Count Olaf’s whole thing in The Miserable Mill has to be one of his most unsettling schemes.
I wouldn’t say that waiting for him or his associates show up lulled the Baudelaire’s into a false sense of security, but I can say that being so vigilant that long can really fatigue you.
On top of that is his mark (the eye). First with the shape of his [Dr Orwell’s] office, and second with the cover of Advanced Ocular Science. Unless Its canon—can’t remember whether it is cause I haven’t reached that far yet—I headcanon that Count Olaf donated that book as a taunt.
And again, I know—knew—that Count Olaf was being incredibly wicked when I first read these books, but now that I’m older, I guess I’m seeing more clearly just how much he tormented them???
need attention from a certain someone of the erik dracula victor frankenstein zach varmitech anakin prince hans mr hyde gordon comstock eric northman pedro pascal henry winter dr gregory house persuasion
patrick rothfuss novella the narrow road between desires (same size as slow regard of silent things)
david baldacci has new thriller the edge
mitch albom novel about the lives of three holocaust survivors little liar
new novel from michael cunningham day
a return to the time-travel cafe: before we say goodbye by toshikazu kawaguchi author of before the coffee gets cold, english translation by geoffrey trousselot
elizabeth crook's western sequel to the which way tree, the madstone
harmony new book of poetry from whitney hanson
jacquelyn mitchard's new familial drama a very inconvenient scandal
.just once new christian fiction by karen kingsbury
letters of j.r.r. tolkien edited and selected by humphrey carpenter with assistance by christopher tolkien
rush drummer geddy lee's new memoir my effin' life
johnny cash: the life in lyrics with mark stielper
the night parade: a speculative memoir by jami nakamura lin
a woman i know: female spies, double identities, and a new story of the kennedy assasination by filmmaker mary haverstick
city on mars by kelly and zach weinersmith (good non-fiction gift for those who like the martian and laughing at elon mushk)
tomlin: the soul of a football coach by john harris
entangled life: illustrated edition by martin sheldrake - new gorgeous hardcover for the mushroom and fungi fans
core of an onion another micro-history - with recipes - from michael kurlansky, author of cod and salt
new leather gifting style black cover of 48 laws of power: special powers edition
the bill gates problem the myth of the good billionaire by tim schwab
the money kings by daniel schulman
new hardcover collector editions of madeline miller's circe and anthony doerr's all the light we cannot see
also new romance collector hardcovers of archer's voice by mia sheridan and one last stop by casey mcquiston
star wars the eye of darkness a high republic novel by george mann
the marvel multiverse role-playing game core rulebook is out now
the upcycled self by tariq 'black thought' trotter
political books 😔:
network of lies about fox news by brian stelter
biography mitt romney a reckoning by mckay coppins
mike pence's advice(?) book go home for dinner
tired of winning by jonathan karl about trump and the gop
“Curiosity is the purest form of insubordination.—Vladimir Nabokov
Here is a collection of quotes from well-known people who describe what is happening accurately and succinctly. I could elaborate, but it seems redundant. I hope you will read each of these quotes and then pause a moment to reflect on their truth. Try to clear your mind of the fear and colorful propaganda that is beamed at you…
Huge congrats to The Iliad. It's only taken 3,000 years.
This list is brought to you by Tor Publishing Group, which you're probably familiar with, given what tops the list this year.
The Locked Tomb series +3
by Tamsyn Muir
The Percy Jackson & the Olympians series -1
by Rick Riordan
The Harry Potter series
by J.K. Rowling
The Six of Crows duology +3
by Leigh Bardugo
Dracula -3
by Bram Stoker
The Warrior Cats series -1
by Erin Hunter
A Song of Ice and Fire -1
by George R. R. Martin
The All for the Game series
by Nora Sakavic
The Discworld series +7
by Terry Pratchett
A Court of Thorns and Roses series +3
by Sarah J. Maas
The Silmarillion -1
by J. R. R. Tolkien
Pride And Prejudice -3
by Jane Austen
Frankenstein
by Mary Shelley
The Raven Cycle series +3
by Maggie Stiefvater
The Sun and the Star
by Rick Riordan & Mark Oshiro
The Vampire Chronicles
by Anne Rice
Wings Of Fire +9
by Tui T. Sutherland
The Secret History -7
by Donna Tartt
The Trials of Apollo series -4
by Rick Riordan
The Iliad +10
by Homer
The Odyssey +24
by Homer
The Folk in the Air series -8
by Holly Black
The Animorphs series +5
by K. A. Applegate
The Stormlight Archive +8
by Brandon Sanderson
Diary of a Wimpy Kid
by Jeff Kinney
Moby Dick +24
by Herman Melville
1984 +6
by George Orwell
Fables
by Bill Willingham
The Diaries of Franz Kafka
by Franz Kafka
The Song of Achilles -10
by Madeline Miller
The Last Hours series
by Cassandra Clare
The Simon Snow series -10
by Rainbow Rowell
The Throne of Glass series +13
by Sarah J. Maas
Nimona
by ND Stevenson
Magnus Chase and the Gods of Asgard +6
by Rick Riordan
The Bell Jar -15
by Sylvia Plath
The Dreamer trilogy +6
by Maggie Stiefvater
The Shadowhunter Chronicles -15
by Cassandra Clare
The Mistborn series
by Brandon Sanderson
This Is How You Lose the Time War
by Amal El-Mohtar & Max Gladstone
Captive Prince -1
by C. S. Pacat
The Twilight Saga -7
by Stephanie Meyer
The Sandman
by Neil Gaiman
The Deltora Quest series
by Jennifer Rowe
Romeo and Juliet -8
by William Shakespeare
The Far Side
by Gary Larson
Strange Case of Dr Jekyll and Mr Hyde +2
by Robert Lewis Stevenson
Calvin and Hobbes
by Bill Watterson
The Picture of Dorian Gray -31
by Oscar Wilde
Good Omens
by Terry Pratchett & Neil Gaiman
The number in italics indicates how many spots a title moved up or down from the previous year. Bolded titles weren’t on the list last year.
Just saw the news about the Chinese Surveillance balloon floating over the United States and could not believe it wasnt a meme on here yet. Theyre really taking the pennywise approach
The best piece of practical advice I know is a classic from Hemingway (qtd. here):
The most important thing I’ve learned about writing is never write too much at a time… Never pump yourself dry. Leave a little for the next day. The main thing is to know when to stop. Don’t wait till you’ve written yourself out. When you’re still going good and you come to an interesting place and you know what’s going to happen next, that’s the time to stop. Then leave it alone and don’t think about it; let your subconscious mind do the work.
Also, especially if you're young, you should read more than you write. If you're serious about writing, you'll want to write more than you read when you get old; you need, then, to lay the important books as your foundation early. I like this passage from Samuel R. Delany's "Some Advice for the Intermediate and Advanced Creative Writing Student" (collected in both Shorter Views and About Writing):
You need to read Balzac, Stendhal, Flaubert, and Zola; you need to read Austen, Thackeray, the Brontes, Dickens, George Eliot, and Hardy; you need to read Hawthorne, Melville, James, Woolf, Joyce, and Faulkner; you need to read Tolstoy, Dostoyevsky, Turgenev, Goncherov, Gogol, Bely, Khlebnikov, and Flaubert; you need to read Stephen Crane, Mark Twain, Edward Dahlberg, John Steinbeck, Jean Rhys, Glenway Wescott, John O'Hara, James Gould Cozzens, Angus Wilson, Patrick White, Alexander Trocchi, Iris Murdoch, Graham Greene, Evelyn Waugh, Anthony Powell, Vladimir Nabokov; you need to read Nella Larsen, Knut Hamsun, Edwin Demby, Saul Bellow, Lawrence Durrell, John Updike, John Barth, Philip Roth, Coleman Dowell, William Gaddis, William Gass, Marguerite Young, Thomas Pynchon, Paul West, Bertha Harris, Melvin Dixon, Daryll Pinckney, Darryl Ponicsan, and John Keene, Jr.; you need to read Thomas M. Disch, Joanna Russ, Richard Powers, Carroll Maso, Edmund White, Jayne Ann Phillips, Robert Gluck, and Julian Barnes—you need to read them and a whole lot more; you need to read them not so that you will know what they have written about, but so that you can begin to absorb some of the more ambitious models for what the novel can be.
Note: I haven't read every single writer on that list; there are even three I've literally never heard of; I can think of others I'd recommend in place of some he's cited; but still, his general point—that you need to read the major and minor classics—is correct.
The best piece of general advice I know, and not only about writing, comes from Dr. Johnson, The Rambler #63:
The traveller that resolutely follows a rough and winding path, will sooner reach the end of his journey, than he that is always changing his direction, and wastes the hours of day-light in looking for smoother ground and shorter passages.
I've known too many young writers over the years who sabotaged themselves by overthinking and therefore never finishing or sharing their projects; this stems, I assume, from a lack of self-trust or, more grandly, trust in the universe (the Muses, God, etc.). But what professors always tell Ph.D. students about dissertations is also true of novels, stories, poems, plays, comic books, screenplays, etc: There are only two kinds of dissertations—finished and unfinished. Relatedly, this is the age of online—an age when 20th-century institutions are collapsing, and 21st-century ones have not yet been invented. Unless you have serious connections in New York or Iowa, publish your work yourself and don't bother with the gatekeepers.
Other than the above, I find most writing advice useless because over-generalized or else stemming from arbitrary culture-specific or field-specific biases, e.g., Orwell's extremely English and extremely journalistic strictures, not necessarily germane to the non-English or non-journalistic writer. "Don't use adverbs," they always say. Why the hell shouldn't I? It's absurd. "Show, don't tell," they insist. Fine for the aforementioned Orwell and Hemingway, but irrelevant to Edith Wharton and Thomas Mann. Freytag's Pyramid? Spare me. Every new book is a leap in the dark. Your project may be singular; you may need to make your own map as your traverse the unexplored territory.
Hard truths? There's one. I know it's a hard truth because I hesitate even to type it. It will insult our faith in egalitarianism and the rewards of earnest labor. And yet, I suspect the hard truth is this: ineffables like inspiration and genius count for a lot. If they didn't, if application were all it took, then everybody would write works of genius all day long. But even the greatest geniuses usually only got the gift of one or two all-time great work. This doesn't have to be a counsel of despair, though: you can always try to place yourself wherever you think lightning is likeliest to strike. That's what I do, anyway. Good luck!
You can find the list of ship playlists (both romantic and platonic) here
Violet Baudelaire
Klaus Baudelaire
Sunny Baudelaire
Beatrice II
Quigley Quagmire
Carmelita Spatz
Count Olaf
Esmé Squalor
Beatrice Baudelaire
Dr. Georgina Orwell
Kit Snicket
Jacques Snicket
Lemony Snicket
Jerome Squalor
Geraldine Juliene
Olivia Caliban (Book!Verse)
Olivia Caliban (Show!Verse)
Jacquelyn Scieszka
VFD
I am constantly editing/changing these, most of them aren't really in a coherent order yet and some of them are currently ridiculously short because I haven't quite found the niche of songs for that character yet, but hey! Here you go ^.^ (also I will be making and linking a masterpost for each one explaining why I chose all of the songs, but if anyone ever has any song recommendations or wants to know about a specific song that's already on there, feel free to send me an ask!)