#i wanted to practice with gouache

[debbiedart]

*head in hands* i love this scene so much

#i wanted to practice with gouache #so here we go #fav polycule #black sails #madisilverflint #captain flint #james flint #john silver #long john silver #madi #bs madi #art #fanart #painting #gouache painting #guards!! i want that man radicalized #black sails 4x04 #black sails fanart

[saturnvs]

early peek of the art book/story i’ll hopefully be working on^^

it’s about two horses in the space between life and death and their meeting with the guiding light, whose mission is to lead them to their destination. for one of them it’s life, for the other one it’s death.

it’ll (most likely) be available to purchase on ko-fi as a digital book/e-book as i can’t print and distribute myself. i’ve only barely started the project and have no time frame for when it’ll be done, but i wanted to share the news^^

#hopefully someone will be interested :) #will also be good practice for me since i do want to write and illustrate books #it’ll be done entirely in gouache #horse #horses #my art #art #gouache #illustration

[squibo]

Two digitals and two painted and one done with markers

#the gouache painted ones I wanted to paint like how I painted the young dutch&hosea one and I think I got it #the third one was practice 😭his eyes😔 #lmao 💀 the crease folds cause that one was going to be in the toploader & I didn’t want to cut it #刑事コロンボ #columbo #ピーター・フォーク #painting

[karidley]

Gouache painting that I don't think I'll finish

#this is mine #bart allen #dc impulse #gouache #first gouache painting ever #yes that is ink on top #i like it but i want to move on to fresh practice paintings #instead of noodling this one

[chippycore]

some amount of xenosaga/blade doodles

#xenosaga #xenoblade #sketches #the melia and nia were gouache practice that i didn't fulfill bc it was hard getting in tiny details #i do like how I painted their hair tho #next to A is supposed to be a thumbnail sketch of shulk where his long hair would have branched out to zanzas wings #i didn't go thru with it bc its tedious drawing zanzas wings so finely #kosmos doodles bc kosmos i love her #wilhelm and x are so similar looking that i made the sketch with them based on that one img of SpongeBob and his cousin Stanley #i know thats an ooc expression for him but i.. dont care i need to see him make Faces #the funny little shion drawing i have i tried to based on the style of moon rpg and chulip bc the character design in both games #is so appealing to me and its also stylized so i wanted try that out with miss shion lol #yeah shion sketch in that red sticky note #okay i think ive explained everything that would have beeb better explained in the alt text but im so used to tags

[acerikus]

Happy anniversary to undertale and to deltarune chapter 2's announcement (and the sweepstakes!) 🎉🎉🎉🎉

Here's a lil kris I painted today 🩵

Unedited version below:

#kris dreemurr #kris deltarune #safeutdr #deltarune #utdr #xan draws #i wanted to get some practice w jelly gouache and some watercolor paper my friend got me a while back :D #would've added more detail but getting smth out for the anniversary felt like a delightful idea

[alackofghosts]

let's finish this--

#i really wanted to paint this with gouache (for some reason) but at the same time i was very afraid of starting #and kept being like eh maybe when i've got more practice/get better paper/etc etc but i decided i should stop being A Coward #and in the end it was very fun to paint #warrior of light #ft meteor because hilariously the lvl 90 pld af set is much easier to paint #and ardbert's arm lol not tagging him #fanart #speedpaint #i draw sometimes #Final Fantasy XIV #endwalker spoilers

[miutonium]

Late night painting thingo (ft @alejandro-vargas 's s/i oc :3)

#i want to practice using bright crazy colors so uhhh excuse me for borrowing your s/i for a while #i missed painting so much omg i feel like i havent paint for 2937220 years ;w; #im just so glad i get to paint and complete some old painting before bed 🤧🤧💕 #now i will go to sleep mimimimimimimimi #i totally did not forget the belt loop i left the silver gouache paint in the other room and im gonna add that when i get the paint soon aha #asukart #watercolor #self insert oc #self insert community #selfship #selfshipping #selfship community #selfshipping community #selfship art

[chaotictomtom]

brutalmoose cranking it in last video!!!!! real!!!!

#i really should get on that fanart i wanted to do... </333 #i wish i could do it in real paint but I don't have enough skills for oil paints + nor enough money + not enough space to paint this #without getting intoxicated by the fumes and to let it dry safely #and again. expensive #all the gouache and acrylic paints i have are reaaal cheap #i did get myself that himi gouache palette for my bday last year!!! but idk if i'll do good with it i need some practice #i truly have A Vision in my head #anyway will do it digitally as this way i can fuck it up and fix it without feeling bad for wasting material/not being able to fix it #yipee #tomtom_is_rambling

[ssavaart]

Happy Friday All!

In early 2020 (before Covid), I was painting larger paintings like this with Acryla-Gouache. I was really enjoying the medium.

I was inspired by a couple of photos by Annie Bertram on Deviant Art and asked permission to use them for reference.

Since I was just doing these for myself... I had NO plan. No test drawings. No layouts. I just started drawing on a large piece of paper and figured it out as I went.

Because of this... I never really figured out what to do with the hand on the left.

So... it just kind of disappeared.

I may go back and add it in later, I think.

But, for now... it's always a reminder of a time where I just broke out the paints and... played.

A couple months later... Covid hit and it was 3 years until I did my next large painting (the Gothic Vampire).

(Note: I can't find a reply from the photographer regarding permission or not. My memory is I heard back. But I can't find it.)

I DID hear from the model Theresa Fractale, a couple of years later, who was VERY upset that I had sold some postcards of the painting without her permission.

I was mortified. I hadn't even considered reaching out to the model. I offered her and Annie Bertram all of the profits I made from the sales, but she wasn't satisfied... and we left it at that.

These things DO happen with artists. Sometimes people claim you've "stolen" their art or style or likeness. And sometimes they have legitimate reason to do so.

Me, personally... I believe that artists should use ALL of the world around them for inspiration and if it is HEAVILY influenced by one artist or work of art... CREDIT them.

But change it. Don't directly copy it (unless you're studying someone's work... in which case... copy away).

But always credit.

I believe I REFERENCED the photos above, but didn't copy them.

But, I DID heavily reference them and, honestly, had NO intention of selling it (I still own the painting) or prints (I had only sold a few postcards before being contacted by the model... then stopped).

In any case... if the model or the photographer is unhappy with me selling prints... I don't sell prints. It's that simple.

Their work directly inspired MY work and while I feel that I've changed it enough to be unique... I don't want to cause another artist harm in any way.

Every artist is different. Some are open to sharing their art (like me) and others are very protective of their art.

But, there are no RULES to art. There is no such thing as "cheating" in art. There IS copyright LAW. And that is theft.

But that law ONLY (as far as I know) works if you are SELLING a copy of someone else's work. Profiting from it.

Not for learning. Not for practice. And not for posting online.

Just please... PLEASE credit the artist you're copying. Tell people why you are copying.

Nowadays, if I'm going to do a painting I plan on making prints of, I either use stock photography I've paid for or I get permission and pay the rights holder.

But, this is ONLY for pieces I want to sell prints of.

You do NOT need permission to use photo reference or even copy another artist's work for your portfolio or to post online.

Credit them. Share your inspiration with others. Tell them why you copied the works

But you don't need permission simply to make art. Ever.

Art should be shared. Copied. Studied. And most of all... enjoyed.

Sending Big Hugs from the Hobbit Hole. ♥♥♥

Scott

#art #traditional art #artists on tumblr #drawing #art nouveau #fantasy art #gouache painting #acryla gouache #annie bertram

[sanhatipal]

"Noble d'Apchier"

A little watercolor painting of Chloe,with the Zorn palette! I found out about this palette a while ago and I really wanted to try it out! (More on that below )

Chloe's hair is something I adore, it's gotta be one of my absolute favourite character designs ever,I love how swirly and fluffy it is,very fun to draw. I've drawn her normally before,I wanted to do one with her vampire eyes and fangs too. I decided to try to draw a white fuzzy rim around the foreground against the plain background,for a change,like in some of the VnC panels.

The Zorn palette,or Apelles Palette was a colour scheme used by Anders Zorn in the late Victorian/Early Edwardian era. It ,or something similar,might have been used by artists of old civilizations too, because it avoids the use of blue and green entirely: which would eliminate the need for rare pigments . It's essentially a colour mixing challenge,to draw the entire paintings with 4 pigments,2 basic colours: Ochre yellow, Vermillion,and Black and white,which can be mixed into different shades. It can be an excellent exercise and means for portrait painting

Modern artists use red instead of vermillion,but the essence is the same. So that's what I did too. I considered using vermillion,but I realised that it would introduce a lot of yellow tint, making the picture very warm. Which is usually something I prefer honestly,but not what I was going for here. Also,I need to consider the fact that I'm a watercolour artist,which is very different from the original intended palette. Zorn used oil paints,but other artists use it fine for gouache and acrylic too, however,that too is different from watercolor, because instead of mixing with white, I'll be diluting with water,which changes the composition of the palette considerably. So I went with these supplies: ochre yellow and red watercolor pencils (for me, basically watercolor pigments,I don't use them to draw,I grind and dissolve them in water),white and black watercolor tubes,and white ink. In addition: lineart with sepia,grey and black brush pens,which are well within the bounds of the palette

To be honest,I ended up not using the white paint tube at all,water makes more sense to me. I didn't use anything else though,and stuck with the original materials.And the results:

Does it work? Hell yeah. It's not perfect,but I'm happy with how she turned out

Was it restricting? That's kind of the point,to paint with some limitations

Was it hard? Honestly? No. Not at all. It's definitely very different from what I'm used to,I use a lot of colours both as is and mixed,but this was surprisingly easy. Perhaps because of my subject,which didn't have much colour to begin with

Do I recommend it? If you want a small challenge,or to experiment or practice colour mixing,definitely

Will I do it again ? Absolutely. I feel like I haven't utilised much of the potential of this palette. I ended up using mainly red and black, hardly any yellow at all. So I'd like to do something more colourful with this palette, perhaps a sunny painting of a gingerhead girl with flowers,and for this I'll probably use vermillion,not red

Anyways, that's all! If you read all this,thank you for your time!!

#chloe d'apchier #the case study of vanitas #vanitas no carte #VnC #my art #traditional art #zorn palette #vnc fanart #vanitas no shuki #jun mochizuki #case study of vanitas

[newtthetranswriter]

Snow and Cuddels.

Word count:1333

Paring: Zora Ideale x reader

Summary: Snow day turned into cuddles with the best prankster who is allergic to wearing a shirt.

Warnings: Not much, cursing, mentions of colds and frostbite, maybe ooc Zora

A/n: Hello everyone, I hope you enjoy this. I am aware some of the bulls are not mentioned, i just couldn’t think of what to have them doing. Also this is my first time writing for Zora so it may be a little off, I’m hoping with this event to write for more fandoms and maybe get some requests in as well, but who knows. Anyway, have fun, enjoy and remember to Hydrate or Diedrate.

      Winter has finally arrived in the Clover Kingdom, and I couldn’t be happier. Playing in the snow with friends and family, baking cookies and making candy, and drinking hot chocolate, just some of the many fun things to do when winter hits. And of course today was the first day that there was a decent amount of snow, and Captain Yami kindly gave all of us at the Black Bulls hideout the day off.

      Charmy decided she’s going to be baking and cooking all day, Vanessa is already passed out drunk, Magna and Luck are fighting over whatever one of them did this time, Gouache is well being Gouche, Gordon is trying to hang with gouache but is just being creepy, and Gray is hiding from everything. The more rambunctious and childish of the group were outside in the snow, this included Asta trying to get Noelle to participate in a snowball fight, Finral has made a snow person he’s practicing his flirting with. That just leaves Me and my grumpy boyfriend who just wants to go inside because ‘shit it’s cold out here’, I’m trying to get him to enjoy the chilly weather but Zora being well himself refuses to, I don't know, put on a shirt and try to enjoy this free time.

     “Come on, Y/n why do you want to be out here it’s freezing. Why don’t we go lay down and cuddle? Or steal whatever Charmy has made for the day, we could also mess up Gouche’s creepy sister shrine again.” I turned to the red head slouched against the wall, rolling my eyes at him in response. “What are you even doing over there? It’s just snow, what can you possibly be doing with it?” He asked, pushing off the wall, moving to look over my shoulder.

     I lend further over my creation to hide it from him. “You don’t get to see it until it’s done. If you don’t want to be out here, you can go in if you want. If you really want to mess with the others, have fun, I’m enjoying it out here.” I tried to tell him he didn’t have to stay out here.

     “You know it’s not as fun if you’re not helping, plus you know where Vanessa hides her booze. Plus you could get sick if you stay out here too long.” Zora said, still trying to see the snow creation I was working on.

     “Why do you want Vanessa’s booze? You know what nevermind with that, but seriously if you want to go inside you can, I won’t blame you. I just hoped we could do something fun out here, instead of staying cooped up all day. And I won’t get sick, I’ll be fine.” I said, leaning back to show him what I had finished making.

     Zora paused processing the drawing I had carved in the patch of flat snow in front of me. It was a crescent moon along the side of one of his trap spells, to represent both of our magics, in the center was our initials. “I know it’s cheesy and won’t last long out here cause it will melt eventually, but it just popped into my head and I need to physically see it and show you. I was thinking we could maybe get it made into necklaces or something?” I explained my thinking. I hoped he understood what I was saying.

     “It’s amazing. But why draw it out here in the snow, if you want to get it made into necklaces or something you’re gonna have to draw it again on paper, why not wait till you go inside?” He asked, looking at me quizzically.

     I thought for a second before answering. “I just didn’t want to forget it plus, I want to stay out here as long as possible. Since I finished, would you want to pummel Asta with some snow balls?” I asked knowing he would want to cause some kind of trouble.

     He just groaned at the thought of being in the cold any longer. “Fine but after we bury him in the snow we are going inside and cuddling.” He answered standing up straight and offering me his hand to help me up.

     “Deal as long as we get Hot cocoa before cuddles.” I started moving behind a tree close to where Asta was now trying (and failing) to build a snowman. “Let’s hide from him here and make some snowballs, before we launch our attack.” I said bending down and beginning to make some roughly ball shaped clumps of snow to throw at the young boy.

     After about ten minutes of making and throwing snowballs at a screaming Asta, and him running over Finral. Zora and I decided it was time to go inside for the rest of the day and finally get some hot chocolate, mostly because Zora’s chest was now bright red from being in the cold for so long while shirtless.

     We made our way inside, snagging some cocoa and cookies from Charmy, before heading up to our shared room. I couldn’t help but laugh as the normally grumpy and closed off Zora dropped onto the bed sighing while thanking whoever assigned our room for it having walls without cracks so the cold couldn’t be felt inside it. 

     “You know if you put on a shirt you wouldn’t be so cold in the winter right?” I asked, raising an eyebrow as I took a sip of my hot cocoa.

     He just rolled his eyes standing up and taking his mask off, walking over to me. “If I wore a shirt, you would be robbed of the second best sight known to man. The first being your face after I do this.” I was confused for a moment before he lent in, placing a kiss on my lips, before pulling away with a smirk. “See that’s the face, all shocked and confused.” He said turning back to the bed to pull the covers down. “Stop gaping like a fish and come lay down, I’m still fucking freezing and need your body heat so get over here.” He complained, laying down on his side of the bed having taken off the rest of his flashy clothes opting for a pair of sweatpants, he’s still shirtless but at least he’s under the blankets.

     I rolled my eyes moving to kick off my boots while hanging up my coat. Crawling under the covers I was met with very little warmth as Zora’s ice cube off a body sapped all the heat from the bed. “Holy fuck Zora you’re so fuckling cold.” I said moving to cuddle up to him. “I wouldn’t be shocked if you get frostbite or something, damn.” He just chuckled but pulled me closer, sighing at the fact that I was at least a little bit warmer than he was. “Next time we go out in the cold, will you at least wear a coat, it doesn't have to be zipped just enough to keep your arms warmer.” I tried to bargain with him.

     He paused before responding. “Fine, but I better get cuddles anyway.” I just nodded, now focused on warming him up while also trying not to fall asleep. “Go ahead and sleep. I'll be fine with you snuggled up to me being a space heater.” He said, rubbing my head. Letting out a yawn, I mumbled a quick I love you before falling asleep. The last thing I heard was Zora’s quiet response. “I love you, too, today was fun even if it was freezing.” He quickly followed suit in sleeping.

     The next day when  we woke up it became apparent that Zora was right about getting sick staying in the cold. But finally the jokes on him, cause he’s the one to wake up the sniffles and a slight fever. His pouting and grumbling could be heard throughout the hideout as he complained about it the rest of the day.

#x reader #black clover x reader #zora ideale x reader #zora ideale #black clover #Newt's Winter Fic Event #fluff #x gn reader

[mmoodd-jobutupaki]

*takes a deep breath* AHHHHHDKAJFKSJA

I JUST WATCHED BOY AND THE HERON AND I LOVE IT SM AND IT'S SO GOOD.

So obvs, it's studio ghibli, it's gna be some of the prettiest stuff you've ever seen. So many scenery frames made me think "I'm gna scour the internet for them and repaint them as art practice. It resembles smudgy oil paintings rather than studio ghibli's gouache style (see spirited away, Totoro) but it's honestly beautiful nonetheless, and seeing it on the big screen made me feel like I was in the movie. There's even a stone passage that looks like the one from Coraline. The animation works so smoothly to make the film an overall wonderful immersive experience.

The character design was so good. You have your classic ghibli, countryside, apron wearing girl. Your boy with spiky hair. And probably the best addition of a butch seafarer, Kiriko, dubbed by Florence Pugh (oh my goodness I am too gay for this). The grannies were so inexplicably lovely and visually distinct I just want a hug from them. The wizard (Mark Hamill having this otherworldly yet grounded design and amazing hair. The heron was oddly grotesque without being scary (this is such a gift only japanese have.) and his various designs fluctuate along with the story. I was surprisingly intrigued by the fact that even in crane form, he had human teeth. And ofc THE WARAWARA.

GOSH THEY ARE ADORABLE I LOVE THESE DAMN TAPIOCA PEARL LOOKING THINGS THEY HAD ME SQUEALING IN THE THEATRE EITH HOW CUTE THEY ARE.

The score is beautiful and I dare say that it's on par, maybe even better than the Spiderverse score (and that's REALLY HIGH praise coming from me, I love the Spiderverse score to the point where it's on my Spotify wrapped.) I loved how the use of motifs, especially in relation to magic in the film. And definitely need to go give it more listens. 11/10 would recommend listening to it even outside of the film, it's just that great, give it a Grammy or smth.

Humor in this film is hilarious without being corny. It's very on the nose, what's currently happening in the scene humor. Characters (won't say who) also have amazing dynamics that supply a lot of humor for the film. Obviously we have that last snippet from the trailer and I'll give you this out of context "Mahito's turned into a parakeet"

The story is very easy to follow. The first half of the story is very grounded. And even in the second fantastical half, the visuals and little sprinkles of just the right amount of information help to guide us through the amazing fantastical world. Nothing ever feels too spoonfed to the audience or too overwhelming.

Spoilers below the cut

Character was great too. The main cast each have a very touching emotional aspect and nothing is what it seems, not from the trailers and not even within the show. Characters go on journeys you never could've expected from the beginning of the show. Such as the heron, who I genuinely thought from trailers was gna be the bad guy but turned into a genuine, squat goblin companion. And the parakeet king goddamn I thought he was gna be a good guy with his "we must protect this world" gig, not some giant cannibalistic parakeet with a surprising penchant for sneaking. Anyway, I especially loved how we meet characters almost multiple times with how we're introduced to different versions of them. Kiriko>>>

The moral of this story had me confused ngl, but I'm fcking dumb and need to go read some analysis so ignore this. The main message I got was that "Life is shit. But it's worth living and I can make it better for myself. Through friends, I don't have to be alone through it all" which made me tear up ngl since I've been struggling with life this year and seeing how our boy Mahito went from being a closed off lil squat to that *cries*. Personally I interpreted the great granduncle and his blocks as seeing what's wrong with the system the older generation has built, and demanding more from it/straight up turning away from it. Also Mahito learning to let go of his mom. The pelicans wanting the best for their children and not always liking what they have to do for survival as a link to war soldiers @hamable . I also read from @simplysparrow14 and @rockpaperimpala the film is also Miyazaki coming to the realisation that 'studio ghibli will be his legacy and it will be put to rest, it won't be the same if continued without him and that's okay' and ow I just got hit in the feels.

To summarize the boy and the heron excelled, slaps, is show stopping, brilliant, awesome, a true work of art and soul and 11000/10 go watch it ON THE BIG SCREEN I am not joking.

#ahh i just saw it #it's so good #*cries* #110000/10I love this film #go watch it #amazing showstopping brilliant talented #soulful #the boy and the heron #studio ghibli #hayao miyazaki #art #also it's like 2am here I stayed up writing this

[goron-king-darunia]

Eggtober 11th 2023

"Wiggly": Flan with Berries

(Clip Studio Paint, Gouache Brush, Dry Gouache Brush, some Pencil brush for detail, and the Circle tool and perspective tool for the plate. 30 colors. Around 1 hour and 30 minutes.)

Speedpaint at the end of the post.

I really should do some one to one studies one of these days. The shine on top was insanely fun to draw and fiddle with as was the shine on the berries, but the shine on the plate syrup is a little funky to me. Need more practice for sure but still happy with how it turned out. There's more here that I like and had fun with than I struggled with.

Hopefully the syrup isn't too sticky for @lady-quen's Breadbugs.

Technically an eggy pudding more than an overt egg, but I think it counts for @quezify's Eggtober. Am I playing a little loose with the rules? Absolutely. But it's either studies of various eggy foods or I'm gonna become bootleg quezify and only draw fried eggs every day. Like, yes, I'm basically the egg understudy because for two years I have drawn an egg a day for an entire month because of Ruben, but, like. I'm not here to stand in a fabulous shadow or step on any fabulous toes. I am here to draw edible egg. That has been my shtick since the first Eggtober. I am of course TRYING to stick to dishes that are well known for eggs being a major ingredient or dishes where the egg element is overtly visible, obviously. So you're probably not going to see a cheesecake here for example. Not for Eggtober, anyway. Cheesecake is much more well known for the cream cheese and the crushed cookie crust.

But, as with last year, you will be getting more than just "Here's a fried Egg." @quezify has that covered for sure. But you will definitely see loads of fried eggs. I still have 2 very nice fried egg ideas in my queue of things to draw, after all. But sometimes you just gotta play around. "Yes, flan is not egg. But it's known for including lots of eggies to get that custard nice and smooth and spongy and bouncy. Cheating every once in a while with a souffle or a flan is allowed because I say so. There's egg in there as a main ingredient. Fight me. XD

In all seriousness, what counts and what doesn't is wibbly anyway. Because, like, mayo is very much an eggy thing. The eggs stabilize the emulsion. Without them the mayo would just be separated oil and acid like vinegar or lemon juice. Hollandaise is also egg for the same reason. But if you add the mayo to a bunch of tuna, well, that gets wibbly right? It's the basis of tuna salad and definitely has egg in it, but the tuna ratio makes it much more tuna than mayo and therefore much more tuna than egg.

Unless you're a purist that think egg must be overt and independent in the dish, in which case fried egg, boiled egg, poached egg, and scrambled egg are about all you can get away with here, with various sauces. Which would be a fun challenge, I guess. But I am much more a form and constitution neutral participant. If it looks like an egg or if it contains significant egg, I am counting that. That's how we do it here on my blog. Categories are just wibbly boxes and I am playing fast and loose with them. Because it's fun. (This isn't really directed at anyone by the way. I'm just an anxious bean and I like to preempt arguments rather than have them.) But yeah, Egg King Ruben said I can draw whatever I want forever, so there. 😝

(Edit, forgot the gosh darn speedpaint again!)

#Eggtober 11 2023 #Eggtober 2023 #Flan #berries #strawberries #raspberries #blueberries #my art #art by GKD

[hollycircling]

would you consider dropping some tips on how you color? your art always has such a nice feeling to it

Thank you so much, and yes, absolutely! 

So... I have been agonizing over how to answer this question for over a week because I tend to make a lot of my major decisions based on what looks and feels good to me in the moment. It’s sort of hard to explain. Then I started getting philosophical with it (“how does one color? How do I explain aesthetic?”), and I started rambling, and had to cut the answer way, way, way down lol.

But here’s what I can help with right now. I think the most important part of how I color is my tools and what they allow me to do. These are currently my favorite brushes to use: 

From top to bottom, I use Kyle T’s Gouache for just about everything. A lot of my recent pieces are done entirely in that– I love the chunky texture and how the pressure mimics traditional gouache. It’s great for children’s book illustrations, and filling linework, and realistic portraits. She is my soft wife and I love her. 

I practically never use the default hard round. Ignore that. 

The roller brush is another one I use for painting. It was my go-to before KT’s gouache, so you’ll find it a lot in my older work (and as a big texture thing in my current works). The “Sampled Tip” below that one I usually use for children’s book styled illustrations. It’s like a really dense, waxy crayon, so it’s fun for textured lines and details.

I always paint in my own shadows and highlights, but I like to use the soft round if I want to blow the shadow or highlight out. It’s for extra large areas.

And finally my pencil. I use it for sketching as well as linework, if I plan on doing a linework-centric piece. I don’t think there’s much of a difference between the two there… one is probably smoother than the other. 

______________

The reason why I like textured, pressure-sensitive brushes so much is because they’re important to how I paint. When I blend, I don’t use a blender brush or a smudge tool. What I do is layer two colors– lightly– then use the eyedropper to select the color between them and continue painting with it. That’s probably the key to most of my work. I’ve gotten pretty fast at it, so I’m constantly selecting colors from the painting and reusing it throughout my painting. 

I still use the color-wheel to hand-pick what I think will look best, though. This is probably going to be a really frustrating answer, but I choose color palettes based on basic color/lighting theory combined with personal aesthetic preference. It can take some studying (of both theory and other artists’ work). If you’re ever looking for a really great reference on the former subjects, I highly recommend Color and Light by James Gurny. Even if you’re not into watercolor or dinosaurs or realism, the guy is a master at explaining all that different stuff in depth. 

Shape and negative space are also pretty important to me, but that's a whole other thing. And as a side-note, I recommend following more children’s book illustrators. Their work may look simple, but a lot of intention goes into how they use color, shape, space, and texture. 

Also, on texture, I hand-draw most of mine. I love to add little scratches and drops and splashes when the painting is almost over. It's one of my favorite things to do :')

____

Now, the other most important tip:

Once I’m happy with the sketch/linework, and once I’ve laid down the basic colors of my piece, I do a Really Terrible Thing. I become a graphic designer’s worst nightmare and collapse everything onto one layer. 

Then I paint directly on top of it, linework and all.

I do this for a lot of reasons, but mostly because 1) my tiny brain is overwhelmed by the clutter of too many layers, and 2) it forces me to approach a piece as if it was traditional media– a process which I find a lot more comfortable and rewarding. I paint right on top of the base colors, and right on top of the linework, effectively redoing and cleaning up what I already have there. Even if I'm working with a blank background, I'll paint a new blank one on top because it gives the feeling of a more unified piece, if that makes sense.

Basically, I approach my drawings as if I’m using traditional media. I like chunky brushes, utilizing (what I personally think are) interesting color combinations and textures, and smashing everything down onto one page so I can just paint. 

Anyway, please let me know if there’s anything specific you’d like me to go into detail on, any pieces of mine you’d like to know how exactly I went about it, etc etc etc. I’m happy to answer ^^

[foldingfittedsheets]

rando looking for art advice if that's okay :p

I've always wanted to be able to draw cool things for myself, in the same way some of my friends can(they're REALLY good). and I know in order to do that I just gotta draw a lot, practice makes perfect, I'm gonna suck for a while but drawing more means I'll improve. yeah, yeah, I know all that.

but I'm finding it hard to get it started, to get motivated enough to draw. cuz sometimes I'll be like "I wanna draw", and then I draw and it sucks and I'm like "I don't wanna draw :("

do you have any tips for a beginner? not technical art tips, just like how do I get started or get motivated to start. are there tutorials you can recommend(I'm good at following instructions)? or things I can draw that are easy if you're starting out? or just whatever advice.

thanks :p

So, as far as motivation I think I might just be a lil freak, but I draw because I actively like to draw. Even when I wasn't very good, I felt compelled to put pen to paper just for the act of creation so my first piece of advice (besides practice) is just: Make art because you want to and try to divorce whether it's good or not from your enjoyment in that act.

My second piece of advice is that the first year of art school is three critical tools that are really boring but really helpful. The first one is perspective. If you can nail perspective, just dumb lines leading back in space, it does so much heavy lifting for you.

The second tool is sight measuring. Have you ever seen artists doing that stupid thing with their pencil or paintbrush while closing one eye? It's literally so helpful. If you are drawing say a tree, and you drop an imaginary vertical line from a branch you can figure our if your drawing of that tree is awry. When you get good at sight measuring it becomes second nature to do those checks, even in digital art, but it's easy to forget. When I'm doing my little 20 minute speed paints I'm constantly sight measuring to keep stuff in proportion.

The last piece is that practicing drawing from life will improve your drawing so much faster than anything else. Doodling your favorite pokemon or anime character over and over won't be as helpful as boring ass still lifes. Seeing how light reacts, observing the objects form, and practicing sight measuring will all help you improve as an artist.

As tax, I'm going to share a couple examples of schoolwork. This was my first class in perspective. This is how much I improved in a three month period, my first middle and last assignment.

These are from my form class, no lines allowed we needed to use value to describe the form. We did charcoal and gouache so here's me trying to show my progression in that class.

These are just freshman work, from my very first semester. Honestly I have a whole folder of all my assignments so I can scroll through and actively see myself improving, and I highly recommend that too, because it's wildly motivational to see how far you've come!

#ask ffs #art advice