The North Carolinian feminist, mother, and healer Omisade Burney-Scott, joined us to chat about menopause. As the creator and curator of Black Girls' Guide to Surviving Menopause, Omi shared insights about the change, her work, Love Craft Country, and she was sure to create a vibe.
Check out Omi's podcast Black Girls Guide to Surviving Menopause
Want to hear the WHOLE conversation? Watch the full interview HERE.
i have many issues with things like cottagecore and similar ~aesthetics~ that other people have summarized better and more succinctly but something that continuously bothers me is how it ties into the Rich White Person With A Lot Of Free Time vibe and how much that conflicts with the things i do that would align with certain aesthetics
like im not making stuff for followers or for a pristine Country Vibe that doesnt actually involve hard work im doing it because im poor and dont have the money to buy it, generally. im painting cans to plant green onions in because i dont have spare money for pots. i want to learn to make paper because my apartment doesnt have recycling and i dont want my scrap paper to go to waste. im sewing fringe on a thrift store jacket so i can make a pretty outfit for a wedding without having to buy formal attire new. idk i just think that too much of instagram aesthetics are centered around leisure and money that often dont exist in the people those aesthetics are trying to emulate
something difficult about writing/storytelling but only in short disconnected bursts is that writing anything longform is very difficult. there isn't as much time to practice long-term character development or subtlety (implying character instead of immediately clarifying) when its not really meant to go anywhere but a notes app. its a little frustrating...i'd love to do something more longform though. i've considered maybe just doing some short writing scenes in my various original universes a lot recently mostly because i just havent had time to draw anything fancy recently </3 maybe that would be something...
(Botany Bay, Eora nation, 250 days later - 18-20 January 1788)
the ship Sirius: thank god we broke away from the fleet to get here earlier!
the ship Sirius: those two extra days made all the difference
Phillip: Cook was a liar, this bay sucks
Phillip: there must be a better one around here
(Port Jackson, Eora nation, 21 January)
Phillip: now this is what we're talking about!
Phillip: the finest harbour in the world
me: this is a direct quote btw
Phillip: everyone get your things we're going to sydney
(what are the french doing here?)
La Perouse: we heard there would be a thriving colony here where we could resupply and maybe get a decent coffee
La Perouse: have you not even got your colony set up yet?
La Perouse: lol couldn't be me
(26 January)
(actually the evening of the 25th but who's counting)
Phillip: i proclaim this colony
Phillip: gonna name it after some bureaucrat half the world away
Phillip: it's what you do
Phillip: the flag will be here soon
(resounding through history)
the indigenous people: go away
the settlers: no
the convicts: i mean we would, but, you know
the indigenous people: at least consider not killing us
the colonial authorities: no
the indigenous people: at least consider not trying to wipe out our culture
the public servants: no
the indigenous people: at least consider apologising to us
the government: we do not support a black armband view of history
the indigenous people: would you at least acknowledge that we have been here for tens of thousands of years, have one of the oldest continuous cultures in human history if not the oldest, and were royally fucked over by individuals and governments alike?
the indigenous people: that all of this nation's achievements were built on land that we stewarded and had - and still have - a deep and spiritual relationship with that we could not explain to you, not because you are stupid but because it is so complex that one human life could not hold enough time to grasp even the context?
the indigenous people: that we were here first?
most of the rest of the Australian people: does this actually require anything of us
the indigenous people: yes
most of the rest of the Australian people: then no
we here at this blog acknowledge the traditional custodians of this land and pay respect to leaders past present and emerging. i would name the nation whose land i sit on but i don't want you all knowing where i live. both of us were born here and have nowhere else to go so it's a good thing acknowledging traditional ownership doesn't mean we have to leave. there is room for nuance
Palestinians are incredibly diverse. There are Palestinians literally around the world who have been exiled, in every country, who have mixed and crafted new iterations of our culture into something unique to their families and experiences. That is something that is rarely touched on when we think about a Free Palestine. Columbian Palestinians and Chinese Palestinians and Indian Palestinians and Mexican Palestinians, all of this is Palestine. All of these people make up Palestine. When we say "Free Palestine" we mean to make a society in which all these cultures, all this beauty is celebrated, where we look to each other and think "the world in which I live has art and culture I could never have dreamed of, and I'm glad to live in a society where I can experience all this."
I was talking with a friend of mine the other day and we reminded ourselves that Palestine is alive in so many versions in this world and when Palestine is free, it will make a whole new cultural entity that celebrates all sorts of different people. And when I think about that, I cannot help but feel energized anew with the sheer breadth of knowledge and art we can share with one another.
I'm writing this as a reminder that a Free Palestine will be beautiful beyond our imaginations, and it is possible and real and we will see it be brought forth and celebrated. Liberation shall prevail. Love shall prevail.