, friendship, and finding your place. I loved it, and can’t wait to read the other books in the series.

#book review #contemporary romance #jen deluca #well met #renaissance faire

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therabine · 3 years

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In case you were wondering why wordbuilding for Ravka feels so random

After going down the rabbit hole in my search for answers I've stumbled across this conversation on goodreads dated back to the November of 2013, where Leigh Bardugo replied to some reasonable criticism about her 'cultural inspiration"- https://www.goodreads.com/topic/show/1533856-has-bardugo-talked-about-the-russian-inconsistencies This conversation is quite long and miss Leigh gave about three replies to various questions from people that were deeply bothered by the very surface level research she did on the Russian cilture. Here are the major highlights, plus the other things I've found while goodling: 1) As far as I've understood - neither she nor her publishers expected the first book to blow up like this. So even though there was obvoiusy a lack of proper research and some mistakes variying from minor to insulting, now that she's an esteemed author Leigh claims all of it to be deliberate choices adding that "deliberate choices aren't necessarily good ones". She also tries to lift the responsibility off her shoulders, mentioning that her work "was reviewed not just by my editor, but by copy editors, proofreaders, multiple foreign editors, and foreign copy editors". Not a single word about actual Russian-speaking person/expert reviweing the text or helping her out with creating the Ravkan language though. The only person she's ever credited as the one who helped her out with creating Ravkan is Erdene Ukhaasai from Mongolia that she's been friends on Facebook at the time (source on this one - https://ageofsteam.wordpress.com/2012/04/25/genre-friction-what-is-tsarpunk-by-leigh-bardugo/ ). The Facebook page under this name currently doesn't exist and the only results that Google shows on this person are the mentions that Leigh Bardugo gave in her interview, so unfortunately I couldn't reach out for clarification on this topic. Still, it's highly unlikey that someone with zero publications under their name would be a proffesional linguist and therefore qualified for such a task. 2) Within your secondary world, unless you are writing satire, things should make internal sense. That world could not arize independently of its context. The problem with the Bardugo's Ravka is that it's based on Russian Empire alone, yet she claims that "it's only Russian inspired" without acknowledging that most people that are not familiar with the culture will take it in as authentic. She takes the words and objects out of the context, misgenders names and last names and creates new 'russian-sounding" words without understanding how the grammar works. Which is a shame, given how flexible Russian language is - the possibility for the word-building is endless and with the right guidance she truly could make some unique and meaningful terms specifically for the Ravka. Also on the alcoholic kvas issue - Leigh proudly claims this as a solution to be a vodka "substitute", because vodka would be too on the nose and too common (more on the matter here -https://www.leighbardugo.com/grishaverse/the-archives/tongue-twister/). What didn't cross her mind is that instead of turning a non-alcoholic drink into strong booze for "wordbuilding" it would be much better to use less known drinks whic do contain alcohol - braga, samogon, nalivka - just to name a few.

3) To elaborate on some of the specific issues with names and last names: Leigh doesn't seem to understand how gendered surnames work in Russian. That's why we get stuff like Alina Starkov (when it's supposed to be Starkova, because she's a woman) and Alexander Morozova (Morozov would be a correct form) etc. This system is never consistent - Mal Oretsev gets to have a male surname, but so does Genya Safin and Zoya Nazyalensky has a weird non-gendered kind of in between last name (very much in fashion of Natasha Romanoff, who would be called Natalia Romanova in Russian). Also must mention Ana Kuya - poor woman's name literally sounds like "why the f*ck" in Russian, that's about just as bad as naming your Asian character Whata Phuck. Again - none of this nonsense would happen if someone bothered to find a Russian-speaking person to read the text. Other Russian words she tries to throw in seem to be the result of a bad Google Translate, rather than a conscious choice: for example the word otkazats'ya that she uses to describe non-grishas is actually a verb that translates as "to refuse". The noun with the meaning of "the refused one" would be otkaznik or otkazniki for a plural form. Same with sobachka ("small dog") - the context from the book suggests this nickname to be an insulting one, so the word we're really looking for would be shchenok ("puppy") or shavka ("mongrel", "cur"). The list of those examples, honestly, goes on and on.

4) Leigh does mention that she "can acknowledge that the choices I made in building the language and culture of Ravka came from a place of insularity and a type of privilege". However she's more keen to talk about how she has "certainly encountered critics, but I've also had Russian fans"...Which to me sounds about just as bad as stating "I do have *insert a minority racial group* friends and they say that me doing *insert a dubious act* is fine". The problem is that Russian culture has been demonized and overlooked for so long that most people (myself included) tend to praise content creators for including even the most sterytypical "insprations". Just because some people are willing to excuse her voluntary ignorance, doesn't mean that it's okay.

5) No books on Russian culture that she's mentioned as part of the resarch were written by Russian authors. And while reading the SaB it becomes crystal clear that that the major 'cultural inspiration' Leigh got was not from those books, but from the monstrosity that is her tsapunk pinterest board - https://www.pinterest.ru/lbardugo/tsarpunk-inspiration/ . About 80% of the stuff there doesn't even relate to Russian culture and the rest is a mash of modern knockoffs.

To summorize it: Leigh very much knew about the concerns surrounding her "Russian-inspired" Ravka which were respectfully brought to her consideration by her Russian speaking fans back in 2012-2013. She said "I've taken it to heart and it's something that I've tried to be conscious of as I move forward in the series and my other work", apologized and then she did nothing to do better. She marketed Shadow and Bone as "Tsarpunk", fetishisizing Russian culture and using it as a unique setting to uplift a generic "light vs. dark" fantasy plot supported by the bland narrative of the Chosen One. There was an effort and will to make a change for the better, not a single letter has been changed for us. When I think about, I can't really remember anything that would ring as a thoughtful and clever element adapted into the story from Russian culture. If everything is always altered or twisted, if there is nothing true or authentic then should you really call it Russian-inspired? Should you really make profit off it and call this aesthetic tsarpunk?

Leigh Bardugo could have fixed the most jarring problems with the material while doing the adaptation from book to screen, but she chose not to. There was no effort made to include more people of slavic descent as a major part of production team or as background actors. Almost nothing of the production design or clothing was inspired by Russian culture. To elaborate: I'm not even mad. I'm just deeply sad and hurt by the indifference.

Some might argue that this book series was not written for Russians, that it was written for the western audience. But don't they deserve respectfully researched and authentic stories too?

#leigh berdugo #shadow and bone #sab #six of crows #grishaverse #alina starkov #bookblr #tsarpunk #mal oretsev #genya safin #zoya nazyalensky

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infinite-xerath · 3 years

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Runeterra Retcons 1: Thresh

This is something that I did today. I plan to make this an on-going series (might even take it to YouTube someday if I get the nerve to share my voice), but for now have it as a tumblr post.))

The world of Runeterra is one of the most interesting and complex fantasy settings in modern gaming; a fictional realm bustling with fantastical beings, characters, and a wide variety of plot points offering near endless potential for story-telling. The story of League of Legends is not, in fact, a singular narrative, but rather a collection of different stories spread out across a variety of fictional countries, continents, and even dimensions.

Runeterra as we know it today wasn’t always like this, however; in 2015 Riot Games opted to effectively reboot the lore of their world to be rid of the more restrictive plot elements like Summoners and the Institute of War to allow themselves more wriggle room to tell the stories they wanted to tell. While the decision to effectively make League of Legends non-canon to its own story was initially controversial, the writers of Riot Games have effectively proven themselves extraordinarily capable of using this newfound freedom to its full potential… For the most part.

With a retconned world came the need to retcon characters; Riot has made a substantial effort in the last few years to reimagine and redefine the backstories of the iconic Champions to make them fit into the new narrative, albeit with mixed results. Let’s face it: no writer is perfect and hindsight is 20/20, so a number of characters throughout the years have been left with less-than-stellar backstories compared to most of the roster.

Welcome to Runeterra Retcons, a series in which I’ll be analyzing some of the more controversial champion bios in the game to pick apart the good, the bad, and the horribly missed opportunities. With all that out of the way, let’s begin, shall we?

Episode 1: Thresh

Thresh is at once both an interesting and a bland character. He’s arguably one of the more iconic characters in the game, to the point where he’s practically become the unofficial mascot for the Shadow Isles. In-spite of this, I’ve long felt that Thresh is one of the most awkward fits into the region; before we can discuss the problems with his current lore, however, we first need to address Thresh’s backstory pre-retcon and see if we can analyze the core of his character.

Insert original lore here

So, we can see the concept behind Thresh’s character pretty easily: he’s a jailor who loves tormenting his charges, so much so that he continues to do so even after death. If you were to describe Thresh in a single word, it would probably be “sadistic.” Unfortunately, the original lore doesn’t give a lot beyond that; not where he’s from, not when he died, not even where his prison was located. The bio itself literally says that no one knows the details, and while that does add a faint air of mystery to the character, it doesn’t do much to tie him into the faction he’s supposed to represent: The Shadow Isles.

With that out of the way, let’s now take a look at Thresh’s new bio and see how Riot decided to change him after the retcon.

Insert new lore here

Alright, so, there’s a lot to unpack here. Perhaps the most notable change is that Thresh went from tormenting people to… Tormenting “living relics.” The relics are offered no further explanation in the lore or given any prior context. There’s just… A mirror with a soul in it. There’s a sentient book hidden down in the vaults. For some reason, the monks of the Isles even decided to stash a living person down there because he infused his body with raw magic. Why? Who was this person? What did he do to end up in chains? If this was a dangerous mage, wouldn’t it be better to build a proper prison for him rather than stuff him in a vault full of powerful, dangerous artifacts?

There are so many mysteries here, but perhaps biggest one is this: why was Thresh changed from a warden of people to a warden of relics? Why did they feel the need to turn him from a jailor who enjoyed tormenting his inmates to a curator that was slowly corrupted by the very magics meant to help him do his job? Well, I believe that’s meant to tie into the change made to the Shadow Isles themselves, or rather, the Blessed Isles.

While we never had much info on what the Isles were like before becoming an undead haven, a lot of the lore suggests that they were effectively a paradise, hence the name “Blessed Isles.” This was a place without war, without starvation, without corruption. Naturally, there would be no criminals in paradise, and so this of course means that to make Thresh a warden of things that are inhuman… At least, this is the thought process one might have until they introduce the mysterious regenerating mage, but I guess he’s meant to be one bad egg amidst the crowd, assuming he even came from the Isles at all. Again, it’s never really elaborated on.

So, while the change does make a degree of sense, it kind of feels… Flat. I mean, a guy who enjoys tormenting prisoners in their cells to hear their screams sounds a lot more terrifying than a guy who just stops his sentences halfway through to spite a book. Also, the fact that his lantern just becomes a seemingly endless vessel for souls because of the Ruination is a little silly; like, I know the Black Mist does all sorts of nonsensical things to matter, but the fact that an ordinary lantern gets turned into a relic arguably far more dangerous than anything Thresh was ever guarding seems kind of backwards, at least in my opinion.

So, how can we change this? How would I, personally, retcon Thresh if given the chance? Well, there are a lot of base elements that I would keep, but also some key components I’d like to alter. I’ve written up a short bio of my own for you all to enjoy, so without further ado…

In an age all but forgotten to history, there existed a realm known as the Blessed Isles. Hidden away from the world by a veil of magical mist, the Isles were a place of peace and prosperity; a land free of war, corruption, plague and misery. This paradise was ruled by an order of sacred monks devoted to learning and enlightenment. It was within this paradise that Thresh was born and raised by a pair of humble farmers, growing up surrounded by nature’s bounty.

Though expected that he might follow in his fathers’ footsteps, Thresh showed an aptitude for learning from an early age. In-particular, Thresh seemed fascinated with matters of philosophy; the nature of the soul, morality, and other complex subjects were frequent on the boy’s mind. This attitude quickly earned Thresh the attention of the brotherhood, who invited him to join their order as soon as he was of age. Thresh agreed without hesitation, leaving the farm behind to study at the Isles’ monastery.

For many years, Thresh studied under the tutelage of the order, distinguishing himself from his peers for his ability to grasp complex philosophical issues. Though acknowledged by his teachers, Thresh was met with looks of envy and scorn from his fellow students; rather than let himself be disheartened, however, Thresh instead took an interest in the root of their envy in scorn. Upon approaching his elders with such questions, Thresh found himself being led to a secret chamber deep beneath the monastery, guarded by powerful wards and runes. It was here that Thresh learned the truth of the Blessed Isles.

Thresh watched as one of his fellow pupils stood surrounded by figured in ominous robes, chanting an ominous spell in unison. Thresh’s teacher explained to him that this was ritual had been used by the order for ages to ensure that the Isles flourished. Evil was present in all humans, and so the only way to ensure it did not corrupt their paradise was to extract it from the soul, and seal it away. As the ritual drew to a close, Thresh saw the essence of all the other student’s hatred, envy, malice and warped desire ripped from his body, and placed into a special lantern made to contain it.

Thresh was intrigued. He approached the lantern without hesitation as the other boy was escorted from the chamber, and to his surprise, he heard voice whispering to him from within. The monks explained that though the evils of humanity could be removed, they could not be truly discarded. They needed to be contained, and more than that, they needed a warden to watch over them. Thresh volunteered in a heartbeat, and the monks smiled, pleased by their pupils’ devotion.

What they did not know, however, was that the whispers in Thresh’s mind had already begun taken root. From that day forward, Thresh vigilantly stood guard over the lantern, watching each successive cleansing as it took place. Each time, the wicked essence in the lantern grew stronger, as did the whispers in Thresh’s mind. He began to dream of enacting twisted torments upon the monks, the other disciples, and even his own parents. Slowly but surely, the brotherhood noticed a change in Thresh’s behavior. Fearing that he himself would be subjected to their cleansing rite, Thresh stole the lantern and fled the monastery.

The monks chased Thresh for days, but their search was brought to an abrupt end when strange ships arrived on the Blessed Isles: something Thresh thought impossible. From the safety of the cliffs, Thresh watched in delight as a soldiers led by a foreign king massacred his fellow monks. Their screams were music to the warden’s ears, and as the chaos spread, Thresh found himself reveling in the suffering of all who fell to the foreigners’ blades. Even at the cost of his own life, Thresh dared to move about the battlefield, searching for survivors left in the king’s wake only that he may snuff out the remnants of their lives himself.

Finally, as the screams of his victims began to subside, Thresh turned his attention to the heart of the Isles. From there, he saw a cloud of pure darkness rushing to meet him, and opened his arms wide to embrace it. In that moment, all the wickedness trapped within Thresh’s lantern was freed, bound to his soul through the power of the Ruination. Thresh emerged a being of pure maliciousness, and his lantern, now empty, would serve as the perfect vessel to enact his twisted fantasies.

Thresh now roams Runeterra as an avatar of sadism, bringing pain and misery to all unfortunate enough to cross his path. He stalks his victims and torments them by slowly stripping them of their sanity, before finally prying their souls from their bodies with his wicked sickle. If you hear the sound of chains in the dead of night, run… Though it may already be far too late.

So, what did you think? Now, it’s at this point I feel I need to clarify something: I’m not trying to bash on Riot’s creative team, nor am I saying that I can definitely make a better version of someone else’s character. Hell, I’m not even really saying that my version of the story is flawless; it would probably need to go through several more rewrites before I’d ever consider publishing it as canon, not that I have the power to do so, of course.

Rather, I wanted to take a closer look at Thresh’s character and how well his current lore represents him. I said earlier that Thresh is at once and interesting and a bland character. I consider him a little bland because you can sum him up in a single word: “sadistic.” He has no goals and no motivation other than to cause pain and suffering. Even the other undead of the Shadow Isles typically have some kind of agenda, even if it’s only to spread the Black Mist’s influence. Thresh doesn’t care about that; he just wants to see you writhe in agony, both before and after death. I’d argue he has more in common in with League’s demons than the other specters of the Isles, but it’s BECAUSE Thresh is undead that he has so much potential for an interesting backstory.

The main points I wanted to emphasize in my rewrite are: expanding on the magics that corrupted Thresh into being so sadistic, giving his lantern some greater significance in the story, and replacing the vault full of otherwise pointless macguffins with something a little more sinister that gives the Blessed Isles a hint of dichotomy. Riot loves adding a little morally grey to all their characters and factions, after-all.

Anyways, what do you all think? Could Thresh’s lore be improved, or do you all like his story the way in currently is? Lemme know down below, and I’ll see you all next time!

#Outofpower #League of Legends #Runeterra Retcons

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teabooksandsweets · 3 years

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The real problem with the new ACGAS is not, in fact, the way it deviates from the books, which is something most adaptations do, and which can be done well, nor even the way it copies the BBC series, which is also common in new book adaptations. The real problem is the same problem as with many other recent book adaptations, and it is its disregard for the actual core of the stories, and their actual meaning.

As a series itself it is fine enough, because it tells a story in a solid sort of way, in a very conventional, but all in all fine manner, and with good sets, actors, costumes, etc. But it is not only bland and generic, when compared to its source material, it also misses the point. And it does so intentionally, because the actual core of Herriot's stories is simply not fashionable these days. And this attempt of combining a stylized period drama with a modern work place comedy is fun in itself, but it doesn't work for what it claims to be.

Herriot's stories and characters are real, and therefore not predictable, and they are stories about very individual people in individual situations. We meet many farmers, most of them poor, often shabby and worn and weather-beaten, not offering much of the attractive aesthetic that people want in a period drama.

There are also very many people, showing many glimpses of their difficult lives, and their stories often have unusual outcomes—stories that would, in most narratives work out happily, often end sadly, and stories that seem hopeless take surprisingly happy turns. These stories don't really conform to the typical way in which small sub-plots usually flow, but they also don't subvert them intentionally. They simply are what they are, and most of them are true or based on true events.

The important characters also don't adhere to character stereotypes, or to the now also stereotypical subversions of them: they are real people as Herriot knew them, and if they are altered from their real selves, then because one individual person can, of course, not fully capture other individuals, but they are not written according to any formula. They are real, even if we only see glimpses of them.

And the real problem with the new series: unlike the BBC series, which very nearly surpassed the books, or even the earlier movies, which I am personally not fond of, but which followed Herriot's approach very neatly, the new Channel 5 series is, essentially, adhering to the typical formula of non-offensive, solid, family friendly entertainment.

And there is nothing wrong with that for an original story, and there is nothing wrong with that for a simpler story, but it is wrong when the original material is much, much better than that. I like simple, fluffy entertainment, I support it, I want it, I think it is a good thing to have.

But the characters and storylines in it adhere to very simple character tropes, solid tropes, well-liked tropes, tropes that can fill out gaps in stories, but tropes that should not push individual strenghts out of them. A will-they-won't-they and a love triangle can be fine in some romances, but that is not what James and Helen's story is like, and it should never be so drawn-out. A rude and harsh character with a softer, hidden side can be very endearing, but it's as far from Siegfried's personality as it could possibly be. A character like whatever they did to Mrs Audrey Hall can be really interesting, but is entirely out of place in Skeldale House, and her relationship to Siegfried is offensive. (And so are Anna Madeley's and Sam West's comments on the show and their characters, but I don't hold the stupid things the actors say in interviews against the actual show. That is their own business.)

But what's more, a main-character centric story is usually alright, but it doesn't work in a series of very many stories about very many people, poor people, old people, sick people, unassuming people, people with hidden strenghts and hidden woes. And of the hard, harsh, yet beautiful and rewarding life in Yorkshire in the 1930s. And that is what the books are about, that is what their earlier adaptations have been about, and that is what's simply not considered pretty and neat enough for modern audiences.

That, and the disrespect with which it treats the real people they portray. Instead of respecting their privacy by establishing the main characters' personalities in a manner appropriate for a semi-fictional television series, they blurt out background information to avoid the effort of showing, rather than telling, and even sell tragical details as easter eggs. Instead of showing the little people, the weak people, the people in cold houses and on run down farms, they put their protagonists in pretty clothes, that look as though they had never been worn and were ready to be sold in vintage reproduction stores, and put in modernized and Americanized gimmicks to spare the audience the ordeal of seeing a little bit of dirt, a little bit of work, a little bit of poverty.

And, yes, it is a pretty series. And it works for what it is. And I think it is good to have one more hopeful, soft, warm piece of media in the world, because that is what we all need, that is what we should have.

But it is not what makes Herriot's stories what they are, not what makes the BBC series, and even the old movies what they are—it is not a story of the simple people, of the harsh life, of animals and of nature. Of veterinary work and scientific and social progress. And it is not always respectful. And it is not really adequate.

But it is not bad. Far from that. It is good as something else. It is good as a well-played, well-done, warm and fuzzy show, as a comedy and as a period drama, as a little bit of sweetness in a world of terribly dark and negative media. But it does not have that very special something, that very special something. They have washed it away.

#acgas 2020 #sorry for my rant i am not against it in any way and wish everyone a good time watching and enjoying it #i do enjoy it myself in parts #but herriot's books and the bbc series are extremely important to me and i have many feelings about the whole matter

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shudderue · 4 years

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what’s with the hate on militsa, you used to support her and now you despise her

why i like her:

she's scottish

why i hate her:

militsa, as a character, had so much potential. having a fairly large role in the lives of two character's whose stories are followed in the books (valkyrie's and omen's), we get to see two very different sides of her.

or, more specifically, we would if she had any semblance of a personality.

in resurrection, she's introduced as a sort of “valkyrie fangirl” — she's weirdly infatuated with valkyrie and doesn't seem to see the whole “evil person who blew up a city” side of her, as most people do. this is super interesting to me, because as someone who's the educator of several people likely affected by darquesse, the fact that she can be like “yeah you're pretty cool lol” is something i really would have liked to see explored.

additionally, i would have loved the books to go into more detail about valkyrie's guilt — which led to her hiding in america for several years with suicidal thoughts, avoiding her family. how does she deal with her fame for being evil versus being idolised? where's the balance? where does militsa come into that?

as their relationship develops and grows, militsa reveals her thoughts on older sorcerers — she feels like people such as china sorrows and skulduggery pleasant lose some part of their humanity. she's painted as this lawful good educator who wants the best in people and believes strongly in morals — but also manages to look almost entirely past the fact that, you know, valkyrie's evil alter ego killed 1600 people — some of which would probably have grown up to be taught by militsa herself. even in bedlam, when valkyrie wants to steal the necromancer suit, she baulks at it but eventually gives in.

how does she filter into omen's story, though? omen comes from two older, famous parents who likely aren't the best people morally — the type of people militsa stated herself that she felt weird about. there's got to be some sort of obvious signs of abuse with omen — he talks about being used as a punchbag, being ignored — how does militsa help him with that? ...she doesn't. she's the cool scottish teacher who wears a cloak and gets annoyed at him about his potential. militsa, for someone who seems to see so much good in humanity and whatever else, doesn't seem to care much about helping omen out any more than his academic potential.

and aside from her role in other people's stories, militsa has so much potential ok her own. she's from scotland, aka the country where the necropolis resides. how does this affect her view on necromancy? how does being educated outside of the temple affect her? how does she feel about the passage?

instead, none of this is gone into any detail about — we get a blank, cardboard cutout woman whose main personality traits are valkyrie's girlfriend and scottish. she's emotional support for valkyrie and a desperate scramble for lgbt rep which wasn't even fleshed out. “i have a girlfriend” valkyrie says in bedlam, after half a page of flirting.

i just? sigh. it makes me sad that she could have been such a good character, but like the rest of phase two, she's bland and boring and an attempt at something that was half-assed at best. but hey, at least she's scottish.

#lucy's shit #skulduggery pleasant #sp #asks #anonymous #militsa gnosis

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elizabethplaid · 3 years

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Watched “Breaking Dawn, part 1″ tonight, continuing the “Twilight” movie series. Two important lessons in today’s installment:

1- If you’re doing ~activities~ in a rental, do not destroy the furniture. Like, just go outside, you fools.

2- Sex is... maaaybe okay after marriage. But really, wear a condom. If they brought condoms, this would’ve been solved. This is what happens with abstinence-only sex education.

Other thoughts and critiques below the cut. Also discussion of a good example of “secrets and miscommunication” being plot drivers.

Still really squicked by the baby imprinting. I’m grateful they showed him imprinting on the CGI baby, rather than the animatronic baby. (Don’t google it, please. It’s so baaaaad.)

There was a post going around recently that discussed the HP book/movie series and JKR’s nonsense. The gist is that the book got picked up because it’s fodder for merchandise. All the different house insignia, toys of different characters and creatures, those nasty jelly beans. The first movie is 20 years old, and they’re STILL making playline toys. Like, they’ve made more toys since the series ended than when it first came out, it feels like. Or at least the marketplace is more saturated.

And remembering what Hot Topic used to look like about 10 years ago, that was very true with the Twilight series, as well. The jewelry with the family crest, when you could buy the birthday dress. The wedding ring in the movie got critcism, as it should, because it was a bland, modern design. Def not a ring owned by Edward’s mother. (He turned in like 1918, so it was more likely an Art Nouveau design.)

The minimalist architecture and interior design -even in the vacation house- are to highlight how not-human they are. I know there’s symbolism about the canopy-curtained bed frames that appear in “Eclipse” and “Breaking Dawn pt1″. I can’t put my brain to it yet.

There is so much more to criticize about the actual text/story (especially race and gender), rather than just production design.

And I realized tonight, the timeline of the plot... is like. They get married 2 years after meeting. No- just a year-and-a-half, because she transferred in the middle of the school year. She is 19 by the time she’s turned. We also never really go to see Bella’s step-dad? He’s the whole reason events started snowballing.

I didn’t get Twilight when it came out, and I’m not entirely on-board still. The production, merch, costuming, soundtrack - all fantastic. I guess I was never comfortable with Bella’s age, that she felt devoted while so young. Just make ‘em college age; college kids are legally adults but can still be stupid kids.

==========

I also want people to fukking sit down and talk shit out. No roid rages, growling and aggressive dick measuring. (Versus affectionate or sexual dick measuring, which is what fan fic is for, in this case.)

Secrets and miscommunication are shit ways to go about your story. But if you’re gonna have ‘em, put in a damn good reason why you can’t sit down and talk.

I’m currently reading a story where someone’s identity (particularly gender) are a secret being kept due to a curse. If the person reveals the truth, she’ll bleed to death, even if she confirms what someone tells her they’ve figured out.

The whole time, she’s working with alchemy and magic (it’s more complicated) to break the curse. After it’s broken, she plans to reveal the truth. But while on her quest, people catch up with her and question stuff. Thing is, her friends trust her enough to wait for her to tell them. Well, mostly; there’s tension and awkward situations, mostly played for laughs.

My favorite part is when she casts an illusion to “prove” she’s a dude, and one of her friends ends up seeing the fake dick. He’s so fixated on it. “They’re such a small person, but the size is almost as big as mine!” He’s a himbo, too; I love him.

I know text versus film alters how a movie can be depicted, so it’s not a 1-to-1 comparison. I just wanted to end this rant on a happy note.

#daily notes #movie review #movies #twilight #twilight (film series)

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wingedweasel · 4 years

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My thoughts on Disney Remakes

Get ready for a loooooooooong post. Sorry.

So let me start by saying I don’t have Disney+ and haven’t seen Mulan yet, so I’m only going off of what I’ve seen in trailers and the reviews of other people - both who liked it and those who didn’t. Warning, spoilers if you haven’t seen the animated or remakes of Beauty and the Beast, The Lion King, or Mulan.

My opinion is that it seems like Disney really doesn't understand what to do with these remakes.

With Beauty and the Beast, they tried something different and added/changed some things hoping that it would make the story more enjoyable but kept it generally the same, and people didn't react as positively as Disney wanted. In The Lion King, they went the exact opposite and made it a shot for shot remake, and people still didn't react as positively as Disney was hoping. Now with Mulan, it's a completely different story and people are still not happy with the end product.

I don't think it's an issue with the audience being unsatisfied with everything no matter what. There is a little bit of that, make no mistake. There are people who will be unhappy no matter Disney did. However, I think it's more of an issue of Disney not realizing what people liked about the originals and enhancing that and failing to commit.

Beauty and the Beast tried to be more ‘real’ in bringing in PTDS and references to war, death, illness, and grief over losing a loved one, ramping up the sexism, and making Gaston more of a douche, but I think it would have been a better story if they made it more real/dark. One of the easiest things would be to make Gaston more of a threat and his followers either more blind in worshiping him - more cult like if you will - or having him have to work harder to get them on his side. The animates version had the almost cult like mentality of how the people of the village treated Gaston. If he said jump, they would have started jumping before asking how high. It was easy for him to get blind followers into charging the castle to kill the beast.

In the remake, there were times where, while Gaston was able to talk his way out of a problem, his anger or manipulative actions were kind of just waved away or people were only accepting of him and his desires due to peer pressure - which makes a good foil to the Beast before he was cursed. It could have been something the Beast could have recognized and wanted to changed because he sees that acting this way is really bad, wont get the girl, and doesn’t want to be like Gaston (or making it a teaching moment for Gaston if you want to give the villain a possibility of redemption, either works). Another thing would have been to capitalize on the fact Belle is just as much as an inventor as her father and/or she is secretly the one who makes gadgets the village uses and likes or what her father is going to sell. That way it shows she is smart, resourceful, and would be respected if only she just wasn't a gosh darn woman. At the end, when it’s revealed that Gaston is a bad guy and that Belle is the one who created everything, she would be able to get the respect and acceptance of the village she should have had all along. Instead she gets belittled for being able to read and is a senseless romantic because she like Romeo and Juliet? What? Honestly, I don’t think if she ever returned to the village and tried to encourage and teach the little girl to read again, she would have been just as dismissed as she was at the beginning. Her life wouldn’t have changed in any way if she did go back to her ‘provincial life.’

People know this story, as I said, so changing it up a bit with the background things but still making it about the message of it's the personality that makes a good person and how you overcome people not believing in you the focus would have made it better than just Gaston having PTSD, Belle wants to teach girls to read, and a potentially hidden gay character. In short, they could have made this a completely different movie and I think people would have been happy with that. Instead, they started to make changes, doubled back, and we got some lackluster kinda pro-feminism...thing. Also, get a singer for musicals. The singing wasn’t terrible, but still actual singers should be used in musicals more often.

The Lion King suffered for opposite reasons. It seems as if Disney saw that people didn’t like the changes they made to Beauty and the Beast, and went “Okay, not changes at all!” A shot for shot remake should only be done if you can make it interesting. You get bonus points for getting original actors, settings, and crew. Update the technology and it usually becomes better. This should have been an easy A+ since The Lion King did all this. However, it didn’t because it was too real - in a bad way. I haven’t seen the remake of the Jungle Book, but I have heard good things about it because of the way the characters were designed. They were interesting to look at even if they looked more realistic and not as cartoony as they could have done. The Lion King should have gone this root. The characters here were a bit bland looking. They’re just lions, which cool. They hyper realism of the CG was an interesting thing to do - in theory. The hyperrealism in something like Beowolf made it eye catching and was almost a character itself. In The Lion King, there wasn’t a whole lot of variance between everyone. All the animals all looked the same as one another. Sure in nature animals tend to have little variance within their species, but in movies 0 especially a kid’s movie - characters need to stand out from one another to be easily identifiable. Some of the quirks of the animated version could have been used to do this. Make Simba’s mane more reddish-orange, Scar’s mane should have been black. Some of my favorite characters were the lead hyenas. They all had a unique look - it didn’t hurt that Whoppi Goldberg was Shenzi. Now everyone is the same. Also, the mouth and facial emotes didn’t really work with the hyper realism. If they had made the facial features ‘looser’ and a bit more animated, it would have helped convey the expressions so much more and when they started singing, it would have looked more ‘natural’ for them to be doing so.

Nothing was really changes story-wise; they did add some dialogue and minor things like that, but not a whole lot else. It probably could have gotten away with making more alterations to the story - either by adding scenes or changing backstories or things like that - and people wouldn’t have been as mad as with other movies (as long as the changes made sense and added to the plot and weren’t changes just to be changes).

Now Mulan, on the other hand, seems to be split 50/50 sor far. It’s only been out for a short time, so not a whole bunch of people have seen it - myself included - but looking at reviews, it looks like Disney say the hate The Lion King got for being a shot for shot remake and went, “Fine, we’ll change everything!” And they did. I mean, they kept the general idea of a young woman taking her father’s place in the army to fend off an invading force and she somehow defeats the big bad (I think? I heard something about the Emperor fighting the big bad? I mean, it is Jet Li, so he has to have at least one fight scene, so...). I will say that from the previews that I have seen and all the reviewers agree that the movie is very pretty. It has gorgeous cinematography and the set design looks amazing. There were some other positives that a lot of people toted like even though Mulan has a love interest, it really isn’t that big a thing, and the fight scenes were very well choreographed, and some character interactions that were quite funny - things like that. Important things to be sure, but some of the biggest complaints were that Mulan in the animated version was shown to be resourceful, cunning, and proved that a woman could save the day just a s successfully - if not better - than a man (although why she had a fan when she went back to being a woman, I don’t know, but whatever). In the remake, it seems like strength and fighting prowess is all that is needed to be a hero.

Apparently, Qi is a thing in the movie and if you have more of it, it allows people - men - to be good fighters and do more athletic things better than those without it (I guess?) Women who have it are apparently shunned, which is part of one of the Witch’s backstory. She has Qi and uses it for dark magic...okay? Do some men not use it for evil? Is every woman who has it eventually turn evil? Speaking of the Witch, she is super more powerful than the main baddie. She is physically more powerful, has Qi, uses magic - some of which she uses to shapeshift? Like, why do we need another baddie? She should be the main villain. One reviewer said it would have been a great twist if she was just pretending to be the main guy using her shapeshifting powers and we only find out right at the end. Now that would have been cool. We get a strong female villain who plays off of the gender restrictions of the society and turns everything on its head by going, “I was a woman the whole time! All those things you said a woman couldn’t do, well, I was doing them and you didn’t have any complaints then!” Instead, we get another movie where the villainous woman is second to the villainous man simply because of gender stereotypes. Hell, even if the man was just pretending to be the main baddie and acting as her puppet would have been better.

I guess because she really isn’t the main villain, she gets to have a redemption scene and save the hero, but was that really necessary? Couldn’t she be bad and stay bad until the very end? Why not? Anyway, she sacrifices herself to save Mulan, and it’s supposed to be an emotional scene which causes Mulan to find her inner strength and gives her a power boost to defeat the baddie.

Mulan also doesn’t have a lot of cunning in this remake, apparently. She’s more physical than the animated version, but...wasn’t the point of Mulan to show that you needed more than physicality to save the day? The thing that I’ve seen most people complain about is this. In the animated version, Mulan and the other soldiers are given the task to climb a pole wearing heavy weights (I’ll Make a Man Out of You is one of the best songs ever, fight me). After a montage of her failing physical tasks, she is only able to succeed climbing the pole through her smarts. Not because she suddenly got supper buff and could lift herself up the pole. Yes, she gets physically stronger and becomes the best at everything during the finale of the song, but that just a result of training. You start off really bad and then become good. I believe what made this scene so powerful was that she was held back by the belief that she wasn’t ‘cut out’ for the army. She had to overcome her own mentality before she could start to be a better soldier. She does that by using her brain to find a different way to climb the pole.

In the remake, the task is to climb steps up a mountain carrying buckets of water. It’s not an easy task, as everyone fails, but apparently, she just keeps at it until she is physically strong enough to do it? No more effective way of carrying the buckets than just T-pose while holding them out to the side. Like I said, training makes you stringer. Practice makes you better. This is obvious. You get stronger the longer you work your muscles. There’s nothing special about that. Yes, the men were probably comparatively physically stronger than her, but they all struggled too. What’s the lesson here? Just keep at it and one day you will be big and strong? Okay, cool I guess. That’s something that is helpful, don’t get me wrong. Dedication and hard work are important. Being physically strong is one aspect of being a soldier - especially during the time period the movie is set in, but it’s not the be all end all. That’s what made Mulan stand out: she was at such a disadvantage she had to find a different way of doing things to succeed. Then the training kicked in and she became physically stronger.

It’s also good to note that in the animated version, she never relies on her physical strength to do something. Sure she is super awesome at the end of the training montage, but that’s all we see of her being physical. She uses smarts to defeat the army, the previous method of climbing the pole to get inside the palace, and deception to knock out the guards. No epic parkour, no breaking down walls, just her brain. In the remake, it seems as if strength is the be all end all. Mulan is supposed to be a role model for young girls and an example of why you shouldn’t listen to stereotypes. At least, she is supposed to be. And she is - in the animated version. Here, it seems as if the message is forget about being intelligent. All that really matters is that you be physically strong. I mean, even that hot mess of a movie Hercules taught us that this is wrong. You need more than just muscles to be a hero. Being able to fight isn’t what makes you a hero (it’s certainly part of it, obviously). You need a good heart and a good head, not a six pack.

With all that said, it looks like the Mulan remake suffered from trying to not be Mulan. It went too far in changing things. It added things that it didn’t need to add, and took out things that helped make the animated version well liked. The love story that wasn’t? They took out Shang, but added another love interest? Just keep Shang. Looking back, and even at the time I first saw it, it’s amazing to see the hero is a woman and she doesn’t need to rely on a relationship to reach her goals. The added bonus of having Shang was that he os believed to be the first LGBT Disney character. He respected Ping and thought him a friend before the big reveal and no one can convince me otherwise the looks Shang gave Ping during the training montage and after Ping gives Shang some encouragement right before they march out to the meet the main army are anything other than Shang thinking “Damn, I want some of that.” Add in the fact that he starts to act all flustered when he returned the helmet just shows that he had feelings for Ping, but now that Ping is actually a girl he can act on those feelings (this is both Ancient China we are talking about, not 2020...where being LGBT is still not always accepted...).

Okay, so what does all that mean for the Mulan remake? Beauty and the Beast wasn’t the best because it didn’t go far enough with its changes, The Lion King didn’t have enough changes, and Mulan had too many changes? Not exactly. Mulan, as a story, can work with being completely different from the original animated version. It probably mostly does. It’s more than like going to be a success on Disney+. But if any movie could have been a shot for shot remake, it should have been Mulan. Hell, making it not be a musical and adapting the story to account for that could work. It was the lessons that made the animated version so well liked. Also the humor, Eddie Murphy makes a great side kick. You have the yearning for ‘more’ and the feeling of not fitting in that Beauty and the Beast has combined with the self-doubt and acceptance despite origins of The Lion King. You have a kickass female hero who breaks all the gender rules of her society and saves the day by using her brain and not a sword. No magic to save the day - the ancestor spirts being the only mystical thing about the movie. Mushu isn’t overtly magical and he doesn’t really help do anything except be a convenient Zippo light two times in the movie - it could be argued that he, and magic in general, is a source of conflict since the other spirits all want to bring Mulan home. Also no stupidly forced romance subplot - or worse a love triangle. The remake just doesn’t have any of that, really. It’s basically just another action movie with the added flavor of a woman pretending to be a man in the army. It’s almost a ‘chosen one’ narrative since the aspect of Qi looks to be a major plot point - and source of conflict. There’s magic - and oh by the way, there’s a phoenix attached to Mulan for some reason...? - and what looks like a romance subplot (one where the guy isn’t Bi boooooooo). Mulan could have been shot for shot and would be successful. It can also be successful by making changes, but not many. We like Mulan the way it was. If you need to make changes or updates to it, fine, but don’t make the story so unrecognizable that it becomes a different movie. Mulan doing a whole bunch of fancy martial arts before literally beating the big bad and an evil Witch who turns into a bird are things we don’t want and the story doesn’t need.

Disney needs to stop messing with the original stories. We liked the old animated versions for a reason. Beauty and the Beast and The Lion King were two of the biggest box office hits and two of the most popular Disney movies today. The were huge successes and are still talked about 20+ years later. These remakes are just meh.

If Disney does change the story, change it in a way that emphasizes what was liked about the original. Otherwise, make it into a different movie and - more importantly - call it something else.

#Disney #Mulan #Lion King #Beauty and the Beast #remake #rant #film review

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anyrchyangel · 3 years

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MDZS fanfic sensitivity beta

Hi~ I’m Ana

I’m,,,very bad at Tumblr >.< but I am writing a fic in the mdzs fandom and would really love a sensitivity beta to look over some of my canon references and use of Chinese terms. I’m very new to the wuxia/Xianxia genre and I don’t want to accidentally say or use a term that offends or misrepresents the genre.

Beta-ing is hard work and I’d never expect anyone to sign up to beta without having first peeked at what they’d be working on, so I’ve placed the first chapter of my fic down below.

Some disclaimers/primers: this fic is a crossover between Kimi no na wa/Your Name and mdzs--you don't have to have seen Your Name to follow along, but it wouldn’t hurt to know the plot I am ripping off >.< It includes body swapping and a major character death (if we count wwx dying and coming back to life as mo xuanyu as actually dying...) and for some reason, I have made everyone witches...yeah. Sorry >.< WangXian is the main (and kind of only) ship! Rated T solely because I am incapable of not cussing. I don't plan on writing any smut or explicit scenes for this series <,< (...for now.)

Anyways, here's chapter one of the series. Please let me know if you’d be interested in beta-ing for me! I really want to polish this fic before posting it on ao3 or anything >.<

he who swallowed a falling star

chapter one [everything must have a beginning]

Mornings have never once been Wei Wuxian’s friend. He hates mornings—he hates the sharp light of dawn and the cacophony of noise that comes with the world waking. He much prefers the night, the quiet and stillness, the ambience and mystery. There’s no mystery in the mornings—there’s only groggy musings as one cracks open their eyes to the stinging light of day and wipes away crust from their lashes. His body always violently protests to waking—sleep is so precious! It’s calming and good and nice and to be forced awake is among the greatest tragedies of mankind.

Except…except this morning he doesn’t feel like groaning and burying his head into his pillow. This time, his body actually feels sort of…good? That can’t be right. No one feels good in the mornings; the only ones who do are sociopaths and masochists.

And yet as he stretches awake with a yawn, his limbs feel light and his mind feels rested. So much so that his surroundings are immediately clear.

He has absolutely no idea where in the world he is.

He’s in a bed, at least that much is clear—a very soft bed with sheets that smell like sandalwood and covers with textured silk. Exquisite fabric, he’d never so much as been allowed to touch something so expensive before—he has a knack for putting stains where formerly there were none, so all of his own clothes and sheets are of durable fabrics. Stains add character! There’s a story behind every stain…not always an exhilarating story but a tale, nonetheless.

The room in which the bed he is resting on is absurdly clean. So clean as to seem clinical, or maybe decorative, as if he’d stumbled into a dollhouse meant for display purposes only. It’s lovely, a pretty screen separating the bed from the sitting area, decorated with an elegant painting of mountains bathed in mist. The furniture is expensive and luxurious and just looking at how nicely it’s all been cared for makes Wei Wuxian break out into hives. What even is the point of owning furniture if you’re not going to use it?

He taps his chin and tries to remember the night before. Just how much liquor had he drunk to find himself warming someone else’s bed? Had he even been drinking last night? Shit…maybe he should take shijie’s advice and cut back a bit. His eyes wander to the finger tapping away and he pauses because…well that really doesn’t look like his finger. Or his hand. Or his arm.

He scrambles to the nearest reflective surface—a basin of water in a porcelain bowl that’s probably more expensive than everything he owns combined. The face that looks back at him is…breathtakingly beautiful. Skin the color of white jade, softer than the inner petals of a peony, silky midnight hair draped down broad shoulders to rest at the small of his back, and bright golden eyes somewhere between the shade of the sun as it reflects on ice and wheat dancing in a breeze upon a gilded field.

It’s so beautiful that it narrows down the theories currently running through his head down to two: A) he has died and (mistakenly) ascended to heaven to live the rest of eternity as the most beautiful angel to have ever existed, or B) he’s dreaming. B) seems more likely, especially since the likelihood of Wei Wuxian going to heaven is probably somewhere in the negatives. Plus, witches don’t go to heaven…or technically even believe in heaven. Not to say that there isn’t an afterlife but—he’s rambling. His mind is whirring with so many thoughts that even he can’t keep up with them all.

“Huh.” Oh this man’s voice is so deep and rich that Wei Wuxian’s spine tingles at the sound. “Shit, even his voice is beautiful.”

He hums a few nonsensical notes just to listen to the different octaves; a deep voice, but a melodic one. He wonders if this person is a singer—he certainly has a lovely voice for singing. His eyes wander around the room, searching for…well he’s not really sure. His own body, perhaps? Proof that this is a dream? Or maybe signs of spellwork gone incredibly wrong. It wouldn’t be the first time one of his experimental enchantments went awry.

He starts rummaging through drawers and opening doors, hoping to learn more about the person whose body he now possesses. The handsome stranger is astoundingly boring. Not a speck of dust anywhere or a book out of place—even the poetry on this person’s shelf is…bland, at best. He tosses open the closet, hoping for literal or figurative skeletons. Someone this perfect can’t possibly exist in real life. Maybe instead of a dream this is a hallucination—Wei Wuxian has trouble believing that his active mind would conjure someone so dull but, well even he has off days. Or nights, he supposes. Is it night where he’s dreaming? Doubtful, given his sleep schedule but—he’s rambling again.

Within the closet hangs a full-length mirror, and he pauses in his rummaging to admire the body of the most boring person he’s…well they haven’t technically met, have they?

He’s even more beautiful in the crystal-clear reflection, tall and toned with arms that should be illegal. Wei Wuxian grins and quickly strips off his outer robes (so white that they remind him of mourning robes. He gets distracted when he imagines the scene he must have made whilst asleep—so ethereal and white and pure); the image that greets him is ridiculous. Abs that could cut steel on skin the color of flawless white porcelain, not a blemish in sight. His fingers dance across the muscle, laughter bubbling out of him. Oh what a sound—this gege really is perfection given flesh, isn’t he?

He smiles at his reflection and conjures as many funny faces as he can come up with. Well if he’s stuck in an angel’s body, he might as well have some fun, shouldn’t he?

Wei Wuxian bounds across the halls, chased by the knowledge that he is most definitely late for breakfast. Dawn has already segued into late morning, and if he wants any sort of meal before lessons, he will have to sprout wings and fly across the residence—an idea he’d actually toyed with before, but enchantments that alter the flesh are too finicky and he quite likes keeping all his fingers and toes.

He mentally prepares himself to face the routine “How could you have slept in so late!?” from Jiang Cheng and the “A-Xian, are you not sleeping well?” from Yanli and the knowing smile from Jiang Fengmian, matched only by the scathing glare from Madam Yu that has accompanied every breakfast he can remember having at Lotus Pier. To which he will smirk and tease Jiang Cheng, complain and pout to Yanli, return Jiang Fengmian’s smile and cautiously avoid Madam Yu’s gaze.

Wei Wuxian loves his morning routine, even if it doesn’t technically count as having happened in the morning.

“How do you always manage to sleep in so late!?”

Ah, Jiang Cheng is so predictable—Wei Wuxian loves that about him.

“I was having the best dream!” He responds as he flops onto his mat at the table, shoveling food into mouth as fast as he can pour extra chili sauce onto everything.

“Oh? What about?” Jiang Fengmian’s smile is no less endearing for being as predictable as Jiang Cheng’s anger—perhaps even more so because of it.

“Hmmm,” he pauses in stuffing his face to try and remember his dreams, but the haze of sleep has yet to lift, “huh—I can’t actually remember?”

“How do you know it was a good dream if you can’t even remember it?” Jiang Cheng’s sneering makes him smile, bits of rice on display for his favorite (and only) brother.

“I don’t have to remember every detail to know that it was a good dream!”

It’s true—although he can’t remember anything of what he’d dreamt, the feeling of joy lingers, even as the fog of sleep lifts under the light of day.

“Here, A-Xian, have some lotus seeds. I saved some for you.”

He gulps down some tea to clear the sticky rice from his teeth and perches at Yanli’s elbow with his lips parted, her eyes crinkling into adorable crescents as she pops a lotus seed into his mouth.

“A-Li.” Even on the best of days, Madam Yu’s tone could strip paint from the walls, varnish from the wood within the halls; it was like listening to the crack of a whip, or the rumbling of thunder. Yanli wilts under her strict gaze, eyes dropping to the hands she folds in her lap.

“I am glad to see you back to yourself, A-Ying.” (I’m not sure this is a good way for jfm to address wwx—in the original text he never actually says wwx’s name, but he does call jc A-Cheng; I want to show here that jfm favors wwx) Jiang Fengmian’s tone is the opposite of Madam Yu’s; soft where hers is harsh, calm where hers is agitated. The difference between them is jarring—like the crack of lightning meeting the quiet currents of a flowing river.

“Yes, how very fortunate we are to see you returning to your ways.” Another crack of lightning, this one closer to the babbling brook that is Uncle Jiang, the waters left disrupted and discordant.

“Wait, what?” Wei Wuxian has never feared the thunder, nor the storm.

“You went psycho yesterday and woke at dawn. You even cooked breakfast, but it was bland as shit. It was honestly the most disgusting thing I’ve ever eaten.”

Where Yanli wilts under Madam Yu’s glares, Jiang Cheng grows more uncertain, and uncertainty breeds anger within him. Except this anger is often a guise, smoke to the fire that is his worry. Wei Wuxian smiles at him, basking in the concern the same way a flower dances in the breeze.

“Aw, don’t sound too concerned Jiang Cheng.”

The way he snorts and rolls his eyes makes it easier for Wei Wuxian to gloss over the fact that he can’t really remember the day before. An odd gap in his memory, but he shrugs it off and sneaks more lotus seeds from Yanli, who hides a smile behind her hand as she passes him the morning paper.

“Did you see? The comet will be visible on the day of the banquet. Maybe we’ll see a falling star or two.”

“Hmm? Would shijie like falling stars? Maybe I’ll catch one and bottle it up, just for you.”

Her laughter is honey, her smile sunshine; perhaps he should bottle that instead, for use on rainy days or cold winters when the lotuses close their petals.

“A-Cheng, you have lessons to attend to. You do not have the luxury of falling behind.”

“Yes, mother.” The only time Jiang Cheng ever sounds subdued is in deference to Madam Yu, and the sound grates against Wei Wuxian’s ears.

“A-Xian, you should head off to lessons too. You don’t want to be late.” Yanli sneaks the last of the lotus seeds into his hand; he’s convinced she’s on a mission to fatten him up, to which he has zero complaints. If he could gorge on shijie’s lotus seeds for eternity, he would.

“Oh? From what I hear, Wei Wuxian’s time is better spent hunting pheasants and flying kites with the younger witchlings.”

What a nasty storm to deal with so early in the day. He doesn’t fear thunder, but nor does he seek rain.

“The kites were actually an enchantment I was testing out. I finally fixed the talisman to facilitate one’s qinggong[1] to the point of weightlessness. Those kites were—”

“You did what!?”

“There’s no need to shout, Jiang Cheng. The actual enchantment is pretty simple if you cast on the right night. I have a theory that the casting is a lot easier during a full moon, but I managed just fine when it was waning—”

“You—Wei Wuxian!” Jiang Cheng’s cheeks puff with indignation, his face as red as the chili sauce Wei Wuxian slathers on every meal.

“Yes, I’m here!” He answers with laughter, snickering and dodging as Jiang Cheng lunges for him, waving at Yanli as he darts out the room. He’d skip class if he didn’t want to write down another idea for an enchantment in his grimoire, of which he’s about forty percent sure is in his desk…or buried under his other inventions somewhere in his room. Or maybe he left it in the atrium when he was searching for a specific constellation?

Jiang Cheng chases him from the residence, out through the courtyards and down into the docks of Lotus Pier. He smiles and waves at the merchants, eyeing all the pastries and water chestnuts, winking at runny-nosed children from the nearby households. His heart feels both heavy and light—too full to dream of moving and yet so buoyant he might drift along with the next passing breeze.

The giant lake gleams under the light, lotuses dancing and swaying in the wind, the sound of home bustling around him. Wild magic whispers through the air, flows through the undercurrents of the lake, along the waterways for miles and miles until it reaches the ocean. An idea pops into his head to attempt to track the energy, map out the ley lines, but he catches the shadow of a pheasant nearby and pushes the thought down his list of priorities.

He smiles and dodges Jiang Cheng’s attempts to toss him into the lake, grappling each other into headlocks as they make their way towards the lecture halls. He sighs at the idea of another long, boring monologue in spellcraft theory, but the idea of enchanting a few papermen to dance behind the Adeptus keep his steps light. The witchlings always love a good show—perhaps he’ll put on his own little play for them. With the right paper, he might be able to craft a jade rabbit and play the story of Chang’e and Hou Yi. Maybe he could make them sing? A whistle from a witch is a powerful thing. Or he could tell the story of Ragnarok, the Twilight of the Gods—his head buzzes with ideas, excitement filling his veins at the prospect of researching more of the lost stories of old gods and immortals.

Endnotes:

[1] Qinggong (in most cultivation/wuxia novels) is the art of manipulating qi to walk on water or move across surfaces; it’s also a real technique in Chinese martial arts. Read about it here

If you got this far, thanks for reading! Even if you're not interested in beta-ing, I’d still love to hear feedback! I don’t normally post such long pieces on Tumblr, but I wasn't sure what else to do >.< I hope you liked it!

#MDZS #modao zushi #fanfic #beta #oh for the record I haven't watched CQL and this fic is based on the mxtx novel #wangxian #also the setting is Howl's Moving Castle (Ghibli not novel) so like modern...ish #with magic everywhere because why not ;A;#I think I started this fic to put wwx in a witch's hat...#6k words in and I haven't mentioned the hat QAQ

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animeman08 · 3 years

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Superman

Superman is a fictional superhero, who first appeared in American comic books published by DC Comics. The character was created by writer Jerry Siegel and artist Joe Shuster, and first appeared in the comic book Action Comics #1 (cover-dated June 1938 and published April 18, 1938). Superman has been adapted to a number of other media including radio serials, novels, movies, television shows and theatre.

Superman was born on the planet Krypton and was given the name Kal-El at birth. As a baby, his parents sent him to Earth in a small spaceship moments before Krypton was destroyed in a natural cataclysm. His ship landed in the American countryside, near the fictional town of Smallville. He was found and adopted by farmers Jonathan and Martha Kent, who named him Clark Kent. Clark developed various superhuman abilities, such as incredible strength and impervious skin. His adoptive parents advised him to use his abilities for the benefit of humanity, and he decided to fight crime as a vigilante. To protect his privacy, he changes into a colorful costume and uses the alias "Superman" when fighting crime. Clark Kent resides in the fictional American city of Metropolis, where he works as a journalist for the Daily Planet. Superman's supporting characters include his love interest and fellow journalist Lois Lane, Daily Planet photographer Jimmy Olsen and editor-in-chief Perry White. Superman has an extensive Rogues Gallery with his arch-enemy being supervillain Lex Luthor.

Although Superman was not the first superhero character, he popularized the superhero archetype and established its conventions. Superheroes are usually judged by how closely they resemble the standard set by Superman. He was the best-selling superhero character in American comic books up until the 1980s.

> Clark Kent

Superman's secret identity is Clark Joseph Kent, a reporter for the Daily Planet. Although his name and history were taken from his early life with his adoptive Earth parents, everything about Clark was staged for the benefit of his alternate identity: as a reporter for the Daily Planet, he receives late-breaking news before the general public, has a plausible reason to be present at crime scenes, and need not strictly account for his whereabouts as long as he makes his story deadlines. He sees his job as a journalist as an extension of his Superman responsibilities—bringing truth to the forefront and fighting for the little guy. He believes that everybody has the right to know what is going on in the world, regardless of who is involved.

To deflect suspicion that he is Superman, Clark Kent adopted a largely passive and introverted personality with conservative mannerisms, a higher-pitched voice, and a slight slouch. This personality is typically described as "mild-mannered", perhaps most famously by the opening narration of Max Fleischer's Superman animated theatrical shorts. These traits extended into Clark's wardrobe, which typically consists of a bland-colored business suit, a red necktie, black-rimmed glasses, combed-back hair, and occasionally a fedora. Clark wears his Superman costume underneath his street clothes, allowing easy changes between the two personae and the dramatic gesture of ripping open his shirt to reveal the familiar "S" emblem when called into action. His hair will also change with the costume change, with Superman sporting a small curl or spit curl on his forehead. Superman usually stores his Clark Kent clothing compressed in a secret pouch within his cape, though some stories have shown him leaving his clothes in some covert location (such as the Daily Planet storeroom) for later retrieval.

As Superman's alter ego, the personality, concept, and name of Clark Kent have become ingrained in popular culture as well, becoming synonymous with secret identities and innocuous fronts for ulterior motives and activities. In 1992, Superman co-creator Joe Shuster told the Toronto Star that the name derived from 1930s cinematic leading men Clark Gable and Kent Taylor, but the persona from bespectacled silent film comic Harold Lloyd and himself. Clark's middle name is given variously as either Joseph, Jerome, or Jonathan, all being allusions to creators Jerry Siegel and Joe Shuster.

> Personality

In the original Siegel and Shuster stories, Superman's personality is rough and aggressive. He often uses excessive force and terror against criminals, on some occasions even killing them. This came to an end in late 1940 when new editor Whitney Ellsworth instituted a code of conduct for his characters to follow, banning Superman from ever killing. The character was softened and given a sense of humanitarianism. Ellsworth's code, however, is not to be confused with "the Comics Code", which was created in 1954 by the Comics Code Authority and ultimately abandoned by every major comic book publisher by the early 21st century.

In his first appearances, Superman was considered a vigilante by the authorities, being fired upon by the National Guard as he razed a slum so that the government would create better housing conditions for the poor. By 1942, however, Superman was working side-by-side with the police. Today, Superman is commonly seen as a brave and kind-hearted hero with a strong sense of justice, morality, and righteousness. He adheres to an unwavering moral code instilled in him by his adoptive parents. His commitment to operating within the law has been an example to many citizens and other heroes, but has stirred resentment and criticism among others, who refer to him as the "big blue boy scout". Superman can be rather rigid in this trait, causing tensions in the superhero community. This was most notable with Wonder Woman, one of his closest friends, after she killed Maxwell Lord. Booster Gold had an initial icy relationship with the Man of Steel, but grew to respect him.

Having lost his home world of Krypton, Superman is very protective of Earth, and especially of Clark Kent's family and friends. This same loss, combined with the pressure of using his powers responsibly, has caused Superman to feel lonely on Earth, despite having his friends and parents. Previous encounters with people he thought to be fellow Kryptonians, Power Girl (who is, in fact from the Krypton of the Earth-Two universe) and Mon-El, have led to disappointment. The arrival of Supergirl, who has been confirmed to be not only from Krypton, but also his cousin, has relieved this loneliness somewhat. Superman's Fortress of Solitude acts as a place of solace for him in times of loneliness and despair.

> Powers, abilities, and weaknesses

Since Action Comics #1 (1938), Superman has superhuman strength. The cover of Action Comics #1 shows him effortlessly lifting a car over his head. Another classic feat of strength on Superman's part is breaking steel chains. In some stories, he is strong enough to shift the orbits of planets and crush coal into diamond with his hands.

Since Action Comics #1 (1938), Superman has a highly durable body, invulnerable for most practical purposes. At the very least, bullets bounce harmlessly off his body. In some stories, such as Kingdom Come, not even a nuclear bomb can harm him.

In some stories, Superman is said to project an aura that renders invulnerable any tight-fitting clothes he wears, and hence his costume is as durable as he is despite being made of common cloth. This concept was first introduced in Man of Steel #1 (1986). In earlier stories, Superman's costume is made out of exotic materials that are as tough as he is.

In Action Comics #1, Superman could not fly. He traveled by running and leaping, which he could do to a prodigious degree thanks to his strength. Superman gained the ability to fly in the second episode of the radio serial in 1940. Superman can fly at great speeds. He can break the sound barrier, and in some stories, he can even fly faster than light to travel to distant galaxies.

Superman can project and perceive X-rays via his eyes, which allows him to see through objects. He first uses this power in Action Comics #11 (1939). Certain materials such as lead can block his X-ray vision.

Superman can project beams of heat from his eyes which are hot enough to melt steel. He first used this power in Superman #59 (1949) by applying his X-ray vision at its highest intensity. In later stories, this ability is simply called "heat vision".

Superman can hear sounds that are too faint for a human to hear, and at frequencies outside the human hearing range. This ability was introduced in Action Comics #11 (1939).

Since Action Comics #20 (1940), Superman possesses superhuman breath, which enables him to inhale or blow huge amounts of air, as well as holding his breath indefinitely to remain underwater or space without adverse effects. He has a significant focus of his breath's intensity to the point of freezing targets by blowing on them. The "freezing breath" was first demonstrated in Superman #129 (1959).

Action Comics #1 (1938) explained that Superman's strength was common to all Kryptonians because they were a species "millions of years advanced of our own". In the first newspaper strips, Jor-El is shown running and leaping like Superman, and his wife survives a building collapsing on her. Later stories explained they evolved superhuman strength simply because of Krypton's higher gravity. Superman #146 (1961) established that Superman's abilities other than strength (flight, durability, etc.) are activated by the light of Earth's yellow sun. In Action Comics #300 (1963), all of his powers including strength are activated by yellow sunlight and can be deactivated by red sunlight similar to that of Krypton's sun.

Exposure to green kryptonite radiation nullifies Superman's powers and incapacitates him with pain and nausea; prolonged exposure will eventually kill him. Although green kryptonite is the most commonly seen form, writers have introduced other forms over the years: such as red, gold, blue, white, and black, each with its own effect. Gold kryptonite, for instance, permanently nullifies Superman's powers but otherwise does not harm him. Kryptonite first appeared in a 1943 episode of the radio serial. It first appeared in comics in Superman #61 (Dec. 1949).

Superman is also vulnerable to magic. Enchanted weapons and magical spells affect Superman as easily as they would a normal human. This weakness was established in Superman #171 (1964).

#dccomics #dcuniverse #justiceleague

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x0401x · 5 years

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Hey miss wonderful taste in everything, can you recommend us some of your favorite KyoAni productions?

Sure! I love doing recs and I’m literally taking any sort of positive content related to KyoAni lately because we truly need it at the moment. Long post alert, though. Here goes my top 10:

1. Hyouka

This one will probably be my first choice forever. It’s KyoAni’s most brilliant work so far and easily one of the best animes I’ve ever watched, hands down. It’s also their finest novel-to-anime adaptation in my opinion, and one of the very few animation series that actually turned out better than their source material.

The books are extremely interesting, but they’re also bland. The alterations made to the anime added visual value to it in order to make it more alluring and appealing, turning ordinary situations into rather unique and thought-provoking settings, while managing to never deviate from its novel counterpart. The changes on the characters’ designs were also a very good choice in my opinion, as they fit more into the character archetypes and the impressions they give off.

This one is honestly an example for the whole anime industry and a timeless gem. I’m pretty certain that it was one of the studio’s turning points in terms of animation style. Surely will become a classic in the future.

2. Koe no Katachi

KyoAni’s most well-done movie, as far as I can tell. I’m specially fond of the symbolism of every scene and the effort put on the scenery, which gave an effect of depth to the frames. The studio managed to portray the mangaka’s art style while staying true to its own trademark traits as well.

Animation quality and sound design aside, it’s also loyal enough to the manga. There were cuts in order to fit the story into the time limit, but KyoAni made up for the gaps with later released specials. The movie is also considerably less dramatic than the original, yet I’m certain that the alterations in that regard were made so that the transition between the phases of the story wouldn’t feel rushed. Albeit in a much more uplifting way, it nevertheless managed to transmit the characters’ essence and emotions.

What caught my attention the most in this movie was the soundtrack, though. There was a lot of care in its production, and it was clearly made to be gentle and almost imperceptible, with glitch-like repetitions here and there, as if it means to put the viewers in the shoes of the deaf heroine. It certainly did its job well.

3. Full Metal Panic? Fumoffu!

First anime from KyoAni I’ve ever watched, aside from the Inuyasha movies. Easily one of their funniest series, if not the actual funniest. It has a very special place in my heart. I dropped Amagi Brilliant Park on the first episode, but I’d cry internally every time I saw Bonta-kun in it. The nostalgia is strong, kids.

It’s got excellent animation for the year it was made, and I dare say it’s more decently animated than many current animes. The pacing is dynamic and the jokes vary from over-the-top to smart and witty in a smooth way. I also give this one kudos for not relying nearly as much on fanservice as more recent titles.

For the people who didn’t watch the first Full Metal Panic, I suggest doing so before trying this one out. Anyone who enjoys the two should also watch the second season, Full Metal Panic: The Second Raid, which comes right after Fumoffu and was also animated by KyoAni.

4. Clannad

This one I deem as the best out of KyoAni’s most notorious classics. I also recommend the other titles related to this one, such as Clannad: Another Story.

Much like Hyouka, it’s a masterpiece in every aspect. It has a very non-cliché and unconveninent plot that deals with delicate themes in a sensible way and tears your heart apart at the same time. Frankly exemplary to the drama genre and exceptional as a visual novel adaptation.

5. Free!

The franchise became lackluster after the first director left, but the first two seasons were fun enough in their own right. Unlike most novel-to-anime adaptations, Free! started with original content through creating a future for the main story, which was turned into the not-so-distant past in the anime. This is unusual enough, but it worked out well as the anime maintained itself as loyal as possible to the first book and never went off the rails with the plot. The main characters’ personalities did suffer many alterations, yet it’s obvious that they meant to make the two more charismatic and likeable. As far as fan responses went, it worked.

I find very interesting that the creators were aware the story took itself too seriously at times, and they made this clear by compensating the heavy melancholy with heavy comedy. They also compensated the overdramatic atmosphere of the first season by picking up the pace and getting a little more serious in the second season. Everything was intentional and designed to be a hit amongst women, which I think had served the purpose until the first movie came out.

To be honest, I’m not fond of the exaggerated fanservice, but it gets easy to ignore it after a while if you only pay attention to the storyline. I don’t consider myself a fan of Free!, and I actually took very long to start liking it. I only did get into it at the last scene of episode 8, back when the first season was still airing. It was only by this time that I could see the true value of the series, so I recommend anyone who tries it out to go at least that far with it. I know it might be a lot of work, but in my honest opinion, it’s worth the trouble.

I deem the High Speed! novel awe-inspiring because of its nostalgic tone and the awfully realistic depiction of childhood crises. The most serious situations of it are a little out of reality, but the rest is absurdly relatable in levels that I myself don’t know how to put into words. Yet I also appreciate Free! for its strong tone of encouragement. It feels like the creators are trying to cheer up the viewers.

6. Kyoukai no Kanata

It starts becoming a mess from episode 4 onward, yet the beginning was quite promising. This one relies heavily on fanservice, often makes use of nonsensical tropes for the sake of comedy and sometimes goes overboard with the jokes. However, it doesn’t fail to deliver emotional value and the action is pretty neat. Anyone who hasn’t read the novel will definitely be able to enjoy it as a standalone.

I don’t think I need to mention it, but the animation is stellar. I in particular love the blurry movement effects of when the characters draw their weapons and the geometrical spectrums in the colorful power barriers. I also recommend the OVA, as well as the second movie I’ll be Here, although the latter is 100% original content. It was actually cute and fun to watch. The first movie is merely one huge recap.

7. Hibike! Euphonium

Truly dazzling take on slice-of-life. It’s healing and heartrending at the same time. The way that characters are portrayed allows the viewers to feel their passion and dedication without it occasionally feeling unrealistic. Everyone has their own problems, but none of them are taken out of proportion. Miscommunication happens, just not in a frustrating shoujo manga way.

The soundtrack and scenery are breathtaking, yet the forte of the animation in this one was the huge amount of detail put into the eyes and hair. Everyone’s hairdos are remarkably glossy without ever looking weird, and I especially like how their eyes all glinter in different colors.

The author published another volume of the novel after the anime, saying it had inspired her to write more, and it’s no wonder. I also recommend season two and the OVA. The first two movies are just recaps and the third was to me a disappointment, so I leave those to people’s own discretion.

8. Tamako Market

Rather odd but nice story. It blends iyashikei elements with a peculiar plot and actually manages to do that in a cute way. All of the characters are likeable and the visuals do a good job in transmitting what they have to transmit in a very relaxing manner.

This show caught me off-guard by how unproblematic it was. It has trans, gay and dark-skinned characters, but none of them is ever used for fanservice or jokes and their respective circumstances are portrayed as 100% normal, which is sadly still rare in anime even nowadays. The romance is pretty not-dramatic and filled to the brim with fluff, and I very much like that the main guy treats his female love rival as a serious threat.

I recommend the specials and the movie as well. Especially the movie, which is basically the same as direct sugar injestion and gave me diabetes.

9. Munto

Also has a special place in my heart. Cheesy but good, actually. I’d be lying if I said there aren’t some surprises in it, though, but I’ll refrain from giving too much info on the story itself.

It was firstly an OVA, but then got adapted into three movies. The animation was done finely enough, but there’s a drastic change in style from the first to the second half, though I myself didn’t really mind it. The characters are all well-stablished and the plot is consistent. There’s a present quality of feminist shades in it and the relationships are very endearing.

10. Nichijou

Not really one of my favorites but certainly one that I recommend for people who are in need of a laugh. It’s got some pretty creative and iconic humor. Its imaginative retakes on routinely affairs manage to transform the most trivial real-life situations into Oscar-worthy wit. It also gets nonsensical every so often, but this fits within the show’s own narrative.

It has a very unique animation that sometimes mixes different styles of art, which only makes every scene a hundred times funnier for being so soft and adorable. It varies from hyperrealistic to surrealistic at the speed of light and sometimes even becomes abstract as hell. It’s full of notes on Japanese culture, not only about daily life but also about media, which adds up to the fun.

#kyoani #kyoto animation #hyouka #free!#koe no katachi #full metal panic #nichijou #hibike euphonium #tamako market #clannad #kyoukai no kanata #munto #i could totally do more of these!

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official-michael-afton · 4 years

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Made a tier list of FNaF media!!! Not counting the activity book or the security survival log because those don’t really add anything, they’re just neat activities or summaries of game info

I explained the choices under the cut, equal parts personal bias and objective opinion, so if you think differently then hey, good on ya!

Going down to up XD

The Silver Eyes Graphic Novel: Do I even need to explain this one? Rushed art with countless mistakes, horrid coloring, samey designs, the important scenes come off as bland and even goofy instead of impactful. It’s clear Pinky wasn’t used to drawing humans, the colorist had no idea what they were doing, and no one on the team made a graphic novel before. It’s laughable how bad this was XD

The Fourth Closet: Does anyone really know what happened at the end? I... really don’t like what they did with Charlie in this one. I don’t like how William was able to get out of his Springtrap- it was SUPPOSED to trap him, and yet he just... is out of it... I think the whole thing with Baby being like this hot clown girl instead of what she is in Sister Location is very... ... it exists... Tbh I respect the bold direction it took, but I honestly felt it was too much of a stretch and just didn’t work.

FNaF AR, Special Delivery: Not bad! The character models and voice acting is where the game shines most. Other than that, there isn’t really much substantial to the game other than some lore with Vanny/Ness and Luis. The gameplay can get frustrating sometimes(I cant collect remnant, read my mail, or even work on my own animatronics without DING DONG SOMEONES HERE every 5 seconds), and all you do is spin in a circle until you get glitchy, look away if they get glitchy, or zap them when they run at you. Some people probably love this game and good on them for that, but I find myself not touching it for weeks at a time.

Freddy In Space 2: GREAT game for charity, great art, great music! ... That’s all it has going for it, though. It was clear that this was a quickly made game designed to be beaten in one sitting, and it did exactly what it needed to do! Other than being amazing how it was for charity, the game doesn’t have that much going for it(except introducing Lolzhax aka BEST ROBO), so overall not bad but also did almost nothing outside of being for the Charity Livestream XD

Fazbear Frights, Into The Pit: Again, not bad! A nice collection of short stories, almost like goofy campfire horror you’d tell to kids... like goosebumps! I felt each story was REALLY lacking in some areas, but I liked the general idea they were going for. That being said, they’re moreso neat scary stories with the name FNaF attached than anything else(except maybe the first of the three). It hints that they have an overarching plot that will be covered in future books, but as of right now, I feel no one’s missing out by not reading them.

FNaF 3: A satisfying end to the original trilogy story! Purple Guy gets justice, everything gets tied together with a neat bow, and the first arc in the series comes to an end. Also Springtrap, aka my favorite. This game is riddled with neat 8-bit minigames and bits of lore, but the gameplay itself is where I find it not as good as the S A and B tiers. The new setup with the system reboots are def really interesting, but other than that, each night is just... the same thing but harder. Most other games introduce different characters on different difficulties per night, but since Springtrap is the only deadly one, it’s just... him more aggressive each night and systems failing more often. Makes the gameplay pretty repetitive and frustrating after Night 3 or so.

FNaF 4: The beginning of what I like to call the Afton saga(4, SL, FFPS, UCN)! This is when the lore began to get REALLY good... and also really confusing. Props for it taking such a bold direction by taking place in a child’s bedroom instead of in an office with cameras, its a neat change of pace! That being said, the gameplay can get frustrating and there’s a high learning curve for needing to listen to each sound the anmatronics make. Also lore wise... there really isn’t much! Just mainly focuses on what happened to this poor kid. Also the box still being a loose end... yeah.

The Twisted Ones: I enjoyed this one! It had a very interesting direction that kinda kept me guessing on what was going on, and this is when Scott really started nailing in the foreshadowing for the reveal in TFC. The Twisted animatronics are SO cool, and the introduction of those little alteration chips provided new context to games like 4 and SL! That being said, I don’t remember it being... that memorable? I also didn’t like how Charlie’s and John’s relationship was... so awkward... It was neat, but honestly nothing to really go crazy over, in my opinion.

The Silver Eyes: Honestly, I adored this book when I read it back in 2016, before Sister Location happened. At the time I wasn’t trying to connect it to any lore, so it was really great just to see a sort of retelling of the FNaF story. A lot of people complained about how long it was... I might agree if I reread it but tbh it never bothered me before. It was delightfully creepy, yet had a simple plot and wasn’t NEARLY as out there as TTO and TFC. Especially TFC. I felt this book didnt need 2 sequels and would’ve been just fine on its own, but whatcha gonna do. Carlton is forever my fav, and it’s the first time we really learn about Henry AND it was the first time we got a name for our Purple Guy: William Afton!

Sister Location: I like this one for just how bold of a game it was. I’m also including SL’s Custom Night wrapped into this package. Jam packed with lore, our first (main) game with VOICE ACTING, and honestly the humor has no right being as good as it is. I love how this not only expanded on the crying child from 4′s story, but also gives us so much Elizabeth and Michael content. The gameplay has a lot of unbalanced features and feels a little too over the place at times, but I appreciate where it was going with it!

FNaF World: ... This one is pure personal bias. A lot of people don’t like it. I adore it. Honestly I love the cute overworld, I love beating up enemies as my favorite animatronics, I love the horror, nihilism, and lore shoved into this game alongside SO MUCH humor. Update 2 was nothing short of an absolute delight and... wait, no!!! FNaF World had our first voice acting!!! So many endings and nods to other games Scott’s made, a cool scene with Desk Man/Henry and Baby, just... muah. Good content. Also Scott 57 <3

Ultimate Custom Night: Name a better way to end the Afton Saga, I’ll wait. It’s so obvious how much time, thought, and care went into this one. I love how the game rewards you with funny cutscenes the higher scores you get, and I just! So much voice acting! I love how each preset- no, each character has their own moves so every time you do a certain mode, you need to learn to manage them all and get a good strategy. I like how it’s way more strategy and skill than the RNG that many previous games had. Also, Scott!!! You managed to put this into the LORE by making it William’s hell, MUAH, couldnt have done it better!!!

FNaF 2: This one might have bias for being the peak of the fandom, but it was one of the greatest times to be in that fandom. Freaking out over the trailers, theories galore, prequel vs sequel, and just... so good. 1 didn’t have much plot, 2 DID. 2 had more mechanics and strategy to it than 1, and gave us over twice as many characters! We finally got a “face” to our killer, Mr. Purple Man, and how could I ever complain about more Phone Guy~? This one also introduced the 8-bit minigames, which became a HUGE staple for the series! Perfect expansion of the first!

Freddy Fazbear’s Pizzeria Simulator: The PERFECT blend of old and new gameplay. The salvage scenes are intense, the nights had a great balancing mechanic of juggling doing tasks while also avoiding animatronics, multiple endings, and a neat tycoon segment to give the player a breather... but with LORE!!! Midnight Motorist is easily one of the best tracks in the series. Also has a GREAT canonical ending, when(with paired with UCN), ties the plots of 1-6 SO nicely with a neat bow.

FNaF 1: Okay. From a personal and gameplay standpoint, I was going to put this much lower. Like B or C. That being said... this has to go in S. Yes, it has the least lore and arguably the worst gameplay(too much RNG for 4/20 mode), but this was the game. I can’t even exaggerate when I say just how much FNaF changed not only the gaming community, but especially the horror and indie communities. So many names got big from this: Markiplier, Dawko, Game Theory, The Living Tombstone, DA Games, SCOTT HIMSELF, just to name a few!!! And to think, this was originally going to be Scott’s last game! FNaF changed gaming HISTORY, and I think that alone makes this title deserving of S.

FNaF VR, Help Wanted: Okay, personal bias time, but I truly think VR deserves this S. Seeing Glitchtrap for the first time incited a panic in me that I hadn’t felt since FNaF 1 and 2. You get FNaF 1-4 in one, all in VR, WONDERFUL character models that you can WATCH MOVE!!! SO many minigames and fun challenges to play, so many neat knickknacks to collect, the Halloween update is FANTASTIC. The introduction of some great characters, such as: Glitchtrap, Vanny, Tape Girl, Dreadbear, Grim Foxy, etc!!! There’s also just- something so nice about being able to see every office and the pizzeria in 3D spaces where you can look around! Just from a gameplay and environment standpoint, this was an AMAZING addition and deserves the S.

... Thanks for listening to me ramble XD If you disagree... then good for you! I won’t fight anyone on this, I’m aware that this is a lot of personal bias. But if you made it this far... thanks for hearing me ramble!!!!

#fnaf #infodump #fnaf tier list #five nights at freddy's

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darlingpetao3 · 4 years

Text

Seducing the Gem (Nash Wells x Reader, Chapter 1/9)

Rating: M (Smut in Chapter 6 only)

Summary: When a mysterious package shows up at your front door, you (a famous Romance novelist) are hurtled from your virtually uneventful life and into one of danger and adventure. In a quest to save your captured friend Caitlin from impending harm, you run into a suave adventurer named Nash who helps you along the way. Or is the charming Nash simply after something in your possession...?

A/N: My Romancing the Stone AU is finally here!! Again, check out the film if you haven’t already (it’s one of my favourites). This has been such a fun series for me to write and I really hope you enjoy it! Major MAJOR thanks to @mintchipcupcake for being my beta-reader for this story! (You’re amazing!!) Let me know if any of you would like to be tagged for upcoming chapters. There will be nine installments total and I will do my best to post every Tuesday.

The altered-human stood before me, looming in the shadows of my apartment. His fists glowed with the light of a thousand suns.

“I know who you are,” his voice croaked. A shiver ran down my back. Yes, I was only in my lace nighty, but I was by no means cold.

“I don’t know what you’re talking about,” I feigned innocence. He took calculated steps towards me, and I knew I’d have to act quickly. This guy was not about to try to kill me a second time.

Luckily, ‘acting quickly’ was something I was exceptional at doing.

The brusque altered-human grunted, then lunged at me with a fiery fist. Little did he know that wouldn’t do much.

I saw the punch coming as if it was in slow motion and dodged his attack, watching his hand glide by my head at a turtle’s pace. I let the momentum return to normal before grabbing his wrist and uttering, “You came to the wrong house, pal.”

It was easy to flip him; he made a thump on my hardwood floor and groaned at the impact. I took that opportunity to run circles around him so fast that I could feel the electricity coursing through my veins until it culminated into a bolt of lightning in my hand.

Power up, baby.

I let the bolt fly, dead straight, until it connected with the altered-human’s chest. He shouted, and the impact of the shot hurtled him out my window to the street below.

There was a commotion outside - voices of distressed concern. I knew I’d be in some serious shit, and not just because I threw a man out my window.

I’d be locked up for being an altered-human too.

There was no time to collect any personal items, just my coat, and I knew my powers wouldn’t work again right away. It always took a while for them to store back up. The sirens already blared, announcing the authorities’ arrival. I climbed out the window of my bedroom and shimmied down the fire escape. Only, in my haste, my bare foot slipped and I lost my hold on the wet metal ladder. I screamed for what I thought would be my final act as a living being.

But there was suddenly a big, muscular arm wrapped around my nearly naked self. The wind whipped at my face, blowing my hair every which way. It wasn’t until I was safely set on the ground that I finally saw the face of my swinging saviour. But I’d know that touch anywhere.

My beloved Chase. The one man I trusted. The only real man in this godforsaken city.

“Aw, did you dress down for me?” he said cheekily, looking my scantily clad body up and down.

“Shut it, the cops are here,” I replied, trying to hide my blush, “and they’ll be after you too.”

“Then we better high-tail it.” Chase summoned his grappling hook into the barrel of his gun. “How ‘bout a kiss for the road?”

I pressed up onto the balls of my feet to ghost his lips with mine.

“How about I save us first, then you kiss me later?” I snatch the device from his hand. “Hold on.”

You can’t help but swoon at your desk, fanning your face with your hand. You could write about these two forever! However, you think that this is the perfect cliffhanger ending to your latest fantasy-romance manuscript. It will set up Book Two in the series wonderfully.

“You’ve done it again,” you congratulate yourself on a job well done. It’s been quite the journey in writing this, and of course, you’ve fallen in love with yet another male character you’ve created.

But there’s just something about Chase that makes him your favourite. You think that your readers are really going to like him, fall in love with him as you have.

Deciding you need to celebrate finishing your draft, you make your way to the kitchen in your sweats, hoodie, and fluffy socks. In doing so, you pass the numerous hanging posters of your New York Times bestselling novels and fanart done by fans.

Humming a tune to yourself, you make a beeline for the fridge, and - there it is - the small personal-sized cake you had bought for this moment. You knew you’d finish the book today, and if the happy-cliffhanger-ever-after ending wasn’t something to look forward to, the cake definitely was.

Maybe you’ll bust out the hot chocolate too.

And perhaps some Bailey’s to go with it. And a bubble bath? Oh, tonight was going to be fabulous!

It’s just you living alone in your apartment, along with all the characters you’d created, residing in your head and begging to have their stories told on paper. You didn’t win the Romance Writer of the Year Award for being a slacker. You didn’t have time for anything else. You didn’t have time for anyone else, or so you continuously tell yourself. However, if a handsome and dashing man like Chase were ever to enter your life, who knows?

What would it be like to be swooped in on and saved like that? What would it be like to save him in return? Alas, you think, you will never find out. You live a virtually uneventful life. You don’t have fictitious altered-human powers (though you wished you did), there’s no one chasing you or wanting to kill you. Likewise, there was no significant-other on the horizon, and now you feared that no one would ever compare to the fictional man you’d created for your latest novel.

These novels are your only means of romance and fantastic adventures. You live in your own creations. It’s an escape - An opportunity to live something so impossible.

Curling up on the couch, you sip your spiked hot cocoa and shovel spoonfuls of the delicious cake in your mouth.

“Here’s to you, Chase,” you toast the imaginary hero in your life.

***

You wake up to an incessant vibration. And while that may sound like a fun way to wake up, it’s just your phone.

Ew, someone’s calling me.

You give a quick stretch from your position on the couch where you’d fallen asleep last night before answering the call.

Strange… it’s an Unknown Caller.

Normally, you’d leave it. After all, as you like to say, “If it’s important, they’ll leave a message.” But today, you think, why not? You’re still on cloud nine from finishing your book.

“Hello?” you answer. There’s no reply, but the call still hasn’t dropped. Someone is still there. “Hello?” you try again.

Whoever it is on the other line ends the call, and you’re left incredibly confused. It’s too early in the morning for this-

Oh, shit!

You just remember you have a meeting with your publisher this morning! Shit! You throw your blanket off of you and dash to your bedroom to make yourself at least semi-professional looking. You think you manage to pull it off, too, but you know you won’t look half as gorgeous as Mrs. West-Allen.

As you scoop up your manuscript and take one step out the door, you see a small package that must have been delivered recently. What shocks you most is the name of the sender.

Ronald Raymond.

But that’s impossible. Ronnie, Caitlin’s fiancé, he’s dead…

You shove it back inside your apartment with your foot. That weirdness can wait, you’ve got a book to sell. Ahh!

It’s a brisk nearly-winter day in Central City. The snow hasn’t begun to fall quite yet, but you’re anticipating it. I wonder what it would be like to write about Chase and his adventures in the snow. Imagine being cozied up next to him in an abandoned cabin with a fireplace and a bearskin rug-

Okay, you are so going to write these thoughts down when you get the next chance. It could be fodder for the sequel!

By the time you make it to Jitters, Iris West-Allen is heading to sit down in one of the large comfy leather chairs in the middle of the cafe with two coffees. You sigh in relief that she’d only just arrived too.

“Hey, you!” she greets you. “There’s my favourite author!”

“Iris, hi,” you take the coffee she offers and you both air kiss each other’s cheeks.

“Is that the manuscript?” Your publisher points to the massive tome of printed-out pages under your shoulder.

“It most certainly is!”

Iris claps her hands together once. “I’m so excited to read it. Now sit, sit. We have lots to discuss.”

Over the next forty-five minutes, you both discuss the book itself, new book tour information starting in the new year, and everything in between. At one point, the conversation takes a turn when your friend and boss starts pointing out various men around the café. She’s always been keen to set you up with someone, as you have been incredibly single for a very long time now.

You wish she wouldn’t, though.

“What about that guy?” she points out a man at the order counter, but adds, “No, never mind. Too bland.” She eyeballs the room looking for eligible bachelors.

“Too gross.”

“Too desperate.”

“Too hipster.”

“Too happy.”

You laugh. “Iris, your husband is actual sunshine, remember?”

“Well, what about him, hmm?” Iris motions with her eyes off to the side - a man with a too-perfect coiff and a shit-eating grin. He winks at you.

You internally cringe. “No, no, it’s just, he’s not…”

“What? He’s not Chase Hutton? Come on, (Y/N).”

“I know, but Iris, I believe there’s someone amazing out there for me. I don’t know where, and I don’t know how, but I’ll find him. And he’s not that guy. Why do you have to bring this up all the time?”

Iris places a hand on yours. “Because I can’t stand seeing you lonely and waiting for someone who’s not real.”

“One - being lonely and being alone are two different things. And two - I’m not waiting for someone who’s not real. Here-” you slide the manuscript across the coffee table to her. “Read it and swoon. I did. Hundreds of times.”

Iris gives you a look.

“Let me know what you think,” you add, standing up and getting ready to leave.

“You’re leaving already?” she asks. “Stay, I’ll get you another coffee. I’m ordering you to. I’m your boss.”

“I can’t.”

“Listen, I’m sorry for that, (Y/N). I didn’t mean anything by what I said or for making you come out here. I just want you to get out, you know? You’ve worked so hard and are doing amazing work, and I know you’re still worried about Caitlin. Because I sure as hell am.”

“Yeah, it’s weird,” you muse at the mention of your mutual friend, “I thought she’d still need me to talk to about everything, but maybe she needs some space? I’m pretty sure she’s still in Africa doing Doctors Without Borders because I haven’t heard otherwise.”

Iris seems like she’s debating on saying something.

“Did they ever find her husband’s body?” she whispers.

“Ronnie? No, but no one could have survived such an explosion... But you know what’s even weirder? I got a package from Ronnie. Today. Which is totally impossible, though depending on when it was sent… I don’t know. It was just really strange.”

“Wow, yeah. God, I hope Caitlin’s okay. Can you imagine having your husband blown up? You’ll keep me posted if you hear anything?”

“Yeah… but yes, I’ll let you know if anything comes up.”

***

Fishing out your keys from your coat, you can’t help but think about everything Iris said. How could she think you were lonely? You are a strong, independent woman who doesn’t need a man (but would like one very much, maybe)! But he can’t just be any man. He’s got to be brave, and he’s got to be strong, and yup, now you’re singing Bonnie Tyler in your head.

You turn the key in the door, but it’s already unlocked. I did lock it when I left, didn’t I?

It only takes you a few steps inside before you see it all.

Your entire apartment has been completely and utterly destroyed.

Furniture flipped, cushions ripped, bookshelves fallen and books scattered everywhere, glass broken. There’s so much going on in this picture that you almost can’t believe this has happened to you.

You bring a shaky hand up to your mouth. It’s nearly impossible to catch your breath because it’s been stolen from you out of fear. As you survey the wreckage, you give a jolt when your phone rings and vibrates in your pocket.

Damn phone calls, Jesus Christ!

“Hello?” you answer, eyes still fixed on the disaster.

“(Y/N), it’s Caitlin.”

Why is she calling me now, all of a sudden? It’s been forever.

“Caitlin?”

“(Y/N), I need you to listen to me.”

There’s a quiver in her voice, which is very unlike the Caitlin Snow Ph.D. you know and love.

“Cait, what’s going on?” you press.

“I’m in trouble,” she replies slowly. “Did you happen to receive a package from Ronnie? A small, brown package?”

“Yes,” you draw out the word, “Why, what is it?”

“Oh, thank God. Inside is a sort of GPS beacon for a kind of treasure? I don’t know anything about it, but that’s what these men are telling me. I need you to bring that device here to me in the Congo as soon as possible-”

“Caitlin, the Congo? My God, what kind of trouble are you in?”

“Please, just- I need you to go to the Pullman Kinshasa Grand Hotel. When you arrive there, call this number-” Your friend rattles off a series of numbers. “But listen, you cannot tell anyone. They said they’d kill me if you alert anyone.”

This is all too much, too fast. It’s almost impossible to comprehend. “I can’t go to the Congo! And what men-?” You hear the sound of a weapon firing up. “Okay, okay, okay! I’ll do it, I’ll be there!” You shout into your phone so these men can hear you.

But the line goes dead.

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