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#i am loving this cast
decapitated-coffee · 8 months
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A Good Girl’s Guide To Murder: Pip
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claiming my place as AGGGTM fan before the show comes out
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everythingmaxriemelt · 3 months
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First look images of Max’s new film “Zwei zu Eins” (“Two to One”) ❤️ The strong cast includes Sandra Hüller and Ronald Zehrfeld
From the Playmaker: In „Two to One,“ a group of clever East Germans seizes the chaotic post-GDR era in 1990 to retrieve hidden millions from an underground vault. As they outsmart formidable opponents, the heist takes an unexpected turn when money officially unrecognized in the GDR circulates.
Directed by Natja Brunckhorst and featuring the 2024 Academy Award-nominated Sandra Hüller („Anatomy of a Fall“, „Toni Erdmann“), alongside Max Riemelt („Sense 8“) and Ronald Zehrfeld („Barbara“, „Phoenix“), this historical comedy, based on a true story set in the GDR, promises uproarious laughs, unexpected twists, and the unmatched brilliance of the overall cast.
From Screen Daily: Directed by Natja Brunckhorst, Two To One is about a rebellious household who find millions of East German Marks in the turmoil of the currency union in 1990 - and take what they can carry. Hüller, who is Oscar-nominated for her role in Anatomy Of A Fall, stars alongside Max Riemelt (Sense8) and Ronald Zehrfeld (Phoenix).
Two To One is billed as a comedy with a strong social undercurrent about money, work and collective activism. It is the second film by writer-director Brunckhorst, who is also known as the actress of Christiane F. (1982). The film is produced jointly by ROW Pictures and zischlermann filmproduction. German distribution is handled by X-Verleih.
*photos from Row Pictures
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cthulhum · 28 days
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does anyone realize how crazy it is to have the actor of a mostly headcanoned queer ship say the fans were never crazy and they were right all along after 10+ years of everyone just absolutely going nuts over the said queerbaited ship
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thenerdywriter · 7 days
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"it was awkward to see colin flirt and behave like a rake" "he gave me the ick" yes ! that is the fucking point!! congratulations! you have the media literacy skills of a fucking monkey because my 4-year old niece could understand it better than you do.
we are supposed to find colin cringey and annoying and get the ick because that is not who he is. he is not anthony, or simon, or even benedict. colin (apart from gregory) is the sweetest of all bridgerton brothers (i'm going by book canon) and his most identifiable character trait is the fact that he values an emotional connection above everything. he runs away to the continent because he wants to feel that emotional connection. he has meaningless sex in brothels because that is the example he has seen growing up, that is the norm. he tries so hard to fit into the norm. he goes out drinking, adopts an entirely new personality, learns flirtations because that is how he thinks he will fit in. he's got armour on, as violet said. he puts everyone's needs above his own, he stops rambling on and boring his family with details of his trip because he knows no one cares. he doesn't talk to anthony or benedict about his heartaches because he knows they still, somewhere in their heart of hearts, view him as the annoying younger brother. he's so devastated by his closest friend not responding to him that he adopts a new personality in the hopes that it might mask the hurt better. he runs after penelope in episode one because he is so attuned to her emotions that he knows she's hurting, and tries to comfort her even when she's spiraling and lashes out. he must have been hurt by her words in the "good night mr bridgerton" scene but he puts it aside to genuinely apologise to her when literally no one else in that family would do that. colin, instead of brooding over his own feelings, goes and corners penelope in her family's garden and apologises to her, disregarding his own hurt at being cruelly dismissed by his close friend.
penelope asking colin to kiss her is not a mark of how "pathetic" she is. she has written and shamed herself in a manner that is almost entirely unsalvageable. she is at her lowest point, and then portia comes in and reminds her of how undesirable she is, and she sinks even lower. she asks colin to kiss her because she sees it as a final act, after which she can quietly wave goodbye to her dreams of ever getting married and leaving her mother's home. colin kisses her because he is also keenly aware of how she's feeling. he knows how hurt she is, he wants to do anything to alleviate that. be it cracking a joke, or kissing her. he is gentle, because he wants it to be something she can dream of when she's by herself. penelope, at this moment, has no hope for herself, and their kiss is an act of letting go for her. no, it's not a pity kiss, no he did not like her after her glow up, he has always loved her. him being struck dumb is a reaction to her physical transformation, nothing more. he does not flirt with her in that ballroom scene, he only approaches her when she's in distress. he's not flirting with her. i can assure you penelope could wear the frumpiest most neon yellow gown of all time and colin would still go "<333 my pen" for her.
colin jumps to catch the balloon's ropes because he sees that penelope is in danger, he does not give a shit about anyone else lmao. he feels temporary relief when he sees eloise run to safety, but the moment he sees penelope in immediate danger, he rushes to take action. afterwards, when he sees that she's being comforted by debling (all my homies hate debling, even if he is aro/ace coded i do NOT claim him) he does not approach her. it would be easy for him to do so, but he does not, because he respects her boundaries. colin bridgerton is the only man in the ton who respects women (the featherington sons-in-laws are too pretty to have a thought) he calls out fife and his friends for treating women like objects and calls them cavalier. the only way he would have been more explicit about his demisexuality was if he tap danced on the club table (entertaining thought, luke newton please)
colin also rapidly takes action, something which no one in the show has done so far. simon would have died instead of accepting his feelings for daphne, daphne would have been content with a loveless marriage forever instead of asking for help. kate would have pushed edwina down the aisle and gone off to india instead of confronting her own feelings, and anthony would have married edwina if she hadn't been brave enough for the three of them to run from the altar and ruin herself. penelope stood on the sidelines for years and loved him quietly because she had no hope of him loving her back. colin, the moment he is assured of his feelings, runs to penelope, almost kisses her in the middle of a ballroom. when he hears that debling is about to propose, he goes to the ball, just to dissuade penelope one more time. he cuts into their dance because he's desperate. when he runs after her carriage, he asks her if she has been proposed to, because he would not have touched her otherwise. he confesses his feelings to her only when he knows that she hasn't gotten engaged to debling, and when she says "but we are friends" he moves away. nothing more. he would have let her go, if she did not return his feelings.
idk whether i should be flattered or offended at people misunderstanding this season because on one hand it is offensive, but on the other hand, it means only smart people get polin. seriously. your minds have been rotted by insta-love and enemies to lovers that you can't even appreciate the innate beauty of friends to lovers. being friends with someone and then holding all those feelings for them. the trepidation of possible rejection. the fulfillment of being loved by the person who knows you the best of them all. the privilege of loving someone whose feelings you know better than your own. love is gentle and kind and yes it is a violent, uprooting force but above all, love does not hurt anyone. it does not hurt you. i could love someone quietly for years and it wouldn't bother me if their feelings were requited or not because my feelings are none of their business and i consider it a privilege to love and be loved by them, even if it is not in the way i would want it to be. polin are privileged in the highest sense. they know each other better than anyone else, they know how to love each other better than anyone else. to think they are rushed or they dont deserve each other is a disservice to both of them. they would be miserable with anyone else.
in other matters, if i see one more person talking smack about luke or nicola behind the safety of their screens i will personally get a bazooka.
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sneez · 1 month
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pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads: 'Pest', a film by Robert Wiene Alfred Abel as Victor Kain Ernst Busch as Grief Lil Dagover as Katerina Saburova Ernst Deutsch as the Bachelor Carl de Vogt as Vlad the Younger Marlene Dietrich as the Inquisitor Willy Fritsch as Mark Immortell Alexander Granach as Andrey and Peter Stamatin Bernhard Goetzke as General Block Dolly Haas as the Changeling Ludwig Hartau as the Haruspex Brigitte Helm as Anna Angel Brigitte Horney as Maria Kaina Emil Jannings as Big Vlad Gerda Maurus as Yulia Lyuricheva Lothar Menhert as Georgiy Kain Asta Nielsen as Lara Ravel Ossi Oswalda as Eva Yan Fritz Rasp as Stanislas Rubin Conrad Veidt as Alexander Saburov and Tragedian Paul Wegener as Oyun Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
end id.]
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n0ahsferatu · 4 months
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pov you are a locked chest or perhaps someone bleeding to death
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alvin-draper · 6 months
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certified gay episode of dr who. very queer. david tennant and neil patrick harris gave each other emotionally charged looks for 20 flat minutes. nph put on a silly little german accent and did a silly little drag routine to the spice girls. ncuti gatwa played high stakes catch on a rooftop in a shirt, a tie, his briefs, and a pair of high tops. the master's still kicking.
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t4tmetalsonic · 3 months
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i think sonic would actually really like the phrase "live laugh love" but not bc he likes the aesthetic that it usually belongs to, or is anything like the people who would hang those signs in their house. he would just see it somewhere w no context and think wow live laugh love? that's what i do!! and he would unironically say it bc it DOES fit him. like he would graffiti tag it around the city
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andi-o-geyser · 1 year
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DM scolds his adventuring party like a principal chiding a bunch of middle schoolers: more at 12
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showsandshowtunes · 6 months
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what do you mean that at reeve's last show the principal obc was there and they gave orpheus and eurydice an alternate ending by having reeve and eva walk out of hadestown up the golden staircase?? what do you mean?????!!!!??
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gilliebee · 25 days
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uncanny-tranny · 5 months
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The absolute biggest thing I've learned as a trans guy: there is nothing more masculine and manly than not caring about looking or acting masculine or manly. Growing your masculinity or manhood takes time and care - you have no obligation to let the world water your garden when you can do that just fine (and you can, even if it doesn't feel like you can!)
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donelywell · 6 months
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July 29- September 27 2023
A couple doodles of the Dream Cast hanging out, and the duo bring brothers.
While Sonic and Tails were out traveling before they built their home, Amy would send treats along with her pen pal letter to them. After a few letters, Amy learned that Tails loves mint and that Sonic likes spicy foods, so she makes lots of minty and spicy/ cinnamon treats for the two. (the cat rock is a parting gift from Knuckles to Tails after they saved Angel Island in S3&K)
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The year is 2042. VHS Christmas Carols is now over 18 hours long and contains 22 different holiday stories told through 80s inspired bangers. Brian Holden is still playing Tiny Tim. He is 57 years old. The year is 2042.
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bakudekublogblog · 22 days
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talking to normal people about mha is always so enlightening because someone told me they didn't like season six and i was like???? THE BIBLE??????? YOU DONT LIKE THE BIBLE??? BAKUGOU KATSUKI RISING?? THE APOLOGY??? THE CHASING AFTER HIM TO FIGHT SHIGARAKI, THE REVEAL KATSUKI HAS BEEN WORRIED ABOUT IZUKU, IZUKU'S FERAL RAGE WHEN KATSUKI IS STABBED, KATSUKI BEING THE ONE TO FIND IZUKU AND THEN THE ONE TO BRING HIM HOME??? YOU DONT ENJOY THE SACRED TEXTS?? and then i'm like oh right not everyone is a fujoshi high on that sweet, sweet bkdk yaoi
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katboykirby · 1 month
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Anyway bring them to AX this year Solmare you cowards
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