#first screenplay

[ampresandian]

My (unofficial) PJO season 2 episode 5 script part 4/4 (part 1 | part 2 | part 3)

The last part! Thank you for reading I just couldn't get the vision for this episode out of my mind and had to write it down.

Images of script and copied text (bc I'm lazy and don't want to write out alt text) under the cut, just in case I didn't tag enough spoiler warning or people aren't interested <3

Annabeth Tries to Swim Home

CUT TO: INT. DARK VICTORIAN HOUSE – NIGHT. 

Continuation of first scene/flashback. CYCLOPS is grinning at YOUNG ANNABETH menacingly. Behind him, the fire rages, and LUKE, THALIA, and GROVER are tied up in the corner. Annabeth’s attention is taken up by the large monster speaking to her. 

CYCLOPS: (in her father’s voice) Annabeth. How nice of you to join us. Now, Annie, don’t you worry. 

Annabeth draws her knife. As he speaks, the Cyclops approaches her. 

CYCLOPS (CONT): I love you, Annabeth. You can stay here with me. Don’t worry. You can stay forever. 

He reaches out for her. Annabeth stabs him in the foot, keeping hold of her knife as he reaches forward and grabs the door in shock. She runs around him towards her friends. 

The Cyclops rips the door of its hinges and throws it across the room with a roar. 

Annabeth reaches the older kids. 

THALIA: Annabeth! Thank the gods you’re okay.

YOUNG ANNABETH: (determined) Hold still.

Annabeth cuts the ropes around Thalia’s arms and legs. Thalia takes up her sword and stands defensively in front of the others. 

THALIA: Cut them free, Annabeth. I’ll hold him off. 

Annabeth turns to Luke and Grover as the Cyclops roars behind her. She saws at their ropes as Thalia goads and fights the monster. 

THALIA (CONT): Come on, ugly! Can’t you take me?

She slices at him with her sword. Now free, Luke can barely stand, Grover supporting him. They all turn to watch Thalia defending them against the monster. 

Suddenly, the Cyclops roars, and Thalia’s sword can be seen buried in his eye. As he rears back, she pulls it out, turning to her friends. 

THALIA (CONT): Come on. We have to go.

Annabeth leads the way through the house, back the way she came through the servants kitchen into the orangery. They escape through a side door, standing in the storm. 

Sirens and howls can be heard, the sounds of the monsters they have been running from closer than before. 

THUNDER rumbles as they look around desperately in the dark. Grover sniffs. 

GROVER: Come on. This way.

They walk away from the house. The Cyclops roars again from within. 

CUT TO:  EXT. POLYPHEMUS’ ISLAND – DAY.

SHEEP hooves/underbellies walk across the screen as POLYPHEMUS calls them. Under one of them hangs PERCY. 

ANNABETH: (invisible) Just don’t let go! 

Polyphemus drags aside the boulder sealing the cave. He addresses each sheep as they pass. 

POLYPHEMUS: (patting each sheep) Hasenpfeffer! Einstein! Widget! Widget? Heavier, huh? 

WIDGET stops in front of him, Percy clinging to her wool. 

POLYPHEMUS (CONT): Soon you will be big enough to eat! Go on, Widget!

WIDGET enters the cave, followed by the rest of the flock. 

ANNABETH: (invisible, from outside) Hey, ugly!

POLYPHEMUS: (looking around wildly) Who said that?

ANNABETH: Nobody! 

POLYPHEMUS: Nobody! I remember you!

ANNABETH: You’re too stupid to remember. But Nobody remembers you!

Polyphemus throws a boulder, aiming for the invisible Annabeth. 

ANNABETH (CONT): Your aim hasn’t improved!

POLYPHEMUS: Come here! Let me kill you!

ANNABETH: You can’t kill Nobody! And you’ll have to come find me!

Polyphemus yells, running down the hill to find Annabeth. Percy drops off Widget, glancing back outside at the island and the Cyclops before moving further into the cave. 

CONT: INT. POLYPHEMUS’ CAVE – DAY.

Percy moves through cavernous hallways, turning a corner into a dead-end room of sheep memorabilia. He backs out, going back the other way and turning right instead of left. 

He turns corners through a set of “rooms,” something that might be a bedroom, a room full of bones, and another room full of sheep memorabilia. He turns a corner and trips, catching himself against the cave walls with his hands. 

Righting himself, Percy looks around, breathing heavily. He looks back and forth, choosing a hallway and running into another room, full of wool and smelling of sheep. He covers his nose as he looks around the room, faced with three separate doorways. 

Percy makes a choice, going through the left opening. Down the hallway, he finds a room with a spinning wheel and loom. GROVER and CLARISSE are inside, trying to undo Clarisse’s ropes. 

CLARISSE: It’s no good. You’ve been working at it for hours!

They spot Percy. 

CLARISSE (CONT): You’re supposed to be blown up!

PERCY: Yeah, good to see you too--

GROVER: (hugging Percy) You came!

PERCY: Yeah, of course, dude. Now, Clarisse, hold still. 

Percy takes Riptide out of his pocket and cuts Clarisse’s ropes. 

CLARISSE: (rubbing her wrist) Where’s Annabeth?

PERCY: You’re welcome. She’s outside. 

CLARISSE: Great, come on.

PERCY: Wait. Was... It was just you in your lifeboat?

CLARISSE: Yeah. Everybody else... I didn’t even know you guys made it.

Percy looks down at his sword. 

PERCY: Okay. 

GROVER: Come on, guys. We need to go help Annabeth. 

They move back through the cave, Grover guiding them. As they come back into the first room Percy ran through, they hear a loud crash.

Annabeth screams. 

POLYPHEMUS: I got Nobody!

Percy, Grover, and Clarisse move to the doorway, peeking through to the main room. Polyphemus is standing at the doorway, holding his arm up. He shakes his fist, and ANNABETH’S CAP flutters to the ground, revealing Annabeth, hanging upside down from his hand. 

FADE OUT. THE END

#yes in the book Annabeth tells Percy the whole story #but I feel like she really wouldn't think it's that big of a deal #and I think she tells Percy more so the audience can know? #besides I think it is exactly the kind of story Thalia would tell Percy on their quest together #and that interaction would help to characterize them and their relationship? idk if that makes sense #thank you for reading! #first draft #first screenplay #playing at screenwriter #my writing #&thoughts #percy jackson #percy jackon and the olympians #pjo tv show #percy series #sea of monsters #pjo #percy jackson spoilers #percy jackson tv show #percy jackson sea of monsters #pjo spoilers #annabeth tries to swim home

[neocentral]

hi!! i really don’t want to bother you but i wanted to ask if there’s a possibility you write a part 2 for this?

https://www.tumblr.com/neocentral/719046211516186624/rating-18-mdni-content-stepbrotherjeno-x

sure!

rating: 18+. mdni.

content: stepcest, stepbrother!jeno x reader, unprotected sex, slight degradation

masterlist

A rough hand wraps around your middle, fingers pressing into the flesh of your waist almost painfully. Jeno's free arm lodged between your pair of bouncing breasts, the prominent veins in his arm and hands bulging as he snakes his digits around your throat. You're body is weak, relying in him to keep you steady as your knees begin to wobble, slowly losing the ability to keep you up.

Your stepbrothers strong arms cling to your body, pulling you against him, mindlessly carrying your weight as sticky skin glues to sticky skin, his pelvis pulling itself away from yours, but his stiff cock keeps you connected before he slams back into you like a magnet, burying himself deep inside you, knocking breath from your lungs with each thrust.

His lips hover over your ear, grunts and heavy breathing coming out in puffs. His mouth brushes against your ear as he whispers, "this what you wanted? Huh? You wanted me to fuck you, didn't you? That's why you've been watching me like a little perv, isn't it?"

You hang your head, embarrassment, shame, and immense arousal causing a particularly harsh clench of your gummy walls and the peaking of your abused nipples. A whimper was all you could muster along with a weak shake of your head.

"Liar," Jeno chuckles, teeth nibbling at your earlobe. "Little pervert spying on her stepbrother. Did you think of me, hm? Did you touch your pathetic pussy thinking about my cock? About how I fucked my fists when I could have buried myself inside you... filled you full of me... fuck..." You pulsed around him, his filthy words bringing you close to your climax again, also causing the twitches and throbs of his cock to become more frequent. Perhaps if you were more coherent, you'd have time to analyze the effects his own words had on him as he twitched and throbbed inside you more frequently.

"Beg for it, then," he growled. "Beg for my cum."

#tw stepcest #i wrote this in like twenty minutes #this is my first ask ! #starring... jeno ! #screenplay… #[NEO] play… #stepbrother!jeno #jeno x reader #jeno smut #jeno hard hours #nct hard hours #jeno drabbles #jeno imagines #nct x reader #nct dream smut #nct dream x reader #nct smut #nct dream hard thoughts #nct hard thoughts #nct dream hard hours #nct imagines #nct jeno #nct dream #nct #lee jeno #jeno

[cctinsleybaxter]

Artists who admit to not knowing small details about their characters and worldbuilding have inadvertently given better advice than any character design post on social media tbh. as fun as it is to come up with what your guys would order from a restaurant or the contents of their backpack or their favorite color I've run into very few people who can leave that stuff in a story (or even leave it offscreen as paratext) without it being distracting and poorly written because it's rarely in service of the narrative. a lot of that is def just down to personal taste, but it feels more like designing characters for a TTRPG

#this goes for books comics screenplays whatever #basically anything except roleplay which demands that kind of fine detail bc maybe you ARE ordering from restaurants #as always you can run into the opposite problem too where your characters are empty vessels #but being online and having tried my own hand at a story as a teenager this feels like the more common roadblock #lighthouse is actually a great example of my ideal balance- the characters are deeply human; it feels like the finer details exist somewher #but they're not text- it's clear no one was thinking about their first memory or favorite dog breed #the focus is on structure and image #you can have it all! #books #films

[mrs-gauche]

“Your abilities declare the world real. Who, if not the Maker of this world, could grant such a gift?”

#dragon age #solas #cassandra pentaghast #dai gifs #my gifs #one of my favorite banters actually #tells you so much about him #I may or may not have cried while making this (‾◡◝) #this took so long...... #love how I'm at a point where I'm basically writing screenplay before actually taking the footage lol #because I try to have the shot match the dialogue.. #but I can only do so much with the flycam when there aren't different facial expressions you know 😂 #it's very tricky but I love the result regardless <3 #my first edit including two of my favorite characters.. how did it take me so long? 😂

[astralsi]

hi everyone! i havent been simming much due to work + a bloated mods folder that im too lazy to clean out JHDSHJDF but when i do it's mostly making unfinished builds, a semi? realistic simself and spinning eve around in various outfits

(ps if u for some reason wanna hear more from me i also post a lil on @heartrrot sometimes)

#if u see any remnants of old fics no you didnt #anyways im so sorry for abandoning you guys my dear lil children #but im tired!!!!!!!!!!!!!! i will return one day i promise!!!! #the brainrots just gotta spark again and rn its in rpgs JHDSHJDF #currently on days gone... so yum #that and the whole film school application. shivers. #also demon fm will return one day but rn im just trying to turn it into a screenplay first #shes still kicking in the brain dw... its my fav story ive ever made probably #.txt #ts4

[devoutlywished]

IT’S HIM. IT’S YOUR FATHER.

twin peaks 2x16, arbitrary law / original spider-man screenplay by david koepp / spider-man (2002) dir. sam raimi / twin peaks: fire walk with me (1992) dir. david lynch / spider-man novelization by peter david

#norman osborn #harry osborn #leland palmer #laura palmer #twin peaks #twin peaks fire walk with me #spider-man #sam raimi spider man #fwwm #* #** #oh original spider-man screenplay where norman’s first goblin hallucination is him being goaded into killing harry #and specifically targets harry at the parade as opposed to targeting the oscorp board members and harry just happened to be there #we’re really in it now

[dappercritter]

This is going to disappoint a lot of Transformers fans but I still think TF One looks pretty good actually

#don't care if it's still a bayverse/bumblebee prequel or it's own thing now #or some exec put sticky notes demanding more cheesey jokes all over the screenplay #I think this is the best looking transformers movie since the first one. not counting the extended animated or prime pilots #transformers one #tf one #ramblings of the critter

[foxtheroxinsanity]

That time Solid Snake and Wolverine met!

Based on this pic of David Hayter and Hugh Jackman

#solid snake #mgs #wolverine #james howlett #xmen #I keep forgetting that David Hayter wrote the screenplay of the first Xmen movie #Also Wolverine is like 5'3“ and Solid Snake is apparently 5'11”

[haley-harrison]

My man Eric was really gonna have him do an "I've been expecting you, Mr Bond" 😂😂😂

#spn pilot og script #the first draft #supernatural pilot #spn first draft screenplay #supernatural #spn pilot #supernatural origins #supernatural original script #eric kripke #DEAN HARRISON MY BELOVED #Dean Harrison #hbo supernatural #hbonatural

[cto10121]

I was re-watching Movie Eclipse and Bella’s ending monologue struck me, especially when she affirms that her decision to become a vampire was “not all about” Edward.

Bella: I’ve always felt out of step. Like literally, stumbling through my life. I’ve never felt normal. Because I’m not normal. I don’t wanna be. I’ve had to face death and loss and pain, in your world. But, I’ve also never felt stronger...more real, more...myself. Because it’s my world, too. It’s where I belong.

Edward: So, it’s not just about me.

Bella: No, sorry.

So nice of the screenwriter to take Meyer’s careful notes on the love triangle and plunk them nigh artlessly in her script. But this mess of an adaptation still does a bad job of portraying this for these reasons:

The movies all but removed Bella’s “abnormality.” Bella being emotionally (and perhaps physically) neglected by her mother and even by Charlie, her parentification, doesn’t exist in the movie. Movie Bella doesn’t cook or clean for Charlie and her relationship with Renée is so wholesome and squeaky clean it’s sickening. Without this backstory, Movie Bella’s attraction to Edward and vampirism in general makes no sense. She is just a normal girl and her home life is fine. Edward even wants her to keep her human life and friends. Why go full vamp?

The movie never portrays Bella as “out of step” in the human world or at the La Push. At times she seems to mourn its (future) loss more keenly than in the books (especially that scene with her mother), whereas Book Bella decides on a proper farewell out of responsibility and obligation. The first movie does this a little better, but it still deletes many small incidents of her friends not getting Bella back (her sense of humor, her values, etc) and how boring Forks is as a small town. Nor does the screenplay have Movie Bella out of step at La Push or with Jacob. Movie Bella seems much more comfortable with Jacob even though Book Bella was genuinely irritated and downright raging at him. Only the punching is kept, and that just reads as out of character for her film self.

Bella’s longing for vampirism is canonically tied Edward, and the movie’s weak attempt at undermining this in the name of feminism is downright laughable. Sure, she would still be fascinated with the world sans Edward, but immortality would not be as strong as an allure. What the movie doesn’t realize is Edward is Bella: He is her other half. Star-crossed lovers and all. It is about the transformative nature of love that leads people into being “better” versions of themselves. Bella gains power and confidence while Edward becomes humanized and more understanding of Bella. Just because it is about Edward, it doesn’t mean it isn’t also about Bella herself.

#twilight #twilight renaissance #twilight meta #eclipse #the movies just didn’t get the romance at all #the screenplay is much more comfortable with its dorkish human characters than with the actual main characters #for the first movie at least #what a mess

[ourdreamsareneon]

An extremely abridged summary of My Own Private Idaho (1991) using only the times "friend" and "love" mentioned in the script. You can see where the campfire scene happened

#my own private idaho #keanu reeves #river phoenix #gus van sant #famous films #i have slept maybe four hours this week #does it show? #also dont read into this too much because the screenplay uses the term lovemaking instead of sex #or read into it more because after that last love is referring to sex #the first one too i believe #i also did one of their name mentions and that one I think requires you to know the movie pretty well to get #its very mike heavy #then very mike and scott #then very scott heavy because its just mike talking about scott

[suispiria]

when I blended hannibal and alison dilaurentis into a teenage girl who drives her two best friends who are obviously in love with each other to murder ppl mostly because she likes to watch ppl die but also because why would they fall in love w each other and leave her out wtf . Miss her

#I was 19 drunk as hell in my bathroom writing a screenplay. good times? #one of the other two girls was already half mad with paranoia thinking her parents were taking her on a vacation to kill her and #and ofc her friend is like you’re sooo right actually you need to kill them first . AND SHE DOES! #then she’s like everyone alr thinks you killed them why not kill some more etc etc and the other two secretly plot to break #away from her I can’t remember any specifics beyond that

[abirdie]

Gael García Bernal in También la lluvia (2010, dir. Icíar Bollaín)

(these gifs also feature Luis Tosar and the back of Cassandra Ciangherotti's head)

Gifs are all 540px wide so you can click to see larger.

[other gael filmography gifsets]

#gael garcía bernal #también la lluvia #ggb filmography gifs #gael garcia bernal #this is luis tosar (and juan carlos aduviri)'s film really (although gael has lots of screen time and second billing) #just in terms of who gets the biggest character arcs #touches on racism / colonialism / what narratives survive in history / impact of imf and world bank / employment relations and ethics #filmmaking / creative obsession / idealism vs. pragmatism vs. actual human relationships #plus water rights and grassroots protests obviously #there is an interesting interview on youtube with icíar bollaín #obviously when you're making a film that deals with the ethics of filmmaking there are certain expectations #also the very first version of the screenplay years earlier was for the film that they are shooting within this film #and then the stuff about bolivia and about shooting the film got added later in subsequent iterations of the script #side note i love how the film they are making plays out in sebastián's head when he's reading the script or shooting individual setups #of course this took $5.8 million at the box office while letters to juliet took $80 million #no one ever said life was fair #not that i'm still bitter about letters to juliet #(i am totally still bitter about letters to juliet)

[girltomripley]

You're crumbling up just to see, afraid that you'll be just like me

In The Angel's City x Films pt. 1

#image sequence is because nadia first searches deven to work on her screenplay but they become almost father and daughter at the end <3 #itac #i need to draw parallels where there are none #nadia core #deven core

[thelibraryofsylphide]

Screenplay Masterpost

POTC trilogy screenplays:

The Curse of the Black Pearl (first draft) (alternate link) (alt.) [* + **]

Dead Man's Chest (revision) (alternate link) (alt.) [* + **]

At World's End (green revision) (alt.) [* + **]

Marvel (MCU+others) screenplays:

Thor [2011] (undated draft) (alternate link)

The Avengers [2012] (undated draft) (alternate link)

Guardians of the Galaxy vol.2 (undated draft) (alt.)

Black Panther (undated adapted screenplay) (alt.)

Black Panther: Wakanda Forever (may 8th 2021)

Captain America: The First Avenger (first shooting draft - incomplete)

Iron Man 1 (undated script_salmon_2)

Spider-Man: No Way Home (undated script)

Spider-Man: Into the Spiderverse (dec 3rd 2018)

Spider-Man: Across the Spiderverse (undated script)

Spider-Man [2002] (april 18 2001)

Spider-Man 2 [2004] (undated script)

Avengers: Endgame (adapted screenplay for oscars)

Misc. screenplays:

Addams Family Values (shooting script)

The Hunger Games (undated script)

The Hunger Games: Catching Fire (green revised)

A Quiet Place (undated script)

Sources (x) (x) (x) (x)

* The wordplay.com links download with a watermark, however the script is entirely readable.

** thescriptlab.com requires signing in to get access to the screenplays

#potc #pirates of the caribbean #screenplays #screenplay #the curse of the black pearl #dead man's chest #at world's end #marvel #thor 2011 #the avengers 2012 #guardians of the galaxy vol.2 #spider-man #no way home #across the spiderverse #into the spiderverse #iron man #addams family values #the hunger games #a quiet place #black panther #wakanda forever #endgame #captain america #the first avenger #masterpost #archival purposes

[darrengrave]

I'm not gonna lie this is clunky as hell so far, particularly in pacing and tone, especially the pacing, which is a shame because it's really getting in the way of a bunch of really solid performances from the cast throughout, but what the hell at least the team behind this clearly actually cares about the story being told, so it's at least fun.

#pjo #percy jackson #idk if riordan wrote the scripts but it sounds like a prose writer without any training trying to crank out a screenplay #with no knowledge of how a screenplay needs to flow beat to beat scene to scene #it's one of the most unforgiving tightly structured forms of writing #you HAVE to understand how that structure works to write a successful screenplay #and dont get me wrong there have been GREAT moments so far #but the way we're stumbling through it feels like a rough first draft #but its not just that the post production feels way off too #i cant tell yet if its editing or fx or what #the teams on set are the only ones nailing it sandwiched between something wrong in both pre and post production #makes it extra frustrating when a really great moment starts to shine through while its being held back by something behind the scenes