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ambrosiagourmet · 10 hours

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Hey, Kabru and Mithrun spend some interesting time together, don't they?

With Mithrun having just officially premiered in the anime, and a lot of discussions swirling around about him, I've been thinking a lot about that section of the story quite a bit. These chapters - Roasted Walking Mushroom and 6 Days - are some of my favorites. For a lot of reasons, really. Not only are they are a huge turning point for the story as a whole, but they have some excellent character work, and represent an important shift in Kabru and Mithrun's individual arcs and relationship to each other.

The chapters are also kind of a fully contained story arc just on their own, which is an impressive bit of writing, and makes them super fun to analyze. So that's exactly what I'm going to do!

This will be structured as a close reading of chapters 61 & 62, with some asides for additional important context. I'm going to talk a little bit about a reading that I disagree with, but for the most part I just want to focus on how Kabru and Mithrun's relationship progresses during these two chapters. In particular, the ways they both grow from the time they spend together.

Also I just want to quickly note that this isn't written as Ship Content. It's meant to be an analysis of their relationship as presented in the text - layer whatever additional meanings and filters on top of that as you'd like, but please respect that my intent is not to talk about or champion a ship, or frame any of this content as romantic.

So, with that all being said:

How do Kabru and Mithrun help each other?

First of all, I think there are two important pieces of context that inform the Kabru & Mithrun Dungeon Adventure chapters. Both are related to Kabru's state of mind, and both are set up before or during the chapters in question.

The first is the context of what happened just before Kabru and Mithrun fell into the dungeon. Specifically, the events that led Kabru to make them fall.

Kabru, essentially, gives up his life at the end of chapter 55. When he stops Mithrun, and when they both plummet with the collapse of the first floor, he is okay with dying. Mithrun warns him that they will both die if Kabru doesn't let him go, and Kabru accepts this as a worthwhile exchange.

Why?

Well, because he doesn't want the elves to take over the dungeon. Throughout the last 3 chapters, the Canaries have been effective, but they have also been cruel in their efficiency, and they have made it clear that they don't care about collateral damage. They lured people into the dungeon specifically to provoke a violent reaction from it, without regard for who might get hurt by the violence.

What's more, they are keeping important information from Kabru, and he knows it.

He's not just looking for a solution, he's looking for the truth - a truth that he believes that he will only find through conquering the dungeon. With good reason, to be fair! The elves make it very clear that they aren't there to treat the other races on the Island as equals.

So Kabru uses the only tool he has available to him - his own life. It won't get him the truth, but it at least gives a chance for another person from a short-life species (namely, Laios) to earn it in his place.

This dovetails nicely with the more thematic context that's introduced in at the start of chapter 61: the room where he could eat all the cake he wanted.

This place, a place that Kabru never wants to go back to, is a place where he is safe, and a place where he is ignorant. A place where he is sheltered from danger, but also from the truth. The same place the Island would become, if the Canaries had their way. He doesn't just want to be safe, and he doesn't even just want the world to be safe, though he does want to be able to protect people from what happened in Utaya.

But he doesn't just want to entrust that safety to the paternalism of the elves (especially since he is all too aware of the ways they can fail, or the people they are willing to sacrifice in the name of that "safety"). He wants to be given the agency to seek safety and peace for himself.

He wants to understand. And he wants the chance to act.

This is the context we have, going into the arc of 61 & 62. But before I talk about how the chapters build on this context, I want to take a step back and look at what else the chapters establish early on, before delving into their exploration of Kabru's agency.

First of all, I kind of want to challenge the framing of Kabru and Mithrun's relationship as solely that of a caretaker and his charge.

Obviously, Kabru is forced into a caretaker position - at the threat of his friend's safety, no less. (Okay, it's actually Toshiro and Namari that are being held, but still. There are hostages involved in this) But I do think it's important that Mithrun isn't the one who puts Kabru in this position - Cithis is.

Before this conversation, Kabru and Mithrun are already exploring the dungeon together. Mithrun doesn't threaten Kabru, or force his hand. He kind of just assumes that Kabru will join him. It's rude, and not particularly respectful, but given the dangers of navigating a dungeon alone, I don't think that's really an unreasonable assumption. And it certainly isn't the same as Cithis' approach.

If they were left alone with no intervention, they probably would have ended up in a similar position to the one that Cithis leveraged them into. Kabru is smart, and he could have figured out the things that Mithrun needed help with. And, to be clear, those are things that Mithrun needs help with not because he is selfish or thinks they are owed to him, but because he is disabled. It's not unreasonable for him to need that help, and it's not unreasonable for Kabru to provide it, under the circumstances.

Besides, they both need each other down there. Kabru wouldn't have survived without Mithrun - he doesn't know enough about monsters, and isn't familiar with the deeper dungeon's layout. And Mithrun wouldn't survive without Kabru - he isn't able to notice his basic needs and would burn himself out without food or rest, making him an easy target for the monsters he could otherwise take care of on his own.

Aside from both needing each other, another interesting layer to their relationship, which is established right away, is that Kabru doesn't have to - and literally cannot - put on a mask of social niceties around Mithrun. He can't suck up. It doesn't work.

So Kabru, who spends so much of his time concerned with how others perceive him, and who compromises his own comfort in order to become the most appealing version of himself at any given time, has that tool taken away. He has to help Mithrun, but notably, he can only help Mithrun to a certain point. He cannot compromise his open and honest feelings to help maintain someone else's view of the world - or at very least, it doesn't benefit him at all to do so.

Instead, they sit together, in the same position, share the same shitty mushroom dinner, because they both have to:

And that's notable, too. They both have to. Cithis' demand is most specific about the need to eat. Three meals a day! But this is something they both need, not just Mithrun.

Still, their relationship at this point still isn't exactly supportive, or even respectful. Kabru may have realized that he didn't need to keep up an act around Mithrun, but ya know, he still turns around an immediately try to, with that shitty mushroom dinner.

(The 'badly drawn shapeshift Kabru' gag here isn't just funny, imo, it's also a reminder of the thing he JUST LEARNED. Mithrun is immune to the Kabru smile anime sparkles filter.)

Mithrun also doesn't tell Kabru any helpful information at this point, and doesn't really put much effort into helping him at all. He slaps him awake out of a Nightmare, and treats him with the same disregard he did at the start of the chapter, focused entirely on moving ahead.

But then Mithrun collapses, and the current structure of their relationship collapses with him.

I think it's interesting here that the shift in their dynamic also includes Mithrun explicitly noticing Kabru's desires. Obviously it's not actually like some kind of I truly see you and recognize your humanity moment shared between them, but I do still like the way that it pulls Kabru's internal wants to the surface. Kabru not voicing his desires doesn't mean they don't exist, and Mithrun recognizes that the same way the dungeon does.

And then Mithrun does, in fact, grant one of Kabru's deepest desires. He tells Kabru the truth.

Just like how they are working together in the first place, this truth is as much a necessary concession to survival as anything. But that doesn't mean it's not impactful for Kabru. This is the thing that every other elf in his life has kept from him. A secret foundational to his core belief that long-life and short-life species can never come to mutual understanding.

And Mithrun isn't just giving him the bare minimum information here. What he shares isn't just a truth, it's his truth. It's a level of complete and total vulnerability that few people share with each other. And again - some of this may just be coincidence and necessity. I imagine Mithrun is so open, at least in part, because he doesn't have the same barriers that other people do when it comes to sharing these things.

But, then again... we see Mithrun at his most vulnerable and empathetic when he is talking to dungeon lords & potential dungeon lords, and trying to convey to them the truth of the trap they are walking into.

This face:

Is very similar to this face:

These are some of the few instances that we see Mithrun emote in this way, and his story does come just after he notices the dungeon responding to Kabru's desires.

But, no matter if Mithrun's openness is in response to Kabru being tangled in the dungeon's hunger, or just part of his nature (or, maybe, a little of both), his story changes things for Kabru. It gives him the chance to make actual choices, now that he understands the truth. It gives him a chance at agency in the story.

And he immediately turns around and uses some of that agency in an interesting way:

When asked about why he can't sleep, Mithrun says he needs to be magically compelled. Being magicked to sleep is simple, and it is efficient, but he doesn't even just say it's the best option. He seems to believe it is the only option.

So much in Mithrun's recovery has been framed through how it will let him fight the demon. Recover so that you can return to the dungeon. Sleep so that you can return to the dungeon. Eat so that you can return to the dungeon.

But rest, much like eating, isn't just about achieving the bare minimum required for efficiency. And as Senshi would probably say, the easiest path isn't always the best.

I don't think that the Canaries are intentionally running Mithrun ragged or anything, but as I mentioned earlier, they are very focused on efficiency, with little thought spared to what is lost or hurt in the process.

And there is something different about Mithrun's time with Kabru in the dungeon. Lycion even notes it, when they finally connect back up.

I don't think it's a huge leap to say that how Mithrun falls asleep here is emblematic of that difference. When Kabru helps Mithrun to sleep by massaging his feet, rather then using magic, he is explicitly taking a step beyond the minimum. He is providing comfort to a body that has been given only necessities for a long, long time.

These two events - Mithrun sharing the truth of the dungeon with Kabru, and Kabru choosing to help Mithrun to sleep through a foot massage - shift their relationship. There's a clear difference in how we see them treat each other, and especially in how Mithrun treats Kabru.

Before, Kabru provides food that he has gathered himself (okay, it was a mushroom he put his foot through on floor one, but the point still stands that Mithrun offered no help at all with getting food).

Afterwards, they gather food together.

Before, Mithrun teleports Kabru towards a monster, using him as a weapon when he can't find anything else.

Afterwards, he helps Kabru escape monsters, and fights them directly.

Before, he slaps Kabru awake after 5 hours of uncomfortable, Nightmare-filled sleep. A rest which, notably, Kabru didn't even intend to take for himself.

Afterwards, we see Mithrun keeping watch while Kabru sleeps in a bedroll.

I don't necessarily think that all of these things are choices that Mithrun consciously makes. Like, after 6 days, Kabru would have to get some actual sleep eventually, and Mithrun would pretty obviously have to keep watching during that time.

Nonetheless, there's still a difference in how these scenes are framed, and the fact that it is these things that are used to portray their journey together. Kabru is not the sole person providing food and sleep and safety - they provide these things for each other. Kabru eats alongside Mithrun, hunts alongside Mithrun, and he sleeps in the same way we see Mithrun sleep, laying down and resting deeply enough to be groggy when woken up.

What's more, during their time together, there are even a couple of instances of Kabru being more willing to care for himself and accept care. The sleeping is one example - note how he is surprised at having slept "that long" when told he was asleep for less than even the minimum recommended amount of nightly sleep - but I think the pattern of his eating is even clearer. In making sure that Mithrun eats regularly, he is forced to eat regularly too.

And I especially like the progression with the Barometz meal. After Mithrun has fallen asleep, Kabru thinks about wanting to "give [Mithrun] something nice to eat," but also notes that Mithrun's lack of desire "means there isn't even anything he wants to eat." So what does Kabru do?

He makes Mithrun something that he wants to eat.

I've already talked a bit about the ways that Dungeon Meshi depicts people finding support through "borrowing" the desires of the people who care for them, and I think this scene is a great example of that idea. Especially in the way that it pulls an expression of desire from Kabru, who is so prone to ignore his own hunger and needs. The meal may not end up anywhere close to the flavor intended, but it's still a far cry from the roasted walking mushroom.

All of these pieces come together at the end of chapter 62, resulting in a pivotal choice that could only happen because of the ways Kabru and Mithrun have, at least a little bit, grown closer to each other.

As they are preparing to leave, Kabru hears a bell ringing in the dungeon, just as he hears Toshiro's matching bell on the other side of the portal. Realizing Laios is nearby, Kabru hesitates. He knows the truth about the demon, and how he has a chance to act on it.

Cithis, the person who extorted Kabru into taking care of Mithrun in the first place, pushes for Mithrun to follow along with the plan.

(okay a quick aside here I just want to say I do love Cithis and I'm not trying to bash on her here. I just think it's interesting that she is the one to establish the terms of Mithrun & Kabru's cooperation, as well as the one who tells Mithrun to leave the dungeon at the end of the chapter)

But Mithrun doesn't go along with her command. Instead, he does something unexpected:

He asks what Kabru wants to do.

In contrast to Milsiril's smothering comfort,

and in contrast to his Mithrun's own assumption that Kabru will follow him, when they first wake up in the dungeon,

Mithrun follows Kabru's lead.

This, right here, is the change between them. Not only that, but it's a shift in the entire balance of agency in the dungeon. For what might be the first time in a very long time, Kabru - a tall-man - knows the truth, and is acting on it. He makes a huge decision purely on his own judgement. He is not trying to appease or coerce anyone, and he doesn't win Mithrun over by hiding his true intentions.

Rather, it's the honesty between them that builds to this moment. Mithrun's honesty earns Kabru's trust, and Kabru's honesty earns Mithrun's respect. They bond not because they are forced to spend time together, but because they choose to spend that time giving each other more than the bare minimum - even when they are both people used to accepting the bare minimum.

It echoes Laios' argument with Toshiro, in a way. They eat three square meals a day (Cithis mandated admittedly), they get plenty of sleep, and in doing these things, they take each other seriously. They treat each other as more than just a means to an end.

I don't necessarily think it's a flawless, unbreakable bond that's built during this time - hell, they both kind of revert back to their old behavior, once reunited with the rest of the Canaries. People don't completely change their habits overnight, after all.

But it is a shift. It's a shift that gives Kabru the chance to steer the story towards the ending he has fought for all his life, and it's a shift that helps Mithrun find a way to move forward after he loses his own reason for living. They reach their goals, and then they step past them - facing life beyond the moments they thought defined their reasons for living. Facing life beyond the bare minimum.

And that is how they help each other.

#dungeon meshi #delicious in dungeon #kabru of utaya #mithrun of the house of kerensil #dungeon meshi spoilers #dunmeshi analysis

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teenagerebellion · 2 days

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i’ve made an unfortunate discovery: twin sized mattress is very very frostkettle coded. evidence (going wild about it) under the cut:

it’s about the way lucy can see jealousy and rage starting to overtake her party, especially kipperlilly. the friends she’s made, the sleepless nights, the warning signs she’s ignored….

this verse, though, this is kipperlilly about lucy. more specifically, it’s about lucy not coming back after the ritual. lucy was always steadfast in her beliefs - it’s no big surprise she turned out this way. kipperlilly prayed she would change. they sent her away. with tears in my eyes i begged you to stay you said hey man i love you but no fucking way what if i

THE LAKE 👹👹👹👹👹👹👹👹👹

i read this as kipperlilly convincing lucy to be on her side pre-ritual. augh

THISSSS VERSE is so essentially kipperlilly she wants to contribute! she wants to be part of it! she doesn’t want to just be a background character! and she won’t be swayed from that decision.

and of course the famous last verse. in canon we know lucy doesn’t seem to blame kipperlilly or the other rat grinders for killing her and is just sorrowful and mournful about it. but i imagine after the failure of the ritual kipperlilly can only really process the grief through rage, which twists around to hating lucy because she believes lucy, somewhere in the afterlife, hates her. and she has terrible horrible bloody nightmares of course

#.txt #i just love them so much u guys don’t understand. toxic yaoi WHO all i know is toxic tragic yuri #fhjy #kipperlilly copperkettle #lucy frostblade #frostkettle #d20 fhjy #fantasy high junior year #fantasy high #d20 fantasy high

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rainba · 2 days

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Listen, I love, love, love, Luka so much… however…. I feel like he’s missing something. Maybe I’m just having trouble envisioning him in my head. It may be that I can’t read people very well so I don’t really know if he likes me, but I wanna see the look on his face after I kiss him for the first time. I wanna see the reaction to my fear when he threatens me. I wanna see how his body reacts so my touch. I love him, but for me, I feel like he’s missing a little pizazze in comparison to Kairos. Thank you so much! This is in no way critiquing Luka, his character or your writing, I just wanna have a better idea of him in my head.

(Can I be 🏵️ anon? I’ve sent in a few asks before this so yay :))

Thank you for the questions! It actually has me thinking more about Luka and his entire character as a whole.

I think that is a big part of Luka: it's hard to get a read on him.

Luka is a man who typically has something of a flat affect. Nothing in life particularly interests him; everything is somewhat boring. He's mastered the art of faking emotions around other people.

There's a part of him that has always wanted to feel something more. A part of him that yearns to know what it's like to love and be loved, what it's like to feel alive.

When he falls for you, he finally gets to feel all of the things he's been (basically) missing out on.

When Luka first kisses you, he freezes in place, his heart skipping a beat as his lips finally meet yours.

When your hands touch his body, he feels an unfamiliar warmth in his chest. All he wants is for you to touch him even more.

When he sees the way you squirm due to his teasing, he can't help but feel pure adoration, smirking all the while.

All of these things, all of these brand-new feelings... It makes him want to possess you entirely.

When Luka falls in love with you, he's willing to do anything to have you, it doesn't matter how horrible it is. By leaving him behind, you're essentially taking his life away.

But also... Luka is just a man who likes to have control; control over both himself and others. It's in his nature.

I think you're right in the sense that he's somewhat missing something- it's probably because I haven't really focused or honed in on the side of him that can't control the new emotions he feels when he's around you.

I haven't really explored the love-struck, obsessive side of him.

I mostly tend to focus on his thirst for control and his deep sense of possessiveness.

I think it'd be interesting to explore that other side of him more! ᕕ( ᐛ )ᕗ

Luka definitely keeps his emotions extremely well hidden. He could be sweating nervously, his heart pounding in his chest, mind going blank, and he'd still have a neutral expression.

My original intentions for Luka were to have him be a more dominant, stoic, possessive man with a predator/prey dynamic between him and his darling. However, as I kept writing for him, I added on the fact that his darling is the first person to ever make him feel alive.

So, basically: a cold, emotionless character who finally feels warmth and life via meeting his darling, and he quickly grows obsessed with you. I also wanted him to struggle with managing these new-found emotions, but I really haven't done that very much at all...

I'll definitely keep your words in mind as I proceed with writing more stories about him! I've explored Luka's possessive and more animalistic side well enough, but I think it would be interesting for me to dive in to his mind and pick him apart even more.

With Kairos, what you see is what you get, basically. A super obsessive, creepy, doting, emo loser yandere guy... His personality is strong, to put it lightly! ^^;;;;;

While I try to keep my characters consistent for the most part, I also try to remember that tweaking a few of their weak spots wouldn't be such a bad thing.

My ultimate goal for my characters is this:

I want to make characters that are deeply flawed, but still loveable. Characters that could be good people, but the love and obsession that they feel for their darlings ultimately lead them to doing horrible things.

Kairos is someone who's been told his entire life that he's an unlovable freak, so he eventually grows to accept the title, and he's willing to dive into depravity.

Luka is someone who has earned love and respect from others by learning to fake his emotions and fit in with society. He's never been truly loved, and he's never truly felt love either. Luka feels no real attachment to a majority of the people around him, so he doesn't truly care if they think he's a freak when he does something depraved.

Ace is someone who's desperate to get everyone's approval and is absolutely ashamed by his depraved urges. He tries his hardest to be a good person, but ultimately, he is a victim to his impulsivity and desires.

I think with Luka, it's a lot harder to depict his character... Kairos and Ace have something strong right from the get-go, while with Luka, I have to slowly unwrap him...

I'll definitely be making future plans to develop Luka's character more soon. He's a man who's done lots of horrible things in the posts I've made, but there's been very little done to counteract the bad.

To be honest, part of Ace's purpose is to help humanize Luka a bit more, which I plan on further developing in the near future.

But, uh... Really... As much as I love my characters and love writing/thinking about them, I know that none of it is really that serious. ^^;;;;;;;

I have a passion for making characters, I find it to be incredibly fun!! It's- probably a little obvious- so...

If anyone has any comments, I'm open to hear them! I'm trying to get better at taking critiques, too. ╮(￣ω￣;)╭

And, yes, you can be 🏵️ anon! Thank you for sending the ask!

Despite everything I've said about Luka and all my doubts with writing him... I still love him ღ He's my silly little creature

#ask #rainba rambles #really long rainba rambles...

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memyselfandmya · 3 days

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CHAOS THEORY S1 REVIEW

So after a day to process the show, I think I am more than ready to finally talk about it and give a full on review. [HINDSIGHT: This review took two days to put together, having to rewatch the show for evidence and to strengthen my ideas, and then having to organize it into something that makes sense. Just know that this is essentially my messy love letter to the show] I will be taking on a more objective perspective and focusing more on the writing aspect rather than my personal feelings, especially as a writer and hopefully future screenwriter. So let's get into it, heavy spoilers below the cut. Like as in I pick out little details that alone might not be a spoiler but I make them into a spoiler.

For starters, the show exceeded my expectations and the writing was phenomenal. Even when choices were made that I personally might not agree with or necessarily want, the execution of them was incredible so I couldn't really care to hate them. Overall, I have no heavy qualms with the show and I loved every moment of it.

It was complex and it was messy and I thoroughly enjoyed that. There's so much going on action-wise, character-wise, and mystery-wise and it's amazing how well balanced it is. What we get is real and raw and largely uncensored. We get conflict between two brothers, conflict between two girlfriends, moments where trust is lacking, and so so much more. It all feels very natural and realistic because that's how real people truly are: complex and messy. Also, even when these characters are going through all of these conflicts, you can still tell that they're family and they love each other.

The creators don't shy away from the trauma either, we get flashbacks, explicit mentions of PTSD and mental health issues, and we actually see Kenji having a panic attack, too. When I tell you, the way these characters were brought to life was so amazing. For all of this to still be considered a kids show is incredible and rarely ever seen. I'm gonna go more in depth with the complexity stuff later on, probably when I get more to the character analysis part of this review.

I like how we get to see more dynamics between groups that we didn't see much of in CC: Ben and Brooklynn, Sammy and Ben, Brooklynn and Yaz, etc.

The humor in this show is top-tier and very much natural. Hardly any of it feels forced and it's very much in-character. Just in general, all of the feelings in this show were amazing. It was a rollercoaster of emotions watching this. I felt happy, I was devastated, I laughed a lot, I felt bad for the characters, I was upset and mad, I was scared (oh boy was I scared), and I was tense with anticipation.

Going off of these feelings, the overall tone of the show was incredible. They said that it'd be darker and it was. There were so many times where I myself was scared and wondered how this show was still TV-Y7. There were so many ominous moments and here are some that I noted:

The moment that black car on the road actually does start following them. You can hear the whistle in the background of ep.3 before the raptors actually come in. Carl’s dead body in the car, and the view of his limp hand. In general the scene where they’re being hunted at the ranch, it’s reminds me of playing hide and seek with my cousins but 10x more darker and with higher stakes. “I don’t hear anything.” “Exactly.” Ugh these moments always hit well. The shoes of the dead police guard. Microbang lady whistling and then stepping out of the car The DPW aiming for the van The allosaurus being released from the vehicle. The dinosaurs watching the dude get eaten. The garage door opening, revealing micro bangs and then all of the dinosaurs falling silent. The moment where she picks up her whistle because we all know what happens next. When the atrocirapotor picks up the camper’s scent. You can see the small smile on Microbangs' face when she realizes the kids are there.

I love the rearview/sideview mirror shots, it really symbolizes the constantly looking over your shoulder because you’re being hunted aspect of the show. It adds suspense and questioning which is perfect for a conspiracy show.

I love the use of Chekhov's Gun and foreshadowing. All of my examples may be exaggerations or unintentional but I'm going to stick with it anyways. In ep.2 when the boys are at the gas station, there are signs that say "Report All Spills!" (maybe these are typically at gas stations, idk) which makes sense because you don't want gas on the ground especially because it's so flammable and then I saw the gas pump fall and gas spill out and I had a feeling about what was going to happen next. Sure enough, a fire started. Also in ep.3, when Sammy steps on the creepy floorboard and she's trying to remember where her pitchfork is, and then when they're being hunted, Sammy knowing to avoid stepping on that board only to stumble into the pitchfork that she had been looking for. Also, the King Dino billboard at the beginning of ep.4.

The animation was stunning and the cinematography(?) was breathtaking. We got so many wonderful views.

The pacing is so good. I’m not going to go over it because that’d be a lot but basically everything felt in the right moment.

I like in ep.2 how we’re introduced into the very first scene with Brooklynn’s new VA. We have Ben being woken up by a mysterious phone call and a mysterious voice on the other line that we don’t recognize. Who is this mysterious, unknown woman? It’s Brooklynn!

There are people who don't like the fact that Darius and Kenji are arguing again and who think that it's a reused plotline that shouldn't be and I understand the feeling of wanting something different but I also have to disagree. While it is the same thing we have in CC, I genuinely can't think of a different way this could have gone that wasn't more in-character than this. The reason why it's being reused is because that part about Kenji hasn't changed. While he's gone through some amazing emotional development, he still deeply cares about his friends and also about trust. Him not liking it when people play with their lives can still be an important value to him, even with his growth. And I personally feel like in this scenario Kenji's anger and his hurt was especially more justified than in CC because in this case, Brooklynn actually "died" instead of just getting kidnapped. And while I don't blame Darius or hate him for not being there, it makes sense why Kenji does.

This time around, it's going to be a lot harder for them to get on good terms. I also like how this time, it's not as subtle and they are actively jabbing at one another. I also like how it's more mutual. Like with CC I was like, "leave my baby alone, kenji, he's just a little innocent kid." and now I'm like "oh shit, Darius you ate with that." Even when they're arguing, they do still care for each other and there are moments where they still support the other. Then there are the little things that causes Kenji's anger to resurface like the password thing so more fuel is constantly being added. And then the "you and me, we're brothers right?" is absolutely gut wrenching.

One thing I appreciate is how Kenji isn’t even really mad at Darius anymore. Not for him liking Brooklynn, anyways. To me this shows a heightened emotional maturity. Especially since in CC we saw him be petty with his anger towards Darius and even in the early episodes of CT but now he’s bypassing all of his personal qualms and getting to what matters most to him without the extra pettiness: why wasn’t he there for Brooklynn? Why wasn’t he there for the people he loves. Kenji’s relationship with Brooklynn isn’t important. The fact that Darius fell for his ex doesn’t matter. What matters to him is that Brooklynn, someone they both (all) deeply cared about died, and the guy who loved her wasn’t there when she needed him. The tenderness and the softness of this scene was way more impactful and sorrowful than had Kenji angrily went after Darius. This makes the conflict still feel different from the one we saw in CC. All in all, I think their conflict adds to the complexity and (realistic) messiness of it all.

Even though I’m not the biggest Brookenji/Kenlynn fan, seeing them drift apart was so disheartening to watch because you can tell that Kenji really cared about Brooklynn and he was putting so much effort into the relationship when Brooklynn was distracted. I like how even though I’m not a big fan of the ship, I’m still convinced to root for them which shows compelling writing. But the baby talk fucking ruined it. I’m back to not liking it. The whole breakup situation very much reminded me of the episode of CC where Brooklynn is late to the date because they were out investigating. Again, I’m glad that Kenji is sticking up for himself though, and distancing people when they need to be distanced. I also love the little detail of Kenji calling Darius’ mom every week. Just emphasizes that he’s still a family man and doesn’t forget the people who helped him.

“I’m in a really good place now, and I got here by myself.” This line is so impactful to me because in early CC we know Kenji to be lazy and somebody who expects everything to go his way without putting in the effort so this is, one, very symbolic of his development as a character, and two, explains why he’s so proud of where he is now and his business that he’s got going on--even if it doesn’t look to be as successful. It makes sense why he’d be so protective over what he’s made for himself. I really respect him for putting up that boundary because he’s so right; Daniel doesn’t deserve him much less to speak to him, and Kenji doesn’t deserve to put himself through that emotional turmoil when he’s finally reached a good place. I think it makes it even more impactful when he does choose to go especially because it’d be totally valid if he didn’t. And then not only being subject to more of his dad’s manipulation but also having to witness him die.

I’m actually surprised and very happy that Dreamworks didn’t go the redeeming Daniel route. I would have expected this kind of show to make Daniel forgivable but he’s still a bad person and a manipulative father who hasn’t changed much. To me it seems more realistic because Daniel doesn’t seem like a character who learns his lesson and it furthers the plot with the whole Brooklynn thing. Also, Daniel's sacrifice is not a redemption. He's still a bad character. I don't know if any of you are familiar with Dreamworks' other show, She-ra Princess of Power, but there's an abusive mother figure in it, Shadow Weaver, who also sacrifices herself for the characters she abused, but before that she was still manipulative the same way Daniel was. They both died before they could truly change their ways and atone for their actions which is why it's not a redemption. Daniel Kon did not redeem himself by saving Kenji.

I also actually like Daniel’s death, and no, not just because I hate him as a character. In season 5, he’s the big bad antagonist that the kids have to go up against, and he’s a real threat, right? Do the raptors care about Daniel’s villain era? Do they care that he was a big character in the OG show? No. And that shows that the writers don’t care either (but in a good way). Because we don’t have any of the main Nublar Six dying (except for Brooklynn sorta ig??), there’s a lot of opportunity to call plot armor and stuff and say that the writers are pulling their punches. But they’re willing to kill one of the big antagonists from CC in a random episode, so, to some extent, there is minimum plot armor. You can be a great big villain and still these dinosaurs will kill you.

Also, this gives us so much opportunity with Kenji’s character. We get to see what it looks like having to grieve the life of somebody who you hated and who abused you and yet still be devastated over his death. Showing Kenji breakdown over Daniel’s death adds an entirely new layer of complexity to the story line. It’s so much more impactful than having Kenji be apathetic towards his death or be like, “good riddance.” The detail of Kenji speaking at the end really gave all the more impact to the entire episode.

Kenji’s panic attack in ep.7 is really powerful. First, the wonderful cinematography (the watering of Kenji’s eyes, omg) and the 1st person pov segments. Then we have the voice acting, chef’s kiss. Just the flat out impact of this scene all together: Kenji balling his eyes out after the death of someone who doesn’t even deserve his mourning is heart wrenching. I hate Daniel and I’m glad he’s dead, but also seeing Kenji break down over it almost makes me wish he wasn’t. By far one of the saddest scenes in the show. Again the cinematography of it. Darius hugging a sobbing Kenji in the middle of a field with the car’s red lights beaming on them. Then Mateo just standing there awkwardly. LMFAO.

It’s cool because we have this gut wrenching moment and then we’re immediately brought into a feeling of awkwardness with this random new character there and it’s so jarring but fitting because you have these two moments where Kenji’s grief but also the need to keep moving coexist and one needs to take priority over the other but the other one is still important. I’m just saying we are feeling what the characters in the show feel, which is good. Then we have Kenji going ballistic on Mateo’s ass and man the emotions packed into the scene.

Also Mateo. I want to trust him, and I do. But there’s also a suspiciousness to him. I love him though. But, it felt oddly convenient that he was able to locate them so many times. He says that his daughter helped him track them but how does his daughter of all people track them when they’re moving all over the place and also the way he talks about her, “I’ve got a little girl back home,” and the pan over to the crayon drawing made me picture a young child. His story is interesting though, too, and complex for a side character. Just feels a bit like a suspicious deus ex machina.

I love how the others are so in tune with one another and then Mateo says something and they all jump, forgetting he’s there. They are all very much close with each other and oblivious to the people around them. He's definitely out of the loop. Darker thought, what if at some point (or now, even) his daughter gets kidnapped/held hostage by the hunters so he’s forced to mislead the camp fam in order to keep her safe?

The opening scene of ep.6 is top tier and I love how we’re getting right down deep into the good stuff, and by good stuff I mean the trauma. The portrayal of Yasmina’s PTSD is so incredible to see and all of the flashes of dinosaurs really put us in Yaz’s mind. Also the heartbeats sounds just make this an even more intense scene. What’s also amazing is that we see Yaz making progress with handling her trauma but she’s still struggling with it too. Complexity. What I also love is how Yaz’s PTSD has allowed her to become more equipped to manage her trauma more than the other campers have, and because she’s able to grasp a hold of it so well, she’s able to help Sammy manage her own anxiety, too.

I feel as if Ben is almost reverting back into his pre-Nublar self and also like the Ben we saw in CC’s “At Least…”. He’s become a lot more paranoid and on edge which is very interesting to see. Ben being completely wary of the gas station attendant and being unwilling to stop is a major display of Ben’s anxiousness. Could the fire in ep.2 be symbolism for Ben’s paranoia in that episode? I may be looking too deep into it, but think about it. The spilled gas is all of Ben’s conspiracies and theories; alone, it’s not much of an obvious problem but when paired with the right ignition, a spark or being hunted by raptors, for example, it turns into an uncontrollable problem. Ben’s paranoia causes him to be irrational and unconsolable just like that fire and needs to be be extinguished so it doesn't destroy anything. I also like the little detail of Darius noticing the car on the side of the road in ep.2 and becoming suspicious about it. But then Ben thanks Darius for keeping him grounded so Darius doesn’t mention anything about the car in order to not send him back to the state of paranoia he was in earlier.

Then we also see Ben’s anxiousness in the beginning of ep.4 about Bumpy. Seeing him so concerned about her really tugs on those heart strings because you can tell the love between them runs deep. The passion in ep.9 is so incredibly palpable especially when he’s panicking and crying at the sound of Bumpy being abused. I really felt that scene because I know that watching someone you love get abused and not being able to stop it is so emotionally overwhelming The emotion packed into that scene, holy shit.

I also just love how we’re allowing men to cry. It’s so normalized in media to have the guys always being tough and masculine men who never sheds a tear but we are really knocking down the toxic masculinity in this show and normalizing men displaying emotion (beyond anger). We see all of the boys in this show break down: Kenji, Ben, Darius, and never once does them crying make them embarrassed or emasculated. Even in CC, the boys were allowed to show feelings and it didn’t weaken their masculinity at all. It’s really powerful and I’m glad we’re stepping away from the “boys don’t cry” narrative.

Back to Ben’s character, I was a little bit disappointed with his character arc, or lack thereof, in the middle episodes. Sometimes it felt as if he was only there for comedic relief and was emotionally detached from Brooklynn’s death. Maybe there’s intent behind this but I’m not sure.

I don’t know what to think about the whole girlfriend thing. Maybe Ben just made up the girlfriend thing to get Sammy to get rid of her phone lmao but ended up running with it. I do love how everyone’s surprised about Ben having a girlfriend because me too guys, me too. And it’s not because he eats out of a boot and pees in a jar (it is) but because I thought he was gay. Like with the whole rejecting Yaz scene in CC always gave me that implication. Now, he could still always be bi or pan which would be just as cool, but still just the fact that he has a random ass girlfriend. But also how is he maintaining a long-distance relationship when he’’s completely cut off from the grid. A part of me wants to believe that Ben has a girlfriend especially when he questions why everyone is surprised but also… idk. Ben does seem to understand how Yaz is feeling with relationship stuff to a degree. But I don’t know. I like some of the theories I’ve seen: that Ben is being catfished by Brooklynn, in particular. In theory I giggle a bit but in practice that’d low-key be a fucked up thing to do to Ben’s emotions. I find it harder to believe that Ben is doing the girlfriend to cover up that he’s gay because he knows that his friends will be accepting (although doesn’t change that coming out to them could still be hard) but also because I feel like he would at least tell Yaz because in S5 of CC they had that deep talk about Yaz’s sexuality. A part of me believes that the cargo ship is going somewhere to Europe and when they get there Ben will call on his girlfriend for help. If she is real, I hope she's badass and pretty so she can contribute to the plot and I can fall in love with her. Wait, what? Maybe down the line when I have more theories about Ben and his supposed girlfriend I’ll make a separate post.

“Don’t you dare throw my phone out the window, Benjamin.” Sammy’s so much of a powerful force now. I love her fierceness and sassiness, it’s definitely a different look from her character in CC. But also, she’s still in character, just matured, changed, and acquired that “tough love” attitude. Paired with how a little later in the episode when she goes to save the dinosaurs, it shows how Sammy (and the rest of the characters) might have changed since CC but are still the same at their core. Very much getting flashbacks to the Art of Chill episode. Sammy still has the passionate sense of righteousness but with more attitude and I’m 100% here for it.

I also want to talk about the whole Sammy as a suspect thing. I love Ben and I’m glad they made up at the end but also can you imagine how hurtful it must be for Sammy? Like it sucks for her that a decision she made years ago (and was cleared up) in order to protect her family comes back to bite her, from one of her closest friends too. For one of her besties to not trust her must hurt a lot, especially after everything they’ve gone through together. Trust in general is an interesting motif in this show. We have Darius having to learn to trust Ben and his theories, the whole Darius and Kenji trust conflict thing, Ben being untrusting of Sammy at first, and Yaz and Sammy having to learn to trust each other again.

Back to Sammy’s character, I want to take a moment to talk about Sammy’s mental health; like she’s really not doing well and I’m genuinely worried about her. From CC we know her to be a very social person who’s rarely ever alone and we even have the episode in S5 of CC where her entire arc is learning to do stuff on her own. So in CT, seeing Sammy living all alone in Texas with nobody (nice) around is so jarring and worrying to me. That scene where she reunites with the boys is really sweet, especially knowing that it’s probably one of the first few moments where she’s not isolated from any of the people she loves. It’s also probably another reason why she’s even more “Sammy” than usual. Then you have Sammy saying, “Just busy. It’s only me around here with Yaz up north finishing school, and my parents…we just don’t talk much anymore, but that’s okay! I’m keeping busy.” We can definitely notice that Sammy is not handling this isolation thing well and her coping mechanism is very much busying herself. What I really want to know though is why Sammy isn’t talking with her family.

But back to the main point, it’s also the way that Sammy’s character naturally influences the plot and pacing of episode three. Ben and Darius have something urgent they need to tell Sammy but her inability to stay still is preventing them from doing so which creates a natural conflict.

Additionally, in retrospect Sammy's coping mechanism was obvious: the mock interviews we got where it’s said, “Back at home, Sammy Gutierrez maintained that positive attitude by staying busy. ‘I have my own ranch, now. And my girlfriend Yaz. And tons of pies to bake! We don’t have time to keep worrying about all that running for our lives stuff!’” Even before this, she’s fallen into that heavy positivity that’s borderline unhealthy by trying to shove everything under the rug. All of the positive sayings on her wall also feel symbolic of her trying to maintain a positive outlook on her life. Her line “I’m so sick of making pies,” while possibly just for humor and a throwaway line, it could represent how this false positive narrative that Sammy has going where she’s keeping busy around the house and baking pies isn’t satisfactory and is also crumbling. Maybe even the first pie burning could be symbolic of her positive life failing (or maybe I’m looking too deep into it). Also that scene where she straight up hallucinates and sees Brooklynn for a second? That scene is so haunting and utterly heartbreaking. This is sort of the nail in the coffin that Sammy is not doing well mentally at all. In this scene too, her sadness is also heavily emphasized. Her eyes watering is such a sad detail and also you can kind of notice that her under-eye area is dark and red too. This might just be the lighting, but I feel that it really emphasizes that Sammy is really struggling and all of this business and fake positivity is getting to her. And then immediately after, she deflects and continues what she’s doing. Darius begging Sammy to stop and Sammy’s response being, “Stop and think about Brooklynn dying, or my family not speaking to me, or Yaz pulling away from me? No… I can’t stop. I won’t.” There is a lot to unpack there. First, we have another mention that Sammy and her family aren’t talking and I want to know why. Secondly, she is definitely struggling with growing isolated from the people she loves and with Sammy’s character valuing her connections with her loved-ones it makes it all the more impactful. I wish we got to see more on this but then we get interrupted by the action just as Darius is about to say something. It's a really sad scene though. In ep.4 we see Sammy being more anxious, especially with Yaz not answering her calls. In that one scene after the parasaurolophuses, Sammy is completely distraught and it’s sad to see. I don’t even think she herself even fully realizes her mental health issues. The anxiety Sammy is experiencing is also highlighted in ep.7. Granted, they are in a sinking, soggy van and I’d be panicking too but damn. She’s also panicking in the beginning of ep.9, but now, instead of Sammy keeping her body busy from her mind, her mind is keeping her busy from her body and making her forget how to breathe.

“I know she doesn’t always answer, but at least she texts back or maybe just gives a thumbs up, even though she knows I hate those. Cause they give me passive-aggressive vibes, but I know she doesn’t mean it that way. But I got that girlfriend intuition that something ain’t right.” Poor Sammy, she is very clearly anxious about this whole thing and it especially shows with how she bounces her phone around. I like how this conflict between Yaz and Sammy is building up before they even see each other, starting with Yaz not answering the phone call and Sammy getting anxious. The split up thing also gave me a mini heart attack too Ben, don’t worry. “Why, did she say something?” Sammy, please. You’re not okay. In ep.6 with the “I’m working really hard to get my anxiety in check, but Sammy still treats me like a fragile flower,” again, I appreciate how we see the cracks in Yaz and Sammy’s relationship beginning to form even before the events of CT. The buildup is really strong in the show. Quick break but I have to say I just love Sammy’s profile picture they are so cute. Also, Yaz’s uncertainty about answering the phone call, too. The tension between them is clear as day on that phone call. And then we have Sammy coddling Yasmina by trying to hide the truth from her and it’s all in good intention, really sweet how Sammy wants to protect her, but is that what Yaz needs or wants? “Her PTSD is still affecting her that badly?" “Well, to tell you the truth, we really haven’t talked much lately. She’s so busy and when we do catch each other, she acts like everything’s good, but…” The conflict is so interesting because you have Yaz pulling away because of Sammy’s overbearingness and then when Yaz pulls away, Sammy gets anxious and therefore more overbearing so it just creates this cycle that could be put to a stop by communication but they’re both scared. Both of their coping mechanisms are doing damage to each other and so they fall back on these coping mechanisms even more. “Call it a hunch, or girlfriend’s intuition,” call it anxiety, Sammy. At this point everything she says or does is a subconscious cry for help. Back to the relationship conflict, it’s nice knowing that even if they are fighting, their fight is based off of wanting the best for the other and love. Also both of their feelings in this fight are valid, Yaz wanting Sammy to not treat her like she’s fragile and Sammy not wanting Yaz to pull away from her. Again with the cycle. Oof, the pain in her voice when Yaz says “you still treat me like a child instead of your girlfriend!” Kausar really ate with that. Anyways, we have that scene where they almost down and Yaz calms Sammy proving to her that she’s not as fragile as Sammy thinks she is. Then when they get out we have a resolution moment where Yaz says, “I guess we need each other, huh?” Showing that, instead of that unbalance of overbearingness, they can equally need the other to ground them and keep them calm.

When Sammy and Yaz reunite, they’re really happy but also out of sync a bit, when they go in to kiss but end up bumping heads. Then after they resurface after nearly drowning, they’ve reached a better understanding of each other, and then they kiss a lot more smoothly, showing that they’re back in sync.

For the Benrius shippers out there, this also parallels how Darius and Ben were a bit out of sync and a little rocky, but at the beginning of ep.3 we see Ben and Darius have fallen back into their natural rhythm: Ben says “chip me” and Darius effortlessly tosses it and Ben catches it in his mouth. I just appreciate these little details and moments of closeness and also the parallels.

Can we talk about how we have alternating arcs/paths with Sammy and Yaz? Like, we see Yaz becoming more confident in how she handles and reacts to her trauma and making significant progress with her PTSD. Then we have Sammy who’s slowly slipping into a poorer mental state when she was known for being better able to manage her trauma from Nublar. Then along with this, we have Yaz stepping into the more “caretaker” role when Sammy was the one who usually has control over the situation. The van sinking scene in ep.7 is a perfect example. Sammy's panicking when her seatbelt gets stuck and Yaz is the one to ground her. I just want to take a closer look at this scene because it’s so sweet, too. The way Yaz first takes Sammy’s hands but then after realizing how much Sammy’s panicking, she cups her face and gets her to focus. It’s just such a tender moment. (And then parallel with that, the scene where Kenji has a panic attack and Darius is the one to support him in the midst of their argument. I just love a good parallel.) (Another parallel, Darius grounding Ben when he was paranoid in ep.2) But there’s also that scene early in ep.9 where it’s Sammy who’s completely freaking out and Yaz being the level-headed one.

Going back to the conflict between them, we see a moment of growth in that scene. After Sammy’s anxiousness causes her to be reckless, she apologizes which opens the floor for a well needed discussion about how they need to work as a team and trust one another. While the main discussion about how their coping mechanism end up hurting each other hasn’t happened yet, we still get to see them repairing the cracks in their relationship. Instead of Yaz pulling away when Sammy becomes anxious and overbearing, we see her acknowledge Sammy’s anxiety and comfort her instead, so that Sammy doesn’t go farther into that anxious state and the cycle is interrupted. It’s cool how they made their mental health issues cause problems in their relationship. Not in a “oh I can’t handle my girlfriend’s PTSD and she’s too much for me,” but in the way of “My girlfriend really cares for me in relation to my PTSD and it’s sweet but it also feels like she’s babying me” and “my girlfriend is going through a really tough time right now and I want to be there for her but she keeps pulling away from me.” Although, in a way, Sammy’s anxiety does become overbearing for Yaz, but even then it’s not in a she’s being too much but rather her anxiety is only causing her to be treated in a way she doesn't want to be treated. While scary and uncomfortable, I’m really glad that Yaz and Sammy had that conflict because it shows that couples can argue and still love each other. Just because there’s a problem in the relationship doesn’t mean the relationship has to end there, it just means that you have to come together and acknowledge the issue and then work together to fix it.

Darius’s reaction to Brooklynn’s death, my god. And hearing Darius’ voice calls that he left Brooklynn…devastating. Him hiding in the bath tub after giving the phone and sinking down in it; he really is ashamed of his feelings and it’s sad. But also the tenderness in Kenji’s voice when he confronts him? He’s no longer angry with Darius, just wants to understand. And the way that he doesn’t even get mad when Darius tells him he was in love with B… (maybe he understands how B is a very lovable character.)

But back to the grief, the moment where they’re all looking at the allosaurus that supposedly killed Brooklynn is devastating. They are finally united in their grief over Brooklynn. Boy, at least one of them is going to be pissed when her survival is revealed. And then also how they all worry over Bumpy too, it just really symbolizes how they’re still a family after everything. I love how Ben and Sammy are basically co-parents now. And remember that episode where Sammy was trying to get Bumpy to like her? Oh how far we’ve come. I flat out believed that she was dead, the writers definitely got me with that one. Well played, Bumpy. Well played.

I will say that Darius’s confrontation with Cabrera didn’t feel fully earned. We only saw him in one other scene and only heard about him in another scene so Darius’ moment of realization fell a little short on me. I think it could have been better had we saw an earlier interaction with him and Darius that may give us more conflicting opinions on whether or not he’s good. Because when we first saw him with Sammy, Yaz, and Ben, I was 90% sure that he was bad because of the three’s unbiased narrative. But had we gotten an interaction with Darius where he seemed a lot less questionable as a character it would have brought my doubt to more of a 50%. It also would have made Darius’ almost betrayal feeling in ep.10 more warranted because we saw them personally interact so it’d make Darius’s “You’re the one behind this? You’re selling Dinosaurs? DPW is supposed to protect people from dinosaurs.” hit harder.

The micro bang lady reads the raptor’s body language so well. She’s also compassionate towards them which is a heavy difference from this other dinosaur corruption we’ve got going on where they are carelessly abusing dinosaurs. She sees the raptors absolutely wiped out and retreats which is an absolute power move and shows she cares. It’s a choice that humanizes her along with the cuddling of a fucking raptor, which is interesting since most of what we’ve seen so far has been very uncanny with her robotic movements and unblinking eyes. She scares the shit out of me but lowkey...

she looks really badass and hot in this scene. I see what some of yall are talking about.

The action sequence in ep.10? Amazing. 10/10. The parallel with Jurassic World? Heart stopping. The dead silence except for the footsteps and dinosaur breathing? Immaculate. Best scene in the entire show, maybe in animated history.

At the end, we also have a shift from the characters being forced to react to all of the stuff thrown at them, like a defensive, but then we see them make the decision to go on the cargo ship and now they get to take a more “offensive” approach. Then we also have Darius stepping back into that leader role.

I just hope that since the characters are no longer stranded on a deserted island that they can finally get a change of outfits if they happen to get dirty. Please don’t let them walk around in the same dirty clothes again, please.

Now, probably one of the more controversial parts. Dinostar… Now, I’m a multi shipper and I’ve never had a problem with the ship itself but even then I was skeptical of this creative choice.

I feel like it’d be more impactful if they kept dinosaur platonic showing that Darius doesn’t need to be in a romantic relationship with his friend in order to feel a significant amount of grief for her. Now, I know that even if Darius wasn’t in love with Brooklynn, he probably still would have had the same reaction but still, the interpretation of his feelings has still changed. How necessary was this?

But also the power in the unrequited dinostar. Having Darius only realize his feelings for Brooklynn, especially after her staying at his place, it's natural. It adds to the very real complexity of human feelings. “I never meant for it to happen. It just…happened.” Darius’s feelings are still natural and organic and he’s still kind of ashamed of them. Darius’s “I didn’t even think I could feel that way,” was what really got to me. If it was because he always saw Brooklynn as a friend it shows how these sort of feelings can sneak up on you, but I also see it as, “I didn’t think I was able to have crushes on people” which speaks to me a lot. It feels very aligned with the demi-aroace experience and as someone who’s demi-aroace I care about this a lot. It’s such a confusing and difficult experience, worrying about if you’re even capable of falling in love with someone, trying to disect the difference between platonic connections and romantic ones, and the shame you feel when you think you might be interested in someone who’s supposed to be your friend. It’s messy and real and seeing Darius possibly experiencing that makes me feel less alone. Anyways, I like how even in both directions Darius can still be on the aroace spectrum.

“If I was really in love with Brooklynn, I should have been there.” This line makes me wonder if he’s still doubting his feelings for Brooklynn. The “I couldn’t face her after that. I was too embarrassed. So I didn’t show up that night.” Darius being embarrassed is so real. I once confessed to a girl I thought I liked and was rejected, albeit gently for the most part, and I still can’t look at her the same way. This was with someone I wasn’t close with so I can only imagine what it was like for Darius, the embarrassment. It’s such an impactful thing too. Darius's natural and realistic reaction to getting rejected and not being able to face her having drastic consequences in this new world of dinosaurs and being hunted by them. It’s just the complexity of the story that’s what really makes this work.

“She tried to be nice about it, but it was clear she didn’t feel the same.” I wonder if this is what really happened or just what Darius interpreted it as. I’m hoping that it remains unrequited. Seeing the guy not get the girl would be something new and interesting. I could also get behind dinostar but only if it’s done right and to be done right it’d need a lot of time. But I also don’t think I want to see any of them in a relationship just yet. Especially Brooklynn and especially now. I think that she’s way too deep into this conspiracy and should focus on that instead of a relationship. That’s definitely where her mind has been at lately, anyways. I also worry that this might turn into a love triangle which I’m never a big fan of. I’ve also seen some people say that this love triangle/Darius’ feelings will probably weaken the integrity of Brooklynn’s character and reduce her to a love interest, and, for a while, I agreed. But now my opinion has shifted. So far from what we’ve seen, Brooklynn’s character seems to be going on an interesting arc and I have faith that the writers won’t weaken that in favor of focusing on her romantic interests. The writing for this season has been amazing and if they keep it up in season two it can probably be successfully pulled off. And already with the way it’s been written, I don’t think Brooklynn is ready for a relationship at the moment.

Now Brooklynn...

I was one of the people who was convinced Brooklynn was alive but while watching the show I actually began to doubt that theory and there was a moment where I was sure she was actually dead. I know there are a couple of people unhappy about the fact that Brooklynn isn’t actually dead, and I get that. Especially coupled with the Darius vs Kenji conflict it may feel like CT is copying too much from CC with Ben’s fake death instead of being original and committing to it. And that’s totally valid, especially for a serious plot line like a character death. I do, however, have faith that the writers of CT will execute her fake death well though. Because that’s the thing with CC/CT. Most of the time, even the not so strong ideas are well executed and integrated into the plot smoothly. With Ben’s fake death, it gave the opportunity to strongly develop Ben’s character more than it could if he had ended up on the island with the campers. His solo experience after his “death” molded him into a very different character from the boy we saw in the early episodes. It changed him drastically and that was the redeeming factor. So, I have hope with Brooklynn. It already seems like she’s on a strong path of character development and it seems like she’s going completely undercover to unbox this international dinosaur corruption scheme. Not to mention, she’s missing part of her arm, so that’s also a drastic change. Brooklynn being alive opens up a lot of opportunities, especially to delve into her trauma that she might have acquired from losing a hand. Not only that, but the others still think she’s dead so we won’t lose that mourning aspect, in fact it might make it even more impactful knowing that she is alive and that Brooklynn’s fake death is causing this much pain to her friends.

This could also introduce some conflict within the group once it is revealed to them that Brooklynn is alive because they spent all of this time mourning her and suffering from some severe mental health issues only for her to actually be alive without telling them. Me personally, I’d be upset going through all of this emotional turmoil for a dead friend only for her to pop up knowing she could have prevented all of it. We can also see different reactions from the 5 of them. Maybe someone will be angry at her and some might just be really happy she’s alive and some might not even believe she’s actually alive. I’m just gonna say that it is fucked up that Brooklynn is just allowing her friends to suffer from mourning her and that I’d totally understand if any of the camp fam were mad at her. In fact I need to see that. Then there’s all of the secrets she’s keeping from them, too. I wonder if we might see a sort of negative character arc because Brooklynn has been neglectful towards her friends, especially Kenji which caused the whole breakup in the first place, and then multiple times Brooklynn’s true intentions have been unclear and shady. I wonder if there’s any symbolism we can pick up from her hair which is always changing.

Overall, I’m excited to see what they do with Brooklynn’s character and how her fake death affects the others. I’m always willing to compromise with my feelings and the decisions made so long as they well execute their unfavorable choices.

As for the reveal, I feel like it could have been dragged out a little bit longer. I think a perfect place to stop would be right at Ronnie receives the text. Because in my mind at that moment, there were two ideas that I had. One, Ronnie could have been one of the corrupt DPW workers, or she could have been working with Brooklynn. I think that that confliction would have been a great place to end especially because either way, it leaves you question that entire interaction she has with Darius in the first episode. Is Ronnie going to be bad and betray Darius? Or is she good and helping Brooklynn who's alive. I understand in the grander schemes of things why they did it; showing Brooklynn alive (and handless) at the very end will make viewers want to come back and see what happened with her. I just hope they keep her being alive unknown to the rest of the campers for a while longer for that added tension or whatever. I feel like if anything they might reveal her to the camp fam at the end of season 2.

Now let’s talk about that hairstyle. When I first saw it at a distance paired with the whole ensemble, it looked really badass. But up close? I don’t like it.

At first I was going to say that Sammy carried the plot, because she did. Then I was like, “well, Ben also carried the plot too.” Then it was “If Sammy carried the plot then so did Yasmina.” That “boo” did a lot for me. But then I was thinking of the discourse between Darius and Kenji and they also both carried the plot. So, long story short, they all carried which is amazing. It means that it was well balanced and every character had a significant role in the story.

In short, there’s a lot of things that were phenomenal in this show, however, there were a few things that can only become/remain great if they’re addressed in season 2. There were a lot of throwaway lines in the show that was loaded with context we didn’t have and hinted to a separate conflict.

Twice we hear Sammy say how she’s not in contact with her family and then it’s never brought up again. I want to know why this is, even If it doesn’t have a drastic effect on the overall plot. Then we see Sammy hallucinate Brooklynn but then that’s the only time it happens. Is it bad that I want to see more of that? I just really want to see Sammy’s trauma unloaded in season 2. In ep.6, Sammy says “Remember how [Yaz] got when the dinosaurs made it to the mainland?” It seems really heavy and I want to see this. I want to know what the groups initial reactions to one, the dinosaurs back on the mainland, and two, Brooklynn’s death. We also hear Darius sort of allude in ep.1 that Ben might have had a harder time adjusting to being back on the mainland, especially with the “don’t patronize me, Darius!”

I’m hoping that some of these lines are just seeds being planted early on so that we can see them grow in season 2. One thing I hope we get is more flashbacks, seeing what all of these lines are referring to. Sammy’s family issues. Yaz’s reaction the dinosaurs back on mainland. Also, seeing flashbacks to Brooklynn with Darius in the cabin. We got flashbacks for everyone else except him so it’d be nice to see, and also give us something more substantial for Darius’s feelings. My guess is that there won’t be as many action scenes when they’re hiding away on the ship so we can get more flashbacks and have some more downtime to explore the groups trauma, regain some more of that “full” group dynamic, and just in general put more focus into the characters rather than plot.

The writing in this was amazing, especially for a kids show, and I hope we get to see more of this amazing writing carried on to season 2 soon. If you stuck with me this long, I appreciate you.

#jurassic world chaos theory #jwct #jwct spoilers #sammy gutierrez #yasmina fadoula #ben pincus #darius bowman #kenji kon #jwct brooklynn #brooklynn jwcc #mya talks jwct

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writers-potion · 1 day

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How to write things that could be trigger warnings?

Novel Trigger Warnings: How To?

Writing About Sensitive Themes

Trigger warnings or no trigger warning, a writer must take caution to provide an accurate and meaningful exploration of topics like suicide, abuse, trauma, etc.

Make use of sensitivity readers to provide feedback

Get a first-hand account from someone who has a similar experience to what your character will. Even if you can't get an interview with someone face-to-face, there are amazing blogs and YT videos out there.

EXPLORE IT MEANINGFULLY, NEVER USE IT AS A "SHOCK FACTOR". Think about how the triggering elements add depth to character, throw a meaningful question to the audience or make the worldbuilding more realistic, etc. Throwing these elements in because you can't think of a better idea is exactly what you don't want to do.

Don't let the trauma/mental disorder, etc. become a character's entire personality. It's easy to fall into the trap of thinking, "oh that character with cancer" or "the troubled one" - nope. A character is more than just an aggragate of their dark past.

Think about the genre you're writing. If you're writing horror and label is correctly, you can expect readers to give you more liberty to throw blood and gore around. If you do this for a YA romance, it's probably going to be a big no.

Focus on the characters and their reaction, rather than the act itself. Life is 10% events and 90% how you deal with them.

Stay away from exaggerated stereotypes. No Hollywood.

To Warn Or Not To Warn

A trigger warning is essentially a statement cautioning a consumer/reader that the content may be disturbing or induce a traumatic response.

Common Arguments For Trigger Warnings

They give a reader the choice to avoid encountering content that forces them to revisit past trauma.

It isn't always obvious from the book cover/synopsis, etc. that potentially triggering content comes later down the story. It helps them make an informed decision.

Common Arguments Against Trigger Warnings

It becomes a spoiler.

Trigger Identification: There are as many different triggers as there are readers, making it a practical impossibility to adequately warn every potential reader about every potential trigger.

Genre expectations should adequately help readers choose. If you're reading an action thriller, you'd reasonably expect violence.

Some teachers, librarians, and publishing professionals argue that content labels are a form of censorship, and that the line between labels and trigger warnings is thin.

I am yet to make up my mind on whether trigger warnings are a necessity, or it should remain a choice that's left up to the author - so I'll leave it up to you to decide. Let me know in the comments about what you think.

─── ･｡ﾟ☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram!

💎Before you ask, check out my masterpost part 1 and part 2

💎For early access to my content and priority questions, become a Writing Wizard

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capurriccino · 2 days

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Some Jiyan Fun Facts

SPOILERS: Chapter 1 Act V and Act VI, Jiyan's Companion Quest and pretty much everything in Jiyan's profile

I got the source of Jiyan's character stories from his profile in the Wuthering Waves fandom wiki, and his voicelines in game.

- As I mentioned in one of my posts, Jiyan is around 23 years old.

From what Yangyang retold in the beginning of Ch1 Act V, we know that Jiyan became General after the "Battle Beneath the Crescent".

Taoqi explains Battle Beneath the Crescent in the beginning of Act VI as a gruelsome fight that occured 3 years prior to the game's events against TDs that were native to the norfall barrens and produced by Retroact Rain.

In Jiyan's character story 2, "The Reason To Fight", Jiyan was said to have taken the role of General at 20.

In summary, 3 years have passed since the Battle Beneath the Crescent, the event that led to Jiyan becoming the General at 20. Hence, Jiyan is 23 years old during the game's events.

I would like to clarify though that it's not clear how soon after the battle Jiyan became appointed as General, and I'm going under the assumption that he got the position within the same year as the battle. At the very least, he is 20 at the youngest and 24 at the oldest.

- He is the youngest General in the Midnight Ranger's history, as described in his character story 2 : "The Reason to Fight".

This also means that Geshu Lin is older than Jiyan.

- Jiyan joined the Midnight Rangers as a medic around the age of 13.

According to Jiyan's Companion Quest, Jiyan was part of the temporary team that set the record of the Gulpuff Relay 10 years ago. One of the illusions of the audience members from that decade-old relay also describes Jiyan as a "new recruit".

Knowing that Jiyan is around 23 as of the game's events, this means that Jiyan was 13 when he joined the Midnight Rangers.

If I stick with the idea that Jiyan was 20 at youngest by the time of the game's events, this would mean Jiyan joined at the age of 10.

- Jiyan was born into a medical family, becoming his mother's assistant at age 10.

As described in character story 4: "What's inside his gourd?". As a little bonus, he stores common medicine inside his gourd.

- The scales on his left jaw appeared after his forte-awakening/when he got his powers. It seems like that's the only place where the scales are.

As described by Jiyan's Forte Examination Report: Resonance Evaluation Report.

"Post-Awakening observations found some growths that resemble Loong scale on his left jaw. No indications of progressive expansion have been detected."

- Jiyan first got his resonance power in Yuanwang camp in Desorock Highland.

As described by Jiyan's Forte Examination Report: Resonance Evaluation Report.

"Resonator Jiyan's Forte-Awakening was observed at the Yuanwang Camp located in Desorock Highland." It was recognised when Jiyan accumulated air currents to form a lance.

- Jiyan has not yet Overclocked. Apparently his frequency is highly stable, hence his low risk of Overclocking.

Described by Forte Examination Report: Overclock Diagnostic Report.

For those who forgot (bcs me too tbh), Overclocking is just essentially where a resonator's powers are overused, and can cause disasters. Other characters, such as Mortefi and Sanhua, are more prone to Overclocking.

Side Mortefi fun fact: his scale growth increased after Overclocking, meaning that Overclocking can change a resonator's appearance.

I would really love to go more into the lore information about Jiyan's power in the Forte Examination Report but a lot of things in it are unclear right now, though they do look interesting.

- The death of his last patient and friend, a Midnight Ranger named Beiwang, was what finally pushed him to join the battlefield. His spear is fashioned after Beiwang's own.

A summarisation of character story 4: "What's inside his gourd?" and voiceline: "Chat I: This spear was modelled after the weapon of Captain Beiwang."

- Jiyan doesn't like Bittberry, though claims to have grown accustomed to it.

Essentially his mother believed that enduring bitterness meant you will become better, and she always put it in his food. He didn't find it very pleasant but got used to it since supplies are scarce.

As described by voiceline: "Disliked Food"

Side fun fact: I bring this up because you can see that he looks a bit nervous to receive Bittberry tea relative to the other characters in the Bottoms Up! Bittberry Tea Web Event lol

#jiyan #wuthering waves #jiyan wuthering waves

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thetravelingtyper · 3 days

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Comfort Character Part 3: Simon 'Ghost' Riley x Real-Life! Fanfiction Author Reader

After a long day, you go out with a few coworkers while Simon is away. At the bar, you meet some familiar faces...

Warnings: Use of alcohol in a bar setting

Part 1, Part 2, Masterlist

AN! As stated this Simon is particularly from my Spitfire series, not a necessary read but I do recommend checking out at least Spitfire!

You learned very quickly Simon was a sure man. What do you mean by that, you ask dear reader? Well, the man knew what he liked. One Nebula, that man was apparently born to love your cat. His quiet nature suited the fluffball well. Simon had taken up the library corner of your apartment as his own, often reading in the sunlight with Nebula tucked into his lap. What you didn’t know is that the man wore glasses, a round pair settled on his face as he read.

Second, the man loved food. Despite being quite obviously British the man could cook. You fixed meals for two, often with Simon slotting (you hate to say it) naturally into your work. And despite your fear, he always insisted on paying for groceries and bringing them in himself. You guessed it was from his traveling all over but the man would eat anything. He would wake up early, go to work out then join you for a later breakfast. Or when you would work or do school work you would often hear a knock on your door and a meow. Simon would then open the door with Nebula trailing at his feet, two plates of food in his hands. Where you used to skip a meal for work, Simon was adamant about you eating.

Third, he was devoted to you. What do you mean by that? Well, where you were, you had a shadow, a hand of his usually close or on you, especially when you were running errands. You weren't blind to the attractive man, nor was the world. His height was a calling card, and with the mask adding that flair of mystery a few people swooned. Despite the looks however Simon kept close to you, his sole attention and care focused on you. You wore his attention like a new jacket at first, getting used to its presence while appreciating its value.

Not that you thought down of yourself, no, you were great and you knew it. What you didn’t expect was a 6’4” essentially supersoldier to make you his top priority. He doted on you like he would Spitfire, only real. Whenever someone while out stepped into your space uninvited Simon was there, politely but firmly stepping forward and shielding you from contact. Then, oh boy, was the case of the bar.

It was a Friday night after a long project with your team when one member suggested going out for drinks. While you weren't a party person the chance to get out of your apartment was golden and you took it. You get up from your computer stretching and heading out of your office to go into your bedroom. As you open the door to the hall there is no sign of SImon, a text telling you he went out so you reply with your plans and head into your room to change.

You settle for a pair of well-fitting jeans and a nice shirt tied up to show a little skin in the heat of the night. You reach for a necklace but the weight of silver around your neck stops you. You hadn't taken the ring off since Simon appeared three months ago. You debate for a moment before signing and tucking the ring under the collar of your shirt. You still hadn’t talked about it and you weren't sure how to approach it, given the ‘new existence’ thing. You leave in a pair of boots to match, leaving a note and a text for Simon and a kiss to the head of Nebula.

You make it to the bar at 8, the warm evening air settling as you pull the oak door open and step into a lively atmosphere. There are groups of people mingling and you hear the roll of classic 80s that calms you. You are spotted by your team leader who waves you over with a handsome grin. The man is only a few years older than you and you find yourself smiling as you approach the group. There were 5 of you, Adam, your team lead, and the 4 separate coordinators, you included. Vivian pulls you in for a hug,

“Hey, cutie! It’s been too long!”

You return the hug with a smile, of everyone you were the closest with her. You had gotten the job after meeting her in your undergrad and working your way up in the company. You are about to reply when the sound of a familiar voice shoots a spark down your spine.

You can't be serious!

You reply with an agreement before your head shoots to the bar when you gape as a familiar scot is sitting.

“OH, I know right? He’s been here for a while such a sight for sore eyes!” One of the other coordinators, Mark, replies.

As if sensing your eyes Johnny fucking MacTavish turns and spots you and a grin lights up his face and before you can blink he’s getting up and moving towards you. Your coworkers turn to you in surprise as Vivian grabs your arm in excitement.

“He must like you!”

You blank at that as the Scot comes to a stop right in front of you. He gives you a real smile before tugging you into a tight hug. Vivian’s hand drops in surprise as Johnny spins you around with a laugh as if you were the best thing he’s seen all year.

Adam seems to sense your confusion before calling out a firm “sir?”

Johnny stops and releases you, a blush lighting up your face as you feel yourself about to combust. Johnny grins and presses a hand and brings your head to his chest fondly, blue eyes flickering to Adam,

“Sorry ‘bout that haven’t seen my best friend in a hot minute.”

You pull from his chest at that, about to speak before a flittering of memories hits you in the chest. What the fuck? You remember meeting Johnny in college? Classes together, lunch, and play wrestling between deployments as he finished before you. The fondness for the character turned into a real bond as Johnny smirked at you, a possessive gleam in his eye at your realization.

It seemed fate made your characters claim you as much as your writing made them.

Adam and Vivian share a look before another familiar voice calls and Captain John Price appears from a door and calls a “Easy with them Sergeant”. You look past Johnny's shoulder and Price smiles at you knowingly.

More memories, your dad’s best friend, having met through your dad's service. Price opened a bar where after retirement Johnny found steady work close to home, you. There is a mist in your head and heart and you feel yourself wavering, the weight of everything bringing a look to your face. Johnny senses it and presses a kiss to your head.

“Back to work then bonnie, I’ll call ye.”

And with that, he leaves you with a wink and you feel your mind melt.

The next 30 minutes finds you surrounded by coworkers and conversation. They easily accept your explanation and fate eases you into a booth between Vivian and Mark as Adam and Jennifer sit across from you. The next few hours pass with a few drinks and laughing at memories with your coworkers. As the alcohol hits your system you lean more forward, a bold fun as you debate literary theory with Adam. He only has been nursing a glass of whisky and commits to the bit, a hand coming to yours that's gesturing. Jennifer, Mark, and Vivian share a look as you don’t pause. You had a few beers and are a little under, the inebriation loosening your inhibitions and tongue so you overlook the touch of his fingers as you settle on your theory.

The others weren’t blind to the movement, Vivian pulled a hand to your arm as Mark announced another round of drinks. The moment breaks and you pull your hand from Adam, not thinking twice before offering to go. Adam frowns but shakes it off with a grin.

“I’ll take a refill darlin’” You cock your head at that but nod nonetheless.

Approaching the bar you find Johnny watching you with crossed arms. You meet his eyes with a question on your lips.

“He likes you.” It’s a strong statement and you balk at it, brushing off a tingling feeling at the back of your neck.

“Who? Adam? Johnny, he’s my team lead, that would be inappropriate. However,” you were drunk and you did have a crush on Adam when you first started working for the company.

“He is cute I guess, but…” Johnny’s eyes sharpen then as a hand comes to you shoulder, Adam smirking at you as you jump and look up at him.

“But?” He says with a grin as he looks down at you. Johnny is about to speak when he straightens with a grin as a chest comes to your back. A deep voice speaking with a low growl,

“They are spoken for.”

Adam steps back as Simon bumps his arm off your shoulder.

“Good to see you L.T.” Johnny grins as you look up to Simon, a pleased feeling in your chest at his closeness.

“Hi Simon.” You say it affectionately, the alcohol loosening you and you lean back into his chest.

“I'll just go, see you at the table,” And with that Adam backtracks, the others glancing over the booths at you. Simon spins you around in his arms. He wears a form-fitting black shirt and jeans with his old boots. Your eyes trace his form before a hand at your chin pulls your face up.

“Good Love?” You nod into his hand as your arms wrap around him, pulling you into his muscled torso with a please hum.

“Always an affectionate drunk.” Johnny quips with a grin and the men share a look. Simon then looks to your table and the eyes of Vivian and Mark.

“Come on sweetheart.”

“Wanna go home.” You mumble it into his chest and his heart curls, a smile pulling onto his face under the mask.

“You need to say goodbye then dove.”

You nod to his chest and pull away. He allows you a few steps before taking your hand and following you to the booth. The others look up in awe while Adam turns to his drink.

“I'm gonna head home, it was nice seeing you all.”

“Likewise hun, let us know when you get home safe.” Vivian pats your arm with a smile to Simon, you and the man nod as the others say their goodbyes. You both depart from the table, making a pass to say bye to Johnny and Price when he pops his head out.

Exiting out into the warm evening you breathe in a breath of fresh air. While you enjoyed going out you did eventually like coming back to the quiet. A hand comes to your back and you look up at Simon. He watches you with attentive eyes before he bends down. You’re about to question him but you are hoisted up with an unbecoming yelp.

“Simon?”

He carries you like a princess and you are about to struggle when he takes your lips in his. The kiss is warm, the night bleeding into dancing lips as he holds you close. He parts with half-lidded eyes and yours widen when he chuckles,

“Let's go home, love.”

#fanfiction #simon riley x reader #cod mw2 2022 fanfic #ghost x reader #simon ghost x reader #simon ghost riley #cod mw2 2022 #simon riley #simon 'ghost' riley x reader #simon ghost riley fanfiction #protective ghost #john soap mactavish #soap mactavish #john price #captain john price

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miieven · 3 days

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Byler is Not Happening in Season Five of Stranger Things

Part 1

First and foremost, it would be implausible for the show to abruptly shift Mike Wheeler's love interest after several seasons of build-up. Since Eleven (Jane Hopper) was introduced as a character, the show has consistently highlighted the romantic attraction between her and Mike. Initially portrayed as middle school puppy love, their relationship has evolved over the seasons. Whether through comments from Mike's best friends, Lucas Sinclair and Dustin Henderson, or remarks from his sister, Nancy Wheeler, it has been clear that Mike has romantic feelings for Eleven, despite his attempts to hide it as a typical middle school crush.

The Duffer Brothers effectively depicted the growing romantic tension between Mike and Eleven throughout the first season, culminating in their first kiss in the cafeteria after Mike invited Eleven to the Snowball dance. While the main focus of season one was finding Will, Mike's showed that same dedication to finding Eleven , who went missing, and was evident when he tried to contact her for 353 days via walkie-talkie, as revealed in the last episode of season two and seen once or twice throughout the season. Basically what this means is that Mike would go to extreme extents to help out his friends... not just Will.

Although season two includes several scenes centered on Byler (Mike and Will), it is crucial to understand that the affection they show towards each other stems from their deep friendship. Best friends naturally comfort each other during difficult times. For example, in the "crazy together" scene, Mike comforts Will after a traumatic experience, sharing his own struggles with missing Eleven. This scene emphasizes their bond, as they both feel like they are going "crazy" for different reasons. Contrary to some interpretations, Will is not upset by Mike's mention of Eleven; he actually appears glad to share a connection with Mike, despite their differing problems.

Part 2

The fight between Mike Wheeler and Will Byers in season three of Stranger Things has been widely misinterpreted by some fans. During their argument, Mike's remark, "It's not my fault you don't like girls," was not intended as a bait against Will's sexuality. Instead, Mike meant that Will was not interested in dating, unlike the rest of their group at that time. This comment, while harsh, was a reflection of Mike's frustration with the changes in their friendship dynamics as they grew older.

It is essential to note that Mike's statement had no bearing on his own heterosexuality or his potential romantic involvement with Will. Mike's established romantic interest in Eleven has been a central narrative element throughout the series, and this moment of conflict with Will was more about their diverging interests and the strains of adolescence than any latent romantic tension between Mike and Will. Misinterpreting this scene undermines the depth of their friendship and disregards the broader context of their character development.

Moreover, suggesting a romantic affair between Mike and Will would disrupt the foundational narrative built around Eleven's character. Mike's relationship with Eleven is pivotal to the storyline, and introducing a romantic subplot with Will would not only feel forced but also undermine the carefully constructed dynamics that have been developed over multiple seasons. The show's continuity and emotional resonance depend on maintaining the integrity of these relationships.

Part 3

Just because Will Byers is a canonically queer character does not mean that Mike Wheeler must also be queer to create a new ship within the show. Representation is important, but forcing a character into a particular sexual orientation simply to satisfy a subset of the fanbase would undermine the authenticity of the show's narrative and character development. Mike's feelings for Eleven have been consistently portrayed throughout the series, and there is no substantial evidence to suggest that his romantic inclinations extend beyond her.

Moreover, the conflicts and arguments between Mike and Eleven are a normal part of any teenage relationship. It is unrealistic to expect their relationship to be "smooth sailing" all the time. The challenges they face and the disagreements they have are typical of young love, where both individuals are still learning about themselves and each other. These conflicts add depth to their characters and make their relationship more relatable and realistic. They reflect the natural ups and downs that come with growing up and navigating romantic relationships during adolescence.

Part 4

Many of the fanbase's theories regarding Byler are not only incorrect but also delusional when subjected to even a little fact-checking and research. For instance, some fans interpret every close interaction between Mike and Will as romantic, ignoring the context of their long-standing friendship. Scenes like the "crazy together" moment are often misrepresented to fit a desired narrative, despite clear evidence that they showcase platonic support.

The theory that Mike is secretly in love with Will disregards the multiple seasons of character development and explicit expressions of Mike's feelings for Eleven. A thorough review of the show’s episodes, interviews with the creators, and official materials confirms that Mike's storyline is deeply intertwined with Eleven's. The Duffer Brothers have repeatedly emphasized the importance of Mike and Eleven's relationship as a core element of the series.

In conclusion, the notion of Byler happening in season five is inconsistent with the show's established narrative. Mike and Eleven's relationship, with all its complexities and growth, has been a central theme. It is important to appreciate the story as it unfolds, recognizing that not all characters need to fit into every fan theory or ship. Fact-checking and a deeper understanding of the characters’ arcs reveal that many fan theories are simply wishful thinking rather than plausible plot developments.

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bberry005 · 3 days

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thinking way too hard about this page from kanan: the last padawan and how much it shows about him as a character during rebels and also how that relates to ezra and their sacrifices at the end of the show

it's clear from the first episode of rebels that kanan has no qualms about attachment in general, which is a stark difference from most of the other jedi that we see. he cares freely and openly and deeply about all the members of the ghost crew. he might care too much at the beginning, but that's part of his journey as a jedi that we see throughout the show.

"you must not grow too attached, too fond, too in love with life as it is now" is a fundamental thing that kanan must remember during season 2 of rebels. because he DID become too attached to his life as it was with the ghost crew running around lothal, and when they join up with the larger rebel fleet, he doesn't like it and dislikes how things are changing. he has to relearn the ability to adapt and change before he's declared a jedi knight in the season 2 finale.

part of being a jedi is loving enough to know when it's time to go, which is something that kanan mastered. he and ezra leave at the end of season 2 to protect the rest of the rebellion, he teaches ezra to let sabine go with her family on mandalore, he helps hera reconcile with her past on ryloth. through love and attachment, kanan also learned sacrifice. he lost everything as he became kanan jarrus instead of caleb dume. he was forced to leave behind all the attachments of his former life in order to survive. he didn't learn to do that necessarily, he was forced into it out of necessity, which is very different than him consciously learning how to let go during rebels.

in rebels, kanan leaves by choice. in season 2, he knows that leaving is necessary to the survival of the rebellion. in season 4, he's standing on top of the fuel tank and holding back the explosion and he probably wants nothing more than to try and go with hera, ezra, and sabine. because that's his FAMILY. he loves them more than anything, but he knows that if he does not let go, they will not survive.

so he does. he sees them one last time, and then he lets them go and sacrifices himself to save them all, and in a way, this was the last lesson he ever taught ezra

its no secret that their sacrifices were meant to mirror each other, but here's the images again for reference

in his final moments, kanan teaches ezra about sacrifice. yes, you must love and feel and experience life, but to be a jedi knight, you must be able to master those feelings and do what you must for the greater good. in his actions, kanan was essentially repeating what depa told him when he was a padawan. "you must not grow too attached, too fond, too in love with life as it is now. those emotions are valuable and must not be surpressed, but you must learn to rule them lest they rule you". ezra fully learns that lesson during "Dume" when he leaves the memory of kanan's death behind in the world between worlds and learns to stop his attachment from going too far.

and also like...kanan's life had FINALLY worked out when he died. hera just said that she loved him, they're back on lothal ready to free their home from the empire, he's figured out this whole jedi thing, and he may or may not know that hera is pregnant with their child depending on your interpretation. but he must let go. he cannot let his love and attachment stop him from doing what must be done for the greater good. he saves them, but he also leads to the empire blowing up their own fuel depot, which is the only reason the rebels can take back lothal. he put his purpose (saving the galaxy) over his feelings (because there was definitely a part of him screaming to go with his family, but he was able to control it in order to see the bigger picture)

the jedi fight for peace and the greater good, which at it's core requires immense selflessness and sacrifice and a clear head acting on logic rather than emotion. kanan and ezra were learning that together throughout the whole show, and one last time, kanan teaches ezra a jedi lesson that he finally figured out through trying to guide ezra through it

"but remember, caleb, the galaxy is far from static, and as it changes, a jedi's role in it too must evolve." jedi were keepers of the peace, then they were generals, then they were scattered teenagers who didn't know what to do in the wake of order 66, and now? now they are rebel fighters, once again getting at the heart of what it is to be a jedi. to be a jedi is to love, to sacrifice, to keep the peace. kanan and ezra show why jedi are KNIGHTS and not diplomats. they fight for peace, but they know it is just that: a bloody, brutal, violent fight, and that those fights require sacrifice in order to keep going. they both embody luthen's line from andor where he says "i burn my life for a sunrise i will never get to see", which is also a perfect way to think about why the jedi fight for peace. they really believe in it, and are willing to lay down their lives to make a peace that will never be achieved in their lifetimes.

(what's also crazy is that in this episode, we're essentially shown that kanan jarrus has found caleb dume again and therefore reconnected with his jedi past but that's a post for a whole other day)

i have so many feelings about this that basically boil down to: rebels is so well written and so underrated and kanan and ezra teach us far more about what the ideal jedi should be than any of the skywalker saga main characters (WHICH IS A VERY HOT TAKE I KNOW but it's my take)

#i am so normal about the shatterpoint lineage #and also kanan and ezra's sacrifices #totally and completely normal #star wars #star wars rebels #sw rebels #swr #kanan jarrus #caleb dume #ezra bridger #depa billaba #kanan: the last padawan #jedi knights #jedi code #i also love thinking about the jedi code #and how different characters interpret it #so maybe i'll post more things like this

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redbatchedcumbermayned · 7 hours

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"I didn’t even know that there was the possibility of a romance option when voicing Heinrix" - Interviewing Chris Tester part 2

We're continuing our interview with Chris Tester, the voice of Heinrix van Calox in Owlcat's CRPG Rogue Trader. In this part we speak about insights into Heinrix's character, how the process of recording voice lines for a video game works, if Chris would romance Heinrix in game, and interacting with his fans.

Part 1 of the interview

I will publish this interview in three parts over the next week in text form and with the accompanying audio file (the audio quality is not spectacular but tumblr limits uploads to 10MB). If you quote or reshare, please quote me as the original source.

F: So, you already talked a bit about Heinrix as a character. What drew you to the character or what hidden depth did you find in the character?

CT: Well, I hope I found some depth to the character. That contrast between principles or values that you seem to be holding onto and lots of unprocessed trauma going on underneath. Sure, that seems interesting, that seems like a really interesting thing to find. Because you can understand, therefore, the appeal of an ideology, which gives you the answers and it tells you what to do. Essentially, it gives you a role, authority, it gives you status, you completely understand the appeal of that. Just like I find voice-over incredibly appealing and exciting: it gives me structure and authority and the illusion that I know what I'm talking about and what I'm doing.

And then there's the flip side: you could make him heretical in some way, shape or form. And you know, I love, obviously, the fact that he belongs to part of that world which I'm sort of familiar with. Where a lot of the more interesting characters are the ones that have disavowed this God Emperor kind of like status in one way or the other, they tend to have a little bit more going on. They're not two-dimensional villains, not all of them, not all of the time anyway. Whereas on the one hand he's not going full chaos, there was just an interesting tension there to explore. Also, it kind of reminded me a little bit of the Eisenhorn series, which again, it's an Inquisitor that through his pursuit of different things starts to question and use the powers of the warp for his own purposes. A very different character, but still, there are those parallels that I really liked, that fallibility, that vulnerability to a degree, but I wouldn't say too much because I didn't really know how vulnerable or how much of a journey he was going to have in the early stages. I didn't know that until we were recording, I'll be honest.

And I didn’t even know that there was the possibility of a romance option, until we were like: Oh, these are romancing lines. And I was like, you what now? So, sorry, I appear to be saying some quite forward things, from his point of view anyway, that's slightly taken me aback. They were like: oh yeah, you're romanceable, you can have a romance. I was like, oh, okay, right. I'll just think back to the five hours or so of recording that we've done up to this point and pray that I've made the right choices. So that was a bit of a crazy ride, but thanks to Olga, the writer of my character, she gave really astute directions. She wasn't in all of the sessions, but the majority, especially when there were big plot beats to explain to me what the hell was going on, however, roughly. She was great. And also the technicians at 3B. I was working with a lot of different members of the group technicians slash directors as well. And they were great in terms of giving me not exactly the bare minimum details, but the bare minimum details that I needed in order to be able to make choices quickly, but strongly and relevant to the game. So yeah, it was quite a trip.

F: Thank you. Since you have been trained as a stage actor do you bring a certain physicality to voice acting? If you embody Heinrix, do you puff your chest? Are you rigid?

CT: Definitely. I think there's the reason why rather than having a small booth, I record in a room is, that I can explore those dynamics as much as possible. And the fact that I was able to record standing and very upright and taking that space was vitally important. Obviously, there's the action stuff that really helps when you're actually making fighting noises. That's one thing. But I think in terms of real subtle differences to be able to, as well as mic proximity when he's speaking under his breath and that kind of thing, that's obviously incredibly vital, but even the subtle things of being able to have that big open physicality because he is so often so imperious because he thinks he's absolutely right. That was a vital aspect to explore and just being able to be upright and expressive in that made such a huge difference.

And also when, without wanting to give too much away, he's in more constricted circumstances, shall we say, trying to do that just purely through the voice means that it all becomes about the sound that you're making as opposed to the truth of the character's journey without wanting to be, again, too much of a cliche, but focusing on that rather than am I making the right gurgling noise?

F: Were you offered any other character to audition for Owlcat? Or if you could, which other character would you like to voice?

CT: I couldn't say any of the other characters. I do play a couple of NPCs randomly. I think before even I had Heinrix. There's some cockney London geezer in there that is immediately disposable. That was me. That was my kind of guaranteed role. I was like, great, fantastic, because I did the audition for Heinrix and then there was quite a few months before it was actually kind of confirmed. I thought the role had gone to somebody else. As with many of these things, you just don't hear back. If you don't hear back, you just assume it's dead and then suddenly it'll come back up or it won't or you'll see another voice actor posting on Instagram going “amazing session” and you slightly die inside and then you move on.

But in terms of the other characters, I mean, I've met, at least digitally online, the vast majority of the principal companion cast and they're all lovely and amazing and I associate them with their performances. For better or worse, Heinrix is very much my kind of casting and I loved it. Not because he's pretty in a particularly posh kind of way, but that helps. Sure, I'll go with that kind of slightly emotionally constipated. I'm very well cast, very well done, but I think so is everybody else. Throughout the entire game, it's a bit of a who's who, they might not be all household names, but in terms of for myself, the actors that I know in some big parts and some really small parts, the actors that I know in the UK and in the U.S. voice-over scene, so much talent, so that it was just an honour to be included in that really.

F: So now I have to ask you a question from our discord server. Would you romance Heinrix if you were playing a female Rogue Trader?

CT: I think that would be a bit weird. No, I'll just watch videos of other people romancing him slash me. Is that more or less weird? I mean, I'm 42 years old. I've spent far too much time playing with myself already. So, let's just draw a line under that, but other people are welcome to. That's absolutely fine. My only thing, without wanting to overstate it too much, is that I was very surprised that there was anything around any character that I've been related to but as with so many of the other companions as well, that's a testament to the writing. Credit to the whole Owlcat team in that respect.

F: Would you like to continue working with Owlcat in the future in another capacity?

CT: Oh, God. Yeah. They've not made me sign an NDA, so I can say, not name a thing, but there's DLC for one of their other titles, which I'm going to be in, and that's in a completely different world. There's that thing of once you've had one really positive experience with the developer and the type of games that they create. The ones that are very story focused, that's the type of games that I'm passionate about. I was brought up on these things like the Mass Effect Trilogy. You know, that absolutely iconic kind of stuff, and so to be a part of someone else's experience to facilitate that kind of longer storytelling stuff is exactly what I would be after. They've got a great process, amazing writers and I also think that the games themselves look fantastic. So yeah, I'm a fan of that.

F: So your fan base has certainly expanded since the release of the game. Do you mind having a female fan base now? Have you noticed that there is a bit of a shift because Warhammer 40k for the totally uninitiated looks like a male hobby and unfortunately some part of the male fans are very aggressive against female fans.

CT: Are absolutely ridiculous. Idiots, essentially. Because my relationship to the whole Warhammer 40k thing is like, I played it when I was really young, and then you put away your childish things. I'm saying that in inverted commas, that's kind of ironic or whatever, and then didn't really get back into it until someone gave me a book and I realised that the lore was actually quite good, quite interesting, and then actually really good and really interesting, and I therefore have done some novels for them and a couple of video games as well.

But to your question, do I mind? No, of course I don't mind. I'm very happily married and well adjusted, so I definitely don't mind as long as it's all respectful, if that makes sense. Surprise, surprise, female fans seem to conduct themselves with that level of respect or if there is a server which is going into crazy, crazy character scenarios and that kind of stuff, no one's sending me a link to that. And even if it is, it's the character, it's not me, and so that's all quite healthy and good. And I think I'm definitely not in a position where I should be censoring any of that kind of thing at all. I think it's all positive and very, very healthy and everybody that I've interacted with has been incredibly respectful. So, I think that's great.

And I think being able to portray these characters that offer that level of connection is great. We're in a post Baldur's Gate world, I suppose. Not that there weren't other games that did this, but on that scale and everything. I think the value that the games can offer in that. Rogue Trader is hugely valuable and I definitely wouldn't want to censure any of that at all.

F: Yeah, it was nice. I reconnected a lot with people who have this fandom experience again that I had in the Eddie Redmayne fandom more than 10 years ago when it was small, when you have a rather small group of fans and then a very nice person that you're a fan of, and you can interact with.

CT: So people have contacted me via Cameo, for example. And, you know, they've had a certain particular playthrough and then they say, well, I would like you to voice this letter from Heinrix or whatever.

F: That was me.

CT: There have been more than just you is what I'm saying, but sorry, not to say that I'm a whore and I'll just do anything, but you're not the only person who has come to me with that kind of thing. And that's great. That's a pleasure, because it's continuing to tell the story on a wider scale. But also the fact that you can personalise and make it your own. And that's the brilliant thing.

That's part of the whole appeal of a video game, as opposed to it being a theatre piece or a film or something else is that it was very much your experience, your playthrough. You can have multiple versions of the thing that you kind of like one but you can really structure your own narrative. And that's a fascinating thing. You get to iterate on it yourself. You know, if one stage of that is also being able to call upon the voice actor to facilitate that, I think that's a cool thing, you know, as long as it doesn't get too weird or too whatever, but you know, whatever two consenting adults want to exchange money for or time, great, fine. I think that's less weird than getting an AI to do it personally. I think that level of storytelling is a great thing.

#chris tester #heinrix van calox #rogue trader #warhammer 40k #rogue tradercrpg #owlcat games

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