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fascination-street-writing · 3 years

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Somewhere to Begin | Pannacotta Fugo x Ghirga!Reader

He has always adored you, like the sun and the moon and more - but he had a brilliant way of convincing you otherwise.

- 200 Follower Giveaway Piece iii for @idontlikerisottounlessitsnero -

Content Warnings: Not SFW Content, Post Break-Up, Emotional Hurt & Comfort, Regret, & Explicit Sexual Content (Aged-Up Characters)

You had promised your brother Narancia to never involve yourself directly with Passione; even the occasional stay for a meal at Il Libeccio made him antsy, yet you failed to see the harm in sharing a plate of bruschetta with Fugo, or a pot of hot tea with Abbacchio – two of his closest companions. It was only fair that you ought to spend time with the men who gave you unbridled protection at the behest of nothing more than goodwill and magnanimity. Not that you needed such security, but it kept street thieves from picking your pockets, at least.

You had promised him indeed, and now that he lies in the casket before you – clad in the suit from your mother’s funeral that you never thought to see him wear again – you intend to keep it. Giorno had offered to have an outfit tailored for your brother, but you refused him with consternation that your he would not be buried in something from the boy responsible for his death.

“No,” you had told him, cold as the wall of ice that has crept around your heart, while clutching the woolly material to your chest. “This one will do nicely.”

And so, the mortician severed the seam along the back of the jacket and draped a silk sheet over Narancia’s legs so that no one would be wiser to fact that his ankles stick out past the bottom hem of his trousers. It was bad enough that you could not afford the casket on your own. You knew better than to believe it when Mista told you that it and the headstone were paid for with the money yielded from the liquidation of Bucciarati’s assets. If that were true, then why not pay for a new suit, too?

Trish snatches a single white lily from the memorial wreath and tucks it between your brother’s still, clasped fingers. She hides her grief behind a pair of sunglasses that do not match the overcast weather that looms above your heads. You had not wanted to wait so long for the funeral – for two months, Narancia’s body had been left in the morgue to chill on ice, par Giorno’s insistence that the service must wait until his transfer of power over Passione has finished.

Thus, for two months, you had lain awake at night, shuddering at the melancholy and its melody that reminds you how you your brother died without saying farewell – his platonic little soulmate. Giorno may have his victories and suffer for them, but you would not let him entomb Narancia in the mausoleum with Bucciarati and Abbacchio.

“He’ll be buried next to our mother,” you said to the new Don with indignancy. “After everything you’ve taken from me, let me have this. Lascia che mio fratello torni a casa – let my brother come home.”

Your wish was granted, though you suspect it only so because he was growing tired of fighting with you over burial rights and passages. The congregation is kept small, consisting only of yourself, Mista, Trish, a tortoise named Jean-Pierre Polnareff, regrettably Giorno, and a handful of bodyguards, though the latter kept their distance from the immediate service; it would not come as a surprise to you, should you learn that the men in black suits were employed to protect their Don from the mournful sister of the deceased.

The handkerchief clutched in your grasp is damp with past tears. Not even your father had come, despite your pleading that he ought to pay his respects to his only son. Too preoccupied with his floozy of a new wife and her children from two previous marriages than to love his own – you never needed him in your life anyways, because you had Bucciarati. Now, you suppose that you must be a proper orphan.

You do not weep when the casket seals and cleaves the line of sight betwixt you and your brother forever. You do not weep when the mechanical apparatus lowers the coffer made of Osage orange wood into the steel vault that already holds your mother in oak. You do not weep when the gravediggers shovel the dirt mound back over the crest of opened earth.

You do not weep until Mista clasps your trembling hand, pulls you to his chest, and embraces you amidst the anguish that burns you alive. His is the consolation that you needed, but never thought to ask for, though it is not his touch that you long for. One by one, the attendees disperse for the train of luxury cars and you remain alone with the gunslinger who had been courteous enough to come without his oddly patterned beanie hat.

“Why don’t we get going?” Mista urges to coax you away from the gravesite – away from yourself and the suffocating agony. “Giorno’s having dinner for us all, back at the estate.”

You pull away. Rivets of mascara stain his white dress-shirt. “You can go on ahead,” you tell him, not quite liking the way your voice strains in your throat. “I’m not hungry.”

“Then, let’s go grab some coffee or something –”

“I’m fine, Mista.” He frowns and averts his gaze. “I have some things I need to take care of.”

“Oh?”

You tug your cardigan closer to your chest. “I’m going to collect Narancia’s belongings from our dad’s house. Not sure what I’ll do with it all, but I know it can’t stay there.”

Mementos of life, from when things were far simpler and your brother far more alive. Family photographs with tattered edges and holes of where your father should have been, wedged between unread and abused schoolbooks. Worn out blue jeans with patches of fabric scraps from your mother’s old dresses that you had sewn on for him. A collection of empty glass soda bottles. CDs and cassette tapes of Snoop Dog, Tupac, and whatever other American rappers had appealed to his tastes.

“Alright, I guess. Promise me you’ll call when you get there.”

Soon to be packed away in cardboard boxes and to be stacked precariously in the living room of your studio apartment – another gift from Bucciarati – with nowhere else to go. You simply cannot afford to rent a storage unit downtown.

“I will.”

Mista does not offer to help, because he knows you will refuse it. With that, he takes his leave of you in the cemetery. Left to your solitary devices, you clench your fists and stew on hatred and loathing for none other than Giorno Giovanna. You do not blame Narancia for his eagerness to trust the boy so quickly; his charisma, as appealing as it entreats to the willing, is an infectious disease.

If not for Giorno, your brother would have been buried two months ago. If not for Giorno, your brother might still be alive. And perhaps you must resent Fugo too, for what he has done – or rather, the lack thereof of doing; yet for everything, you are incapable of such feelings, as you have always been fond of each other. The optimistic heart within you stands that he has saved you from suffering more – that in his choice to stay behind in Venezia, it only meant you would not have to bury him, too.

Because surely, his unrestrained anger would have gotten him killed – if not before, then certainly after Narancia’s death.

With a quivering sigh, you turn from this dreary place and meet his illegible violet stare. A row of crackling headstones separates you from the boy whom you love more than life itself. Fugo clutches a pretty bouquet of daffodils wrapped with parchment paper and a white-string bow – your favorite flowers, though you wonder whether they are meant for you or your brother’s fresh grave.

You do not know, nor will you ever, as he sets the flowers atop the nearest monument and makes off, as if on sabbatical to you.

And it fills you with nothing more than bitterness.

“Everyone misses you,” Mista confesses between a sip of tea and a bite of strawberry cake. “You should come around sometime soon.”

Nearly a year has passed since the funeral, and you have yet grace anyone from Passione with your presence, with the exception of Mista for weekly sojourns to Il Libeccio to catch up on life – because, as you have learned, much can happen in seven days’ time. With each occasion of crossing the archway’s threshold into the private dining room at the back of the restaurant, you find yourself preening for two heads of black hair – one neatly combed and clipped, the other a sprawl held in place with an orange headband –, taut lips painted in black, and Fugo. And every time, you are left with the kind of disappointment that curdles your soul like sour milk.

“Who misses me, Mista?” you reprimand, pointing your icing-lacquered fork in his direction. “I barely even know Trish, and I have no interest in ever speaking with Don Giovanna again.”

You wish Giorno would call off the bodyguard who trails you every waking hour of the day; it makes you feel like a child who has proven herself untrustworthy to her parent. But you have done nothing deserving of such punishment. You suspect that his intent is an extension of the olive branch treaty that does not exist between you two – a reiteration of Bucciarati’s protection that should not have to be reiterated, because he should not be dead, either.

Or, alternatively, he wants to irk you so far that you might barge into his office one day – fuming with unspent determination to admonish him regarding his dominion over your life – just to trap you in a conversation wherein he might attempt to suspend your animosity towards him. Alas, you are simply not interested; you will scorn him, because it is all you can do.

“Forget I asked . . .” Mista trails off, swirling a dollop of whipped cream with his knife. “So uh, by the way, have you seen Fugo lately?”

Just the utterance of his name has you perking in your seat.

“No.”

“Hm, well, rumor has it, he’s working at the public library. Shaking people down for late fees or something like that.” It is not implausible to imagine Fugo in the position of extorting old ladies and young children for overdue fines – but, you know that it is only a jest. Regardless, he has always been the type of boy to surround himself with books instead of people. “Why not visit him sometime? He’s not affiliated with Passione anymore. Or, not now, at least.”

You stab at a strawberry. It bleeds beneath the weight of your fork.

“I mean, what’s the worst that can happen?”

Mista’s question is one that you ought to be asking yourself, as you sit here at the scratched pine desk of the library – pretending to study for an upcoming exam on the history of art in Pompeii – though you look up from your scrawl of notes every few minutes to see if Fugo should pass you by; perhaps pushing a cart of books to be put away, or branding return cards with a plush red stamp to mark the date in two weeks’ time.

You have seen him only once more since his implied attempt of reconciliation at your brother’s funeral. It was by chance that you should wander into the same café as him that day; and by extended odds that – while you stood over his table with a sad smile and a cup of coffee – he stood abruptly and left without finishing his own drink. He had not even bothered to wish you well.

Today, you catch him on your way to the reference section. The look of hurt in his eyes – like salt instead of sugar on the tongue – brings a scowl to your face. “Please, Panni,” you plead, and though your fingers ache to catch his hand with your own, you refrain for you know the gesture is a crossing of the line between you two. “Can’t we just talk?”

“No,” he says, so dry and unrecognizable. “I’m not getting paid to do that. Now, if you’ll excuse me.”

“Panni, I – Please, don’t do this. I already lost my brother: don’t make me lose you, too.”

A fuse switches in his head, and you have been the one to flip it. He clutches the encyclopedia in his hands with such fervor that his knuckles pale, and for a moment, you wonder if he means to hit you with it. And maybe he thinks it too, but he drops it atop the ground as soon as the thought crosses his mind. He takes a step back, as if you have scorned him – maybe, after all, you have.

The cover spills open, and the pages bend against the hardwood floor. You wish he would do the same to you – to disclose his grievances and let you in. Instead, it is the toxicity of acrimony “Don’t ever come near me again,” Fugo warns. “Haven’t you realized by now that I never want to see you again? Get out of my life – get out of my dreams – and leave me alone.”

You will save the tears for when you stand in front of the bathroom mirror tonight before bed to wash away your makeup from the day, amongst other regrets. But you will never understand the guilt that suffocates him – a noose that is just taut enough to keep him breathing – each time he looks at you, and even when he does not. You are everything he has ever wanted and more.

And you are the emblem of everything he has ever done wrong.

“I still care about you,” you tell him with an affirmation that will not fix the desolation. “Doesn’t that mean anything?”

He bites his lip and looks away.

“I know you’re hurting. I am too. So, can’t we heal together?”

“Are you stupid?” You grimace at his words. “I told you to go.”

There is no chance to dispute it, nor to bid him an aggrieved adieu, because he is gone again. Burying him might have been easier, after all; a corpse cannot remind you of what a fool you have become.

And so it seems to you that dying dreams are the best ones.

Adulthood is – as you have found in your years of treading its waters – a dreadful inevitability. You and your brother’s boxes have outgrown that compact studio apartment, though for years, you had made it work perfectly fine. When Giorno pulled the strings to terminate your lease and forcefully relocate you into a sizeable townhouse in the Chiaia district, you wanted to hate him for it – for his reminder that you cannot sever your connection to Passione. Yet, boggled down with university loans, you were in no position to turn down his assistance.

And he knew it, well.

A pretty townhouse located in one of the nicest regions of Napoli cannot bring Narancia back, nor can it attune for every bit of suffering incurred since his death; but if it is a strain upon the aging Don’s wallet, then it is all the better.

On the day of your fourth birthday spent in solitude, you treat yourself to a tub of gelato and a dress from the costly boutique across the street that you will never wear because you have no need to. It will hang in your closest amongst other unworn gowns, still pinched with price tags, that you have impulsively accumulated over the years – a hereditary habit of your mother’s that had caused more than a few spats between she and your father. You know your vice, but there is something so gratifying about it.

You sink into the tweed couch that does not quite match the architect’s vision for the living room – with its crown-mould white walls and hardwood floors the color of wenge; too clean and proper for what furniture you have kept from your former residence. Silver spoon clenched between your teeth as you page through television channel after channel, you balance that melting gelato on your lap. Perhaps you should have grabbed a straw from the kitchen as well.

The evening passes by, uneventfully so. You have spent it spoiling yourself and replying with fabricated enthusiasm to incoming text messages from study mates, who wish you well on this happy day – as if you have a reason to remember your twenty-first beyond the accomplishment of finishing the entire tub of would-be-frozen lemon curd without incurring a single regret or twinge a of brain-freeze. You have gotten rather good at knocking back shots without needing to stop for breaths, too.

At the ringing of the doorbell, you are torn from the real estate program that you have invested so much time these past few hours. Mista, no doubt – come to deliver a gift and takeout because he knows you have not eaten properly tonight. You have no room left in your belly, but whatever he brings will make for a decent meal tomorrow.

You do not bother to tidy up, and when you open the door, you wish you had. Illuminated only by the balcony light stands Fugo with a bouquet of daffodils, a bottle of sauvignon blanc, and a remorseful, sheepish smile upon his handsome face.

Get out of my life – get out of my dreams – and leave me alone.

“Uh . . . “ He trails off before he has even begun, perhaps taken aback by the widening of your eyes and the disheveled appearance that, despite your own judgement, he thinks to be the most beautiful vulnerability in life. He speaks your name with the kind of tenderness that you have not felt since you were teenagers. “Buon compleanno.”

You need not ask how he found you, because you know without question that either Mista or Giorno had told him. “Why are you here?” you ask.

He clutches the flowers a bit tighter. You do not move to take them; however, you have already decided on which vase you will place them in. “I wanted to wish you a happy birthday. And give you these.”

The bottle of wine feels far too heavy in your arms – and the daffodils, as if they might float off in an unforeseen gust of wind. “And, to apologize. For too many things that I can’t ever make right; although, if you’ll let me, I’d like to try.”

“Fugo, I . . . I don’t know.”

“Please, [Y/N]. That day in the library, all those years ago . . . I never stop thinking about the horrible things I said to you. It killed me – it ate me alive; I thought for all this time and before that you hated me, because of what happened to Narancia. Because I wasn’t there to save him.”

“It hurt when you told me to get out of your life, but I listened, and I did it.”

He brings the heel of his hand to swipe at the tears in his eyes. The curling of his other fist is a gesture that terrifies you – although, not for your own sake. “I couldn’t face you. I was scared to look you in the eye, because I thought you hated me,” he mutters like a broken record as his voice cracks with agony. “I thought you hated me, because of him.”

He stops, throwing his head back with a groan. The apple of his throat bobs up and down as he chokes down a sob. He refuses to look at you when he speaks again – too afraid to come undone before he has made his peace with you, his greatest loss. “We were young. Probably too young to even understand what love really meant. But, dio dannazione, you were the most important thing to me, and I understood that more than love.”

His words have always held the capacity for swaying you, as if they replenish the empty spaces within. It is why, as you open the door wider, you let him fill you once again. Fugo contemplates the crannies of your living room, hovering above the couch that you insisted he take a seat upon – he remembers when you bought it, because you had dragged him to the furniture outlet that day. He pretended to be annoyed, though in truth, he was beyond elated that you had chosen him over Mista, or even your brother.

“I guess I should put these in a vase,” you say about the bouquet of flowers. “They’re beautiful, Fugo. Thank you.”

He nods, suddenly entranced by a photograph of Narancia that sits atop the fireplace mantel. You do not notice his unease.

“I’ll grab us some glasses, too.”

You find your vase in the kitchen cabinet niched into the alcove above the refrigerator. Its emerald swirls glisten under the twine of the recessed lights that add no character to the room. So much for a birthday spent in reclusion, you chide alone. Deep within you sits a fire that longs to ignite – to send Fugo away in some thwarted act of retribution for the very loneliness he inflicted upon you years ago; as if to say that the rejection suits you well.

Of course, you cannot deny that your heart leapt into your throat when you saw him standing before the front door, a vision of a man who still held those inklings of boyish charm that you fell for in your adolescence. They say you should not dote over the first person beyond your mother and father to call you pretty; it is weakness to complacency. Your life has never been one of convention – and so by that right, who there is to insist that you must abide?

Bearing a content grin, you trim the stems one-by-one to better fit the vase. In synchronous rhythm to the next, the green stalks bounce from the cluttered countertop to the floor. You have only just stuffed the flowers back into the vase when the shattering of glass resonates its way into the kitchen.

The photograph of Narancia lies amongst bits of broken frame and wreckage. Face buried in his palms, Fugo crumples until his knees meet the ground; he shakes, as if smothered by a chill. When his hands fall to smack the coffee table – baring his grief, in all its pandemonium – you catch them and force his arms around your waist instead; his fingers lock together, holding you in place. He whimpers against your stomach. Already, you can feel the wetness of tears through the fabric of your overstretched shirt.

“I’m sorry,” he mumbles. “I’m sorry, [Y/N]. I’m sorry.”

Your own fingers curl through his strawberry blonde hair – a means of stability as you too have begun to cry. “It’s just a picture frame,” you promise, and it is the grandest thing he has ever heard. But it is more than a box made of wood and glass – it is an impossible longing. “I’m not upset at you.”

“I . . . Okay.”

Mindful of the mess, you rock him backwards until he is lying down. You join at his side, take his hand into your own, and wait in silence for the moment when his misery will dissipate for clarity. Regardless of the circumstances that have brought him here tonight, you are grateful for it – even if your birthday is spent wallowing in irrevocable regret.

Above all else, you know that he has always adored you, like the sun and moon and more – but he had a brilliant way of convincing you otherwise.

Your thumb coaxes over the back of his knuckles. “There’s a crack in your ceiling,” Fugo announces, nonchalant and monotone.

“Where? I don’t see one.”

He raises an unoccupied finger, and you follow its gesture to the corner of the ceiling, just above where the moulding meets. It is no longer than the length of hair from his head, and quite honestly, not an underlying issue of foundational complications. Still, you indulge him. “Oh, wow. I never noticed.”

In this hasty repertoire of patterns, you fall into stillness again. “Panni,” you whisper with the utterance of his endearing name. “I’m glad you’re here.”

He squeezes your hand.

“But it’s getting late. Why don’t you stay the night?”

Truthfully so, you cannot send him on his way in such a state of disarray.

“I can make up the couch for you, if you’d like.”

“Yes, please,” he murmurs.

However, you do not make it far because he has – inspired by a need to express his devotion and apologia – pulled you atop himself, hands braced on your hips as you balance on bent knees and grasp his shoulders. Tenderness is becoming of the boy – no, the man – who looks up at you as if you are the embodiment of everything good that exists in one life to the next. It is a side that he has never shown to anyone other than you.

You covet it like a piece of cherry-flavored candy, even when you lean down to capture his lips and nip at his tongue that likewise explores the long-forgotten caverns of your mouth. It is a distraction of meaning and not; from the broken frame, loss, and perhaps everything in between. Every attempt to catch a breath of air is met with resilient protests of needier touches and not before long, you lie on the couch – shedding your clothing like the skin of the woman you no longer wish to be – and let him in.

Bare chest to bare chest, you cup his hardness as he places his fingers to your untouched folds. You mean to tell him that you love him, but the penetration of unpracticed digits to your core stifles the very thought from your scattering mind. In dark closets and empty rooms, you two have had your share of imprudent experimentation with one another’s bodies in the past – and nothing more than warm, tentative touches that lead to girlish giggles and boyish huffs.

Fugo pinches your nipple, drawing a plush gasp from you; it urges him to do it again until at last you are throbbing with need from your lower half, your pelvis jerking upwards to meet his for the stimulation of wanting. His breath ghosts your face, and you think you smell wine – a drink for good luck, you think, because despite the distress manifesting in his soul, his mannerisms are otherwise as habitual as you might recall from moments of normalcy.

It feels wrong – to be filled with such wanton, salacious desire within the very hour that you have both spent in mourning of your brother and everything else that has been discarded to the wind, to be picked up by someone else. Yet tonight, you will not sleep with Fugo to forget your blue heart, nor for celebration’s sake as you embark upon another year of being – you will sleep with him, because you have grown tired of learning how to end your days without him.

“I haven’t . . .” You trail off, mesmerized by the way his violet eyes look at you; though puffy and stained red from crying, you take them in as he cocks a brow, imploring you to finish your thought. “I haven’t been with anyone else since you.”

“Good,” he sighs, and you think he is trying to hide a smile. “Me neither.”

Braced by his arms, you are flipped onto your stomach. The tweed upholstery bites into the soft flesh of your breasts with each jostle elicited by the curling of a finger within you. You push backwards until you swear you can feel his fingers against your cervix.

“Oh my god,” he groans, flexing out as if to move deeper. “Ti senti così bene.”

“If it feels good, then do something,” you whine, hands dug between the cushions for support.

But, to your chagrin, he takes his time to admire the way your folds pulsate around just two fingers. You glisten like a gem – his gem. Indignant with petty annoyance, you pull away and straddle the lithe, albeit toned, legs that dangle off the edge of the couch. Arms thrown around his neck, you sink down until you have reached your fill of his manhood.

“I did tell you to do something,” you sigh at Fugo’s displeasure, biting your lip as you adjust to the size of his shaft. “Didn’t I?”

He kisses you once and moves grasp your backend. You savor the feeling of him ingulfing you. “I was distracted.”

You would laugh if not for the anticipated bulging inside you as Fugo buckles into your heat. The sight of your jostling breasts with each bounce of you on his cock is a page of some heavenly doctrine – one that he should study and commit to forever. He moves with strength that he reserves for moments of rage, and even his fingers dig into your skin hard enough to leave bruises for the days to come. You do not mind; they will help you to remember the best night you have had in years.

With a cry that blossoms into a moan that tells him that he has treated you well, you ride out your orgasm and slump against his chest in your own exhaustion. When he reaches his peak, he slides out; you reach for him – dampened with your slick – and finish him until white pearls bead at the tip and trickle over your working fingers.

Foreheads pressed together, you flash tired grins before settling against the cushions, your head pressed to his chest and his arm braced around the small of your back while his fingers trace shapes against your perspired skin.

Panting, his heart skips every few beats – like a song, sung only for you. Content with that which has returned itself to you, you fall asleep to the sound of this lovely little love affair.

| 4966 Words |

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