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#it's way to depressing for a story like my hero
problemswithbooks · 2 years
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Ch. 363 and all I can say is, I do really want Dabi to die at this point. 
Part of it is because I’m not super fond of how Hori has written his character, but also because I don’t want anymore stupid ass pulls with his character anymore. 
I’m hoping the leaks are wrong because it is ridiculous if it’s true that he’s somehow copying Shoto’s last attack. First off he doesn’t even have the duel Quirk that Shoto has so how is what he’s doing anything similar in the first place. Second, it took Shoto a long time to learn that move and was the kind of the culmination of his character arc, so Dabi figuring it out in .02 seconds is both unbelievable and undercuts Shoto. Third it under cuts Dabi character if it suddenly says that he’s made his Quirk his own, sense his entire point was that he only used Enji’s moves because he could only focus on his revenge. 
I know people really expect him to have some sort of Phoenix Quirk but that’s just not a good thing to add to his arc. The point of Dabi is that he wasn’t the perfect heir Enji wanted and so he was tossed aside. If it turns out that he has some regeneration Quirk (which idk where he even would have inherited that from), it sort of implies that Enji shouldn’t have neglected, not because neglect is bad and wrong, but because Touya actually was prefect, and Enji really should have pushed him to his limits instead. It’s just a weird message to send, given all the build up we’ve had toward Touya needing to accept his limits and learn to see his value outside his Quirk, while Enji needs to show that he loves Touya for more then how much awesome his Quirk is. 
Meanwhile, giving Shoto the ability to heal him is also weird because it continues to paint him as perfect, and the savior of his family. It would also make Touya hate him even more because apparently there really wouldn’t be anything Shoto couldn’t do. It would fit in more with the themes Hori has built up then giving regeneration to Touya, but it still would feel forced and a Deus Ex Machina, given it wasn’t ever even hinted at.
And the issue is that unless he does get healed somehow, Dabi won’t have the time/power left for his big show of changing sides like many people think the core LoV will do (aka, helping take down AfO/protect civilians) so they can be “redeemed”. Not only that he seems to be calling on Skeptic, and giving him the signal to have AfO’s spies start killing civilians, while also burning people to death rather brutally, which means he’s really going to have to do something big to make up for that. Yet by the time Touya is convinced to change he’ll be completely burnt out (literally) so how will he even be able to help them?
 Touya’s character is just a mess at this point and I honestly think his death would make the most sense for the story at this point. I expect him to get some closure before he dies so Shoto still technically gets the win, but unless Hori pulls some crap out of his ass, I don’t see how Touya survives and gets to eat dinner which everyone. 
Which is sad for me because that means Enji’s most likely going to die too (it would be weird/shitty for the TodoFam plot if Touya died and Enji lived).   
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zincbot · 5 months
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i gotta say, 13 hours into omori, i don't get why people call it a horror game
#omori#like there's been occasional creepy scenes but they're usually quite short especially compared to the broader tone of the game#it does have a serious story. about like. trauma and failing friendships? that i'm really intrigued by as it slowly uncovers#like maybe it leans further into horror elements as the game goes on but i gotta say the elements that do exist aren't enough for me#to explicitly call it 'horror'#don't get me wrong i love this game and i love the spooky moments they're really fun!#i just went thru the train ride bit which was pretty fun i liked how the shadow at the end says the name of ur real-world character#even though ur playing as omori in the dream world#also no spoilers but it's unclear to me as of now if omori is just haunted by the memory of his sister's death#or if her spirit is Actually haunting him#also i had flowers and i thought maybe i cld put them on her grave but it didn't give me the option#also i loved the moment where kel talks about hero's depression and the way he himself was overlooked by h#their parents#man. i love all these characters so much#god the scene where aubrey fights you in the church and the whole time all the churchgoers are whispering about how terrible she is#i felt so bad for her man#also her design in the real world is cool as hell#also i actually lost to aubrey during the church scene but i didn't get a game over she just let me be and left#omori spoilers#i know the game is old-ish but my wording may have implied i wasn't going to spoil and i totally did#what i meant was don't tell me abt the future story of the game i'm only on 'three days left'
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cy-cyborg · 3 months
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Disability Tropes: The disabling change of heart
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When a character in a story becomes disabled, they'll sometimes experience a trope that I like to call "the disabling change of heart". This is when the character goes through a massive change in their outlook, their personality, their goals or even roll in the story, specifically because they became (or are about to become) physically disabled. Sometimes, this will be in relatively small ways: the happy-go-lucky comedic relief character might become bitter, angry and jaded after getting into an accident that caused a spinal injury, or the severally depressed and nihilistic character might suddenly start acting more cheerful and hopeful, stating that loosing their leg has "put things into perspective and showed them what really matters". In other cases though, the impact is much larger, the heroic character you've been hearing about looses an arm thanks to the main character's actions, causing them to become consumed with anger and self-loathing which they take out on everyone else, eventually becoming an antagonist as they seek revenge for what the main character did to them. The morally grey or even villainous character is injured by their own scheme, giving themselves a permanent disability in the process, which prompts a change of heart and leads them to turn their lives around and become better people, maybe even deciding to team up with the heroes.
Now, having a character go through a personality and goal change due to a major life event, such as becoming physically disabled, isn't inherently bad. A lot of writers are told to tie major shifts in your character's development to major life events, because realistically, something like becoming newly disabled will at least impact how you view the world around you. I very frequently talk about how if I didn't loose my legs, I would have become a vastly different person, but the issues with this trope depends on how it's used and the reasons behind these developments, and whether or not the change suits the character in question.
Before we get into things, I would like to specify that in this post, I'm only going to be talking about how this trope is used with physical disabilities and other easily visible forms of disability. It does show up with characters who develop disabilities under the mentally ill and neurodivergent umbrellas, and is actually a bit more common than what I'm talking about today, but the specific ways its utilised are so different that it's more or less a separate trope, and one that deserves much more attention than I could give it here as this is already going to be a pretty long post. So for today, I'm keeping to it's use with physical and visible disabilities, and we'll talk about how this trope is used with neurodivergence and mental illness another day.
The main thing you need to be mindful of is ensuring that you, as an author, are not including your ingrained biases about disability into the reasoning behind the change. Let's look at one of the examples from before, an evil character who, after loosing their arm (because it's almost always loosing an arm for some reason) becomes a villain and wants revenge against the main character. In a story like this example, the character who became an amputee often views this new disability as something that has ruined their life. It's something that has caused them to suffer, and they want to make the main character (or whoever has "wronged" them) suffer like they did. Stories like this example portray disability as something that is not just horrible, but life-destroying, especially with villains who become all-consumed by the misery this disability has brought them. Many stories that utilise this version of the trope also often perpetuate the idea that if you become disabled, you'll have to give up all the things you love and your goals, even when this wouldn't necessarily be true for the character in question.
Let's say your character was a knight, and the main character cut off their arm in a training accident. obviously you can't be a knight with only one arm because you can't fight anymore, so they left their order. Now this character has become a villain and has found power that "makes up" for their disability, perhaps magic or some other force that doesn't exist in the real world, and are back to get revenge on the character for ruining their lives. Here's the thing though, the loss of a limb, or at least, the loss of an arm specifically, often isn't the career ender people think it is, even back then. In fact, there are many historical records of real amputees continuing to serve as knights and other similar military roles after loosing an arm or at the very least, continuing to fight in other ways. One such example was Götz of the Iron Hand, a mercenary knight who lost his arm to a cannon. Götz had fought as part of the Roman empire's military in 1498, but shortly after left to form his own mercenary company. He lost his hand in 1504 and continued his career as a mercenary with the help of an iron prosthetic capable of holding his sword and the reigns of his horse, among many other things such as writing, for another 40 years. Götz wasn't unique in this though, several suits of armour from the same time period have been found with integrated prosthetic hands, though the names of their owners are unknown. There was also Oruç Reis (aka Aruj Barbarossa), A privateer admiral who served the Ottoman Empire in and around the Mediterranean who lost his left hand - earning him one of many nicknames: Silver-Hand, thanks to the colour of his prosthetic. Oruç, like Götz, continued his career for several more years until he was eventually killed in 1518.
My point in bringing this up, is to highlight how important it is to double check that the reason your character's whole motivation for turning to villainy, isn't just based on your ideas about what a disabled person can or can not do. Actually double check it, research it, especially if it's important for your plot.
Even in the cases where the disability in question actually would stop someone from being able to do something, the incorrect assumptions can still occur and cause issues in different ways. For example, a character in a more modern setting who looses their arm due to an accident the main character was responsible for while serving in the military would be discharged, ruining the character's plan to become a general some day. This absolutely would be devastating for a character like that, and they realistically could struggle to adjust, both in terms of getting used to their disability and finding new goals for their life. They may well feel anger at the main character, however, if you are portraying just living with a disability, in the case of this example, living with an amputation as inherently "suffering" for no other reason than they are disabled, it is still perpetuating those really negative ideas about disability. I've said this a few times in other posts, but villains who are evil or even just antagonists purely because they're disabled or are trying to avoid becoming disabled is a trope all its own and one that is best avoided if you yourself aren't disabled, as even outside of spreading these negative ideas about life with a disability, it's just an overdone and overused trope.
But what about when this trope goes in the other direction? when you have an antagonistic or even just morally grey character who becomes disabled and this is the catalyst that turns them into a good guy?
For the longest time, I knew I usually disliked this version of the trope too, but I couldn't put my finger on why. With disability being the reason someone became a villain, the underlying reason it's there is often able to be boiled down to "I, the writer, think being disabled would be terrible and life like that is inherently suffering, so this character is angry about it," which is obviously an issue (the "inherently suffering" bit, not the anger). However, when a character becomes good due to becoming disabled, the reasoning is usually more along the lines of, "this is a big change in a character's life that has caused them to reconsider and revaluate things" (or at least, that's what I thought). This isn't bad, nor is it necessarily unrealistic. Hell, as I already said, I do consider my disability to be a catalyst that made me into who I am today. I also know plenty of people who, after becoming disabled later in life, did have a big change in how they viewed themselves and the world, and who consider themselves better people since becoming disabled. It's far, far from a universal experience, mind you, but it does happen. So why did this version of the trope still not sit right with me?
Well, I think there's a few reasons for it. The first being that there's a tendency for non-disabled people to think real disabled people are just incapable of evil deeds, both in the sense that they aren't physically capable of doing them (which is bad and not even always true for the reasons we already discussed), but also in the sense that there's this idea that disabled people are, for some reason, inherently more "good" and "innocent" - As if breaking your back or loosing a limb causes all evil and impure thoughts to be purged from the body. This is a result of many folks viewing disabled people as child-like, and thus attributing child-like traits (such as innocence) to them, even subconsciously. This is an incredibly common issue and something disability rights organisations are constantly pushing back against, as this mentality can cause a lot of unnecessary barriers for us. With how often I and many other disabled people are subjected to infantilization, I would be honestly shocked if it wasn't at least partially responsible for people thinking becoming disabled is a good reason to kick off a redemption arc.
This infantilization isn't unique to physically disabled people by the way, in fact it's way, way, more commonly directed at people with intellectual and developmental disabilities - or at least, people are more open about it, but as I already mentioned, how that is reflected in tropes like The Disabling Change of Heart is vastly different and deserves a post of it's own.
That's mostly just speculation on my part though, since that infantilising mindset does show up a lot in media, but not usually as part of this trope specifically.
However, it's not the only reason I wasn't a fan of it. When the disabling change of heart is used to fuel redemption arcs, I think, once again, that the disability itself being credited with causing the change directly is another factor. When this happens, it's usually because "it put things into perspective for me and showed me what really mattered."
This sounds better than our previous example on the surface, but stories that use this logic are often still portraying disability as an inherently bad and tragic thing, something so bad, in fact, that it makes all the other (legitimate) issues they thought were massive before seem so small by comparison. This is a type of inspiration porn: content made to make non-disabled people feel inspired or just better about their own situation. It's the mentality of "well my life is bad, but it could be worse, at least I'm not disabled like that!"
In a fictional story, this might look like an athlete character who dreamed of making it big so they could be famous and get out of poverty. They were a dick to anyone who got in their way but only because they were worried about not being able to make rent if they don't constantly win. One day though, they overworked themselves and got into a car accident on the way home because they were too tired, and now they're in a wheelchair and can no longer walk, which is (supposedly) absolutely tragic and way worse than anything else they were already going through. But they end up becoming a better person because it has put things into perspective for them. Yeah they were struggling to make ends meet, but at least they weren't disabled! Now that they are, they know they shouldn't have cared so much, because money doesn't matter when compared to not being able to walk, right?
As well as portraying disability in a negative light, these kinds of stories dismiss and diminish the other struggles or challenges the character is experiencing, placing the status of "not disabled" above all else.
There's also the fact that, when a lot of real people say their disabilities had positive impacts on their lives, they don't usually mean the disability itself is directly responsible for the change. There's exceptions of course but for myself personally, and most of the people I know who say they are better people because of/since becoming disabled, the disability has been more of a neutral catalyst than the actual cause of positive change. Meaning, it opened the door to allow those changes to happen, but it wasn't the direct cause. For me personally, becoming physically disabled at a young age didn't make me a nice person like people expect, I was still a little judgemental asshole for a lot of my childhood. However, because I was disabled, I had to travel a lot, initially because I needed medical treatment that my local hospital wasn't equip to provide, and later, because I started competing in disability sports. because of both of those things, I met people I never would have otherwise who made me reconsider what I'd been taught on a wide range of subjects, and made me question where those beliefs had come from in the first place. When I say my disability played a part in who I became, it wasn't because my disability itself change me, but it helped me meet people who were positive influences on me and my life. but when creatives make characters who experience arcs like this, they ignore this, again, defaulting to the "this was a bad thing that just put all my other problems into perspective" reasoning.
Some iterations of this trope also use disability as a kind of "karmic punishment" where the disability is portrayed as a rightfully deserved punishment for an evil character's deeds - usually something relating to the disability they acquired but not always. An example might look like an evil tyrant who punishes the rebels they captured by cutting off their hands. Eventually, this catches up with him, maybe the friend or a child of one of the rebels is able to capture the tyrant and cuts his hands off as payback so that he gets a taste of his own medicine, a taste of the suffering he imposed on others. Now facing at least one of the same realities of the people he subjugated, he realises the error of his ways. With some pressure from the main characters, he has a change of heart and surrenders himself, steps down to let someone else take his place, or perhaps he decides to start changing policies to be more in-line with these new morals until some other character usurps him, becoming an even bigger threat than the previous former tyrant.
Once again, stories that use a disability like this are still portraying the disability as an overall inherently bad thing, but there's the added layer at play in this example. The thing is, there are a lot of people in real-life who actually believe disability is a punishment from God. I remember one time when I was over in the US, an older lady came and sat down on the seat beside me on the bus and started asking me about my disability and specifically, how I became disabled. This isn't an unusual interaction, it happens fairly regularly whenever I use public transport, but on this particular day, the conversation suddenly shifted when I told her I became disabled when I was very young. This woman, despite the bus-driver's best efforts to get her to stop, ended up lecturing me for an hour and a half (during which time I couldn't move due to how my wheelchair was held in place) about how my disability was punishment from God for my parent's sins. She then tried to convince me to attend her church, claiming they would be able to heal me. And the thing is, this isn't an uncommon experience.
A lot of disabled people are targeted by cults using this same method: they'll convince people their disabilities are a punishment, make them believe they deserved it, that they just weren't good enough, but don't worry, if you repent and come to our specific church we can heal you. There was even a case in Australia recently that uncovered a cult called Universal Medicine, who taught that disabled people were reincarnations of evil people, and that being disabled in this life was their punishment, as well as that parents who have disabled children were being punished for other sinful behaviours. They were found to be operating a disability care service named Fabic that was being paid for by the NDIS, a subsection of the Australian government funded healthcare system that specifically aids disabled Australians by paying for and subsidising treatments, technologies (such as mobility aids) and other services relating to their disability. Fabic was found to be stealing excessive amounts of funding from their disabled clients under the guise of therapies and carer services, but was not actually helping their clients at all. Whether it's just taking advantage of them to get their money, or actually using this logic as a justification to mistreat them, this mentality of "disability is a punishment" actually gets real disabled people hurt or worse, and so seeing it come up in media, even if there is no ill-intent, can be very distressing and uncomfortable for disabled audiences.
So with all this being said, is the disabling change of heart a trope you should avoid in all it's forms and versions? No, but it does need to be handled with extreme care. I do think it should be avoided as a reason for a character becoming evil for the most part. If that really can't be avoided in your story though, at the very least, ensure that you foreshadow the change. Your happy little ray of sunshine, embodiment of sweetness and innocence type character probably isn't going to turn murderous and want revenge for an accident for example. A character who is likely to be driven to that kind of extreme of wanting revenge for their disability, so much so that they become a villain, probably already had at least a few traits that would predispose them to that line of thinking already, before becoming disabled. As for when it goes in the other direction, and you have a character becoming a good guy, avoid using the reasoning that "the disability put things into perspective for me". Instead, if you must use this version of the trope, use the character's new disability as the reason they encountered other people and situations that challenged their views, things they wouldn't have encountered otherwise. No matter the reason though, be very careful to avoid inspiration porn, and as always, try to find a sensitivity reader to give your story a once-over, just to make sure something didn't slip under your radar.
[Thumbnail ID: An illustrated image showing the same elf character twice. The picture of her on the left shows her laughing evilly, two tiny horns protruding through her brown hair. She is wearing a black dress and red shoes. On the right shows her in a yellow dress, sitting in a bright pink wheelchair with her head held eye and her eyes closed. The horns have been replaced with a glowing halo. In the centre is text that reads: "Disability Tropes: The disabling change of heart." /End ID]
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deanbrainrotwritings · 3 months
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—  HERO OF THE HALF-TRUTH
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SUMMARY : “I'm a hoe for Soldier Boy (I'm past hiding it😅) so I thought maybe you write one smut fic where he seemingly picks up reader from a bar, where he is at some promo event or something like that, and they go for a quickie behind a bar and after when she wants to go home, he forces her to sit through rest of the evening with his cum dripping down her legs, and if you're comfortable with it- there could be some degrading, hair pulling, roughness, choking?” — @k-slla 
PAIRING : soldier boy (ben) x fem!reader
CHARACTERS : none
TAGS/WARNINGS : explicit(18+), tiny canon divergence, depression, trauma, ptsd, degradation, i made soldier boy a sad little puppy, hair pulling, roughness, choking, unprotected p in v, cum kink
WORD COUNT : 3.7k
A/N :  title from an august burns red song. this fills the secret relationship square on my @jacklesversebingo card. I almost forgot to post this lmao 
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Soldier Boy, he can’t seem to escape Vought. 
Even breaking every rule Stan Edgar enforced didn’t get him released of the steel strings keeping him from doing whatever the fuck he wanted. 
After being tortured for forty fucking years, it was the least he thought he deserved. He was old as fuck, he could feel the heaviness of it every morning when his eyes opened up to the bright sunlight. He was exhausted and everything looked dead. 
On top of everything, there was a dull ache that remained attached to him like a parasite from the betrayal of his teammates. Even though they’re all dead, even though they didn’t matter to him as he ended their lives—or even before that—his life layers around the hurt and pain left behind by the Crimson Countess. 
There was an emptiness that pressed into his soul like a black hole that no amount of drugs, sex, and alcohol could fill. It got sucked up like it was nothing, unseen, forgotten. It’s how he felt, too. Like nothing, forgotten, thrown away like a useless piece of trash by the very company that struggled to keep him under their thumb now, once again.
He had dreams and hopes before everything that happened. He could have had it all, but all of that evaporated in the same way he had eviscerated his old lover, the Crimson Countess. 
More often than he liked, Ben woke up to nothing, to no one—completely alone, unloved, unimportant. Forgotten. 
Still, here he was, at a ridiculously expensive bar for a promo event. Rich assholes surrounded him, faking smiles and faking laughter, shaking hands and making stupid small talk. They wore expensive suits and held glasses of alcohol that they hardly drank from the whole night. 
Don’t even get him started on the Supes that were on their best behaviour for the night. Pretending to be the good guys. Ben thought they were worse than him. Every single one of them were pathetic, useless, and weak. He didn’t like a single one, but he smiled, too, faking for the night knowing all the annoying cameras that were snapping shots of everyone at any given moment, and that irritating journalists were eavesdropping on every conversation to get the juiciest stories. 
He rolled his eyes as soon as he was able to get away from a journalist who refused to take his ‘no comment’ for an answer. Instead, she was hounded by the Deep who was told which people to talk to in order to continue rewriting his image. 
Ben grunted when he sat on the barstool and the bartender greeted him with a flirtatious, red-lipped grin. He wasn’t in the mood for anything tonight, but he mustered a smile when he ordered a whiskey. But otherwise, he stared into the golden liquid after taking a small sip, ignoring the woman when she brushed her fingers with his. 
Life went by around him; pop music played in the background, people’s voices made a hundred symphonies from laughing and conversation. And the bartender took Ben’s rejection with pride and continued to speak to patrons, reporters, and other Supes. 
His attention drifted away from the glass containing golden liquor when his skin prickled, a shiver running up his spine. He looked to the one side and then the other, there’s only one person who could make him feel that. 
And there she was, sitting on a barstool at the edge of the bar top laughing it up with A-Train, rather awkwardly. It’s like she called to him, somehow, without words. Not a single look had been exchanged just yet. His body felt her before he even laid eyes on her beauty, or touched the softness of her, or caught a whiff of her floral scent. 
Ben stood up to make his way to her. A-Train left instantly when Ben stood behind her with a scowl on his face. He watched her shiver with a tiny smirk, her sentence halfway complete by the time A-Train made it halfway across the room. 
Casually, she spun around in the stool to face him. Her expression was guarded—to everyone else, they were strangers. 
“Hey,” he grunted, deciding to take a seat next to her.
“What are you doing?” She asked quietly, looking away from him to drink the sweet Cosmo she ordered for herself. 
“I should be asking you that,” he shook his head and gave her a sideways glance. He caught the tiny smile on her face for being caught and bit his lip to stop himself from mirroring it. 
She paused and took a slow, short sip of her drink. He resisted the urge to look at her for taking so long to respond. He could feel her hesitation and her quiet sigh made his smile drop slightly.
“I haven’t seen you all week,” she murmured, finally admitting what had driven her to see him in a place filled with people he was hoping to keep from entering her life. They had no privacy now with all the Supes and Stan Edgar around, and he wanted to be angry at her for risking their… relationship, but most importantly her safety. 
He kept her from Vought, from Supes, from anyone who could hurt her or use her to get to him.  
He felt bad. Even though he had good intentions. He couldn’t deny that he was neglecting her. Making her wait for him as Vought dragged him here and there either to play hero or to do shit like this. Promo events. Fucking movies, songs, advertisements. 
It was exhausting to pretend so much. 
He wished he could see her more often. 
If he could, he’d like to return home to her. To lay in bed with her while she runs her fingers through his hair and while they watch another important movie he missed while he was… yeah. 
He just wanted to settle down with her, but Vought was a danger to his dream with her. 
Ben drowned the whiskey in one gulp and pressed his tongue against the roof of his mouth, inhaling softly. He could feel her watching him, and he eyes subtly followed as he stood up and stomped away from the bar to get outside.
He hoped no one would follow him, except her. 
The night was dark, and cool enough that the sky was clear and the stars fought to shine against dark blue-violet skies despite the bright city lights. There was no breeze, the air didn’t bite at his skin and made his cheeks and nose turn red. 
It was perfect.
As perfect as the back of a bar could look during the evening. Cars zoomed by at the very end of the alley and colourful graffiti covered posters of Supes in the wall. Slander and hatred were sprayed against the walls, against Vought, a majority of the Supes. Others wanted Maeve back or defended Starlight, or Homelander. 
People were twisted. Cruel. Pathetic. Hypocritical. As they always were. They never changed, from what he remembers. Not really. They always think they are right, that they know better-
“What?” He heard the heavy door slam against the wall. The door shut slowly behind her when Ben turned around to see colourful pink and blue lights from inside form a shape around her body. 
She crossed her arms over her chest, her face was sadder, but still careful. She knew better than to drop her guard. That fearful glint in her eyes told him that she knew better than to think she was safe. Or that he wasn’t being watched.
That didn’t stop Ben from wanting to hold her. To kiss away her doubts, to smooth the worry lines on her forehead with his fingers, to melt away the tension from her muscles. 
“Sorry,” he whispered instead, his fingers twitching before clenching into a fist. He stepped towards her once the door clicked shut behind her, but she stood where she was as if her feet had grown roots, preventing her from reaching him. “You know I’d like to go everywhere with you in my arms, but-”
“You don’t need to explain it to me again,” she interrupted him softly, rubbing her hands up and down her arms to make herself warm. She looked down at the intricate designs on his suit rather than looking into his big, pleading, green eyes. “Did you miss me… At least?” She blurted out, embarrassment blazing up her face for needing that reassurance, for asking it out loud.
Ben took the final steps to close the distance between them and cupped her cheek. He pressed his lips to her forehead and brushed her cheekbone with his thumb. “I did, you know I did,” he mumbled softly against her.
Ben could feel her relax in his arms. She breathed out slowly and he wrapped his arm around her waist to bring her as close as possible. She clung to the buckles on his vest and closed her eyes as the sounds of the city at night faded into nothing around the two of them.
Part of Ben still felt guilty. Probably more now that he was holding her than before.
Here she was, all dolled up and glamorous for him. Because she missed him. Sure, he thought of her way too much the entire week, but she doesn’t know that. He was so overwhelmed with his job and doing what was expected of him, reshoots and interviews, so many things that came with his contract with Vought. 
If he trusted the damned company, he’d include her and her safety when it gets renewed. He’d request a meeting tomorrow, or tonight, to have it changed. So he wouldn’t have to sneak around with her. He’d like to quit to have all that without being under Vought, but he wouldn’t feel safe, and therefore, she wouldn’t be safe either. 
If he could, he’d fake his death and run away with her. But unlike him, a man who simply doesn’t belong in this time, she was the tree at the centre of a garden that everyone loved to gaze at and be around. He couldn’t just uproot her and leave an empty space where she once was in everyone’s lives. She was loved for who she was—genuine, kind, feisty. But Ben was just liked for his looks, for what he was good for—except for her, he loved him as he was, for all that he was.
Every ugly part. Every bad part. And there was a lot of that. He was an asshole and he was insecure, he already knew that. Who was he kidding besides the people who seemingly adored him? Fans?
“Come on,” she whispered, pulling away to kiss him on his bearded jaw, “let’s get back inside so I don’t freeze out here.” Ben’s fingers dug firmly into her hips to keep her in place.
“What makes you think I’m letting you leave so quickly?” His rough voice caused a shiver to run up her spine. She smiled softly against his mouth and pushed up on her toes to wrap her arms around his neck. “I missed you and you look gorgeous. And now that I have you here… I’m going to make a mess of you with the time I have.”
She inhaled sharply, excitement speeding up her heartbeat. Ben walked her backwards until her back hit the cold wall and she gasped softly once she was pressed against the painted bricks. Her flushed skin made her more sensitive to the cold surrounding her and almost instantly, before his luscious mouth even landed on hers, she felt a tingle of excitement followed by a flood of wetness between her legs.
“Are we really gonna fuck here?” She whispered against his lips. His beard tickled the soft skin of her chin when he hummed a ‘yes’ against her lips, pressing softly at first. “What if someone sees us?” She asked, burying her fingers into his soft, brown hair. 
Ben smirked, his tongue teasing the seam of her lipstick-painted lips. The dull flavour of lipstick hit his taste buds, but his mouth still watered. Her lips parted just slightly, her shaky breath made his lips tingle. “You should know better than to think that would stop me.” 
“Fuck,” she exhaled, his voice alone was enough to make her moan. His fingers clenched her dress, slowly dragging it up her legs, slowly pressing his knee between her legs. To tease, his knee grazed her clit, their mingled breaths made his mind hazy with arousal.
“Now, be a good little slut and give me your panties,” he ordered, releasing her dress to smack her ass with both of his hands. She moaned softly and brought his lips down to hers for a deeper, sensual kiss. 
His fingers tangled in her hair and he tilted her head to slide his tongue into her mouth, licking, sucking, desperately looking for a way to fuse himself with her. Her fingers blindly pulled and tugged at the buckles around his hips and then she whined uselessly when she couldn’t get a single one undone. 
He stopped kissing her to laugh softly, “I told you to focus on you.” 
“Please,” she laughed shyly, pecking his lips. She cupped his cock over his trousers and he gasped, rolling his hips against her hand. 
“We have to make this quick,” he told her, stepping back to work quickly on the buckles. He was faster, pulling out straps expertly, habitually, from years of practice. He didn’t even have to glance away from her flustered face, but unlike him, she clumsily dragged her seamless panties down her legs.  
He hadn’t removed anything, not enough for her to see how hard he was, and he wasn’t giving her a chance to. “I’m keeping these, doll,” he grinned, snatching her underwear and shoving them inside his armour vest, right where his heart thundered against thick metal. 
“Can I keep anything of yours?” She pouted. 
“You can keep my cum?” He offered with a smug smirk, his hands moved from where they were to grasp her hips and spin her around faster than she could process. 
“Okay,” she replied with a smile, hesitantly setting her hands and cheek against the wall. He laughed against her shoulder and hiked up her dress again, his fingers trailing up her sides. 
“You just love being a fucking cum-dump for me, dontcha?” He teased, his voice dripping over her like honey, deep and hot. She moaned softly in response and wiggled her hips impatiently. 
“Fuck.. anything for you, Ben.” He sank his teeth into her neck and guided his cock to her dripping entrance. The tip of his cock circled her entrance and slid through her wet folds slowly. The feeling of her bare heat against his skin made his grip tighten painfully around her hip.  
“Christ, you’re so fucking wet already,” he groaned, the length of his dick teasing her clit with every back and forth, “and I’ve barely even touched you.” He slowly pushed himself into her, shuddering at her delicious warmth wrapped around him. Her walls fluttered around him and she pushed her hips back into him, adjusting to the size of him. “That’s my needy little whore,” he praised degradingly, dragging his calloused hands up the front of her dress to palm her breasts. 
She moaned softly and reached back to thread her fingers through his hair, pulling at the strands until he groaned deeply against her back. The sound shook through her body like an earthquake and sent ripples of pleasure to her clit and pulsing walls. 
“Beg for my cock, needy little slut, show me how much you missed me,” he whispered into her neck with a smirk. He was all smug and sexy, hard and firm, and each touch woke something in her that she would have otherwise been too embarrassed to show anyone else.
“Please, fuck me,” she begged pathetically, pulling harder at his hair if she couldn’t convince him with her pleas. He wrapped his fingers around her wrist and pressed his fingers into her palm until she relaxed her grip. “God, please, Ben… I need you so bad,” she whispered needily, extending her hands back to grip onto any part of him that she could easily reach when he let her hand fall.
“Come on, let me hear you,” he panted, slowly thrusting into her. He bit his lip, digging his fingertips harder into her hips. She gasped at the pain and squirmed, but a tingle of pleasure began to bloom as he bruised her skin and dragged his cock slowly through her walls. “My pretty little slut,” he growled, smoothing his hands up her sides to bend her forward slightly.
“Please, Ben! I need you!” She whined, allowing him to roughly pull her up again against his chest. He pressed a hard kiss to her jaw, snapping his hips forward once as he groped her chest. Ben pulled the top of her dress down and didn’t hold back with the painful pinch of her nipples between his fingers. He ground his cock into her, driving himself deeper as she moaned and squeezed him. 
Her toes curled inside her heels and her breath hitched, but Ben continued to mouth at her cheek and her shoulder, his breath as uneven as hers. She could feel the grin on his face, the tickle of his beard fueled her arousal and she was dripping around his cock like a desperate whore.
“Please! I-I can’t take it!” She cried, pulling hard on Ben’s hair to make him move faster. He growled against her flushed skin and delivered another rough thrust in response. 
Ben’s teeth grazed her jawline and he grunted softly with each unhurried, deep, hard thrust. Her soft pleas and loud moans echoed against concrete walls, carried into the dark nothingness of the city. Her pussy clenched tighter around him and he was almost out of breath from how amazing she felt.
She clung to him as best as she could and his large hand ended up wrapped around her throat. He was waiting for her to finally fall apart and beg him to make her come. All she could do was ride along the tiny edge of her orgasm, so close to toppling over, but never having that pleasure wash over her.
“Faster, Ben! Let me come... Please… make me come!” She cried out, trying to move her hips to desperately meet his deep, slow pace. He squeezed her throat, pressing his fingers around her throat until her vision turned nearly all the way black.
“Christ, you’re perfect when you beg for my cock,” he chuckled. Be  relaxed his grip and she inhaled sharply, her brain getting fuzzier, like static. A moan slipped from between her lips and Ben finally began thrusting into her faster, sharper, precisely. Short quick gasps made their way past her swollen lips and his name hung in the air when it was stuttered lovingly. 
She found it easier to hold onto the wall, bending herself over once again as her knees became weak and her heels became difficult to stand in. Her mind evaporated from her skull, all she could feel was him, Ben. His suit brushed against her sensitive skin, hard armour pressing into her soft body. His beard scraped against her flushed neck, causing her to shudder and clench around him.
His lips were wet and warm against her skin, his breath adding to the heat to combat the cold that engulfed them. His hands touched and grabbed at what he could reach before tangling in her hair. He gripped her hair in one hand to breathe clearly into her ear, and he pulled at the strands so she stood up straight and couldn’t move away from him again.
Her scalp stung at occasional harsh tugs but his fingers on her clit distracted her enough to find more pleasure than pain. “You always do the stupidest fucking things for my cock,” he grunted in her ear, and despite how irritated she was from being edged she couldn’t help being amused.
Maybe it was all the pleasure that put her in a good mood or maybe it’s that she was finally where she wanted to be, with Ben. The man behind Soldier Boy. 
Her body had a pin-point focus on all the pleasure induced by everything he did to her. Taking her ability to breath with his grip tight around her throat, holding her to him with her hair wrapped around his fist. She felt like an overfilled balloon, overwhelmed with pleasure, love. She missed him more than anything and he was intoxicating.
She felt her orgasm wash over her, a scream of Ben’s name that he was partially able to muffle with his hand squeezing the side of her neck. She gasped, strained and strangled sounds that could barely move past his tight grip and then he let go before he could finish.
She was cold and empty for a few moments, her pussy clenched sound nothing and then a breath was punched out of her chest when he pressed her back into the wall. She was up in his arms, back to moaning and shaking when he slammed back into her.
A few quick thrusts with rough kisses pressed against her lips before warmth bloomed inside her from spurts of his release. Warm cum trickled down between her thighs and Ben laughed huskily against her shoulder when she held him tighter. 
“I missed you,” she whispered breathlessly, slightly disappointed when he pulled his cock out of her and set her back down. She leaned against the wall to catch her breath and recompose herself. She closed her eyes when he dipped down to kiss her cheek.
“Me too,” he murmured, his lips ghosting across her flushed cheeks. She fixed her clothes and tried to keep her focus on him, but she felt exhausted. Weak. “Tell you what,” he began, pulling her back in to keep her warm, “Sit like this through the night and I’ll take you home with me,” he proposed, smirking at the laughter that shook her body. “That’s what you’re good for, keeping my cum safe inside that needy little cunt of yours,” he brushed his lips against hers, collecting sticky strings of their release with his fingers to smear them across her painted lips. He bit his lip and watched her lick her mouth clean. 
“Yes, sir, Soldier Boy,” she smiled, entranced by the lascivious way he sucked on his fingers. 
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gglitch1dd · 1 month
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About the Cheating Dilf Izuku, I'm curious to know what would have happen if Izuku arrived again a minute too late?
Seeing reader die in the hands of Jigsaw since every story and anime i see.
The lovable and caring husband turns into like mean and abused after their wife dies like in Demon Slayer, Rengoku Shinjuro?
So yeah! Curious to know what would Izuku do once reader is gone and what will happen to the sprouts and how they would cope up with the fact their lovable mother is gone?
Also! Loved the mini series!🫶🫶 Hell it made me cry! I should be studying for the exam but damnnnn need some angst 😭😭
You mentioned a Rengoku and I perked up, @freshherowinnercloud. I LOVE Kyuojiro. I'd want all his babies. Either way, back to my main man.
Well... I think Reader and Izuku are very close in a sense that Izuku could very well not see a point in living anymore because of the fact that Reader isn't there. She gave him everything in his life, his home, his children, the things that push him to continue. But she's gone... that would be a very difficult situation for everyone.
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Warning: Heavy depression, Reader's death, oldest sybling syndrome, grief
Toshinori entered his parents father's room. The curtains were drawn just like always, the room dark and stuffy. Toshinori entered the room, the room silent. Lying in bed was his father. Toshinori glanced at the lunch he had brought him. Not even a bite out of the sandwich that he had made.
Toshinori glanced down at the dinner he brought with him. He sighed as he walked forward, to where Izuku's side of the bed was. He replaced the lunch that was there with dinner that he knew he wouldn't touch.
The fourteen year old boy wasn't even sure if his father had even left his room since after the funeral.
The day you had passed was a dark day in the Midoriya household. It was the day that the very sun that kept the garden that was the Midoriya family, stopped shining.
Toshinori still couldn't get the sound of his father's scream in pure agony in the hospital out of his head. The sound of a man who had lost his wife and very meaning of existence.
You were murdered by Jigsaw, the villain who was rotting in prison right now, but was still breathing. You had gone to pick up Shoyo from preschool when the villain had attacked. You sacrificed yourself to save all those kids including your son.
And yet, Toshinori couldn't have helped but be so mad at you for it. Why did you have to do that? Why did you have to go on and get yourself killed?
You weren't a hero.
You were his mom.
And yet the moment you died, Toshinori didn't cry. He didn't cry once, not in public that is. Even at the funeral, when his grandma had put the boys all in black suits and stood next to her son at your funeral. Toshinori and his father were the only ones that didn't cry at the funeral. However, Toshinori was sure his father didn't cry for the same reason he did.
Izuku simply had no tears left on that morning to shed, and one could see it straight how much he was but a cusp of the man he once was. Standing there motionless, silent, rigid. Inko and Toshinori received all the condolences, people just having to take one glance at the Number One hero to see that he was in no state to even be there.
Since then, Toshinori tried to keep his brothers together. With the help of his grandma and his godpaerents, Aunty Mina and Uncle Hanta. Although he never asked for help, it was nice that they pitched in. Buying groceries, taking the boys to school, making lunch for them. All things Toshinori first denied them needing, but accepted anyways.
It was hard on all of the boys, not having you here. The house was quieter and empty. It was cold and lacked the warmth you brought.
Asahi buried himself in studying. He barely did anything else, other than start fights as well. Toshinori had to go to guardian meetings for parents because of the fact that his father just wasn't able to. Toshinori couldn't even talk to his eleven year old brother because it was like talking to a whole different boy.
Hero had stopped smiling entirely. Toshinori hadn't heard a joke or laugh from him since the day you died. According to letters his teacher was sending, the seven year old wasn't doing well in school and he wasn't participating. A lot of his teachers were accomodating and were trying to help him pass but if he continued like this, he would fail the year. All Hero did was play sports, but at least he had that.
Shoyo still tried smiling. The five year old, given to his name, tried to be as happy but clearly couldn't quite understand that you were never coming back. He would wait by the door sometimes, Toshinori having to carry him to bed because he thought you'd come walking through.
Koda however, he was just three. He probably wouldn't even be able to remember your face in a year's time.
And through all this, Toshinori barely just passed his UA entrance exam, only getting in through recommendation and nothing more considering he was too busy keeping track of all his brothers and keeping his disconnected father alive, to study for the written exam.
Toshinori wondered how on earth you did it. How you kept track of five boys all at once. How you managed to keep this family together through everything.
Because Toshinori was at his wits end and he realised something painful...
He'd never be you.
Toshinori stopped himself from leaving the master bedroom. He dropped his head. "You know... you're really selfish." He said outloud. "You are really really selfish."
He was met with silence was more. He turned to look at his father who's back was turned away from him, looking to your side of the bed where it was empty and it didn't smell like you anymore.
Toshinori tried to fight the rising bile of disgust and anger that was in his throat. "You just lay there and do nothing while I'm doing my best to keep us together!" Toshinori shouted as he motioned to his father. "Ever since mom-" Toshinori's throat closed up, being unable to see say it. He scowled disappointed in himself, tears flowing to his eyes. "You haven't been here. I need you to be here! We need you! Your sons need you! We don't have anybody else!" He shouted.
He was once again met with silence, dead stagnant silence.
Toshinori squeezed his eyes shut, letting the fat Midoriya tears flow from his eyes. "I lost my mom..." He let out weakly. "Your wife... I know how it feels but please... Dad please..." His voice cracked as he stared at his father's form. "I can't do this by myself. It's suffocating me. Please..."
His father didn't respond. He didn't move. He didn't speak.
Just nothing.
The fourteen year old lost all emotion to his face. He let out a scoff as he wiped his face with his sleeve. "What did I expect from you?" He let out lowly as he walked out of the room, slamming the door behind him.
Toshinori went straight to his room, placing the plate on his desk and closing his door. He walked straight to bed, too tired to even look at whatever homework he had to do or whatever studying he should probably touch up on. He fell back, staring up at the ceiling.
Suddenly his phone screen lit up.
Weakly he grabbed it off his bed side and looked at the screen.
(1) Memories from this day a few years ago.
Toshinori knew that sometimes the cloud storage recommended photos and videos from years back, but this was an odd one.
He tapped the notification. It was a video. Toshinori sighed, debating whether or whether not to watch it. Not seeing anything better to do, he tapped it.
The video started dark first but then light appeared. The camera work was shaky but then a laugh was heard. The camera panned to a young Toshinori, just a year old, who was sitting in a high chair with his chubby face covered in icing and cake crumbs. "Toshinori!"
The sound of his mother's voice made him still. Tears burned at his eyes just hearing your voice and your laughter.
The little baby looked up at the camera before laughing. The sound of his father's own laughter sounded closer than yours. You stepped into the frame with a cloth in hand. "You've got cake all over your face, baby." You said amusedly as you tried to clean him and his chubby grabby hands. "He's just happy about his birthday cake." Izuku said as he held the camera. "You only turn one once." You chuckled as you finally had your son clean, his big eyes blinking as you picked him up out of his chair. "That's true..." Finally your face was in view. Beautiful and lovely as you looked at Toshinori with so much love and devotion. "Oh my big boy. Look at how big you are already? My little hero." You laughed brining your nose to his. Toshinori giggled in the video, putting his now clean hands on your face. You smiled dearly, putting a kiss to his face. "Happy birthday, Toshinori!" Then the camera flipped and his father was there too. Izuku laughed as he pulled you and Toshinori into a hug, the three of you together. He had a bright smile on his freckled face. "Happy birthday, Toshinori." "Izuku did you take a picture?" His father moved his face close to the screen. "Oh this is a video." "Izuku!"
At the tone that you said his father's name Toshinori couldn't help but laugh. You always said his name like that when he says or does something wrong. The video ended with that. And that's when Toshinori remembered that you always used to send this video to his phone on his birthday.
Which only meant one thing.
Toshinori scrolled up to see birthday wishes and messages that were unopened on his phone.
It was 11pm...
and today was his birthday.
Izuku wasn't sure what it was about what Toshinori had said but the moment the boy left. He felt some semblance of control over himself. He had been stuck in a constant state of nothingness, feeling nothing, experiencing nothing, thinking about nothing, other than the fact that you weren't here anymore.
But now... now he felt like you'd be so disappointed in him.
Izuku buried his face in his pillow.
His boys. His wonderful boys that you gave him and look at what he was doing to them.
He couldn't for the life of him, feel like a responsible adult. In his mid fourties, having lost nearly a third of the weight he was before you had died and here he was rotting away like a sad worm.
Izuku reached over to grab his phone that was probably dead, to his surprise wasn't and he tapped the first person he thought of calling.
"... Izuku?! Is... Is that you?"
At the sound of his mother's voice, Izuku felt like putting down. He wasn't worthy to talk to her when she was spending everyday here, taking care of his own children while he felt like a failure.
"Izuku! Izuku if its you... please say something..."
"... Okaasan..." His voice was hoarse from lack of use and honestly he couldn't rememeber him ever sounding like that.
But his mother knew her son when she heard him and she let out a relieved sigh. "Oh thank God. I'm sorry I'm not there. I had to come home and get my laundry washed and buy a few things for the boys. Are you okay? Are you hurt?"
Izuku didn't answer immediately but he let out a shaky breath. "I... I need help."
-Glitch1d
moral of the story, Izuku gets help and he tries to come back into the boys' lives. He disconnects for the most part. But it's understandable, but still painful
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miguelhugger2099 · 4 months
Text
A Knight's Oath
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Summary: You're a princess in need of a personal guard after your father's passing. Miguel from the enemy kingdom, is assigned to become a spy that kills you. Next>>
Knight!Miguel x Princess!Reader, Enemies to Lovers(?), Angst, Fluff, Not proofread, Word Count: 1,005
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Like any tale as old as time, history is never clean. Freedom is never gained through peace. It is violence, a necessary one at that, in order to get what you need. Even if it means becoming the villain to some and the hero to others.
Your father was no exception. As a young king, his father had died in battle protecting the kingdom during a famine. With its citizens crying for help and other countries trying to step on their kingdom, your father had picked up a sword and began to lead a slaughter in the name of freedom. With your mother at his side, she helped on the inside, providing jobs, and a sense of community for hope and pride of their heritage. It had been a long thirteen years of bloodshed, but ultimately, the king had successfully pushed back intruders and helped bring his kingdom back to life.
In the middle of the war, you had been born–a princess–a new era of hope and peace for the land. Your people had celebrated your birth with parades, art, music and dancing, while your parents always showed you off with pride. For the next couple of years, you had been raised to be kind, resilient and humble. You were still just a baby when it had ended, so you did not know the true extent of it. You did know there was a war where other countries had looked down upon you and despite the small size of your army, you had won. You knew your father did whatever he had to do to protect the faces of the common people and the future of your life so you never faulted him for it.
Unfortunately, your father passed just before you reached adulthood. An unknown illness and went in his sleep. Everyone had mourned the terrible loss of their protector and beloved king, father and husband. Despite his actions in war, he was always incredibly kind to his people and was a great role model of a man in your life. You took pride in the fact you were his flesh and blood and that would never change. So with honor and grace, you worked hard to follow in his footsteps to be a great leader.
Others, however, did not share the same feelings. In other stories, your father was the devil himself. A cruel king that had struck anyone who had gotten in his way, caused the downfall of armies and used wicked ways to poison and torture troops to his advantage. When word of his passing had spread, many had celebrated the death of the evil king and hoped all those who lived in his kingdom perished with him.
Miguel O’Hara was one who thought the same. He hated the king that had started a war and it killed his father, hated how the aftermath of it left his mother depressed and his family starving. His homeland was in shambles because of your father and for years, he prayed for a chance to help his own country in gaining revenge.
So, for years Miguel had worked his way up in the ranks of his homelands army. A protector of his people and a way to finally fight back if another war were to break out again. He not only trained hard for his home, but to also feed his family—his mother and little brother. He often worried about them but little Gabriel was always eager to help while Miguel was away. Always a kind soul, he was.
When rumors had gone out that his king had been planning on planting a spy and an assassination on the princess of the enemy land, Miguel’s interest had been piqued. He thought to himself, without an heir, that wicked kingdom would surely fall to its knees and get what they deserve.
Naturally, Miguel had been called in for an audience with the king. He bent down on one knee and bowed his head.
“My Lord.” He greeted.
The king’s slicked back white hair practically glinted in the sunlight where its rays were seeping through the tall windows of the throne room. “Stand, soldier.” His voice boomed.
Miguel stood back up, the metal of his knight armor clanking against each other and he rested his wrist on his sword by his side. The king spoke again. “My boy, you are the finest gem in our armed forces. Your victories are endless and you make all of us here proud.”
Miguel’s face didn’t move, still as ever and it only made the king’s grin curl up even more.
“Which is why I’ve assigned you a special mission,” Miguel took a deep breath. “As the princess of Etheria’s guard.”
Now that had made Miguel’s face scrunch up in disgust. “My Lord, forgive me but–” He quickly shut his mouth when the king raised his hand.
“You will portray yourself as one of them. Eat, sleep and breathe like them and gain a position of a knight in their castle,” He explained. “There are talks of the princess needing a personal guard. Once you have gained information and the trust of those lowlife scum, you are to kill her. Once she is dead, we will invade their land and finish what they started.”
Miguel let his words seep into his thoughts. To live amongst the people he’s loathed since the beginning? It was barbaric and humiliating.
But this was his chance. A chance at revenge. He was angered when the king had died before he could even get close. Now, with the opportunity of sticking a sword in his own daughter’s heart–Miguel felt that was an even better alternative.
He was snapped out of his thoughts by his king. “Do what you must to be as convincing as possible. Care for her, protect her, admire her, kill one of our own if need be– just make sure that no one expects a thing… Especially the princess.” Miguel stood up straighter, saluting the man in front.
“Yes, My Lord.”
“Dismissed.”
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A/N: ¯\_(ツ)_/¯
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pixiekwixie · 1 year
Text
The Observation - 1
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➺ Miguel O'Hara x Reader || Mature, 18+
➺ Summary - In which Miguel struggles to keep his hands and eyes off his lab assistant.
- Next chapter
➺ warnings - slow burn(?), kissing/making out(?), lot sexual tension, story night be long sorry, some choking, some biting, masturbating (nipple play, fingering, dildo usage, anal play, double orgasm), mentions of breeding
➺ words - 3.7k
➺ notes: i had to get this off my chest, there will be 2 more parts to this, i hope you guys enjoy it. this is also cross-posted to (depending on where you're reading this) tumblr, and ao3; let me know what you guys think; might also write some wholesome sunshine x moody stuff in the future if it works out :)
--- 🕷 ---
"Hey" a voice said from the corner. Startled, you whip your head back to find Jessica caressing her tummy as she sat down on a chair, making herself quite at home. She was a couple of months along now and, by the looks of it, very comfortable in her pajamas.
"Jess, it's not safe for you and the baby...." you sigh, looking back at your computer to resume your work. Jessica urged you to take a break, to sit down and have a conversation but you only shrugged it off by mentioning you were almost done.
"You know, I'd thought you'd hate working here" she watched your back, waiting for a reaction. "There's a lot of wonderful technology here that my Earth doesn't have..." you trail off, focusing more on the work in front of you. You were so close to the end, and although Jess was wonderful, you just wanted to finish things before relaxing.
"I meant, I thought you'd hate working for Miguel"
You looked back at her with furrowed brows, pausing your work, she knew what made you tick and used that to her advantage. Miguel was your boss and there was nothing to hate except his attitude. Sometimes you couldn't stand him, but the combination of advanced technology, your own space, and a mini fridge- definitely outweighed any of his moodiness. It took a lot of convincing for you to join, and had you known he was this broody you probably wouldn't have joined.
At the beginning, you were stubborn on joining the Spider Society because you had thought it was a pity invite, given that you felt you were more intelligent than agile. Although you admit your body was pretty strong and durable- it was only because your parents had enrolled you in a strenuous amount of classes that ranged from dance to karate- and even cooking. The classes had helped with getting into a good college that allowed you to pursue your dream career, but you never sought out anything besides yoga.
When you got bitten by a radioactive Black Widow you thought it was the end of your story, that your years of classes and college were coming to an end, eventually you realized that you weren't actually dying. And as time went on you started to see the new things you could do, and you embraced them. You were excited, you began practicing moves and spent a lot of time learning how to use your webs properly. You felt like you could become a hero, save lives, and become a beacon of hope for your city.
After some rough events that left you feeling depressed, you decided that becoming a hero was no longer something you could pursue. You felt upset about your own decision for days, you felt useless doing nothing but you felt the same way doing something. The life of a hero felt emotionally, and physically, taxing on yourself and the people around you. With time you managed to overcome the guilt and began to understand that there were different ways save people.
Your new path was to be promoted at the Alchemax company in your world- they were good, you had deemed it so after hearing what they had done in other Earths. Eventually you wanted to lead a research department that could help hospitals, and homeless, worldwide.
Even though the current path was similar to that of a superhero, you still felt an immense guilt in your chest. You thought that your powers were a miracle that should be used, but you couldn't, it's not what you wanted anymore and if you went back now- it would only make things worse.
Miguel had spent many months sending Jessica to your dimension to convince you to join the Spider Society. Every time you gave a different reason to reject the offer, feeling as though you wouldn't bring much value to the team.
It only took the man himself showing up at your apartment, on a Tuesday at 3 am, for you to join. He explained thoroughly why he wanted you, although crude, you felt recognized for something other than your powers. It felt like he provided the missing reassurance you needed, you joined.
"He leaves me alone for the most part, the only interactions we have is him sending me emails, and me going to his 'office' to give him his drugs for the week," you let out a soft laugh, you had to admit, was very handsome under all of the stress, responsibility and arrogance. Despite his handsome looks, you still thought he was an asshole that needed to comprehend people better.
"He's demanding though, and... AND rude" rising from you chair, you scrunch your nose and walk to the coffee machine. There's only so much water could do for your nerves if you continued to speak about Miguel's attitude, as of recent it had been worse and you had no idea why. You tried to understand but he'd only shut you out and demand you leave him alone.
"He just want things to go accordingly for the multiverse... even if he's a little-"
"Harsh? Come on, he basically called me useless the other day because I misread the number seven- SEVEN" you raise your voice while adding stuff to your coffee. Holding the sugar container in one hand with a tight grip, it made you upset that he wasn't considerate of his words. You had worked hard to prove he could trust you, and that he hadn't made the wrong choice but his attitude made it hard to work with him.
"That's why I've been late on my reports, ideas, paperwork AND his serum. He needs to learn to respect people, especially me, who makes sure he doesn't go apeshit" Jessica raised an eyebrow at your statement, sure you could be late on paperwork but, being late to give him his liquid gold? The thing he needed to not lash out on his instincts? The thing that helped him keep his powers? She almost thought it was cruel, but she knew you felt stressed and didn't want to make it worst by making you feel bad.
"That sounds cruel but I promise it's not-"
Before Jessica could reply, a deeper voice spoke.
"Oh yeah? Let's talk about that"
It was Miguel and your heard started to pound faster, your hand gripped your coffee cup tight in hope that he hadn't heard what you said. Your nerves grew as you looked around and watched him emerge from a corner, his suit glowing bright with every step, even the way he walked spoke volume about his attitude.
Sure, you had problems with him but you sure as hell were not telling him about them, it's the last thing you needed. He had practically built this place from the ground up and could see everything that everyone was doing if he wanted to- even you, sometimes it creeped you but at this moment it felt erotic.
"Miguel she's stressed she probably didn't mean it, give her a break" Jess watched his back at he made his way towards you, "This isn't about you Jess" he spoke with a quick glance at her, her face dropped to a stoic expression that scared you and it wasn't even directed towards you.
"Miguel" you groan as you watched him walk towards you, hands on his hips as his eyes narrowed at you through his mask.
"I need to talk with you" he leaned down a little to your level, the eyes on his mask narrowed to mirror his face under it. Was he really that mad at what you had said? It's not like he hasn't said worse, except he usually doesn't feel bad about it.
Something about his proximity made you hot despite the growing tension, but it wasn't the nerves anymore, you suddenly felt hyper aware of everything around you but it all slowly led down to the man I front of you, something about him made you feel this way, something smelled so good and it was coming from him, was he wearing some type of cologne? What was so different?
"S-Seriously, you could at least tell me beforehan-"
"You wanna explain to me why-"
"Oh wow, I have to go to the gyno" Jess said abruptly while slowly getting up from her chair. You and Miguel turn to her with confused looks at the sudden declare but her eyes held the same expression as before.
She raised her hand to stop you from saying anything.
"I'm not gonna stick around for an argument, you two need to figure it out" she spoke with a look to Miguel. With a brief smile towards you she walked out the doors that shut behind her and the tension in the air became more obvious as the two of you were left alone.
"I give you one job, and it's to follow my formula, but instead you decide to be unprofessional and talk about me behind my back" Miguel's brows knit together as he looked down at you with glowing red eyes. You tried speak but nothing came out, not because you were intimidated, but because you felt your chest heave with heat at the sight of his crimson eyes.
Closing your eyes you take a deep breath to center yourself and shake off the feeling of imploding heat that was blossoming at your core. Looking back at him you found him pacing round while he muttered things in Spanish that made your tummy churn, pushing your feelings aside you take a deep breathe to center yourself.
Was this a hormonal imbalance?
"Why does it bother you so much this time? I told you 2 weeks ago I was backed up with stuff on my earth and that your-" You were abruptly interrupted with the speedy sight of him in front of you, his eyes were darker and held an intense look like he was analyzing your every feature. He was so close you could feel his breathing tickle the skin of your cheeks, it made the heat blossom inside of you again.
"I've been trying to hold it together and you think it's a game?" He seethed, inching closer until you could practically brush your nose against his, your heart pounded at the notion he was merely inches from being able to kiss you. Forgetting the coffee in your hand you attempt to raise a hand to his cheek but he stopped you by grabbing your wrist with a fast motion, the grip was tight but not hurtful. With a small wince you look up at him again only to see dark look wash over his features, were his eyes more vibrant now?
"Don't," he snarled, not breaking contact with your eyes. Why did you find his anger so attractive? There was something behind that look in his eyes that was pulling you in, the more you stood together the more your body felt attracted to him, so much so that you were starting to feel turned on with your walls pulsed in an erratic way that needed him.
Why the fuck is this happening?
"Y/n" he whispered in a way that made your back shiver, you noticed his eyes look relaxed and rather dazed like he was hot under his suit. Could he be feeling the same way as you? Did he want you as well?
"Y-Yes?" your voice was shaky, breathy, and basically pleading for him for him to do something.
His face slowly leaned down into yours, turning to the side only to brush his lips softly against yours w. Your eyes widened, you could practically hear your heart pounding in your ears as he finally pressed his lips against yours.
Moving against your lips slowly he lowered your wrist to the table behind you. The same hand he used now held your hip steadily as the kiss grew deeper, heavier, and wetter. His tongue prodded your lips and with a small squeeze to your hip you allowed for his tongue to explore your mouth.
Your head felt hazy, and your core pulsed more than before in anticipation. Pulling away from your mouth with a string of saliva connecting you both, you bat your eyelashes up at him with the hope that things progress into something more intimate.
His breathing was rapid yet heavy, and his eyes were full of lust and want with the way you looked up at him. His grip on your hip tightened as his eyelids drooped to admire the saliva on your lip that threatened to fall, before it could drip down to your chin he smashed his lips onto yours- licking the saliva into his own mouth.
His tongue lapped at your lips, and pushed through to feel every crevice within your mouth. With shaky hands you place your arms around his neck as you let him do whatever he pleased, weaving your fingertips into his hair you tug on them a bit which only earned a deep groan from him.
Pulling back from you, he stared intently into your eyes before abruptly wrapping a hand around your throat and applying pressure to the sides. Your eyes closed and your core pulsed repeatedly at the tightness of his hands around your neck, moaning softly into his face you open your eyes to find a droplet of sweat on his forehead.
"You like that, hm? Princesa?" He whispered into your ear, a whiny moan escaped your throat at the feelings of his lips on your ear, using the hand on your neck he maneuvered your face to the side- leaving your neck exposed to him.
You could feel your nipples were fully erect as they pressed uncomfortably against the material of your bra. Opening your eyes, you look down at him only see an intense, and hungry look on his face. Keeping his eyes locked onto yours he pressed his lips onto the delicate skin of your neck, planting small kisses that burnt onto your flesh in a savory manner that made your core gush with arousal.
"M-Miguel..." you mutter as you close your eyes to bask in the pleasure of his lips on your skin, tightening the grip on your throat he bit onto your neck unexpectedly. Gasping at the bite, your fingers held tightly at the hand he had wrapped around your neck- using it to stabilize yourself as he started sucking at your neck, the way his lips enveloped your skin and his tongue worked against you felt like he was trying to feed himself off you.
His actions came to a stop, the hand on your neck had gone too and you opened your eyes to be greeted by an empty view of your lab filled with bright-lit screens and papers scattered. Just like it was before Miguel appeared. Lifting your hand up to your neck you feel the marks of his teeth along with the saliva on your neck that left a warm spot at the touch. In a moment of heat and desperation you bring those fingers to your mouth and suck on them, he was gone for now and and the only trace you had of him was the remnants of his mouth n your neck. Sucking and licking the tips of your fingers making sure to intake any trace there was of him, moaning into your fingers you suck the tips before pulling them out and imagining they were his.
You were still in a hazy view of want and need for him, it would be hard to forget this moment if you saw him again. With blouse and slowly sat down on the floor, holding your chest with both hands you try to slow down your breathing.
"Where did you go..." you whisper to yourself as a pang of sadness hit your chest at the thought he left during a moment where you weren't arguing for once. It had all felt so good but to you, it would've felt better if he had stayed.
Calming down and regulating your breath you realized you would have to see him tomorrow to give him his dose for the next week. You didn't know if you wanted to see again after leaving you just like that.
You hated him for leaving you like that without a trace but you hated that you wanted so much more than just a couple nips to the neck.
--- 🕷 ---
Back in your universe, you were laid in bed watching TV as you thought about the events of earlier, the things he whispered into your ear, the way he touched you, the way his lips felt on your neck and the tight embrace he held around your neck.
Throwing the blankets off you head off your dresser where your dildo was. You had never really used it before as you were always busy with work but today was different, there was a man that awoke something inside of you that had laid dormant. And that man was your boss, Miguel.
Kicking your bottoms off you lie down on your bed again and spread your legs open letting cool air hit your nether lips in a tantalizing way. Discarding the dildo to the side, you bring one of your hands down to your pussy, rubbing in an upwards motion that spread the wetness up to your clit. Groaning at the sensation you rub your erect clit in a slow circular motion, the feeling alone had you throwing your head back with a breathy moan.
You drew your legs up and in until it was just your core fully exposed to the atmosphere of your room, circling your clit faster you used your other hand to lift up your shirt and and rub at your nipples with a feathery touch. The simultaneous stimulation made you moan as you felt your walls clench fast, you had been so desperate to relieve yourself that you could cum at any moment.
Pulling and twisting your nipples you start going faster, your breathing becoming more erratic and you could feel the coil in your abdomen start to come undone but before you could finish you stopped. Your pussy quivered at the denial as your chest hiccupped from the intensity of being so close to the end, it felt like your entire body was spasming and dripping with heat from the denial.
You throw your shirt off quickly and lie back down to spread yourself open again. Rubbing your fingers up and down with a moan you slowly insert two fingers inside of your wet warm walls that quivered around the length of your digits. Pumping your fingers in and out slowly you moan at the idea of his fingers being the ones inside you filling up your throbbing pussy. Hooking your finger in a little you lift you back from the bed at the sensation of your softest spot, pumping in particularly hard at an angle that made you pussy drip more liquid gold onto your sheets.
Your walls pulsed erratically around your fingers as you sped up, your mouth contorting into an 'o' as you felt yourself growing closer. Bringing your other hand down to rub your clit at the same pace you moaned his name as you continued to imagine it was him driving his fingers into your wet hole.
"F-Fuck M-Miguel-" your clit quivered and the coil in your belly came undone, your insides gripped onto your digits harder trying to prevent them from leaving, your body secreting juices that trickled down your anus and sheets.
Pulling your fingers out reluctantly you slide them down to your anus and circle the rim in a slow teasing manner that aroused you again. Pushing a finger inside your eyes fluttered at the pressure- you began to pump in and out in a very slow motion using the wetness from before that made it easier to move in and out.
With your other hand you rub the head of the dildo on your clit in a fast circular motion, hooking the finger in your ass you pumped faster while your clit quivered into a second orgasm. The walls of your ass started to clench as your finger brushed on the soft spot that sent shockwaves to your pussy. You started panting heavily as your pussy and ass throbbed simultaneously, getting closer towards being tipped over the edge you went faster, until your pussy started dripping onto the sheets again.
Pulling the finger out of your ass with a small pop, you grab the dildo and line up the tip with your dripping hole, you felt anxious and excited to be filled up with something thicker than your digits. You slowly ease the tip in, and with a loud moan you began to push the rest of the length inside of you until it fit snuggly in your walls.
"Miguel... fuck me p-please..." you whined as your pulled the dildo all the way out only to smack it back in, pumping in and out with a steady speed where length brushed against every itch within your walls that needed to be filled. Your started getting faster as you thought about him pumping himself inside of your pussy to breed you and use you for his own pleasure.
Your tummy churned as you started to near the edge again, the images of him bent over you driving his cock inside of you, filling you with his cum and knocking you up was enough to to send you over the edge. You slowly rode out your orgasm with the image of him painting your insides full of his seed and filling you up until you were dripping onto the sheets. Coming down to a stop you sighed as you body shook at the intensity, no one had ever made you so wet just by thinking about them.
Your body ached and yearned for him, it was truly strange as you had never felt this way for anyone before. Miguel was different and something about him had set your body ablaze in a way you couldn't stop.
"How the fuck am I going to face him tomorrow..."
--- 🕷 ---
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Have you noted that no one from Azula's family was shown to express love and affection towards her?
That is mostly true. Ozai's affection is clearly conditional (and full on manipulation at worse, like we see in the finale), Ursa canonically favors Zuko to the point that we never see her spending any alone time with Azula like she did with Zuko, and while Iroh gave her a toy like he did to Zuko the toy in question was so OBVIOUSLY wrong for a kid like Azula that it's comical AND show's he did not really know his niece at all.
But there is a constant exception.
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Zuko's relationship with Azula is complicated. He clearly admires her strength and power, but he hates how she uses it. She lied to him many times, was seen apparently cheering Ozai on during the Agni Kai, tried to have him imprisoned and even said she'd celebrate being an only child - and then allows him to come home as a hero after Ba Sing Se, even though SHE had the control of the Dai Li and was not yet aware Aang could have survived, meaning she had nothing to gain from it.
And when she lets him know that if he's caught talking to Iroh people might think he is a traitor too, and explicitly says "Believe it or not, I'm actually looking out for you" Zuko drops his innitial suspicion that she wanted something and that's why she was helping him.
On The Beach, he just follows her when she say their old family home is depressing and they shouldn't waste their time there. When she's asking him who she is angry at, she mentions herself and Zuko explicitly says that is not the case.
He doesn't trust her and know she has a tendency to mock or full on lie to him... yet when he wants to know about Fire Lord Sozin he asks her about it, and lets it slide when she mocks him by saying he should make sure the royal painter got his good side - for a character as quick to anger as Zuko, that is a big deal. In Nightmares and Daydreams he also goes to her to find out if he'll be allowed at the war meeting.
More importantly:
1 - Iroh's infamous "She's crazy and needs to go down" line was only said because ZUKO, without anyone putting that idea in his head before, suddenly went "I know what you're going to say. She's my sister and I should be trying to get along with her"
2 - Zuko only jumped into the fight in Ba Sing Se when Azula was being cornered by Aang and Katara.
3 - Zuko looked genuinely shocked and even distressed when she was falling off that cliff. He just sounded so shaken saying "She's... not gonna make it..."
4 - In the writer's own words, Zuko felt no hate but only pity when seeing her breakdown. Katara tried to comfort him because, canonically, even though Zuko and Azula are enemies, this was never what he wanted because he still sees her as family. That's why the Last Agni Kai's music is not the epic you'd expect from a battle, but a tragic one.
5 - Aaron Ehasz, the lead writter for the show, probably the person with the most influence after Bryke, has REPEATEDLY said that he always felt Azula should have gotten a redemption arc, Zuko being an Iroh figure to give her advice and be the only one still by her side when all else was seemingly lost to her forever.
Even the comics (most of which I HATE, mainly because Azula's storyline checks nearly every box for "the mentally ill are inherently evil/less human, so it's fine if literally every other person on the planet mistreats them") didn't fully abandon their complex dynamic.
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Zuko is not a perfect sibling, and for a long chunk of the story he seemed too focused on his own issues for Azula to ever be a factor in his mind (aside from the moments in which she was a potential/explict threat), but he DOES still feel a sense of obligation towards her, to the point that it made him do something no one else in their family had done before or since - actually look at Azula. Not the prodigious daughter/perfect weapon, or the problem child that is difficult to handle, or the pontentially deadly enemy that was in the way, but Azula.
His 14-year-old sister that got on his nerves a lot, was far from the kindest person alive, and that he had a ton of issues with, but that he could never fully hate or even be indifferent to. Because she's family. Because he remembers a happier time in which the gap between them didn't seem so big. Because if things had been slightly different he could have been her. Because he went from wanting to be her to seeing just how miserable her life ended up being - especially compared to the one he now had - and feeling deeply sorry for her.
Now if you guys excuse me, I'm gonna go cry in the corner. Have some wholesome/bittersweet fanart if you wanna cry too.
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A Jason Grace Analysis 
While my Jason fics relies on mainly interpretation and headcanons, this one’s mostly going on the limited list of Jason’s life from the books. YOU’RE ALLOWED TO DISAGREE WITH ME,JUST DO IT RESPECTFULLY IN THE COMMENTS. be nice pls.
Spoiler alert 🚨 (for PJO, HOO and TOA)
Jason Grace is a character who was, in a way, screwed over by Rick during his writing of Heroes of Olympus and eiDzgventually Trials of Apollo. His story was very sad, but never explored to its fullest potential and in some cases didn’t make sense. He’s a character who is seen as ‘boring’ by the fandom, which , in a way, makes sense. Uncle Rick didn’t do him justice, so I’m here for a Jason Grace analysis.
Firstly, Jason’s incredibly depressing life. Because I do not know what vendetta that Rick had against my boy, but I would argue his story is the most tragic of everyone in the books. Yes. Even Nico. 
Jason’s mother was an unhinged alcoholic who was obsessed with fame. For the first 2 years of his life, he was basically looked after by his sister, who was also a young child. As hard as Thalia tried, she probably wasn’t the best caregiver on account of her age. His mother was unstable, which has got to leave some scars, even if you’re a young kid, because you still know what’s going on to some extent. And Jupiter seemed to leave the family to their own devices after a while, not even staying for a kid. So Jason has been basically abandoned, keep track of how often that happens. 
Then Jason was abandoned again, this time by his mother, left as a sacrifice for Hera. And he wasn’t sacrificed just anywhere, he was left at the Wolf House, where Lupa tested him to see if he was ‘pup or food’. So Jason, at two years old, was tested by a Wolf Goddess, a ruthless one at that, who threatened to kill him if he didn’t live up to expectations. Just a great environment for a toddler to live in. And while the time he spends in the Wolf House is unspecified, the general consensus is that it was for a year or two. This is more of a headcanon, but the implications of ‘pup or food’ could show that he stayed with her longer than the average Roman demigod. In SoN, it’s shown that most demigods do their Wolf House training for like, a week. And the training sounds harsh when Percy, age 16 does it. So imagine a 2 year old, going through that, constantly. Then he is off to New Rome. 
In HoO, it’s pointed out that Jason has 12 lines of his forearm for his years of service in New Rome. 12 lines representing 12 years of service.
Jason has been serving 12 years of military service since he was around 3. So that means that this literal infant is just… in the military. How does that work? Was baby Jason just running around in little armour? Was he doing the same drills as other kids when he was much, much younger? Also the fact that in Camp Jupiter, you train for 10 years, then go to live in New Rome. But Jason has been serving for longer than that, with 2 extra years. It seemed like he wasn’t going to retire anytime soon in the books, so that also adds some mystique to his character that was never explored.
Then we move into the other things at Camp Jupiter, which is that Jason was treated like a statue or a star, instead of a person. Hazel says that he is ‘more legend than boy’ which is so sad! This kid, this 15 year old is seen by those around him as a hero, a legend to look up to. Did Jason have any other friends? While Reyna seems to be close, Reyna had a crush on him, and while he didn’t know that, it must have made the friendship a bit… different. Jason isn’t specified to have any other friends in the books, probably because everyone was to in awe of his status as a Son of Jupiter. And while Jason may care about the rules, in Roman terms he was a very radical person. He was just trying to live a calm life, to not be known only as the Son of Jupiter. He joins the least respected cohort. He tries to take less important quests. But it doesn’t work, because he does get assigned big quests and while he is in the 5th cohort, people still treat him like a legendary hero instead of just a guy. And while the phrase ‘victim of nepotism’ is quite controversial, I think that Jason actually fits that bill.
Then we come to SoN. You know that tweet that’s like: hey we’re calling off the search party. we found a different guy out there we like more. That’s what Camp Jupiter did to Jason. Again, he was abandoned, this time by his own Camp. Like I know 8 months is a while, but oh my gosh, do we have to elect a new praetor? There’s also a contradiction. Percy is a Greek demigod, which isn’t a thing the Roman’s really like. Yet after a couple weeks at Camp, he’s already a PRAETOR? While Jason was put down for being ‘unrecognisable as a Roman’, they elected a very Greek person as a praetor? He was immediately accepted into the highest position of power? Also the fact that Jason wasn’t looked for. At all. While CHB was scrambling to find their boy (as they should), no one in CJ cared? Like, aren’t they the ones with the giant searching eagles? It seemed like everyone forgot about him, with him being missing not being a huge thing for most people (except Hazel and Reyna to my memory, fill me in if anyone else gave two frogs) and that’s gotta sting. The knowledge that your entire camp not only replaced you, but didn’t bother to look. 
Jason also had amnesia and never regained huge chunks of his memory. That must be horrible, to have parts of your life gone, to not remember much. While Percy got everything back, Jason got so much less!
Jason goes on the quest, then comes back. He goes to CHB, goes to school. He starts having a normal life. And he gets broken up with, making him genuinely sad. And while I know that Piper had no ill intentions whatsoever when she broke up with him, that also could count as an abandonment. Because they don’t really keep in touch in the book, they seem to go their separate ways. So kinda half of an abandonment, even though both parties weren’t in blame.
Finally we have his death. While Thalia got turned into a tree by Zeus, a slightly caring act for a god, Jason died. This could be because Jupiter is crueller than Zeus or it could be because of the cycle of patricide, with Jupiter killing his father, who did the same to his father. Maybe it’s because of his paranoia. Maybe it’s because Jason called Jupiter unwise, but it still counts as an abandonment. The god saved Thalia (she could be seen as non threatening, not a killer. Not someone who could carry on the tradition of son killing father) and abandoned Jason, left him to die the ‘heroes death’. 
Jason’s life has been one big struggle and rejection. 4.5 times, he was abandoned, left somewhere by someone. Left to die in the end. He was a child soldier, meaning that he was a kid that never got to be a kid, just a tool for the gods, for years and years. And he struggled with making friends, making new rules, trying to push the camp into the future. Seen as unroman, even Reyna says it. That’s an awful life, one that Rick Riordan never explored and one that’s contradicted at times.
Jason was a character that Rick dropped the ball on so hard.
Because, while his life is incredibly difficult, it has so much potential for storytelling, that Rick  dashes on the rocks, leaving the fandom with a character who people acknowledge as weak and boring.
So, in the fandom, Jason is regarded as having no personality, or being a knock off Percy. So, Jason not really having a huge personality, as a kid who trained as a soldier from a young age, makes sense. He was spending half his childhood trying to survive so trying to figure out what MBTI type he was may have fallen low on his list of priorities. Then he got amnesia, and sent on the Seven quest. So Jason not having time to develop a sense of personality makes sense, buts here’s the catch. It’s never explored. Rick never, ever explains why that might be happening, which could make for a compelling story arc. Rick never expands on the child soldier thing at all, which sucks because instead of Jason having an identity crisis about Greek and Roman camps, he could be really weird since he’s a child soldier. (I’m aware that they’re all child soldiers, but I refer to Jason as child soldier since he was just a baby when he started)
And the seeds were there. For example, the scene with Jason being wary about Nico and not wanting to rescue him, that could have been Jason being taught that practicality is key. That some people are expendable. He could have learnt that from the ARMY THAT HE GREW UP IN. That could have been a plot point, that Jason struggles with taking breaks or knowing that’s he’s appreciated, that his childhood was abusive and not normal, that life isn’t a constant battle for survival. That could have been his arc! All of the pieces were right there! Rick, dude, you’re a great author, but you fumbled so hard on this one!
And also the fact that… unpopular opinion time….
Jason wasn’t stronger than Percy, but he should have been.
Jason has been in the army since he was a toddler, and I know that Percy’s really powerful, but come on! Jason being this really nice, really powerful kid with super strong powers and no social skills could have slayed. Maybe this is the inner Jason stan in me, but I personally think that Jason should have been stronger than Percy, simply because it makes more sense. Jason has been training for ages and ages, he single handedly fought a Titan at younger than Percy (around 14 or 15) so it seemed like his powers were muted by Rick. This could probably be because the PJO fandom is like a toxic TikTok boy mom when it comes to Percy (I can be like this too), making him centre stage and getting annoyed when he isn’t. Percy is meant to be the strongest, which isn’t bad, in some situations it just doesn’t fit. Or maybe Percy’s just wildly OP.
This is not to say that in the book Jason was weak, but people treat him like that.
And Jason’s really sad life is never explored! He should have been struggling with 1500 mental illnesses at once because that constant abandonment? The stress of everyone’s expectations? Trying not to die at like 4? He’s neither the eldest nor a girl, but he’s got so much eldest daughter syndrome and is burnt out gifted kid syndrome personified. And it’s hardly touched on! 
There’s also the fact that’s a really small nitpick, but, the fact that Jason only has 1 single lip scar? That shows that Rick wasn’t paying attention to his own character. Jason trained with the Wolf Goddess then was in the army, he should be covered in them.
In conclusion, Jason’s very sad and tragic story was hardly utilised and the very interesting parts of his character were not used in a way they could be. But don’t worry Jason. While Rick Riordan may have flopped you, you are one of my favourite characters.
Peace ☮️
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Steven Universe told from the perspective of other characters
Garnet: A story of gay empowerment from start to finish. As a book it would be titled either Made of Love or Stronger Than You and feature Garnet's gauntlets with her wedding rings on them as cover art.
Amethyst: A seemingly wacky coming of age story that drops the most heartfelt moments when your guard is down. The cover resembles kids' detective stories, the kind where the whole gang is looking around for clues to the mystery.
Pearl: Everything up to Rose's death is an ancient literary classic titled The Ballad of Rose Quartz, illustrated with intricate inkbrush paintings. Steven Universe season one to three is the kind of introspective life after tragedy novel you pick up to look sophisticated reading. It's probably titled Without Her or something similiar. I don't have a title for season four and onwards, but the blurb is "it's not easy to manage twenty girlfriends, two life partners, a son and a dark past at the same time!" It's much more lighthearted than the previous two, but still prone to punching you in the emotions with little warning.
Connie: A magical adventure series just like the Unfamiliar Familiar! It centers Steven the magical boy with his best friend and eventual love interest Connie as the female lead. The tone gets a little darker after the first book/season, but less so than the original Steven Universe (let alone Steven Universe Future).
Greg: First a coming of age story, but unlike Amethyst this one is about breaking away from toxic people in your life. This story gets its happy ending when Greg finally finds someone he can be himself with in Rose. The time until Rose's death is a romantic comedy titled My Girlfriend, her Girlfriend and Me and conists mostly of shenanigans. After Rose's death and Steven's birth, it turns into something more bittersweet centering Greg's worries about being an adequate father to his magical son.
Peridot: It's titled How I learned to stop worrying and join the Rebellion and is easily the most lighthearted installment here. Our dorky protagonist is very obviously a somewhat unreliable narrator, but in a funny way. She encounters a few struggles, but they are quickly overcome with the power of friendship.
Lapis: This is just multiple whump fics. They're in a collection titled Bad Things Happen Roulette. Steven Universe the Movie is a pretty standard fantasy adventure with a group of powerful heroes though, and Steven Universe Future is the fluff fic with a smidge of angst you'd read as a pick me up after Bad Things Happen Roulette.
Bismuth: The war is a good vs evil sci-fi story with lots of social commentary. The Diamonds are definitely irredeemable here. I don't know what to do with the few episodes of the original Steven Universe she was in, but the movie is an empowerment narrative against systemic oppression titled Still Standing, or something in that style. Steven Universe Future however is a romantic comedy.
Rose: This is just a straight (well, bi) up tragedy. Our protagonist desperately tries to recover from her childhood trauma and be a good person, but is ultimately unable to escape the prison of her own mind. The book wins several literature prizes, but very few people actually read it because it's just too depressing.
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drdemonprince · 4 days
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TV Glow was devastating. incredibly effective visually, thematically, and performance-wise. Schoenbrun has leveled up in a major way since World's Fair, which I felt like I was five years too old for, both in terms of references and from having seen too much weird shit in this life to be impressed by her version of what's "scary" online.
This movie was far more creatively ambitious and emotionally resonance -- it having a bigger budget certainly helped stretch its legs, and Schoenbrun used it to its fullest.
Justice Smith's acting made me want to cry. He shows a true reverence for the material that few cis actors would; far from viewing the character as a little exercise, he transforms into her discomfort and sadness. His little voice warbles and the way his face softens with hope at a few crucial moments made my heart break for him, knowing already that the dreams he'd barely let himself hold onto would never come true.
I can't believe an Emma Stone produced wide release movie is about transgender egg drama here in 2024. jarring for something that once felt so private and esoteric to be broadly relatable to audiences now. it's fitting, given the movie is about a mass-release TV show that a handful of tender freaks think must be about something so much more than this world would ever let it be. kind of a funny trick there.
is this a movie about depressed isolated queer people whose minds curdle around a random media property because loneliness makes the brain turn inward and eat itself? or is it the tragic tale of a woman who never realized her destiny and allowed the matrix to keep plugging her repeatedly back in?
you can read it both ways at once and it's best if you do. some equipped with fandom goggles with elect to see it only in the more fantastical light.
There are already dozens of people coming out as transgender for the first time in their lives in the Letterboxd reviews of this film, saying they recognize their repression in Owen, their egg at last busted open by this heartbreaking tale of a life unfulfillingly lived. I get it -- before I transitioned, the same thing happened to me with Casey Plett's incredible story collection, A Safe Girl to Love. There is something painfully enchanting about the forever-unrealized trans person whose suffering we imagine would be escapable if only they could admit who they are.
But what do you do when you have overcome your fear of being "crazy," left your old world behind, and passed through that veil to become the person you were always meant to be, only to find that you are still stoop-shouldered and awkward, still overlooked with your heart cut out of you, apologizing to others for your asthma in between your death rattles? What if you never get all the poison out? After you figure out you're a hero from another dimension, what will you do if you can never get back?
I find myself asking these things, as a person who used to fantasize that transitioning would solve all my problems. The imagined future transitioned me felt so distant that it was easy to push him off. And then after years passed, when I finally reached out to claim him, I discovered he was just as awkward, lonesome, insecure, and unhappy as I was, because he was just me. If i'd always been transgender, then I'd always been unhappy for deeply transgender reasons back then, too, and I'd already known a whole lot more about what it meant to be me than I'd thought that I had. Fantasies had been a seductive distraction from the world that was trying to kill me, and they suffocated me whether I denied them or if I believed in them.
This is a movie about fantasies, and the suburbs, and about being transgender. And it's bleak, but I think some who are on the cusp of making the same realizations as Owen can't fully know why yet. Life on the other side of knowing is more liveable, but I can't explain why. It didn't make things better. It wasn't the great escape I had hoped. But it did force me to confront who I was and how many monsters there always had been all around me. And that's better than living in a fantasy.
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oldtvandcomics · 4 months
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The Lucifer/Alastor rivalry is so fun, because, well, Hell's Greatest Dad sing-off, but also, while they have strikingly similar designs, Alastor is much, MUCH better at being satanic than Lucifer is.
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First of all, they really look VERY similar. In a show where every character has such a unique design, I remember feeling disappointed the first time I saw a picture of what Lucifer would look like, because it was so similar to Alastor. Same general shape, same coat, they even both have a staff of some kind. Only of course, if you were to remove all the apple, snake and radio elements from their costumes and show this picture to someone who doesn't know Hazbin Hotel and ask which of the two is the Devil, they would definitely pick Alastor. He is taller, wears dark red instead of white, and his ears look like horns.
It goes even further. Among all demons, Alastor is by far the most demonic. When he transforms he really becomes absolutely monstrous. Lucifer meanwhile is angelic.
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Within the story, Lucifer doesn't do much, especially not any Devil activities. He's just trying to dissociate from his depression by making rubber ducks. Meanwhile, Alastor is the one who is working hard on gaining power, he is the one manipulating people, killing those who get in his way and chaining souls to himself by making deals. He is the one who uses his political connections to get Charlie an army at the end, and despite not being able to kill Adam, he does a very good job holding his own against him.
Hell's Greatest Dad was not about being Charlie's father figure, it was about Alastor trying to take Lucifer's place. Quite literally. "Can you butt out of my song!" "Your song?! I started this!" "I'm singing it, I'll finish it!" Yeah, so this is at the same time about 1) the literal song they're singing, 2) Charlie's life, and 3) Alastor taking Lucifer's place by pushing him to the side.
I still don't know why Alastor decided that picking a fight with Lucifer upon sight was a good idea, but, like, we can all agree that he is aiming for his place, mostly by getting Charlie to depend on him. Which is also what his line in Ready For This was: "She's filled with potential that I could guide / Stick with her you'll be on the winning side!"
Many people theorize that Alastor is the final bad guy in the show. I don't think so, he is WAY too likeable. He is, however, firmly on his own side, and will go against Charlie if he thinks that he'd benefit from it. And then switch back the last moment, obviously. He panicked now about being too kind, next season, he's going to try and be more ruthless, try to stop caring about the people he clearly started to consider his friends. But he has to end up on the side of the heroes for the audience to be happy. Villains need to be destroyed, we do NOT want Alastor to be destroyed.
No, in my opinion, he is going to take Lucifer's place as the Devil.
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autumnmobile12 · 2 months
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The Sekoto Peak Tournament
It’s kinda funny how My Hero Academia is pretty much told through the lens of Midoriya’s perspective to the point where all other professions that have a fan following:  athletes, actors, singers, etc. just go completely by the wayside.  Just once, it would have been great to have Kirishima or someone mention a household name and Midoriya’s all, “…..?”
“Y’know, [insert name here?]  Legendary boxing champion?”
My point is, other professions outside of hero still exist and are probably just as popular as they’ve always been, so here’s the ‘Young Rei used to snowboard competitively’ headcanon.  This started as a piece I did for Inktober with a, ‘Rei’s a refridgerated character.  Don’t love that,’ attitude.   Because aside from finally making an attempt to fight for her family (a little late, sure, but I’m not here to do a character analysis right now,) Rei doesn’t have much characterization beyond being the victimized mother in Shouto’s story.
So two things to consider:
1.) Snowboarding is a high-intensity activity.  High intensity activities are known to reduce stress, anxiety and depression.  So Rei having this career before marriage (and possibly a little after) would have had a very positive impact on her mental health.  But after having four children, something this intense would be difficult to restart and being in her late twenties when Natsuo and Shouto were born, her professional career would have been effectively over.  Being cut off from snowboarding and its mental health benefits would have definitely contributed to her downward spiral in a more significant way than if she had never done it.  In its own way, this is also a reflection of Touya having all his energy and ambition and nowhere to put it, contributing to his own mental break.
2.) In both my Inktober post and this piece, Rei won gold and she’s wearing a different jacket, showing these were separate competitions.  Winning gold wasn’t a one-off moment; she was relatively successful and that may have served as some unspoken tension/resentment between her and Endeavor if she was one of the top competitors in her profession while her husband never made it past second place until over two decades into his.
I like the idea of this background for her.  I want to explore it further possibly as a one-shot, but I have a lot of ongoing projects right now (plus I’d need to do a little more research on how professional snowboarding competitions work,) so it’s a little up in the air whether or not an actual fic will happen.  For now, I hope you enjoy the artwork.
I also referenced Touya’s freaky smile for these, albeit not quite as intense.  He got that from someone, and my money is on Mom.  Mostly because I am entertained by the idea of a much younger Rei rocketing down a mountainside and terrifying other snowboarders with the same ecstatic, unhinged smile her son has.  And that footage probably exists online somewhere, someone in Class 1A is going to find it, and be all,  “Uh, Todoroki, I think I found a video of your mom.”
And just in case anyone asks:  Yes, that is Korra in the back.  I like to sneak crossover cameos into both my fanart and fanfics, and when thinking of characters, I remembered a behind the scenes LOK fact that Korra’s character design was partially inspired by female snowboarders.
The third snowboarder is also a cameo from a more obscure, nostalgia cartoon:  Suzy Lu from Storm Hawks.
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whovianderson · 8 months
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Sex Education season 4 thoughts
The good
Aimee’s journey. As I’ve discussed online no end, I have complex PTSD. While I was never sexually assaulted like Aimee was, her avoidant trauma responses were very relatable to me. To see her taking the power back this season, especially when the burned the jeans she was assaulted in and did the photoshoot with them, made me feel a bit less alone as I try and heal. I cried my eyes out, so much so that I had to take a break from watching to collect myself!
“Even when I’m doing something I love… it feels like I’m still wearing them, like it never goes away”
Cal’s story as a non-binary person is very different to mine (and for the record, that doesn’t make either of us any less valid, because there is no singular way to be non-binary). Nonetheless, hearing someone I love as much as I do Gillian Anderson affirm our shared gender nonconformity meant the world. I’m sick of facing transphobia from society, but especially from people that I once considered idols. So knowing that Gillian embraced a role where her character supports trans youth healed something within me. It’s not the first time she’s showed up for our community though - she always makes a point to include non-binary people, for example in her Dear Gillian announcement video. I don’t mean to undermine the real hero of the story here: Dua Saleh, the actor who played Cal - it’s just that I had already formed such a deep connection with Gillian, so it hit me doubly hard from her.
The funeral scene. Just… the funeral scene. I really lost it when Mr Hendricks played With Or Without You on the piano and everyone else joined in.
Other people have spoken about this better, so I won’t get into it as much, but by god, the representation. One example that really struck me was the sex scene between Abbi and Roman at the end, where she said “I love being inside you”. It wasn’t a big deal, their transness was completely normalised.
This might be an unpopular opinion, but I loved the Motis ending! Maeve made the right choice going back to America, and long distance relationships are really hard when you have no plans to reunite, so I get why they called it off. Also, relationships at that age don’t usually last, as much as I hate to say it, and yet via Maeve’s letter, the show managed to honour that they can still shape one’s life and be really important.
The bad
If it wasn’t clear, I’m a Jean Milburn stan first and a human second. Unfortunately, I was disappointed in how they handled her storyline this season. Firstly, I’m tired of every single female character on television having an arc that culminates in motherhood. Not knowing who the father was felt like bad writing for Jean specifically, like very out of character, because she’s a sex therapist, so she’s all about safe sex and communication around those things. By no means am I suggesting that they should’ve kept Jakob as a character (if you don’t already know, his actor sexually assaulted hundreds of women which, by the way, was public knowledge before he was ever cast), but they could’ve come up with a better workaround. Maybe I’m biased because Jean is a comfort character of mine, but I wasn’t very pleased with the fact that they didn’t allow her to be happy for a single second this season either! That being said, I do think it’s important that we don’t gloss over the postpartum depression representation here, which could mean so much to so many. I wish they’d brought Maureen in to help Jean though, because their relationship was so special and yet we didn’t see them interact onscreen once this season.
I haven’t heard anyone else mention this, but I was disappointed with how they handled sapphic relationships this season. Not only were Ola and Lily erased entirely, but the writers fucked up the storyline for the only established sapphic couple remaining (Roz and Sofia Marchetti). Like, why was the Big Plot Twist™️ that there was, in fact, a man intimately involved with their family? Our lives don’t have to revolve around men, you know? The show didn’t explicitly acknowledge the fact that genetics to not make a family in my opinion either, because Roz and Sofia’s conversation with Jackson was just about how his biological father was missing out on raising him.
The… mixed? Idk!
I deserve to be sent to horny jail for this, but Jean breastfeeding initially drove me insane. I quickly changed my tune though, because breasts are not inherently sexual and breastfeeding shouldn’t be sexualised, so it makes me feel a bit icky to see people thirsting over that.
I’m not sure how I felt about the development of Adam and Michael’s relationship. On one hand, I thought it was beautiful to see them both grow and reconnect. On the other hand, I was slightly concerned that it was veering into “you have to forgive your abuser” territory. I don’t have parental trauma, so I don’t have the authority to comment, but I’d be interested to hear other people’s perspectives.
I really appreciate how they tried to explore toxic relationships with the introduction of Beau as Viv’s love interest. However, I don’t feel that it was given the weight it deserved, because there was so much else going on.
In summary
I’m not disappointed with how this season turned out overall. Although it definitely wasn’t perfect, I thoroughly enjoyed watching it, and it made me very happy. I do recommend checking trigger warnings before watching it though, because it is a lot darker than previous seasons.
I’d missed this show and these characters more than I’d realised, and I can’t believe I’ll never see them again. It was really hard to say goodbye!
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impala1967dwinchester · 2 months
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Sam Winchester: Fate
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Pairing: Sam Winchester x Fem!Reader
Pov: Reader/Sam
Warnings: Monsters as usual (Dijnn), depression, pregnancy, fighting
Summary: With Y/n on the run, Sam's depression can't help but get the best of him while the fate of his relationship and child hangs in the balance.
WC- 2.677k
A/n- @firefly-graphics for dividers, This is a part 2 of something I wrote nearly a year ago. "Sam Winchester: Running Away" I
Main Master List // Sam W. Master List
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It's weird hiding from the Winchester boys. Weirdly, people are so much nicer to me now. The summer sun in Texas is hot on my back as I walk out of the grocery store. I tried my best to settle down and got a small job at a travel agency. I'm renting a small apartment from an old lady who helped me when I first got off the bus in Bay City.
In the past few months, my body has changed in many ways. I have a larger belly and more cravings than I've ever experienced. I talk to my belly almost every night after I calm down from work. I tell them stories about Sam and Dean. I tell them how their father is a hero, how he's saved the world, and how he has taken my heart with his bright, kind smile.
Like clockwork, every night, there's a message from Sam asking me if I'm doing alright, or begging me if I can just respond. It breaks my heart, but no matter what, I can't bring myself to type back a message. It didn't take long after I walked out of the bunker to know that I was walking away from the person that I love and that my home was disappearing into the background of the Kansas sunset.
Yet I couldn't bear to walk back into the bunker; somewhere in my twisted mind, it told me I had to go. I had to leave it all behind because I wasn't worth it. I wasn't worth the stress, the worry, or anything I might bring down on the Winchester boys.
I thought I had gotten away from it all—the grueling monsters, the death at every corner. I guess I was wrong because one second, I was shopping in a local baby store, and the next, I was somewhere completely different. Some places had air that felt lighter, and some places had my hopes and dreams feel like reality.
There's a warm hand wrapping around my middle. "Good morning, sweetheart." It's a voice I know, a voice I haven't heard in such a long time. One that makes my heart soothe from the racing it's currently doing in my chest. Then, I realize we aren't in the bunker but in a rather nice-looking bedroom. The sound of smaller feet pounding on the ground brings me to look at the doorway. "Anna must be up," Sam says in a whisper, his soft words brushing against my ear and giving me a round of shivers.
Anna comes busting into the bedroom, uncaring to knock on the bedroom door. You think you care but don't after you look at her. Hair as dark as Sams but eyes like yours. A gigantic smile on her chubby cheeks. "MOmmY!" She shouts as she climbs up the bed to get onto your body. You can see Sam out of the corner of your eye. It's a smile you only ever see reserved for you, and you don't know how you managed to be back in his arms and a kid you share together. You're lost in how you got from the store alone pregnant to here in his arms, in bed together with your family.
The feeling stays with you as the day starts, and you watch Sam shift from sweats and a white t-shirt to a pair of shorts and a hawwin shirt. "Aren't you gonna get dressed, baby?" He asks as he catches you staring at him from the bed still. "I… Where are we going?" You ask him, unsure still by the normality of this odd life. "Don't tell me you forgot about the barbecue that Dean invited us to?" He says, a knit-in his brow. You lick your lips and try to think, but there's nothing there, just white clouds that fog your thoughts.
"It's alright if you forgot, babe, just get dressed. It's warm out, so wear that pretty little sun dress you bought a few weeks ago." Sam says as he comes over, planting a kiss on your forehead. "I'm going to get Anna ready, I love you." You stare at the door for a few moments longer, waiting until he's left, and you can hear Sam and Anna talking down the hall. You get up feeling the carpet under your feet and the warmth that radiates through the window.
You do get dressed in the sun dress Sam mentioned. It still had the price tag on it, so you assumed it was the one he was talking about. It fits you perfectly, curved around your hips with ease, and giving everyone who might look at you a perfect display of your breasts. You find a nice pair of sandals and make your way towards the echos of voices.
"There she is," Sam says, happiness and warmth seeping from the kitchen. Anna turns around whipping her head in your direction, she too is dressed in a sundress pinks and purples mixed together with her hair up in braids. "You look good, Mommy," Anna says as she comes over, hugging your leg. You breathe it all in, getting deeper and deeper into it. You aren't sure still unsure how you managed to get here, but you can't say you're mad about it.
The ride to Deans is off, but everything is off for you. Sam can sense it; one hand from the wheel comes to the rest of your exposed knee. "You doin' alright, honey?" he asks, worry laced in his words. You shake your head, giving him more to worry about, but you don't know. All you can think of is the tiny giggles coming from the back seat.
Anna is watching something on a tablet, and her smile glows from whatever she's watching. "Come on, honey. You can talk to me about anything," Sam says, trying to trigger the conversation to continue. "I know, Sam. I'm just trying to be in the moment." You say, and that's the reality of it. Because this moment and the one this morning had been everything you were dreaming about.
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"Dean, I just know something is wrong!" I say to my brother as I continue to stare at my phone. The text messages aren't even being read anymore. At least when Y/n was reading them, I knew she was safe; I knew that she was doing alright. I can hear the sigh of frustration fall from my lips as I put the phone back down the library table. "Sam, we can't do anything if she doesn't want us to," Dean says, trying to support both of us.
I lift my head, staring angrily at my brother. "I don't give a shit anymore. I don't care why she ran away. I don't care at all. I just want her back in my life. Now I'm pretty sure Charlie can figure out where she is." I huff out. With a grunt and shake of his head, he's got his phone beside his ear, calling our good friend Charlie.
I can hear the slight argument between Dean and Charlie as I sit, waiting for a quick answer. "I know, but can you just help us. Y/n hasn't been reading." Dean says, looking over at me. "She hasn't been looking at Sam's messages. Can you just give us a location so we can restart this?" Dean finishes. There's mumbling on the other side of the phone, but then I see Dean hidden. "Okay, text that to me, Charlie. Thank you," he says and then drops the phone from his cheek.
ASnxeity has set in when we get to where Y/n has been staying for the past few months. Her car is there, but the door to her apartment is cracked open; my blood runs cold, and just like that, I'm set on finding her. Dean tries to calm me and reminds me that not everything is terrible. She might just be doing something, like taking out the trash.
I glare at him and bring my gun from my hip to sweep through her apartment. Baby books and a few baby clothes are in the living room. Her bedroom is perfect as if she had never made it home. "Is she just taking out the trash now, Dean?" I snark at him, "I was trying to help. So… we have to work this like a case now?" Dean questions, I nod, and just like that, I'm searching for Y/n all over again.
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Dean is wearing a Hawaiian shirt, and the kids run all over the house. His wife easily kisses his cheek, and he holds her close to his side. "Uncle De!" Anna screams, and Dean smiles broader and brighter than you've ever seen him. "Hey, kiddo," Dean says warmly as he picks her up and puts her on his hip. "You guys made it." Dean's wife says, and she comes over to give you a hug.
"What about us, baby girl?" a stranger asks. When I turn, I'm struck by the Winchesters' parents—happy, healthy, and very much alive. "Hey, Dad," Sam says happily, hugging his father and wrapping his mother tightly. You watch as the day goes on with absolute ease. Dean talks about adding a new portion to the Winchester auto shop; John lights up with joy at the idea of more business and growth for the business he's known since he was a young adult.
Sam holds you close to his chest as you two dance in the yard, the sky turning purple and orange. You rest your head on his chest and let the movement of your feet guide you into contentment. "You know I love you, right?" Sam asks you as his large hands hold your waist and back. You hum, but you are not willing to open your closed eyes. "And you know you are everything I've ever wanted, right? No matter what happens between the two of us, I'll always want you." Sam says you can feel the tears brimming in your lashes.
"I know Sam." Your voice cracks and gives away the way tears are threatening to fall. "I love you too." As you lift onto your tiptoes in the cool grass, you mutter back and press a needy kiss to his lips. You two are sadly interrupted by John. "Anna is sleeping; if you wanna, you guys can come to pick her up tomorrow." John offers, and Sam pulls me closer. "Thanks, Dad." He tells his dad, then turns to me, "Let's go home." You nod and take his hand in yours.
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"What did I fucking tell you!?" I knew she was in trouble; I knew something was wrong. To be the cherry on top, she's pregnant, and she's been taken for whatever fucking reason. "It's just a dinner. We've dealt with enough of them to know the deal," Dean says. I slam the trunk of the baby shut, my molars grinding as I look at the depleted cave that's currently holding my girl and baby prisoner in a fake world.
Of her own imagination.
The silver blade drips all over the ground as I enter the cave. The dark walls hold secrets and horror that I hope and wish Y/n would never experience. It's all a blank somewhere between entering the cave and getting to Y/n. The only thing I feel is the splatter of blood onto my face and my eyes searching for that beautiful face.
She doesn't look like she's been there for too long, but her arms hang above her head, her belly prodding out. I'm stuck standing still over the djinn. Dripping its own blood back onto the dead man, Dean is quick to get over to Y/n, pulling the attachments out of her arm and pulling her down gently.
"Sam, get your ass over here. We… we are gonna have to take her to the hospital." Dean says, and somewhere in my frozen mind, my legs move to get a closer look at her. Her cheeks are a little sunken, but her face is still full of color. I know why Dean said we would have to take her to the hospital.
It's not too long before the large white building in Texas appears in the Impala's view. "I'm going to stop by the emergency doors to help your girl and that baby get some help. I nod and wait for the red letters to appear. A nurse is already waiting for us, and she takes a view of Y/n. "What happened?" the nurse asks, and for a moment, I think of telling the truth, but something else comes out. Something like, "She went for a walk a few hours ago, and then I didn't hear anything back from her." I say, my voice wanting to crack. The nurse nods, and I follow them for as long as possible.
Y/n is stuck in the cold hospital room for way too long. Fluids and IV being run into her system, the baby had been pretty much okay. Besides needing extra fluids, everything was fine, according to the doctors. They allowed me to stay in the room with her. The ICU has too many beeping machines, and there's constantly a team over Y/n making sure her and the baby's vitals are alright.
"Sam," A small voice calls out. "Y/n," I say, alerting half of the ICU floor that she's awake. She smiles slightly and then looks around her surroundings. "Where… why am I here, Sam?" She asks me. The happiness that was once there filters out and hits the bottom of my stomach. "You… Dean and I took care of what caught you," I answer her. "What caught me?" The heart machine starts to pick up speed. "Calm down, baby, please. I need you to breathe slowly and out before I tell you." I say to Y/n. She takes a few breaths and then squeezes my hand, wanting me to continue.
"You were caught by a djinn," I say, swallowing hard. It took Dean and me about three days to find you and another two beforehand to figure out something was wrong." There's silence from Y/n, and then she looks up at me with tears. "What about our baby?" she asks. I nod. The baby is fine; I did all sorts of tests to ensure everything was good," I tell her.
The silence continues until Y/n brings her attention up from her belly. "I saw a few things." "Did you?" I ask, wondering if she's going to explain. "I saw us, Dean, and your parents. I saw a life I so desperately wanted with you but thought I wasn't allowed to have with you because of our life." She says with a heavy sadness in her voice. "I thought I had to leave to take that burden away from you and Dean. I thought…" She hiccups, and tears roll down her cheeks.
"Baby, you will never be a burden to me, nor will our kid. I want nothing more than for you to come home so I can keep both of you safe and protected. I worried about you every single minute of every single day. It was hard to know that you thought you would be better off elsewhere." I say to her, wrapping her tightly in a much-needed hug.
"How'd you know where I was?" She asks when I release her from the hug. "I had Dean call Charlie," I say without a single ounce of regret. She giggles a little, "It wasn't funny; I'm pretty sure the next time we see the girl, she's gonna slap me across my face." Dean says, making us both look up at him.
"Thank you." Y/n says, "Of course, you're family, after all." Dean says from his spot in the doorway. When can I go home?" She asks, "Let me go get the nurse, and we will figure it out, baby." I say, letting go of her hand before pressing a kiss on her temple and running out to get a nurse.
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Completed on: 03/15/24
Posted on: 03/15/24
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inbarfink · 8 months
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I already talked about, like, the Obvious Symbolism of Simon reaching his lowest point literally dressed like the Ice King and then gradually gets back to his old outfit as he starts climbing out of his depressive spiral, at least somewhat.
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But it’s also really interesting, maybe even more interesting, how Fionna’s outfit has been gradually shifting and changing with basically every adventure.
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My first thought was that it really shows Fionna coming into her own as a character. The more she grows and also the more character development she gets - the more the audience learns to see her as more than just Girl Finn - the more her outfit moves away from just being a slightly girlier version of Finn’s classic look and into being its own thing. 
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Because Fionna is her own character. 
But my second thought was more about the first time Fionna’s classic outfit got an update in this series.
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This wouldn’t really relate to my first reading, since it just kinda makes her outfit closer to Finn. But it does relate to the most important Theme that her character arc revolves around - Fantasy versus Reality.
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Fionna starts out the story interacting with the idea of magical adventure and heroism via the lens of fantasy. She compares everything to video games and just thinks about everything in terms of it being cool and fun and she literally tries to chase down a person from her dreams.
And her mindset was probably only reinforced by discovering she was literally created to be the Main Character in God’s little fantasy universe literally created out of self-indulgence for his silly little stories.
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And because of that, she starts out the story with a huge Protagonist-Centered-Morality blind spot where she can’t recognize when she and Cake are in the wrong
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And she rushes into action and violence just thinking it’s ‘cool’
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And, like, in general acting without thinking of the consequences.
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And at basically every step of this adventure, these kinda actions clashed against the reality of her situation. And it all started when she pointed out to her own creator that the outfit he designed for her is cute - but extremely unrealistic for an adventurer like herself
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And from there we move to Fionna experiencing more and more of the harsh consequences of assuming everything should fit into her fantasies of heroes and villains 
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And that she should punch first and ask questions later 
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And in general that it’s always better to trust her guts over her head. 
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And with every one of her experiences, the bright and adorable outfit that is a reminder of her origin as God’s Most Self-Indulgent OC gets tweaked in more way - turning it into something that looks a lot more, for the lack of a better word, gritty. And also turning it further and further away from the outfit of her own literal fantasies.
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And all of these horrible traumatic experiences and the general dangers of the magical and very different world she’s in have all weathered down Fionna’s original optimism and eagerness and brashness that originally defined her and turned her terribly overprotective and scared instead. And it really reminds of how Simon’s own trauma weathered him down. 
Turning him from a kind man with a passion for adventure and the fantastical and a powerful parental instinct to a miserable jerk who aches for mundanity and made a little girl cry
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Until he got to his very lowest point.
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So I’m guessing next up for Fionna is getting to see her regain some of her old identity that the Trauma has been tearing away at - getting back some of that cheerfulness and brash attitude and adventurous spirit. Because while it has put herself and her teammates and others in serious troubles - it’s also been a huge help at other times (especially as she's a good counterbalance to Simon ‘slow but dependable’ Petrikov)
She needs to find the balance, learning the lessons from her multiverse adventure without losing all the things that made her Fionna Campbell in the first place.
And I wonder if this development is gonna be paralleled with a return of some of the more ‘classic’ elements of her look - or if her outfit is instead going to diverge farther?
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