#but ultimately I am very proud of this comic and think it came out absolutely shmashing ✨

[factual-fantasy]

So, I know you've talked about how Jevil and Grillby's relationship is strained, but does Grillby ever warm up to him? In your fight comic, Jevils been shown to comfort Grillby, in small ways anyhow, lending him his cape and letting him mourn. You've stated how Jevil sympathizes with him. Does grillby ever do anything back? Does he ever comfort Jevil or help take care of him in any way?

Yes! Grillby did eventually warm up to him, although it took a while. And their relationship wasn't perfect after this event. There were still times afterwards where Grillby was in a low and hated Jevil all over again.. But this was the start.

The start to Grillby realizing that hating Jevil and being mean to him doesn't make him feel any better. And no matter how much he hates Jevil, its not gonna bring back what he lost. Its also getting harder and harder to hate Jevil anyways. He protects their group with all his might. And even with a horrible wound on his leg and exhaustion pulling at his soul.. he still stays up late to keep the fire going and guard the group.

And despite how mean Grillby has been, Jevil still treats him with the same care he does everyone else. Still sharing the same amount of food, still protecting him with all his might. Grillby doesn't understand why he does it. He doesn't know why Jevil would care about him despite how mean he's been. Why would Jevil be kind to him? Maybe that confusion is why that "thank you" made him light up so much. Its feels.. good, to be thanked. It feels good to be kind. Being kind feels much better than hating someone endlessly.

#my response #undertale #deltarune #seam and jevil #grillby #goner kid #spamton #endogeny #seam deltarune #jevil #I also tried to do somewhat full backgrounds and a lighting effect with Grillby and everyone- #I didn't do it consistently on every panel and it could have come out a liiiil better #but ultimately I am very proud of this comic and think it came out absolutely shmashing ✨ #Might not draw full backgrounds again anytime soon becuase of how long this took to make- #but I'm still glad I did it :}}}

[amor-immortalem]

Everything Undesired chapter 5

A/N: this went in a completely different direction than the original comic did but I think its better this way. More angstier.

Chapter 4

The glow of blue fire emanates from the Witches’ house. As the three brothers watched, the child tucked safely into Lucifer’s arm, the mood was solemn.

“So, it’s over? What happens now?” Beel asked.

“We go home,” The Avatar of Pride replies, “And we help Mammon do his best to move past this...” He turns to look at his brothers, the glow from the fire casting a dark shadow over his face. “We’re finished here. Let’s go.”

A portal was opened as the eldest walked through followed by the others. On the other side, he found Levi and Belphegor trying to move Satan’s old crib from the attic down to Arella’s old room.

“Come on, Levi, put your back into it!” Belphie said as they moved down the stairs carefully. “I’m practically carrying this thing on my own here.”

“I'm trying! A shut in like me isn’t meant to be moving something so heavy.” Levi groaned as he hefted the crib up further.

Lucifer only cleared his throat as the seventh and third-born brothers looked his way. “Where’s Mammon?”

“I used my powers to put him back to sleep so he could rest up before the kid got here.” The Avatar of Sloth replied. “He doesn’t need to be over-tired and dealing with an infant at the same time. It’s a recipe for disaster, if you ask me. ”

At the commotion, Arella came out of the kitchen where she was washing out all of the old baby bottles they would need. “Oh, you’re back. I can take him now. Beel, would you help them with the crib please? It’ll be going in my old room for the time being, and Satan, would you finish drying the bottles for me, please?”

Both brothers nodded with Beel stepping forth to take the crib from his brothers and Satan headed to the kitchen. Levi and Belphie let out exhausted sighs as they headed off to their rooms and the only two left now in the entrance hall were Lucifer and Arella. She held her arms out for the little one and Lucifer was all too happy to oblige her.

With a small cry of discontentment, the baby settled into her arms quickly as she shushed him. She rocked him gently until he was back to sleep. Seeing her step so readily into the role of motherhood left the demon impressed.

“He’s already had a diaper change around two hours ago and he ate around an hour ago so he should be fine for a little bit.”

”Alright, he is frightfully thin though which worries me, but he’s in good hands now.”

“Why are you doing this, Arella? You know you don’t have to and yet here you are, embracing a child that’s not even yours.”

“Do I need a reason?” She smiles as she looked up at him. “I don’t think I do. I suppose if I have to have a reason it would be that I just want to help Mammon. He can’t do this alone. Don’t you think that’s enough?”

The Avatar of Pride only nodded. “You humans never cease to amaze me with your generosity. Has he thought of a name yet?”

“He threw a couple names out there but ultimately he couldn’t decide so he asked me to choose the name from the ones he suggested.”

“And?”

“I chose the name Cyrus, from the Latin meaning sun. Right now, it’s a very dark time in our lives, but I hope one day he’ll be bright like a little ray of sunshine.”

“Very thoughtful of you,” The demon hums. “But are you sure you’ll be alright tonight? You’ve been up nearly all night. You have to be exhausted by now.”

“I’ll be alright. This isn’t the first time I’ve pulled an all-nighter. When I graduated from Cambridge a couple years back, I earned myself a degree in biochemical engineering. I can’t tell you the number of sleepless nights I had cramming in last minute reviews. This won’t be anything compared to those. I’m obviously not planning to go to RAD tomorrow, so I can just sleep when Cyrus sleeps.”

“You can take online courses then. We’re going to try to pass him off as your child for that to work you’ll need to be absent from RAD for an extended period of time. If word gets out that my brother was assaulted, the mockery he’ll face will be absolutely ridiculous. It’ll be easy since demons don’t know much about human anatomy. We can always say it was a surprise pregnancy and you never showed.”

Arella only nodded at that. “Thank you,” she turned and headed to her old room for the night to settle the baby.

----------------------------------------------

Mammon slept for a full eight hours before waking up with a start. While he felt rested, there was also an odd sense of worry flowing through him. He looked around frantically and then realized what was missing. Arella wasn’t with him. He got out of bed and made his way around the house looking for his mate. She would be in the last place he looked- in her room. He shrunk back at the sight of his child resting against her chest, as a soft purring noise filled the room. The sight reminded him just how much he wanted them to have a child of their own together.

The demon stood there, mesmerized by the sight in front of him until his human noticed him. She motioned for him to join her on the bed, a bright smile enveloped her features as he did just that.

“He’s beautiful, love.” She said as she leaned her head against his shoulder. “Do you want to try to hold him?”

He shook his head as he rested his cheek against her. “I don’t know if I can right now...” The Avatar of Greed only frowned. He wanted to hold Cyrus but he still felt like none of this was real. “It feels like a bad dream... Like I’ll wake up any second now.”

“That’s alright. If it helps, you could pretend that he was always our son to begin with. It might help you in the long run.”

“Do ya think... maybe I can trick myself like that?” He reached out and stroked the child’s cheek. “’Rella, I don’t get it... How can somethin’ so beautiful be born from somethin’ so horrible?”

“Sometimes the best things come from tragedy, Love. I’m so proud of you for being strong enough to take him in, do you know that?”

Mammon would only nod in response as a tiny hand came to wrap around his finger. For a moment all the air was stolen out of his chest as he recoiled from the contact slightly. The feeling of a crushing weight on his chest that he had only felt in his worst nightmares had returned. Suddenly, he wondered if he made the right decision as the realization set in that he was a father now. What if he was never able to love his son? What kind of damage would that do to his child? Could he do this?

“Mammon?”

“I-I’m fine. Don’t worry,” he takes a few deep breaths and he’s able to calm himself. “I'll take him now. Hafta get past this at some point. I hafta be the parent he needs.”

“You will be. I have faith in you.” Arella kissed his cheek before carefully transferring Cyrus to his father. “I know you’ll be a fantastic father once you’re able to see him separately from what his mother and aunts did to you.”

He only nodded as Arella cards her fingers through his hair. He thought this would be a monumental challenge at first, and it still was but as long as she was here, he thought maybe things would go smoother.

—————————————————————

The crying was the worst part for Mammon and Cyrus was unfortunately a fussy baby. Over the past few weeks since he’d been brought home, there were multiple times where the white-haired demon had to leave the room whenever his child cried or pass him off to his adoptive mother, feeling too physically sick to listen to or even look at the child.

The end of the spring term was nearly upon them and since exams would be coming up. Mammon took every chance he could to stay late at RAD for some extra studying with Satan and Asmodeus, knowing he had to get his grades back up. But the guilt was eating away at him. Arella was at home all day, typically alone, with his child. Any good father- any good mate- would be rushing home to give his partner a break to take time for herself and Mammon knows this but even when he doesn’t stay late at school he finds himself dragging his feet to get home.

He stared and stared at the work book in front of him. It was curses and hexes, one of his most hated subjects and arguably his worst grade. Eventually, he just shut the work book, taking of his glasses and just rubbing his eyes as he leaned back in his chair. This caught the attention of his younger brothers.

”You alright, Mams?” Asmo asked as he set his pen down.

”Am I a bad father?” The white-haired demon countered with his own question.

”No, of course not.” Satan frowned. “Given everything that happened, I’d say you’re doing great.”

”It doesn’t feel like it,” he frowned. “This is my kid and yet it feels like Arella’s doin’ all the work. Takin’ care of him all the time, stayin’ home with him all the time… It should be me doin’ all the work not her! I’m the one who said I’d keep him and yet I can’t bring myself to do anything for him. A-And its not like I don’t know how to take care of a baby. I’ve done it before.”

The Avatar of Greed ran a hand through his hair in frustration before packing up his things.

”Where are you going?” Satan yelled after his brother before being shushed by the librarian.

”Home! To apologize to my mate and force myself to take care of my child.”

If you want to be tagged for updates, let me know

Next

Masterlist 2

#obey me #obey me shall we date #obey me swd #obey me! shall we date? #obey me angst #mammon angst #obey me lucifer #obey me mammon #obey me leviathan #obey me satan #obey me asmodeus #obey me beelzebub #obey me belphegor #obey me oc #arella #cyrus

[agir1ukn0w]

Attention Reylo Fam!

After hearing some disturbing rumors on social media that Lucasfilm may be considering pulling back the release of The Rise of Kylo Ren in order to change some major plot details of Ben Solo’s journey to becoming Kylo Ren (specifically his involvement in the destruction of Luke’s academy), I have decided to write a letter to Lucasfilm asking them, if the rumors are indeed true, not to do so. Obviously it is more than likely that the things I’ve been hearing are no more than supposition, given that I’ve only seen them on Tumblr, however I would still like to voice some of my concerns and the collective concerns of the fandom to Lucasfilm if there is a small chance they will receive my letter and take it seriously.

I have just finished my first draft, and I wanted to post it here so that you may read it and give me suggestions on things I should change or add on in the comments. I value the input of my reylo family, and I want to be as truthful and accurately representative of the feelings of the collective fandom as I can. I will post the draft below the cut, and also, if you would like your name to be included in the signing of the letter (either your blog url or, if you are comfortable, your real name), please let me know and I will add you to the list.

Dear Disney Lucasfilm Ltd.,

I would like to preface this letter by saying think you. From the bottom of my heart, thank you for all the wonderment and inspiration that you have given me these past four years of my life. These movies, tv shows, books, etc. have been a cornerstone of my cultural upbringing since before I can remember and I personally believe that Star Wars is the single greatest tale in the history of the world. I thank you with all my heart for carrying it forward so honorably.

That being said, I still very much believe in this story’s potential to be a beacon of empowerment for those who feel so disenfranchised and even oppressed in the real world. I still believe that this story is capable of making children look up and believe in themselves and their power to make a difference.

I don’t think I’ll ever fully understand the reasons why you made the choices you made with regards to Episode IX: TROS. Don’t get me wrong, it’s a fine movie, and I thoroughly enjoyed it. No work of art can possibly please everyone, and I would also like to thank the cast and crew for working so hard and putting their entire souls into these projects these past several years.

This has all been a roundabout way of coming to the main point of my letter to you. Specifically, this letter concerns the character Ben Solo.

I’m sure that you have been hearing and seeing a variety of heated emotions on social media concerning the fate of this character. The first time I met him way back in TFA, I knew that he was someone special; even then I felt a very deep connection with his struggle and began to root for him. The arc that you gave him in TROS was beautiful, and everything I really wanted to see. I’d been hoping for his redemption for a long time, and to see it so beautifully acted on screen was truly inspiring. Although I must say that I really could have done without his death, for the purpose of this particular letter, I will digress from that opinion, even though I know for a fact that I am not the only one who holds it. At the end of the day, Ben’s storyline was fulfilled because he overcame the darkness within him, helped Rey to defeat the ultimate Evil, and brought her back to life with his love. I couldn’t have asked for more.

However, I have been hearing rumors on social media which are very concerning. A few people have suggested that Lucasfilm plans to pull back the release of the comic The Rise of Kylo Ren by Charles Soule in order to change some of the major details of Ben Solo’s story to better fit with what happened in the movie. Specifically, I am referring to the very important fact that Ben actually didn’t kill his fellow students in cold blood and that he didn’t set his uncle’s academy on fire. I don’t know if this rumor is even true, and I pray that it isn’t. The fact that I have as yet only seen these rumors on social media leads me to believe that there is little probability to it.

However, I cannot convey to you the depth of my despair should they turn out to be true. And I know that I am not alone. The fandom has already seen the plates, clearly showing that it was not Ben who set fire to his uncle’s academy. It would be a huge mistake to completely redo them now, and I can tell you with absolute certainty that you would lose the good faith and trust of many people in this fanbase.

I have written this letter to implore you all at Lucasfilm, if these rumors are indeed true, to please rethink your strategies; Speak with your fans directly, understand their viewpoints and how important this character is to so many. I won’t tell you how much I personally love and care for the character of Ben Solo so as not to take up too much space in the letter, but there are many others who love him feel a much deeper connection with the character than I. Should you chose to do this, you would not only be drastically changing important details of the character’s life, but you would also be taking his own past from him. So many dedicated fans will feel disenfranchised. Furthermore, your sales would go down drastically. I cannot tell you how devastated the vast majority of your fans would be. We all want justice for Ben Solo, and if we cannot have it through him living a long and happy life, we deserve to see it through the truthful telling of his past.

Both Disney and Lucasfilm have been major centers of hope and inspiration for me throughout my life. The messages that you send, that even those who have made terrible decisions in their lives can be gravely misunderstood by others, and that they can always make things right, is extremely important to me. And the story of Ben Solo is one which I have followed closely since I saw The Force Awakens for the first time. I believed in his ability to redeem himself even before the information that what happened at Luke’s academy wasn’t his fault came out. Even when it was assumed that he had killed his fellow students, I believed in him because that is what Star Wars is about. Belief, hope, and understanding. In The Last Jedi, Leia says, “Hope is like the sun. If you only believe in it when you can see it, you’ll never make it through the night.” I have held on to that message ever since I heard it, and it has gotten me through many tough, emotional times in my life. I know that you respect your fans, and we as a fandom have not given up hope that you will do what is right for these characters.

Once again, before I close out this letter, please accept my deepest gratitude for all that this company has done to bring Star Wars into a new generation, inspiring us to go forward and create our own stories and modern myths. I am, and always will be proud to be a Star Wars fan.

Sincerely,

…………

Let me know what you guys think, I am excited to mail this letter!

Peace, Love, and Reylo💜

#reylo #I❤️Reylo! #reylo is canon #I❤️BenSolo! #ben solo #bendemption #bendemption is canon #the rise of kylo ren #trokr #charles soule #the rise of kylo ren comic #trokr comic #disney #lucasfilm #disney lucasfilm #dlf #star wars #sw #I❤️StarWars! #the rise of skywalker #tros #reylo fam #reylo community #reylo family #reylo fandom #letter to lucasfilm #reylo positivity #peace love and reylo #let me know what you think #jj abrams

[mantra4ia]

Desires: Lucifer season 5 on Netflix

Created: August 21, 2020. Last Modified: August 22, 2020.

Preface: Alright my Lucis, here’s the sitch: it’s been a minute. Life got a bit chaotic I wasn’t able to start season five quite on time when it premiered on August 21st because I haven’t finished the great 2020 Lucifer rewatch. I’m nearly done however and should be able to jump into it either later today or tomorrow, which is why beforehand I want to — as I’ve traditionally done for a few seasons — create a desires list and keep a tally throughout the season to see how many are met. I am going to try to pace myself, not binge, and watch a single episode a day so don’t spoil me. Likewise I will tag my spoilers. Here we go... #21DaysofLucifer

Season 3 and 4 Roundout - Desires Fulfilled / Questions Answered

✔We’ve seen other demons “like Maze” and a bit of what havoc they can reek. Well sort of. To be quite frank, although it was cool to see them possess the recently deceased, it wasn’t as impending doom as I was expecting. They didn’t seem nearly as disciplined or intimidating as Mazikeen, even Dromos, more bored and desperate.

✔ We’ve seen a little more or the heavenly host in Remiel. Remi was cool, if a bit intense. Her character, and her affinity to Amenadiel was a nice foil to see how far his character has come in evolution. But again like Uriel was for Lucifer, she kind of became a driving force character device to push Amenadiel’s growth. So I wonder if we’ll get to see more of her or not.

✔ (s3) The backstory of Lucifer’s arrival in LA, finding LUX, and making a deal with Amenadiel.

✔ (s3) Cain finally went to hell, YES! Not that I didn’t like Marcus Pierce/Tom Welling, there were some great interactions there, but I just think he was a wishy-washy antagonist based on how he was written and I can’t wait to trade up for Michael.

✔ Maze finally had some happiness and attachment to this silly mortal coil and it slipped away! Why Eve why? I love Maze’s bonding with humans, Linda, Trixie, Chloe. But I love that after a Millennia of serving, and then watching Amenadiel and Linda be happy in a family unit, that she might actually make her own and my hopes were dashed. 

Things we got that we didn’t even know we wanted. SO GOOD:

Season 4 ep 8: Amenadiel bonding with Caleb and confronting community violence, police brutality, and systemic racism. It was a rough episode to be sure, but absolutely needed,

Chloe talking Lucifer down and out of a self-hatred spiral and his transformation into full-fledged devil and back again.

Lucifer playing Creep on repeat while missing the detective (even after insisting in a therapy session that “he’s not a teenager playing Adele on repeat) and Mr. Said Out B**** trying to rob Lucifer and gun point and ultimately get rich. What a fun twist.

The Dan and Maze Los X’s fight. They are wicked good at laying down the  hurt on the criminal element and I was wondering when they’d pair up again after dispatching Warden Perry.

The devil in a bar fight! I mean, it’s only fair since the ladies had their brawl. I love how this fight sequence was filmed in bursts of slo-mo from various angles, involved everything from fists, to tasers, knives, bottles, and the infamous pool cue, and they picked the perfect song for pacing (Jake Bugg, Lightning Bolt, could listen to it all day on repeat.)

Time for all good demons to go home / Enough, you will bow down to your king. Go home! (aka appropriate use of Devilish intimidation face)

Amenadiel vs Remi 

A Rocky montage with Lucifer and Amenadiel / Amenadiel’s face the first time Lucifer drives the Corvette

Lucifer at the roller derby

Chloe the YA fangirl

Maze teaching Trixie about knives, with each handle decorated in a different toy.

Amenadiel and Chloe catching up: your father is so proud of you. Like and angel BOSS!

SEASON HIGHLIGHTS:

★ (s3) Amenadiel taking Charlotte home

★ Dan being comforted in his grief by Amenadiel

★ Amenadiel’s wrath and the brotherly duo tag team to lay the hurt on the drug dealer that got Charlie killed. It’s been a while since we’ve seen warrior angel ready to dispatch anyone in his way. And it was glorious!

★ (s3) Lucifer’s almost driving lesson with Trixie “Morningstar”

★ (s3) Maze torturing Lucifer by making him think he’s the Angel of San Bernadino

★ (s3) Amenadiel and Lina helping to dispose of Lucifer’s wings

★  Lucifer kicking Julian, Tiernan’s son, through a glass pane window

★ The goodbye kiss between Lucifer and Chloe

 DIDN’T LIKE:

☒ (s3) Cain playing guitar and singing. What is he, a crime lord, a top cop, or an act that the improv club wouldn’t take? 

☒ Eve. I liked Eve, but we mostly got to see one side of her around Lucifer, and a kind of floundering an confused side when she was with Maze. The side that I would have liked to see more of was the maternal side that came out when she briefly talked about Abel or was interrogated by Trixie. That made her more layered.

☒ Father Kinley. That dude is just meh.

☒ Dan’s broken heart and rebounding with Ella. Don’t get me wrong, its a good arc, but I don’t see it lasting

☒ (s3) Abel and Reese. Those were two side stories I could have done without, although they had great moments of humor. I quite enjoyed Reese’s character, and although I didn’t like Abel Lucifer’s stick-figure comic illustration of Cain fighting with him over a rock was quite enjoyable.

WHAT I TRULY DESIRE: SINFUL SEASON 5, my BURNING QUESTIONS, and SPECULATIONS

Obviously, don’t spoil anything for me, but if any of my desires end up coming true in any of the first eight episodes maybe drop me a hint in the comments...

A big time jump. We need to see the lasting impact of Lucifer’s absence. I know that time in hell works differently per that episode where Lucifer saved Chloe and almost got stuck in a loop, but we still need enough time to elapse that the impact is felt on the mortal side. Or, we need to see the passage of time through a series of events without Lucifer, like a montage of character development. At least a year or so, if for no other reason then Trixie is growing up and I actually want to see her take driving lessons with Lucifer.

Last season Maze gave baby Charlie a gift, something she’d wished she’d had growing up, and previously had alluded to the language of demons, her many siblings, and teased her mother, the mother of all demons. Will we finally get to meet Maze’s mom Lilith (or however they address her)? And, in spite of Mazikeen’s found family, she still has restlessness and abandonment issues. Will her mom finally finally bring her peace, or will clashing with her resolidify Maze’s purpose on earth?

A Decker/Mazikeen team-up or girls night out 2.0 would always be appreciated. At this point its probably 4.0 if you count the bar fight and the bachelorette party.

Will we see tougher, scarier demons, or are they just warmup to the really scary depths of hell?

Speaking of hell, more hell. Tons of hell. I want to know the minutia of all the mechanics. If Lucifer’s gotta be down there in self-imposed exile, he may as well show us around. Pour us a drink.

Will Lucifer see Cain in Hell? Not that I’m dying to see more of “sad Cain” but it would be interesting to see a more dark or desperate or cunning side to him at least now that he’s actually neck deep in torment. Or, alternatively, I’m hedging my bets that he could be a good candidate to light the fire under Lucifer’s *** to get of hell back to the earthly realm. Even in hell, I’m betting Cain would have a soft spot for Chloe, and if news reached Lucifer that Michael were trying to abscond with his life and with Chloe, it would give Cain and Lucifer one last bit of “A-Hole brothers” common ground to bond over. Like “Brothers, am I right? Go kick, get Chloe back, I’ll still have enough guilt to torture me with in a few thousand years when you get back,”   

Will Lucifer fall into peril in hell of once again potentially getting distracted and stuck in a hell loop? Will his servants be satisfied with his return? Will Amenadiel bust him out.

Mr. Said Out Bitch needs a role reprise. He’s been in every season opener 2-4, we’ve gotten to know his undergarments very well.  Its high time we get to know his name and story. He’s put in the work!  

Amenadiel should be running LUX in Lucifer's absence. We got a tease of that in previous seasons (remember when he asked what would Lucifer do?) its time for that to come to fruition. Plus, any excuse to put DB Woodside in a suit, just because he wears them so well. It would also be interesting if, after that tragedy he’s experienced, Amenadiel will start taking after Luci. Maybe not the punishing, not yet, but wanting to seek out evil and corruption. It has been teased since s1 “fall as I did.” Perhaps he’ll start developing a taste for his bother’s line of work whereas he found it repugnant in the early days

Dan and Maze or Dan and Ella pair up. Both Dan and Maze are due for some happiness.

An Azrael reboot, when need more of her. She’s the angel of Death for pity’s sake. I don’t know if the original actress is still available or if they would have to recast, or if the character concept by Netflix would even be the same, but I need Azrael to be capable of sweet and unassuming and on a coin flip downright menacing.

More of Lucifer as a godparent, bless! And maybe a cool montage of “cousin” Trixie and Lucifer co-babysitting Charlie please.

Whilst on the subject of Lucifer and parenting, and without putting Trixie too much into harm’s way, I need to see what “I would do anything to protect that little urchin” looks like. Trixstar ride or die.

Father Frank, come back! I need a cameo or recurrent role pleeeeease.

Trixie in every episode. This is non-negotiable, much like chocolate cake. Beatrice is an all-star. In fact, I’ve decided that when Dad/God finally does show up, Trixie needs to be the one to get to know him / introduce him first. She’s been captain on the celestial cheer squad for four seasons, she’s earned this.

Who's going to see through Michael's facade first? I mean, I know that trailer shows Maze torturing it out of him, but as far as intuition goes, I've got a 50/50 split between Trixie and Linda, with an honorable mention to Dan.

If Michael is Lucifer's twin, does he have the same angelic compulsion skill set? Or something different? And will it work on Chloe or is she universally immune?

A “be like Mike” pop-culture reference. ******Spoilers: ******* all the trailers have revealed Michael already, so they owe us this for letting the steam out.

As far as pop-culture, how many movie and TV references will we get from Lucifer and ensemble this year? I expect A-game, from sci-fi to 80s action, on par with the previous likes of Parent Trap, Star Wars, Home Alone, Kim Possible, and Rocky.

Will Amenadiel’s necklace make a reappearance, even after he put it around Caleb’s neck in the morgue? Heavenly artifacts have a way of causing trouble in this show.

Will what finally learn what, if any, significance there is to Lucifer’s ring? Again, as all my fictional writings will attest, I really kind of want it to be a stolen little trinket from him Dad.

Plot twist: will we get to see Hell and the silver city all in one season, or is that too devilishly good to ask? It would be intriguing if Lucifer fell from Heaven for rebelling and now some threat like, for example, the mother of demons would pose a threat to the gates such that Lucifer was called upon to defend them. Not expecting anything Endgame level with a host of Angels popping up like sorcerers...but it is food for the imagination.

Plot twist: will Michael, duplicitous twin that he is, be revealed as the reason that Lucifer does not lie and can’t stand liars? Will be get a Michael back story? Is he perhaps the true rebellious son? see: my original fan conjecture here.

Additional links to previous recaps, roundouts and wishlists: 

Season 1: Best Moments // Season 2: Predictions, Desires, Roundout, Best Moments // Season 3: Speculations, Quick-shot summary 

#21 days of Lucifer #Lucifer season 5 #lucifer on netflix #Lucifer s5 desire #Lucifer Morningstar #trixie espinoza #Chloe Decker #amenadiel #trixtstar #deckerstar #lucifer s5

[aion-rsa]

Cruella: Does Every Villain Need a Sympathetic Origin Story?

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Clearly this isn’t your parents’ Cruella De Vil. This isn’t even your Cruella De Vil. However, there is something fiendishly charming about seeing Emma Stone charge into a ballroom and light her black and white dress on fire, revealing a chic red number beneath that would do Scarlett O’Hara proud. If fashion is a statement, Cruella is here to say the villain has just arrived!

Yet one can’t help but shake the certainty that by the time we actually learn the plot of Disney’s Cruella reimagining, Cruella will be in anything but black and white, or fiery red. Rather Cruella is obviously posturing to take a sideways approach to an old classic. But then again, that increasingly feels like the only direction these Hollywood redos know: the sympathetic origin story for an iconic villain.

To be clear, we’ve only gotten a glimpse of Stone as the new Cruella, and she looks absolutely fabulous in a black leather coat and cane, purring, “I’m only getting started, darling.” There’s a wildness about this interpretation befitting our current era where Harley Quinn is the hero of her own story, and Wade Wilson now leads a Disney franchise. Nevertheless, when I watch Cruella on the edge of tears in the trailer, barking defiantly that she is CRUELLA—and seemingly embracing an unfair reputation that other characters may be placing on her—a nagging question persists in the back of my head: Do we really need a sympathetic Cruella De Vil?

The trend of supervillains getting intellectual property-expanding sob stories is nothing new, be it at Disney or anywhere else in Hollywood. Maybe 25 years ago when folks liked their villains big and outlandish—think Glenn Close in Disney’s previous live-action remake of 101 Dalmatians—it was novel to see the antagonist become a tragic protagonist. But like everything else with modern blockbusters, that all changed a long, long time ago with something called Star Wars.

Back in 1977 when the original Star Wars movie was released, many audience members left the theater giddy about the world George Lucas created. In a galaxy far, far away, every pop fantasy of the mid-20th century—Wizards! Knights! Princesses! Samurai! World War II ace pilots!—was thrown into a massive cauldron that seamlessly blended these elements.

Luke Skywalker’s galaxy felt like a real place of exotic, lived-in locales, all of which captured that dirt-under-the-fingertips, tactile quality so rarely seen in fantasy stories. Sure the characters might be archetypes, but they came with histories which gave their fantasy space battles human density. Old Ben Kenobi fought in the Clone Wars with Luke’s father Anakin, who was “a gifted pilot.” But what exactly was a clone war? And why was there more than one of them? Also, what did a Jedi’s “more civilized age” look like for Luke’s papa?

For more than 20 years, no one knew the answer to those questions, which made them all the more intriguing, and the “lore” of this fantasy evermore mythic. Then came Star Wars: Episode I – The Phantom Menace, the first modern blockbuster prequel devoted to filling in the gaps left by a beloved classic’s mysteries. That movie’s problems are numerous, but at its core the most persistent, lingering issue may still be the reveal that Darth Vader was once a blonde haired little boy with the emotional range of Beaver Cleaver. Of course everyone knew in the abstract sense Vader was once a child… but did they ever really want to see it?

Additionally, did anyone really want to learn Anakin Skywalker’s reason for turning to the Dark Side is because of a bratty streak that followed him into adulthood? Probably not.

Nonetheless, all three Star Wars prequels made massive amounts of money and rather than becoming cautionary tales of what happens when you attempt to explain away all the mysteries of a beloved character, they were the first steps toward a modern staple of media regurgitation where seemingly every mug, pug, and thug would get their own sympathetic redo.

Since then, we’ve learned on screen that Spider-Man’s arch-nemesis Venom, is really a well-intentioned bloke caught in a bad romance (with his alien space buddy), Batman’s arch-nemesis the Joker is really just a Travis Bickle clone with mommy issues, and Maleficent, the reigning empress of badassery in the Disney Villain canon, was really just a woman scorned by Sleeping Beauty’s toxic father. Even Hannibal Lecter became a victim in Hannibal Rising, and the Wicked Witch of the West starred in the most popular Broadway musical of all time… where it turns out she was the hero in a conspiracy with the Scarecrow to pull one over on Dorothy.

To be clear, some of these spinoffs and reimaginings work quite well. Even if I personally am a bit chagrined at Todd Phillips’ Joker being nominated for Best Picture, Joaquin Phoenix’s sad sack killer clown created the space for a riveting performance that reminded mainstream audiences that movies can still be for adults. In another comic book movie, Magneto’s heartbreaking backstory in the Holocaust was expanded in 2011’s X-Men: First Class, which made an already relatively complex supervillain just that much more compelling in Michael Fassbender’s hands.

Overall, however, this approach has left something to be desired. And to get back to Cruella, her remix as a misunderstood tragic heroine appears to owe most of all to Maleficent. In 2014, Disney made a killing when they cast movie star Angelina Jolie as their very best big bad, a character so evil in 1959’s Sleeping Beauty that she was willing to knockoff a princess simply because no one sent her a party invite. That’s cold. And it’s wickedly entertaining. Hence why Maleficent scared and captivated generations of children.

Some characters are just too good at being bad.

The marketing of Maleficent leaned into this with a melancholic cover of Sleeping Beauty’s Tchaikovsky-inspired theme song, “Once Upon a Dream.” Now in a minor key, the new version sung by Lana Del Rey promised a scarier, more menacing version of the story, which was then confirmed by Jolie’s wonderfully devilish laugh. The big bad was finally going to have her day at the ball.

But when the movie actually came out, we learned that Maleficent was an enchanted fairy who’d been wronged. In the end, she didn’t hate Elle Fanning’s Princess Aurora. In fact, she loved the little royal and tried to save her from the curse she herself cast in a fit of justified anger. Ultimately, the sorceress adopts Aurora as the daughter she never had after disposing of her now abusive father. That’s certainly an interpretation. I guess.

It also proved massively successful in the short term, opening at a staggering $175.5 million in its opening weekend worldwide, and grossing $758 million total. Those numbers also exclude merchandising and home video revenues. If you want to know why we’re getting the punk rock Cruella, look no further.

However, did a lot of folks really like Maleficent? It made all the money in the world based on that devious marketing campaign that promised a shocking tell-all about Disney’s closest approximation to Lucifer, but by the time a sequel limped into theater five years later, relatively few seemed to still care about the misunderstood, freedom fighting warrior fairy Jolie played. Maleficent: Mistress of Evil ostensibly continued the good fight but flopped at the box office with a cume of $491.7 million, barely more than half of what its predecessor made. (Don’t cry for Disney though, as Avengers: Endgame, Star Wars: The Rise of Skywalker, and remakes of Aladdin and The Lion King in the same year made Maleficent 2 look like a clerical error.)

What this whole sputtering franchise reminds us though is that some characters are better left bad, and the mystique of the unknown is an end unto itself. While I enjoyed Phoenix’s take on the Joker, there is little argument the character was even scarier with a PG-13 rating when he manifested out of thin air, like Beelzebub, in The Dark Knight. Or to take a step away from just villains, was Han Solo really any cooler when you learned how he got his name in Solo: A Star Wars Story? Or could you have gone your whole life without knowing thanks to The Hobbit movies that Gandalf and Galadriel were kind of, sort of, just maybe friends with benefits?

The allure of Cruella De Vil is right there in her name: She’s a cruel devil. How could she not be when her entire ambition in Disney’s classic 101 Dalmatians is to skin puppies for their fur coats? Finding out she used to fight the power before hoarding it may make a lot of money, but it doesn’t make her necessarily more compelling.

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#aion-rsa #Den of Geek

[unluckyxse7en-moving]

Can I ask a question? I have been wondering stuff about myself and in the panel where it says "before 'me' disappeared." it stuck out to me. I've never had a good grip on who I am and figured I had to build it. Idk hat that is. Nor do I expect you to answer that. My question is, could you explain it more?

Yes, absolutely, you’re totally welcome to ask! and idk how well I can explain it but I’ll do my best based on my current personal understanding and experience! obligatory disclaimer, many systems have unique experiences and it’s not always consistent or cut and dry from system to system, but if something about this does hit home I encourage you to look into researching it more as you feel comfortable! Also a heads up, I’m going to probably overexplain terms and concepts since I’m not sure what you do know, plus if someone else reading this isn’t familiar I figure that may help them too, so bear with me! ^^ (this got incredibly long and incredibly personal, I hope that’s ok! We’ve found hearing about personal experiences from others always helped give us a way to compare our experience better in ways that medical definitions don’t help with, so we got detailed in hopes it’ll be helpful to someone. heads up, there’s some references to feelings of unreality.)

Gonna try to put this under a cut since it got so long, let’s hope tumblr cooperates!

So admittedly, I was intrigued when you sent this line in, because while I’ve reread this comic a couple times before posting it, I didn’t remember writing a line exactly like that. As it turns out, the writing was meant to say “when ‘He’ disappeared” but it’s really oddly unclear whether it’s an H or an M at first glance compared to the rest of the script? If I’m honest I actually prefer your interpretation better, especially because the ambiguity lends more to the comic’s meaning in retrospect. I’m not gonna say something like ‘oh one of my alters must’ve done that on purpose’ because back then our handwriting was just an inconsistent mess in general and the most involvement we could probably credit to the alters was just one person tried to write that H in their handwriting when someone else was supposed to be writing it. But I thought that was an interesting case of serendipity so I couldn’t help pointing it out lmao 

 That said, I think your reading actually makes just as much sense in the context of the comic, and is a phenomenon I think I can readily explain that I have had a little experience with. Currently, my system setup is a little bit like an archeological dig. The alters that have surfaced the most, who have been the ones in charge of actions/words/emotional responses/etc, aka ‘fronted’, are all the ones who have formed in more recent years. The ones from years past are further back, and harder to access because we’ve developed a protective setup where the newer alters act as barricades to keep the older ones from being more exposed to trauma, or anything else they can’t handle. At its core, that’s what the function of a system is - to develop other alters who can handle situations more vulnerable parts can’t - but not all systems are built with an onion-layer setup like mine either, so just keep that in mind.

That said, since I’m built with an onion-layer setup, that means most of my system experience is based upon those older alters being shielded and walled up. When you add enough layers, we can’t dig them out again and for us that’s where most of our ‘disappearance’ comes in that we know of.  There’s another phenomenon that could cause the ‘disappearance’ effect but we’ll touch on that in a moment. In our case, we just eventually feel so distanced from who “I” was supposed to be, whoever that is. Very few of the ones who have been out in recent months are from older times. We’ve had a small handful who are from our high school years (we’re 25 now), and maybe caught a glimpse of alters older than that once or twice. We very rarely remember much of the time from that far back, and what we do remember feels incredibly detached. Almost more like we saw it in a first person pov movie rather than actually been there. We’ve gone through name changes a couple times by now, and I highly suspect that those name changes are further reflective of our archeological layers and who we decided to try to model our collective behavior around, to try to seem like one whole person. 

“Erika” was a girl who behaved one way. “Erin” was someone who behaved another way. and “Cleo” has been our current blueprint for who we’re supposed to be on the outside when being incognito. And what’s interesting is that you mentioned feeling like you had to ‘build’ yourself, because while it’s not so precise or in our control, we’ve approached it much the same way. For each name change it was like different models. out with the old model and in with the new, now introducing Cleo v2.0, with these personality patches and old bugs fixed. Around the time we changed to Erin, we had firmly decided we wanted to put our ‘old self’ behind us and improve ourselves. We had come out of toxic experiences eyes open, and we were terrified of reflecting that internalized toxicity outward. So we took ourselves to the metaphorical workshop, and spent many many years scrutinizing who ‘Erika’ was under a microscope for our faults, our flaws, what made us work that way, so that we could iron out the kinks when introducing ‘Erin’. As we took ‘Erin’ for test runs in college, we would find different flaws and faults that needed fixing, so once we’d accumulated a comprehensive list of those we took Erin in for workshopping and shortly after we dropped out of college, out came Cleo. Our entire life experience from the outside has been a long-running fixer-upper project, and for a while we were proud of ourselves to see the long strides in improvements we’d made upon “myself”, for being so quick to see our flaws and find ways to manage them. 

But what was really happening under the hood was, we weren’t actually changing as an individual, cohesive person.  We were adapting and forming new alters, or at the very least reassigning them based on who handled what better - so if we had become sick of our short temper, we swapped that alter out so that what normally caused them to respond, would instead elicit someone less volatile and slower to anger. If one of us froze up at the sight of blood, they would be swapped out of the front for someone who had no problems with it. This is why we ended up onion-layering ultimately, to lower the risk of the other alters being in front at poorly timed moments.

So tl;dr for us, a lot of our ‘Disappearance’ of our selves was us trading them out or hiding them away, and most likely encouraging a state of alter dormancy - when alters become inactive for long periods of time. (for some of us we describe it like sleeping - I think it tires us out on a physical level if one alter is active too long, it probably works certain parts of the brain more depending on the alter, but that’s all speculation.)

Backtracking a little - there is another experience that would cause a more definite and permanent ‘Disappearance’ effect. We haven’t experienced it since coming out as a system to ourselves. But we’re pretty sure we experienced it once, or twice, way back when. It’s formally known as Fusion. Fusion is what happens when two or more alters end up “physically” (for lack of a better word) merging together. They cannot separate, and they become an entirely different alter. The new alter often has some elements of their components in terms of personality traits and memories, but also isn’t a complete merging of everything. Memories and emotional attachments can often get lost in the process. This is where the other Disappearance can occur.

We know it happened to us at least once. Somewhere around middle or high school, for no apparent reason, we had developed an acute awareness and fear of Amnesia, and the identity death that would inevitably come with it. We were always scared, what if we hit our head and lost our memory? What would we remember, if anything? Would we get it back? Media always dramatizes amnesia, where amnesiac characters have some twinge, some spark, where they get drawn to things super important to them from before the memory loss. Would that happen to us? What if it didn’t? What if we never remembered the things that mattered so dearly to us? Would we even be the same person anymore?

If you compare that to the concept of fusion, it’s almost uncomfortably spot on. But we had no idea about systems or fusion back then. Which can only mean we had experienced a fusion, and somehow that caused a disturbance in the system that led to that latent fear to hang over our heads, along with the constant feelings of unreality and dreaming that followed us all through high school.

But somewhere along the line, just as suddenly as that fear developed, it just. Dissipated. It’s still a terrifying concept for us. But we no longer obsess over it like we did back then. We also suspect that’s probably related to another fusion of sorts. We have no clue who they were, or who they are now though. 

So to tie it all back in, in the comic the ‘Me/He’ disappearing would be parallel to an alter going dormant, or possibly fusing. The characters the protagonist and Tormenter are built around were originally part of a storyline of two separate identities that ended up ‘fusing’ to form a different whole, and while I can’t say the comic is faithful to the scientific or actual experience in a system, since I didn’t know about it at the time, I’m pretty sure it was based on what I had picked up on in my subconscious, so that’s the implications there, inaccurate representation though they may be.  I have heard from a few sources that fusion is often the result of a necessary function, to help protect or help an alter that can no longer function or cope the way they have been by creating a new alter that can cope better, so with this understanding, and the direction of the comic, it makes a sort of sense. 

These are my thoughts in regards to your question about ‘disappearance’ in the context of the comic based on my personal experiences, I hope it helped! Feel free to ask more or send in followup questions or statements, hopefully now that I’ve given a lot of context I won’t be quite so long-winded haha

#long post #personal #blablablah #osdd #actuallyosdd #actuallyplural #did #anon #versus #gonna make that my tag for the comic and q's related to it! #ask and ye shall receive #ps - sorry i took so long to respond! I've been off all day trying to pack for something fjdgndj

[ty-talks-comics]

Best of DC: Week of July 10th, 2019

Best of this Week: Batman and the Outsiders #3 - Bryan Hill, Dexter Soy, Veronica Gandini and Clayton Cowles

Batman’s Outsiders has a lot to learn before they can properly function as a team.

After losing Sofia, the girl that they were charged with protecting, Baman gathers the team together and tells them that they are going to get her back, but first they need to be tested. On the other side of the coin, Sofia finds herself in the clutches of Ra’s al Ghul, who places the man who killed her father in front of her. Ra’s tells her to kill him, her own test to see if she’s worthy of being trained by him.

The book flips the focus between two central characters specifically, those being Sofia and Duke Thomas, aka The Signal. As mentioned in my last review of Batman and the Outsiders, this book was slated to come out around the same time or after an arc in Detective Comics where Batman’s sidekicks were being targeted by a murderous villain by the name of Karma. His primary targets were the Cassandra Cain and Duke Thomas, the latter of whom is still suffering from PTSD after failing to save a kid with a bomb strapped to him by Karma and being injured in the explosion.

Ishmael, the man who killed Sofia’s father, kneels before her and goads her into attacking him, telling her that he heard her father’s last thoughts before he died. He says that her father wishes that she were killed instead of him and Sofia succumbs to her anger, striking Ishmael. After a smokescreen clears, Duke is met by someone wearing Karma’s gear and attacks the figure in a rage. “Karma” tries to convince Duke that he doesn’t deserve the metahuman power that he has, the ability to see what others cannot (see Dark Knights: Metal), and that Batman must be disappointed.

After thoroughly thrashing Ishmael, Ra’s gives Sofia a sword, telling her to end Ishmael and become another of his weapons. She holds the sword in her hands and thinks long and hard about her decision. Ultimately, she decides that vengeance is the only option and chooses to plunge the blade into Ishmael. Ra’s reveals the test for what it is, allowing Ishmael to defend himself and telling Sofia that if she joins him, nothing will hurt her again.

Cornered and afraid, Karma approaches Duke and asks him where is his team now, making him think that The Signal is all alone. Suddenly, Cassandra kicks Karma in the face, Katana slashes him in the face of the mask and Black Lightning picks the kid up from the ground. Bruce reveals that he was the one under Karma’s mask and tells Duke that he is very proud of him.

This issue was made great by the duality of the situations presented. Batman normally takes in broken kids and builds them back up to be strong, compassionate and in tune with their emotions. Ra’s al Ghul takes young men and women and turns them into unrepentant killing machines under his will. Duke could just as easily have been in the same position that Sofia is in now and vice versa. Sofia, however, will be a harder case to bring back to the light now that she knows that she has given in to her darker side. Sofia has a chance to become like Damian if she’s lucky, but who’s to say?

Duke has already been to the dark depths since his late childhood, watching his parents get forever Jokerized, dealing with an army of wannabe Joker kids as a teen and fighting against the Dark Multiverse as Batman’s new ward. Duke has been through a lot, but he’s also been able to overcome every threat in his way. Karma took that security away from him when he made Duke watch his own failure and this left the young man angry and broken, unwilling to take orders from anyone lest he make the same mistakes again.

Batman and the Outsiders succeeds at placing it’s focus on characters other than Batman, leaving him as more of a support player while the stories hone in on individuals or team dynamics than Batman’s leadership. Duke Thomas has been out of the picture for a while and having the gates flood open on his headspace in particular made me very happy. I also kind of like Sofia. While not exactly super fleshed out yet, she shows a lot of promise especially making the decision to have this new character go down a dark path in the beginning. She has good motivations and I actually hope that by the end of this arc, she earns a place on the team properly.

High recommend.

---------------------------------------------------

Tom King’s Batman can be hit or miss sometimes, but this one is definitely a hit.

Runner Up: Batman #74 - Tom King, Mikel Janin, Jordie Bellaire and Clayton Cowles

For the entirety of his superhero career, Batman has been driven by one singular goal: to make sure what happened to him as a child didn't happen to anyone else. He's vowed to protect the streets of Gotham and to honor the memory of his parents and the city they loved.

This vow has become increasingly harder to honor over the course of this run; from being unable to save a possible replacement in the Superman-like Gotham, to being told to stop being Batman by his father from an alternate universe, and ultimately being left at the altar by the love of his life. One man is responsible for it all, Bane.

Part of the (admittedly) convoluted scheme to break the Batman was to somehow bring the Flashpoint Batman from his Universe to finally convince his son to stop. Thomas rationalizes that all Bruce needs is the love of his parents and his sickness, his broken need to be Batman will go away. As revealed in the last issue, Thomas' goal is to resurrect Martha Wayne in Ra's al Ghul's most powerful Lazarus Pit and reunite the Wayne family. 

Mikel Janín's art remains amazing as always. I could gush for days about how he's able to make Thomas and Bruce solemnly expressive through body language and only using the lower halves of their faces, but Jordie Bellaire, is the real star of this issue. She manages to color this story in a way that makes it seem like it takes place in three acts.

The first act takes place in the beautiful drawn and barren desert after Bruce and Thomas reconnect while fighting Ra's ninjas. Everything is bright and the yellows, contrasted to the Blacks of the Bats give things a slightly warm feel. Thomas is happy for his son to join him and give up his crusade.

The second act shows Bruce and Thomas reaching the edge of the pit and is coated in the cool blue hues of night. The scene feels somber and intimate as Thomas tells Bruce how stubborn he was as a child, crying because he wanted to hear his favorite story over and over until he fell asleep. Thomas says that Bruce absolutely got that from his mother, who would constantly insist that Thomas read him that story, how she always had faith that Bruce would sleep. The two begin to climb down into the pit.

Throughout the issue the Russian Folk Tale, “Animals in the Pit” had been told and spoken about in the usual Tom King style. The tale involves a group of animals that get trapped in a pit and perform contests where the loser gets eaten. In the end, one of the two remaining animals tricks the other into ripping himself open and feasts on his flesh.

In the final act, in the dark of the pit, the book takes on a harsh red hue. Thomas is finally there, at the end of his journey to give his son the happiness and family he deserves. Saying that he couldn't deny Bruce his childish wishes as a kid, but now he will deny him remaining Batman. 

Bruce tells him that the reason he wanted to hear the story constantly was because, despite the horror, his father told him the story with a bit of levity. Bruce gained hope that one of the animals just might escape and even if he knew it was impossible, he never gave up hope. He then betrays his father with a right cross to the face.

Janín can draw a beautiful, flashy fight scene when he wants to, but this fight is anything but. It's raw and brutal, it's close quarters and every emotion is felt, accentuated by the excellent coloring. Bruce punches his father, Thomas punches his son right back. Even when the fight pivots away from them to focus on the coffin, the tension is still there. Their ideological struggle is felt through the shadows on the wall and when Thomas is thrown into the coffin, things spiral downward for him.

Right on the heels of the hopefully amazing “City of Bane” storyline, this two issue filler arc strengthens Batman’s resolve for what will be the final confrontation with one of his greatest enemies and all of his pawns in Tom King’s Batman run. While the issue does suffer from the usual King-isms (long winded diatribes taking up entire pages, lack of explanation for possibly crucial plot points, like how Thomas came to this world, and the general pretentiousness in dialogue structure) they don’t pull the issue down in a distracting way. While mildly annoying, they fit this story very well and continue to expand on Bruce’s reverence for his mother, introduced in the “I Am Suicide” arc and furthers him being resolute in his mission.

Bane’s going to have hell to pay when the Batman comes for him. High recommend.

#comics #dc #dc comics #batman #the outsiders #black lightning #the signal #duke thomas #katana #cassandra cain #dexter soy #bryan hill #thomas wayne #bane #tom king #mikel janin

[dappercritter]

You have been granted the oppurtunity to recast your favorite animated movie! The only catch is that each of the characters in said movie are animated characters from different shows/movies (X from show/movie is Bob, X from show/movie is Larry, ect.)

Hoooooooooooooooooooooooooooooooooooooooooooooooooooooooo boi. You have no idea what you’ve just unleashed, my friend!

Once long ago, before the Cringe Ages, I loved recasting my favourite and sometimes least favourite movies with characters from my favourite shows. But then I started taking storytelling more seriously and sentimentally and… art-y, and I started acting as if I was above the stuff somehow. To this day, I still don’t know whether to blame the masses or my own hubris.

But now! Now, the floodgates of my childish, innocent mind are open once more! And I have just the idea: The Nightmare Before Christmas but with Villainous and Batman* characters! (With a few CN villains on the side.) So, I guess you could call it…

The Villainous Nightmare Before Batman! 

(No, wait. Uhhhhh…)

The Dark Knight Before Villainous!

Ok, yeah, that should do.

Now you’re probably asking yourself, “Dapper Critter, what are you doing this? Sure, Batman meets Villainous could work, but why are you bringing The Nightmare Before Christmas into this? It’s not even Halloween or Christmas! What are you thinking?!” Well, first of all, Christmas and Halloween aren’t just holidays, they’re states-of-mind. Second, I think it’s time you guys learned something important: I’m a big ol’ lowkey goth baby, baby! If it’s spooky or gothic, I’ll soak it up like a sponge in sink full of soapy water. And nothing says gothic like the hero of a city literally called “Gotham,” a show with a grotesque monster hiding behind the guise of a well-dressed man, and the classic story of Jack Skellington himself! What’s more, all three of these hold a special place in my heart, as they all played a huge part in helping me develop and realize my interest in gothic culture. Lastly, I can see the worlds of these three stories coming together quite easily. Behold, this plot pitch I just made!

“Another Halloween has come and gone in CN City, and another cheerful Christmas is on its way. Black Hat, unofficial master of all that is dark and evil, is thoroughly disgusted that the multiverse will soon be returning to it’s obnoxiously cheerful and wholesome state. He morosely tears a hole through time and space to talk a walk through reality, miserable that he’s stuck living in such a wonderful place. That is until he stumbles upon the city of Gotham, where no matter what time of year it is, the streets are filled with misery and malicious mayhem. Delighted, he sets out to celebrate Christmas his own way: by taking a certain caped-crusader out of the picture and making Gotham his very own holiday vacation home! Little does he know, there’s one special girl who thinks he can celebrate right where he is, as well as a certain clown who’s got his own sinister Christmas party in mind…”

So now that I’ve convinced you, I think it’s time we got down to the actual recasting! Let’s begin, my darling children of the Hot Topic night…

Black Hat as Jack Skellington: This couldn’t have been easier—they’re both creepy gentlemen with excellent taste in fashion. Yes, I know Black Hat is a lot less nice than our dear Pumpkin King, but let’s just say this story takes the odd liberty here and there. Not to mention, Black Hat could easily match Jack’s enthusiasm, intelligence, style, and obsessive inquisitions. Plus, he could totally pull off an evil Santa suit. (Though to be honest, I’m not sure if his snarling, slimy, cockney-accented voice could match Danny Elfman’s melodious singing.)

Demencia as Sally: A devoted, mildly ghoulish, and totally cute fangirl who’s always pining after their darling idol, and who may or may not have been made in a lab? It’s like this fancast is writing itself! Demencia might be a bit more proactive—and scary—in the plot, but I can see her a lot Sally’s dilemma in her as she tries to get Black Hat to notice her and not to abandon them in pursuit of a crazy dream. (Well, that I’m filthy Lizardhat trash.)

Dr. Flug as Dr. Finklestein: Flug, being the only mad scientist who’s employed by Black Hat, as well as the only to survive this, seems like a good pick. Sure, he’s not in a wheelchair and, no, he’s not as creepy as the bugger, but he could still work as our horrid hero’s right-hand man. Plus, since a big part of his canon character is putting up with Demencia’s BS (tell my family that means “baloney-sandwich”), he’d also do great as the one trying to keep the free-spirited love interest under control. Only here, it would be because he’s trying to keep Dem out of trouble so she doesn’t make his boss mad and try to kill him, as opposed to… whatever Finklestein’s problem is. And of course, he can still be menacing if need be. (Just watch the Lost Cases of Townsville and The Tree House…)

5.0.5. as Zero: A cute animal sidekick is a cute animal sidekick, I always say! And 5.0.5. was basically designed to be the ultimate cutesy animal sidekick. Therefore, he can be basically do anything Zero did. Try to cheer up Black Hat? Check. Pull Black Hate’s sleigh? Why couldn’t he? Yeah, he can’t be a flying ghost dog with a glowing nose, but I could just throw bedsheet on him (it was just after Halloween after all) and maybe say he swallowed that anti-gravity device.

Batman as Santa Claus: For Santa Clause, I needed someone who could be the absolute good guy in a world filled with bad guys and weirdos, much like Santa was in the movie. Likewise, since Jack kidnapped Santa to take over Christmas, Black Hat would need to kidnap the guy in charge of Gotham in order to take it for himself. So, of course he’s going to go after it’s #1 protector. I can also see Batman being the voice of reason in this madcap story. Not to mention that he could pull off a Santa suit even better than Black Hat! (In fact…)

The Joker as Oogie Boogie: This one I had some trouble with. I kept asking myself stuff like, “who would be brave enough to usurp Black Hat?,” “who could match Oogie’s siz—er, presence?” or “who would want to kidnap Santa Claus?,” and “Who would be into gambling and crazy funhouse stuff?” And then it came to me: The Joker. I mean, he’s got charisma, a sense of menace, he’s a cutthroat who loves to play with his enemies, and almost always has a big ol’ amusement park deathtrap on hand. Sure, he wouldn’t have the creepy demise like Oogie, but he could get a good beating and traumatizing from Black Hat and/or Demencia (who’d really hate being a damsel in distress, I imagine).

The Delightful Children from Down the Lane as Lock, Shock, and Barrel: At first, I thought of using other Batman villains or Shannon, Darrell, and Ernesto from OK K.O.!, but then I thought it would make more sense to have child villains from a CN show who could do bad things for slime-balls like Black Hat and Joker with pleasure. I instantly thought of these scheming, little monsters from Codename: Kids Next Door (an old favourite of mine). Although they’re usually talk and act in unison, they could have some comical bickering now and then. (After all, “Lenny is an idiot.”) Likewise, I can see Black Hat using Batman’s affinity for young people to get him while his guard’s down. They could make for great trick r’ treaters as well!

Lord Boxman as The Mayor: The mayor wasn’t a very important character, but he was definitely a memorable one, and the first character I thought of who could match his dual personality was Lord Boxman from OK K.O.! They both act like leaders but are really terrible at their jobs, suck up to better villains, and throw a whimpering tantrum like nobody else. (Also, I get to imagine Jim Cummings singing lines from The Nightmare Before Christmas songs, so that’s nice.)

Various CN Villains as The Citizens of Halloween Town: Like with The Mayor and the Trick R’ Treaters, I like to think that the various CN villains who cameoed in the Villainous Orientation series would show up as the denizens of the seedier side of CN City which—as you probably guessed—would be standing in for Halloween Town. Unfortunately, I do not have an encylcopediac knowledge of either Halloween Town residents, nor CN villains, so I’ll just list the ones I can remember and am the most proud of without offering any real justification.

Nohyas as Mr. Hyde: I couldn’t think of anyone besides Black Hat with a fancy hat or smaller versions of himself. Nohyas just so happens to have a suitable villain’s hat, and Handre (his hand puppet) could work in place of tiny clones living under his hats. (And yes, I like Mighty Magiswords. Deal with it.)

Zombozo as Clown with the Tear-Away Face: I don’t believe all creepy clowns look the same, but a ghoulish clown could easily stand in for another. Plus, I used to be a big Ben 10 fan, so I thought I ought to work something in.

Donny as Behemoth: This grass ogre from Adventure Time was more of an outright jerk than Behemoth, but he has a softer side so that would make him a great candidate for a resident gentle giant.

Loony Toons’ Dracula, Billy and Mandy’s Dracula, and Count Spankula as The Vampire Brothers: Do I really need to explain this one?

The Red Guy as Devil: I sure don’t need to elaborate on this one.

The Gangreen Gang as the Zombie Band: The Gangreens were basically based off edgy bands of the late 90’s, and thanks to Gorillaz, we know Ace can play the bass like a boss. Also, I can totally hear Ace saying, “Nice work, bone-daddy.”

Earl (AKA Dopey Black Hat) as Igor: Earl doesn’t get enough to do, inside or outside of Villainous canon.

The Beast as The Hanging Tree: Yeah, I know, I’m messed-up.

HIM as Harlequin Demon: Seriously, this one cast itself!

The Queen of the Black Puddle as Undersea Gal: I don’t watch Courage the Cowardly Dog much, but I remember seeing this villainess once before and I instantly thought she’d be a dead-ringer!

Morbidia and Gateaux as The Witches: Another natural casting derived from my soft spot for Mighty Magiswords. Although Gateaux is a male and a tall one at that, he’s perfect for being a huge suck-up. (I originally considered Miss Endive from Chowder and Duchess from Fosters’ Home for Imaginary Friends, but then I remembered that no matter what they dressed-up as, they’d be unlikeable.)

Monstrous Black Hat as The Monster Under the Bed: Like Earl and the other Black Hat clones, he doesn’t get enough love. (Though this may be a good thing, since he seems too nasty to receive or return it…)

Rob as The Melting Man: There aren’t a lot of CN villains who are melting, per se, but I figured this poor bad guy from Amazing World of Gumball and his unique media-mixed malformity could work.

Biowolf as The Wolfman: Because they’re both well designed wolfmen and I refuse to forget Generator Rex.

The Robins, Batgirl, and Alfred as the Elves: If Batman’s going to be Santa, then his support staff/family might as well be his helpers. Not to mention, they’d look great in cute little elf outfits happily working on Batman’s gadgets in preparation for the big Christmas crime wave.

The Justice League as The Army: Someone needs to show up to shoot-down Black Hat and his idea of Christmas at the end, and since he’s kidnapped Batman, I think it only makes sense that the Justice League would retaliate and come to clean up Black Hat’s mess. He’d also get a reminder that he isn’t just in Gotham City, he’s in the DC universe.

Unikitty as The Easter Bunny: I have my reasons. Them being, Unikitty is good at being sweet and innocent, the episode “Batkitty,” and her world is one of the few Black Hat has interacted with so far. I like to think that’s because he’s too repulsed by her cuteness to touch it. So imagine his reaction when the Delightful Children bring him to her by accident while she’s cosplaying as LEGO Batman or something.

And there you have it! I had a lot of fun making this recast. It was a great way to step out of my comfort zone and to have some fun. Not to mention, I had an excuse to listen to the Nightmare Before Christmas soundtrack early. I sincerely hope you like it as much as I do, @good-guy-is-alive!

Now I just need to make sure Black Hat himself doesn’t see this, or else he might find me and—

Oh no.

No, please, Mister Black Hat, sir, you don’t understand. I just was doing this for fun. I wasn’t trying to make you look—

OH NO.

NO!

NOOOOOOOOOOjglkajgflkjdshGH;LJF’W abfklghlfuGFARGTADS!!!#%RQ#@!

…

…

…

*Since DC changes their Batman shows like people change their socks, we’ll just say that this is your standard DCAU/Bruce Timmverse Batman.

#goodguy #goodguyisalive #critter asks #critter answers #the nightmare before christmas #villainous #batman #dc comics #cartoon network #self-indulgence #recast #fancast

[thetygre]

30 Day Monster Challenge 2 - Day #2: Favorite Frankenstein

1.) Mary Shelley/Bernie Wrightson

Put simply, there’s no beating the classic. Mary Shelley’s original monster is a landmark in literature, the coalescence of an idea about monstrosity and humanity that has been developing since the dawn of civilization. Alright, so that might be a little grandiose, but the point stands; the original Frankenstein’s monster is still the best. Like Dracula, every new generation brings a new interpretation, and makes new connections to him. The monster has, through his influence on culture, succeeded in becoming the father of his own race. He is a true monster of God, a divine omen, an abstract entity that conveys the importance of man’s reaching scientific knowledge. He makes us question our limits, our humanity, and how much we as a species are meant to stretch and bend away from the natural order. And to this day, nobody has managed to quite capture that ideal perfectly.

But the late great Bernie Wrightson came pretty close. Known mostly as a comics artist, Wrightson’s version of Frankenstein is the one that comes to mind for me whenever I envision the monster. He is simultaneously majestic, horrifying, and pitiful. Built like an Olympian god with a face like a corpse. Wrightson’s work on his expressions can convey anger, sadness, and the creature’s own weariness for existence. Wrightson’s monster, to me at least, comes the closest to invoking Shelley’s description of Frankenstein’s attempt at an ubermensch, and his subsequent failure.

2.) Boris Karloff

There’s a lot to be said against Karloff’s Frankenstein. It created a pop cultural image that is ultimately at odds with Shelley’s work. The monster’s eloquent suffering is replaced with a series of moans and grunts, and his arc is ultimately threadbare. And yet, Karloff’s Frankenstein brings something absolutely essential to the Frankenstein mythos; innocence. The creature is a victim of its own creation, too powerful and too strange for this world. The damage it causes is the byproduct of its father’s meddling in things man was not meant to know. That’s a perspective we didn’t get a lot of in Shelley’s original novel, and for all that the Universal movie is different from the novel, it meshes with the novel’s morality by reminding the audience of an important message; the value of humanity. Karloff’s monster appeals to our humanity on the most basic level, that of an innocent suffering. In that, I think even Mary Shelley would be proud.

3.) Shuler Hensley

Aaaaand now we’re back to Van Helsing. Okay, legitimately? I think the Frankenstein’s monster is the best part of Van Helsing. I am dead serious. Like Castlevania’s Dracula, the monster here is an amalgam of all the different parts of Frankenstein pop culture. There’s alchemy, mad science, and body horror, but there’s also a search for humanity and a desire to find meaning in life. Also, like everything in this movie, overacting. Just some grade-A overacting. Hensley screams his lungs out shouting Byronic prose, which I always took to be a kind of fun dig at the original monster’s own flair for the overdramatic.

4.) Peter Boyle

Boyle doesn’t bring a lot to the table as the creature in Young Frankenstein. The movie is a loving parody, and it clearly derives mostly from the Universal Studios movie. And yet, there are some subtle hints of brilliance in this portrayal of the creature and Frankenstein. The Universal movie was a source, yes, but Mel Brooks also drew from the novel for his own spin. At the end of the movie, Gene Wilder’s Frankenstein departs from Shelley’s (who is also the character’s grandfather) by taking responsibility and trying to help his creation. And in turn, the creature forgives and protects Frankenstein. I know it’s all just for good fun, but when you start viewing it through the classic metaphors applied to the novel, it creates a more optimistic picture about human progress. (Plus, I’d be remiss if I didn’t include one of my favorite movies on this list.)

5.) Christopher Lee

Christopher Lee’s Frankenstein is actually the version that turned me on to the character. When I was a kid, Boris Karloff’s Frankenstein did nothing for me; he was too sad, too sympathetic to be a monster. Frankenstein’s monster was supposed to be scary to me; stitched out of corpses, with greasy black hair and dead eyes, angry at all the world. (Also dressed in a stylish black suit.) Lee’s monster delivered that to me. The moment I first saw him, I knew that this was how Frankenstein’s monster was supposed to look. Now that I’m older, I can appreciate Boris Karloff’s performance more, but I’ll still always have a fondness for my first favorite Frankenstein.

6.) Rory Kinnear

The youngest monster on this list, Rory Kinnear played Frankenstein’s monster, referred to variously as Adam or Caliban, in Showtime’s Penny Dreadful. Think a cheaper, tawdrier League of Extraordianry Gentlemen. Appearance-wise, Kinnear’s Frankenstein is... it’s- it’s not great. This show had the special effects budget of some pocket lint and the grace of God. But the character is what stood out here. Kinnear’s creature, more than any other, struggles to find his identity, to find a means to turn his monstrosity towards good. His constant failure as people use him and reject him embitters him even more against his creator, but gives him a common bond to other characters. In the show’s last season, Kinnear’s Frankenstein reunites with the family of the man who’s body was used to create him, stepping in apparently returned from the dead. And that and what happens afterward with the character are, I think, worthy additions to the Frankenstein mythos.

7.) Junji Ito’s Frankenstein

Leave it to Junji Ito to create the first truly repulsive Frankenstein. Lee’s came close, but Ito’s portrayal of the monster is nothing short of revolting. In the novel, it’s never made clear why exactly people are repulsed by the creature’s appearance; it might even have been all in the character’s perception. But Ito’s Frankenstein is simply hideous; it’s the first Frankenstein I can think of where you can imagine what he smells like, and it’s like rotting meat. The monster is imposing, too; Ito, like Wrightson, didn’t skimp on making his creature gigantic in proportion. It’s hard to feel sympathy for this creature, and it almost seems to take pleasure in the evil it commits against its creator. It’s easily the nastiest version of the monster you’ll ever meet.

8.) The King of Toyland

Like Van Helsing, The League of Extraordinary Gentlemen is just something I’m going to keep coming back to during this challenge. League’s Frankenstein is mentioned only in passing, making an actual appearance only as a background cameo, but what little is given might just be the most heartwarming version of the character I’ve read. After the canon events of the novel, Frankenstein’s creature wanders the Arctic Circle, despondent and immortal, unable to kill himself. In his wandering, the creature finds a land populated entirely by sentient dolls and toys, hidden in the North Pole behind a magical field. This is Toyland, from the Noddy series of English children’s novels.

The residents of Toyland are ruled over by Olympia, the automaton girl from the opera The Tales of Hoffman. The toys, instead of rejecting the creature, ask him to stay, claiming they need his strength to protect the land. The toys don’t see the creature as unnatural; to them, he is simply another misfit toy, an oversized doll. In time, the creature and Olympia fall in love and marry, and they rule as the king and queen of Toyland. The creature, at last, has found a place and a people he can call his own, somewhere where he is accepted, a purpose for his strength. And somehow, this was all written by Alan “Old Man Yelling at a Cloud” Moore, without a shred of irony or cynicism. And if you don’t think that’s the most sentimental shit in all of Frankenstein lore, then I don’t know what to tell you.

9.) The Flesh Golem

Before even Christopher Lee, the first version of Frankenstein’s monster that I really loved was the one in the 3rd Edition Dungeons and Dragons Monster Manual. Well, okay, it’s not actually Frankenstein’s monster; it’s just a ‘flesh golem’. But energized by electricity, afraid of fire, made of dead men cobbled together? Come on. My older cousin used to tell me that her idea for Frankenstein’s monster was that Frankenstein ran out of human parts, and had to resort to animal material to finish the creature. Frankenstein might have the nose of a pig, or the eyes of a horse; anything to finish the work. That idea never left me, and I thought of it every time I stared at the flesh golem, taking in the metal frame and oversized claw. I remember the first time I actually read the novel, I kept drifting back to that lanky, stitched-up construct with its monster parts and lop-sided face.

10.) The Prometheans

Another tabletop rpg rendition of Frankenstein’s monster, this was a whole game built around them. Promethean: The Created was the fourth of the New World of Darkness line or Chronicles of Darkness or whatever we call it these days. In it, players took on the role of artificially created beings, filled with supernatural energy, whose very presence twisted and corrupted the world around them. Normal humans can’t stand to look at them as a supernatural field makes them immediate targets of hatred, and they are hunted by their own twisted, monstrous bretheren who want to consume their divine power. And yet, for all that, it was a fundamentally optimistic game. Promethean marked a trend in the World of Darkness line that turned away from doom and gloom towards seeking salvation. The ultimate quest of the Prometheans is to gain their humanity, and their journey is about undertaking a pilgrimage to their ultimate realization. Promethean is about personal horror, and defining one’s own humanity.

#30 Day Monster Challenge 2 #30 Day Monster Challenge #Frankenstein #Mary Shelley #Horror #long post #young frankenstein #junji ito #promethean the created #penny dreadful

[canaryatlaw]

alright, so today’s been a bit of a whirlwind. sadly my laziness (or chronic exhaustion, if you prefer that label) got the best of me and I slept through the middle church service and ubered to the last one since I was signed up for the nursery. this is why it’s better when I’m signed up for the middle service so I’m not tempted to skip out. but I made it there with a bit left in the service and got to watch it for a bit so that was nice. it was centered around joy, and the part at the end I got to witness involved a dancing christmas tree, menorah, and dinosaur onstage while they handed out krispy kreme donuts, because how else would you define joy??? (for context, they had their annual Christmas store event yesterday where they have low income families from the communities our church support come in and be able to buy presents for their children and families at very reduced prices, with all the proceeds going to charity, and while the adults are doing this they also do entertainment for the kids, so the costumes were leftover from that and I suppose they decided to put them to work. I heard that the little kids were very much NOT a fan of the dinosaur 😂) service ended and we had our volunteer huddle before heading over to the room where I helped with the pick up of kids from the last service and drop off for our service. I think we ended up with 4 helpers so that’s a decent number, and I think we had like 8 or so babies so that’s a pretty good ratio. things were fairly calm for the most part, a few of them were crying on and off but were ultimately consolable, didn’t have to call any parents so that’s always a win, especially when we found out at the end that one of the little girls we had had been having issues the last few weeks that resulted in calls to parents, and this was the first time that didn’t happen, so that’s encouraging. At the end of the service we cleaned up and I waited for the last parents to show up (always the ones that are volunteering in some capacity themselves so they tend to be the last to pick up) then headed out. The plan was to go to the place to get brunch for the date after church. I’m gonna try to explain the route of the blue line and the bus route the best I can because my navigation in this got a bit complicated. I can take the bus right from my corner to basically a straight line down. my church is right off the blue line, which intersects the bus twice, as the blue line makes a V in and out of downtown, traveling southeast until it hits downtown, then traveling southwest out of it, with church being on the southwest prong. I generally take the bus to the first intersection and take the V down to the church because it tends to be faster. the second intersection is only one station west of my church, but for some reason the bus service is really spotty from that station so I tend to avoid it. but this brunch place was right off the bus route, and it was before the first (northern) intersection of the blue line, so it made sense for me to take it one stop west on the southwest prong and take the bus from there, so that’s what I did, except the bus service was spotty and I ended up taking an uber from the train station to the place so I didn’t end up being late. Met up with the guy, there was a bit of a wait so we walked over to a coffee shop nearby and hung out for a bit until we got called. this place was entirely Ron Swanson themed (from Parks and Rec) which was really just so flipping fantastic, and the food was very good. He was a self-confessed nerd, so we talked a lot about comics and superheroes and all that good stuff, and at some point the conversation migrated to the various systemic problems in child welfare and criminal justice (probably because he was saying he tends to lean libertarian on some issues but still supported social services and such) which is always interesting. overall it was nice, I’m not sure if I’m feeling any romantic attraction but I guess we’ll see where it goes from here. Once we finished I got on the bus with the intent to take it the rest of the way home (and here’s where things get really complicated) until I got a phone call from who turned out to be the guy who had done the custom fitting for the suits the law firm I was working for was paying for us to get, and he had the suit and was passing through Chicago tonight and said if we could meet up I could try it on and get it. There was a tense moment when I was like “you know I’m not with the firm anymore, right?” and he said he did but the suit was still made and paid for so it’s mine. he was heading west into the city and was hoping we could meet before he hit downtown where he was meeting with the other women from the firm who I definitely did not want to see, and I knew there was a starbucks a few blocks from my church that would be in his direct path, and at this point the bus was just coming to the northern intersection of the blue line, so I hopped off the bus and got back on the train and took it down to where my church was (I told you this was complicated). So I bought a snack and sat down to wait, he showed up a few minutes later and gave me the suit to try on, so I went to the bathroom and like. guys. it’s so perfect. I love it so much. like I can’t even tell you. I like actually had been really sad about it because I thought I wasn’t going to get it anymore since I don’t work there but it’s made and it’s mine and I love it so much lol it’s great. the only thing I was kinda meh on was the button, but that’s super easy to get replaced so I’m not concerned about that. and like, it’s a fucking super nice suit, custom made, like that shit retails for like $1,000 so this was QUITE the bonus from a company I no longer work for 😂😂😂 so this was pretty awesome. I took an uber pool home because I didn’t want to deal with having it on public transit. when I got home I chilled for a bit and got ready for the first night of the crossover, which I was going to be livetweeting from the Batwoman Podcast account for the first time. Overall I thought the episode was pretty solid, I have to fangirl about what was by far the best part for me, which was of course the inclusion of Clark and Lois which they filmed on the Kent farm from Smallville, and when they transferred to that scene they played the iconic Smallville theme song that’s all like SOMEBODY SAAAAAAAAAAAVE MEEEEEEEEEE and y’all, I actually died. my soul left my body. I was legit screaming, like I CANNOT believe they actually did that. if we get more Smallville references in this crossover as its been hinted we might in the preview clip I will actually die and probably remain so. So I was completely overwhelmed by that lol. But I did of course watch the scene with the introduction of Lois to the universe and man, I love her so much already. Between schooling Clark on some sexism to being ready to fight off Oliver and Barry with a hammer to saying “go get him Barry!” because Oliver’s “kind of a joke” I just totally fell in love with her. she’s perfect. Of course then I absolutely died again when she called Clark “Smallville” in the same exact way that Erica Durance as Lois Lane did on Smallville which is a thing that was completely unique to Smallville, I screamed again and it was just so damn good. so that was obviously the highlight of it for me. the Barry and Oliver training stuff was interesting, I’m not sure how I feel about the whole “Barry has to draw on darkness to use Oliver’s skills” thing which just seems a bit unnecessary, but maybe they’ll pull it through. I thought the beginning was pretty funny with Oliver waking up to Iris and them all being so thoroughly confused about everything. Then there was the fight scene at the end which was pretty good all around, very inventive with the number of heroes participating in the fight and how their various power sets were used. Of course it peaked my interest that this was “Ivo” labs and the robot was named “AMAZO” which is intriguing because it’s a very different interpretation than Arrow took on the subject, yet it’s much closer to the overall DC universe lore about the character and his creations. I found it particularly interesting though that they were linking the mirakuru to the robot, which was of course something that came directly from Arrow’s plot regarding Ivo and the Amazo (ship) so I’m curious as to where they’re going from there on that subject (if it’s not just a throwaway line, anyway). The ending where they decided to go to Gotham and the shot of Batwoman on the roof was really fucking epic, and definitely a great place to end the episode. So yeah, excited for tomorrow’s installment and of course the Legends episode airing right after it that is sure to be fucking hilarious. Once that was over I watched this past week’s episodes of Crazy Ex-Girlfriend and Blindspot before watching the last episode of the newest season of Great British Baking Show and I just want to say I’m very proud of Rahul and I hope he truly knows how talented he is and goes far in life. and yeah, shortly after finishing that I started getting ready for bed (and definitely wasted time in there somewhere) and now I’m here and it’s almost 2 am because I’m bad about this stuff, so I should really be getting to bed now. Goodnight my dearies. Hope your Monday doesn’t suck. 

#daily journal #December 2018 #Rachel watches The Flash #Rachel watches Supergirl #Rachel watches Arrow

[rationalisms]

mcu

the first character i ever fell in love with: tony stark. :’) i saw all the films in the order they came out, when they came out, so iron man was actually the first mcu film i saw and i already liked tony as a character in the comics by that point but watching the movie made it go from “neat i guess” to “i love him so much i would move mountains for him”. he’s still my absolute fav to this day.

a character i used to love/like, but now do not:this is rly more to do with his fans than anything actually in canon but i used to be quite fond of steve (and still am wrt to 616!steve) but ime since civil war many mcu steve fans are, uh, Very Particular about their interpretations of the canon and particularly A Certain Character and VERY insistent that those interpretations must be enforced at all times and so i find a lot of content centred on him very grating.

a ship i used to love/like, but now do not: i used to like tony/pepper in im1 and im2 and i thought they were honestly cute but by im3 it was already waning and then the whole on/off thing in later films just got annoying because pepper really just turned into a plot device rather than a character.

my ultimate favourite character:tony!!! i love his disasterific self so much and i am so so so proud of him and how far he’s come and also like, wrt to cinematic quality, i honestly think the iron man films are the saving grace of the mcu. shoutout to shane black and jon favreau. also natasha because she’s actually my absolute favourite character in the comics so i HAVE to be secondhand in love with her in the mcu but honestly i hate the way the russos write her so i’m just desperately praying for anyone to take them out of their grasp. (fingers crossed for her solo film)

prettiest character:sorry i’m still like very tragically attracted to scarlett johansson because i’m weak and gay and have had a crush on her since i was 9 so natasha

my most hated character:i just. literally never ever want to hear a single word about coulson ever again. i also really hate vision and i hope he stays permanently dead (lol fat chance of that) and i want jarvis back. also peter quill can bite me. g-d.

my OTP:tony/rhodey is real and tru and canon and The Only Way. idk how anyone could deny they’re in love.

my NOTP:wanda/vision is by far the worst het in the mcu which is saying a lot because there is a lot of terrible het in the mcu. every time they make me sit thru any scene with them desperately trying to muster up any chemistry at all it makes me want to physically flee my cinema seat.

saddest death:loki’s died like five hundred times now but honestly? good for him, he’s clearly excellent at it! all of his death scenes are absolutely gutting and make me genuinely emotional and i love him so much.

favourite movie: iron man 3 and i will throw hands with anyone who tries to argue it’s not objectively the best mcu film

character that everyone else in the fandom loves, but i hate: i don’t hate him but i don’t care in the least about bucky.

my ‘you’re piece of trash, but you’re still a fave’ fave: loki lmao. gay icon, undisputed mvp of the thor films, absolutely correct about everything, never did anything wrong in his life, etc

my ‘beautiful cinnamon roll who deserves better than this’ fave: bring jarvis back please i miss him so much he didn’t deserve what they did to him and everything about vision is a disservice to his memory

my ‘this ship is wrong, nasty, and makes me want to cleanse my soul, but i still love it’ ship: me/scarlett johansson

my ‘they’re kind of cute, and i lowkey ship them, but i’m not too invested’ ship: tony/bruce is cute in theory but i’m too invested in tony/rhodey to rly be into it.

also i have eyes and a functioning brain and so i know that nat and pepper absolutely fucked in im2 and so did pepper and maya in im3 (and bless the one good fic that actually exists for them) but there’s not enough content to keep me afloat

#nogenderinthewasteland #reply

[lexidanger]

My TLJ (way longer than expected) analysis/rant/review

DISCLAIMER: I work for Hasbro but knew NOTHING behind the scenes for this movie like I did for TFA, so I didn’t have any outside influence...also

SPOILERS GALORE, IF YOU HAVE NOT SEEN THIS MOVIE I SUGGEST SEEING IT FIRST ESPECIALLY IF YOU’RE A SW FAN

I honestly have a lot of mixed feelings about this movie, because while there were things I absolutely adored in it, but there were also choices made that I really still can’t wrap my head around and ultimately have left me pretty disappointed, I’m not going to go over every little thing but if you have a question about how I felt about a certain character/scene etc just shoot me an ask and i’ll rant at you there. Anyways I’m gonna start with the good shit since I might get a tad ranty with the bad

THE GOOD

The opening sequence- The opening scenes were phenomenal imo, that was absolutely the way to start off the movie, It honestly held a lot of that SW nostalgia and felt really great action/tone wise, it pulled you in like a good hook should.

Leia- So i’m legit a huge emotional baby when it comes to stuff I love, I was already crying as soon as the opening crawl hit, but it wasn’t until they showed Leia the first time that both me and the girl next to me started sobbing (she turned to me and offered some tissues saying she made sure to bring a bunch so it was nice to have some emotional solidarity) But anyways Leia was great and i’m beyond happy with how they handled her which leads me to my next point…

LEIA USING THE FORCE- Everyone in the theater was crushed when she was thrown out into space, and as soon as the shot closed in on her body and she began to use the Force to bring herself back, you could hear the sigh of relief and amazement come from the crowd (as well as the sniffles because everyone was crying at this point) and it was such a magical moment to see her finally use the Force in a tangible way and shut up the fanboys who thought she wasn’t Force Sensitive. And speaking of one half of the twins...

Luke- As always Mark is an absolute delight and gift to this role, and it was so nice to see him back on screen again. A lot of people are crying out about how this movie “””””ruined him”””” by showing his more grey morality (THAT HES ALWAYS HAD B T W) but even as a dark sider I’ve always adored Luke and his views and he made me super proud in this movie. I’m honestly not ready for people to start demonizing him for "almost killing their precious Ben bby uwu” because again that was a moment with a lot of complexity on both sides that I think could bring up a lot of great conversations about Luke’s trauma in the war and wanting to prevent the loss of billions of lives.

Also as a side note I just want to say how heartwarming it was to see Luke reunited with R2, the moment he recognizes him the bitter old facade melts away and we see that sweet excited boy from Tatooine when he gets to talk to his best friend again after so long.

I’m so so sad to see him go, but honestly I couldn’t think of a better way for him to go out, I’m glad it was done in such a peaceful way (except maybe him actually going to Crait and pulling an Obi proper but thats a whole other issue)

Snoke- I adored Snoke, plain and simple. The few scenes he was in he commanded attention and I was honestly captivated by Serkis’ skills as a character actor once again. The CG work done on him was remarkable, his personality was actually very enjoyable and I really wish we got to see more of his Force mastery, it’s so rare we get to see it controlled on that grand of a scale and so effortlessly too (For those of you who read Darth Plagueis you know the difficulty that comes with using the Force on someone over hologram/long distance, so it was definitely a treat to see that). The potential of this character is remarkable and if anyone involved with SW media is smart they will tap into it and release more content with him ASAP

Rey’s Parentage- As someone who was an avid Rey Palpatine theory supporter, I just want to say how glad I am that Rey’s parentage proved to be of no significance, because in a way it still holds kind of what I wanted to see from her being related to Palpatine. I wanted them to show that really in the end, your bloodline doesn’t make you who you are, you decide who you want to be, not your past, and in a way they did that. They showed that someone from humble beginnings, like Rey and even Finn, can rise up to do amazing things, you don’t have to be part of a dynasty like the Skywalkers to be great.

Imagery/Portrayal of the Force- If theres one thing I can really commend this movie for, it’s the visuals. From the color contrasts of Crait to the trippy Force shenanigans everything was visually stunning. Leia using the Force to glide through the void of space to safety was such a magical moment I will never forget (and anyone calling it Mary Poppins or Superman flying is honestly just afraid to have whimsical moments in their SW and therefore a coward) the blend of CG and puppets was super great and using a puppet for Yoda’s return was such a great callback to the original trilogy. After watching so many Transformers movies its nice to watch an action flick that doesn’t rely on shaky cam to sell the intensity of a scene, but instead uses the art direction and imagery as it should.

Also as far as the Force goes, i’ve been so happy that we’re moving away from the two extremes. The Dark Side in not completely evil and the Light Side is not completely good, i’m just glad we’re finally showing that in the movies, and if it makes people mad then good, the truth hurts but they need to understand not everything is black and white.

Humor- Some might argue that a lot of the humor was oriented more towards the younger audience, but tbh most of the bits really hit with me (probably because I am a child) and provided some nice warm moments in what might be considered a tense and dark movie. We’ve been debating for years now how Luke’s first interaction with Rey would go, what would he say to her? What would he do? and it’s my belief that they could not have gone with a more appropriate choice than for him to toss the saber over his shoulder as he did (Luke’s “reach out” moment with her was also so nice and I’m 1000% convinced it was improv by Mark) The bits with the guardians of the island were great, the porgs were surprisingly enjoyable (if not still a bit bizarre) and my favorite running joke of all, turning Hux into what i’ve always seen him as, a huge joke, a slapstick prop to be tossed around and ridiculed, it was quite satisfying.

Additional things- Despite the fact that there wasn’t a saber on saber fight the entire movie, the Snoke’s Praetorian guard fight scene with Rey and Kylo will go down in history as one of the great fight scenes in SW history. Rose was such an amazing addition to the cast and Kelly is so talented, I’m happy she’s a part of the SW family now. And BOY you want to talk about memorable moments, Holdo’s lightspeed crash into Snoke’s Supremecy was absolutely breathtaking. The way it was shot, the sound design, everything was perfect and people are going to be talking about it for a very long time.

THE BAD

Snoke’s Death- The moment Snoke was killed off is the moment I feel like everything shifted in the movie, I was enjoying it quite a bit up until that point, and then as soon as the saber bisected him this huge wave of disappointment and disbelief washed over me, which is why this is probably one of the biggest mis-steps in the movie besides Phasma’s treatment. For years now we’ve been theorizing and trying to piece together who Snoke could possibly be, whether it be the return of an older character or him being his own thing and with every tiny piece of info that came out we were further pulled in to the mysteries that surrounded him. Who is he? What is he? Why does he look that way? How did he come to power? I never expected all of these questions to be answered in TLJ, but a piece of info or two thrown our way to reward our patience and interest in him would have been appreciated.

Instead what we got was nothing and a swift ridiculous death half way through the movie. To say that i’m crestfallen is a bit of an understatement. Those that know me are aware that I’m a huge dark side fan and an even bigger fan of Sheev Palpatine, he’s a compelling character in a lot of the ways Snoke has the potential to be, so to see another great antagonist along the lines of Palpatine just thrown away without any second thought or explanation is an awful thing to see.

And I’m aware that they are probably going to throw his backstory into a book or comic, which part of me is grateful for (especially since James Luceno, author of Darth Plagueis might possibly be writing it right now) but tbh you shouldn’t throw the responsibility of portraying a character off on someone else when you have more than enough time and opportunities to show it in the film. As someone who is heavily invested in the alternative media surrounding SW I still don’t think that you should put your viewers through that, making them ask questions about a character, pay for a ticket to possibly have some of those questions answered and then pull the rug out from under them like “Nope sorry you’ll have to buy the book when it comes out next year” it’s very in-accessible and just downright disrespectful to the writers that set him up for a decent arc.

Plenty of uninteresting things were prioritized over the interesting so don’t tell me they couldn’t have taken 10 minutes out of something inconsequential to slip in some context for this character. It’s such a shame to see an opportunity to flesh out a compelling character passed over for the purpose of subverting everyone’s expectations, cheap and unsatisfying. #AndySerkisDeservedBetter

Phasma- I want to say for the record that I am absolutely outraged, not only did we get even less Phasma than we did in TFA, but they “killed her off” in a way they can either bring her back and do what they said they were going to do after TFA which was give her a decent amount of screen time, or leave her dead. It’s honestly a travesty that they continuously recruit these talented actors to portray these characters and they get shafted as far as content and inclusion goes. I can’t even put my excitement into words when Phasma was first announced, I just wanted female Stormtroopers period but having a woman play a fierce Stormtrooper commander meant everything to me. But alas, just as Snoke it seems these directors can’t seem to find a place to put them amongst the other pointless plots that are stuffed into the film which brings me to…

Canto Bight- A beautiful planet/setting but very unnecessary as a whole. I mean the whole idea of them needing to go to a planet to get a random codebreaker to get on the ship in the first place is absolutely absurd when they’ve had countless ways upon these ships in the past. And the fact that they had to call up Maz so they could poorly stuff her into the movie for 2 minutes as she quickly rattled off their mission in a very Battlefront 2 manner was absolutely ridiculous. The casino itself was neat and I’m glad they touched upon the fact that these people got rich by selling weapons to both sides, but the whole animal chase sequence and everything with DJ felt so out of place and long and distracting from things that would have far better served the characters and plot.

Length- As someone who sat through Age of Extinction after drinking a large soda at the beginning of the film, trust me when I say I know when a movie feels long and this one felt unbearably so. Every time I thought to myself “oh this is it this is going to be the climax and resolution” they would set off on another escape plan. It’s like they came up with 5 different endings and couldn’t decide which one to use so they just kinda tacked them on to the end of each other. After learning that this movie was 3 hours at it’s original cut, I cannot imagine sitting through another hour of squished together side-plots and escape plans, if those cut scenes had more Snoke and Phasma it might’ve been worth it but something tells me it didn’t. We wont know until the bluray with all the deleted scenes comes out next year.

Rey as the future of the Jedi- There was fanboy outcry at the end of TFA saying that Rey was a “”””mary sue””” for being able to defeat someone like Kylo Ren with no lightsaber training/understanding of the Force, but all their arguments are bullshit and there was nothing unbelievable about Rey’s skill with a staff translating to a saber and embracing the Force to gain an edge over Kylo and defeat him.

Now in TLJ Luke’s training of Rey was set up (like many things) to be a main focal point in the story when in reality, it lasts maybe two days and in that time not much training happens at all, in fact Luke tries to show Rey why the Jedi should NOT continue. But in the end it’s very much eluded to that it’s now up to Rey to continue on the Jedi ways and teach a whole new batch of bright eyed young light siders. Rey was skilled enough in TFA to handle herself, but she was still very much a student in need of a teacher herself, something she got only briefly. I honestly have little faith that they can convincingly portray this if they choose to go this route.

Confusing moments with Holdo/Mutiny- I don’t know if was just me but with the movie as a whole being an overwhelming stream of events and developments, the whole Poe mutiny against Holdo was an absolute clusterfuck to me. It was obvious that Holdo was planning something and wouldn’t share it with Poe to the point where it was almost as if she was a traitor/spy and was running everyone into the ground on purpose, and I thought my suspicions were confirmed when she broke back out of custody, but then suddenly Leia shows up and stuns Poe?? Was she a Changeling??? What the fuck was going on??

And then it turns out that she just had a plan to stay with the ship and to get everyone to the Rebel base on the planet below THAT SHE WOULDN’T TELL ANYONE. Like if she would have been a little more up front with this plan I think things would have gone smoother and the whole Poe mutiny thing could have been avoided. It was all very necessary and created conflict and complexity where there didn’t need to be.

Confrontation- While the final confrontation between Kylo and Luke is impactful in it’s end, I think it would have been even more so had it not been needlessly complicated by having him project from Ahch-to. I mean he probably wouldn’t have survived the Walker blasts, but if he could project across the galaxy like that then he could’ve figured something out. When he showed up at the base out of nowhere my suspension of disbelief was already running thin with the loss of Snoke and Phasma, but seeing him look so different from what he looked like minutes ago just ruined the surprise of him not actually being there. I would have liked to see him reunite with Leia in person before becoming one with the Force, and I just think him being there and pulling an Obi Wan by disappearing and leaving the cloak behind just as he did with Vader would have been a nice call back.

Rose/Finn- This moment I did not see coming because tbh, there was no build up to it, and just like the infamous Steve Rogers/Sharon Carter kiss from Civil War, it was awkward and unnecessary and I’m fairly convinced this was added last minute to subvert fans from the whole Stormpilot ship, because you know, how dare us gays want to be included in SW right? Rose is a BRILLIANT character, and even tho Finn suffered the short end of the stick as far as development in this movie went, neither of them needed this rushed moment to make her action or their friendship any more meaningful.

Payoff- Although I was happy with Rey’s parentage I don’t like that it was made to be such an issue that ultimately ended up not being a big deal. Now a lot of this comes from the fact that Rian took it upon himself to “fix” some of JJ’s weaker elements from TFA, but instead of fixing them he eliminated what would have been really nice payoffs for the fans who’ve invested so much time and love into discussing this series. This also goes for Snoke, why create this mystery around this character and have people talking about him if you aren’t going to give them some kind of payoff in the end. That bit of satisfaction that we hoped to get just slipped away and  we’ll have to wait another 2 years to have another chance at it, or maybe not at all and thats incredibly frustrating.

In the end I had fun, but that fun just can’t make me forget about the glaring issues this movie had. And they’re not just issues, they’re needless issues, things that could have been easily avoided or fixed. At this point i’m not even really invested enough in the characters that are left to be excited for the next film.

So yes this film had problems, but is it the worst SW film ever? Is SW really dead? Absolutely not, everyone is being far too dramatic, which honestly isn’t surprising seeing as most of them still pretend the prequels had nothing of value and don’t exist.

It had problems.

Fix them.

Do better next time.

It’s as simple as that and if the filmmakers can’t recognize this film’s shortcoming to avoid making the same mistakes again, then it’s their own fault for the criticism they get. The film isn’t a total loss in the slightest and hopefully some of the deleted content will shed some light on a few things we so very much wanted to see.

#i dont #want to #put this #in the #tags #tlj #tlj spoilers #the last jedi #the last jedi spoilers #spoilers #ok that should take care of any blacklists #even tho its under a read more

[kessielrg]

Major Mathias

Summary: In which the fictional hero Major Mathias finds himself in the real world, seeking the help of the young journalist Philomena Nikoya. It goes over as well as you’d expect it to. [oneshot]

Rating: T (for a lot of cursing)

Word count: 2,020 words

. . .

Major Mathias was a comic book hero that everyone adored back in middle school. I didn't really keep up with the series, but learned about most of it from some of my friends. In it, the series detailed Major Mathias, a hero the likes of Superman; a jack of all trades with very little, if any, weaknesses. The fanbase was split between the boys and girls; the boys enjoyed the masculinity, the girls more so- but for a different reason, if you catch my drift.

In every issue, Major Mathias would battle his ultimate enemy -the grotesque looking Calamity Carlisle- and peace would reign again for another issue. It was a really predictable formula the more you thought about it. The formula for each comic book issue was the reason why I eventually lost interest in the series. I made fun of my friends for actually being surprised for the twist that C.C. had been disguised as a friendly character in a bid to trick Mathias. Like, no, you obviously knew that idiot was not who he said the moment he glared at the hero a funny way. It was, like, a calling card or something.

I completely fell out of the series once we got to high school. I still had a few close friends that were interested in the series, but they knew better than to tell me what was happening. It worked out pretty well, actually. For the bulk of high school I never heard a word about Major Mathias and it was an absolute dream.

But then something happened.

In an issue published on June twentieth 2016, Major Mathias went missing. And, apparently, not even the writer knew where he had gone. It was just like Mathias had just up and disappeared from the series without any input from the writer at all. Now, I'm not talking about that old 'my character made me do this while I was writing' trope that writers talk about; according to the main writer, Major Mathias was actually gone from something they had already written. Any reference to Mathias was replaced with empty space and an occasional threat from Calamity Carlisle. There were photos uploaded to the publisher's Twitter and Facebook feeds that gave before and after comparisons.

A lot of these looked like a really poor Photoshop edit.

While my friends all freaked out about this mystery, I laughed it off as an elaborate ARG the publisher was doing to drum up hype for some new storyline or another. At that point, Major Mathias was a dying series anyway. Writers switched hands every other week; there were even rumors that some artists didn't even make it to the end of the issue. They always felt 'too sick' or 'felt like they were being watched' while they worked in their private homes. It was always some excuse after another- but the publishers would just refuse to let the dumb series die and have at it.

Now with Major Mathias 'mysteriously' disappearing from his own series, it looked like the perfect time to finally pull the plug. It was a brilliant excuse, honestly, and one that I admired in a 'fuck you' kinda way. Why give your series a proper end when you can just make your hero go away?

I'm sure you're sick of hearing about Major Mathias by now. What else more could I say about a comic book hero I lost interest in? I bet you're curious about who I am, and why I'm telling this story. Or not. Maybe you liked Major Mathias or something, good on you. But I want to be narcissistic now and you're going to like it.

My name is Philomena Jasper Nikoya. You can call me Fili if you'd like, it's usually easier to remember for most people. If you haven't noticed, I like writing- at the same time, I completely despise it. You can thank the dumb plots of Major Mathias for that; I used to write a lot of fix-it fanfictions back in middle school. Most of them involved Calamity Carlisle to actually win for once. Others involved Major Mathias actually recognizing that paper thin disguise because, my god, how dumb do you have to be to keep falling for that?

When I got to high school, I started doing some work for the school newspaper. At first, I was doing main articles with the help of a small team. It took me a whole year to convince the vice principal to let me do a column all on my own. You're looking at the proud writer of 'Superhero Nonsense', a very popular column in the school paper detailing superhero tropes and cliches with a mildly sarcastic narration. Our English teacher occasionally cites it when going over literary devices to help advance or enhance the plot- you could say that it's my crowning glory.

You can absolutely bet that I made a ton of riffs on Major Mathias. My friends gave me enough context to still harass the series even though I no longer read it.

I really annoyed them.

A lot.

I usually work on my column on the weekends at a local comic book shop. It's a real cozy place, kinda like those cat cafes I hear are all the rage in Japan. Except for the stunning lack of cats. Which is good- I'm allergic. Any way, our local comic book shop has a pretty good range of books; from the classics, to visual novels, and even official art books in every shape, size, and fandom. Located in the back corner is a pop-up cafe of sorts that offers simple coffee brews and light snacks- like cookies and donuts. Along that wall is a bunch of seating for us loafers.

My favorite place is a small recliner near the window. The recliner itself isn't much to write home about, but out that particular window you could see the busy street outside. It was nice sitting there, spacing out occasionally to watch the other people go by, as I worked on my column. If I had to pick a happy place, I think it would be there.

That is, until he showed up.

“FiliJazzPhone99?”

“Huh?” I wondered in a far off voice. I had been in the middle of an incredibly awesome writing groove and didn't feel the need to look up. When I finally did, I was looking up at a rather handsome looking young man. We're talking the whole nine yards, guys; a strong jawline, chocolate brown eyes that you could have melted to, and beautifully tanned skin that I couldn't quite place the ethnicity of. Not that I really knew what color I was on a normal day; but know this, it was not saltine cracker white.

“FiliJazzPhone99.” the guy repeated. “Fili. That's you, isn't it?”

As cute as I found this stranger so far, he was starting to creep me out. I started to carefully close the lid on my laptop as I looked him over. He was wearing the uniform the comic book shop employees wore when they were on the clock. So he worked here? Must have been new, because I knew practically everyone at this place.

“Even if I was,” I told him, humoring him for the moment, “Who wants to know?”

The stranger puffed his chest up, placed his hands on his hips, and grinned at me with a wide, cheesy smile. “Major Mathias, ma'am!” He relaxed his position a bit before going on. “And I really need your help Fili. Calamity Carlisle somehow forced me out of my series and into your world. They want to reboot my series from the ground up, and they want to do it without me! I need your help to get back to my world before their plans can come to fruition!”

For a moment, I just stared at him. This dude couldn't be serious. Sure, on second glance, he kinda did look like the hero. But a lot of normal people had really uncanny resemblances to fictional characters every now and again- the internet (and very dedicated cosplayers) was a testament to that.

I must have been taking far too long to respond because this not-Mathias made a stupid whining sound before forcing me to my feet.

“What do I need to do to make you believe me?” he asked. “I still have my powers- I can do anything you want!”

With a grimace, I forced myself out of his grasp. “First of all, you don't touch me.” I spat. “That would be a nice start.”

Not-Mathias recoiled a little. “Sorry...” he mumbled. “I just… You're the only one that can help me, and I just need a way for you to...”

Suddenly, a thought came to his mind; his eyes shot with a determination that almost intimated me. In a firm, certain voice, he said, “Archive of Our Own user, FiliJazzPhone99. Writer of 15 works. 2 for DC Superhero Girls, 2 for The Longest Journey, 1 for Dragon Age, and 10,” (he puffed up his chest in pride here) “For Major Mathias.”

I wish I could have seen the look on my face. I must have looked like I wanted to strangle him, or call the cops. Maybe both. I could feel my face boil over in white hot anger though. No force on earth could have stopped the profanity that came out of my mouth next.

“MY SHIT BIO ISN'T A DATING PROFILE YOU CREEP!” I screeched. “Just WHO the FUCK are you?!”

“I keep telling you! I am Major Mathias, and I really need your help Fili. Please!”

“You have a really shitty way of trying to convince me that you're real!”

“I know!” he shot back. For a moment, I thought I saw his eyes glisten over with tears. “You have no idea how confusing it is to be here! I have no idea how to get back, but you're the only one I know that can help! I could go to my publishers, or my writer, or… or anyone else but you if I could! Fili, I...”

Not-Mathias made a movement that he was going to take my hands again, but in remembering that I didn't like the last touch, he didn't do so.

“Who's going to believe me?” he asked, the desperation well laced into his voice. After a pause, he added in a small tone, “Who's going to believe you?”

I recoiled. Was it that obvious that I was ready to turn this guy over to the next looney ward the moment I was able to get my phone?

“Even if I did believe you,” I challenged, defiantly folding my arms, “Why me?”

“I've read your fanfictions.” he said, as if it were the most casual subject in the world. “I could see potential. I could see that you have a broader imagination that what you let on. You know what you're writing and you do so with excellent precision.”

I held my arms tighter against my chest. “There were better fanfictions than mine.” I heard myself grumble.

Not-Mathias let out a rather impatient sigh. “You're right.” he agreed. “But yours was the one I liked the most.”

“How flattering.”

“So you'll help?”

“Absolutely not.”

Not-Mathias gave another impatient whine before noticing the time. “I gotta get back to work.” he mumbled, more to himself than to me. He turned his direction to me before saying, “Please Fili. If you even remotely believe me, can you come back around 7? I should be getting off work around then.”

“And if I don't?”

I didn't get an answer. Instead, the young man deflated a little before starting to walk away. I watched him leave with a neat raise of my eyebrow. He had a very cute butt, for someone just two eggs shy of a dozen.

“God damn it.” I mumbled to myself before reaching into my backpack for my phone. I needed to tell my parents that I was going to be late for dinner tonight. Turns out, I was just as stupid as he was.

#original story #short story #oneshot #writing #my writing #writers on tumblr #original character #superhero #female protagonist #experimental fic #experimental #experiment #stream of thought #first person #first person view

[aion-rsa]

The Best Comics of the Decade

https://ift.tt/368Hmgo

We've read a TON of great comics in the last 10 years, and we picked out the 100 best for you to passionately disagree with.

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What a century this last decade has been.

Seriously, the pace of change over the last 10 years has been steadily rising, and has been somewhere between “dangerous” and “murderous” for the last 3, and that isn’t just about geopolitics: the comics world of today is certainly recognizable to a time traveller from 2010, but it would look extremely weird.

- Webcomics and medium press publishers are EVERYWHERE now.

- Marvel has embraced multiple restarts of its line.

- DC has rebooted its universe at least twice.

- Comics are for kids again.

- Nerds rule culture, for all that’s good and bad.

These changes have been catalysts for some very, very good comic books, and we wanted to give you a list of some of our favorites. Here are a few guiding principles to our list:

I am one person who can’t possibly read everything. There’s some stuff that won’t be on this list because I didn’t have time to get to it. Please share what was missed in the comments!

It’s also an exercise in opinion! I didn’t want to be redundant and talk about the same creators or characters over and over again, though there are some repeats. I ranked these according to what I enjoyed, and not some externally objective measure of what is the finest art. If anything, I’m biased towards what was interesting - books that have stuck with me for years, stuff I still think about or reread or recommend. That said, for longer runs like Scott Snyder’s Batman or Criminal, I tried to pick arcs that were symbolic of the entire run, or the best stories within a bigger picture.

And finally, it’s imperfect. I’ve been fiddling with a good chunk of this list for a month and a half, and every time I look, I realize something I forgot, or something I could move, or something that shouldn’t be ranked lower than something else. But ultimately, I’m pretty happy with everything here, and I’m willing to bet you’ll find something interesting you’ve never considered before in it, even if I’ve missed a few glaring stories.

With that in mind, Den of Geek is proud to unveil our empirically sound, objective, and absolute BEST COMICS OF THE 2010S

  100. Batman & Robin

Pete Tomasi, Patrick Gleason, Mick Gray, John Kalisz (DC Comics)

Tomasi and Gleason’s run never got the attention it deserved because it ran alongside huge ones - Grant Morrison’s Batman and Batman Inc. to start, and Scot Snyder and Greg Capullo’s monster New 52 series later. But I might like this one more: Tomasi writes hands down the best Damian Wayne I’ve ever read, and Gleason and Gray do bulky, shadowy Bat people perfectly. The high point is an issue around the middle of this run, post-Damian’s death but before he came back, when Batman is teaming up with Two-Face, and it might be my favorite single issue of Batman of all time. It’s such a perfect take on Two-Face that I come back to it every couple of years. Give this era of Batman a shot, I bet you love it.

read Batman & Robin on Amazon

  99. Black Science

Rick Remender, Matteo Scalera, Moreno Dionisio (Image Comics)

Black Science is a comic full of Rick Remender’s fears and worries. Scalera and Dionisio turn them into bright, colorful, wildly creative visuals as Grant McKay bounced around the Eververse trying to find a way at first to express his anarcho-scientistism, and then to save his family. It wrapped up earlier this year, and Remender and the team did an elegant job landing the plane on one of the best books from a wave of big name creator owned books that launched back in 2014.

read Black Science on Amazon

  98. Black

Kwanza Osajyefo, Tim Smith 3, Jamal Igle, Khary Randolph (Black Mask Studios)

Osajyefo, Smith, Igle and cover artist Khary Randolph’s comic about what would happen in a world where only black people got superpowers stripped the “mutant” part from “the mutant metaphor” and also the “metaphor” part, and gave us a story about black people being treated like exploitable resources by the US government. Igle’s black and white art was terrific, and the story is rough when you explain the plot, but rougher when it plays out on the page in front of you. 

read Black on Amazon

  97. Assassin Nation

Kyle Starks, Erica Henderson (Image Comics)

Starks and Henderson are both gifted comics creators on their own. Pairing them together gave us something beautiful - a book that’s about the world’s greatest assassins banding together to fight for their lives. It’s got unique characters with distinct voices and ridiculous, over the top action.

read Assassin Nation on Amazon

  96. Boundless

Jillian Tamaki (Drawn & Quarterly)

Time has sped up immensely in the last three years. Things that feel momentus happen and are forgotten four hours later. Trends are microtrends, fads are localized without geography, and entire 24-hour news cycles are compressed to the space between weathers on the 1s. So it’s really weird how a collection of in-the-moment short comics drawn (presumably) in 2016 feels extremely relevant and timely now. Tamaki takes a bunch of quick stories - about a mirror Facebook that shows you what might be in a parallel world; a Twilight Zone-esque cultural phenomenon mp3; a porn sitcom from the ‘90s gaining more than a cult following 25 years later - and uses the characters to say something interesting about them or us or our world. It’s a great book.

read Boundless on Amazon

  95. Imperium

Joshua Dysart, Doug Brathwaite, Scot Eaton, Cafu, Khari Evans, Ulisses Ariola (Valiant Entertainment)

Toyo Harada is a underratedly great villain, and Imperium is the story of him trying to impose his will on the world. Valiant books have, since their return early this decade, been pretty tightly intertwined, but most of their central narrative has revolved around Harada. He’s a great choice for that. He’s as big an egomaniac as Lex Luthor or Dr. Doom, but he’s got the benefit of operating in a world where the political rules are more like those of ours, which enhances everything good and bad about his character. Dysart and the art team give us an outstanding story about megalomania here.

read Imperium on Amazon

  94. X-Men: Second Coming

Matt Fraction, Zeb Wells, Mike Carey, Craig Kyle, Christopher Yost, David Finch, Terry Dodson, Greg Land, Mike Choi, Ibraim Roberson, Rachel Dodson, Sonia Oback (Marvel Comics)

Second Coming is the payoff to my favorite era of X-Men books so far, the Messiah Era. It starts out blazingly fast, and then plays out over the course of 14 issues and somehow speeds up as it goes along. It’s a straight up summer blockbuster action movie in comic form that does an excellent job blending voices, art styles and ongoing plots with the overall narrative of the crossover without losing any momentum.

read X-Men: Second Coming on Amazon

  93. Ultimates 2

Al Ewing, Travel Foreman, Christian Ward, Dan Brown (Marvel Comics)

Al Ewing is well on his way to stardom because of how good The Immortal Hulk is, but the cool kids all knew where he was going after he teamed up with Foreman and Ward to tell a story about the self-aware multiverse and cosmic entities of the Marvel universe in The Ultimates/Ultimates 2. This book is weird and gorgeous, and even if it leaned towards implying some big changes for the greater Marvel cosmology without ever seeing those changes bear fruit, it was still a terrific story on its own right.

read Ultimates 2 on Amazon

  92. Adventure Time

Ryan North, Shelli Paroline, Braden Lamb (BOOM! Studios)

A licensed property like Adventure Time is tough to get right. The cartoon is so inventive that even if you match what shows up on the screen, it’s still just a pale shadow because the creativeness of the ideas is the point. So it was a huge surprise when the comic nailed it - it was every bit as wild as the show, only it also captured the voices of the characters perfectly and delighted in being a comic in a way that made it a celebration of the medium. This was the first time North managed to get rollover text into a printed comic, and it works, man.

read Adventure Time on Amazon

  91. The Divine

Boaz Lavie, Asaf Hanuka, Tomer Hanuka (First Second)

The Hanukas do two things really, really well in The Divine. They do great scale shifts. The camera zooms from pulling in really close on an eye about to bleed to pulling waaaay back to show giant beasts roving what looks like a fantasy countryside, and each decision about where to put the camera serves the story well. And the coloring adds to the surrealness of the story. It’s bright and full of greens and pinks almost to the point of being disorienting, which is I think the goal of that palette choice. The story is excellent too, about Burmese (or I guess Myanmarese now) child soldiers defending the land of their gods from resource extractors.

read The Divine on Amazon

  90. Ivar, Timewalker

Fred Van Lente, Clayton Henry, Brian Reber (Valiant Entertainment)

Ivar is surprisingly emotional and a ton of fun. Tonally, it’s one of the most distinct Valiant comics - it threads the needle of Quantum & Woody comedy, X-O Manowar high adventure and Eternal Warrior mythmaking. Van Lente takes pieces from all of those genres and knits them together with a ton of humor to make a super entertaining comic. What’s not to like about a book that starts with the main character throwing up his arms and shouting “LET’S KILL HITLER!”?

read Ivar, Timewalker on Amazon

  89. Virgil

Steve Orlando, JD Faith, Chris Beckett, Tom Mauer (Image Comics)

What I liked most about Virgil is how little it felt like Orlando and Faith were shading the story. It’s simultaneously about how reprehensible Jamaica is towards gay people; crooked cops; and a love story; and a revenge story, and no one aspect overrules the others. Virgil is a dirty cop in Jamaica and also a gay man who loses his love and goes on a rampage. Every part of the story is given equal attention, and the final result is really, really good comics.

read Virgil on Amazon

  88. Memetic

James Tynion IV, Eryk Donovan (BOOM! Studios)

It’s shocking how prescient Memetic feels. It’s genuinely creepy horror work from Tynion and Donovan, but it’s also about a meme and the homogenization of culture, and it landed like, 3 years before those ideas really penetrated the cultural zeitgeist. Donovan’s art manages the tricky feat of nailing the genuine horror of the situation, from the shock on the characters’ faces to the gross-out body horror later in the book, but it’s also genuinely funny at times. That damn sloth meme has been stuck in my head for five years.

read Memetic on Amazon

87. The Manhattan Projects

Jonathan Hickman, Nick Pitarra, Jordie Bellaire (Image Comics)

Some books need long explanations to justify inclusion on a best books of the decade list. Some just need you to say “Richard Feynman and Albert Einstein gun down a space station full of FDRobots.” Guess which one Manhattan Projects is.

read The Manhattan Projects on Amazon

  86. O.M.A.C.

Dan DiDio, Keith Giffen, Scott Koblish, Hi-Fi (DC Comics)

O.M.A.C. is secretly the best New 52 launch title. Honestly, though, this book is and will always be an underrated gem: it’s DiDio, Giffen, and Koblish trying to do Jack Kirby with modern sensibilities. And it’s extremely, beautifully Kirby in so many different ways. I can’t believe it worked.

read OMAC on Amazon

  85. All-New Wolverine

Tom Taylor, David Lopez, David Navarrot, Nathan Fairbairn (Marvel Comics)

One of the best X-Men comics from the last ten years is also one of the most unexpected: it’s a Marvel book that steals DC’s traditional schtick about how to be a great legacy hero. Laura Kinney takes over Logan’s mask after her clonefather dies, and decides to make it a more outwardly and publicly superheroic mantle. Spoilers: she’s GREAT at it. Taylor gives her real growth as a character, and uses the best new character of the last 10 years (Jonathan the Wolverine and also Scout nee Honey Badger) to great effect. I was stunned at how much I loved this comic.

read All-New Wolverine on Amazon

84. Assassination Classroom

Yusei Matsui (Viz Media)

I’m not sure how I would briefly describe this book, and that’s part of why I love it. A monster destroys ¾ of the moon and says more is coming. But he gives mankind an out: Kill him inside of a year, and he’ll leave them alive. Then, and this is where it gets nuts, he takes over as homeroom teacher for a group of misfit teenagers and starts teaching them how to kill him. It’s basically Bad News Bears with a little more murder and some great manga art from Matsui.

read Assassination Classroom on Amazon

  83. Chilling Adventures of Sabrina

Roberto Aguirre-Sacasa, Robert Hack (Archie Comics)

The best thing about Chilling Adventures of Sabrina isn’t that it spawned a great TV adaptation on Netflix. The best thing about it is how faithful to the comic the TV adaptation is. Part of Archie’s horror renaissance, Chilling Adventures of Sabrina is a genre anachronism that revels in its horror story trappings and delights in placing wholesome Archie characters in it. It’s drawn well and smart and a lot of fun from start to finish.

read Chilling Adventures of Sabrina on Amazon

82. Uber

Kieron Gillen, Canaan White, Digikore Studios (Avatar Press)

Early on in Uber’s run, Gillen recommended Antony Beevor’s comprehensive history of World War II as something he leaned on heavily when constructing this book. It shows: Uber reads like a military history, rather than your typical comic about “What if they had super powers in World War II?” The supersoldiers are treated like any other military technology - resources to be deployed, depleted, exploited and overcome. This is probably the most interesting treatment of super powers I’ve seen in a comic in the decade.

read Uber on Amazon

  81. The Spire

Si Spurrier, Jeff Stokely, Andre May (BOOM! Studios)

Simon Spurrier does two things better than almost anyone in comics: he chooses incredible artists to work with, and he (and the artists) put together some stunning worlds for their characters to live in. The Spire is a murder mystery set in a fantasy city with a rigid class structure, and he and Stokely make a city that I felt immersed in immediately upon starting the book. One other thing Spurrier and crew do really well: wreck their main characters and break your heart, and The Spire is some of his best work.

read The Spire on Amazon

  80. Aliens: Dead Orbit

James Stokoe (Dark Horse Comics)

James Stokoe could have drawn 100 pages of character models and it would be on this list. He’s an incredible artist who draws incredibly detailed everything. Everything! Rubble. Ribcages. Control panels. Inner mandibles. Giving him an Aliens book is the no-brainer of no-brainers - this is what HR Geiger would have drawn if he was raised on anime.

read Aliens: Dead Orbit on Amazon

  79. Shade the Changing Girl

Cecil Catellucci, Marley Zarcone, Kelly Fitzpatrick (DC Comics)

It takes a really gifted eye to see the absurdity in everyday life and expose that to your readers with only a modest tweak to reality. Zarcone and Castellucci use dropping Rac Shade’s madness vest and Loma the alien bird into the body of a comatose mean girl as their way to show just how silly teenage life can be, and it’s beautiful. Shade the Changing Girl and its follow up, Shade the Changing Woman, both do magnificent work of using insanity to take you through a rollercoaster of emotions.

read Shade the Changing Girl on Amazon

  78. Wuvable Oaf

Ed Luce (Fantagraphics)

I think the best part about Wuvable Oaf, the indie book about black metal San Francisco bears is just how nice it is. It’s a really sweet, funny courtship story about an ex-underground wrestler starting a relationship with a small, blood-drenched metal singer. I find myself recommending this book to a surprising amount of people.

read Wuvable Oaf on Amazon

77. Upgrade Soul

Ezra Claytan Daniels (Lion Forge Comics)

Ezra Claytan Daniels went for messed up, twisty sci fi right out of the gate, and it was a home run. Upgrade Soul is an ugly body modification story about trying to prolong one’s life unnaturally, and what happens if that’s not all really well thought out beforehand. It’s drawn really well: even now, the scene with the gauze coming off layer by layer, the pacing of it and the skill of setting that sequence up, is amazing.

read Upgrade Soul on Amazon

  76. Strong Female Protagonist

Brennan Lee Mulligan, Molly Ostertag 

“What if superheroes were real” is usually an exceptionally stupid premise for a comic, but there are plenty of ridiculous components to the superhero conceit that are worth examining. One of them is the value of superheroing - does flying around punching shit really actually fix anything? In Strong Female Protagonist, Alison Green asks that question, decides it doesn’t, and quits capes for college and activism in New York. This is a great story well told, but what I enjoy about it now is how New York it feels. It’s a really thoughtful take on superheroing, but it’s also a really good story that transports you to an age and a place.

read Strong Female Protagonist here

  75. Journey Into Mystery

Kieron Gillen, Doug Brathwaite, Ulises Ariola & others (Marvel Comics)

Journey Into Mystery shouldn’t have been successful. Loki wasn’t quite at the height of his powers yet, and while he was getting there, even now he can’t really carry his own book. It was also a legacy numbered relaunch coming out of a big summer crossover event. And yet, Kieron managed to take new kid Loki and use him to tell a story about stories and fate and myth that stands up there with some of the greatest Asgard stories ever told. What he does with the trickster god is actually sad and moving (and also generally hilarious - he writes a really fun Loki).  it It’s one of my favorite things he’s ever written.

read Journey Into Mystery on Amazon

  74. Kinski

Gabriel Hardman (Monkeybrain Comics)

Sometimes, a comic is just plain good. Sometimes, a comic prominently features the GOODEST BOY on a cover. Sometimes, as is the case with Kinski, a comic does both. Hardman is a master of the form, and Kinski is one of his most underrated works. It’s the story of a guy bored with his life and trying to save a black lab puppy - not especially complicated or deep, but enough to hook me in, especially with the VERY GOOD BOY on the cover. But his art is magnificent. It’s black and white, and Hardman uses just about every inking style and manner to help tell the story. It’s virtuoso stuff. I loved it.

read Kinski on Amazon

73. The Sheriff of Babylon

Tom King, Mitch Gerads (Vertigo Comics)

With a list like this, sometimes it’s not the full sweep of a story that gets it on, but the remembered moments. I’ve seen King and Gerads work together a hundred times since then (or at least it feels like that - time has no meaning anymore). It’s all been spectacular, but the scene with Chris and Fatima in the Saddam’s old pool sharing a bottle of vodka talking about pointlessness still stands out hard for me. The Sheriff of Babylon has gotten better with age, and it started out really, really good.

read The Sheriff of Babylon on Amazon

72. Genius

Marc Bernardin, Adam Freeman, Afua Richardson (Image Comics)

If you call a book Genius, it damn well better be brilliant. Fortunately for us, it was. Bernardin, Freeman and Richardson told us the story of Destiny, a precocious and brilliant military mind born into South Central and using her strategic genius to bring down the corrupt cops who have been terrorizing her neighborhood. It feels like it was timely when it came out, but it doesn’t read like a political statement. It reads like a really good revenge story. Richardson’s art was sharp and well laid out, and is a huge part of why Genius was so good.

read Genius on Amazon

  71. Judas

Jeff Loveness, Jakub Rebelka (BOOM! Studios)

This book came out of nowhere for me. Loveness and Rebelka expanded on the story of Christ and Judas in a fascinating way. Judas is a whip smart comic that thinks around a lot of the unspoken corners of Jesus’s story. And it’s gorgeous: Rebelka draws the hell out of Hell. His backgrounds and settings are every bit as impressive as the storytelling accomplishment. Judas turned out to be an outstanding story.

read Judas on Amazon

  70. Midnighter

Steve Orlando, ACO, Hugo Petrus, Romulo Fajardo, Jr & others (DC Comics)

Sometimes I just want to see a man punch his own ears off to stop from hearing a killing word.

read more: The Best Comics of 2015

Orlando and ACO gave us one of my favorite fight comics of all time in Midnighter (and continued in Midnighter and Apollo). It’s clever and sexy, and it delights in being a comic the way all the greatest fight comics do. The flow of the fights is spectacular - these are some of the best punching scenes I’ve ever read. It’s basically an ultraviolent, morally indignant James Bond. It’s terrific.

read Midnighter on Amazon

69. Black Hammer

Jeff Lemire, Dean Ormston, Dave Stewart & others (Dark Horse Comics)

Something always feels off in Lemire’s best work. In a good way. And something feels really off throughout Black Hammer, which is the entire point of the story. The universe Lemire and Ormston create is a love letter to silver age DC books, but at the same time it misses those comic sensibilities a lot, and Lemire makes his characters mourn that loss on the page. It’s a really interesting structure for a story, paired with some terrific art from Ormston and some inventive fill-ins and spinoffs from David Rubin and Matt Kindt and others. Black Hammer is top to bottom a great book.

read Black Hammer on Amazon

68. My Friend Dahmer

Derf Backderf (Abrams Publishing)

I’m not usually one for true crime stories, especially not ones that try and humanize monstrous serial killers, but Backderf’s story of his old high school acquaintance, human eater Jeffrey Dahmer, is really good. Backderf’s art is very much of the underground comix style, which elevates the story, I think. Dahmer is disturbing and troubling throughout the book, but he’s also very much a weird gawky teenager, and in this art style, everyone is. The story humanizes him without excusing him, but I think the real reason it works is because it’s tinged with regret on Backderf’s part about the ways his relationship with Dahmer could have been different.

read My Friend Dahmer on Amazon

67. No Mercy

Alex de Campi, Carla Speed McNeil (Image Comics)

De Campi and McNeil took a book that could have been a lazy Lord of the Flies-but-with-social-media premise and turned it into a great character book. No Mercy takes a bunch of shitty teens on a field trip, and slowly turns several of them away from their shitty teen-ness and fleshes them out into an interesting dynamic and a great story. McNeil’s art is excellent: when they’re stuck in the desert, you feel hot and dry reading it, and every emotion these kids feel is beautifully shown in their face and their body language. This wasn’t a book I expected to come back to when I finished it, but it’s been a strong read even down the road.

read No Mercy on Amazon

  66. Runaways

Rainbow Rowell, Kris Anka, Matthew Wilson & others (Marvel Comics)

Rowell is a revelation as a comic writer. The way she juggles this huge cast is incredibly skillful writing. She’s got a good grasp on everyone’s voice and knows all the continuity of the old team cold. The book is vastly more enjoyable than the TV series as a teen hero soap opera, and Anka and Wilson make it way cooler to look at, too.

read Runaways on Amazon

  65. Peter Parker: The Spectacular Spider-Man

Chip Zdarsky, Adam Kubert, Jordie Bellaire & others (Marvel Comics)

Chip Zdarsky’s growth into one of Marvel’s most earnest writers was a surprising and outstanding development. I don’t think he’s done better work on any character than Spider-Man. It makes sense - Peter lends himself to stories that walk a tightrope between funny and tragic, and Chip is able to fine tune his characters and plots to nail both aspects. 

read more: The Best Comics of 2016

Zdarsky got to work with some amazing artists on this run: Kubert does some of his best work, and Chris Bachalo should draw all Sandman stories forever and ever. But the real standouts are Peter’s dinner with Jonah in #6 (drawn by Michael Walsh), and the last issue of Chip’s run (#310). Both of them are really granular Spidey character studies that show why Peter is such a terrific hero, show just how much Zdarsky gets him, and show just how good Chip’s writing can be.

read Peter Parker: The Spectacular Spider-Man on Amazon

  64. Ragnarok

Walter Simonson (IDW Publishing)

It’s Walt Simonson drawing a Thor comic. He already did the best Thor story of all time. This is more of the same. I don’t think I really need to go into greater detail here, right? I will, for the sake of argument: there’s a full page splash at the beginning of the first issue that has Thor facing down the Serpent of Midgard and it is gorgeous. You can almost count the scales on the serpent. 

read Ragnarok on Amazon

63. Mox Nox

Joan Cornella (Fantagraphics)

Cornella’s absurdist comic strips still, years later, make me die laughing. Mox Nox is a collection of his work that shows just how many situations you can put his ridiculous, Weeble-looking figures into that will shock you with their gore or make you shout laughing. 

read Mox Nox on Amazon

  62. The Valiant

Matt Kindt, Jeff Lemire, Paolo Rivera, Joe Rivera (Valiant Entertainment)

Valiant has published some consistently excellent comics over the last decade, but they hit a high point with The Valiant, an Avengers-esque team up of all the heroes of the Valiant universe that focused on Bloodshot, the Geomancer and the Eternal Warrior. It worked so well for two reasons: the relationship between Bloodshot and the Geomancer was incredibly well written and heartbreaking in the end, and the art from the Riveras was incredible. Paolo Rivera doesn’t draw anywhere near as many comics as I would like (that number is generally “nearly all of the comics”), so when he is on a book, you know you’re going to get some beautiful stories.

read The Valiant on Amazon

  61. One Punch Man

ONE, Yusuke Murata (Viz Media)

I didn’t even realize I needed a fight manga parody in my life, but then One Punch Man rolled through and I love it and want more.

read more: The Best Comics of 2017

Saitama trains himself to become a hero, and gets so powerful he can defeat horrifying giant monsters with one punch. Then he gets super bored because nothing is a challenge, and the rest of the first volume is light mocking of fight comics that I found immensely entertaining and really funny. It’s not going to tell us anything about ourselves as a society or have a bigger message than “heh this is pretty silly, isn’t it?” But sometimes that’s perfect.

read One Punch Man on Amazon

  60. Darth Vader

Kieron Gillen, Salvador Larocca, Edgar Delgado (Marvel Comics)

The way the Star Wars prequels neutered Darth Vader is a crime against a character. Miraculously, the move to Disney shifted him back from the hurt puppy dog teenager that the prequels turned him into (and the mystical waste of time that the Special Editions and the books made him) and into a merciless badass force of nature. That shift started in earnest in this book - Gillen and Larocca made him mad again, and a pissed off Sith Lord is a force of nature I loved reading about.

read Darth Vader on Amazon

  59. The Highest House

Mike Carey, Peter Gross, Fabien Alquiler (IDW Publishing)

Carey and Gross are a great team. Their work together on Lucifer is some of the best comics of all time, and the world they built in The Highest House is as good or better. It’s my favorite type of fantasy comic - one that builds a rich, full, beautiful world, and then tears it down through deft character work. It’s a fantasy comic that’s so easy to disappear into, both the world that’s created and the possibilities it opens up.

read The Highest House on Amazon

58. The Nib

Matt Bors & others 

“Mister Gotcha” is up there with “This is Fine” as probably my favorite quick comic gags of the decade. Bors is an extremely sharp cartoonist and a gifted satirist, and The Nib is a regular stop in my daily routine.

read The Nib here

57. The Wild Storm

Warren Ellis, Jon Davis Hunt, Steve Buccellato (DC Comics)

The Wild Storm stands on its own as an amazing comic series. It took everything great about the old Wildstorm world and updated it for a modern, more paranoid, more technologically advanced society. Davis Hunt drew some stunning action sequences and used panel layouts and pacing to incredible effect to propel the story. But the most interesting part of it to me is how it functions as a self reassessment by Ellis, a weird and fun sort of remix and update of his own prior work. It’s excellent.

read The Wild Storm on Amazon

56. House of X/Powers of X

Jonathan Hickman, Pepe Larraz, RB Silva, Marte Gracia (Marvel Comics) 

HoXPoX made it fun to be an X-Men fan again. It’s beating a dead horse at this point, but these books were tremendous accomplishments. Larraz and Silva vaulted to superstardom, Hickman rewrote the entire history of the X-Men, and Gracia made every panel sing.

read House of X/Powers of X on Amazon

55. Sex Criminals

Matt Fraction, Chip Zdarsky (Image Comics)

Qualifying a raunchy sex comedy as weirdly sweet almost seems cliche at this point, but Sex Criminals is the rare story that can match graphic depictions of Urban Dictionary sex positions, a story about people who can stop time when they orgasm, and brutally honest depictions of intimate relationships and make it all entirely relatable. It’s a wonderful story. But also I’m still mostly here for the comedy - Zdarsky puts so much detail into it that every splash page is like a Where’s Waldo of insane sex jokes.

read Sex Criminals on Amazon

54. The Nameless City

Faith Erin Hicks, Jordie Bellaire (First Second)

The Nameless City feels like if Avatar The Last Airbender was about class and not martial arts and the pressure of leadership. It’s one of the few graphic novel series that I remembered to put on a pull list, every volume improving on the last. Hicks’ art is gorgeously cartoony, detailed and loose at the same time, and it builds an engrossing world with fascinating characters that tells the story of a city and a people in major transition. It’s a series I can’t wait to share with family.

read The Nameless City on Amazon

53. Exit, Stage Left! The Snagglepuss Chronicles

Mark Russell, Mike Feehan, Paul Mounts (DC Comics)

I’ve said this a thousand times before, but it’s worth repeating: I don’t understand how the hell this comic got made, and my gast is further flabbered by the fact that it’s amazing. Exit Stage Left recast Snagglepuss as a ‘50s gothic playwright living in New York City; Huckleberry Hound as his novelist best friend; and Quick Draw McGraw as Huck’s down low cop boyfriend, and told a compelling story about fame and society that was equal parts clever, funny, sweet and sad. Brilliant and wry, Mark Russell is one of the best new additions to comics this decade. If you haven’t read this book (which doubles as a stealth period piece about the dawn of the gay rights movement in America I STILL CAN’T BELIEVE I’M TYPING THIS), you should go get it right now.

read Exit, Stage Left! The Snagglepuss Chronicles on Amazon

  52. These Savage Shores

Ram V, Sumit Kumar, Vittorio Astone (Vault Comics)

Ram V, Kumar and Astone do a wonderful job of building a story with a rich world that’s unlike most stories I’ve ever read before, and they do it with incredible skill. The period aspects of the story are lush and gorgeous, but Kumar and Astone’s art is magnificent, paced perfectly with a flow of movement that belies a storytelling skill that you don’t often find in small press superhero comics. The panel flow is really exceptional, and Astone’s colors make this vampire/demon battle sing.

read These Savage Shores on Amazon

51. The Dark Angel Saga, Uncanny X-Force

Rick Remender, Jerome Opena, Mark Brooks, Esad Ribic, Dean White & others (Marvel Comics)

X-Men comics have picked back up recently, but prior to HoXPoX, their pinnacle for me was the Dark Angel Saga. Specifically, Psylocke and Angel’s moment of eternal bliss as their world was destroyed around them. Jerome Opena and Dean White made the visuals so vivid that I could hear the wind roaring around Betsy and Warren, and Remender had done such a good job of building the duo’s relationship that I was almost in tears reading it for the first time. The rest of the run is essential reading: it has my favorite non-movie Deadpool and some of the best Apocalypse stuff since the Age of Apocalypse, but that moment is just so amazing.

read The Dark Angel Saga on Amazon

50. Wytches

Scott Snyder, Jock, Matt Hollingsworth (Image Comics)

Snyder is a terrific horror writer, and Wytches is by far the scariest thing I’ve ever read from him. That is probably due in large part to Jock and Hollingsworth. The story is dark Americana horror, pure and uncut Snyder right on the page, about monstrous ancient covens and their secret network around the world. Jock makes the normal humans look terrified and the Wytches stretched, shrouded beasts escaping from knots in trees to steal kids and ruin families, and Hollingsworth changes palettes deftly to match the tone of the panel (or even half panel, sometimes). Wytches is incredibly well made comics.

read Wytches on Amazon

49. Fantasy Sports

Sam Bosma (Nobrow Press)

Fantasy Sports isn’t complicated. It’s about a treasure hunter who has to beat a mummy at basketball to loot a pyramid. See? Super straightforward.

read more: The Best Comics of 2018

Bosma’s art is the star here. It’s somewhere between sports manga and Adventure Time. It’s vibrant and fun, full of great movement in a story that hums along. And it’s really accessible - it’s shelved closest to the ground in my house, so kids can pull it out and get hooked the same way I did.

read Fantasy Sports on Amazon

48. Sexcastle

Kyle Starks (Image Comics)

I don’t know if any comic in the last ten years has more quotable lines in it than Sexcastle. I have found a way to work “You brought a YOU to a ME fight,” and “Are you okay? Just kidding, fuck you” into more professional conversations than I’m comfortable with, frankly. Sexcastle is a hard riff on ‘80s action movies that has Shane Sexcastle, the badass killer and star of the comic, spouting bad pun catchphrases almost exclusively throughout the book. Sexcastle both loves and viciously parodies those movies, and the resulting comic is almost flawless. Starks is an absolutely hilarious writer, talented enough to get a shot on anything he writes, but nothing will be quite as surprising or as funny as Sexcastle.

read Sexcastle on Amazon

  47. G.I. Joe: Cobra

Mike Costa, Christos Gage, Antonio Fuso, Lovern Kindzierski (IDW Publishing)

It took IDW a minute to get going with G.I. Joe after they got the license, but once they did, these series turned into one of a couple of shockingly good, well-thought-out licensed comics they put out over the decade. Almost immediately, Costa and Gage put Chuckles in deep cover at Cobra Command and went hard dark on the tone. From there, they assassinated Cobra Commander, set off a nuke, and launched a power struggle to control the terrorist organization that included a Joe killing competition. Costa, Fuso, and Gage did an amazing job of juggling enormous casts and controlling for different voices. Everything from G.I. Joe: Cobra through the Cobra Civil War is amazing stuff.

read G.I. Joe: Cobra on Amazon

  46. Battling Boy

Paul Pope (First Second)

Battling Boy is unlike any other comic I’ve read in the last decade. I spent a good three hours trying to come up with a clever analogy for this book, like “Witch’s Night Out meets Thor in a Flash Gordon strip,” but they’re all grossly inadequate. Pope is one of the most unique minds working in comics. He puts more character in one grease smear on a face than a lot of creators can fit in long runs. Battling Boy is fine pulpy adventure comics that work for any comic reader.

read Battling Boy on Amazon

45. The Omega Men

Tom King, Barnaby Bagenda, Jose Marzan, Jr., Romulo Fajardo (DC Comics)

Omega Men is still, several years on, some heavy, heavy shit. The shock of the twist, hell the shock of the series still makes me smile. That it was a comic book that was advertised with Kyle Rayner seemingly beheaded on camera and beamed around the galaxy was stunning; that the seeming beheading wasn’t the most shocking part of the book is amazing. It’s a miracle this book happened (literally - it was cancelled and uncancelled midway through), but I’m so glad it did. It was ambitious and smart, and unlike anything we’d seen in comics in years at the time.

read The Omega Men on Amazon

  44. Lady Killer

Joelle Jones, Jamie S. Rich, Laura Allred (Dark Horse Comics)

Joelle Jones is a superstar now. I’m fairly sure that it started because of this comic, and I’m absolutely certain it’s deserved. Lady Killer is the story of a ‘50s housewife who’s an assassin on the side, and it’s everything the premise suggests. It’s grindhousey and funny and gory, but through it all, Jones’ art is amazing and Allred’s colors are perfect. It’s a lot of fun to read.

read Lady Killer on Amazon

  43. Infinite Kung Fu

Kagan McLeod (Top Shelf Productions)

Kagan McLeod’s story in Infinite Kung Fu is a little bit rote for the genre - it’s a kung fu movie put to page, nonsense and all. But my god the art. The pages are practically crackling with life. The big swoopy inks and the way McLeod makes the characters move and the way the fights flow from panel to panel and the scale of some of these fights and it’s all just incredible, incredible artwork. Even if the story is a little pedestrian, the art is some of the best I’ve ever seen.

read Infinite Kung Fu on Amazon

  42. Bandette

Paul Tobin, Colleen Coover (Monkeybrain Comics)

Bandette is about an adventuring teen art thief in Paris. It’s silly and cute and charming and gorgeous. It’s also extremely uncomplicated: this is an easy book to love because Coover’s art is lovely, and Tobin’s plots are clear and clever. I try my hardest to find some deeper meaning or hidden skill that the creators have that makes a book stand out, but Bandette is just a really straightforward, fun, nice book.

read Bandette on Amazon

41. Hawkeye

Matt Fraction, David Aja, Matt Hollingsworth & others (Marvel Comics)

Hawkeye launched David Aja into the stratosphere, and gave Fraction the juice to do whatever he wanted (like, for example, write a sci-fi gender flipped Odyssey adaptation comic in dactylic hexameter). It radically changed Clint Barton for a decade. And in a lot of ways, its influence still rings out now, because it’s just really good.

Aja is a madman. His art flows differently from anyone who came before, but it’s been mimicked so many times since, and even when imitators try and fail to live up to his standards, they still usually do something interesting. Fraction succeeded at a time when Marvel was going in a million different directions by pulling the camera way in on the Marvel Universe - focusing on an apartment building, making a street crime book with a regular guy and turning Kate Bishop from a supporting Young Avenger into one of the best characters in the Marvel library.

read Hawkeye on Amazon

40. Batman: The Black Mirror, Detective Comics

Scott Snyder, Jock, Francesco Francavilla, David Baron (DC Comics)

Scott Snyder is one of those creators I’ll follow just about anywhere, and it all stems from how ridiculously good his Black Mirror story was in Detective Comics. Back when Bruce was still traipsing about the world, turning the International Club of Heroes into Batman, Incorporated, Dick Grayson was back in Gotham being the best Batman and solving this dense, moody, disorienting crime. It was a deep Grayson character study, a deep Gotham character study, and a showcase for the incredible art of Jock and Francavilla.

read more: The Best Comics of 2019

Snyder did some incredible things with Bruce Wayne when he and Greg Capullo got control of the main Batman book post-New 52 (especially the last story arc - stunning stuff). But The Black Mirror is even better. Whenever someone asks me for a Batman comic gift recommendation, this is what I tell them to buy.

read Batman: The Black Mirror on Amazon

  39. Giant Days

John Allison, Lissa Tremain, Max Sarin, Julia Madrigal, Whitney Cogar (BOOM! Studios)

Pick any issue of Giant Days at random and read five pages of it, and I promise you will recognize every character who speaks immediately. Allison and the art team have that tight a grasp on conversational dialogue that this entire book was relatable all the way through. It’s a smart, funny comic about growing up that focuses on the growing you do in your early 20s, which is a breath of fresh air considering most coming of age stories stop at 16. Seeing the characters flourish into adults is part of what made Giant Days special, but it’s mostly the ridiculous skill of the creators.

read Giant Days on Amazon

  38. Berlin

Jason Lutes (Drawn & Quarterly)

Lutes has been working on this for 20 years and finished it in 2018, and you can see the unbelievable care and craft in every page. Berlin follows a couple of working class people through the fall of Weimar Germany in the late 20s until the Nazis take over, and even though it’s fictional, it’s incredibly interesting to see Germany’s collapse as it related to regular people, and not as big, momentous historical events. The history comes across as a much more jagged line. Lutes is wonderful at using the pace of layouts to tell the story, and his art is immaculately clean and clear.

read Berlin on Amazon

  37. The Underwater Welder

Jeff Lemire (Vertigo Comics) 

When Jeff Lemire draws his own stuff, watch out: you’re about to get something profoundly uncomfortable. And The Underwater Welder is precisely that. It’s so good at making you feel like something’s wrong.

read more: The Best Movies of the Decade

It works because it’s never completely honest about what the story is about. Jack is an underwater welder, like his father was, and he’s got a wife and a kid on the way. But he becomes obsessed with his father’s old watch, and that obsession is a focus for his panic about becoming a father. Lemire’s art is all rough-looking freehand and watery inks, perfect for a guy who spends most of his time in a diving suit. The atmosphere of The Underwater Welder is almost asphyxiating. I love it.

read The Underwater Welder on Amazon

36. Ms. Marvel

G. Willow Wilson, Adrian Alphona, Takeshi Miyazawa, Nico Leon, Ian Herring (Marvel Comics)

As I sit down to write this, I literally just came back from picking up the first collection of Ms. Marvel for a Christmas present for my niece. Wilson, Alphona, Sana Amanat, and Jamie McKelvie (who did designs for the character) created maybe the best fictional teenager in the last decade in Kamala Khan. It’s been a long time since I’ve been a teenager, but I think the response from actual #teens will back me up here: her struggles with time management, emotions, and awkward social interactions felt incredibly real. The art, from Alphona, Miyazawa and Leon was spectacular, doing an especially great job of showing who Kamala is through her powers. This is a great book to have around.

read Ms. Marvel on Amazon

34. Deathstroke

Christopher Priest, Carlo Pagaluyan, Jason Paz, Jeromy Cox & more (DC Comics)

It just ended, and at every point during its 50 issue run, Christopher Priest’s Deathstroke felt like it was made specifically for me. It was a sneaky family soap opera on par with the greatest X-Men stories, but with Priest’s signature banter and pacing to bring it to the next level. The art was always superb from Pagaluyan, and the editing team brought in some absolutely killer supplemental teams (Cowan and Sienkiewicz are always a yes), but it was the story and how it was presented that made this run really special.

read Deathstroke on Amazon

  34. Monstress

Marjorie Liu, Sana Takeda (Image Comics)

Takeda’s art looks like an illuminated manuscript. Seriously, it’s so detailed and intricate that it makes me slow down when I’m reading, which is a feat, because I’m predisposed to blaze through comics. But that detail work is what makes her art special, and what pushes Monstress from very good to great. The world that Liu and Takeda built in Monstress is lush and rich and incredibly easy to disappear into, and it’s a consistent joy to read.

read Monstress on Amazon

  33. The Vision

Tom King, Gabriel Hernandez Walta, Michael Walsh, Jordie Bellaire (Marvel Comics)

I’m pretty sure I spent more time shaking my head at the events of The Vision than any other book on this list. What Tom King did to this family is deeply, profoundly messed up. Walta, Walsh, and Bellaire were essential to building the eerie, uncomfortable atmosphere that pervaded this whole story, and the facial expressions especially helped land the twist in the middle, the plot point that shifted the story from “oh no that’s super messed up” to “aww that’s really sad and also super messed up.”

read more: The Best TV Episodes of 2019

What might be the most shocking part about it is how much of this run endured in continuity through the years: Viv Vision is showing up left and right, and Victor Mancha’s fate here is a big plot point in Rowell and Anka’s wonderful Runaways relaunch.

read The Vision on Amazon

  32. 4 Kids Walk Into A Bank

Matthew Rosenberg, Tyler Boss (Black Mask Studios)

This one is all about the patter. Rosenberg makes the kids sound so entertaining and makes their interpersonal dynamic so engrossing that you get wrapped up in the world of 4 Kids Walk Into A Bank easily. Tyler Boss’ art is terrific, selling the exaggerated expressions that kids make, where a smile often starts in their legs, and landing all the humor just as comfortably. It’s a comic that could have ended up as nostalgic tripe, but instead, 4 Kids Walk Into A Bank turned out great.

read 4 Kids Walk Into a Bank on Amazon

  31. Kid Gloves

Lucy Knisley (First Second)

Kid Gloves is amazing for a lot of reasons. It’s informative and moving and personal, with a lot of history and politics that I think are really important components to a larger conversation that the book can be part of. Here’s the thing about it for me, though: I started reading it at the library. About halfway through, I put it back on the shelf, walked up the street to a book store and bought a copy. I knew from how much I was talking to the book while reading it that it was something I wanted to keep on my shelf and refer back to in the future. And I feel really good about that decision.

read Kid Gloves: Nine Months of Careful Chaos on Amazon

  30. XKCD

Randall Munroe (Webcomic)

It didn’t inspire any stirring condemnations from legendary filmmakers, but I wonder if Randall Munroe’s half webcomic/half infographic didn’t have the biggest low key impact of any comic in the last decade. I feel like you’re vastly more likely to see an XKCD strip on someone’s desk, or tacked to the door of an office, or passed around on social media, than you are anything from Marvel or DC that isn’t designed to trigger the internet outrage cycle.

This is because Munroe is really good at cartooning. I mean, okay, he’s not going to paint you a Rembrandt, but his stick figures have a way of sneaking emotion up on you, through their shoulders and their heads. And he’s whip smart, too, but his comics help present his knowledge in an accessible, open way. XKCD has been in every iteration of blog reader I’ve had since 2010, and I’ll be checking in on it until it ends, because it’s terrific.

read XKCD here

  29. Two Brothers

Gabriel Ba & Fabio Moon (Dark Horse Comics)

Ba & Moon do some amazing work in this adaptation of a novel from their native Brazil about two brothers, their doting mom, and the woman who comes between them. The artwork in Two Brothers is stunningly good and improves on the source material by taking some of the novels most impactful scenes and making them visually striking. Two Brothers isn’t a splashy comic, but it’s a damn good one, one that will stick with you for a long time.

read Two Brothers on Amazon

28. Lumberjanes

Noelle Stevenson, Shannon Watters, Grace Ellis, Brooke Allen, Carolyn Nowak, Carey Pietch, Maarta Laiho & more (BOOM! Studios)

Lumberjanes takes a lot of what worked about The Goonies and makes it smarter in a different way to give us one of the most fun and purest adventure comics in recent memory. It’s no surprise that Stevenson is kicking so much ass on She-Ra.

The book has been going for some time now, so the creative teams have shifted, but the art is remarkably consistent through the volumes, and it’s clear, sharp cartooning that’s exaggerated in all the right ways for a woodsy, camping adventure tale like this. Lumberjanes is another book with a huge cast that’s well managed, and it’s a lot of fun to read through.

read Lumberjanes on Amazon        

  27. Showa: A History of Japan

Shigeru Mizuki (Drawn & Quarterly)

Technically, Showa is like, 30 years old. But it took 25 of those years for it to be released in the States, and there are no rules to this list, so I’m counting it.

Mizuki is one of the fathers of manga as a form, and as someone who came to his work after reading folks like Otomo and Urasawa, and decades after becoming familiar with anime, his work feels quaint and unsophisticated. Which is a really interesting pairing with the subject matter - Showa is a history of Japan in the Showa era, spanning the ‘20s through the late ‘80s, a period of massive transition for Japan that I mostly knew from broad strokes. He switches back and forth between a hyper-detailed realistic style that looks like (and sometimes is) tracing, and the cartoony manga style he uses to illustrate personal moments that tie into that history. It’s an incredibly effective storytelling technique and a useful way to bring the reader’s attention past the big picture and down to the regular peoples’ perspective of that big change. Showa is an incredible history book, and a masterpiece of the form.

read Showa on Amazon

  26. Copra

Michel Fiffe (Bergen Street Comics/Image Comics)

It’s still amazing to me that Copra can even get made. It started out as a...spiritual sequel to Ostrander/Yale/McDonnell Suicide Squad in that it was almost an actual direct lift of Ostrander/Yale/McDonnell Suicide Squad only with Doctor Strange and Clea added in. But it was done with weird indie linework and colored pencil coloring, with a big zine aesthetic that made it immediately compelling. And once I got into it, I realized that Fiffe had captured everything great about that Suicide Squad run but turned it into something dstinctly his own, and I’ve loved it ever since.

read Copra on Amazon

  25. Afterlife with Archie

Roberto Aguirre-Sacasa, Francesco Francavilla (Archie Comics)

This comic should not exist. It should not be good. It certainly shouldn’t be one of the best comics I’ve read in the last decade. And yet, Afterlife with Archie remains incredible. In fact, it might be the purest, finest zombie story I’ve experienced in a while. The slowly building tension is a masterclass in mood. Aguirre-Sacasa does a great job of taking Riverdale’s existing dynamic and plopping it into a zombie horror story so you get something that is recognizably both things at the same time. Francavilla’s art is probably the least surprising part of the equation, in that it is incredible. And the fact that you can probably draw a straight line between some of the themes here and what ended up on your screens in Riverdale is...pretty insane. And amazing.

read Afterlife With Archie on Amazon

  24. Scalped

Jason Aaron, R.M. Guera (Vertigo)

The best thing about Jason Aaron and R.M. Guera’s Scalped is the cast. It’s a HUGE book, about an FBI investigation into corruption on a reservation that sends Dash Bad Horse back home undercover to investigate. Everyone Dash encounters, and everyone who’s conspiring to make life in Pairie Rose garbage, is a full character within two sentences. They all sound different, move different, look different. They carry the weight of a rough life in their posture and their cadence.

Superhero comics developed the distinctive costumes so artists could distinguish between characters easily. It’s hard to draw distinctive, consistent, recognizable people in street clothes, but Guera is amazing at it, and Aaron puts so much care and character into everyone who sets foot on the page that Scalped is impossible to put down.

read Scalped on Amazon

  23. Nancy

Olivia Jaimes (GoComics)

“Sluggo is lit” isn’t quite the cultural phenomenon it was when Olivia Jaimes, the pseudonymous cartoonist, first introduced it to the strip she took over in 2018. But it’s still damn funny. I’ll admit, I completely blew it on Nancy in 2018 - it hadn’t registered with me because I don’t get print newspapers and only have a passing knowledge of their comic strips anymore. But when I first saw it, I died laughing.

And then I took a closer look  at some of the comics - the one where Nancy steals the cookies from the top of the fridge by tossing them between panels to herself, or the joke about filler where the last panel is mostly an empty word balloon - and I realized that Jaimes, in addition to being funny as hell, really gets how to screw with the flow of information from comic to reader. She’s exceptionally talented, and Nancy is amazing work.

read Nancy here

  22. The Hard Tomorrow

Eleanor Davis (Drawn & Quarterly)

The Hard Tomorrow stressed me out, and then lifted me up at the end. It’s very much a comic about our current moment (and by “current moment,” I mean the singularity that the last four years have compressed into). It doesn’t capture the terror that some groups might feel, but it does a great job of conveying that background hum, like a cultural migrane, that makes everything more difficult in the world. And then, intentionally or not, it swings the story back around and pumps you full of hope and meaning with the last ten pages. It’s incredible comics work from Eleanor Davis, an amazing talent.

read The Hard Tomorrow on Amazon

21. My Heroes Have Always Been Junkies

Ed Brubaker, Sean Phillips, Jake Phillips (Image Comics)

You can read any Criminal comic and come away happy. Okay, maybe not “happy” per se - My Heroes Have Always Been Junkies is an extremely unhappy comic, about a girl who meets a boy in rehab, gets him back on drugs with her and then goes on a trip with him, framed around her pretentious love of drug addicted musicians. It would be obnoxious if it wasn’t so incredibly well done and packed in with a twist at the end that makes it go from messed up to REALLY messed up. Everything Brubaker and Phillips have done together, back to Sleeper, has been superlative, but from the last ten years, I really feel like this is their best work.

read My Heroes Have Always Been Junkies on Amazon

20. Through the Woods

Emily Carroll (Margaret K. McElderry Books)

I don’t think there’s anybody doing slow, creepy, gothic horror like Emily Carroll right now. Through the Woods is a collection of short stories that’s full of dark blacks and loose line work, the letters worked into the art organically to amplify the creepiness and the stories built to scare. She comes at normal relationships and injects them with something horrific, but paces it so incredibly well that you barely notice it until the end, when something happens to finally make your skin crawl. Carroll is a gifted storyteller, and Through the Woods is some of the best horror stuff out there.

read Through the Woods on Amazon

  19. The Flintstones

Mark Russell, Steve Pugh, Chris Chuckry (DC Comics)

Anytime a comic can get a physical reaction out of me, it’s usually a sign that it’s a very successful storytelling endeavor. I think The Flinstones’ hold music on the suicide hotline joke is the loudest I’ve shouted “holy shit” at a comic in a decade. Mark Russell is the best satirist working in comics right now, and certainly in the past decade. Steve Pugh was equal to the task of packing every joke and sly look and absurdity implied by the dialogue. The Flintstones is one of the funniest books you'll ever read.

read The Flintstones on Amazon

18. Atomic Robo & Other Strangeness

Brian Clevenger, Scott Wegener, Ronda Pattison (Webcomic)

I love Dr. Dinosaur. I will buy anything Dr. Dinosaur is in, contribute to any crowdfunding campaign that gets me Dr. Dinosaur goods, and I will take every opportunity I can to share that “the light is for ambiance” page.

Clevinger and Wegener have created a near-perfect, accessible, entertaining adventure story with Atomic Robo. The writing is smart and sharp and Wegener does some outstanding action sequences. I don’t think there’s any comic I’ve been dedicated to for longer - I think I’ve been regularly reading Robo longer than I’ve had Batman on my pull list - and there’s no comic I recommend more frequently. Other Strangeness has two amazing Dr. Dinosaur stories and Jenkins, but you can pick up any volume and get the same high quality action adventure comics.

read Atomic Robo here

17. The Private Eye

Brian K. Vaughan, Marcos Martin, Muntsa Vincente (Panel Syndicate)

Vaughan, Martin, and Vincente made a beautiful, compelling comic book that was uncomfortably prescient.

Sixty years from now, the cloud bursts - all of the private data stored on the cloud gets released to the public. It destroys lives and relationships, and triggers an anti-internet backlash. And an anti-journalist one. It then follows an unlicensed journalist as he travels around solving a mystery in a world where everyone wears masks to throw off facial recognition tech.

The Private Eye was cyberpunk that inverted some cyberpunk formulae - it was bright and warm and shiny, distrustful of tech and very human, but it was still a grimy near-future full of people navigating a world that sucked. It was an incredible read and one of the comics I think about most, even five years down the road.

read The Private Eye here

16. Secret Wars

Jonathan Hickman, Esad Ribic, Ive Svorcina (Marvel Comics)

I’m using Secret Wars as a stand in here for all of Hickman’s prior Marvel work from the decade, and really the entire story that started in Fantastic Four and paid off with the final Doom/Reed battle at the end of this story. “Epic” doesn’t even begin to describe a story that starts with the council of Reeds, breaks the Avengers, destroys the multiverse, then reforms it again out of a love of adventure. I reread these comics more than any in my collection because they’re beautiful and immersive and impossibly grand.

read Secret Wars on Amazon

  15. Transformers: More Than Meets the Eye

James Roberts, Alex Milne, Josh Burcham (IDW Publishing)

I still can’t believe how much I love this run of comics. I am even more flabbergasted at why: it was one of the most surprisingly thoughtful comics about sexuality and romantic relationships that I’ve ever read, and it came as part of a broader Transformers story (when paired with the story in Robots in Disguise) that had some of the best takes on gender identity and politics that I can remember.

Every word of that paragraph still makes no sense to me. I am continually delighted by this fact.

More Than Meets the Eye follows Rodimus and a group of breakaway Transformers as they search the universe for the lost Knights of Cybertron. It features a fascinating and touching relationship between Rewind and Chromedome (with Cyclonus as a third-wheel/homewrecker WHAT IS HAPPENING), and it has a deep dive into Ultra Magnus’s history as Cybertron’s premiere stick in the mud. Honestly, just take my word for it: this comic was incredible.

read Transformers: More Than Meets the Eye on Amazon

14. The Multiversity

Grant Morrison, Frank Quitely, Nathan Fairbairn & Others (DC Comics)

The Multiversity still contains my single favorite page of comic art from the decade: Frank Quitely breaking down Peacemaker kicking the hell out of a great lawn full of soldiers outside the White House. I can’t even begin to describe how technically fascinating that issue was or how breathtaking it still is to see. The rest of the series brought me great joy, but that issue might be the best single issue of comics I’ve read in the last 10 years.

read The Multiversity on Amazon

13. My Favorite Thing is Monsters

Emil Ferris (Fantagraphics)

Everything about Emil Ferris’ debut work is absurd. The production value of the book is stellar. Her deft storytelling made me feel literally dropped into the comic several times, overwhelming me by the world she brought me into. And that this was her first published work is still, what feels like an eon later, ridiculous to me. My Favorite Thing is Monsters will make you feel like a ten year old girl, whether you’ve ever been one before or not, and that is some magical work.

read My Favorite Thing is Monsters on Amazon

  12. Here

Richard McGuire (Pantheon Books)

Here started out as a comic strip in 1989, and got blown out into a full graphic novel in 2014, and both are incredibly interesting experiments with the form of comics storytelling. It sets the “camera” pointed at the corner of a room, and then spins time out in both directions, showing us what that corner looked like 2000 years in the past, hundreds of years in the future, in the 1950s, today, and a bunch of other times. And the way that McGuire manages to tell a coherent story under those restrictions is masterful work.

read Here on Amazon

11. Hellboy in Hell

Mike Mignola, Dave Stewart (Dark Horse Comics)

There’s something beautiful about Mignola spending 25 years weaving just about every mythological cosmology from human history together, and then ending that whole story by having Hellboy walk across Hell, into his childhood home, and just disappear. It’s a very quiet, peaceful ending for what had at times been a loud comic in the past, but it’s a beautiful end that refers back to other work of Mignola’s, which lends the ending a kind of peacefulness that cuts through the sadness of the loss of this story. Hellboy in Hell is a really great ending.

read Hellboy in Hell on Amazon

10. Thor: God of Thunder

Jason Aaron, Esad Ribic, Dean White & others (Marvel Comics)

There is actually some debate in my mind as to whether or not Jason Aaron’s Thor run, stretching from the stunning God of Thunder through The Mighty Thor and War of the Realms and into King Thor, is better than Walt Simonson’s Thor. It’s probably still Simonson’s run, but the fact that there’s an open question should tell you how good Aaron’s story has been. The best Thor stories have a bigger point than “Can Thor beat up the Hulk?” Aaron’s has been “What responsibilities does being a god bring with it; how do they carry them out; and how does that impact us?” It’s masterful work drawn by a collection of incredible artists.

read Thor: God of Thunder on Amazon

9. Saga

Brian K. Vaughan, Fiona Staples (Image Comics)

The best thing about Saga to me is that the characters have grown with me. That’s not necessarily why it’s one of the ten best comics of the decade - Fiona Staples is an utterly incredible artist who without fail puts something singularly amazing into each issue - but it’s why I care about it so much. Hazel, Marko and Alana have all grown beautifully as characters since issue 1, and the world is so inventive and different from what you always get in science fiction that it’s a joy to read every time a new issue drops.

read Saga on Amazon

8. Richard Stark’s Parker: The Outfit

Donald Westlake, Darwyn Cooke (IDW Publishing)

Darwyn Cooke is one of the most talented people to ever work in the comics industry. He’s still, years after his passing, an enormous influence on how people conceive of the DC universe because of The New Frontier. But it’s his adaptations of Westlake’s ‘60s crime novels starring Parker that might be his best work. The Outfit is the second and my favorite, but all of them are amazing pieces of comics storytelling. Cooke’s storytelling techniques bounce all over the place, but all work amazingly well. He especially excels at showing complicated heists - the way Cooke plays with time and sequencing makes these books an amazing read.

read Richard Stark's Parker: The Outfit on Amazon

7. Prince of Cats

Ron Wimberly (Image Comics)

Wimberly’s Prince of Cats is pretty close to a perfect comic. Repurposing and adapting Shakespearean dialogue and patter to a hip hop aesthetic is, strangely, exactly what I want out of a story. Wimberly’s art is stylish as hell, with fantastic layouts and odd angles, and it is colored beautifully. It’s the story of Tybalt from Romeo and Juliet, but set in a city that’s a mishmosh of all five boroughs, in a time that’s anywhere from the mid ‘80s to present day. It’s a little bit Shakespearean tragedy, a little bit samurai anime, a little bit Planet Rock, and ultimately an amazing piece of comic book art.

read Prince of Cats on Amazon

6. The Unbeatable Squirrel Girl

Ryan North, Erica Henderson, Derek Charm, Rico Renzi & others (Marvel Comics)

I love how Unbeatable Squirrel Girl never talked down to readers, and in a wonderful example of what superhero comics could be (and occasionally were), how Doreen was always trying to find a way to solve problems that didn’t involve violence and would endure. Her supporting cast was terrific, guest characters were phenomenal, and Henderson has impeccable comic timing. And the book was surprisingly experimental and innovative - the zine issue and the choose your own adventure issue are two of the best single issues of comics I’ve read this decade, but even without them, The Unbeatable Squirrel Girl will go down as one of my favorite comics of all time.

read The Unbeatable Squirrell Girl on Amazon

5. Hark! A Vagrant

Kate Beaton (Webcomic/Drawn & Quarterly)

Beaton is one of the smartest, funniest cartoonists out there. Hark! A Vagrant catches the best of the early decade webcomic ethos - it’s loose and fast, about anything and everything and just funny as hell. She’s got bits about Tesla, a ton of jokes about Austen and classic literature, idiot Victorian chimney sweeps. All of it lands because Beaton’s got a sharp eye and a strong voice for absurdity. I think my personal favorite remains Straw Feminists.

read Hark! a Vagrant here

4. Hip Hop Family Tree

Ed Piskor (Fantagraphics)

I’ve watched several documentaries since reading this and interrupted them, going “oh shit, I already knew this from Hip Hop Family Tree.” Piskor’s brief history of the birth and first couple of phase transitions of one of my favorite art forms is informative, smart, funny, and informed deeply by his love of comic book culture, which only enhances some of the stories he tells about early hip hop, which was also deeply informed by comics. And in retrospect, the fact that HHFT ended up circling back on superhero comics, giving us X-Men: Grand Design is too perfect for words.

read Hip Hop Family Tree on Amazon

3. Mister Miracle

Tom King, Mitch Gerads (DC Comics)

I’m pretty sure Mister Miracle is the best comic I’ve ever read as it came out. This is King and Gerads operating in peak form. Everything about it, from the content to the pacing to the characterization, was absolutely perfect. And the ambiguity of the ending, how it showed a way forward in dealing with trauma and how it inadvertently turned into a poignant love letter to the (at that time recently) departed old guard just made it all stick even harder. I loan this out to friends having kids, because I love Mister Miracle and I want everyone else to find their way to loving it, too.

read Mister Miracle on Amazon

2. Smile 

Raina Telgemeier (Graphix)

I came to Raina’s world late. I have a niece who’s brilliant, and I was looking for a way to get her into comics so I’d have someone at family gatherings to talk to about this stuff. I knew that these books were popular, so I grabbed one at a bookstore and started on it. Twenty minutes later, I was walking out of the store with Smile and Sisters, and my niece finished both of them in about six hours and started asking for more. Raina tells a hell of a story, and Smile deserves to be on this list just based on craft, but it’s this high because she’s single-handedly hooking a new generation into our favorite medium. I will always appreciate that.

read Smile on Amazon

1. March

Rep. John Lewis, Andrew Aydin, Nate Powell (Top Shelf Productions)

I don’t think I could have landed on a different comic here if I tried. March is a unique combination of craft, relevance, and timelessness. Powell’s art is staggeringly good, full of gorgeous storytelling. And when I think about moments from comics that have stuck with me the most, I keep coming back to the bombing of the Freedom Riders’ bus at the end of volume 1. I knew it was historical and that still scared the hell out of me. Kudos and thanks to Rep. Lewis, Aydin and Powell for making an incredible book.

read March on Amazon

Read and download the Den of Geek Lost in Space Special Edition Magazine right here!

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Feature Jim Dandy

Dec 30, 2019

DC Entertainment

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Batman

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Wednesday Roundup 8.16.2017

Slightly overdue and quite possibly not at all aniticipated, I have at last finished the Wednesday Roundups and have come to give my usual reviews and ratings~

So let’s get into it

DC’s Amazing Spider-Man: Renew Your Vows, DC/IDW’s Batman/Teenage Mutant Ninja Turtles Adventures, DC’s Batwoman, Image’s Descender, Marvel’s Generations: Wolverine & All-New Wolverine, DC’s Gotham City Garage, DC’s Justice League of America, DC’s Super Sons, DC’s Wonder Woman

Marvel’s Amazing Spider-Man: Renew Your Vows (2016-present) #10 Ryan Stegman, Nate Stockman

It’s amazing how, for close to ten years now, I have felt like Peter Parker -- as I knew him and grew up with him -- has been a shadow of himself in Marvel comics. The potential for his growth, the sense of personal responsibility, everything that I had felt him growing toward while I was an avid Spidey fan felt gone back when I stopped reading because I felt like the illusion had been purposefully broken.

Peter was never going to grow up, he was never going to move forward, and his lifetime of adventures were never going to have consequences that truly stayed and mattered. 

Now, that’s a general disillusionment longterm comic fans all have to face some time, and it’s always going to be felt most severely on those that brought us into the business to begin with, but it’s one I always struggled the most with when it came to Spider-Man. Because the MC2 had sort of given me a “preview” to what his next steps could have been, and how his story could continue as a father and family man. I knew it enriched the parts of Peter I liked rather than took them away. Missing that in current iterations was dreadful.

But, amazingly, and wonderfully, Amazing Spider-Man: Renew Your vows seems to provide for me what a decade of previous Spidey books could not. My Peter.

Story: Considering this is a one-and-done story, albeit one obviously leading up to the upcoming arc, it feels like it completely uses its pages and panels to their fullest with no wasted time and no sense of drag. Honestly, the fast pace in this issue is more reminiscent of classic pre-trade comics rather than the current lay of the land which seems more interested in first expanding and dragging stories out. And this manages to do it with three stories wrapped up by the end. 

The main story is about Normie Osborn, his birthday, and what will be his driving motivations to become the next Green Goblin. It’s honestly heartbreaking to see the complexities of a completely bratty kid whose suffering ultimately stems from the anger and frustration of having lost his father at a young age and feeling completely alone and misunderstood because of it. As the main POV character, we honestly get to dig into his rottenness and his tragedy more than most new villains you usually see and I love that as simple as his motivations are, you can really get the sense that it’s believable for a kid to fall into these trappings through his inability to properly grieve. It sets him up to not only be the antithesis of Annie, as I’ve been imagining he would be, but a foil to Peter as well, and that’s pretty fascinating in a character I genuinely feared was going to be pretty one-note.

For the B story we have Peter and Annie May bonding on a father-daughter day. I think this is vital not only because we just came off a Mary Jane focused story but because it’s that relationship that ends up saving them in the end. I love how Peter’s both protective of Annie, but supportive and grateful of her in a way that’s both completely Peter and also the signs of a great parent who is not ashamed to be surpassed by his child and wants her to know when he’s proud. They’re absolutely adorable, and relateable, and I love that Peter has obviously taken after Aunt May and Uncle Ben when it comes to being a parent. Usually it’s seen as “cooler” or “more interesting” to have good guys/childhood heroes grow up to be bad parents even against their characterizations beforehand just because it’s edgy, and I’m just so grateful that Renew Your Vows hasn’t fallen into that. 

The less expanded other subplot in the background is of the Lizard and his son desperately trying to get some sort of Oscorp chemical to save the son from... something. I may need to reread, but I’m fairly certain this will be set up in the future for a continuing storyline but it also works well here to emphasize the importance of parent-child bonds. 

Art: I honestly have been really impressed with the art on this title from the start. It’s very agile and creative while also not stylized to the point of being cartoony. The colors find a nice balance between being bright and having a touch of grunge and texture to it. If you’ve been a fan of the art for the book beforehand, you’re going to keep being a fan because I know I am.

I also want to take a moment and applaud a book for doing the rare thing these days and maintaining its art style and individual character for ten issues. That may not seem like a whole lot, but nowadays it feels like such an accomplishment to just have an artist on two consecutive issues let alone a rotation of artists who at least attempt to adhere to the certain style of the book. 

Characters & Dialogue: I went into Normie more above because he was so central to the plot of this issue, but it stands to be said again that I’m just genuinely floored by how well this comic does with making a layered and rounded villain out of what could have so easily been a stock Evil Child Genius version of Norman Osborn. I mean it was even in the name, and that impresses me so much. I like how there’s a sophistication to his dialogue, but also both his dialogue and running monologue are shorter sentences than you usually see with such educated words, which still makes it feel like the voice of a child. It was a neat little touch.

Peter also is just such a great character in this book. He gets less panel time than Normie, but in that time we see the layers of Peter. He’s protective, he’s funny, he’s supportive, and he’s quick to leap in head first. But while this Peter maintains all the fun of a younger Peter Parker (one that lets his daughter eat a disgusting amount of ice cream to be on her good side), there is a kindness and push toward empathy that seems more nuanced and matured to him than the Peter of old. His final words to Normie are both heartbreaking and full of pathos. He obviously regrets not being able to save his friend, but he’s also recognizing the signs of tragedy repeating itself in Harry’s young son. It’s a great, subtle moment.

Annie doesn’t get as much time as Normie or Peter, but we can see that her skills as a vigilante are advancing quite nicely, but her confidence is still stunted slightly. At least, it is around her father, who is of course her biggest inspiration and biggest hero. Even when she saves him, she is cautious to be excited about it, both because she’s concerned for him and also because she is concerned about making mistakes. Ultimately she’s adorable and full of sugar so I don’t think there’s anything not to love. 

DC/IDW’s Batman/Teenage Mutant Ninja Turtles (2016-2017) Matthew Manning, Jon Sommariva

Honestly I don’t know why I’m being rewarded lately with my favorite franchises getting amazing official crossovers, but I am, and I’m so happy about it. IDW and DC have been collaborating quite a bit for the past couple of years -- with IDW getting to release those original Mister Miracle omnibuses and now getting all these crossovers with arguably their biggest property to date and DC’s biggest property to date. Twice. 

The thing is, I was a pretty big fan of the first Batman/Teenage Mutant Ninja Turtles crossover by Tynion and I wasn’t really all that sure what to expect with this new crossover and whether or not it’d repeat the same steps or if it’d be able to capture either the DCAU or the TMNT2012′s tones in the process of telling its story. 

Fortunately, today’s all about me getting squarely handed my butt with these surprises!

Story: My concerns about this retreading the meet-and-greet storyline of Tynion’s crossover were pretty much immediately dashed thanks in no small part to Manning absolutely nailing the tones of the two cartoons right from the start. There’s monsters, there’s mayhem, there’s an actual mystery to solve (holy crap remember when Batman used to solve mysteries) and the badassness of the Shredder was on display without allowing him to make a cakewalk of the Rogues Gallery. 

I just loved how everything was able to tie together with these two continuities so neatly, and how it made it just that much more interesting for the ultimate reveal of who was behind the whole even, even if it was hinted at from the very first issue. It was a great mystery story of following the clues until we got to the end.

Oh wait. No. It didn’t get to the end because the story wrapped up in issue five of this six issue series And I’ll be honest... this really baffles me to the point of almost taking me out of my praising mood. 

Like... I’m not going to say that this was perfect at all until #6, but it was well paced, well choreographed, and it made full use of a huge cast of characters with lots of neat crossover potential satisfied nearly on every front -- we got Bats in NYC and we got Turtles in Gotham, we got respective villains in both. It was an incredibly solid, fun crossover that had a very satisfying conclusion. And then another issue. 

Obviously they wanted to expand on this story more. The Gotham Rogues shined the most for the first five issues, really driving the plot on all sides, and then #6 had the Kraangs taking advantage of the previous mayhem to enact their own invasion of Gotham. And there were obviously a lot of years that passed in between -- obviously in Gotham since we moved from B:TAS to TNBA, but also the Turtles while eternally teenagers seemed a bit older, and I don’t think it was a mistake on Manning’s part that April or Karai or any of the other growing Hamato clan’s members didn’t come through the portal with them. With a series that is still very much airing, they just couldn’t risk too much continuity plot holes since who knows what’s happening next. 

And I really get that, but if that’s the case, then perhaps the first storyline should have been 3/4 issues, and then allow this second storyline to have at least more than 1 issue. The way it stands now it seems more like a cruel epilogue teasing a future crossover continuation than an ending to what was otherwise a super solid and tightly written crossover. 

Art: The art was fantastic. Seriously, not only were both of the very different animated series’ styles represented in the art, but it was still very much its own blend. Everything felt cohesive without being overly off model from the original designs... Okay Barbara had some pretty strange anatomy in a few panels. Or pages. More than a few. Look, we have to do something about boob sock costumes especially if she’s going to be standing right next to April -- who’s her size and not that much younger than her -- who proves that this artist has at least seen someone wearing a sport bra before. 

But other than that, I really liked the art and I believed the colors REALLY popped. And I have to also thank this publication for having the common human decency of putting the covers between the issues which the collected version of Tynion’s crossover did not have in the least. 

Characters & Dialogue: Obviously a crossover is going to boil down all characters to the characteristics fans identify them with the most both for recognizability and so that we have the fun of seeing favorite characters bouncing off each other through a crossover. What’s the Joker like with Shredder, what’s Raphael like on fear gas, what’s Batman’s exchanges with Leonardo like. 

That’s the fun of a crossover and I don’t really expect noncanon crossover comics to dive into a character study and provide any type of growth throughout the issues. It’s good fun.

That being said... I’ve never been a huge fan of Don’s girl craziness in the TMNT 2012 series but could let it pass for his genuine affection for April that is beyond “oh wow a girl!!!”, they have a genuine relationship. But having him drooling over Barbara all the time just makes me annoyed. 

And also means that we can add Donatello of the freakin’ Teenage Mutant Ninja Turtles to the never ending list of characters in comics who have hooked up with or fallen in love with Barbara Gordon. Let the woman live, people.

Other than personal nitpicks, though, the characters are great and it felt like the best of what I love from both of these cartoons brought together.

DC’s Batwoman (2017-present) #6 Marguerite Bennett, James Tynion IV, Renato Arlem, Adriano Lucas

Oh, my long standing annoyances, will you ever allow me the peace of just enjoying a story instead of giving me a reflexive groan to the heavens each time I start reading tropes I don’t like. Like Bad End Future flash forwards where everything is fascist and terrible? 

Maybe. Depends on how gay things are allowed to be. So let’s get into it -- can Marguerite Bennett’s ability to write almost anything to my liking, can she make a Same As It Never Was Future Tense The Savage Time Futures End 2099 Watchmen Current America that I’ll appreciate reading?

No. But the effort is incredibly commendable!

Story: As is probably gathered by my response here to begin with, I’m not easily won over by this “darkest timelines” filler stories be it in comics or movies or television episodes. It just rarely affects the current storyline of the characters, will be retconned or lead to huge plot holes in the future, or just in general has nothing particularly fun or interesting to say. 

And I’ll be honest, current times just make me that much less interested in fascism being used in my escapist media. Like. Guys I just want to watch superheroes punch Nazis, not my lesbian Jewish superheroes help begin some sort of fascist totalitarian state with way too much Nazi imagery like good lord. 

Anyway, there were things that I found interesting from the start. Kate seems to be trying to dismantle the system she is guilty of starting, Jason is... honestly he’s somehow the Dick Grayson of Batman Beyond 2.0 and working with Kate so that’s weird. 

Somehow, beyond all common sense, Harvey Bullock is still alive? 

I do like Renee as Commissioner but as sweet as it is to have older lesbians in a comic... *long suffering sigh* Look, I might be sensitive to this because I just watched Atomic Blonde or maybe because I’ve always been pretty uncomfortable with the treatment Renee has gotten compared to Kate but... There’s just something supremely off putting to me that a brown woman is portrayed as having the long standing unrequited love and can’t move on to find her own happiness and then dies for the tragedy of the white woman. 

We really have to look at these patterns and start questioning things here. 

Also Tim is evil Batman. Again. Stop doing that, Tim. I barely put up with it during “Titans Tomorrow”, and I don’t nearly have that much of a relationship with your current incarnation that I had with that Tim. Just saying. Watch your butt, Birdboy.

Art: The art is very good. There’s a few fun action splash pages, I thought the panels were organized and flowed really well, and best of all I really enjoyed the fact that Gotham actually had color to it for once. 

Too many times artists seem to think that Gotham can only work in shades of gray, but I found the cityscapes a lot more interesting and popping with this style. So that’s encouraging that we may once again get a change in how Gotham looks.

Characters & Dialogue: Bennett is quickly becoming one of my favorite writers so far as characters go -- I’ve enjoyed almost all her work from both DC and Marvel and she maintains that here. I don’t know how much input Tynion has on the Batwoman scripts right now to earn that writing credit but being more familiar with Bennett’s work now I really felt this story was more hers than his. 

That being said, and as strong as the characterization is, I’ve always felt that Bennett does have a tendency to write internal monologues from characters with this distant narration that feels cold and impersonal to the story being told. That works here, given the circumstances and how this is supposed to feel alien and unfamiliar to the Kate we have been reading in the previous issues. But I would argue that it’d work better if most of the internal monologuing and narration didn’t come off that way in other stories. 

Image’s Descender (2015-present) #23 Jeff Lemire, Dustin Nguyen

Man is Image killing it with their creator owned line. It’s hard to imagine what sci-fi could really elevate the genre in comics more than the likes of Saga but it absolutely feels like Descender is aiming squarely for that spot, taking the more cerebral route of an AI or Blade Runner which is needed more in comics in a way that’s still approachable. But other than nerds like me, does it manage that approachability?

Couldn’t tell you since I am a nerd like me, so I’ll just lay out my perspective.

Story: It feels like for over 20 issues now we have been building to the point where all of these factions of characters would meet and their plots would begin to overlap, which makes it all the more just shocking that we’re at that point. It’s definitely a huge task given the sheer number of characters in the cast at this point, but I am also incredibly tempted to say that because we’re in the middle of this “chapter” (and yes I’m saying that a lot this week) you really feel the lack of a beginning or ending on this one. We have so many characters we’re following at one time that there’s not really any other way to tell this story but in fractions. And as enjoyable as that is, it means you either have to sacrifice POVs every couple of issues, or you have to drag out tension for each plot across multiple issues. And we’re doing the latter.

Now I don’t want that to come across as a condemnation, it’s just a fact of the way this story’s being told. And personally I don’t think that makes individual issues as rewarding as it is to read a whole chapter in succession. And yet, I can also say with confidence that what I do love about this story and how I’m hooked on finding out what happens next, I personally feel invested enough to buy per issue rather than wait for trade, at least for now. So perhaps I’m too analytical on this issue right now. After all, I’m not having difficulty remembering from issue to issue what each group’s plot is or what danger we left them off at the time before, and it’s usually when that begins to blur that I feel a comic is worth waiting until the trade. 

Art: I am a huge fan of Dustin Nguyen, as always, but I’m once more burdened with the question in my own mind “is the water colors fitting for this harsh, slick, futuristic setting” and I just still can’t say that I feel that it is. It’s beautiful, and as someone who has been reading comics with Nguyen’s style since all the way back during the Winick run on Batman, it’s impressive how far his style has developed and how much he’s honed his craft. But that doesn’t mean that specifically the choice to make this a textured water color comic rather than a digital comic was the best aesthetic choice, and I know at this point I am beating a dead horse with that opinion, but it’s just what strikes me as so off putting each issue. Especially since we are in a science fiction story, taking place almost entirely in outer space, and yet the majority of backgrounds as well as space between panels is white. It’s just a real disconnect that I can’t tell yet if it’s being inventive or going to eventually have a symbolic meaning with the story. 

Guess I’ll have to wait and see with everyone else!

Characters & Dialogue: Another difficulty with this kind of storytelling and seeing every character for a few pages each issue is that there’s not a whole lot of time to really advance characterization unless it’s over the span of a whole chapter. So I have to imagine that things that seem small in the moment -- Tim-21′s escape, the doctor saving Telsa, Effie telling the Nagoki what he “wanted to hear” will all have vast implications in the upcoming issues, but it’s not something I can dissect as it is now. 

That being said, I really do love all these characters and I love how lovable they can be while still understanding how they can view each other as utter monsters due to their own pasts and motivations. It’s pretty amazing work on Lemire’s part. 

Marvel’s Generations: Wolverine & All-New Wolverine (2017) #1 Tom Taylor, Ramon Rosanas

Somehow, someway it snuck up on me over the past year or so that Tom Taylor just has absolutely made my life better with his contribution to comics. Like, that’s a weird epiphany to have in the middle of a Wednesday night, but my friends on Discord with me last week got to witness it in real time. I love Taylor’s writing, and most importantly I love how he writes Laura, I love everything about her under his pen and I’m glad to have back-to-back weeks of his Wolverine. 

This week... with a TWIST!

Story: So what’s happening in the Marvel universe right now? Couldn’t tell you. I imagine the timey wimey shit for Secret Empire has allowed for this crossover within a crossover within a summer event but I have no actual context other than I wanted to pick this, the Ms. Marvel, and the Spider-Man comics up. Because that’s how I role. I have wisely stuck to my guns throughout this summer and only read Marvel titles which, y’know, fucked off into space for a whole summer-long arc rather than stay around for Nazi Apology feat. Steve Rogers of Earth-whatever. I’ve been much happier for it!

The point is, we get a crossover with Wolverine and Wolverine. A Logan from before he knew Laura, and a Laura who... looks like she’s in her X-Force uniform for some reason? Uh. Again I’m completely going in blind on this one I have no context, but we’ll assume it’s a pre-All-New Wolverine in spite of titles because she doesn’t seem to have any problem murdering people and that’s like a whole Thing in All-New and I can’t imagine Taylor, who’s writing it, would like... forget that. 

Anyway, it’s an excuse for a team up where Laura is helping Logan same Amiko from being kidnapped by the Hand and gives her some life advice while getting some much needed life advice of his own. And it’s as simple as that and yet not simple at all. Like most of Taylor’s stuff, the embrace of the general comic book premises belies a much deeper purpose that you can look for, and this is all about Laura and Logan’s relationship, or at least the relationship they both wish could have been. It’s closure in a way, for Laura to receive an open hug from a Logan that’s still very much her Logan, but is not yet as jaded as to not give her a much needed hug. 

Oh, Logan. Whenever you eventually reincarnate yourself back into the main Marvel Universe as yourself and not a clone or another universe’s son or another universe’s angry grandpa or as another long lost son or as another clone or as a dying salamander, I hope you keep this message to heart.

Art: It’s wonderful. I mean the anatomy’s great, the colors are muted but still varied, there’s some real tone to Laura that some artists don’t give her enough of. I could nitpick a few things like costumes (woops already did) or that Logan didn’t meet my personal Hairy Enough for Wolverine requirement, but the main criticism I’m really going to have here is that this had a very simple panel structure for the majority of its pages which could use some more variation, especially for action scenes. But then again the best scenes weren’t action but were of the characters actually interacting so I think simple panels for simple things is more than appropriate.

Characters & Dialogue: I’ll be the first to admit that Logan’s not really my guy. I don’t go out of my way to read a lot of Wolverine where he’s not in a team book or a crossover or a team-up or another team book or another crossover or a tv show or another team book. And I have a lot of frustration with him in the majority of those. It’s kinda my thing with Bruce Wayne -- when I love him, I love him, when I don’t, I really don’t. 

But, to me... this was good! It was maybe even great. Strangely dynamic for Logan and it was just overall interesting to see Logan written by Taylor and it not being from Laura’s perspective. I’m so used to his voice for Laura that the gruffer, less nonsense and more weary tone from Logan was surprising and fitting. And it made the final pages just that much more poignant.

And of course Taylor’s Laura is just my tastes to a T. So everything’s good by my account. 

DC’s Gotham City Garage (2017-present) #1 Jackson Lanzing, Collin Kelly, Brian Ching

I had no idea this book was coming out. I had never seen advertisements for it. I had no idea what to expect. And what I got was Robo Cop meets Fury Road meets Road Warrior meets DC Bombshells. And maybe Blade Runner. 

Given that this is a digital first and I wasn’t really sure what to expect and I still have... no idea where this could be going or what it’s based off of other than those statues that used to be sold by DC with everyone on motorbikes and the mentality of “hey people like Bombshells! Let’s try this statue collection too!” with apparently no memory of how that worked out for them with Ame-Comi Girls. 

Did I mention this is trying to repeat the lightning in a bottle of Bombshells? I feel like that can’t... really be... overstated. 

Story: uhhhhhh Well. This is tough to nail down because as a Digital First it’s very short and I also have no idea what’s going on so my judgments here are... lacking, let’s say. And I have nothing but questions. Like. Why is it in Gotham and fascists are Batman themed while Lex Luthor is in control. Why is Kara adopted by Jim Gordon. Why is there a picture of Barbara and Kara together but no mention of Babs in Kara’s monologues or so on. Why are humans robots and robots humans. Are humans robots at all. How did Jim know about Kara’s super powers if she’s never been in the sun before. 

I k now I’m just listing questions but that’s basically everything that happened to me while I was reading and I just... have no answers to give you. 

I just think we can all agree that Big Barda does, indeed, wear a mohawk just like she wears everything else: like a boss.

Art: It’s fine. I mean, digital comics are always a bit rougher around the edges due to their incredibly tight update schedules and I always try to account for that. And it’s a cute, inoffensive style that definitely is going to try to undercut the no doubt supremely scanty clothing of the... garage...girl...people. And I liked how dull and gray toned everything around Kara looked in the Garden while outside there was almost a sort of sepia tone but the real colors came in with the... garage....girl...people. But even then, there are little visual cues throughout, like Kara’s own colorful accents despite wearing “assimilated” clothing. No doubt that’s going to be gone soon when she joins the...

Again, I can’t express enough about how much I don’t know what’s going on.

Characters & Dialogue: We really only have Kara as a character right now and while she definitely has a voice, it’s not really one that I would say stands out in the crowd of YA character types. I’m not trying to be dismissive of that -- I actually think that Kara has always worked best as one of the Youths’ outlets in comics, but it’s basically just. Too early to really give my feel on things. 

Basically I feel like I wasted everyone’s time with this review lol

DC’s Justice League of America (2016-present) Vol. 1 Steve Orlando, Ivan Reis, Andy MacDonald

I have some huge reservations about this title, but after really thoroughly enjoying the Road to Justice League of America Rebirth storyline that came before this, and loving the majority of the lineup as much as I did, I was ready to give this comic some time to really find its feet. Not to mention I’ve enjoyed Orlando’s work in the past. But now we have to see how well lofty expectations hold up.

Story: I’ll be honest with you, the most distracting part of this entire project is that Bruce is like... bankrolling 40 different superhero teams right now with none of them being the Outsiders and I find that shocking and unusual. Especially since there’s already a Justice League, Bruce seems to be making this particular team all about “second chances” and...Lobo’s on it. 

But to my surprise, this was actually addressed by the story. Not answered by any means, but the characters for the most part seem very self-aware of the oddness of their team given Dinah and Frost’s conversation with each other on the subject. They allude to there must be some reason that Bruce has decided on the team that he has if he’s willing to go through all of this trouble. 

Especially Lobo. Who is on a Justice League team. This is... Well it’s a thing, for sure. 

Throughout this volume all of the cast gets major moments to shine, I felt like, and the relationships were explored to quite an extent, but this falls into the problem that so many other comic books from DC does too, and that is that no moment can be too great or grand... without Batman immediately showing you up, taking credit for the situation, or just completely dismissing it out of hand. Oh, classic Batdickery.

Art: I actually felt the art was very good under both main artists on this title. It’s very house standard, in that it’s very much trying to replicate the Jim Lee standard style that almost all the DC line was all but forced to produce at the start of the New52. But it’s still fun and I enjoy the costume designs for everyone, especially Vixen who seems to have my favorite costume I’ve seen on her yet.

Characters & Dialogue: This is a huge cast, so the ability to focus on any character... other than Batman, I’m sure for regulars to comics this is the furthest thing from a surprise. Still, there are some genuinely unexpected relationships, most of my favorites revolving around Ryan Choi. 

Most of these characterizations aren’t going to be groundbreaking for any of the characters, but of course this is also the only place where you can get most of these characters anymore, which sucks especially if they’re some of your favorites. So there’s that. 

DC’s Super Sons (2017-present) #7 Peter J. Tomasi, Jorge Jimenez, Alejandro Sanchez

The real question of the ages is, does there exist a title that is having more fun with its premise right now than Super Sons? And honestly, I don’t think the answer to that question is “yes” because Super Sons is a complete riot every issue and it continues to invite everyone along for the ride. It’s honestly really impressive. 

This issue continues with Jon meeting Damian’s Teen Titans and getting his foot through the door for a real team up. And that’s exactly what the world needs.

Story: We have another mid-storyline issue here but once more we have one that knows how to make a single issue feel really encompassing. We have Jon joining the Titans, proving himself to everyone but Damian (who’s just a grouch and old and it’s hilarious that he looks like Old Man Bruce from Batman Beyond), and really beginning to finally fight back against some of Damian’s nastier moments. 

It’s simple, but it works because of that simplicity and fun. The premise is easy to follow and I can easily see a new fan picking this issue up as their first comic and being engaged from start to finish. 

And then we even get left on a cliffhanger that is beyond just “uh oh bad guys!” We just learned that Damian’s treatment of Jon and his insistence that they’re “training” is at least partially because Lois is behind it. 

Mind. blown. Way to go, Maaaahhhhmmm!! 

Art: I have absolutely fallen in love with Jorge Jimenez’s art on this series. It’s so unique and fun. I love how fantastic the colors work with the bright storytelling, the way action scenes really do seem diverse and varied. But most of all I love that it’s just so expressive for Damian and Jon, their adorable faces make a great range of emotion and look endlessly endearing. 

Characters & Dialogue: This is mostly Jon-centric, though Damian gets some good moments too. And for Jon, what his character needs and has needed for a while now is confidence and a belief in himself. He wants praise from Damian and other superheroes, but even in the moments where he gets that, it’s clear that his father’s words about needing to help people are at the core of his real desires, and that’s what has carried him this far. 

And while I do think that Damian’s prickliness is lovely and a trait which should never go away, it’s honestly really encouraging to know that, for at least this story arc, a good amount of his treatment toward Jon has been revealed to be because he feels responsible for Jon at Lois’ request, and I love that about Damian. It’s a similarly frustrating trait he shares with his father, I must say. 

DC’s Wonder Woman (2016-present) #28 Shea Fontana, David Messina, Romulo Fajardo Jr.

Just as I wasn’t really hesitant to call out Rucka’s run on this title, I held nothing back in the last issue when it came to my reservations about the current storyline and whether or not Fontana’s voice would really capture the essence of what had made not only the previous run so great but had made Wonder Woman so great throughout it. 

Reservations are gone because I’m officially on board with this run and feel like we have regained the momentum and understanding of Diana’s character that I had dearly missed, specifically her relationships and how much she treasures them to her literal fault. But let’s not give it all away.

Story: Like I’ve said many times before, the midsection of any ongoing storyline is going to be difficult because there’s this real lack of a beginning and ending to it most of the time, and one of the strengths that I praised Greg Rucka for in previous Roundups and reviews on this blog is his ability to know how to make a comic feel like a completed arc of its own while feeding into a greater narrative, which is something of a dying art even among the greats in comic book writing today. While I wouldn’t say there’s necessarily resolution in this issue, Fontana proves that she understands how to make a single issue story work. 

Diana has a bounty on her head, something that doesn’t seem to really surprise or upset her that much, as it shouldn’t since not only is she Wonder Woman but she has a bit of a stubbornness to her that is a fairly defining feature. What drives Diana here and therefore the drama of this storyline is actually her guilt over how her presence can endanger others -- an interesting continuation of Steve’s worries back in Wonder Woman: Steve Trevor (2017) I reviewed earlier this year. Not only that, but she has a genuine guilt and fear that she will eventually survive the ones she loves most outside of Themyscira -- Steve, Etta, and assumedly all the other people she has come to cherish. 

That’s a far more interesting perspective on Diana’s fears and character than almost any writer has tapped into before and it’s honestly kind of shocking that it’s taken so long for that source of internal conflict to be focused on as it is here. 

There’s a lot of levity to subside the emotional turmoil, and of course great action in which both Diana and Etta get great moments. But as I said, as the middle of a story, there’s not really a solid end here so much as a TO BE CONTINUED sorta feel, as to be expected. But I loved the arc we got to see in drama being presented for Diana’s relationship with Etta, it coming out in the open, and them attempting to address it before being interrupted by bullets all within a single issue. Good good work!

Art: I was worried about the art for this run as much as I was about the writing but I am always pleasantly surprised to have my fears proven wrong. because this was some great art. I don’t think the artist worked well with Etta’s hair texture (or knew what to do with her hair in general) and there was at least one panel where the colorist.... unfortunately swapped color palettes on Etta and whitewashed her to Diana’s skin color. It’s stuff I’d hope they would look out for. 

I do love the variations in body types and NOSES especially in this issue, though. I always look out for that in comic books, especially ones that feature lots of women and I was incredibly surprised by that. Though I wish so much that Diana would be allowed to have her curls again. 

Of course, I’m biased in that account, though.

Characters & Dialogue: Since Diana and Etta’s characters drove the plot for most of this, there’s only a few little moments I want to cover that weren’t mentioned with the story summary. Diana’s compassionate and forgiving nature was consistent throughout -- her mourning of the doctor, her tenderness toward Etta, her fear of endangering others, and even her compassion for the hemophiliac sniper that almost gunned them down. 

I love how badass Etta’s allowed to be in her current incarnation, I love that her grudges and anger are not only justified but aren’t minimized or looked down on by Diana even though it’s a huge difference in opinions between them. And I love the comfort she has around Diana and wants to do her best around her as well. 

Also I want to thank Fontana for remembering that Diana is vegan, like I just about teared up because holy crap, she GETS it, she GETS Diana.

There was a surprising amount of variation this week, which I hadn’t really been expecting given that the majority were DC books to begin with. But picking favorites is fortunately not hard when you’ve got a Class-A contender in the ring punching my lights out with feels. So for my single issues of the week I have to go with Generations: Wolverine & All-New Wolverine

Between our two trades, I had the most un and joy from reading Batman/Teenage Mutant Ninja Turtles which would seemingly be for super obvious reasons.

But I thought all the comics were great this week and highly recommend you check them out! Of course I’d love to hear back from you – agree with me? Disagree? Think I missed any comics I should’ve picked up? I’d love to hear from you.

Before you go, however, I need to share that I am in a bit of a financial crunch for a multitude of reasons, not the least of which being the medical bills I’m paying for my dog, Eve, who experienced a catastrophic dog fight and underwent surgery just yesterday actually.

As such, I really would appreciate if you enjoy my content or are interested in helping me out, please check out either my Patreon or PayPal. Every bit helps and I couldn’t thank you enough for enjoying and supporting my content.

You could also support me by going to my main blog, @renaroo, where I’ll soon be listing prices and more for art and writing commissions.

RenaRoo Patreon

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#SPOILERS #Wednesday Spoilers #Rena Roundups #Amazing Spiderman: Renew Your Vows (2016 ) #Batwoman (2017 ) #Descender (2015 ) #Super Sons (2017 ) #Batman/Teenage Mutant Ninja Turtles (2016 2017) #Marvel Generations #Generations: Wolverine & All New Wolverine (2017) #Justice League of America (2016 ) #Gotham City Garage (2017 )

[courage-a-word-of-justice]

Morose Mononokean 3 – 13 (FINAL) | Nanbaka 19 | ACCA 5...and anime from 2016, ranked.

(Morose Mononokean ep 3)

LOL, the kaomoji scroll.

Hopefully your handwriting won’t be illegible, Fusshi.

The Japanese place a lot of emphasis on independence, hence th errand running comment.

It’s so threatening to get pointed at with a stick.

I didn’t quite get the “five years again?” joke, but the jokes were going pretty rapid fire there. I might’ve just missed one and that’s OK. *shrugs*

Technically Ashiya lied when he said “you don’t have to believe me” because she believed him in the end…kinda sorta…?

Oh, to grandstand means to be showy. I don’t think I solidified that into my brain until just then.

Are those weeds or onions?

…Oops, not onions at all. Close enough (since they’re blub plants), though.

Where’s your dad, Ashiya?

Zenko’s not crying, you’re crying, I’m crying. Everyone’s crying!

…Oh, that’s the punchline of the joke…but Abeno’s scary when he’s really angry.

(ep 4)

I think even lil’ Fuzzy nods in the OP near the end.

The d and b thumbs are very inventive in regards to kaomoji. I like inventiveness.

Exhibit A of how Comic Sans ruins a mood, CR subbers.

So that’s Abeno’s writing (and not Comic Sans)?

Ashiya and Abeno have really creepy eyes on the eyecatch.

Shizuku means “water droplet” IIRC.

Ashiya, Super Sentai!...or something like that.

The Fuzzy Ashiya knows has 3 tails. This one only has one.

Ashiya, getting coerced into deals he can’t handle. *sigh*

(ep 5)

Fuzzy’s basically a Pokémon now.

What happened to Abeno’s jar?

Where I am, there’s three arms to the government: the legislative arm, the judicial arm and the executive arm. This show must run off a lot of the same principles.

Fuzzy seems vaguely unimpressed when Ashiya learns he doesn’t have to die.

How is that communicating with a fuzzball? Sad life for Abeno-san.

The sad thing about Abeno is that he’s very grumpy. While that does make him basically a male tsundere, his grumpiness isn’t something everyone can live with. Rippou (Legislator) included.

(ep 6)

The Ring? Like a horror movie? (This is the last of the Mononokean episodes I’ve seen before, so it’s not a horror movie, but I had to make the joke while I was at it.)

Fuzzy looks like an offering to the ancestors there on that cushion.

The Mononokean went “If you’d followed my instructions [yada yada yada] but…” Note the “but” – that wasn’t in the translation.

Where does Abeno sleep?

Fuzzy wrapped up is like a fuzzy sushi roll. I wouldn’t like to eat a fuzzy sushi roll, though.

Edo = old Tokyo…so are all Edoites (or whatever you call them) meant to be non-honorific users?

Manjiro must’ve been easy to draw if this were in the source material. However, since this is obviously a CGI Manjiro, it must’ve been easier to animate than, say, Fuzzy. (Apparently fur is hard to get right in CGI.)

“15 whole minutes”…hardly anything impressive…LOL.

Ashiya will never give you up, he’ll never let you down, he’ll never run around and desert you…

Even Fuzzy’s sweating up a storm just thinking about how to return the ring.

Ow. Getting headbutted by an eel is not the way to go.

The salve on Fuzzy looked like a box for a frame or two.

The irony of an eel shop with an eel youkai…

(ep 7)

It’s fresh impressions from here on out.

Butterflies don’t fly like that…

Since middle school is years 7 – 9…okay…Ashiya is that childish? *laughs awkwardly*

I just realised this show doesn’t do flashbacks very well.

I saw a grave in the back that said “Abe Family Grave”. It’s not the kanji for Abeno, though.

Don’t be so proud of your status as a hide and seek veteran, Ashiya.

“Yoko” is the word for a fox spirit. it’s why, in Tactics, the fox spirit is called Youko. Even I knew that much and Ashiya didn’t, LOL.

Oh right! Abeno calls Fuzzy “hairball”.

Abeno is 15?! I’m absolutely positively flipping out!...Abeno and Ashiya look like they’re 17!

(ep 8)

I thought something was up with the subs. Turns out “Haruitsuki” was spelt wrong.

Remember “–sama” is of more respect than “–san”.

I think Mr Chips from Eldlive was like this critter. Gets drunk on green tea.

Tsundere flying green youkai. That’s probably better than an annoying, possibly tsundere fairy (<- reference to One Wish They Never Wanted).

Benkei? I’ve never heard anyone yell “Benkei!” when they stubbed their toe. I get that it’s Standing Benkei though.

Aww. Even if it’s a youkai proposal, it’s so sweet…

(ep 9)

How do you spell “dispirited”? Two Ss? One?

Dangit, Ashiya would do well in job interviews…

The eyecatches always look unnecessarily dramatic, don’t they?

Does Abeno’s question about amateurs include Ashiya?

Abeno must’ve gotten a “Don’t come near my daughter again!” sort of thing a lot.

Fuzzy’s body went “boomph!” when he jumped on to Ashiya’s shoulder.

Fuzzy absolutely fails at rolling on balls, LOL.

(ep 10)

Why did I think of “I’ve fallen and I can’t get up” when it came to large!Yahiko?

The title of this episode is “deku”, like Boku no Hero Academia Deku.

Rakugan.

How did the eyecatch manage to put shojo sparkles on Nobou and turn him into something that’s vaguely appealing (in a handsome sense)? It must be the magic of the shojo sparkles…Also, henohenomoheji scarecrow.

“Phantasmagoria” aka “fantasy” or “illusion”.

Wow, basically this show is an ethics lesson…

Who knew a mutant scarecrow could cause such a heartfelt story? Also, please stop hitting yourself with a potato.

(ep 11)

I don’t think I’ve seen the character for “purple” being read as shi before.

Stop using Fuzzy as a shield for your words, Ashiya.

Fuzzy jumped on to Zenko’s head. It’s kinda funny to see Fuzzy acting like a Swablu.

Fuzzy with a leaf hat is aesthetically pleasing. It soothes the soul. (Uh, hey. Come to think of it, Mononokean’s a lot like the works I’ve done on Honeyfeed, eh? Light comedy and a lotta drama.)

I keep stumbling upon spoilers for shows I’m not caught up on, this show included. So I technically knew about Yahiko and never mentioned it, and I’m going “oh no” here because I know what will happen to Ashiya…

Tomori. That was the name from the spoilers…oh no!!!

Fuzzy looks particularly round in the eyecatch.

Apparently Ashiya began as a doodle in the margin of Kiri Wazawa’s sketchbook, but he became the protag of Morose Mononokean. That’s the ultimate upgrade in life for a character, eh?

Abeno’s logic…I get it, but I guess it was played for hilarity. Well, it worked. Really well.

A 9-11. I thought it was funny at first, but now it’s scary and solemn.

Simultaneous equations? I want nothing to do with them anymore.

Come to think of it, Aoi may have been a woman due to the woman’s cloak.

(ep 12)

Oh? A sister? I’ve haven’t seen her in the show yet. I wanna see her.

One of the lil’ pine cones is sleeping. It’s strangely adorable.

(ep 13)

Yahiko’s so spoilt by Zenko.

*squints at Ashiya’s book* Oh hey. I haven’t done this in years! Yeah, that sort of stuff is “first year of high school” stuff, but speaking from experience as an advanced maths student, I have a skewed perspective of what “normal maths” is for a year level. Add that to the fact Japan has the idea that they have to push their geniuses to the limit by being ahead of their years (sometimes going up to one year ahead of the “usual” standard) and…yeah.

From the lip reading, the word could’ve been tera (Buddhist temple) or jinja (Shinto shrine). Knowing how Zenko is built off the ideas of Buddhism anyway, it’s tera.

Well, out of sight, out of mind, as they say.

Abeno looks like such a bad boy in that eyecatch, it’s hilarious.

Seriously, how does Nobou talk with no mouth?!

I thought the hand was Yahiko. Turns out it was Abeno.

Fuzzy looks downright ill when Ashiya’s scared.

A boss normally doesn’t bow his head to his subordinates, let alone call them “lord” (dono), which is the highest type of honorific one can give to a person.

See, the kaomoji scroll really is fun. If someone could make one for me, I’d love to play with it for a little bit. Maybe you could make a (computer?) program that could function mostly the same way…huh. That’s a good idea, actually.

Notice the Mononokean uses “watashi”. I guess it doesn’t have much of a gender anyway.

Nice hat, Ashiya. (LOL.)

Welp, that’s the final episode of all my 2016 anime. I moved the top 10 anime of 2016 to the bottom of this post for the surprise factor, but knowing my reactions to the anime means you can’t be too surprised by the results.

(Nanbaka 19)

Honey’s still on arrow mode.

The scream. It’s like a horror movie, but so funny because it overlays the OP.

The sparkles actually helped viewers see something for once.

Rokuriki. So that’s the guard’s name. It has “six” in it.

Deer hook swords. I’m not quite familiar with them but they look cool.

I only just realised, but they left Nico behind in the supervisor’s office.

The rubble is so beautifully rendered.

What was Jyugo doing behind the pots? Something for humour, I suppose, because I laughed.

“Hachiman” can mean 80000.

Kawaisouni… translates to “unfortunate” or “how unfortunate” but I probably wouldn’t peg it as “poor baby!” like the subbers did. It’s probably the tone Uno used that caused them to sub it the way they did.

Here we go again with this Jyugo comeback from episode 1…

It’s around the part where Upa’s trash talking Hachiman that you can identify Upa’s VA is Yuu Kobayashi (SGRS’s Konatsu’s VA). Even Nico is voiced by a dude and yet Upa is not.

(ACCA 5)

Seriously, this blue haired guy (Magie) reminds me of Japan from Hetalia. Must be the haircut.

How does a guy not remember toast? Probably because this is of Japanese origin, where rice and fish are more common than bread.

I still think his name should be Gene Otus.

CGI fits flawlessly into this style, and if you’ve been around these parts long enough, you know I don’t like obvious CGI.

Dowa Travel.

Hotel Akevitt. They have some weird names in this show.

Reindeer…? I’m not very good at identifying deer vs reindeer.

I heard you like wheat bread, so I put some wheat bread in ACCA to keep you happy, Jean. (insert more memes about wheat bread here)

Lotta really likes walnuts, eh?

Crow/Nino’s a free agent hired by Grossular, right?

Ah. I get it. Lotta’ll keep an eye on Nino for Jean.

Isn’t a sandpiper a bird?

Oh. So that’s why Grossular has such long hair.

Lilium’s bro? Gotta remember him for later.

Grossular’s an older Kyosuke Kuga, LOL.

 Anime of 2016, Ranked

Since I have 17 entries this year and it took a lot of shuffling to get right, I’ve decided to show my entire 2016 rankings. Only shows I saw in their entirety at least once over in 2016 (with the exceptions of D Gray Man Hallow and Morose Mononokean, which are applicable through the simulcast commentary process but were only watched to episode 6 before 2016′s end, and fall anime, which due to being AFK at 2016′s end were unfinshable until 2017), and had at least one new seasonal entry in 2016, apply:

17. Prince of Stride Alternative

16. Mr Osomatsu s2

15. D Gray Man Hallow

14. Kiznaiver

13. Morose Mononokean

12. Nanbaka s1: can’t talk about this yet because its s2’s not finished!

11. Classicaloid s1: can’t talk about this yet because it′s not finished!

10. Flip Flappers: The art style and fight scenes really make this a show worth watching. However, it did get somewhat confusing at the end so that’s where most of the drop in the rankings comes from.

9. ReLIFE: While the themes were pertinent and the art style on point, it was a bit plain and there wasn’t much of an explanation as to why the pills work (even if that isn’t Yoake or An’s role). I guess I’m still used to it living in the shadow of Detective Conan, after all.

8. Boueibu s2: This was a step up from s1, but unfortunately there were prime contenders this year that knocked it out of higher places. Also the fact that it does seem more rushed than s1 due to the time constraints does give it a bit of a toll.

7. Bungou Stray Dogs (overall): 2 seasons makes this show stand out as a strong one, especially near the end when it really hits its stride. The fact light novel stories took up up to 4 episodes did make me worried, but the fans definitely have more than enough material to work with as a result, right?

6. Yuri on Ice: I don’t mind the off model in this one if it means the good stuff can come with it, but the fandom is quite intimidating and it was a “show of the year” in ways some people now consider to be a negative thing, so it did suffer a bit from that. I give it merit for the things it does well, but it’s not the saviour of anime the talk of the town can make it out to be.

5. Boku Dake ga Inai Machi: Stunning visuals, a Sayuri ED and good thrills with well executed cliffhangers. My only gripe with this one was the very end, but you’ll have to see the relevant posts for why that is.

4. Boku no Hero Academia s1: Even if it is repetitive, it rises above (Plus Ultra!) to become something more than just a fusion of East and West like I always try to strive for. It’s an emblem and it’s definitely something Horikoshi should be proud of after what happened to Barrage and Oumagadoki Zoo.

3. Sakamoto Desu Ga: This show also managed to go above its repetitive trappings with inventiveness and humour. The fact it’s also touching at exactly the right points shows you why Takamatsu is one of my favourite directors.

2. ConRevo s2: Colourful and politically striking as always, ConRevo was one of the shows I always looked forward to watching, even if it meant staying up past midnight to document things on the wiki. Even if I’m not that fond of the Urobuchi episode, this show managed to reach awesome highs without losing the fans it got from s1.

1. SGRS: With a soundtrack that brings you to the past, humour that can make you laugh no matter how many times you watch it and visuals to wow even the most serious of artists, you can tell SGRS is a labour of love in every aspect. Its second season has already surpassed its predecessor in only 4 or 5 episodes, so...only time will tell whether anything can challenge SGRS for the throne.

 Total:

winter 4

spring 5 (incl. Bungou Stray Dogs s1)

summer 4

fall 5 (incl. Bungou Stray Dogs s2)

#simulcast commentary #anime #winter 2016 anime #spring 2016 anime #summer 2016 anime #fall 2016 anime #2016 anime #ACCA #Chesarka watches ACCA #acca 13-ku kansatsu-ka #nanbaka #nanbaka the numbers #nanbaka - the numbers #Chesarka watches Nanbaka #the morose mononokean #fukigen na mononokean #Chesarka watches Fukigen na Mononokean