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#sometimes they still have film in them when i get them
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The landing | joel miller x f!reader, 13.2k
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Summary: You feel him before you see him. He’s still taking up space in your micro-universe. His sole presence creates ripples through the atmosphere as he walks towards you, softly nudging you to turn your head from your spot to look behind you. Or The one where your orbits finally collide for the final showdown.
Warnings: 18+ MDNI, NO SPOILER (read A/N), ANGST, cheater!joel, discussions of infidelity, mention of food consumption, yelling, crying, the briefest mention of smut thoughts, sprinkle of fluff (blink and you'll miss it), as always let me know if I missed anything 👀
A/N: Ok, *deep breath* I know I can't make everyone happy unless I write alternate endings 😅 and I understand that infidelity can be a very triggering concept. I gave them the ending I felt they both deserved, but if you're looking for a story where they are at each other's throats for 13k words, maybe this is not for you and you are more than welcome to kindly move on. I won't spoil the ending in the Warnings, so proceed with caution, you know what the main theme is all about. All I can tell you is that this part of the story is divided into two main scenes because I didn't want to drag it out with one little scene after another. *she says after spilling 13k words🙄sorry about that👀* As always, I would love to read your thoughts on the last part and please keep in mind that writing is almost always self-indulgent.
P.S. I want to thank each and every one of you for the love I received for this mini-series, I never thought it would engage so many people. Thank you, from the bottom of my heart. You've all been so kind and sweet to me, so this journey filled my heart with joy! I love you all, take care of yourselves and I'll see you -hopefully- in the comments! Oh! My asks are always open if you want to know more about their story. I could even write drabbles or one-shots about anything you'd like to know in particular. Ily, bye 😘
P.S. I deliberately left the last two lines without clarification of who says what, I leave that up to you. 🤍
Dividers by @cafekitsune @saradika-graphics @plum98
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FOUR YEARS AFTER THE FALL
Are you still falling?
You’re not sure anymore. Maybe you’re just used to it. Or maybe you just learned how to fly. It certainly feels like everything has slowed down. Sometimes it feels like floating. As if you’re a feather, so lightweight, swirling around aimlessly. But you can never touch the ground. Gravity can’t quite pull you down. Every time you feel like you’re finally landing, a force of nature pulls you back up.
Maybe it is a soft, warm, summer breeze, a memory of Joel.
Maybe it is a whirlwind, a contact from the lawyers.
Maybe it is a snowstorm, sign the papers, please.
Maybe it is the whispering of a gentle wind, the possibilities of what might have been, or the lack of real closure.
But it’s nice here. Even between the earth and the sky.
You never thought you’d enjoy leaving the big city and making a home for yourself on a ranch. But you loved it. You loved the peace and quiet, you loved this new community of people, you loved taking care of the horses, riding them, being around them. And then there was the house. A place you could almost call home. It was beautiful, rustic, warm, inviting, lacking none of the comforts a modern house needs, because you can’t quite get the big city girl out of you. The entire land had a soft, yellow-golden light enveloping every tree and every rock, everywhere your eyes reached, as if the sun shone differently here.
The days are easy. The chores are more than enough to keep you focused, there’s always something to do around here. It feels good to be busy, to keep your mind from dwelling on the past. You welcome the exhaustion of a full day’s work that accompanies your body when night comes.
Evenings are mostly good. You shower the day off, you cook, you chill on the couch with a good book or a film and more often than not, as the time passes and you feel more comfortable sharing the privacy of your home, you have friends over for dinner and drinks.
Nights though, nights are hard. At night, you pray that you are tired to the point of exhaustion so that you can sleep through it peacefully. Sometimes it works, but most of the time, not so much.
Time has intensified and lessened your emotional burden simultaneously.
The sharp pain that feels like thick acid being poured into you mellows in an inexplicable way. It still hurts, the pain oozing out of your every single pore even in a physical way. Only now, it has transformed into a sweet, slow poison conquering every hollow of your body, every vein leading from your heart to the ends of your limbs.
It’s almost a welcoming feeling, this pain, reminding you that you’re still alive, that he was real, that everything that happened was real. Because sometimes, sometimes, when you let yourself relax, when you let your guard down, all of this feels like a dream. Sometimes, you wake up in the middle of the night, confused, reaching with your hand for the other side of the bed and finding it empty. And for a split second you get that feeling. The feeling of how it used to be with him next to you.
Then you remember.
You know why this is happening and who’s responsible for it. This is a mix-up. This is what your treacherous brain does to mess with your resolve. It blends the bad stuff into the good, creating the strangest of concoctions. The clear image of black and white, neatly and perfectly hung in the center of the walls of your mind is now splashed with colorful memories from your life together, like a Pollock painting. You do your best to resist, to bring back scenes from all the vivid recollections of the night your life changed forever but your uncooperative brain pops another memory up, a good fuckin’ memory, like a projector, illuminating those bare imaginary walls with laughter and touches and whispers and scents and warmth. It’s relentless.
This dichotomy creates an uneasiness inside you, you choose to reject and pretend not to notice. Which in turn leads to self-contempt because, as always you can’t lie to yourself. You may lie to others but deep in your core you have to be honest with yourself. That is something you’re owed. To be aware, present in the reality of your life. So, you know, you know, you just sweep things under the carpet as a copy mechanism. You know what you should do.
You should confront him. You should demand answers and then finally say what you need to say to him. Not for him, not for his sake, but for yours. But you can’t. You've lost count of how many times you've picked up the phone and your thumb hovered over his contact to call him but you just can’t bring yourself to do it. And every time you tried to text him, to start a conversation, it felt too awkward. The only acceptable subject of discussion initiated by you was the progress of the divorce papers. You were unable to even remotely insinuate a more meaningful encounter. And he didn’t make any advances either. Not that you gave him any room to try and talk to you, but still, he seemed more settled with that, rather than not.
Maybe that fact itself was your cue to let it all go. He’s probably moved on. You don’t cheat on someone so blatantly and then want them back. Obviously, this whole delaying of the divorce is a power play, like everything else, it seems.
Good, yeah, that’s it. That’s it.
Now, let go. Move on. You solved it. Let go.
But this annoying little voice is scratching the walls of your weary brain, nudging the limits of the carefully made up serenity that’s hanging by a thread.
You should confront him. For your peace of mind, for your equilibrium.
But it’s nice here. Even between the earth and the sky.
Joel, will you please sign the papers?
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It’s early in the evening and you’re in the garden in front of the house near the porch, on your knees, plucking a few weeds from the ground. The fatigue of the day’s work has begun to take its toll on you, your shoulder is slightly trembling as you rest your weight on one palm to dig around with the other. Sweat covers your torso, rolling down between the valley of your breasts and the hollow between your spine, leaving your t-shirt clinging to your skin, your hair sticking to your forehead, which is lightly covered in a thin layer of dirt at some places as you keep wiping your forearm over the little beads of salty water that concentrate over your brows.
You feel him before you see him. He’s still taking up space in your micro-universe. His sole presence creates ripples through the atmosphere as he walks towards you, softly nudging you to turn your head from your spot to look behind you.
There's an overload of sensations before you shift your body around to confirm what you already know in your bones. You can smell him, taste him, feel him on your suddenly tingling skin, all at the same time.
You turn slowly and your breath hitches on your throat. You just stay in place, frozen, time infinitely stretching as you take him in from where you kneel on the ground. He stops abruptly the second his eyes meet yours and you could swear he’s holding his breath, his face completely unreadable.
He looks.. he looks like your Joel and nothing like him simultaneously. Soft yet imposing. Handsome yet battered. Determined yet lost. His clothing is simpler, dark jeans, green flannel over a black t-shirt and laced boots, as if he just returned from a working site. His curls are longer, framing his handsome face in a ridiculously good way, more white hairs nestle in his beard that is not that trimmed. Neither of you speak quite yet, taking each other in.
Your mind, your bizarre, ridiculous mind is working on figuring out what day it is. Why does it matter? Did you have an appointment? This is unexpected and a long time coming all at once, regardless of the day of the week. What comes next? Do you draw up an astrological map to determine if it's a compatible date for you to meet? Get it together.
Your facial expression must be pretty funny because Joel smiles awkwardly while scratching one side of his bearded cheek; hey, it’s me.
No, shit, you mentally respond, as if you could ever forget him. Furious is the word that best describes you because these are his first words? Hey, it’s me? And that feeling escalates into an explosive retort because you now realize that you had expectations. His first words? Who cares what his first words are? Were you expecting a tearful reunion, masterfully staged and executed like a romantic film? The guy betrayed you in your own house, sorry, his house. Wake the fuck up.
“Did you sign the papers?” you spit as you rise from your spot and he reacts as if you have punched him in the stomach. His face falls; you see a series of micro-expressions pass over his features before he settles on the last one. Has he been hurt? Did you hurt his feelings? Did he also have expectations?
“Uh-”, Joel raises his brows in genuine surprise, things probably not going the way he expected or hoped.
“It’s nice to see you, too.”, he replies with mild mockery.
Your eyes snap shut and you laugh in anger, lowering your chin to your chest and then looking back up at him, your eyes blazing, your brows mimicking his previously surprised expression, “Are you serious right now?” you cross your hands defensively over your chest.
You stare at each other for a good minute, both of you taking a moment to compose yourselves and regain your balance.
You break first, dropping your head back to your chest, looking down at the heel of your shoe scraping the ground beneath you, exhaling audibly.
“Hey,” Joel tries again, after speaking your name tenderly, your name on his lips, his head dipping down and to the side to try and get your attention back to him, his gaze filled with a mixture of warmth, regret and fear, “hi.”
You shake your head from side to side in repentance, what a great start this is, you keep thinking, “Hi.” is all you give him, still not looking at him.
“Hi,” he repeats, “it’s really nice to see you, bab-, shit, sorry.”, he winces, covering his mouth with his palm, embarrassment creeping into his features. You let out a quiet laugh, exhaling through your nose. You don’t comment on the slip of endearment that leaves his mouth, you don’t correct him, accepting privately that you liked it, you missed it, you longed for it.
Joel studies your face, but makes no comment on your silence. “You look...” he pauses for a split second before deciding to continue, “you look really good.” He hesitates, he doesn't want his compliment to come across as a feeble attempt to patronize you, because he really means it. You do look good, all sweaty and muddy and human and real. You are real. If he took a few steps forward, he could actually reach out and touch you, feel your skin under his fingertips, smell your heady scent, perhaps discreetly lick the remnants of your sweat from his thumb after carefully removing the strands of hair sticking on your forehead. But he doesn’t do that. He doesn’t do any of that.
You don’t quite know how to respond to that, any answer crossing your mind seems stupid or cheesy or dismissive. How do you respond to a compliment from the man who made you worship in his altar, only to have your faith ripped out of your heart?
His eyes keep roaming over your face, your figure, memorizing everything he can, like a blind man who has finally found his light, while he fidgets with an envelope in his hand which reminds you-
“Did you sign the papers, Joel?”, is what escapes your lips before you can think twice.
“No.” and now it’s his turn to lower his head, his eyes avoiding your gaze, as he looks down at his feet.
“Joel!”, you exclaim infuriated, rolling your eyes at him, knitting your brows together in a sign of frustration.
“No, no, it’s not like that. I’ll do it. I’ll do whatever you want.”, Joel raises a hand in your direction to stop you from what seems to be a fair assumption, his palm up, facing you in an unspoken surrender. “I thought that- me, not signing, was a way of showing you how deeply sorry I am, how much I wanted to fix our marriage, but I understand now,” his voice wavers slightly, “that I need to respect your wishes. It’s the right thing to do. If this is still what you want, I’m gonna sign it.”
You don’t reply to that last part, only pointing out that “You didn’t have to come all this way to tell me that.”
“No, I didn’t.” Joel agrees.
“Then why are you here?” you insist, reluctant to entertain the idea that he has actually come all this way to apologize.
“Because I owe you an explanation.” is his honest and direct answer, sending little jolts of electricity through your nerves.
“Joel..” you sigh in exasperation. Not in warning or frustration, not really, but in something else. A feeling you can’t really put a name to, the closest you can come to describing it is that of a burden, woven deep into your heart, blossoming rapidly with each beat. There are so many things left unsaid; it makes you feel helpless, like you’re drowning. You want the dam you’ve built around your soul over the years to break so everything you've been holding back can finally pour out of you, but there’s just so much of it, of everything, that you’re terrified. Will the overflowing tank of emotions be completely empty? Will there be anything left unsaid? Untouched? What if the remnants left behind keep licking around your wounds, their waves pushing, shaping what’s left of you into something new, unrecognizable?
And what if, the tank will indeed be completely empty? What you’ll be left with, then? Nothing? Just.. empty? Will you remain empty? What, if anything, will take its place? Will you recognize your new self? Will you like yourself? Will you be able to live in harmony with this shell of a person? This you; you know. You hated and pitied and caressed and comforted and forgave and nurtured you into some version of a new you. But this? Everything will be torn apart, the wounds will be freshly opened, accessible to be examined in detail, plucked and bled and bruised in an all-too-familiar way.
Joel’s voice snaps you out of your trance, “No, I do. I owe you more than that, actually, but that’s the least I can do. And I wanna do that while I’m still your husband. I want to explain myself as your husband. Apologize to my wife, as her husband. Then I’m gonna sign anything you want me to.”
“And if I don’t wanna hear what you have to say?”
“Then I’ll just sign the papers and leave you in peace.” Joel confesses in all his honesty.
You just nod, looking down on the ground. You take a deep breath to ground yourself. You can do this. You want to do this. You need to do this.
You walk towards the house and sit down on the steps of the porch, as he looks at you awkwardly, not knowing where to stand. You gesture with a tilt of your head for him to come sit next to you. You can do this. You realize that you didn���t invite him into the house and you feel a bit rude for that, but it's beyond your empathetic capacity to deal with him being here and to let him into the house as well. “I just like it out here, it’s calm and-”
“You don’t have to explain yourself to me, whatever makes you feel comfortable; I know you don’t want me here any longer than I have to be..” he interrupts you as he sits down next to you, his one side pressing against the end of the stairs, where the railing begins. He places the contract between your bodies, on the wooden floor.
It makes you uncomfortable, his statement, you always want people to feel welcome and relaxed around you. You internally chastise yourself for worrying about his feelings instead of yours, but you can’t help it, it’s embedded in your DNA. “It’s OK, Joel, I don’t mind, we can talk.”
Joel nods, but he remains silent. You don’t break the silence, giving him time to collect his thoughts. He chuckles defeated, shaking his head while rubbing his hand over his face.
“Are you sure?”
“Yes, you don’t look that mighty to me anymore.” you blurt out before you can stop yourself and you immediately regret it. It didn’t sound so insulting in your head. You only meant to say that he doesn’t intimidate you anymore. Which is sort of a lie and a truth at the same time. You used to find him imposing, even his mere presence had the ability to make your skin crawl, your heart flutter and your words get catch in your dry throat, you were in awe of him. Every time you laid your eyes at him, even when you were straddling his lap or gazing at his profile as he slept beside you, you always felt as if you were looking up. You admired him.
His heart loses several beats to that. He can read between your lines now. He has lost your respect. Your admiration. The time when you looked up to him in awe is long gone.
“You know, my therapist warned me about this.”, he chuckles bitterly.
“Your-” you can’t hide your shocked expression from him as you search his eyes for any sign of him joking around, but you find none. “You’ve been in therapy?”
“Yeah, I-, I spent two years hating myself,” he chuckles deprecatingly, “and then I realized it was time for me to stop being an arrogant prick, so I spent another two doing it all over again with the help of my therapist.”
You laugh wholeheartedly at that and it’s the most beautiful sight he’s ever seen in his entire life. “OK, somebody’s off to a good start. Go on.”
“You mean about the therapy?”
“I mean about you admitting you are an arrogant prick”, you say playfully.
He really laughs now, his eyes crinkle up at the sides. You used to love that. You feel your heart warming up. “You can thank Maria for that.”
“For what?”
“For kicking my ass and pushing me to help myself.” Joel admits. “She’s a good friend.”
“Yeah, she is.” you agree through your laughter, the image of Maria actually kicking Joel’s ass is priceless.
“I missed that sound.” Joel is looking at you softly, as if his gaze could break you.
“Hm.” you simply smile at him, not finding it in you to respond with a snide remark. The time for that feels like it has passed, like it’s irrelevant at this point. All you really want is to have an honest conversation, irony be damned.
You both look at your feet in silent consideration for a minute or two. “I thought you’d be mad at me.” Joel reveals.
You exhale through your nose, the edges of your mouth turning up in a gentle smile. “Four years is a long time to be mad at anyone, Joel. Even you don’t have that kind of power over me.”
“Good. I have enough burden on my shoulders as it is..”, he mumbles and you decide to change the subject.
How do you admit that you are still mad at him but in a different way? How do you describe the deep scar his existence has carved into your soul making it almost unbearable to even exist without him? How do you explain that you’ll always carry him with you, no matter what? How do you instill in him that you still believe in the best version of him, the best version you know he can be, the best version of him you once lived with. Yes, you’re not mad at him for the reasons he thinks you are. You’re mad at him because the way he made you love him is stronger than any hurt he’s ever caused you.
“So, what did your therapist warn you about?”
“She, uh- she tried to prepare me for this.”
“Oh? What did she say?”
“That I should not be prepared.”, he laughs in earnest. “That I should not obsess about what I want to say and just be open and have an honest interaction.”
“I like her, already.” you say with a straight face.
He smiles softly, looking down at his boots, while he rests his elbows on his knees, one palm encircling the other. “Yeah… I had some digging to do; I still do for that matter and will be for a long time it seems.”
“Anything you wanna share?” you reply, raising an eyebrow as if you had no idea why he was here.
“Oh, boy-” he squirms in his seat, already overwhelmed by the turn of the conversation, his chest almost vibrating with anxiety, he can barely swallow, small beads of sweat starting to form around his temples. You reluctantly reach for his forearm, trying to calm him down. “Hey, Joel?”
His whole body stiffens at your touch and he wishes his clothes would evaporate so he could feel your skin against his. He fixes his eyes on your delicate fingers lightly squeezing his tight muscles underneath the fabric. “The worst part has already happened four years ago, so-” you shrug, “just breathe.” Joel keeps his eyes on your hand, his heart rate dropping slightly; you ground him. You retract your arm and keep your hands to yourself in an effort to maintain a respectable distance between you. You shouldn’t have touched him at all.
“I think- I think I understand now.” he begins, still feeling the ghost of your touch on his forearm. “How I made you feel, what your words meant. You always did that, you know. And I found it so fascinating and so exhausting at the same time.”
You look at him, confused. Joel continues, “You always chose your words carefully. You had a reason for every single thing you said. In retrospect, I realized that you were handing me everything on a silver platter, but I was too self-absorbed to see it at the time.”
You nod in agreement, gesturing with your head for him to keep going.
Joel takes a deep breath, holding it inside his lungs for a while. His exhalation is controlled, measured. “Fuck. Okay. It was not just the fact itself. It was not just the cheatin’.”
Your stomach clenches violently at his words. The time has finally come and although you know what happened, you where there, when the words come out of Joel’s mouth it's as if you're pulled back to that threshold all over again. It really happened. You feel your hands sweating. “Go on.”, you pronounce carefully, already anxious your voice is going to betray you. You can do this.
“I don’t want to sound all full of myself-” Joel hesitates.
“You won’t.” you interrupt him with conviction. The truth has never frightened you. You welcome it. It feels like a form of catharsis, it feels like you’re finally being seen. Every nerve in your body is on fire. You’re ready for this, for the truth, if only he gives it to you. Please, set me free.
“I was your everything.” he whispers, almost embarrassed, his eyes not meeting yours. You don’t respond to that, not until he looks at you, although the admission shoots straight through your heart. You stare at the side of his face, almost forcing him to turn to you. He does.
“You were.” Simple. True. Clear as the light of day.
“And I ripped that from you.”
“You did.”
“In the worst possible way.”
“Hmhm.”, you don’t trust the stability of your voice.
“And no matter what I say, I can never take back what I did. I humiliated you, our home, our relationship, everything. I-” his brows furrow in an expression of disgust, “I disrespected myself. I burned everything down. I left nothing for you to hold on to, nothing for me to hope for, nothing.”
His chin trembles and his voice wavers as he continues. “The words to describe how sorry I am have not yet been invented. And even if they had, they still couldn’t take the pain away; what’s done, is done.”
He closes his eyes and rests his head on the railing. “I don’t know what I wish for anymore. That you had never met me, so you could be spared all this pain? But I can’t. I can’t wish that, because I’m so grateful to have met you. I married you, I had you. That is what has comforted me all these years, what has got me through all those sleepless nights.” He looks absolutely devastated, desperate.
It feels genuine, because he’s not directing it at you, he’s not trying to convince you, he’s not trying at all. “I have not thought about my pain or what I want from all this for a long time. All I pray for is-” his glistening eyes are searching frantically on the ground, his brows knitted together in a painful grimace. You rest your head on the palm of your hand, your elbow on your knee. Watching this moment like an outside observer, you realize that he's trying to live up to your standards, reminding you of a child trying to impress his parents, only to fail regardless of the outcome.
“Look, Joel, couples break up, divorce, all over the world, all the time. And I guess, they all thought their partners were their everything until they finally weren’t.”, you rationalize, putting everything that has happened into some kind of perspective. It is not the end of the world. It is the end of your world. He doesn’t have to carry this burden on his shoulders for eternity. All you need from him is to understand, to acknowledge what he's done to you, how broken you’ve been.
But if he acknowledges that, if he truly comprehends the tremendous pain he’s put you through, won’t all that anguish be transferred to him? Isn't it unbearable for a truly repentant man to know that he has deliberately caused so much pain?
“But, you see; I wanted that, I needed to be your everything.”
“It certainly fed your ego..” you grin at him.
“No, no- I craved that- that look on your face when your eyes were on me, like there was nothing else, no one else around you, but me. You drove me to be better, to move forward; I felt I had a purpose. You were my purpose.”
“Well I didn’t do much of a job then, did I?” you smile defeated.
“No, honey, this-” he’s determined to make you understand that it wasn't your fault, even if it is the last thing he is going to do. He licks his lips trying to formulate his thoughts, “-what happened, had nothing to do with you, I- I was just- I got in my head..”
You shake your head dismissively, “It’s a terrible burden to put people on a pedestal and expect them to-”
“But you see, baby, that’s the thing. You didn’t.”Joel dismisses your comment and if a bucket of ice-cold water was thrown over your head you wouldn’t feel so frozen. You search his eyes for meaning, because deep down it stings to hear that you could give more. Is that what he’s saying? You didn’t love him enough? Joel catches on and rushes to explain. “You-” god this is so hard, he’s struggling, can’t he just rip his heart open and let you examine it? “You loved me so much, baby and you never asked for anything in return. You let me be who I was. You accepted me completely. You set me free.” His eyes are blown wide, burning into yours with intensity. You look so lost, how does all this fit in with what he did then?
“Darlin’,” he expands further, “we live in a competitive world. Everyone aims to control each other, from business partners to lovers and spouses; everyone manipulates, everyone tries to tell you where to look, what to do, how to act, how to fuck, how to love. Except for you. You let me be. You put your heart in my hands and you set me free. And I took advantage of that and I am truly sorry. I’m more sorry than you’ll ever know. That’s how fucked up I am.” you look at him dumbfounded.
“I can’t connect the dots; I don’t get it, Joel, I’m sorry, I-” you run your fingers through your hair, scratching your scalp in frustration. What does he mean?
Joel winces mid-sentence because he can’t escape what’s coming. This is his last resort. And he knows it is going to sound cruel and he doesn’t even mean the first part the way you're going to perceive it, but for lack of better words, for lack of the better person he could have been, a person who should have never put you in this position in the first place, here goes.
“She made me feel wanted; you made me feel free.”,
he spits out in a hurry, praying to whatever god is listening, that you won’t even catch it, knowing full well that these may be the last words you'll ever let him speak to you.
You are utterly, completely, perfectly shocked.
Then you feel it for the first time in what feels like ages. That old friend consuming you. Rage. It burns your lungs, twists your guts and pierces your heart like a thousand needles. Everything becomes crystal clear. You’re so infuriated, that your mind goes blank. A million words and nothing at all come to your mind simultaneously.
“Let me- let me rephrase that, because actually it was never even about her, I just-” Joel begins, in a vain attempt to stop the tide from crushing you both.
Your palms become clenched fists in front of your mouth, pressing against it, crushing the velvety skin of the inside of your lips against your teeth until you draw blood, in an effort to control yourself. You inhale sharply, keeping your eyes fixed on the land in front of you, blurred by the tears gathering in your waterline.
“She- what?” are the only words you manage to choke out.
“Baby, it doesn’t matter, it was never about her, she was a means to an end and-” your eyes bulge out of your sockets at the statement, “I know- I know how that sounds- just-” his palms come together in a prayerful gesture, begging you to give him a chance to explain.
“A means to an- what the fuck are you talking about, Joel?” the veins on your forehead swell under your skin, creating a map of the river of wrath flowing aggressively through your body.
“It was never an affair sweetheart, but a transaction; one I initiated. She was only a boost to my ego.”
..she made me feel wanted..
..a boost to my ego..
It's all starting to make sense now, and it's the last thing you expect to be confronted with. You've always imagined either a heated affair, a secret love story, him realizing he had found his soul mate in someone else, or him getting bored with you, finding you too much or too emotional or too unlovable. It turns out that you were accused of the one thing you never were.
“Are you-, oh god,” you can hear your heart pounding in your ears now and it takes every ounce of strength not to vomit, “are you saying that you fucked someone else; you fucked your secretary for fuck’s sake, you fuckin’ cliché of a man, because I wasn’t jealous of you?”. Your throat is so swollen, you try to scream your words at him but they only come out in wrenched whispers.
You stand up abruptly, dizziness causing you to close your eyes tightly as you see a million white dots behind the blackness of your eyelids. Your whole body vibrates with rage. You steady yourself on the railing and then begin to pace back and forth, your hands unable to stay motionless, but moving over your face, through your hair, lowering and squeezing the sides of your waist as you lean slightly forward in a subconscious way to soothe yourself.
“Oh my god, oh my fucking god,” you laugh hysterically now, as angry tears run down your cheeks, as if you've been let in on an inside joke. “It’s my fault, everything is my fault-”
Joel is frozen in place, he’s not sure if he should get up and try to reason with you or stay where he is.. or run for the hills. He’s witnessing the unleashing of a caged animal. His tongue feels heavy and numb in the cavern of his mouth but he dares to speak again, “That’s the exact opposite of what I said, sweetheart,” he tries to explain in vain, “I’m sorry if that’s what I-” but you’re not listening to a single word he utters.
“People kept telling me, urging me on, all my life;” and you slap your palms on the sides of your thighs, looking at his direction, but not really looking, “I should be more controlling, more pushy, more..” your voice begins to fade, muttering to yourself through your teeth. “They warned me, you know, that the lack of pressure in any kind of relationship would be perceived as a lack of interest.”
Don't trust completely; hold something back; men like the illusion of power; show them you need them; make them jealous; be jealous, like a manual to a pre-installed setting.
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“But I didn’t listen. I never listened. Because in what world do we choose a leash over freedom?” You turn to look at him now, addressing him as if you were talking to a third party, an outsider, asking for advise or affirmation.
Maria’s words come back to Joel’s mind, words that he had long forgotten about, finally fitting like missing pieces of a puzzle to the bigger picture.
“Maybe the wrong Miller is on a leash..”
“What’s that supposed to mean?”
“Means that freedom is for those who can bear it.”
“I was really stupid, was I not? What on earth made me think that this time would be any different, what made me think that you’d be any different? You’re just- you’re just another man-” you spit your vile angrily as your eyes sweep over him. The look in his eyes is devastated, he feels shuttered, reduced to nothing.
“Stupid, stupid, stupid little girl. When the fuck will I learn? When the fuck am I going to accept that I don't really belong? When?”
Joel is staring at you bewildered, he never felt more helpless in his life. A thousand new thoughts and questions form in your head, things you didn’t even begin to imagine would cross your mind.
“Did you use her?” you ask with renewed vigor, a surge of energy running through your body.
Joel’s cheeks burn with humiliation but he has already admitted it once, what will it do to him to say it one more time? “Yes, I never had any feelings f-”
“No,” you interrupt impatiently, you don't care about his feelings right fuckin' now, “that night, did you use her? On purpose?”
Joel looks lost for a second but the cogs in his head finally turn and “NO! No baby, I wasn’t even aware of you coming home earlier than expected, no. Don’t even entertain this idea; it wasn’t intentional, I swear to god.”
Oh. There’s a new question for Joel. Why did you leave your business trip early? He had never thought about it before, solely focused on everything else that had happened, which now made him wonder, “Did you- did you know?”
“What?” you frown, lost in your own thoughts, not following his line of logic.
“Did you know? Is that why you came back early from your trip?”
You’re still a bit too far gone in your head to think clearly and try to prevent the next question from coming, “Of course I didn’t know, Joel, did it look like I did?” is all you say with a bite, annoyed.
“Then why-” Joel insists, pressuring you for an answer, but he doesn’t get to finish his sentence.
“I- fuck- I need a minute.” you declare and start to walk towards the house.
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Joel waited on that porch for almost an hour, watching the sun set behind the mountain, afraid to move, barely breathing in case you stormed out and threw him back where he came from as if him standing still would somehow make him part of the landscape; as if he belonged.
And you certainly delivered.
He hears the screen door open, his back still to the house. You are standing behind him, your arms crossed stiffly over your chest, your face tilted down, to avoid his gaze. He could see the red-rimmed and swollen eyes of yours, despite your efforts to hide them.
“I can’t do this-”
“Please,” his whole face contorts in agony, “please, hear me-” you both speak at the same time.
“-tonight.”
“What?” his voice matching the look of confusion on his face.
“Maybe another time, but not tonight.”
“I-” he doesn’t know how to articulate his thoughts without sounding like an idiot. He drove all this way, four hours straight, to finally get things straight. His brain has short-circuited, unable to put a plan into action. Should he check into a hotel or a motel or whatever the fuck is around here in the middle of nowhere? Should he go back to his place? Do you really want to talk again? You sort of said you did. You said maybe. Fuck. What does he do?
But honestly, what did he expect? That this would be over in the course of one evening? Of course he would have to come back. His eyes are fixed on yours like a deer caught in the headlights. “I came all this way-” he mumbles, choking on the last part, already regretting the words that came out of his mouth.
“Well, too bad.” you spit emotionless as you turn and head for the safety of your house, leaving him stunned on the goddamn porch.
Joel returned the next evening, but you weren't there. He made the four hour journey and came back empty-handed. And you weren't there the next evening, or the evening after that. But he kept on driving the miles, hot wheels under the Texas sun. He didn’t check in anywhere near your small town. He went back home and then back to you again.
The last time he found nothing but a closed door, he finally got the message, so the next time he left the house, before he turned on the ignition, he texted you, as a sign of respect for your boundaries.
Is it all right if I come and see you?
Backspacebackspacebackspace
Is it OK if I come and talk?
And the answer was
Not today.
So, every day he texted you. He didn’t mean to be intrusive, he just wanted to remind you that you were never far from his thoughts, that he was always ready and eager to finish what he started.
You denied him for quite some time. You couldn’t bring yourself to face him again. The confessions he made have knocked you off your axis. Just when you finally felt like everything was falling into place, he dropped this bombshell, making you rethink everything you thought you knew and had sorted out in your mind. You just couldn’t wrap your head around what you’d heard coming out of his mouth. How could he think like that? Why couldn’t he just talk to you? You used to talk about everything; what the fuck happened? How did you not see that coming?
You were sure that he would give up, that he would stop bothering to contact you at all. Was it the monster of self-deprecation? Was it a deep disappointment in human beings and their general lack of persistence in trying to nurture and repair a relationship, or at least trying to give it a proper closure? You didn’t give it much thought afraid of the answer you might get. But you kept saying Not today, until one day, for some reason-
Can we talk?
Yes.
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Joel’s heart is beating through his chest so rapidly, he has to cough to regain some of his composure. He almost drops his phone, trying to confirm the most convenient time for you before you change your mind.
That was the first Yes after the day you saw him again. You weren’t sure what you wanted to talk about; if you could pick up exactly where you left off. You weren’t even sure you could look him in the eye again, but you had to see this through.
When you hear the sound of his engine and tires on the dirt road, you take a deep breath and walk out of the house to wait for him on the porch.
“Come on in, I’m cooking dinner.” you announce as you open the screen door for him to enter the house.
“Are you sure?”, Joel is taken aback, he thought the inside of your house was strictly off-limits to him. You were also cooking dinner as if he was an old friend visiting you. He couldn’t help but wonder if he should lower his defenses or not but with the way you looked tonight you didn’t give him much of a choice.
You’re wearing a pair of warm cream jeans, paired with a white front tie shirt, the first few buttons left open, giving him a glimpse of your tanned sternum. It almost looks like a man’s shirt, just messily tied up over your soft skin, revealing bits of your stomach. Could it be another man’s shirt?
You are barefoot. The nails of your toes are painted in a fresh glossy black color. Your hair is casually tied up in a messy bun, loose strands falling around your beaming face. Joel has to restrain himself from pushing you against the wall and fucking you on the spot, by clenching and unclenching his fists. His mouth is salivating at the sight of you, excitement building in his groin. It's been so long since he's felt this way, a different kind of hunger is growing in him at a rapid pace, as if something buried deep inside his masculinity has just awakened from hibernation.
“Yeah, I’m sure,” you quirk back at him, as if it’s the most natural thing in the world, what you’re both doing. “I’m starving. Coming?” you leave him at the entrance and go back into the house.
“You have a beautiful home.”, Joel admits as he takes in his surroundings, thinking that this is going better than he expected. He also can't help but prepare himself for the fact that this might not end the same way.
“Thank you.” you laugh nervously.
“What?”, he catches the note of disbelief in your voice. “I'm serious, the light is just right, it’s open and warm; it actually reminds me of you.” he says matter-of-factly.
“No, no, I know you mean it, it’s just- I guess it’s high praise, coming from you.” you admit. You always admired what he did for a living and how good he was at it and him seeing your place for the first time gave you another reason to feel kind of nervous.
“Oh, come on, none of that now.” he dismisses the compliment, his voice wavering slightly at the praise.
“Well it’s true, you are excellent at what you do, I mean, the house you built is a work of art and that’s a fact.”
“Which one?”, although he knows exactly which one, he presses on.
“The one we used to live in, together.” You can’t call it your house. You cannot. The mere thought of it makes your tongue feel like it’s on fire.
“Oh.”, Joel smiles as he presses his lips together in a thin line, “You mean our house. It was built out of love, that's why. It's the one I'm most proud of.”
“Hm.”, is all you give him. Déjà vu brings back memories out of the closet -pun intended- for both of you.
“Ok, now you really have to tell me. What is it?”, Joel crosses his forearms over his chest. He has to know.
“What do you mean?”, you try to buy some more time, cause you’re not so sure you want to go in there.
“You had the exact same reaction when I mentioned that, four years ago.”
“Ah, that.”
“Yeah, that.”
“It’s just- it always felt like it reflected your personality rather than mine. Or at least ours.”
Joel looks at you perplexed.
“I’m not complaining, I mean, how many people can claim that their husband built them a house the size of a small hotel as a wedding present?” you chuckle while you continue as nonchalantly as you can muster, “I would have lived in a cave with you, Joel, you didn’t have to go to these lengths to house two people. If you want my honest opinion, this was an ego project. I let it slide because it made you happy. And I liked you happy.” Joel looks stunned, his eyes darting back and forth between yours.
“Baby, I- I wanted to make you happy, to give you the best I could-”
“Joel, I’m not judging you. I am not. But you didn’t show me a single blueprint while you were designing the damn thing. You didn’t ask me what I wanted or how I imagined it. Sure, you equipped it with all the best stuff money could buy, but you never asked me what I thought about it. Not really.”, you see the hurt in his eyes and it unsettles you, but now the rabbit is out of the hat. “Again, I’m not judging you and I’m not being ungrateful, all I’m saying is that for some reason you needed your shinny new wife to live in a shinny new castle. It was a prestige thing. Just think about it.”
“Jesus..” Joel mutters, pinching the sides of his forehead with one hand, feeling defeated.
“Hey,” you give him a wry look, “I tried to avoid answering that question for four years. You were the one who insisted.” you defend yourself, clearly amused by his reaction.
“What else do I need to know?”, Joel wonders in a desperate manner.
“Well.. for how long can you keep coming back?” you joke absentmindedly.
“For the rest of my life..” Joel answers a little too quickly, not a hint of playfulness in his voice.
Your heart tightens at his eagerness, forcing you to admit a consideration that you have had more than a few times before. “You know,” you look over at him, lost in thought, almost like reminiscing, “sometimes I wish I had met you before your company took off.” You snap out of your daydream and consciously look at him and he looks pained as if some kind of realization has hit him. You change the subject for the sake of both of you. “Anyway, speaking of which, how is work? I heard you closed that deal, after all.” you grin mischievously.
“Yeah, I did.”, his voice takes on a strange timbre, almost like regret. But you’re not so sure about anything these days, so you let it pass. He puts the envelope with the contract on the counter in the kitchen and sits down in the chair next to the table already set for dinner.
“Good, that’s good. Let me guess, you’re all over it? First in, last out? Is it almost done?” you word vomit to cover your nervousness.
“Uh,” Joel rubs the back of his neck, “I wouldn’t know.” is all he gives you, clearly trying to avoid getting involved in the discussion.
“Um, you don’t know?”, you laugh lightly in confusion. “How is that possible?”, you ask stirring the vegetables in the pan.
“I’m not involved in the project and I have no idea about the status of the construction;” Joel answers your question and continues, revealing, “I quit. Sold my shares and got out.”
“Yeah,” you draw the vowels, still not looking in his direction, “right. Big, mighty Joel Miller left his enterprise-” you laugh mockingly, but you are met with silence. “You’re joking, right?” You turn to look at him, not believing what you have just heard. You feel your blood freeze in your veins.
Joel shakes his head in denial, “I’ve actually left the city and the only reason I haven’t sold every asset in my name is in case you want to claim any of them. They’re all yours if you want ‘em.” Your mouth is slightly agape, as you try to process what has just been delivered to you.
You open your mouth to protest but he beats you to it, by raising his hand to stop you. “I know you don’t want anything from me, but that doesn’t change the fact that I don’t want them either. Not without you. Just take them. Burn them for all I care, liquidate them and use the money as you see fit.”, Joel insists, trying to find ways to convince you.
“You can do that yourself, Joel.” is all you say; you don’t give a damn about his money. Joel nods and leaves it at that, he knows better than to talk about money right now.
You’re curious where he lives now, but you’re not sure it’s appropriate to ask, so you don’t. You prepare dinner and make small talk about simple things like your lives over the past four years. Joel asks you about the ranch, the horses, the chores; you ask him about Tommy and Maria, their newborn son, whom you haven't had a chance to meet yet. None of you dare to break the bubble of normality in which you have effortlessly found yourselves.
It feels like coming home after a long day, the way you both fall into a comfortable silence. Joel speaks your name softly, drawing your attention and your gaze back to him. “What are we doing here?”
“We’re eating?” Just a little longer, let me have it just a little longer.
“Yeah,” he chuckles, “no, I mean, what are we doing?” he gestures with his fingers between him and you.
You look at him and then at your plate, playing around with your food, lost in thought. How do you acknowledge that? How do you confess that you’re trying to stretch time? How do you admit that you’re scared out of your mind of how it's all going to end? How do you even come to terms with the fact that you’re not sure you want any of this to end? How do you accept how natural it feels to have him back in your life? How do you admit that after four years the pain has never stopped, but the force, the roughness of it has changed into something softer, yet persistent; never quite going away, lingering.
How do you admit that all the good memories are emerging, because that’s what the mind does, that’s how it protects you, that’s how it helps you survive another day, that’s how it tricks you into falling back into a comfortable routine with him. Even if what binds you together now is his betrayal. How do you admit that you’re afraid of what will become of you once you've finished confessing your truths?
Will he cease to exist for you? Will you cease to exist for him? Will he ever bother to contact you again? Do you really want him to? Will you matter to him or will he move on, start again and shake off the last vestiges of your life together?
Or maybe- maybe he has moved on with his life and that's why he's doing all this, putting all this effort into it. Maybe he is preparing a new, clear path for himself and whoever is in his life right now. Is it her? Is it still, her?
You’re spiraling, lost in your thoughts, biting your lower lip anxiously, like a snake eating its own tail. “Baby?” his baritone voice snaps you out of it, he must have called you several times before you heard him, suddenly aware of hot, fat tears streaming down your face, his thumbs gently brushing them from your cheeks.
You let out a shuddering breath; it’s the first time he’s touched you, in so, so long. And here he is again. The familiar, old friend. He’s pounding on your door now, relentless as he is, screaming for you to let him in, lead the way, take charge, take care of you. You can almost feel his maniacal banging, vibrating through your chest, let me in, let me in, let me in.
Let me in, better angry than scared.
Better angry than scared.
Your shoulders slump, your head feels unbearably heavy. The world has stopped moving. The world is moving too fast. You savor his features as he leans further in, his intoxicating scent filling your nostrils, his eyes pleading, the brown of his irises inviting you to let him in. Joel’s face is that of a man still in love as he continues to caress your skin and you let him.
You let him, because you are a weak person.
You let him because you have been deprived of his touch, of any touch really, for far too long.
You let him because you want to have something for yourself, selfishly.
You let him, because for once you just want to take. Take, take, take.
You let him because you just want to be held and touched and loved.
And even though your mind knows that you shouldn’t want all that from him, your heart allows you that little moment.
“Joel, I’m tired.” you begin, your voice breaking as fresh tears run down your face and onto his thumbs. “Tired to my bones. All I want is to be honest with each other. Do you think we can do that? Can we talk like two adults with nothing left to lose? Can we just be truthful to each other? I know there’s too much history between us, too much hurt and resentment but we both have to try and put it all behind us. I can’t go on like this.”
There’s a stillness in him, realization and clarity dawning on him. He thinks he understands now and it shocks him somehow, as a fact, that there are still things to uncover, to revel in, to acknowledge. Every time he thinks he’s reached the end of this journey, a new sun rises over the horizon.
You don’t need the specifics of his action, at least not right now, or not anymore. What you need is closure. True, honest closure. And that can only come from him baring himself to you. “Yeah, yeah, we can do that. We can do anything you want, baby.”, he squeezes his eyes shut, knowing where to begin, but resisting the thought. He leans back in his seat, dropping his hands from your face as he lets out the breath he seems to be holding in and begins.
“Remember that night before your business trip when you came to my office?”
“Uh, yeah? I guess.”, what a strange thing to mention, you think confused. “What about it?”
“You came to me for sex.”, Joel says bluntly, no need to beat around the bush. This is it. This is how he loses you. Once again.
You stare at him and then, for some reason, look down in embarrassment. You’ve fucked him in almost every way you can think of and now the very admission of that fact makes you feel like an exposed nerve. It dawns on you, how far away this era has slipped away. You feel vulnerable as if you’re talking to a total stranger about your most intimate moments. At the same time, you still know exactly how to touch him, how to please him and a light warmth begins to shimmer inside you.
“Well, that’s one way of putting it, but- yeah..”, you admit, still nervously picking at your food with your fork.
Joel sees your apprehension but he presses on. This is what you asked for. “And I refused you.” The look on your face betrays your confusion. Where is he going with this? Only now, he sees more. He can finally see more. The hurt. The disappointment. “What happened next?” is his next question and does he really think that you can remember all these years later? Does he honestly believe that you can recall yourself leaving his office defeated and crying yourself to sleep? “I don’t remember.” you lie, shrugging your shoulders as convincingly as you can muster.
“You said you loved me and then you left.”, Joel reminds you.
“You- you remember all that?”, your eyes are wide and the look on your face vulnerable, Joel wants to pause it all and hold you in his arms.
“I can’t seem to forget anything about you,” he reveals, “believe me, I’ve tried.”
“What’s your point?”
“Why did you do that?”
“Uh.. why did I do what?”, you narrow your eyes in confusion.
His eyes are piercing yours, provoking you to figure it out on your own.
“Loved you?” He shakes his head almost imperceptibly.
Your eyes widen again, in surprise this time, as you finally see what he means.
“Walked away?” You’re fucking shocked to the core, your voice choked, you’re not sure you spoke out loud.
“Why didn’t you insist?”
Your mouth is wide open, you’re speechless, you flatter your eyelids in search of the right words. This is your second encounter and once again he says what you least expect him to say.
“You refused” you remind him now, “and I respected that.”, your hand moves to rest on your chest, palm open, to calm your racing heart.
“I didn’t want you to.”
“You know how that sounds, don’t you?”, you mock with a nervous laugh.
“Oh, please,” Joel is quick to respond, his brows knitted in a dismissive frown, “like you could ever force yourself on me.”
You genuinely are at a loss for words, your gaze unable to stay in one place, your mind running a million miles an hour.
Apparently you both are, because Joel is no better at explaining how he feels. “I wanted you to-”, he stops, his eyes still searching yours for the right words, pleading with you to feel him.
Oh my god. Oh. My. God.
It dawns on you. All at once. You see it all playing out. You know exactly how this conversation is going to go. “-claim you? You wanted me to claim you?”, your voice rises, as does your tone. You feel the presence of your abandoned friend again. You don’t want him here. But he creeps in through your veins, nonetheless. He is not giving up. If the pounding doesn’t work then he’ll poison you, slowly and persistently.
“From who? You were supposed to be mine!”, you exclaim exasperated, immediately correcting yourself “-not that I owned you, you know what-”
“That! That’s what I’m talking about!” Joel points his finger at you, “That’s what I needed. To be yours!”
“But you were! Are we really haggling over semantics? Of course you were mine! I just never wanted you to feel suffocated by me. You were not my possession Joel, you were my partner!”
“I swear to you, I would die a happy man, baby.”
“I- I tried so hard to control myself-” you mutter to yourself, rolling your eyes back to your head as you shake it in denial, “-all that hunger inside of me, eating me up-”
“What?” is Joel’s turn to look like a lost puppy. What the fuck is going on here?
“You,” you point a finger at him, “you were my first and last thought every passing day, it wasn’t even healthy anymore, Joel. But- I saw that look in your eyes sometimes, a hunger, one I thought mirrored mine and then it was gone in the blink of an eye and I thought that something was holding you back; I- I was holding you back. I thought- maybe I was undeserving..” you divert your eyes from him, embarrassed at your feeling of inadequacy, “So, I accepted what you gave me if it meant I could have any part of you.”
“Oh, baby..” Joel’s hiding his face in his palms and his heart breaks as he realizes where you both stand. How did the two of you get to this point? How could his judgment be so clouded, how could he be so blind to what was happening under his own roof? How could he be so arrogant as to seek validation, one he didn't even need, from someone else? Someone whose validation he didn't even care about. It didn't matter to him. She didn’t matter to him. How could he not sense the insecurity tantalizing your very core to the point of feeling inadequate? If only you had told him sooner.
“Why didn’t you tell me?” you mirror his thoughts with your voice.
“What should I say to you? I couldn’t put it into words, even now I'm not sure I can. It was an all-consuming feeling, an absolute necessity, an overwhelming need that was impossible to handle. I wasn’t mentally or emotionally prepared to deal with it. I loved you with such force that it became an obsession. I couldn’t even entertain the idea that you might not want me back in the same way. I felt helpless, vulnerable. How could I come to terms with this? With the realization that I had fucked someone else just to get a rise out of you or to prove to myself that I didn't need you that much after all?”
Joel’s palms are clenched into fists on his thighs, trying to keep himself from pressing his lips against yours. Feelings and desires that had been buried in his subconscious for too long came back as he tried to make you understand.
“A r- so, you did fuck her on our bed on purpose.”
“You asked me that before, darlin’, I promise you I did not.”
“Then how would you provoke me if you didn’t mean for me to find out?” you look at him incredulously.
“I-” Joel winces, “it wasn’t a conscious thought, I just kept fantasizing about you finding out and burning the house down for me and that single image made me so h-” Joel shuts his mouth abruptly, not the best idea to describe to you how fuckin’ hard he got, fantasizing about you while fucking someone else. You, bursting into the bedroom all raging and furious, turning the whole place upside down reclaiming what was rightfully yours.
Him.
What a sick fuck he was. “I swear to you, no. I’m not that fucked up. It was a gigantic lack of judgment, I was fuckin’ drunk, my mind was a mess at that point. That whole week was-” he’s biting his tongue hard to stop himself while rubbing his forehead with his fingers, “I was just being an idiot.”
“The week I was gone?”
“Yes.”
“What about it?”
“Nothing, ‘snothing.” and he doesn’t elaborate. “Just a bad fuckin’ week.”
The atmosphere suddenly feels suffocating, as if all the words that have spilled out of both your mouths are hovering over your heads like a black cloud. You need some air to clear your mind, so you make your way out of the kitchen without looking back and walk slowly to the porch, sitting on the steps at the bottom of the stairs. You know he will follow. Your bare feet touch the soft soil beneath you and you try to ground yourself through the little patch of earth you call your own. It doesn’t quite work. There’s a beautiful golden glow, a last gift from the parting sun, warming your soul. Everything is going to be all right.
“Strange fantasies we both had.” you say as Joel seats down next to you, the contract once again a barrier between you. “You kept fantasizing about me finding out about your affair-”.
“It wasn’t an affair-” Joel corrects you. “Fine, fine. You imagined that, while I kept fantasizing me holding you so tightly while we fucked that our flesh became one; that’s how deep I needed you inside me, that’s how obsessively I wanted to carry you with me all the time, isn’t that totally fucked up?” you laugh dejectedly.
“I guess we are the same kind of fucked up. If only we could admit it to each other..”
“Did you really feel that I didn’t love you enough?” you whisper, almost too scared to be heard and to get an answer.
“I think we loved each other too much. I think we were both too afraid of losing each other. I think,” Joel pauses for a moment to gather his thoughts and calm his voice, “in our efforts to keep each other we did the exact opposite. More me than you, for sure. I have handled things badly and badly is an understatement.”
“You were always so patient with me. You’d always wait for me to come to you, to take my time. I needed the savage in you, or I thought I did at the time. That desperate thing I felt creeping out of you in stolen glances or bitten lips between your teeth, or when we fucked; no one has ever fucked me like you did. I did see all of you then, you know. And I think you saw all of me. If I made you feel confident or safe enough, you would have talked to me. And if I wasn’t so self-absorbed I would have asked.”
You never thought you’d hear these words from Joel, but all this time of self-reflection has changed him in a way that reminds you of the Joel you fell in love with. The one you could see behind all those layers of self-protection, the one you’d always hoped would emerge for you. And then he goes on, and you wish you knew what was coming so you could protect your heart from being torn to shreds.
“Maybe-” he closes his eyes looking pained, “maybe I was a narcissist. Maybe you gave me all you had and I kept wanting more, maybe I needed every part of you for myself. Maybe I needed you on your knees, on a leash, at my mercy, just to have the illusion of the certainty that you would never leave me. Maybe freedom is for those who can bear it, after all. Hell, maybe I was the one who needed the leash in the end. Maybe you gave me too much credit, my love, when you deemed me worthy of freedom.”
His words are earth-shuttering, obliterating, final. There’s nothing left to be said, at least nothing of substance. Final. The fucking word plays over and over in your head. Final. This is final. You could swear that you have felt every possible kind of pain during these four long years but new depths of agony are being discovered right now. The acid in your stomach makes your throat constrict. You feel petrified.
Joel can sense your distress, his words have been of no comfort to you. Your skin looks pale, covered with a thin layer of cold sweat; you look physically ill. Your forearms rest on your knees and he gently cups your elbow to check in on you. Are you OK? You smile weakly at him, the expression not reaching the corners of your eyes.
“You know I would give anything to take it all back, right?”
Your laughter is more lively now, not with malice or sarcasm, but with a sense of humor.
“Yeah, yeah, I think I do.”, you shake your head in twisted amusement, tilting your head up, to let the last rays of the sun warm your face, maybe bring back some of your lost color. It's getting dark now, the day is coming to an end, the curtains of the last sunlight are almost closed. Your eyes are closed too, your head still tilted back as you laugh to yourself, “You did that backwards, too, you know.”
“What?”
“You have burned everything to the ground, only to realize that you want to get it all back in one piece. I mean it’s- it’s-” you struggle to find the right words but Joel offers one of his own.
“Ridiculous..”
“I was gonna say pointless.. But that’s the thing, Joel. Choosing to be with someone is like faith. You believe because you just know. You don't have to find evidence to prove your choice at every turn, otherwise it’s just exhausting. You choose to trust yourself.”
“Trust me as your partner, you mean, not yourself.”
“Joel, it was never about trusting you..”
“I’m sorry, I don’t understand..”
“I’m not sure how to explain it- uh..”, you raise your shoulders and your brows in unison as you shake your head slightly, searching for the words. “Trust is a personal journey. ‘Trust’ doesn't mean ‘trust in you’, I’m not trusting you. No one can be sure of anyone. ‘Trust’ means that I have faith in myself, that even if you hurt me, even if you abandon me, I will not fall apart. And..” you shrug your shoulders, hugging yourself with your hands, “look at me, Joel..”, you finish, suggesting that you’re still here, still standing.
“I am, baby; I am..” Joel replies, taking in the sight of you as if it were the last time he’ll ever have the chance to, utterly compelled by your inner glow.
“I’m not mad at you Joel, not anymore. And I believe you, I really do. But I can’t get that scene out of my head. I just can’t. I can still hear the sounds, I can even recall the way you smelled when you were standing next to me.”
His hands are shaking.
“I’m not trying to hurt you, really.”
“I know.”, his voice is barely audible.
“I think you’ve done enough of that yourself. Maybe it’s time to forgive yourself?”
“Do you?” Do you, really? Do you forgive him after all that has been said? Do all these confessions illuminate the facts from a different perspective? Does it change what he did and what you went through? And if so, does that mean you're letting him go? Are you leaving him behind? Is he leaving you behind? Why is it so hard to let go? Why do you choose the safety of the known, even when it hurts you?
You choose not to answer and instead firmly insist, “You have to forgive yourself, Joel, it’s okay.” Be the better person. If not for him, then for yourself. Let him go.
“I can’t do that.”, Joel is adamant, shaking his head while he rejects your request.
“Yes, you can.” you urge him again. “As I can and do.” Let him go.
Joel never thought he would listen to those words coming out of your mouth. He doesn’t deserve them. He hasn’t earned them. “You forgive me?”, he repeats in utter shock and disbelief.
“Yes.” Loud and clear as daylight.
“I- You can’t- I don’t- I don’t deserve that.” Joel feels like he’s drowning in your so graciously offered Holy Grail, desperately trying to keep his head above the waters of your absolution.
“I can’t be the judge of that, Joel, hell, I can’t be the judge of anyone. The way I see it, you chose your actions and I chose mine. You chose to hurt me and I chose to walk away. We both lost something. Have we not suffered enough, Joel?” you ask him honestly.
“I don’t want to presume, but- isn’t it a great burden to carry on your shoulders when you try to move on? All this anger, all that bitterness?” you search his eyes for an answer but he doesn’t give you one.
You continue, hoping to get through to him. “Your feelings are your burden Joel and it doesn’t matter if I forgive you. That’s why it is you who needs to forgive yourself.”
His eyes still refuse to meet yours, stubbornly glued to the ground. “I’m not doing this for you, I’m doing this for me. We need to move forward, both of us.” is the last thing you say to him, not knowing if he even listened to half of what you just said.
You both fall into a thoughtful silence, but something you said is bugging him. He can’t quite figure it out, so he turns to look at you, to savor you while he still has the chance. He knows that his time is limited.
You’re just sitting there with him, trying to comfort him, you of all people. You seem lighter now, fidgeting absentmindedly with your fingers as if some of your burden has already been lifted. And as his gaze sweeps over you, he sees it again. He sees the white shirt hugging your body and he knows what’s troubling him.
I don’t want to presume, I don’t want to presume, I don’t want to presume.
His heart beats rapidly in his chest, panic rising inside him.
“I’ve been with you for the last four years.”
“Excuse me?” your hands freeze as you turn to face him, clearly confused.
“You said you didn’t want to presume anything and I need to set the record straight. There was and is no other woman in my life except you.”
“Joel,” you blush shyly, “this is none of my business, you are free-”
“No. No. I need you to know this, it’s important to me. I meant everything I said. You have done nothing wrong. My feelings for you have never changed-”
“Joel, please..” you beg him to stop, you can’t have this conversation now, it’s too soon. No, you’re wrong. It’s too late; too soon means there’s a future ahead of you. A future where you both fit in the same universe.
“I don’t want you to think that I came all the way out here just to tie up some loose ends and move on. That is not what this is about.”
“If you expect me to tell you about my personal life..” your what now?
“No, I don’t. And I don’t think I could handle it, anyway. You are a free woman and you deserve the world. Unlike me; I don’t deserve anything and I’ll never be free of you.”
Your chin is now trembling and you bite your lower lip to stop the involuntary muscle contraction. You can’t decipher if it’s from anger for the way things came to be or from deep, excruciating sadness for how Joel feels. For how he makes you feel.
“Free woman, huh?”, you whisper bitterly, looking down at your feet, willing yourself not to cry.
“Yes, free, as you should always have been and I’m sorry I couldn’t see it sooner.”
Joel then picks up the divorce papers from the floor next to him as he’s fishing a pen out of his pocket. He stares at you and then at the blank space where his signature should be, next to yours. He splays his palm over the last page as if to straighten it out, but it almost looks like he’s caressing it. He brings the ball of the pen to the white surface and for a moment his hand lingers over it. He doesn’t dare look at you again, his resolve is not that strong. Finally, finally he signs, filling the empty spot and he hands you the contract. It’s a strange moment, the one before the signature and the one after it.
Everything seems to be the same; it is just a signature.
Everything feels completely different; it is not just a signature.
Your fingertips brush his as you reach out to take it, the touch sending shivers down your spine. Your slightly trembling hands hold the papers gently, not sure you wanna hold on to them or scatter them on the ground. Your thumb swipes softly over his signature.
You feel it, now. You feel the ground beneath your bare feet, the warmth of the earth, the weight of your footing. The falling has stopped. The feather finally rests. You have landed.
Joel moves to stand on his feet, as you keep staring at the drying ink, when you feel something fall from above onto your thumb; but you can’t see anything as it is immediately absorbed by the hungry pores of the paper, slightly smudging his signature. You look up to catch him as he dries his eyes with his thumb and forefinger.
“Free as a bird, baby, ready to fly over the world.”, Joel smiles at you with a look of reverence and devotion in his eyes.
You picture the floating feather in your head and smile back at him with a serenity he hasn’t seen in a long time.
“I think I just want to walk for a while. One step at a time.”
He nods, his eyes still full of emotion and you watch as he begins to walk slowly towards his truck, when suddenly he turns his body to face you but continues to walk backward in the same direction.
“Hey!” he calls to you with a mischievous smile, raising his chin to you.
“Yeah?” you answer, your voice wavering slightly as you try to hide your smile.
“Can I take you to dinner sometime?” he asks as he reaches for his driver’s door and opens it, waiting for your answer, which never comes because you think he’s joking. But he continues to stare at you, with no expectations, quietly, earnestly, sincerely, with a soft, shy smile on his lips. Oh.
Oh.
“Joel..” is all you breathe out, closing your eyes for a moment before you look at him again, because his name is all that is left in your very being right now. Joel.
He seems lighter, too.
“Maybe, one day..?”
“Yeah.. Maybe, one day..”
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bigfatbimbo · 7 hours
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vees' collective dom but the one who just wants to live a peaceful life or something else that leads them to bonk (sometimes physically) vees off doing their villainous things. no, vox, you're NOT dealing with that deer tonight, we've agreed to watch a movie. no, val, you don't overwork your staff, it's fucking noisy. vel, don't you dare ever talk to other overlords like that again, it's risky
tbh, I had an image in my head about such reader complaining about vees' manipulations while some (another) punishment. like that vox could not use his hypnosis to make people buy his new product if he just made it actually useful, so why not he put that stupid head of his to better use on your chest and nothing more. vel should've thinked better on how love potion could be used, so overstimulation to show her it is. and val? wouldn't need that manipulative nice persona if he'd make actually good films and not some animalistic boring shit, so why he won't keep all of his hands to himself and try to be more romantic, sitting behind you, tied so well so he's only able to talk and he better do that
- 🦊
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Basically a reader almost (definitely) manipulating the Vees into being less evil. ALSO NOT PROOFREAD!!!
So i’ve had very similar thoughts to this for a while and i’m going to tell you exactly why this would work. Quick lore drop about me but I used to be such a lowkey shady businessman (not explaining anymore than this, i’m healed) and let me just say, people like them are actually very easy to manipulate.
AKA greedy, power hungry, egotistical maniacs. What they do is terrible, thats no denying that, but they think very highly of themselves and their skills. So ‘stop abusing your employees’ not from a moral standpoint, but from a competence standpoint. That sells.
Like the whole “vox could not use his hypnosis to make people buy his new product if he just made it actually useful” thing would absolutely work. It’s a hit against his ego and self competence, and because of the fragility in his facade, it would absolutely cause insecurity.
And reinforcing it with very rough, degrading, dumbifaction style sex would absolutely still have him thinking the next day. He’s sucking your tits or dick or something and you’re making comments like “Aw, look. A job you’re almost good at. Too bad that little head of yours can’t even think of anything useful to society.” Make him cry, you definitely can when it’s a knock at his intelligence and power.
“vel should've thinked better on how love potion could be used, so overstimulation to show her it is.” Oh boy, I know this would get to her. Velvette thinks she’s hot shit, no, she knows she is. So now you’re overstimulating her and making fun of her because really? You had to use, even better, actually put time in to create a whole ass love potion, because not enough people wanted to fuck you?
She’d whine and tell you that’s not why, but come on. I mean, why be that hell bent on something so futile, we both know she’s not selfless enough to just give that away to virgin creeps all over pride. Oh Velvette, who’s came countless times and who’s pussy aches and has makeup running down her face, now has to her your call out on her confidence, and how it’s only boosted by her useless, forceful grab for others attention.
And Val, there’s so much ground to cover. “wouldn't need that manipulative nice persona if he'd make actually good films and not some animalistic boring shit.” Personal callout to his craft, which is clearly just as self indulgent as it is tiring. Your actors look so battered, Val. That’s not a good look, and isn’t that the point? Sex won’t sell if the people aren’t sexy, and that stars cracked lip is positively hideous.
There’s no intimacy, and you doubt someone as talentless as him can even achieve romance. So now he’s tied up on the bed, barely able to move as you sit across from him, not just bored, but reading a book or scrolling on your phone. He’s practically crying out cliche, used lines to romance you, and failing miserably when the whine creeps in.
So basically, the angle with Vox is his fragile power, Velvettes her unimpressive beauty, and Valentino is the implication of him not having a grasp on sex. Oh also fucking them to drill it in their head. Because what, people? Something that impacts the control over their work-life and sex-life will stick. Sex and power go hand and hand when the greedy are lustful.
Now are the results?
Well, Vox would make a show of making more useful products, and still use hypnosis, obviously he’s a shitbag, but there’d be a new level of self-hatred that comes with it, meaning it’d happen less.
Well, Velvettes is a little harder to just… take back as the product is already out there. However, the product promotion goes down ever so slightly because yes, money and power is great, but you’ve done something no one can do. Embarrassed our confident queen.
Valentino actually thinks before hitting an employee to hard, and actually lets actors have conversations because apparently people should have… chemistry? He doesn’t know, he just doesn’t want his porn to be boring or not sexy. His other issue (assault, i’m talking about assault) is not resolved he just leaves less marks.
You’ve successfully watered down a problem for a long-term (but not permanent) period of time. This could be even longer if also plant the idea of falling from power in their head.
Simply “What were you before an overlord? A sinner. What are your employees? Sinners. If you treat these employees to harshly, what will they do? Rebel. To successfully keep and manipulate your power you need your workers to feel more than obligation, but loyalty to you. Not your company or their job. You. Otherwise, keep in mind how other overlords have fallen.”
If you ever try this from a morality standpoint, it won’t work. The angle is power, people, because they will never stop being abusive for the right reasons. However, your domineering behavior in bed has earned you an amount of respect.
I fear I sounded evil in this um… never have this mindset for people who aren’t corrupt evil rapists. Also, I don’t think I talked about the smut aspect enough sorry, I just love character analysis. OH ALSO I haven’t been a sinister salesman since I was 16, everybody, calm down. Everyone has an angle though!
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18thcenturythirsttrap · 11 hours
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how could one make the ideal football team using only frev figures?
Thank you so much for this ask, @citizen-card! I'm sorry it has taken me a little while to answer. Your question was sent to me during the anti-truth hour but tbh, creating a football team of FRev figures has been on my agenda for some time.
I present… MONTAGNE F.C.
Montagne F.C., est. 1793, are an exciting team with an attacking ethos but also strong in defence (of the patrie). They tend to play in the popular modern 4-3-3 formation, which morphs into a 4-3-2-1 in the final stages of attack with Fabre as the lone striker up front.
Goalkeeper: Hérault de Séchelles. Team heart-throb. At over 6' tall, has the reach to make saves across the width and height of the net. Tends to leave the field as soon as the final whistle has blown so that he has time to sign hundreds of portraits before heading off to some highly exclusive nightclub. Fabre always tries to tag along.
Left Fullback: Saint-Just. The youngest team member, just as well given the amount of running he has to do on the overlap. Wishes Robespierre would allow him to trust his own instincts more rather than constantly shouting, “Forward, forward – no, come back! Come back!” Has a good understanding with his right fullback counterpart Le Bas. Desmoulins lives rent-free in his head.
Centre Back: Desmoulins. Only plays here because he thinks he can leave most of the defensive work to Danton, which is interesting because Danton thinks he can leave most of the work to Desmoulins. Writes the official fan newsletter, gets annoyed that Robespierre keeps sending back articles covered in red ink. Sings “You’re shit, and you know you are” at Saint-Just, then pretends it was someone in the crowd. Robespierre often has to separate them in the tunnel at half-time.
Centre Back: Danton. Undoubted talent, but lazy a.f. Stands by one of the goalposts chatting with Hérault, only springing into action if there’s an imminent danger of the opponents scoring a goal. When he does decide to put in a tackle, he goes in studs up. Loudest voice on the pitch, constantly shouting at the lads up front to show more audacity in counterattack.
Right Fullback: Le Bas. Lovely clean player, never booked, never carded. Not flashy, but he runs his heart out for the team every game. Sometimes wishes he’d get as much attention in match reports as Saint-Just, but then pushes the idea out of his head and keeps smiling through. His Instagram account is basically pictures of his wife, their baby, and Saint-Just.
Left Midfielder: Marat. Pushing 50 and still an absolute demon on the attack. Nips around defenders easily, puts this down to his low centre of gravity. Runs an edgy underground fanzine. Team physio and doctor, takes a no-nonsense approach to injuries, believes everything can be cured by sponging off with cold water and vinegar. Gives Fabre a kick when he dives, claiming “it’ll do him good”.
Central Midfielder: Billaud-Varenne. Always turns up for training and matches with Collot d’Herbois. In rondos, has to be reminded to pass the ball to someone else once in a while. Does allegedly unscripted fun fan-meet videos with Collot.
Right Midfielder: Collot d’Herbois. Devises the scripts for the fun fan-meet videos he films with Billaud. Threatened to shoot a fan who tried to improvise. The archetypal loose cannon, as much of a menace to his team-mates as to the opposition. Once tried to throw Robespierre over an advertising hoarding for windows.
Left Winger: Maximilien Robespierre. Self-appointed player-manager. Did all his coaching certificates, attended at least one course twice “to make sure I’ve taken it all in”. Obsessive in preparation for matches, likes to have a week analysing the opposition before he presents his tactics to the team. Doesn’t like overly physical play, says 99% of the game is won by character. Often booked for arguing with the referee for so long, it gets dark. Cult icon with the female fans, nobody – least of all him – is quite sure why.
Right Winger: Augustin 'Bonbon' Robespierre. His brother’s biggest fan and cheerleader, but a gifted player in his own right. More physically courageous in attack than Maximilien, also has something of a reputation as a talent-spotter. Reckons he saw a player who might be “the next big thing” down in Toulon.
Striker: Fabre d’Églantine. Fancies himself as much as he wishes everyone else fancied him. Posts daily (but suspiciously short) topless workout videos on his Instagram. Hérault always puts three laugh emojis in the comments. Feigns injury to try and win penalties, a nightmare for Robespierre who’s convinced he’ll be red carded for fakery one of these days. Dives, rolls and wails shamelessly. Should spend longer in the shower after matches.
----
At some point I might get round to drawing the team, team kit and badge, etc... But yep, that's my FRev starting 11!
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What if the reader acts like Nicole from Class 09? Like all the things that happened to her but g/n?
Okay, I got that idea after I start thinking over that request. I slightly changed it. I hope, you are okay with that, and I apologize in advance.
Masks we were forced to wear
Sort of! Self-Aware! Yosano Akiko x GN! Traumatized! Reader
Description: Your past still haunts you. You just want to escape.
Warning: English is my second language. AU - World of Tech-magical Progress. Film Industry Abuse (Reader are forced to be filmed, forced to act like Nicole) Mentions of heavy topics (drugs, shooting). Open finale.
You couldn't move. Medical restraints were keeping you in one place. Your body was shaking, you were sweating.
Wet cloth were put on your forehead. Through pain and foggy gaze, you see Yosano.
Doctor had bags under her eyes. She whispered.
"Don't worry, [Y/N], we will go through it together."
You breathe through your nostrils. It has only been two days, since your treatment started, and you already wanted to quit it. But, you knew, that they won't let you go back.
Because they cared. For some reason, they cared about someone, like you.
__________
This world was full of magic, technology and progress. Every aspect of everyday life and tied with hundreds of magitek gadgets.
Teleports, machines that make food out of water, holographic screens...
And Restarter... The "Holy Grail" of Entertainment Industry.
Years of research. Years of building. Years of magic power flowing into the mechanism.
And it was done.
Mechanism, that will scan a person, save information, and, after said person would put into Restarter's cabin, revert them to the state, described in saved information.
What kind of sick bastard thought, that this thing should be used to make films more realistic, instead of putting it into hospitals?
It all started small.
Real bruises and scratches, instead of makeup. Real tattoos.
It was only a matter of time, before they will go further.
__________
That TV Series supposed to be progressive. To show, how terrible schools can be. How terrible teachers can be. How terrible students can be.
And you were a mane star.
You had some similarities with the main caracter. Your families had a similar past, your older brother was a lazy man, who couldn't care less about anyone, besides himself, and you, while not as bad as the main, character, you could be a jerk sometimes.
Everything changed, when filming started.
Countless failed scenes. Days, spend in a studio.
Being chocked, shot, drugged...
And every day was ended in a cramped cabin of Restarter.
It could reverse your body injuries.
It could never reverse your mind.
___________
You hated everyone.
Your fellow actors, director, producer, operator, your mother, your brother, your father, fans of the series.
You hated, that you can't quit, that you were forced to go through borderline torture in studio, that you were forced to acts a sociopath before fans.
Because that's what people want to see. Because Restarter will undo the damage. Because you have no reason to complain, shut up, and bring your mother another paycheck...
You stopped care. If you had some sympathy in you, it was buried deep inside you by years of "industrial abuse".
You were forced to wear a mask. And, after all this year's, remains of it still clung to your face.
When you finally became eighteen, you took last paycheck, broke the contract and left the country.
__________
You avoid talking to people as much as you can.
You stopped watching anything, that have real-life actors. You stuck to animation and drawings.
The world was full of sick people. And you were the sickest among them.
__________
When BSD Cast appeared before you, you thought, that time, you get some strong painkillers. However, no hallucination can be warm and try to take away the bottle of pills from your hands.
Yosano can be surprisingly strong.
_________
Your head hurts. You just got a bunch of information dumped on you. You spoke up.
"You... You are mistaken... I am not a hero... I am not a good person... I... can't care about real people, including myself.... I... still care about you all.... But... I could stop..."
You looked up at them.
"You heard me ranting about my past, right? You knew what you will deal with... I can give you money, I still get royalties. But, please... Leave. Don't sink with me."
Everyone was quiet. Then Naomi spoke.
"Tea. You promised Kirako and I drink tea together. Are you... care about us enough to fulfill this one promise?"
You wanted to snarl at her, but get over it. You were hungry. You can keep yourself and have one tea party.
You slowly nodded and stand up.
"Fine. I will bring the cattle..."
You turn on your heels.
You made step forward kitchen.
Something sharp pricked your neck.
And world became black.
____________
🐾 And long month of treatment started. Yosano explained, that they can't just leave you in that state. They will cure you, made few visits to your “colleges”. And, after justice is served and you are healthy, they will leave.
🐾 For months, you were under constant watch. For months, you were getting news about your family, director, actors and everyone, who were involved, being exposed for various crimes.
Restarters were banned.
What you needed all this years ago finally happened.
And BSD Cast always were near.
Taking care of you, getting psychological help to you.
Trying to bring [Y/N], the real person back from the stink mess, called [Y/N], The Lead Actor, playing the role 24/7.
You finally felt emotions again.
_________
You opened your mouth, letting Naomi feed you another spoon of porridge. Yosano was checking the results of the blood test.
"Your test is showing better results, then the test from last week. It is good. Soon, you will be healthy."
You opened your mouth. Before Naomi could feed you again, you spoke.
"Just... Just leave me... Find a better person to stay with..."
Your voice was soft again. But, you knew, that you couldn't truly become how you were, before the filming.
Yosano raised an eyebrow.
"Do you really want it? Or did you change your mind?"
You didn't answer.
_______
It was over.
You got justice. Your health became better.
You were standing before BSD Cast, like a year and a half ago.
And you finally have an answer about the future.
Stay... Or leave....
You opened your mouth.
And tell them about your decision
_________
A/N: Reader's choice is up to you. Did they stay? Or did they leave?
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lorynna · 21 hours
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Andrew Tate, a huge hypocrite, is the perfect example of: create the disease, sell the cure." Now, let me explain.
Tate starts off with his webcam business. He openly admits on camera - filming and releasing the footage himself -, that not only is he purposefully manipulating girls, making them fall in love with him (he himself calls it and actively uses the term "lover boy method" as a descriptor) but then also convincing them to work for him as cam-girls, telling those women that they could get rich together if she would simply start instrumentalizing her body and sexuality. He continues to explain in great detail how exactly he emotionally abused those women, lied to them and used several manipulation tactics on them. But I'd rather not mention all that here, since that would open up a whole new conversation and take too long to fully dive into this.
He also admitted on camera that he robbed them of about half of the money those women made "working for him" and then states and I quote: They thought they were on 50% and I said that the despair of the money was because of taxes."
He continues to talk about men "falling in love" with the women he recruited for his Webcam business which were selling their houses, spending all of their life savings etc. in order to pay for the cam-girl services and he commented on those men's actions saying," give me all of it" admitting he didn't at all care for the lives or fates of those men. Tate built his whole empire on being a pimp, which he defines as and i quote again" being a positive, inspirational, motivating person", exploiting and extracting money from lonely, depressed, porn-addicted men.
Now something might start to click. But isn't he a known advocate for those exact men? Telling them that porn consumption is bad, to get their health and depression in check, recommending going to the gym and preaching about how much he hates prostitutes?
He's an advocate for men's suffering and problems? After he caused so much damage to them, making money off of them, taking advantage of them and furthered their misery? The irony.
First he scammed those men, taking their money with good conscience, now he is an advocate for them, making them hate the kind of women he himself manipulated into this, talking about how bad porn is, when he literally owned a webcam business. And don't dare to come at me with "but people change, maybe he learnt from his mistakes".
For now I just recounted why he's a huge hypocrite but now let's focus on why he is a huge mysognist. He has said many things I don't even want to recount, including but ofc not limited to him demonstrating how he'd hit a women in the face that would "misbehave" and not "listen to him" and I have also unfortunately personally seen the video footage that is going around of him beating up a woman with a belt.
One example out of his many many statements so I can further lead on with this text: He further talks about his webcam business, saying "the only girls i couldn't recruit, were girls who had rich parents. Because they're like: Oh, but I don't need that money, my parents are rich! Girls are gonna get their Luis Vuitton bag either way." Implying how all women are superficial and only rich parents prevent a girl from being a "hoe". He got his fame and money from the same women he continues to publicly shame now.
He damaged women and men at the same time, yet there's still people, mostly men, defending him saying "yeah, but he also sometimes tells things that are true!". I appreciate your intention to differentiate and trying to filter through the many bullshit things he's said just so you can cling on to a single true statement.
Even the worst person sometimes has valid points, but that doesn't mean that we can just overlook the things he did in the past and the overall harm he has caused and is STILL causing.
Aside from all of this stuff, Tate continued to deny many of his statements he himself posted online before, showing massive double standards. It seems like he just tries to profit off what's giving him the largest, most uncritical fan base and by targeting incels who love to follow and hear an "alpha male" talk about how "all women are bitches", fueling their anger due to being rejected by women, he seems to have found a goldmine.
He promotes harmful, misogynistic views on women, promoting toxic behavior towards them and is imprinting on the minds of young, impressionable, vulnerable men.
If after knowing all this, you're still a defender of Tate, you might be just as bad as Tate himself.
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pseudospectre · 2 years
Text
Old Cameras, part 1!
I love antique cameras. A lot. And lucky for me, they're not particularly rare or expensive, no matter what some people on Etsy might want you to believe :) I have quite a few, all picked up from various garage sales and antique malls, so there will probably be multiple posts. I'm going to start with my Kodaks since that one post about Dracula started this.
The Boxes
At the end of the day, all you need to make a camera is to have something opaque and hollow that your film/light sensitive surface can fit into, and a hole to let light in. These cameras are exactly that, along with a lens to help focus the light for better image control (so called "pinhole" cameras don't even need that!).
In spite of appearances, these are not my oldest cameras.
The Kodak 2a (model C): manufactured between 1924 and 1936
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Nothing up my sleeve!
Many early consumer cameras were designed to hold down low, around your stomach, and look down into to aim. You can see the viewfinder at the top left in the first picture here. It's made of cardboard for the most part.
Brownie Junior Six-20: manufactured between 1934 and 1942
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I love the art deco design on the face plate a lot! It's now graduated to a metal body covered with leatherette material.
Brownie Target Six-16: manufactured between 1946 and 1951
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Same concept, now with a fully metal body.
The three of them together:
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Thanks to @doctorspiral for the nudge to show these around! The next post will feature my pop-out style Kodaks so stay tuned!
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laniidae-passerine · 2 years
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if we were to look at it through a racial lens, I do find it very interesting that Jupe’s wife is white. that the audience at Star Lasso are majorly white. that he’s basically robbing the Haywoods, a black family, of their horses to feed them to an alien creature for white people’s entertainment. that he was the token asian adoptee in sitcom as a child. the model minority. fitting himself back into a system that used and failed him as a child, so he can find some semblance of respect and power as an adult man, only to still be swallowed up whole.
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cheesey-rice · 10 months
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And also I think I found it harder to understand/be sympathetic towards ambrosius when I read the comic but like having him and ballisters relationship shown up front is so important in adding just these Stakes of kind of showing what they had, and like the idea that you can survive in this institution with just this one person as your pillar of support but that it's also something that can exist without that system in a different context and having to rediscover that..... Hmmmnmm
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cinemaocd · 5 months
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Don't know about you but when I reblog a gifset with a controversial take on the film in the tags and you like my post without reblogging it, I assume you are cosigning my controversial take on the film...
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leatherbookmark · 10 months
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somewhat pleased to announce that in case someone wanted to know, and i really don't see why they wouldn't, the cameras that atz use in the cawaii men photoshoots are
fujifilm simple ace p&s camera (for taking photos), and
most probably? pentax spotmatic (the one hj, sh and jh pose with)
#YOUNG PEOPLE NOWADAYS!!! they're wasting film like pros :''')#shrimp thoughts#actually this is terribly artificial behaviour. i was not organically possessed by the urge to check what kinda camera are they posing with#but i DID think it would be funny if i did and then acted like it's a completely normal thing to do. hence.#i should learn up on hj's photography... he did have an exhibit a while ago after all#i'm curious about the pics the guys took with the fuji cameras! what % of them was unsalvageable lol#i know it was probably cold/late/both outside and that they were on a schedule but yknow what they say#or maybe they don't. but anyway the person who picked up THING three seconds ago acts like they know everything there is to know about#THING. and so. as this very person. i'd like to say the pics would probably be better if they could take them outside? you can see#the p&s all have flash but still! oh also that reminds me of my minor gripe w/ atz photoshoots namely. they're All Indoors#well not ALL all but sooo many of them are and it pains me because i love outdoorsy photoshoots#like the one in the diary ver of fever 3 or the second part of the fever epilogue diary ver#...and fever 2 diary ver too. wait are diary versions just More outdoorsy/less Studio Photography? HM#but anyway! i just like when models can interact/blend in with their surroundings. it's always much more interesting when there's something#Else going on in the photo than just one color background/the walls of a room. this is why i loved l**na's predebut album photoshoots becau#*because each was in a different location! several different locations even! sometimes you'd even get a photo that has no people in it#simply because the surroundings are so pretty!#oooh now that i think about it d-day is like that too. yoongi heard me grumbling abt how much i hate those empty pages in bt/s albums#and went Not On My Watch lol#anyway. sorry i'm rambling for no reason gkhsfgkjfsf
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chisatowo · 2 years
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Risa has been designed!! Here's a sketchy ref I made for them that still took me like an hour to draw anyways lol
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dcviline · 2 months
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making a video about a character called "the real [character's name]" and then completely speaking out your ass about them and being wrong about even the most basic concepts of that character sure is A Choice
#᯽ ooc. ⊱ ── ❝ 𝘖𝘩 𝘯𝘰 𝘪𝘵'𝘴 𝘔𝘢𝘳𝘪. ❞#the curse of me rereading all of a.soiaf and immersing myself in it again is that I have a hard time watching video essays anymore#because I will hear someone say something that's just outright incorrect and my brain will automatically start citing contradictions#especially when it comes to certain popular 'theorists' that are treated like the fandom authorities and you HAVE to agree with them#and then they will say the most tinfoil hat shit and pass if off like it's fact#like even I will admit I am delulu about things that's the point of fandom but like#I still have a separation in my head of what real canon is and my own fanon wish-fulfillment version of canon#this is about general fandom behaviors as a whole I guess bc it's not *just* a.soiaf (but it is more noticeable in that one to me)#where fanon gets pushed over canon to the point where people can't tell which is which#and that fanon is actively pushed onto others. sometimes in spite of how much it goes against the actual material.#again there is nothing wrong with personal interpretations and that's the point of media literacy actually like what do YOU get from it#but also with media literacy you have to be able to support those opinions with the text / film / etc.#or else you're just pulling shit out of your ass#(and text can be purposefully misused out of context to support a point too but that's a whole other can of worms)#and also . . . authorial intent is NOT the end all be all when it comes to interpretation#one thing can have different meanings to different people and it doesn't automatically mean either are wrong OR right#as long as there is text or subtext to support it#if we discourage different interpretations of subtext and themes we will kill the entire purpose of art#it's the 'why are the curtains blue' question over and over again#the author just wanted them to be blue. a good faith reader makes their own interpretation based on context and themes.#a bad faith reader will bend the text to suit the interpretation they WANT to be there without considering the text itself#and in the end BOTH of them might just be reading too deep#but it's important to do that when consuming media and art. if you can derive no meaning from what you consume then what is the point?#just try to do it in good faith#anyway !!! that's my ramble for the week. back to my bullshit.
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headcanon that the smaller batkids steal the bigger ones' hoodies and jackets. and by "bigger ones" I mean literally anyone bigger than them.
jason gets the short end of the stick because dick and all his little siblings take his. tim's the only one bold enough to go for the leather jackets (well, and cass, but they're way too wide in the shoulders for her) but it's not uncommon to find dick or stephanie in a dark red or gray hoodie that smells of motor oil and gunpowder.
damian usually takes dick's hoodies, but they're very oversized on him. on the bright side, there are thumbholes in the sleeves of all dick's hoodies, so he can still use his hands. the thumbholes make them a hot commodity in the winter.
there is a tim-steph-cass jacket pipeline. steph steals tim's hoodies and cass takes them from steph. hence tim stealing jason's leather jackets -- steph won't take them, so he gets to hold on to them until jason realizes and takes them back. sometimes cass will also steal duke's hoodies, but she always returns them clean and neatly folded (unlike how it goes with the rest of the family, in which they are returned only under threat of blackmail or with long rounds of negotiation).
this is an extremely long-standing ring of jacket theft. you cannot leave a hoodie unattended in wayne manor. damian doesn't actually own any hoodies, and cass only owns one, because there's so many other people in the house to "borrow" one from. nowhere is safe. steph once broke into dick's apartment to steal his warm hoodie, the one with the fuzz on the inside.
but it goes the other way sometimes. jason leaves things in the pockets of his leather jackets for tim -- film for his camera, hand sanitizer, half-filled punch cards for local coffee shops with "drink water too, fucker" written on the back. cass will tuck little slips of paper in the cuffed sleeves when she leaves hoodies out. the notes don't say anything, but they have little smiley faces and hearts on them, and steph has taken to doing something similar with corny jokes. dick just straight-up leaves candy in the hoods of his jackets.
it's a game, it's a love language. it's simultaneously annoyance and affection. there's nothing like wearing a hoodie that's too big for you, that smells like your family, to make you feel safe.
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foone · 1 year
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Look if there's one thing, just one thing, that I wish everyone understood about archiving, it's this:
We can always decide later that we don't need something we archived.
Like, if we archive a website that's full of THE WORST STUFF, like it turns out it's borderline illegal bot-made spam art, we can delete it. Gone.
We can also chose not to curate. You can make a list of the 100 Best Fanfic and just quietly not link to or mention the 20,000 RPFs of bigoted youtubers eating each other. No problem!
We can also make things not publicly available. This happens surprisingly often: like, sometimes there'll be a YouTube channel of alt-right bigotry that gets taken down by YouTube, but someone gives a copy to the internet archive, and they don't make it publicly available. Because it might be useful for researchers, and eventually historians, it's kept. But putting it online for everyone to see? That's just be propaganda for their bigotry. So it's hidden, for now. You can ask to see it, but you need a reason.
And we can say all these things, we can chose to delete it later, we can not curate it, we can hide it from public view... But we only have these options BECAUSE we archived it.
If we didn't archive it, we have no options. It is gone. I'm focusing on the negative here, but think about the positive side:
What if it turns out something we thought was junk turns out to be amazing new art?
What if something we thought of as pointless and not worth curating turns out to be influential?
What if something turns out to be of vital historical importance, the key that is used to solve a great mystery, the Rosetta stone for an era?
All of those things are great... If we archived it when we could.
Because this is an asymmetric problem:
If we archived it and it turns out it's not useful, we can delete.
If we didn't archive it and it turns out it is useful, OOPS!
You can't unlose something that's been lost. It's gone. This is a one way trip, it's already fallen off the cliff. Your only hope is that you're wrong about it being lost, and there is actually still a copy somewhere. If it's truly lost, your only option is to build a time machine.
And this has happened! There are things lost, so many of them that we know of, and many more we don't know of. There are BOOKS OF THE BIBLE referenced in the canon that simply do not exist anymore. Like, Paul says to go read his letter to the Laodiceans, and what did that letter say? We don't know. It's gone.
The most celebrated playwright in the English tradition has plays that are just gone. You want to perform or watch Love's Labours Won? TOO FUCKING BAD.
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Want to watch Lon Cheyney's London After Midnight, a mystery-horror silent film from 1927? TOO BAD. The MGM vault burnt down in 1965 and the last known copy went up in smoke.
If something still exists, if it still is kept somewhere, there is always an opportunity to decide if it's worthy of being remembered. It can still be recognized for its merits, for its impact, for its importance, or just what it says about the time and culture and people who made it, and what they believed and thought and did. It can still be a useful part of history, even if we decide it's a horrible thing, a bigoted mess, a terrible piece of art. We have the opportunity to do all that.
If it's lost... We are out of options. All we can do is research it from how it affected other things. There's a lot of great books and plays and films and shows that we only know of because other contemporary sources talked about them so much. We're trying to figure out what it was and what it did, from tracing the shadow it cast on the rest of culture.
This is why archivists get anxious whenever people say "this thing is bad and should not be preserved". Because, yeah, maybe they're right. Maybe we'll look back and decide "yeah, that is worthless and we shouldn't waste the hard drive or warehouse space on it".
But if they're wrong, and we listen to them, and don't archive... We don't get a second chance at this. And archivists have been bitten too many times by talk of "we don't need copies, the original studio has the masters!" (it burnt down), or "this isn't worth preserving, it's just some damn silly fad" (the fad turned out to be the first steps of a cultural revolution), or "this media is degenerate/illegal/immoral" (it turns out those saying that were bigots and history doesn't agree with their assessment).
So we archive what we can. We can always decide later if it doesn't need preserving. And being a responsible archivist often means preserving things but not making them publicly available, or being selective in what you archive (I back up a lot of old computer hard drives. Often they have personal photos and emails and banking information! That doesn't get saved).
But it's not really a good idea to be making quality or moral judgements of what you archive. Because maybe you're right, maybe a decade or two later you'll decide this didn't need to be saved. And you'll have the freedom to make that choice. But if you didn't archive it, and decide a decade later you were wrong... It's just gone now. You failed.
Because at the end of the day I'd rather look at an archive and see it includes 10,000 things I think are worthless trash, than look at an archive of on the "best things" and know that there are some things that simply cannot be included. Maybe they were better, but can't be considered as one of the best... Because they're just gone. No one has read them, no one has been able to read them.
We have a long history of losing things. The least we can do going forward is to try and avoid losing more. And leave it up to history to decide if what we saved was worth it.
My dream is for a future where critics can look at stuff made in the present and go "all of this was shit. Useless, badly made, bigoted, horrible. Don't waste your time on it!"
Because that's infinitely better than the future where all they can do is go "we don't know of this was any good... It was probably important? We just don't know. It's gone. And it's never coming back"
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venuiscmind · 2 months
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i was replaying part two and all i can think of is the scene where dina and ellie talk about if anyone is still making movies. imagine ellie doing everything she can to find a camera so you and her can make your own type of movies ?? id explode.
Only on Camera (Ellie Williams x reader smut) 18+
Hiiiiii. Loved the request and has been on my mind ever since you asked for it. Bartender Ellie is still on the way but this just inspired me so much!!! ( also this was written at 3am so pls ignore any errors ooph) (W.C 3k)
Scissoring, tribbing, fingering, oral, making out, spit play (only a tiny bit), squirting, pet names.
read this.
</3.
If you asked Ellie, she'd tell you that she never thought she would be like one of those girls that she had seen on the smut magazines or pictures she had come across in patrols or in scavenges for trading material. The thought had briefly crossed her mind while she was on a patrol with Dina, and she had asked her if she thought 'Was anyone still making movies out there.' but she kept her lips firmly shut. 
Then she had actually discovered those tapes in Eugene’s Library.
Ellie never watched them whenever she returned to the library, but she was a woman possessed. She had to make trips back whenever she was patrolling the creek trails with Dina, and she would always take some weed back with her to trade or to smoke with you. She had even began trading the leaves with the others in Jackson swapping them for little things that she thought you would love like clothes, certain snacks or trinkets you would store in safe places. 
She loved seeing you happy and sometimes wished she could capture these moments of you smiling up at her or hugging her to say thank you forever. Make them permanent and tangible so she could hold onto it for the rest of her life.  
That was when she thought back on those tapes again. Not thinking of the girls or what they were doing on them but of you, and how you would look better on camera than any of them. Clothes on or not.  
And that was how it started. Her signing in at any patrol spot and then begging her partner to give her an hour to turn the place over to find what she was looking for. She began expanding her search to places that weren't necessarily on the patrol route but still needed to be checked out, schools, malls that seemed to be as stocked as could be in the apocalypse, certain houses that hadn't been too badly ransacked and lone stores that could have what she needed. 
Nothing. To say she was getting frustrated was an understatement, but she didn't give up. She wanted to try. So, she kept looking and bribing her partner to look the other way. Then one day it clicked. After weeks of ransacking and mauling properties she looked in the place where it had all started. She tied Shimmer outside of Eugene's library and got to work immediately.  
Finally in one of the drawers she found a handheld camera, still in good condition and as luck would have it still had storage. "Yes." She sighed into her frozen hands and silently thanked the soul of the now deceased Eugene. She stuffed the camera into her backpack and rode back to Jackson with a new stride in her step.  
She didn't bring up the idea to you immediately, but she did bring the camera to show you. Despite her frantic search Ellie wanted to ease the idea of being on tape onto you as gently as possible. But it didn't take long for her to ask. 
It was a rare evening that the both of you had off, Ellie relieved from her patrols for the day and you from your duties in the stables and gardens of Jackson. You spent it how you always did. At each other's respective houses, this time it was at Ellie's, and you had spent the day watching movies and keeping each other warm against the bitter cold of the town's winters.  
You started off watching the first few films side by side, sharing a blanket, then Ellie took your legs and swung them over her lap in the name if making you comfier. Soon after you had simply gravitated towards each other, each movement had you growing closer, negating any space between the two of you until you had gotten close enough to sit in her lap.  
You slid your leg on the other side of hers, so that you could straddle her and hear her ask a simple "you okay to keep going?" Your responses were always the same. A small kiss to her lips and a "yes els, keep going." mumbled against her lips. 
The dim light of the movie, kept Ellie's flushed face visible to you as you stroked the side of her face and leaned in, being met by her halfway as she arched up to kiss you. You always felt so foggy whenever you kissed her.  
Like all the heat in your body would suddenly flare up and you could short circuit. You felt as though your heartbeat had started for the first time and you couldn't get any oxygen into your lungs. But you didn't need any. Ellie was all you needed. With her hands gripping your waist before moving the soft flesh of your ass.  
You moaned into her mouth at the touch, sliding your hands up into her hoodie palming her tits and sliding your tongue into her mouth which was already open and accepting you into her. Your heart suddenly swelled at this, feeling the love the girl under you held for you and only you.  
Ellie leaned back and pulled away from you leaning her head against the arm of the couch, looking at you for a second, lips shiny with a small string of spit connecting the two of you together. She wanted to ask you desperately but didn't to make things weird now especially when she wanted to take care of you. You saw the furrow on her brow and whispered to her "Els, are you okay over there?" looking at the expression on her face. You moved to get off, but she kept her hands firmly planted before opening her eyes fully and settling them onto you.  
"Y-yeah just wanted to ask you about something. You can a hundred percent say no, but I just wanted to see if you maybe wanted to-" "It's about that camera, isn't it?" You cut off your poor girl's rambles feeling she'd never actually ask and keep circling. You looked into her eyes lovingly and smiled softly, continuing to stroke the swells of her cheeks.  
"I want to if you want to els." This caused Ellie to groan under you and offer reassurance of "we can stop anytime you want just say," or "we don't have to you know?". You knew she was assuming and worrying you were doing this for her, but the idea had popped into your head ever since she placed the camera into your hands. You wanted to make sure your love lasted forever. On film and with each other too. You lead Ellie to her bed, hand in hand and sat her down, kissing her before setting the camera up on her desk opposite the bed, facing the both of you before flicking it on and confirming the red dot was flickering. 
You turned to her pulling your shirt over your head and placing it on her desk and heard her breath hitch at the act that she would have this captured on film forever. 
You looked back at the girl on her bed, elbows holding her up as she leaned back on them gazing up at you with her shining green eyes. "C'mere." she said holding her hands out to you beckoning you over.  
You took them and she pulled you down onto the bed, the movement causing you to realise how much slick had pooled between your legs and probably coated your underwear.  
Ellie kissed your cheeks before pulling off her hoodie and her jeans, leaving her in a black wifebeater and her underwear. You took a shaky deep breath as she crawled in the space where your legs were open and lay on top of you, who wrapped your thighs around her middle in response to the intrusion of your space.  
You helped her pull off your pants leaving you only in your underwear. You shivered and pulled her in for a kiss which she gave you but quickly pulled back in favour of getting up and gripping your thighs to pull you closer to the edge of the bed to make sure the camera would get all of what you were giving her making your shriek at the sudden movement. 
You huffed and cried out as she placed a kiss to your underwear. "shh" Ellie placated you rubbing her hands up your thighs to soothe you. She mouthed at you through the garments, listening to you shuffle and moan out at the contact. Her tongue traced around your clit before sucking on the bundle of nerves, making you cover your mouth as your jaw loosened and moans escaped your lips.  
"Ellie, please don't tease I can't take it." you groaned, but the girl was through tormenting you, pushing your underwear aside to taste you properly, spitting on your clit before sucking in your clit again. She slid her fingers against your folds, feeling you shiver against her, as she pushed into you, and settled against the spongy spot inside you. She didn't stay still though, as per your request. She never was good at denying you anything.  
She couldn't get enough of the taste sticking to her tongue and decided she wanted more before shoving her tongue inside of you after sliding her fingers out of you gently. You were so close you sobbed telling her and reached out to pull her short hair closer to your body scratching at the back of your neck. She loved when you did this groaning at the small bits of pain you were giving her she thought while her nose bumped against your clit due to your hips moving.
She hoped the camera wouldn't pick up on the way she was grinding against her own legs folded beneath her, to get some friction from the wetness in her underwear.  
She felt you cream and cum around her tongue, she lapped up as much as she could, tasting the tartness and sweetness of you in her mouth as you came on her lips. She pulled away once she felt you whine, knowing you would be overstimulated too fast if she continued so she kissed her way back up your body, grasped your jaw and you opened your lips before she even said the word "open." 
She let the liquid pool into her mouth then spat straight onto your outstretched tongue. She pushed her fingers into your mouth and felt you swallow around them. Ellie groaned watching you swallow yourself down with blown out pupils. "That's it." she said watching you, "My fucking good girl." You hummed, suckling on her thumb until there was nothing of you left to devour.  
You leaned up to kiss her then whispered in her ear "want you on me els, please?" You leaned back feeling yourself clench around nothing, aching again to feel her again. Ellie let you wrap her arms around her neck, pressing your tits against hers and kissing up her jawline to try and convince her of something she was going to do from the start.  
"Of course, baby." she whispered, kissing your cheeks back and cradling your head. She began taking off the rest of her clothes as you leaned back, letting her climb on top of you. She grabbed the back of your knees spreading them, moulding you into the position she wanted you in. You complied with her, running your hands down the lines of her abs, completely enamoured with the girl on top of you.  
She sank down slowly biting her full lips between her teeth to bite back the moans that were threatening to escape them. You wanted to hear her though, so you grabbed onto her hips gently to start fucking back onto her, coaxing her voice out of her lungs. She gasped and moaned, feeling your clits bump and your collective wetness start to mix together. "holy fuck." she groaned. She would never get used to the feeling of grinding against you. Every time she did it, she felt like she was living for the first time.  
She looked at you, blushing and trying to keep humping against her without finishing before her and had to close her eyes so as not to cum at the sight of it alone but fuck she was close. "Think I'm goanna cum oh shit-." She said cutting herself off as she felt the heat rise in her core and down to her clit as she felt herself tighten again. "so close els, cum on me please." You begged the girl above you. 
She came listening to your babbling underneath you. Ellie gushed and came just as her clit glided up against you, completely coated in your slick and felt herself float out of her body as her eyes rolled back into her skull. She also felt herself gush and squirt around you, holding onto your hands to keep herself grounded and so she didn't fall off your quivering body. She triggered your own orgasm as she felt your folds shake, squeezing around nothing but her slick.  
Once she finished panting and recovered from her orgasm she got up, remembering the camera was still on the both of you. She turned it off watching the light blink out and went back into bed after grabbing towels to clean you both. She dressed you in a shirt and kissed you.  
"Thank you, pretty girl. Can't wait to watch it." She grinned looking over at you while tossing the camera between her hands, as you blushed and covered your face, before jokingly slapping her arm. 
"As long as we watch it together, I want to see you squirt on me." It was her turn to blush at this, but she leaned in before closing her eyes to kiss you again and say, "Love you baby." in a hushed and enamoured tone. 
"Love you too els." You said fondly, wrapping your arms around the girl, covering you both in her sheets and nuzzling her nose.
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physalian · 2 months
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What No One Tells You About Writing Fantasy
Every author has their preferred genres. I love fantasy and sci-fi, but began with historical fiction. I hated all the research that historical fiction demands and thought, if I build my own world, no research required.
Boy, was I wrong.
So to anyone dipping their toe into fantasy/sci-fi, here’s seven things I wish I knew about the genres before I committed to writing for them.
1. You still have to research. Everything.
If you want any of your fantasy battle sequences, or your space ships, or your droids and robots, or your fictional government and fictional politics to read at all believable.
In sci-fi, you research astronomy, robotics, politics, political science, history, engineering, anthropology. In fantasy, you have to research historical battle tactics, geography, real-world mythology, folklore, and fairytales, and much of it overlaps with science fiction.
I say you *have to* assuming you want your work to be original and unique and stand out from the crowd. Fanfic writers put in the research for a 30k word smut fic, you can and will have to research for your original work.
2. Naming everything gets exhausting
I hate coming up with new names, especially when I write worlds and places divorced from Earthly customs and can’t rely on Earthly naming conventions. You have to name all your characters, all your towns, villages, cities, realms, kingdoms, planets, galaxies, star systems.
You have to name your rebel faction, your imperial government, significant battles. Your spaceships, your fantasy companies and organizations, your magic system, made-up MacGuffins, androids, computer programs. The list goes on and on and on.
And you have to do it all without it sounding and reading ridiculous and unpronounceable, or racist. Your fantasy realms have to have believable naming patterns. It. Gets. Exhausting.
3. It will never read like you’re watching a movie
Do you know how fast movies can cut between scenes? Movies can balance five plotlines at once all converging with rapid edits, without losing their audience. Sometimes single lines of dialogue, or single wordless shots are all a scene gets before it cuts. If you try to replicate that by head-hopping around, you will make a mess.
It’s perfectly fine to write like you’re watching a movie, but you can’t rely on visual tricks to get your point across when all you have is text on a page – like slow mo, lens flares, epically lit cinematic shots, or the aforementioned rapid edits.
It doesn’t have to, nor should it, look like a movie. Books existed long before film, so don’t let yourself get caught up in how ~cinematic~ it may or may not look.
4. Your space opera will be compared to Star Wars and Star Trek
And your fairy epic will be compared to Tinkerbell, your vampires to Twilight, your zombies to The Walking Dead, Shaun of the Dead, World War Z. Your wizards and witches and any whisper of a fantasy school for fantasy children will be compared to Harry Potter. Your high fantasy adventure will be compared to Lord of the Rings.
You can’t avoid it, but you can avoid doing it to yourself. When people ask about your book, let them say “oh, you mean like Star Wars” to which you then can say, kind of, except XYZ happens in my book. These IPs will never fade from the public consciousness, not while you exist to read this post, at least, but Harry Potter isn’t the only urban fantasy out there. Lord of the Rings isn’t the only high fantasy. Star Wars isn’t the only space opera.
Yours will be on the shelves right next to them, soon enough, and who knows? You might dethrone them.
5. Your world-building is an iceberg, and your book is the tip
I don’t pay for any of those programs that help you organize your book and mythos. I write exclusively on Apple Notes, MS Word, and Google Suite (and all are free to me). I have folders on Apple Notes with more words inside them than the books they’re written for.
If you try to cram an entire college textbook’s worth of content into your novel, you will have left zero room for actual story. The same goes for all the research you did, all the hours slaving away for just a few details and strings of dialogue.
There’s a balance, no matter how dense your story is. If you really want to include all those extra details, slap some appendices at the end. Commission some maps.
6. The gatekeeping for fantasy and sci-fi is still very real
Pen names and pseudonyms exist for a reason. A female author writing fantasy that isn’t just a backdrop for romance? You have a harder battle ahead of you than your male counterparts, at least in the US. And even then, your female protagonist will be scrutinized and torn apart.
She’ll either be too girly or not girly enough, too sexy, or not sexy enough. She’ll be called a Mary Sue, a radical feminist mouthpiece, some woke propaganda. Every action she takes will be criticized as unrealistic and if she has fans who are girls, they will be mocked, too.
If you have queer characters, characters of color, they won’t be good enough, they won’t please everyone, and someone will still call you a bigot. A lot of someones will still call you a bigot.
Do your due diligence and hire your army of sensitivity readers and listen to them, but you cannot please everyone, so might as well write to please yourself. You’re the one who will have to read it a thousand times until it’s published.
7. Your “original” idea has been done before, and that’s okay
Stories have been told since before language evolved. The sum of the parts of your novel may be original, but even then, it’s colored by the media you’ve consumed. And that’s okay!
How many Cinderella stories are there? How many high fantasies? How many books about werewolves and witches and vampires? Gods and goddesses and celestial beings? Fairies and dragons and trolls? Aliens, robots, alien robots? Romeo and Juliette? Superheroes and mutants?
Zombies may be the avenue through which you tell your story, but it’s not *just* about zombies, is it? It’s about the characters who battle them, the endurance of the human spirit, or the end of an era, the death of a nation. So don’t get discouraged, everyone before you and everyone after will have written someone on the backs of what came before and it still feels new.
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