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#cliche tropes
wolf-tail · 1 year
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I'd rather see a billion more cliche cookie-cutter stories than so much as one more gritty mean-spirited "deconstruction".
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naniyou · 10 months
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la-gay-and-shits · 1 year
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Your honour; it’s them
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striving-artist · 1 year
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We need to fricking stop with this CinemaSins TVTropes style crap in fandom. Actually, we need to stop that attitude in all creative fields, but I'm talking about fic right now.
I have seen many posts ragging on over-used phrases in fanfic, and yes, I find 'cerulean orbs' deeply strange, but if I ever said anything hateful on the topic I wish I hadn't.
You know why we say 'smirk' a lot in fic? cause its faster than 'gave a tiny smile to one side with their lips closed, a little cocky and provocative' Smirk is an easy way of saying it. It's the correct word. We say it in fic a lot because people smirk a lot in real life. Go people watch, its all over. Also. Bring me a true synonym for smirk, and I'll use that instead, but these ain't it.
If you have a better way of saying 'took off his shoes without untying them, just levered the heel with the toe of the other' that isn't saying 'he toed off his shoes' I'd love to hear it. Cause that phrase is perfect for it.
'Huffed a laugh'? Yeah, they did. Cause I'm not going to spend extra words describing how they 'exhaled through their nose once, amused, but not enough to fully laugh aloud' Its a specific action. You think people don't do that all day? five bucks says its exactly what you do when you see a meme most of the time. You didn't lol. You huffed a laugh.
The idea that something that's been used before is inherently less valuable is ridiculous. Same with the inverse.
If the phrase you want to use is common or widely used, but is the best way to communicate it? Use it. Don't fall for this trap that is currently consuming hollywood. You don't have to have a clever twist just because 'they survived and were happy' is a trope. You don't have to use some insane alternate phrase just because someone thinks fandom uses 'smirk' too much.
And, as always, if someone gives you hell and you don't want to fight them? let me know, cause I volunteer.
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choccy-milky · 12 days
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modern AU seb and clora's first interaction 📘📗 (and by modern AU i actually mean super trope-filled high school romance set in the 80's/90's LOL)
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feli-artblog · 4 months
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Etsy
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prodigal-explorer · 10 months
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how to write children's personalities
(this is part of my series, how to write children in fanfiction! feel free to check it out if you want more info like this!)
this is the main aspect of writing children that i see people mess up so often, especially in the fandoms i'm in (sanders sides and undertale). children are not adorable little noodles with no brains and no concept besides being cute and silly and crying. children are beings that are just as complex as adults, and they deserve personalities to match. this will make them way more interesting to read about! let's get started!
since there are so many aspects to personality to talk about and i don't want to sit here typing for ten years, we're going to do this guide a little differently. i'm going to divide these issues into archetypes, write a short description, and then make a list of do's and don't's for each one!
archetype one: the cute little baby
okay. babies are cute. we all know this, and i'm not saying it's a bad thing to make your babies cute. a lot of people love reading about moments with adorable little babies. but here are some ways to step this kind of thing up, and some things to avoid if you want to improve upon writing this archetype.
do's:
give the child character another archetype besides this one. though "cute" is the foundation for a lot of child characters, it's not a personality. and if a character is vital to your story, then it needs a personality. that's just a rule. you will read more about other archetypes further along in this post!
make the moments symbolic. though it doesn't seem like it from an outsider's perspective, basically everything a baby does is for a reason, and every action a baby makes can say something about their personality. if you want this baby's personality to be energetic and curious, have them crawl around and explore things, and laugh a lot, and babble. if you want this baby to be more sullen and shy, have them cry quietly instead of wailing, or have them squirm when being held by new people.
make the actions of the baby's guardians affect the mannerisms of the baby. babies act differently depending on how the people taking care of them act and react. for instance, if the baby's guardians are very busy people, then maybe have the baby cry very loudly whenever they want something, since they know that it's the only way to get the attention of their guardians. stuff like that can add depth to a character and to a general story.
don't's:
decide that the baby is cute and call it a day. sweet little babies are cool and all, but they get very boring to read about after a while. this can barely even be considered an archetype because of how bland it is when it's by itself.
keep this archetype around for too long. as babies turn into toddlers and then children, they don't act even remotely the same way. it's strange and off-putting to read about a seven year old acting like a two-year old, unless it's a very clear character choice that is a result of explicit actions and events.
make the baby know that it's cute. realistically, children don't understand the concept of cuteness until they're around toddler age. if then, you want to make the kid be like "i get what i want when i'm cute, so i'll act cute!", then sure, that's hilarious. but when they're two months old, they're not batting their eyelashes because that's their personality. they're batting their eyelashes because they got something in their eye. the main thing that makes a baby cute is that they don't know they're cute. they're just figuring out how to do ordinary things.
make everything a cute moment. while babies are awesome, raising them isn't always sunshine and rainbows. make the baby do something wildly chaotic, because babies do wildly chaotic things all the time. not only does this make things more realistic, but it makes things very interesting!
archetype two: the shy kid
as a former shy kid, i know good and well that these types of children exist, and they are very real and valid. however, there are certain ways i've seen them written that are just terrible because once again, this archetype cannot be considered a full personality on its own. let's get into the do's and don't's.
do's:
make their shyness a deliberate choice. kids aren't usually naturally shy. kids are usually more curious than cautious. is there a reason why the kid is shy? there doesn't have to be a reason why the kid is shy, but there could be a reason why the child is NOT outgoing/curious. try and give something like this some deliberate cause, instead of just making them shy so they can seem more precious and infantilized.
make their shyness manifest in diverse ways. not all shy kids cling to their guardian's leg and sit alone during recess. there are different ways to be shy. you can be aggressively shy, or fearfully shy, or shy due to general unwillingness to change.
make their shyness have realistic consequences. someone who's shy is probably not going to have many friends, if any. not all shy kids magically meet an extrovert who adopts them. someone who's shy probably has underdeveloped social skills, which can lead to them being less emotionally intelligent down the line. this makes the shy kid archetype a lot more three-dimensional than just a wet noodle of fear.
don't's:
infantilize shyness or treat it like it makes the kid some sweet, precious angel. not only is this very uncomfortable for shy people to read, but it's generally unrealistic. shyness doesn't affect how good or bad somebody is - it's a neutral trait.
use shyness as a tool to make characters seem younger. shyness does not indicate age. fear manifests in many different ways, and shyness is not the only way.
rely on cliches. not all shy people have the same journey, and the idea that a shy person becoming more outgoing is the "goal" is not only a bit offensive, but it's very cliche. shyness is not always an obstacle to be overcome.
archetype three: the happy-go-lucky kid
oftentimes, the reason why children characters are written into stories in the first place is to give a little bit of lightheartedness and innocence. to add a unique voice among all the cranky, stingy, burdened adults. but you have to be careful when writing this archetype. i personally really dislike this archetype as a whole, but i'm going to put personal feelings towards it aside because honestly, there's no valid reason to dislike it besides opinion.
do's:
give the kid a trademark. maybe this kid makes a lot of little jokes, or maybe they always see the best in a situation. give the kid one thing that makes them happy-go-lucky instead of just giving them everything because nobody is endlessly happy all the time in every way.
go deeper. while happiness is very often genuine, sometimes, it's a mask that hides something else. this can be an interesting way to sort of spice up your happy-go-lucky kid character. maybe the kid is hiding a big secret behind all those jokes.
don't's:
make the character always happy. while children tend to have simpler thoughts, they don't have simpler minds. this child needs to have thoughts, real, genuine thoughts that aren't just happy things.
see happy-go-lucky as a trait that is exclusive to children. comparing happiness to childhood and viewing them as the only places where the other can exist is just wrong, and it's kind of depressing. maybe give happy-go-lucky kid a happy-go-lucky adult to exchange jokes with!
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those are the archetypes that i see a lot. but now, i'm going to suggest a few child character archetypes that i LOVE that i don't see enough in fics! feel free to use any of these that you like. alter them, combine them! these are, in my opinion, some of the most fun child character personalities!
the spoiled brat: "i want this, and that, and that, and- why aren't you giving it to me?? if you don't give me what i want, i'll tell on you!". spoiled brats are so fun to read and write about, especially when they have absolutely no reason to be spoiled given the current situation (think riches to rags). they've got everything, humor, angst, and best of all, lots of pockets for personality. think about why the child is spoiled. were they enabled by their guardians? did they grow up rich, with access to everything they wanted? think about whether you want the child to stay spoiled. does something change? do they learn how to improve their materialistic and selfish tendencies? there are so many opportunities to play with the personality of this child!
the know-it-all kid: while i do see a lot of know-it-all kids in media, oftentimes, they don't actually have personality besides bossiness and intelligence. i love know-it-all kids who have depth to them. kids who are constantly spouting information because of their sheer love to learn. kids who have one specific thing that they know everything about, so they never stop talking about it. kids who tell people what to do and act like they know best because they don't have a lot of control over anything at home, so they grasp at whatever control they can find elsewhere. i think this archetype could open up a lot of ideas for personality further down the line. it also has a lot of variety with humor and angst, and general depth.
the serious child: this is an archetype that i cannot get enough of. i love a child that doesn't think they're an adult, per se, and still enjoys kid things, but just has such a calm and regal air about them that isn't learned. it's just natural. think of the kid that doesn't really get excited about things conventionally, but you can tell they're happy by their faint smile. the kid that seems to live in slow motion, and doesn't mind this fact at all. the kid that sits alone at recess just because other kids scare the birds away, and they want to see how a bird acts when it doesn't think its being watched. i love kids who have poignant thoughts, because their thoughts are so creative and different from adult thoughts.
the adult-ified child: now this is another archetype i can't get enough of, but it's for a different reason. this child, on the other hand, does think that they're an adult for one reason or another. maybe their guardians forced them to grow up too quickly. maybe they just wanted to grow up quickly by themselves. but this child has thoughts that are too big for their little bodies. they explore things that aren't meant to be explored when their brains are still so small. they do everything too quickly, they stumble through life as if a clock is ticking somewhere. to me, they're just haunting to read about. it feels wrong and dangerous to just watch them do things that hurt them because they don't know any better, but they're on a page. nobody can stop them. it's just so tragic, i'm obsessed.
the prodigal child: this archetype isn't really as deep or detailed as the others, but i do appreciate it. this archetype is for a child who knew who they wanted to be from an early age. a child who wanders into a ballet class and finds out they're better than the ten year olds by the time they're five. this archetype often pairs really well with the know-it-all kid or the adult-ified child because usually, children don't experience what it's like to be the best at something until they're a lot older. this is just a really cool archetype when you aren't quite sure what to do with that main character's little sister.
the chaotic child: this archetype is so much fun to read and write, to be honest. this is a child that just does as they please, whether it's out of curiosity or for pure enjoyment. think of the crazy stories that your guardians have about you or your siblings being absolutely insane. scribbling in a book and then demanding that the library publish their version. trying to ride the dog like a horse. cutting up clothes in an attempt to be a fashion designer. this one is just plain fun!
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now, there are so many more archetypes out there, but those are just my spotlights and recommendations! i hope after reading this, you feel more equipt to write child characters that have real, engaging, interesting personalities!
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thirsty-koi · 27 days
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alive! Riley family
Since he was a child, Simon was always insecure about his looks. He is paler than a corpse, his teeth are uneven and he has slightly bulging frog eyes with a nose that's too long and wide. His nasty scars supersede anything remotely attractive about him. His physique is big but isn't defined and has a large layer of fat. Back in the day, children spread rumors about his "ogre" looks and stayed away from his presence. Tommy still jibes at his brother's appearance from time to time, joking how it's the reason he is still single and alone (though Beth is always quick to shut him down).
One night, Tommy and Beth invites Simon over for dinner. Imagine their surprise when Simon asks if he could bring a plus one, something that never happened. When Tommy opens the door to greet his brother, he is awestruck by the gorgeous man beside him. It's here where the Riley family learns of Simon's boyfriend, John MacTavish, who is a famous model and artist in England. Throughout the entire dinner, John is latched onto Simon's arm looking at him with overwhelming love as they eat. Tommy asks how Simon managed to "trick" John into being his boyfriend, to which John caustically glares at him until he shrinks back into the seat.
Simon met John at a late night bar when he stopped his drunk ex from harrassing him. As thanks, John wanted to buy Simon a meal (with the intention of turning it into a secret date). The two hit it off immediately, with Johnny laughing at Simon's lame jokes and embracing his strange quirks while Simon treats Johnny with respect and attention (without any anticipation of quick sex). It took a couple months of them dancing around each other; Simon thinking he was too ugly for a pretty man like him, and Johnny not want to lose the sweet, awkward giant with his horniness feelings. In the end, it was Johnny that asked Simon to be his boyfriend during Christmas. It was the best Christmas either of them had in years. Of course, there was still doubt from Simon about Johnny leaving for a better man (he's always seen other men and women flirt with his beautiful boyfriend), but Johnny always remained steadfast in his commitment to him. After being together for nearly a year, Simon decided he was ready to reveal his relationship with Johnny to his family.
Also, the reason why Simon wanted to see Tommy and Beth was to inform them of their engagement (surprise!). Joseph is just glad Uncle Simon is happy and that he has an uncle who will teach him how to beat his classmates in football.
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hyacinthecanard · 9 months
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Quick doodle of Jon and Sansa in a AU somewhere post-ADWD. (I got lazy with the clothes don't mind that <33)
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ursiday · 4 months
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do you have any bits of backstory about Freya her design is so pretty
Yees I've come up with a bit, I'm kind of just making up lore for these ocs as I go along lol. Like I mentioned in the tags she is Agnes's ex, they went to college together and were a couple for many years. Freya is an attorney and is very smart but prefers to surround herself with talented and successful people in more of a manegerial/influential role. I would almost liken her to an Iago type of character but probably not quite so evil lol
Freya became generally close to Agnes's family who are well-to-do and politically influential, she acts as their legal council and also kinda ended up becoming Agnes's agent while she played the viola professionally. Thats a big part of the reason they broke up because Agnes had a bit of an explosive episode resulting in her breaking away from her lifestyle and family
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artists have "draw this in your style", i think fic authors should start doing "write this in your style" where a ton of people write the same prompt but all do their own lil interpretations and characterizations and fun dialogue bits etc
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p41nkillers · 8 months
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-accidentally drops grahamarshscott and runs away-
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hanafubukki · 1 year
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Imagine you and malleus were in a relationship before he overblotted.
You were put to sleep and you had been helping Silver through his UM to wake everyone up.
Eventually, malleus is defeated and everyone wakes up.
Except for you
Malleus is stricken. You, the one who is so precious to him, is not waking up. Because of him
He goes to you, shaken.
He begs you to wake up, please.
But you sleep without any change.
He leans in and kisses you.
It’s his only choice.
He has no power left.
No other way to wake you.
But to depend on a fairy tale solution.
But miraculously, you awaken.
And you call his name fondly.
Malleus finally finally breathes and cries into you.
Welcome back you say
I’m home he says back
Amongst the destruction, his family, and of course, you.
He really is back.
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floralcavern · 7 months
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It’s a struggle. It’s usually really well written, I can’t help it T~T
Me: Oh, I can’t stand doomed romances. They make me way too depressed. “Oh really? Let me see your hyperfixations.”
Me:… W-what..?
“I said.. let me see your damn hyperfixations..”
Me:…..
Me: *with shame*
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“Close your eyes, I’ve got a present for you!” Caretaker whispered, smiling. It was Whumpee’s birthday and they wanted to get them something special. Something they wouldn’t forget.
“Okay!” Whumpee giggled. They’d really come out of their shell after the months away from whumper. “Shall I turn around too? I might sneak a look otherwise!”
Caretaker took Whumpee’s shoulders and turned them to the wall. “Wait here.”
The next thing Whumpee knew, hands we grabbing at them, wrenching their weakened arms behind their back and wrestling them to the floor. They were just about to call out for Caretaker when they heard their voice. “Hey, I’m sorry about this, especially on your birthday but Whumper was offering a lot for your return.”
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justaz · 2 months
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me: i hate cliches. theyre so predictable and overdone. i just want something new-
every fic ever: character A confidently/impulsively kisses character B who freezes under their touch causing character A to panic and begin to pull back just as character B remembers themself and kisses back with a passion
me, born to ascend, forced to act casual by societal norms:
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