bound to want (part two) /// part one
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[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.
It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."
Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.
A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.
A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.
A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.
A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."
"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.
If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."
Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.
"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues, "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."
A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.
The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.
The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.
Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."
With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.
"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.
This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."
The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.
Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."
In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."
The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you." The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.
The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...
That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."
The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]
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I'm thinking about the horror of the Doctor from the perspective of non-companions again, especially as it relates to people those companions know.
Rose? "Ran away" (not wrong) for "a year" (a week) with a "man" (alien) "twice her age" (approximately 50 times her age but yeah, he is Time Lord middle aged), and then gives absolutely no explanation for how or why that happened, except that she was "travelling".
Then when her mum does get an explanation (which, frankly, is only comforting because of the unfamiliarity of the alternative given. The devil you know.), Rose barely checks back in.
She almost dies for him. When she thinks he's dead, she's changed in a way her family doesn't know how to handle. Then she's gone for who knows how long and comes back with the Doctor wearing a new face.
When her original tenure as a companion ends, and Rose lives in Pete's World, she works for Torchwood/UNIT (they become the same organization). She volunteers for the Dimension Cannon. She explains to the alternate earth how to rig up a time machine.
She's changed in ways that no one else can really understand.
Amy? There's everything with River Song of course (though I'm still not there in my viewing), him running away with Amy the night before her and Rory's wedding, and also the connection between the Doctor and the Time Crack being the reason all of Amy's family's dead. Obvious stuff.
However he's also the strange man who broke into this child's house and made a mess of her life that she never got over, that promised to take her away from here, that she wrote about and drew and carved and made her friends dress up as.
And they sent her to psychiatrist after psychiatrist without any help. In their perspective, to work through what she imagined. In her perspective, to tell her that her reality wasn't real.
And then he comes back.
And to some extent, later, when he shows himself to everyone, isn't that more frightening? That the story your child told you, of the strange man she met as a child, of time travel, of nearly being stolen away, hadn't been a lie, or a misinterpretation, or an imagining?
And so he shows up at her wedding. And steals her away again.
Donna I feel like has the least horror until her final episode. I think exploring the in between section of her meeting the Doctor and finding him again would be interesting, but not exactly horror. More an exploration of how obsessive the companions can get about him, how it eats their whole lives with even one encounter, even as it makes them better people.
And then, obviously, the horror of having your mind altered and erased against your will by someone you trusted. For your own good, of course. Because he knows best. How could you know better than him? He's ancient. He's practically all knowing.
Shouldn't you be grateful?
(And he's forgiven.)
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After getting back into Moral Orel recently, I stumbled onto your blog while going through the Clay tag and I have to say I love your art of him and the other characters so, so much! Imo I think you managed to capture the tone of the show (especially the vibes of the darker episodes) greatly through your shading and colouring, and it's always nice to see another Clay fan (regardless of how much of a dumpster fire he is, he's still my favorite and is cute so I'm at a crossroads)!
That said, after specifically coming across your househusband and single father drawings of his, I wanted to share an idea I've thought about for the past few days - the idea of Clay just being a single father to Orel alone without Shapey in the picture either bc Bloberta divorced him and left prior to the show started OR bc she died shortly after Orel was born and therefore didn't have Shapey with Stopframe to begin with - and how this would have affected the series overall.
I know this is kinda dark but after rewatching the series and seeing Clay's relationship with his own dad - I can't help but wonder if this would have screwed up Clay's own relationship with Orel even more so than it already is in canon - especially if Clay being the father of the year he is he blamed Orel for Bloberta's divorcing him/Bloberta's death. Additionally, I can't help but think about how Bloberta's not being there would have affected Clay's relationship with Stopframe early on too, you know?
Sorry for the long ask, I just wanted to see your thoughts on this after seeing how well you were able to capture Clay's character through your art; also, I hope you have a great day!
Oh anon, that's a bit hard to imagine. I don't exactly like the thought of killing bloberta off so she probably just got a divorce.
I don't think he's capable of going to "the next level" with Danielle, not yet at least.... But I think this allows for clay and Dan to see each other more often, even though he has to live with the dread that comes after he's more willing to "let go" around dan. The divorce hit him hard, obviously. He feels like it's shameful to also be "the woman" of the house, now that bloberta isn't there.
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thoughts about time travel shenanigans where robin jason and bruce are thrust into the future and find themselves on a rooftop during a stormy night? because listen.
they both find themselves on this random rooftop in gotham, but they're not alone because right in front of them is batman of this year and a man wearing a red helmet. this wouldn't have raised much of a concern-- they probably could've just asked the future bruce what happened and how to get home-- except this batman is more violent than jay or bruce anticipated. they watch, stunned, as this batman repeatedly rains his heavy fist down on the other man's face, chest, ribs, and wherever else he can reach.
they watch as the man with the red helmet struggles weakly, consciousness slowly leaving him, before they catch sight of his face in the crack of his hood. both jay and bruce realize at the same time who it is-- that this is future jason despite the hard lines and large ragged body so different from jay's own.
the realization hits right there-- that bruce is beating down on jason more violently than batman has handled any villain.
the bruce of the past feels it before he sees it-- his jay flinching away from him and his tiny hand ripping away from his cape in fear. bruce looks down at his son, his child, and sees the absolute terror in his eyes. after all, why wouldn't jay be so upset? didn't bruce promise never to lay a hand on him like so many adults in his young life already have? didn't bruce swear, crouched down in front of his little boy and gently holding his hands, that he would keep him safe now?
and yet as they stare at each other with horror-filled eyes, the jason of this time finally loses consciousness as his bruce drags him away by the cracks of his helmet, bloody knuckles pressed over his swollen eyelids.
bruce distantly remembers the way jay had shyly called him dad just two days ago. now, he stares as his sweet boy takes a trembling step back, tears threatening to spill down his wide eyes. bruce doesn't think he's hated himself more.
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