#the last 2 are part of a set & based on a scene from an movie i dont think anyone will immediately know sksksk

[heydocpotts]

WIPs i may sadly never finish, idk theyre already pretty old 😔

(Do not repost, use, or edit pls & thx)

#the last 2 are part of a set & based on a scene from an movie i dont think anyone will immediately know sksksk #but like w most things i saw it & went GASP stevetony #i wanna say i'll finish these but like......lbr here #idk idk #avengers doodles #tony stark #iron man #stevetony #mcu #avengers #steve rogers #captain america #stony

[samkerrworshipper]

My Masterlist

Leah Williamson -

seeing her tonight, it's a bad idea right?

just some friends with benefits smut that’s ends with confessions of love

medication

r stops taking their anxiety medications during the euros finals to get rid of three side effects… but what happens when it seriously effects them on the pitch

let me love you

r struggles after her and leah break up after some drunken kisses with other people… can they mend it all before r’s health is seriously affected?

the call up

when r gets the news notification from the Spanish federation regarding the forced call up the espwnt

safe and sound

r having suicidal thoughts and leah just being there to support them and be there for them

playgirl

friends to lovers smut w cocky as fuck playgirl leah who secretly only has eyes on r

losing

what happens when r loses for the first time?

asthma attacks

what happens when r has a asthma attack whilst Leah’s out for the night?

i will wait for you.

r gets injured in the champions league final and finds herself pushing out everyone, is it to late to make up with the people that matter most?

lost cause

r doesn’t want to do life anymore… leah’s there to make it all better and let her know how loved she is

tourniquet

r struggles with self harm and Leah helps her with it in theee different examples

pain, sweet, pain.

leah’s return from her acl injury is nothing like what she wanted nor expected, but her team are there to help her up when she’s down.

beautiful girl series (leah + jordan as coparents)

part 1 -> close you’re eyes: leah and jordan’s daughter is struggling after their breakup

part 2 -> have no fear: jordan and r have a heart to heart and somethings are revealed

part 3 -> the monsters gone: leah confronts her daughter

part 4 -> she’s on the run: r runs away

part 5 -> and your moms are here: reconciliation

Lucy Bronze -

mamacita

jersey smut with lucy after winning

daddy?…. sorry

just a little drabble about dom daddy lucy

a shoulder to cry on

lucy is there for r after she has a career shattering injury

euro champs and abs

lucy’s prize for winning the euros

leg shakes and body aches pt.2^

after care for the fic above

epiphany

random grief drabble - more r focused then lucy tbh but if u want a good cry then readdd

Alexia Putellas -

movie night

cheek voyeurism smut with r and alexia at team movie night

lap dance

stripper smut with Alexia after the world cup

on the sidelines

wag Alexia on the sidelines for wnba girlfriend

i remember everything

r struggles with eating disorder… alexis is to absorbed in her own life to notice.. what are th consequences?

the party

songfic based off the song the party & the after party by the weeknd… pure filthy smut

exile

songfic based off the song exile by taylor swift

the last time (pt.2^)

Alexia tries to apologise to r after what happened at the club… another songfic based off the song the last time by taylor swift

between thighs

just a little quickie fic

back between villages

alexia tears her acl.

sugar, baby

u have a little arrangement with la reina

Sam Kerr -

cock blocked

team night with the arsenal girls who r keeping you from being thoroughly fucked by your girlfriend

smut headcanons

just smutty dom headcanons with sammy k

a whore’s punishment

literal smutty porn without plot… that’s it.

concealed

little drabble about sam concealing a strap during a photo shoot

the phone call

based off the scene in the uswnt doc with the different call ups except sam x reader coded

acls

based off sam’s acl injury :(

Katie Mccabe -

nails

katie comes home from ireland camp with a new set of nails and she shows you just how much she can do even without using her hands or

Mapi Leon -

massage therapy

mapi gets injured… reader tries to resolve some of the tension in her body

warmed

cockwarming… that’s about it

Alexia Putellas x Reader x Lucy Bronze -

twos a company, threes a crowd

| pt.1 | pt.2 | pt.3 | pt.4 |

pure filth between my three girlies

Leah Williamson x reader x Lia Wälti -

all yours

just a little friends to lovers angsty fic about lia and leah getting together when the three have always been best friends and r struggling with it

Mapi Leon x Reader x Ingrid Engen -

long distance

touch starved and anxious reader who’s been away from mapi and ingrid for a while and needs a reminder just how much the love her

Vivianne Miedema x Beth Mead -

bad days

Viv has a bad anxiety day… Beth’s there for her no matter what

Kristie Mewis x Sam Kerr -

pinky promise?

little anxiety fic about kristie stressing about meeting Sam’s parents for the first time

wet dream

kristie can’t sleep.. sam has a wet dream..

Lia Wälti x Alexia Putellas -

captains connection

sometiems the captains are the ones who need the most help after games..

auswnt -

togetherness

pt.1 | pt.2 | pt.3

just some tillies angst and fluff

arsenal women -

found family

r goes out in the snow and gets really sick, but is scared to bother their arsenal teammates, two captains show up at their door after them not showing up to training for a few days and help them out and show them just how much the team loves them

homework help

when r moves to england she struggles with the adjustment of new school… arsenal team are there for her though

sticker chart

r and kyra r the pranksters of the team… but what happens when they take it too far and the arsenal parents seperate them as a result

revival

arsenal reader has been struggling more than she’d ever admit.. when it becomes to much she attempts to take her life but her teammates refuse to let her kill herself when she has so much more to live for.

hard times

arsenal reader struggles with PTSD and new year’s eve is a particular struggle… but the arsenal girlies are there for her even if she doesn’t know she needs them

narcotics

reader has a drug problem.. her arsenal teammates help her to realise and overcome it

barca women -

suffer in silence

r struggles with self harm after the problems with the spanish federation.. mapi, ingrid, lucy and alexia are there to pick up the broken pieces

exhausted

insomnia reader with concerned alexia

initiation

pt.1 -> pt.2 -> pt.3

yk just a casual barca orgy fix

#woso #woso community #lionesses #leah williamson #marry me rn #sam kerr #kristie mewis #lucy bronze #sam kerr x reader #auswnt #lucy bronze x reader #leah williamson x reader #alexia putellas #katie mccabe #mapi leon

[springwitch26]

green like her eyes (part 1) (melissa schemmenti x fem!reader)

part 2

summary: you and melissa enjoy smoking weed together to blow off steam from work. this time, things get really steamy.

warnings: sexual content (18+), recreational marijuana use, some emotional/romantic story elements (fluff? more like intense mutual pining), trippy scenes and a general dark aura at times but it's cute

notes: i'm back! consume drugs responsibly, folks. this story is different from my usual content and loosely based on an ex-situationship lol. part 1 sets up the relationship between mel and reader, and part 2 (hopefully coming in the next few days) will feature some more sexual tension and smut. comments and feedback appreciated as always 💚

melissa never would have guessed that you were as young as you were when she met you. unlike other teachers your age, you had a natural air of maturity about you. you were confident but not cocky, passionate (but not annoyingly so, like janine), and smart but not smug about it. in a word, you were cool. and melissa was hooked. with the natural chemistry between the two of you, you became fast friends.

you never meant for melissa to find out about your extracurricular interest in marijuana, but it just slipped out one day. you were too comfortable around her to hold anything back.

"god, what a week it's been," you mused, sitting on her desk as you watched her pack up for the weekend. "i just need to curl up on my couch, put on some netflix, and maybe smoke..."

"smoke what?" she asked reflexively, and you knew she was a keeper.

in the conversation that followed, you and melissa made plans to smoke together that night. what started as a fun experiment soon became routine stress relief. you'd go over to melissa's house every friday night and make full use of the weed from one of her many 'guys'. because melissa cared about your safety, she never let you drive home. you'd just have to sleep over. and since she wouldn't let you sleep on the couch—'the last thing ya need at your age is back pain!'—you would just have to sleep in her bed. with her.

with the introduction of this shared interest, your relationship with melissa became much more intimate. for starters, melissa's touches were always bolder on friday nights. while she wasn't shy about touching you sober—drifting her hand along your lower back as she brushed past you, rubbing your shoulders when you looked stressed in the breakroom—the touches were different after a joint or two. hungrier.

where you were a giggly and whimsical stoner, melissa was definitely a touchy one. you two would sit on her couch, practically on top of each other while you watched movies or played video games. you'd talk animatedly about whatever was happening on the tv; she'd watch your face and trace featherlight patterns on your thighs. and your belly. and maybe also the swell of your ass, when she thought she could get away with it.

she always could.

...

after the success of ava fest, the two of you were on top of the world. tonight's would be the best sleepover yet.

"we got lots to celebrate, sweet pea," melissa had covertly whispered in your ear as people filed out of the gym. you knew what she meant and your face warmed, causing you to look away bashfully. melissa thought you were the cutest thing.

when you let yourself in the front door that night, you were met with the mesmerizing sight of melissa rolling a joint on her kitchen counter. she smirked as you faltered in the doorway, eyes lingering on her working fingers. she rubbed the flower between her fingertips, and your mind betrayed you with a filthy image.

"y/n? you comin' in?" melissa's amused voice brought you out of your trance and you kicked your boots off, closing the door behind you. melissa didn't miss the way your skirt lifted and swirled with your movements.

"looking good, chef schemmenti," you gestured between melissa and the joint-in-progress. at this she smiled, trying not to stare at your breasts and legs as you moved closer in that damn outfit.

you leaned against the counter across from her, making sure to push your tits forward while doing so. you winked at melissa, whose cheeks had turned a shade pinker, and motioned for her to continue rolling up.

"thanks, hon. this stuff's supposed to be top-shelf. gelato, i think they said," melissa's south philly accent was clear as she spoke.

you smiled in appreciation. melissa knew you liked to research what you smoked before you got high on it. you picked up your phone to look up the strain, but then you saw melissa bring the paper up to her lips.

her tongue darted out and drew a line across the paper, allowing melissa to seal the joint. she held eye contact with you the entire time, and you swore she could read your mind. it was like she knew you were thinking about her tongue sweeping through your folds and circling your bundle.

you knew it was wrong; it had to be. she was your coworker, and so much older with more experience in every aspect of life. but that was exactly what attracted you to her.

"whaddaya say? wanna light this one up?" melissa held the joint up to your line of sight, an amused glint in her eyes.

...

minutes later you were standing on her balcony, huddled together to keep the wind from putting out the flame. melissa took the first hit, blowing an impressive cloud of smoke from her full lips and into the sky. you felt dizzy watching the way her lips curled into an 'o' around the smoke.

when she passed the joint to you, you were determined to prove yourself. you took a long inhale, and in seconds you were coughing furiously. melissa chuckled under her breath, but reached out to rub your back. her touch felt electric.

"you okay, hon? i would call an ambulance, but this community doesn't need to know what ms. schemmenti and ms. y/l/n do behind closed doors," she joked, drawing circles on your back.

"yeah, i'm alright," you rasped out, brushing tears from your eyes. "my lungs just need a break." melissa paused a moment at that, looking deep in thought.

"do you trust me?" she finally asked after a prolonged silence. you nodded firmly, staring deep into her probing eyes. they were as green as the trees in her backyard.

melissa took another hit of the joint and leaned in, and before you knew it her mouth was on yours. her tongue swiped along your bottom lip, and your lips parted to welcome her in. she blew a steady stream of smoke into your mouth, and you accepted it greedily.

"there. feel better?" melissa whispered as she pulled away from you. her pupils were blown, and you felt high on the look she gave you alone. you both grinned.

the rest of the session went that way. melissa would take sizable hits of the joint, then shotgun the smoke into your mouth for you. you didn't touch the joint for the rest of the night; if you wanted a direct hit, melissa would hold it up to your lips while her other arm rested on your waist.

melissa was right about the weed being high-quality. you felt like you were floating in her arms as she held you by the waist—keeping you upright in your disoriented state. as she finished off the last of the joint, you looked out at the woods behind melissa's house. the trees seemed closer to you now, and you felt like reaching out and touching the branches as they danced in the wind.

"honey?" melissa's soft voice echoed in your head and you turned to face her. her eyes seemed to swirl and sparkle like emerald pools. but there was also a dark edge to them, reminding you of the beckoning woods.

"let's go for a walk."

...

though it wasn't your typical pastime, you quite liked walking while high. your legs moved on autopilot, and you could hardly feel them carrying you across the dark earth. there was a walking path through the woods behind melissa's house. you strolled side-by-side with the older woman, leaning on her for support when your balance failed you.

"mel, look!" you grabbed her hand and stopped on the path, your other hand pointing up to the sky. "it's a full moon! pretty, right?"

"beautiful..." melissa responded, not at all looking at the moon. her gaze was fixed on your face, which seemed to glow under the moonlight. when her finger stroked the back of your hand absently, you shivered and looked back at her. the expression on her face was soft, even peaceful. with her mouth forming a half-smile and her eyes slightly unfocused, it seemed like she had finally dropped her guard. realizing she had been caught staring, melissa quickly pivoted.

"i always liked the sun better, though," she said as you both resumed walking. the moon's shine weakened then, as if obscured by a cloud. melissa stole a glance at you, noticing how your hair looked a shade darker in the dimmer light. she wanted to stroke it, hold it up to all different colors of light and watch its hues and highlights change.

"huh. why?" you wondered aloud. melissa considered your question a while before answering.

"because you can't run from it," melissa said plainly. "i never liked hidin' in the shadows. you can do that at night. but then the sun comes up, and it's bright and warm, and you can't stay down. you gotta wake up and be somebody."

you heard her words in every corner of your head, her deep voice flowing through you. maybe you were high, but there seemed to be a strong force—almost like gravity—pulling you towards melissa. not just physically, but mentally. you wanted to tell her how smart she was, how charming and powerful and fucking sexy. you wanted to tell her that she was the sun burning brightly at the center of your world.

unfortunately, in your hazy headspace, you couldn't find the words to express all this to her. but you sure tried.

"and the sun is hot and fiery, like you," you almost whispered the last two words, but melissa caught them. she brushed off the compliment with a low laugh and a squeeze of your hand, still clasped in hers.

"sure, hon," she murmured. then you started to feel the stirrings of a rainstorm. cold droplets of water kissed your head and ran down your torso, and you looked to melissa for guidance. by now, you two were pretty far from melissa's house; you'd need to head back soon to avoid getting soaked.

melissa gave you a nod and you both began to run back towards the house, the wind howling in your ears and water beating steadily on your joined hands.

to be continued...

#melissa schemmenti x reader #melissa schemmenti/reader #melissa schemmenti x y/n #melissa schemmenti #melissa schemmenti x you #abbott elementary fanfic #wlw fanfic

[ramroadrage]

Best parts of Nope 2022:

1) Emerald reciting her father’s speech about their history so much that she always forgets to add a generation to account for her being a generation younger, and OJ always reminding her of it. We don’t figure this out until we see her watching a video of her dad saying the exact line. 2) How the small things always come full circle. It was a coin that killed Otis Senior and it was a coin that helped Emerald capture the only evidence of Jean Jacket. It was a balloon that set off Gordy into a massacre and it was a balloon popping that ended Jean Jacket’s massacre. How the Haywood family’s legacy is based in the first captured film, and it’s Emerald’s picture of Jean Jacket that calls back to and expands on that legacy. 3) How unashamedly campy it was to name the horse we saw die first Ghost and the horse that made it ‘till the end Lucky. (RIP to Clover and the other ones sold off to Jupe). Gordy. Gore-dy. Naming Jean Jacket after the one horse Emerald never got to tame. 4) How the movie starts with Gordy’s rampage and makes you think it’s just part of the Monkeypaw Productions intro and that Gordy is just staring at the audience for the shock value, but mid-movie gets recontextualized into a traumatic flashback of Gordy staring at Jupe under the table. 5) How we will never know why exactly Gordy spared Jupe. Did he calm down enough to recognize Jupe as one of his “family”, or even recognize that they were used and exploited in almost identical ways by the production crew and cast? If one of the other actors swapped places with Jupe, would it have been the same? Was the tablecloth just enough of an obstruction to Jupe’s eyes that Gordy didn’t kill him, and would have if the cloth wasn’t there? Did Gordy even actually reach to touch Jupe’s hand, or did Jupe add that detail on and unknowingly add that to his recollection of the event, and thus his belief that he could reach out and understand Jean Jacket the same way?   6) The way OJ was the one to realize Jean Jacket’s “rules” so to speak, being the character who seems the most coded to be neurodivergent; not looking others in the eye unless absolutely necessary, speaking bluntly and as short of terms as possible, using the way he interacts with horses when speaking to others (the “woah there” to the director at the green screen scene and slapping his hand to his leg to get Angel and Emerald to run faster to the car), unable to carry through with small talk in one scene (the movie scene with the white woman asking Lucky’s name) yet staying on topic and proposing a deal in another (trying to make a deal with Jupe while Emerald looks around), who understands what boundaries the animals he works with have and respects them.  7) How it goes unexplained why Emerald and OJ let Angel stick around because there doesn’t need to be an explanation. They just accept him in their group after a while, and they help each other without question. They allow each other into their respective homes for safety, and he refuses to let Antlers use the remaining horses as bait (”They’re horse people”).   8) The scene where OJ and Lucky run from Jean Jacket as the music swells almost like a rehearsed show between the three of them as Jean Jacket returns to the sky and OJ and Lucky split. That in contrast to Jean Jacket returning and OJ and Lucky barely make it out alive, which we don’t find out if they survive until the very last shots of the movie. 9) I Wear My Sunglasses At Night (Jean Jacket Mix). How music played electronically is used as a detection of Jean Jacket’s presence like some fucked up game of musical chairs. 10) How Emerald's father could never look her in the eye after selling off the original Jean Jacket for money, and how he dies by a nickel through the eye, how it’s money that kills him. How staring at something in the eye when you’re not supposed to is intertwined with not looking and paying attention to something you should have, both in the sense of not losing track of your family as priority and in the sense of not losing track of a wild, lethally dangerous animal.  

#nope #nope 2022 #nope spoilers #jordan peele #GOD this movie changed something in me I swear #it's fucking wonderful

[shihalyfie]

I've alluded to tri. having some very troubled production behind the scenes, and among everything that apparently went on back there, there seem to have been at least two major bottlenecks: 1) the fact that the director (who, based on his own statements about deliberately not consulting source material, most likely didn't even watch Adventure to begin with) kept asking everyone to make things more "mature" without being clear on what that actually meant, and 2) the fact they ran out of budget and had to rewrite the entire plot halfway into it. Even the most brilliant of creators probably wouldn't be able to work at their best under such conditions.

But conversely, this also means that there were some excellent people involved in production whose efforts probably haven't been as appreciated as they should be! So I want to take a moment to spotlight some people I want to give props to:

Ayana Yuniko and Nakanishi Yasuhiro: These two scriptwriters were childhood Digimon fans who were thrilled to be on the project, and their enthusiasm clearly shows in every interview they were in. Ayana even made keen observations like noticing that the Adventure kids aren't as super-tight as people tend to make them out to be (something I've pointed out myself, and something that generally only tends to crop up among fans who have studied the series closely), and Nakanishi stated that she would slip him detailed notes about the characters and their relationships.

Both of them stated they were trying to portray the Adventure characters in a character-accurate way but kept getting their scripts rejected for not being "mature" enough, leaving them unsure about what they were supposed to do. Their roles on the series were also limited; Ayana was on parts 1, 2, and 4 while Nakanishi was on part 4 only, and they were sharing the scriptwriter role with multiple others (even within a single movie). But if I were asked to pick who on the staff list I would want to see come back for another Digimon work, it would absolutely be these two.

Kakikara Yuuko: The one in charge of overall writing for the series. tri. had a total of five scriptwriters and could have up to four(!) on a given movie, so because of that, her statements on the series and its story direction have been a bit difficult to tell whether it was her idea personally or whether she was delivering the writing room's discussion result. But one of her final statements on the series basically amounted to "I'm grateful if you even came to watch it to the end at all," and she was quite humble about saying she felt things could have been done differently; considering it sounds like she had a hard time keeping everyone and everything in order, I can only imagine she went through a lot trying to make sure everything ended safely. Incidentally, her writing portfolio is also quite respectable (and even includes kids' shows).

Suzuki Takaaki: The person with the job of "setting researcher", i.e. the one with the job of looking into the lore. Sadly, it seems like most of his ideas didn't make it into the final series (possibly because of the budget loss-induced rewrite), but his one solo interview indicates that he put quite a bit of conscientious thought into how Digital World lore works, including the idea of an EMP weapon that would affect Digimon easily but not humans (an idea that doesn't pop up among fans as often as you'd think, and took up until last year to make it into actual Adventure material via Takeru's 02TB in-universe fanfic).

Sakabe Gou: The person in charge of the series BGM. We haven't heard a lot from him, but the little we have indicates that although he also had difficulty understanding what the director was asking for when he wanted "mature" music of some kind, he himself put some very thorough thought put into the composition. In particular, he went into detail regarding the music used at the beginning of part 4, which seems to be a fan-favorite track from what I've seen (it's also my favorite too!). Sakabe also has an extensive and respectable portfolio outside Digimon; in particular, he's very highly regarded in Kamen Rider circles, so if you have a friend who's a fan, it might be a good idea to ask them about it!

[ask-a-w]

Summary of RE4R cast meet and greet on Twitch

Finally had time to watch the twitch stream of the RE4R cast meet and greet that aired last week. Here's a quick summary. General: RE4R was made 2 years ago. Everyone in the cast has become one big happy family.

Genevieve Buechner (Ashley): Been acting since a young age. Changed agencies 3 years ago and requested for video game gigs, happy to have landed the role of Ashley. Had to use a lot of her imagination on set after being on TV for years.

André Peña (Luis): Forged a RE4 replica knife and gifted it to Nick on the stream. (Beautiful knife btw!) Did go to acting school, Luis is his first professional paid acting & voiceover role. He knew he was auditioning for RE4R as they forgot to change one name in the script and he saw the name "Saddler". The OG RE4 was the first RE game he played.

Marcio Moreno (Salazar): Is tall IRL, was on his knees to portray a short Salazar while the other actors were usually on stairs. Lived in Spain for 5 years and almost forgot the actual Spanish accent so he asked his brother's gf who is Spanish to record some lines in a Spanish accent so he could remember the accent again. Usually plays villains or "stereotypical Mexicans" in acting roles and was quite happy to play a Castellan role.

Also played the El Gigante, Verdugo, Dr Salvadore, the ganados, and one of the Bella sisters. He had fun playing monsters.

Christopher Jane (Saddler): Happy to play the villain. Was initially convinced that he was only hired for just the table read and not the actual game. The director had to tell him repeatedly he is playing Saddler for the entire gig.

Jon Bryant (Mendez): Is a singer and his actual voice sounds totally different from Mendez. He does sing in Mendez's voice near the end of the stream which is hilarious. Singing a birthday song in Mendez voice was funny.

Michael Adamthwaite (Merchant): Has English heritage on his mother's side so he channeled some British twang for the role. His maternal grandfather also sells real estate IRL (if I’m not mistaken) so “selling stuff” is in his blood. 😝 Had his 10 year old son on the stream and it was his birthday, what an adorable kid.

Mike Kovac (Krauser): Does stunts professionally, used to be a wrestler. Already had experience handling knives and brought a training knife onto set on the first day. The director was happy and open to more realistic knive movements for the characters.

Based Krauser’s voice off the wrestler Jake “The Snake” Roberts and also Metallica singer James Hetfield.

Lily Gao (Ada): This is her first time doing motion capture, had a fun time despite having all the gear strapped to all parts of the body. Got stuck to Nick via velcro on the mocap suit a few times lol. Mostly acted with Nick and "a few other people". (Other than sharing scenes with Saddler, cultists, Wesker, and chopper pilot, does this mean DLC on the way??)

Actually got booked for Ada in the WTRC movie before RE4R. Did research on Ada's character despite not playing any video games growing up and admires Ada's strong character. Her agent got an email from the RE4R crew to ask her to audition for the video game role 'cos the RER4 crew saw her role in WTRC. The crew wanted to finally cast an Asian actress in the role. Lily did see what the previous VAs did and found all variations to be beautiful. Lily sent in her audition and got the part.

Raylene Harewood (Hunnigan): Did not meet the rest of the cast while working on this. Was not familiar with the RE franchise. Did one audition tape for Hunnigan by pretending to be on a computer and talking to Leon, and then she got cast.

It's her first time doing motion capture as well. Was mostly in a booth with the camera gear and reacting to Leon's lines that were already recorded.

Craig Burnatowski (Wesker): Nick & Lily were the only two people he has met so far, saw some of the others briefly. This is his second time working on a RE game, his first RE game gig was RE Outbreak. The mocap for Outbreak was vastly different back then.

Did not know what franchise he was booked for until he walked onto set and asked what game it was. 🤣

Steve Kniebihly (Cinematics Director): Have been cinematics director for 20 years, recently did the direction for RE3R, RE4R, RE8. Mostly focusing on directing cutscenes. Did a balance between grounded & realistic scenes and also catering to the fans. The bingo line was actually something else during filming but he decided to ask Nick to try out the old line instead and it was kept in the end.

Even if someone screws up their audition, as long as he can vibe with them, he will go with them instead of people who read their lines perfectly. He also doesn't like assholes and can read people. He wants someone who is nice and can take directions well… Capcom also has a say who is cast for the role as well, not just Steve.

Nick Apostolides (Leon): Nick has not met the VAs for Hunnigan & Mike in person. Cooked meals for everyone on set and everyone was raving about his cooking, especially his barbecues. Was asked to come back to play Leon.

#crossbow down #resident evil #Ashley Graham #Luis Sera #Ramon Salazar #Osmund Saddler #Bitores Mendez #Jack Krauser #Ada Wong #Ingrid Hunnigan #Albert Wesker #Leon Kennedy

[khaleesiofalicante]

Ah, here we are! 

This is your mandatory post about my new fic and next fic ‘L’appel Du Vide’ (LDV) - also known as the mavid rwrb au. As usual, I thought I’d share some info about the fic so you guys know what you’re getting yourselves into. So, here you go. 

Is this fic based on the Red, White, and Royal Blue movie or book?

I’d say both. But it’s primarily based on the book because I like the book better and there is more material for me to work with. 

2. Do I need to watch the movie/read the book to read LDV?

Not at all. If you’ve not read/watched rwrb, you don’t have to. It won’t affect your reading experience, I promise.

3. Does the fic have the same plot as rwrb?

Yes and no. This fic is an adaptation because I have to change the story to fit my characters. For example, Max is not going to have a bi-crisis like Alex did and David’s backstory is different because god knows Albert ain’t no Arthur Fox! So, the characterization and flow are quite different. But since it’s based on rwrb, many of the ‘key scenes’ are there - but they’re just adjusted and changed to fit my characters. 

4. How many chapters and whose POV is it from?

Similar to the books, the fic will be from a single POV - Max’s. But I will include a David chappy because we haven’t gotten his POV in so long and I’m mad about it. There are 20 chapters in total - this might change slightly if I decided to experiment with the outline. 

5. Is it true this fic has smut? 👀

Apparently so 👀 Look. It’s in the outline. I intend to write it. But this is my first time writing smut and some of you know I struggle with it and am self-conscious about it. I also find it weird to write sex scenes about people I know (I KNOW MAVID OKAY?). But this is a writing challenge and one I’m willing to explore. So, let’s see how it goes. Max and David’s relationship begins as a sexual one as it does in the rwrb book. So, there will definitely be sex scenes for sure. I just don’t know how smutty or explicit it will be. Y’all know I hate saying erection! And trust me, there will be many erections in this story. 

6. What’s the posting schedule?

Ah. This is the tricky part. I’ve decided to do a weekly posting schedule for this fic. In other words, one chapter per week. I’m going to be a bit busy in April and May. So, I know I won’t be able to commit to two chapters a week. I might try to whenever I can. But I’m setting one chapter a week as the target. 

Are you excited to write it?

Very much so! The last few fics I’ve written (TLND, IALS, FMF, LBAF) have been very heavy - both in plot, themes and writing. Even the posting schedule was so intense. While there are definitely heavy themes in LVD, I see this fic as more of a rom-com. So, I think it’d be fun to write! And I love writing Max pov when he isn’t suffering hehe. I really want this fic to be a fun one!  

A gentle reminder that this is not a malec fic, so please do not ask me for their povs or scenes or try to make this fic about them. I’ve seen that happen with my other mavid fics and so I hope it won’t be the case for this one. 

Finally, a quick shoutout to @gospi and @ladyoflilies who have been bullying me and supporting me behind the scenes to write this fic and have been excited as as I am. 

The first chapter will drop tomorrow (it’s already written and was written months ago!). Until then, here are some (theme) songs for you to listen to. See you tomorrow! 

#ldv #mavid rwrb au #my fics

[iridescentscarecrow]

hi i'm the op of that post (stackslip) PLEASE elaborate on chainsaw man's metanarrative

hi! um. you've given me free reign, i hope you know what you're doing. anyway: fair warning in advance that this is based entirely on how i like to interpret and think of the csm story and doesn't necessarily hold true, partly because of the level of abstraction that i'm operating at here. i'm normal and i like metanarratives a normal amount. this might be a little long. but.

um. thinking about how protagonism in CSM is inflicted on denji by the author insert that is makima. i've brought up the Icon of chainsaw man before in my part 2 analyses but basically:

the Chainsaw Man is the role that denji occupies in the story, right? it's the title of the manga. it's what the public Sees him as. it's what makima quite literally produces. the relationship between denji and the chainsaw man in both aspiration and idealisation forms a major stem of both part 1 and part 2's narrative.

this production occurs on two levels: (1) what Chainsaw Man is, and should be, and (2) how denji is developed as a protagonist by makima.

"you don't get him at all." chainsaw man is her blorbie (i think i'm funny). the point is that the Presentation of chainsaw man, the one that the audience is initially set up to expect, is almost entirely synonymous with makima's version of the CSM that we get later. i think a lot about how part one borrows from, amplifies, and later subverts shounen tropes. the CSM as an idea persists in how it's discordant from denji's normality in part 2 but part 1's direction in how denji voluntarily inhabits the chainsaw is what i'm pointing at here. (there's a lot to be said about how denji's idealisation as tied to the icon of the CSM is intertwined with his wants but that's not relevant in this meta except in the minutiae of his adherence / resistance to this role.)

the thing is that makima is instrumental in pushing this role onto denji. she sees chainsaw man, he is chainsaw man. it's (and i sound insane here but please hold on, i beg) like writing.

i think her addressing him in the last battle scene, the "i'll kill you personally" is indicative of her finally divorcing denji from the chainsaw; forming The Chainsaw Man in full, while still obviously curating the denji that would support this formation throughout the story.

a small side here but: "but she never even saw me once, even from the start." // fujimoto's writing actively utilises characters towards the end goal of shaping the protagonist. this struggle here is one between a character and an author.

now continuing; the way that makima provides for and then systematically removes these initial connections simulates traditional story structures with its setup, its confrontation and resolution. her excellence as an antagonist rests upon her identity as a narrative device which develops the protagonist and pushes him through this structure. the conflicts and the loss that a protagonist usually naturally (at least in-world) goes through in a story are instead all artificially created by makima.

"how could i make you so hurt that you'd no longer be capable of living a normal life?" // her molding of denji isn't just passive emotional manipulation, it's active writing. she herself is aware of the tropes and the character relationships that are being built up, that are being subverted. she herself embodies, espouses and resolves the themes of multiple arcs (thinking of the end of the bomb devil and the darkness devil arc here / thinking of how she draws the shutters on ignorance and on wanting).

there's a lot i try to extrapolate from her commentary on movies during her date with denji especially in context with the story simulation that she herself is doing throughout the manga. i find it interesting how the ending to the movie date or the "good" movie founds itself on shared feeling: denji sees makima cry at the same movie as he does.

"the drinks yesterday were delicious." // you talked about her goals already in your post but makima's search for real intimacy (and equality in a relationship) coincides with denji's one. to me, it comes off as a writer trying to find a mirror of understanding in their own creation. the way she visualises the CSM (as "chaos" to her order) reveals a relationship quite like the flawed connection that one has with characters one makes: and this relationship is what denji (the 'stage' of this process) responds to so emphatically: "she wasn't looking at me this whoole time."

so, yeah; CSM to me operates at two levels: the one with the deeply human character relationships that construct the story and another layer where fiction and ideation mesh. it's important to note that this is something fjmt quite likes doing in his other work: using characters to specifically engage with the telling of his stories or exploring his characters' nuanced reactions to fiction and its weight.

thinking of makima as the 'Author' is misleading, though, and it ignores the fact that makima is both a device deployed by the actual author and in-world by the structure that are the higher ups. she is the control devil; she controls the scaffoldings of the story but she in herself is an agent of the author, of the narrative, of the aforementioned higher ups.

i don't know. is an artist ever truly original in their art? do they not operate within a greater structure, borrowing from and being regulated by it and its interpretation of their work? are makima's plans not ultimately upset by her creation?

denji materialises as a character from multiple active sources instead of the unitary source that makima believes herself to be. he's a passive character and yet he refuses to be a stable creation (psst. it's that universal tussle between the living art and the artist -- something fjmt's already tackled in his oneshots).

i don't know (2). this interpretation's been simmering in my head for a while, but i wasn't very Sure about it. but hm. this writeup primarily bases itself off part one (since it's well. complete) but image and image production specifically coming into fruition as a theme in part two makes me feel increasingly confident in this interpretation. it's strange how it somehow all ties back into storytelling.

#this is because i'm so writingpilled metacelled at all times. literally. #like. i'm obsessed w reze as of now but that Thing that was makiden throughout the manga. actually still has me in a chokehold. #taps makima and denji -- these two can fit so many Themes into them. #and even part 2's grappling with structure #and how devils are written also as roles and through their interpretations. so so tasty #chainsaw man #csm meta #chainsaw man meta #makima #denji #crow.txt #crow.asks #stackslip #<- is it OK if i tag this? thank you so so much for the ask

[1moreff-creator]

A Summary of the Levi!Accomplice Theory + How We Got Here (DRDT CH2)

Hey there! So a while ago I made a post about the CH 2 murder method, but I missed some pretty crucial information. You might know me and @thebadjoe had a pretty long thread back and forth talking about the murder, which lead to me reworking a lot of the original theory. However, that thread is extremely long and frankly quite confusing to read, so I thought it would be good to summarize what the final theory actually looks like in a separate post. This was sorta inspired by thebadjoe making a similar post about his own theory (which is Eden working alone, but disguising herself as Arei at one point), which I absolutely recommend you read as it’s probably one of the best DRDT-related posts I’ve seen on Tumblr.

If you’re here simply for a summary of the Levi!Accomplice Eden!Culprit theory, then simply skip to the Closing Argument of this post. You should be able to understand it on its own. However, I think it would also be nice to explain how I reached the conclusions I did, which is what the start of the post will be. Othersie I'm gonna look completely unhinged, and that's not good, I'm only kinda unhinged! If you’re interested, then I hope you enjoy!

CW: Murder, betrayal (Eden!Culprit), hanging (including geometric depictions), suicidal thoughts, one mention of self harm.

(Also, the Ace almost-murder won’t really be touched on much here, but there is a thread where me, venus-is-thinking, accirax and thebadjoe all went crazy trying to explain the blood on the wires. It’s about as difficult to follow as the other one, but eh)

The First Step Into Madness

(This part goes over a bit of the same from my OG post, which is why it sorta ignores other theories. There may be some assumptions made which are not necessarily true under other theories. Feel free to skip this if you read the first post and don’t need a refresher)

It all started when I made the original post where I discussed the murder method. I was left very intrigued after watching DRDT for the first time, so I wanted to see if there was some way to figure out how the murder was carried out, and to see if that pointed to any culprit.

-The first thing to note is that EP 11 cuts off when Charles is about to confront David on something related to the time of death, based on when he cuts in. This would imply the murder did not happen the night of the third day as the characters had assumed. Seeing as Arei was last seen at noon of that third day and I wasn’t aware of disguise theory, I figured the murder actually happened at 7:30 AM the morning of the day of the investigation, which I still believe. The fish could have been simply taken before nighttime and kept in the water jugs.

-What this means is that the culprit had time to set up an elaborate murder mechanism overnight, which is what the rest of the evidence around the crime scene would appear to imply.

-One of the reasons to believe a mechanism was involved is the flickering light of the playground. For a while, I genuinely had no idea how the hell that would happen. Even if there was a secret passage from the Movie Screening Room, proving that in trial would be nigh impossible.

-However, sometimes to solve a mystery, all you gotta do is mash random things together until something sorta looks like it fits. And what was a thing I didn’t know how to place? The ball of clothes.

-The idea here is to attach the rope to the ball of clothes and throw it over the railing, that way you can get the rope to go over there without having to get up there yourself. On the way up, the clothes would hit the light and displace the lightbulb, causing it to flicker.

-But why would you need rope over the railing? Well, if you were interested in creating a pulley system to make something go high into the air, you would need the rope there. And a pulley system is the first thing I thought of when I saw the spinny thing had tape on it, and thus was likely involved. This is what I envisioned.

Note how the rope is first looped between the handlebars to make sure it actually does the thing it’s supposed to. There may be other ways to set up the pulley, but the important thing is, a pulley was likely involved.

-So we got a pulley, but what are we pulleying? Presumably Arei, getting her higher up so her neck could snap instantly when she dropped down. As Veronika stated, her neck wouldn’t have snapped unless she weighed more or she dropped from higher up.

-Unless she weighed more, huh? That’s an interesting thing to specify. How would she weigh more? Unless, there was something which weighed her down.

-One thing which always struck me as odd about the water jugs is how oddly the handles are snapped.

-After thinking about how that could have happened, I realized maybe they had been snapped due to the action of rope. If you tie rope around the handles and pull hard, they would snap just like that.

-And what’s the deal with that? As I said, perhaps Arei was weighed down by something. And here is the answer. Since we know there were two pieces of rope (one found around Arei’s neck and a longer piece under the spinny thing), I believed the jugs were attached to her via rope to weigh her down.

-That way, the culprit could further ensure Arei’s neck would snap once she fell and the pulley system was stopped.

-Because yes, the culprit would need to stop the pulley system from spinning back all the way, otherwise Arei would just fall to the floor. And since her broken neck is the only injury apart from red marks on her wrist, that clearly didn’t happen.

-And my answer for that… was frankly just brute forcing it and stopping it by hand. See, I was sorta coming in after watching a cool video by Ocean Unknown, and I was already kinda thinking Levi was probably the culprit, which is why this feat of strength didn’t seem too insane for me. In retrospect, I may have been underestimating the strength required to do that.

-Anyways, the rest isn’t too hard to figure out. Make the note, ambush Arei when she arrived at the playground, with the ensuing struggle resulting in the scuffed floor, put tape on her wrists, put the noose around her neck, pulley, let her fall a bit and stop her so her neck snaps, prop her up so the murder looks vaguely like a suicide, throw some stuff in the trash, profit. You may have noticed I didn’t talk about the fact Arei doesn’t have her glove in the BDA, because… well, frankly I just hadn’t noticed that at the time. The fish are to confuse the time of death, and the tape was likely taken from the gym and used to have a better grip on the spinny thing as the culprit spun it.

…

The tape was taken from the gym?

The Curious Case of the Tape Thief

(Or: BY GOD IT’S THEBADJOE WITH A STEEL CHAIR! /lh)

So, what you may have noticed is that the method I came up with doesn’t really point to anyone in particular, but there’s a detail I hadn’t noticed when I first made that post. The time the tape was taken.

Thebadjoe had already pointed it out on his blog, and was kind enough to reblog my own post with this information. Turns out, he realized that in Ep 6, at around the time Ace wakes up, the roll of the tape previously on the floor disappears from the background. Which means it was taken by someone who was at the gym at that point.

Now, you might be wondering if maybe that’s just an animation error. After all, it’s not like this is evidence that can be brought up in the trial.

Except, it can be deduced. With lockdown logic. Let’s look at the facts:

-The tape was on the floor after Nico leaves the gym.

-The last people in the gym before the lockdown begun were Teruko, Ace and Eden.

-No one but MonoTV could enter the gym during the lockdown.

-Rose and Teruko are the first people to enter the gym after the lockdown, stated explicitly by MonoTV.

-But by the time Rose and Teruko are there, the tape has disappeared. And there is special attention brought to the fact the tape’s disappeared.

So the tape couldn’t have disappeared during the lockdown (unless MonoTV took it out, but why would it do that), and it can’t have been taken after since Rose and Teruko were the first people there after it ended. Since that roll of tape was still on the floor when Nico left, that means the tape disappeared when only Teruko, Ace and Eden were in the gym.

Teruko couldn’t have taken it, protag privilege.

I’ve seen Ace thrown out as a possibility, but it just doesn’t really work. Teruko was inspecting his body right before he wakes up, and she never has a reason to look away after he wakes up. She never saw him pick up the tape, though, so it seems unlikely he did. Not to mention the lack of blood on the tape when Ace had blood on his hands the whole time, or the general weirdness of him taking the tape and, like, pocketing it in the first place. Why would he do that? If he wanted a weapon, he’d have taken the wire which was nearby, right?

So, the most logical answer is that Eden took the tape. In fact, she gets knocked down to the floor right around the time the tape disappears from the background.

So, now we ask, why did Eden take the tape? The issue is that there really is no reason for her to do that, unless she went down to the second floor specifically with the intention of picking up the tape (and maybe some other stuff). However, she never tells Teruko she wanted to pick up the tape, which combined with the fact she takes it sneakily and without anyone noticing, would suggest she wanted it for nefarious purposes. This is where the Eden!Culprit theory comes from.

There simply is no good answer as to why she took the tape otherwise. Even other theories I’ve seen, which suggest perhaps the killer intentionally used the tape to frame Eden, can’t really explain why Eden would take it without warning in the first place.

Thus, the only issue left is… would Eden really do this? How can the nicest person in the killing game betray a friend like that? Well, it’s not as impossible as you may think.

Of Motivations And Narrative Consequence

(Or: venus and accirax come in clutch)

You may have seen this post by DRDT Tumblr’s dynamic duo of @venus-is-thinking and @accirax circulating around, and I recommend you read it if you want a full exploration of why Eden!Culprit works from a character and narrative standpoint. They explained everything way better than I ever could, so I’m not gonna dwell on it too much and just ask you do your assigned reading if you’re interested.

However, as a short summary of the main points:

-Motive: Eden is a very caring person, who has several people she’d want to return to outside of the killing game. Her family, which she speaks about with Levi in the first scene of the chapter, and possibly even the girl mentioned in her secret. The incident with Arturo could have scared her into taking more drastic action so she could go back to the real world. Note the secret quote on her page is “You can’t go back, no matter how hard you try.” She’s likely not secretly evil or anything. And the fact she kept trying to go against the killing game, but ultimately never achieved anything, could have led to her feeling completely hopeless.

-Why Arei?: Because it was the easiest option, most likely. It was implied in the ep 10 flashback that Eden may not have believed Arei when she claimed she wanted to be friends, and that she may have only realized she genuinely did during the trial. Also worth noting, they’re paired together in the CH 1 recap, which implies they’re at least important to each other’s stories.

-Wouldn’t this just prove Teruko right? And wouldn’t that be narratively redundant?: Oh, yes. It would very explicitly prove Teruko right.

Teruko: Sooner or later that kindness of yours will have you breaking down, until you’re too overwhelmed with grief to be able to act. That’s not how I plan to live.

But the thing is, Teruko has already been proven right this chapter. Even beyond all the scuffles around the secrets, you have Nico, seemingly one of the most harmless people in the killing game, admitting to trying to kill Ace; and you also have David, who almost everyone trusted and viewed as a sort of leader, being revealed as a liar and a manipulative asshole.

(Yes I know both of them are a bit more complex than that but that’s not the point.)

In fact, Teruko was explicitly right about David too. Not to mention, someone killed Arei or J if you’re inclined to believe that, which won’t exactly do wonders for trust in the group.

The point, as venus and accirax pointed out, is to show the audience how Teruko’s life usually is. Full of betrayal and misfortune. This is to set up the theme of fate and change that runs deeply through Teruko’s character, and that I’m not gonna explain here.

And while you could say Teruko doubling down on not trusting anyone would be redundant, you have to consider the rest of the group as well. While they mostly held it together after the first trial with a few exceptions, Eden being the killer, combined with everything else that happened in the chapter, would cause way more damage to the whole group’s sense of trust, leading to a very different atmosphere for chapter 3. So I don’t really think it would be redundant at all.

-What about the handwriting sample?: What about the handwriting sample? The note is in cursive, Eden writes her sample in print.

Obviously it's gonna look different. If anything, the fact she specifically writes in print could be seen as her hiding her cursive handwriting, which looks suspicious to me.

-Why help piece together the note in the first place? And why would she fight back against the idea of Arei committing suicide?: Because she would presumably want to build a narrative that she and Arei were friends, to make people trust her more. I mean, it worked, since people immediately jumped on Arturo when they first heard the full story.

-And more! Again, read the full post for more details.

So… now we circle back. Eden’s probably the killer, but what does that mean for the method?

A Method In Shambles

One of the main issues this brings to the method is Eden’s strength. She’s very weak, as has been established in both the most recent QnA and in the series itself (see: arm-wrestling scene, where Arei specifically excludes Eden for being weak). She wouldn’t be able to pull Arei + water jugs up with the pulley system herself.

…Or maybe she could? But it would be very tight, and I think we’re not supposed to pull out the physics and calculators to figure out it would only be the equivalent of lifting like thirty pounds as accirax implied in one line of this really good post. Point is, it doesn’t look like she could, which is more important imo.

Even then, it would also be really difficult for Eden to prop up the body like we see in the BDA.

Speaking of BDA, that’s another issue. The BDA rule states it takes “three people who did not witness the murder” to see the body before the announcement plays. So how did it play after only Whit, Teruko and Eden had found it? Surely Eden as the killer would count as a witness with the method I established earlier.

But the biggest issue for Eden!Culprit are actually the fish. Because while Eden doesn’t have an alibi for the time of death, she does have an alibi for the time of the fish’s disappearance. Think about it: Nico fed them presumably at around 7:00 PM, since they later see David going down at around 7:30, and 7:00 is likely the time when communal dinner ended as it’s also the time Eden and Hu begun washing the dishes together. We know from Nico the fish were still all there by the time Eden’s alibi with Hu begins.

And that alibi lasts all the way until nighttime, when the relax room locks down for the night. And it doesn’t open again until after the murder was supposedly committed at 7:30 AM. So Eden couldn’t have taken it the morning after.

The fish in particular are an issue for Eden!Culprit, because while everything else is odd, this particular thing makes it impossible for Eden herself to have set up the crime scene as we see it. And unless Ace is lying for no good reason, Arei was still alive the night of the third day, so it likely wasn’t set up by anyone uninvolved in the murder.

In the end, although Eden feels like she should be the culprit, she couldn’t have done everything alone.

…

She couldn’t have done everything… alone.

…

:)

The Rise of the Accomplice

Eden is a very trusting, very sociable person. So if there are things in the crime scene she couldn’t have done alone, is it unbelievable to assume she may have had an accomplice?

Let’s ignore the “who” for now and see if this idea holds up. The accomplice would be in charge of taking the fish out of the relax room during nighttime, a tactic to confuse the time of death and give Eden a fake alibi. They would also be in charge of overpowering Arei when she first arrived at the playground.

After pinning her down, wrapping her wrists with tape and possibly her legs too if needed (there were two pieces of tape in the trash, when strictly speaking you would only need one for the wrists. Arei has long socks, so marks wouldn’t be visible on her legs), the accomplice would also be in charge of lifting up Arei into the sky. The exact logistics of how the accomplice would go about this are a bit awkward (they would probably have to run quite fast to the spinny thing so Arei doesn’t get a chance to stand up and try something), but I don’t think it’s outright impossible.

Now, here’s where the trick comes in. Since Eden was the one who likely planned the murder (she had been preparing since Night 2, after all), the goal would be to make her the blackened. Here’s how I think that would be done.

The accomplice would hand off the spinny thing to Eden once Arei was high up enough, and Eden would be the one to let go off the carousel so Arei’s neck breaks. But how does it stop?

Well, you remember the second, shorter piece of rope, which I had originally said would be for the water jugs? Instead of that, they would use it as a stopper rope. The idea is to attach one end to the swing set near the spinny thing, but leave the other end by itself. Then, once Arei was high in the air, one of the two culprits (let’s say Eden) would tie the unused end to the spinny thing. That way, when they let Arei fall, the shorter rope would tense before she went all the way to the floor (you can make sure this happens by using a lot of the rope on the knot on the swing set), and stop the carousel abruptly mid fall. This is what would cause Arei’s neck to snap.

(Ignore the text)

This means the water jugs would need to be attached to Arei in some other way. Possibly by making the noose in such a way that you have rope to spare and you can put the jugs there?

Looks a bit wonky, but I think it can work! Or, at least, Eden could conceivably think it would help, which is all that’s technically necessary.

If you’re not convinced, there could also be a third, extremely short piece of rope being kept in Eden’s fanny pack which was used to put the jugs at Arei’s feet. I don’t quite like this answer too much, since it relies on evidence we don’t have (Russel’s Teapot and all that), but it’s there.

——————————————————————————————————

Surprise! Alternative Method Bonanza!

So you remember how thebadjoe has a really good theory on the murder which is Eden!Solo? That means he has a different method for the murder mechanism itself, as Eden sort of can’t do my method herself.

And I am gonna steal it! Like a thief!

Essentially, if you’re not convinced by the hanging method, you can instead copy and paste joe’s method to my accomplice theory, with a few modifications.

Joe’s method takes my idea of a stopper rope, but instead of attaching one end to the swing set, it’s attached to Arei’s neck. The pulley system is instead used to pull up only the water jugs, the rope attached to their handles, which Eden should be able to do herself. The idea is that, after pulling the water jugs up and attaching the shorter rope to Arei’s neck, when you let them fall, if Arei’s neck is secured in place, when the stopper tenses, it will snap her neck.

Now, in his method that involves knocking out Arei with turpentine (long story) and securing her with tape, but with the accomplice idea, and since I don’t think Eden has turpentine, it may be better for the accomplice to just hold down Arei’s body themself. Though that runs into the issue of “why put tape on her wrists then”, which isn’t a method with joe’s original method and rather an issue of translation to the accomplice idea.

Because of that, and because there’s a particular thing I’ll talk about in a moment, I think my method is still slightly more plausible for the accomplice idea, which is why I won’t bring this up again, but I did want to point out that it’s technically a possibility.

——————————————————————————————————

Any other changes? Yes, actually.

-You remember the starch on the ball of clothes? Well, joe suggested it may come from the enriched formula used in the relax room, as starch is often used to stimulate plant growth or something along those lines. Meaning the clothes spent a night inside the relax room. I agree with this, as I have no idea why starch would be there otherwise.

The question now is when the clothes spent the night. It can’t be Night 3, as Arei died before the relax room opened again at 8:00 AmM. So it would have to be in the second night. And where was Eden that night?

Eden: I noticed you didn’t take any of your new clothes, so I was going to deliver them to you!

Ah, right. On the second floor. In the dress-up room. Totally not suspicious behavior.

Basically, I think Eden went to the second floor to put the clothes in the relax room and pick up the tape, but once nighttime begun, she realized Ace was still in the gym, and decided to wait it out so as to not be spotted in a suspicious place. Unfortunately for her, Ace was busy getting murdered by Nico, so she ended up getting caught by Teruko, and had to course correct.

But why would she need the ball of clothes? Couldn’t she have just grabbed, like, anything else to throw over the railing?

Well… yeah, but. It may have been hard for her to find anything more convenient than the ball of clothes. I’ve seen the roll of tape suggested, but the rope may not have been able to fit through the hole in the middle. Maybe yes, maybe no, depending on what’s most convenient for your theory. That’s not sarcasm, it’s just that there’s no good way of checking how big the hole is.

Throwing a ball of clothes would be a lot easier than throwing a lot of other things. Maybe it’s a bit weird, but I don’t find it completely unbelievable that Eden considered it the best option.

-To make the whole ordeal easier, it would be best to make sure the “noose” end of the longer rope dangles from the railing over the seesaw, closer to the entrance, so they don’t have to move Arei around too much. They could easily do this by just throwing the ball of clothes around a couple of times.

-The BDA is an issue, since the accomplice would also be a “witness” and thus not count. But this can be solved quite simply. For one, there could be a loophole where if Eden just looks away when Arei’s neck breaks, then she’s not a “witness” and she counts. If that sounds too stupid, there’s another answer. To make absolutely sure Eden would be counted as the blackened, the accomplice would leave the room entirely while Eden holds Arei up in the air. That way, the moment they enter again, they would see the corpse without being a “witness” to the murder, and so they count. Add to the accomplice/Eden the view of Whit and Teruko, and you have the three you need for the BDA.

-That’s also my answer to why Eden shouts “Teruko, wait!” right before Teruko opens the door to the playground. Logically, she knew the BDA would play, which is why she didn’t act nervous when Teruko first offered to search in a group of three, but she second-guessed herself right before they got there. I’m sure we’ve all had an experience like that before, where logically we know one thing will happen, but we still get nervous right before the thing happens because we’re worried it might go wrong.

-The Achilles Heel of this theory is the missing bowling glove from Arei’s left hand. I have exactly one explanation for it, and it’s kinda stupid. Essentially, I believe the accomplice took the glove for themselves, to reveal it during the trial if people start accusing Eden. The idea would be that showing people that glove should hopefully get them to vote for the accomplice without thinking about it too much, but since Eden is the real blackened, they would lose and Eden would escape.

Imagine a big reveal, with a little animation like David’s “guilty as charged”, where the accomplice takes out the glove from their pocket and they say “I killed Arei” or something. That’s kinda what I’m envisioning.

So… that’s basically the method. And now, we have to answer the age old question:

but, like, why though

And this, this is the question that makes me believe the accomplice idea more than any other. Because it gives a proper reason for why the method had to be so complicated.

See, there is one fundamental contradiction in the evidence we see, one which has to be solved in some way. Arei’s wrists were bound, but given the rest of the evidence, there was a mechanism involved in her murder.

Why is that an issue? Because if you bind her wrists, then there is no reason not to just kill her in a much easier, simpler way. And there’s no reason to bind her wrists after killing her, either. So why would the killer go through all this trouble?

demodraws0606 (not sure they’d want to be tagged) suggested in this post, under Levi!Culprit, that maybe Levi was trying to frame Eden, and to do that, he had to make sure the BDA wouldn’t rule her out. And while that’s a really good post and a pretty interesting idea, the main issue with the plan of framing Eden in general are the fish. Levi maybe wouldn’t know for sure whether or not Eden would have an alibi, but just in case, it would be much safer to just fill the water jugs with water from a sink or something. The fish could only ever exclude Eden, never incriminate her.

Joe’s method assumes Eden simply used a complex method to distance herself from the murder in a way. Working on mechanisms would calm her as a clockmaker, so she feels more comfortable with murder if she can do it with a mechanism. This is cool, and while I personally think it’s a bit underwhelming, it could work. But it only works if Eden!Solo works, and then you have to explain the fish again. Joe says David brought them there, but, I don’t agree. Doesn’t mean it’s wrong, obviously, just that I personally don’t see it given what we have. I think David genuinely thinks Arei committed suicide because of him.

David: Of course. Of course this would happen.

So, yeah.

And because the why is so hard to explain, I think it’s important to explain it. And wouldn’t you guess it, my method does explain it.

It goes back to the origin of the accomplice idea. Eden couldn’t have done this on her own.

Let’s be clear; an accomplice is a huge leap in logic. One that I feel comfortable making given everything, but one which would take the characters a while to figure out. One which they may reject in principle. There’s no benefit for an accomplice after all, right?

I’ll address that in a moment, but let’s get back to the main point. Eden couldn’t have done this on her own, and because of that, the method in itself is an alibi for her.

Think about it. Because she is clearly not strong enough to lift Arei up into the air (or at least, that’s what it looks like), what happens if someone starts pointing fingers at Eden? Well, all she has to do to absolve herself is insist they speak about the method, and guide them in the general direction of the right answer. Once they start thinking the murderer would need to be strong enough to pull Arei + water jugs up into the air, they would instantly dismiss Eden as a possibility, until the idea of an accomplice is revisited.

This is, by the way, why I think the Hanging Method works better than the Neck Stopper Method under Accomplice Theory-

(ok the nomenclature is starting to get out of hand)

-, because it requires more strength to use the pulley.

But the point is the same. This method actually provides an explanation to why a mechanism was necessary when Arei’s wrists were bound. It was to give Eden a defense.

And that’s also where the fish come in. Because the most straightforward explanation for why the fish would be there would be that the killer would want to confuse the time of death. But why? The time the fish were taken is the same time frame the characters currently believe the murder happened at, so the alibis don’t change. If the killer wanted to give themselves an alibi for the supposed time of death, they would need to have an alibi for the time the fish were taken. But if they have an alibi for the time the fish were taken, they couldn’t have taken the fish!

Provided Nico is telling the truth about the fish, but I really don’t see why they’d be lying. I really doubt they’re the killer.

Thus, unless the fish somehow got there through a third party entirely (which I find unlikely, as Veronika had an alibi and no one else would really want to hide that they found a dead body for a night), it’s very possible the accomplice brought the fish to give the real killer an alibi.

So, that’s the big reason I have for believing there was an accomplice. It’s the best explanation for the fish and the motivation behind the creation of a mechanism I can find, but of course, that’s my opinion. There’s a bit more to it actually, but before we get there, we have to ask:

OMG, Who Did This?!

What we know about the accomplice for now is that they must not have an alibi for the time the fish were taken. This leaves us with Ace, Nico, Rose, Arei, Levi, and David. We can also add Hu to the list, as her only alibi is Eden, and, well.

Out of hand, I'm gonna eliminate Nico, Ace and David, as I really don't think their characters fit the accomplice idea at all, I hope you can forgive me.

I gave Arei a fair bit of thought, since narratively I could see it working, but I just don’t think it’s physically possible. One of the things which got me to believe there was an accomplice was that it would be really difficult for Eden to string up Arei’s corpse herself, and Arei wouldn’t be able to help with that on account of being dead.

So, then there three.

Was it Rose?

An interesting possibility. She was the first one to suggest looking in the trash, which helps Eden build the narrative she and Arei were friends, and she was one of the people who suggested voting for David on Ep 11, claiming she didn’t want the trial to go on any longer. However, that’s pretty circumstantial, and I don’t think there’s much else connecting her to the crime. I also don’t know how much stronger she is than Eden, but that’s neither here nor there. Overall, a possible candidate, but not extremely plausible.

Was it Hu?

Hey, have you ever thought about how weird it was that Hu and Eden never spoke during the conversation Teruko, Charles, Whit and David had right before David went to the relax room on night three? They were supposed to be cleaning up after dinner at that point, according to their alibi, so what gives?

Well, frankly, I just think they weren’t in the kitchen, but probably just cleaning in the cafeteria itself. But maybe Hu and Eden are lying!

Hu could work as an accomplice, given her caring nature and the fact she probably has the “hopeless child” secret, meaning she’s attempted suicide. Thus, she may be willing to throw away her life for Eden’s, which is the biggest obstacle for the accomplice idea.

Her secret quote could allude to it. “I want to pay for what I’ve done. But even then, I still want to live.” The issue there is… well, that could be referring to quite literally anything else, so.

I consider Hu the second likeliest candidate for accomplice because of all that, but… frankly, I still don’t see it. The way she acts during the trial doesn’t suggest she’s doing anything of the sort, and there are reasons she wouldn’t want anyone to get away with murder. Mainly everyone else’s lives. Also, she has even less arm strength than Rose, seeing as she lost at arm wrestling with her.

There’s probably more discussion to be had regarding Hu as an accomplice, but frankly, I don’t think it’s necessary for now. Because there is one person who fits the bill much better than Hu, and has much deeper connections to both Eden and the murder.

You read the title of the post. You know who I think the accomplice is. Let’s go.

Yeah, it’s Levi

(How’s that for a callback?)

Levi is probably the most widely believed culprit theory, and for good reason. He acts very suspiciously all throughout the investigation and the trial. He is the first to call up MonoTV to start voting after David’s reveal, he throws accusations quite liberally, his profile states he dislikes unpredictable people like Arei, the ball of clothes and even the missing glove being involved connects him to the method through his talent…

The main thing is the secret motive. Not only did Levi receive Arei’s, without the context Arei gave David and Teruko in the playground, it is widely speculated that Arei received Levi’s secret through sheer process of elimination. Won’t get into it here, many people have already talked about it, so just trust me bro.

Not to mention the whole “good person” fiasco. Essentially, Ch 2 has the title “All That Glitters”, with the secret title “A Good Person”. Clearly, put together you get “Not All That Glitters Is Gold” -> “Not All That Glitters Is A Good Person.”

And as far as I can tell, there are only a few people who have been referred to using the specific words “good person” in this chapter:

-Teruko: She dissuades Whit from calling her a good person because she’ll feel bad when she’s not.

-David: Hu calls him a good person right before his Ep 11 heel turn.

EDIT: I misremebered, the line is actually "good friend." Ah, oops.

-Eden: Levi calls her a good person in the beginning of the chapter.

-Arei: Says she will prove to Eden she can be a good person.

-Levi: Eden calls him a good person at the beginning of the chapter.

Hopefully I didn’t miss any.

You’ll notice the common thread is plot relevance in CH 2. Teruko’s the protag, David pushed the plot forward by getting people to reveal their secrets and also had his heel turn (EDIT: But he wasn't called a good person so), Eden has been a huge part of the chapter and she might be the killer, and Arei is the victim.

The outlier is Levi, which would suggest he’ll come to be plot relevant soon enough. I don’t think just getting his secret revealed would be enough to put him up there in importance with the most influential people in the entire chapter, so he’s probably heavily involved in the murder. And since I don’t think he’s the killer, accomplice it is, baby.

There is even a particular moment we can point to as the moment Levi may have given up on the group as a whole.

Levi: Why do I even bother?

Right after Ace refuses his help after almost getting murdered. And Eden’s right there.

Finally, his secret quote is “I always believed that a person is defined by their actions alone. But maybe that’s just a poor excuse for my heartlessness.” That’s interesting, because in this context, it could be he never believed Arei wanted to change, as her previous actions contradicted the words she said to Eden. But maybe that’s a poor excuse for his heartlessness, as Arei did want to change.

There’s more I could bring up, like the fun fact Levi’s profile states he likes suckers (candy) and Eden’s states she likes sweet things (that’s insanely circumstantial and confirmation bias-y, but sure I’ll bring it up), but I think venus and accirax may be wanting to make a narrative defense of the Levi!Accomplice theory, so I’ll leave it to them, since they’ll probably do better than I could. Lord knows they did better on Eden than me.

Not gonna lie I’m kinda making this so they can just link back here instead of the insanity train the original thread was-

Final Issues

No theory is perfect, and this one isn’t an exception. While I think the theory mostly covers all the evidence in the scene quite satisfactorily, the explanations for the BDA, the glove and the shape of the scuffed floor (but how do you explain that shape) are a bit shaky. There’s also a few awkward moments of timing and character’s actions, like the whole Ace almost-murder situation being sorta awkward with Eden’s presence in the second floor, and in particular that Arei apparently spent almost an entire day inside her room. That’s sorta gonna be an issue for everyone unless you believe Ace is lying about the day her conversation with David happened, which… okay, isn’t as insane as it sounds, read joe’s theory, but I still consider a bigger leap than simply assuming Arei took a real long nap.

And of course, as much as I’ve ignored it, it’s still insanely risky for Eden to work with an accomplice, and we have to assume Levi was willing to die and get everyone else killed just to get Eden out of there. I’ll try my best to explain how I think that could happen in the Closing Argument.

However, it’s all in all, in my opinion, not too bad. Everything is pretty physically plausible, there are narrative justifications for practically everything, and the few inconsistencies aren’t too large or obnoxious for me to consider damning. I’m still open to other theories, of course, but for now, this is the thing I believe.

-

So, now that we’ve established how I arrived at my conclusions, it’s time for what everyone’s been waiting for!

Closing Argument

Keep in mind character motivations and especially unseen dialogue could vary quite a lot. The main thing to take away is the actual method, everything else is sorta flavor text. This… really is a lot longer than it has any right to be. I kinda got carried away trying to show how I think the characters would act. Sorry.

I’ll mark with “>” the parts which are mostly just for spice, “~” the actually important parts, and just for fun I’ll add predictions to how the end of the trial will go with “+”.

I am extremely sorry if I mischaracterize anyone. I’m not good at writing dialogue, but I think it’s worth trying to give a better impression of what’s going on in my head.

(Days start counting after the start of CH 2)

Second Day, Afternoon

~Eden wanted to return home.

>Of course she did! Everyone did, in the killing game. She kept trying to look for ways to end it completely, and while she hadn’t found a good solution yet, she’d surely find it soon enough!

>But for now, they had to keep strong! And fight against the motive! David had suggested talking to the people whose secrets they’d all received so they could share it and ease tensions, and Eden thought it was a great idea! She went up to Arturo, and told him what she’d received about him.

>…

>She almost died.

>That was the only thing running through her mind as Arei got Arturo away. Eden had almost died, and if it weren’t for Arei, she most likely would have. A small desperation began to grow in her heart, longing to get out, get out, get out-

>Arei tried to talk to her, apologize for the things she’d said in the playground… but Eden couldn’t believe her.

>Arei had shouted in her face that Min’s death was her fault. Even if it was, to say it like that… Eden wanted to cry just thinking about the things Arei had said. Eden may have been nice, but she wasn’t naive. Someone like that could never be a good person.

>Still, a part of Eden wanted to give Arei the benefit of the doubt. So, she hugged her, told her how much it meant, and went on her merry way.

>But those doubts had firmly planted themselves in Eden’s mind. What if Arei was just manipulating her? What if Arturo attacked her again? Would someone as weak as her even be able to stand up to the killing game, when she couldn’t stand up against some bullies?

>Slowly, the gears in her mind started to turn. An idea was brewing, an idea which scared Eden to even think about, but one she was desperate enough to entertain.

>There was a way for her to end the killing game. By winning it.

>I mean what? No! Eden would never kill anyone! …

>But if she were to, hypothetically speaking, how would she go about it?

>By the second night, she didn’t know all the details, but she was going on autopilot, her body moving practically without her thinking. Just like she used to get lost in her work while making clocks, she was now beginning to get lost in the preparations for a murder.

>An accomplice, she would need an accomplice, if she wanted to do it. Probably something with the rope in the storage room, she was good with mechanisms. Maybe the railings on the playground, a pulley system… she needed a way to get the rope up there, and a way to secure the grip of her accomplice on the carousel.

>Hypothetically, of course.

Second Day, Almost Nighttime - Nighttime

~She went to the second floor, grabbed some of Hu’s and Teruko’s old clothes, and put them in the relaxation room to cover them in starch. She wanted to make a ball of clothes, it was the best way to get the rope over the railings.

~She also needed tape from the gym, the roll people used to replace the grippy tape on the pull-up bar when it got too sweaty.

~Slight issue: nighttime had begun, and there were still a few noises in the gym. Eden didn’t want to be caught doing anything too suspicious, so she decided to wait out until the noises stopped.

~Slightly bigger issue: Teruko arrived at the second floor, spotted her, and now Eden needed a cover story. She just told her she was looking for Hu’s and Teruko’s new clothes, sure, that works.

>Eden told Teruko her and Arei had made up, and asked if she wanted to pry. In retrospect, she wasn’t sure why she’d done that. If Teruko had heard the story of what Arei had said, she would just tell Eden what the uglier parts of her psyche were already telling her. That Arei was lying, trying to manipulate her. But maybe she wanted the confirmation, to justify to herself why she was thinking the thoughts which were running through her head.

(It’s almost tragic, really. If only Teruko had pried, maybe Eden would have learnt of Arei’s breakdown, and everything would have ended there)

~The two decided to head back to the first floor, and Eden figured she would just take the tape tomorrow-

~Oh shit, Ace got murdered.

>Seeing that convinced Eden. The killing game was too dangerous, when even the seemingly harmless Nico was able to do something so brutal to one of the strongest participants physically speaking. She had to get out, and now. She couldn’t disappoint her family, her friends, and her.

>So, she resolved to do something about it right after-

>Oh, hey, Ace wasn’t dead! That was… good. Even if he knocked Eden down to the floor when he woke.

~… And while she’s on the floor, she may as well pick up the tape she had come to retrieve.

~[Cue Ace running to kill Nico scene]

>Wow. Tensions were… really high. Ace had collapsed, and even then Teruko had just walked away as if nothing had happened.

>But Eden was more curious about something Levi had said. “Why do I even bother?” What had he meant by that? She decided to speak with him.

>…

>Levi had lost all hope.

>There was just no way to reason with the people of the killing game. All of them were erratic, nonsensical, unpredictable people. And he loathed unpredictability in people.

>None of them wanted to accept help when it was offered. None of them knew what the hell to do about anything, but refused to just be nice and patient with each other. Practically speaking, pretty much the only normal person around was-

>Oh, Eden wanted to talk to him. Sure, he could do that.

>Eden was checking in after the whole Ace fiasco. How nice of her.

>But after chatting for a while, Eden directed the conversation towards an encounter she’d had with Arei. She explained what the bowler had told her, looking for advice. She asked if Levi would believe Arei, seeking confirmation on whether or not she really could be trying to get better. And Levi...

>Levi was pissed.

>Because it was such an obvious lie. Such a horrendous attempt of manipulation. To try and take advantage of someone as nice as Eden, truly despicable.

>Eden seemed taken aback at his intensity, asking why he was so certain. Levi debated internally for a moment, before deciding Eden deserved the whole truth.

>"Blackmail, rumors, lying, stealing, slander. You did everything you could to ruin your sisters' lives." That was Arei's secret, the one Levi received.

>Eden looked horrified when Levi told her, and it seemed she agreed with what Levi was already thinking. After all, they both loved their family a lot, even if Levi had been disowned. Someone like Arei, who would do something so horrible to their own family, couldn't possibly be a good person. If Arei did all that to her own sisters, who's to say she wouldn't do the same to Eden?

(In retrospect, Levi would always regret jumping to conclusions. After it was all over, he would try to explain. “I always believed that a person is defined by their actions alone. But maybe that’s just a poor excuse for my heartlessness.”)

>And in all that anger, and hopelesness, and desperation... Eden revealed an idea. A very strange, almost outlandish idea. To help her out of the killing game.

>Levi wasn't a fool. He had seen how the group had handled the first trial. Eventually, someone was going to get away with murder, and that would be how the killing game would end. It was predestined.

>And if someone was going to win, it may as well be the kindest person in the group.

~He agreed.

Third Day, Noon

>Everyone was yelling, and Arei's stomach was twisting.

>Nico had tried to murder Ace. They hadn't outright admitted it, but Levi's and Ace's accounts were enough to get her to believe it.

>But she wasn't thinking so much about the incident itself, as much as she was thinking about what had caused it. The secrets. David's plan was backfiring massively...

>Except, maybe it wasn't. As she saw everyone arguing, the secret she had seen Whit receive flashed in her mind. David's secret. "You exist to manipulate others. Everyone else exists to be taken advantage of."

>Was he really that evil? Was he really trying to instigate a murder? Was anything he had ever said even true?

>Had he lied to her, too?

>...

>She didn't feel like speaking much that day. She'd rather go to her room, and contemplate. Maybe sleep for a while. Maybe lie in her bed, and maybe cry a bit.

>She didn't leave her room until it was time for dinner.

Third Day, Afternoon

>Ace was fucking pissed.

>Of course he was, he'd almost been murdered! By Nico of all fucking people! And now he couldn't even look the fucking gym without getting nervous, like the motherfucker would show up any time and finish the job!

>But it's not like that was gonna stop him from exercising. He wasn't a fucking coward, he wasn't afraid of Nico. (Or at least, he told himself that). So he'd train anyways! He'd raced on horses he was terrified of his whole life, a little exercise was nothing!

>Still, to his chagrin, he couldn't help but feel nervous whenever he heard any noises in the rest of the floor. Even the very light noise of the elevator felt like thunder in his ears. So when someone came down and started speaking, Ace couldn't help but overhear.

>Yet, the conversation was interesting. Arei was saying David had lied about his secret? This was worth hearing.

>Ace snuck in closer and listened in. Apparently David's secret was that he was a manipulative bastard, the dick. He had gone quiet when he heard that, too, so it must have been true.

>"David! Say something!"

>David went quiet for a bit, and then... Ace got bored.

>So what? David was an asshole, big deal. Breaking news, everyone! Every single participant in the killing game sucks dick and balls! Who could have seen that coming?! It wasn't anything Ace didn't already know. So he left. He didn't really feel like listening to David try to lie his way out of that. He just went back to the gym and stopped paying attention.

>Meanwhile, the conversation went on.

[THE FOLLOWING WAS WRITTEN MOSTLY FOR FUN. I HAVE NO WAY OF KNOWING HOW THIS CONVERSATION ACTUALLY WENT]

CW FOR AGGRESSIVE CONFRONTATION

>David was fucked.

>"I... I don't know what to say to that" David managed, covering his eyes with his hand. "It's... well... How do I put this?"

>"Just tell me, please. Did you lie to me?"

>"..." David sighed. A small, sad chuckle rose from his chest. "Yes. I'm sorry"

>"..."

>"I apologize for the false hope, Arei, but... people can't change" David continued. His head was firing off alarm bells, years of deception warning him not to continue, but he ignored them. "I have seen so many try. I have seen so many fail. In the end, there's no avoiding it. If you could improve yourself to be a better person, all that means is that you were a better person to begin with..."

>Arei fought back tears. "You're wrong"

>David had to stop himself from laughing in her face, but he couldn't help a sharp exhale. He would probably stop there, but... he had lied for so long, he almost wanted to speak what he actually believed for once. "No, I'm not. I'm the Ultimate Inspirational Speaker, Arei. If people could change, I would be the first to see it"

>"That's not- You can't be serious. Just because you haven't seen it, doesn't mean it can't happen!" Arei snapped.

>"Is that so?" David raised his voice, and glared at Arei. He smiled nervously. "Then tell me, Arei. Do you think I can change? That I can become better? Look at what I've done. I've lied for years, and now Ace has a permanent scar on his neck from the murder I almost caused!" He put a hand to his chest. He shouldn't be doing this, he shouldn't, but, but- "Do you really think people like me, like us, can ever be good?! If you do, then you're a bigger idiot than I thought"

>He didn't mean that. He didn't mean that. He didn't mean that. Why was he saying it?

>Arei snarled at him, her face growing red in anger. "You...." She took a breath, and her gaze grew defiant. "I'll prove you wrong. You're the idiot here. I will become good. I promised Eden I-"

>"Well, Xander promised he'd be my friend, and look where he is now!" he almost shouted. Why was he even thinking of him now? "Don't you see it? You're lying to yourself. That's the only thing to come from my speeches. Lies. And now you're repeating a degraded version, like it's gonna be any more true just because it's coming from your mouth!" He needed to stop. He- "Are you that arrogant, or did your sisters cause you permanent brain damage?!" What the fuck was he doing?!

>"..." Arei looked horrified, and angry.

>"You don't even believe it yourself, you hypochrite!" Stop! He smirked even wider. "Otherwise, why don't you go talk to your sisters, and get them to change?" She looked so sad, why was David doing this? He had to- He couldn't- It felt good to let it out- He felt horrible- Stop- He laughed. "Oh, right! You can't! Because you're a monster and destroyed their lives! And you, won't, change"

>"You-!" Arei shouted, and rushed forward to push him. Her heart clearly wasn't in it, but David retaliated and pushed her back.

>"Out of my way!" he snarled, and began walking out of the room. He couldn't- he wasn't thinking straight, he needed- he needed air, he needed out. Arei almost slipped into the pond, or maybe she did? David couln't tell anymore. His mind was a fucking mess and his only coherent thoughts were screaming at him to leave.

>Meanwhile, Arei was left alone, and hurt. She shouldn’t listen to an asshole like David, she knew that, but, but still…

>She didn’t have much of an appetite anymore. Maybe she’d just go back to bed.

CW OVER

~Later, Levi would arrive at the relaxation room to fill up two water jugs, making sure to get the fish. At the same time, Eden was discussing ways to end the killing game with Hu, securing an alibi for the time of the fish’s disappearance.

Third Day, Nighttime

~Levi and Eden met back up at the playground, and the preparations began. The materials they were working with included two pieces of rope (one longer, one shorter), the ball of sticky clothes Eden had prepared the night before, the tape Eden had taken from the gym, and the water jugs with the water and fish Levi had gathered.

~First step, with the tape from the gym, they covered the bars of the carousel, to have a better grip when they used the mechanism.

~Then, they grabbed the longer rope and put part of it through a few of the handlebars of the carousel, before tying one end to one of the handlebars.

~After that, they tied the other end to the ball of clothes, and Levi used his strength to throw it up above the railings. In doing so, he accidentally hit one of the lights with the clothes, displacing the lightbulb and causing it to flicker. Once it fell, he also threw it up to the railing in the middle, so the unused end of the longer rope would end up around where the seesaw was.

~Meanwhile, Eden tied one end of the shorter rope to the swing set near the carousel, leaving the other end unused for now.

~After removing the ball of clothes, they fashioned the untied end of the longer rope into an odd-looking “double noose”, with one of the nooses, the one closer to the end of the rope, tied around the handles of the water jugs.

~With all the preparations in place, they took the ball of clothes to the dress-up room, and Levi went to sleep. Eden wrote the note Arei would receive, telling her to meet in the playground at 7:30. Then she went to sleep as well.

Fourth Day, Morning

>Arturo was a fucking asshole, Arei decided from the moment she saw the note.

~Obviously Arei followed it, because she was trying to be friends with Eden.

>And as suspicious as the note was, there was no way Eden would betray her, right? If she did…

>…

>Well, Arei didn’t really want to think about it.

>She arrived at the playground, and… why was there so much rope around? Eden was standing near it, contemplating… a noose?

>Oh god.

>Arei didn’t even think. She rushed in and tried to stop Eden from doing-

~Levi, who had been hidden besides the door, attacked. He ambushed Arei from behind, and used his weight to pin her to the floor. Arei screamed and struggled, scuffing the floor around her, but she obviously wasn’t able to do anything to fight off Levi.

[Oh great more dialogue]

CW for emotional confrontation, feelings of betrayal and suicidal ideation.

>”What the fuck are you doing?! Eden, get him off me!”

>Eden looked downcast, her expression somber. She was evidently lost in thought. “I’m sorry it has to be this way”

>Arei didn’t get it.

~Levi grabbed Arei’s hands, and roughly pulled out her glove to better get the tape around her wrists. This was to make sure she didn’t struggle too much after the process began.

>”Hey! Eden! What’s going on?! I thought we were friends!”

>”As if. We’re not that naive” Levi spat from behind her, and she could practically feel that murderous edge he always used when threatening Ace.

>”Huh?! What are you talking about, you-?!”

>”I’m sorry, Arei. I just can’t believe you” Eden spoke softly, fidgeting with her hands. She grabbed the noose, which weirdly had- wait. “I know you’re lying to me. You don’t have to keep pretending you like me”

>…

>Arei’s entire world crumbled in that moment.

>”H-Huh?! Wait, I- I never lied to you! I want- I wanted to be friends-!”

>”Don’t lie” Levi snarled. “We know what your secret is. What you’ve done to your sisters. I can’t believe you. You know, actions define people, and you have been nothing but terrible your whole life”

>Eden bent down to put the noose around Arei’s neck. Because of course, of course it was a fucking noose. Eden hesitated, however.

>”Don’t fall for her crocodile tears, Eden” Levi warned. Oh, Arei was crying? News to her.

>”R-Right” Eden said, putting the noose around Arei’s neck. Eden then positioned herself to pin Arei down herself as Levi stepped off and went towards the carousel.

>”Eden, please… please don’t listen to him! Don’t be scared of him! I’ll beat him up for you, just-!”

>”I’m not- I’m not scared of Levi” Eden frowned.

>”But- But, he’s a murderer without remorse!” Levi stopped in his tracks. “That’s his secret, Eden! I received it! Do you really want to help someone like that?!”

>Eden seemed to hesitate for a moment, but shook her head, and looked at Arei with glassy eyes, smiling nervously. “I mean… I- I can’t really judge him for that. I… I was the one who came up with this idea, you know”

>…

>Huh.

>So there really was no point, then.

>David didn’t believe in her. Eden didn’t believe in her. Fucking Eden. And now, even the nicest person in the entire killing game had decided Arei deserved to die.

>…

>Arei stopped struggling after that.

CW OVER, mostly. There’s still references to suicide after this point.

(God I really hope I’m not horrendously mischaracterizing these people)

~Levi begun to spin the carousel, which worked as a pulley that started dragging Arei up. As he spun it, he likely had to adjust it slightly so it wouldn’t slide off the wrong way, hence why he needed to be able to better grip all the handlebars instead of putting tape on just one. [I don’t know if that made sense]

~As the rope started pulling up, Eden stepped aside and ran over to the carousel.

~Levi stopped spinning it once Arei was high enough, and Eden attached the unused end of the shorter rope to the carousel.

~Eden grabbed hold of the carousel, and Levi ran out of the room.

~Now, neither of them had thought of asking MonoTV how to determine the blackened in the case of an accomplice being in play, so they took all the steps necessary to make sure Eden would be the blackened.

~She was the one to put the rope around Arei’s neck, she had been the one to come up with the murder plan, and she was the last person holding her up. Levi running out of the room was extra insurance: how could he be the blackened if he wasn’t even a witness to the crime? However, the final trick would ensure Eden would get the title of blackened.

~Eden let go of the carousel, and gravity made it spin as Arei fell. It spun for only a little bit, however, as the shorter rope soon fully tensed, and stopped the carousel in its tracks. Because of the height Arei fell, as well as the extra weight from the water jugs, her neck snapped in the moment the shorter rope tensed. At the same time, the handles from the water jugs snapped, and they fell to the floor.

~With this, it could be argued the act which caused Arei’s death was the letting go of the carousel, for which Levi wasn’t even present, meaning Eden was indubitably the blackened.

~And when it was all said and done, there was one fact which stood. Because of the strength the mechanism had required, Eden could not have possibly done it all alone. Unless the class somehow figured out she had an accomplice, just the strength necessary for the act would rule her out, give her an alibi. That is the reason behind the complexity of the murder.

~After that, Levi came into the room, fulfilling another nice benefit. Because he hadn’t technically witnessed the murder, he counted as a “body discoverer” for BDA purposes.

~The last step was setting up the scene as we saw it. The fish they spread around would confuse the time of death and give Eden an alibi, and hanging Arei from the swing set would make people initially believe she had committed suicide. Levi had to be the one to do that, as Eden was too weak and short, adding an extra layer of misdirection.

~”What if I just take her glove?” Levi asked.

>”Eh?”

>”I could take her glove, and then if someone spots me with it, they’ll vote me out and you’ll win” Levi explained.

>”That’s… kinda silly, isn’t it?”

>”…”

>”…”

>”…”

>”… Okay, sure”

>”Very well” Levi nodded sagely. Eden remained very confused.

~They took the longer tape and hid it under the carousel, then threw the tape which had been on Arei’s wrists and the jugs in the trash, as well as the note after ripping it up a bit.

~With that, they left to go see the supposed announcement of the motives.

Investigation

>Pretending to be surprised at Arei’s absence wasn’t as hard as Eden thought it would be. Just make a horrified face and say nothing, easy!

>Eden knew the BDA would still play if just Whit and Teruko discovered the body, which is why she wasn’t nervous when Teruko first asked her and Whit to go search for Arei together. Still, she second guessed herself just as Teruko swung the door open, because she would be in big trouble if the BDA didn’t play. Thankfully for her, it did, as Levi had already “discovered” it before. Honestly, it was pretty good luck (and bad luck on Teruko’s part) that Eden got to be part of the “discovery group.”

>On the side, David looks at how the body was positioned, and instantly knew what had happened. “Of course. Of course this would happen” he muttered. Arei killed herself because of him. What a monster he was.

~After pretending to be sad about Arei’s death for a moment, Eden offered to investigate with “braincell haver” Teruko, but got shut down. So instead, she joined Rose and Whit as they put together the note in the trash, to make sure they got it right. It was an important part of the plan, after all.

>Levi just went to look at the secrets because he didn’t really have to do anything specific.

Trial

>When people begun discussing the possibility of Arei helping her killer, Levi thought it would be a good way to misdirect the cast, so he started pushing the idea. Though with the slight freudian slip of saying Arei may have been her own “accomplice.”

>On the side, David held his tongue. Once MonoTV revealed the condition to be the blackened was that you were “someone alive who we can blame for her death”, any doubt dissipated in his mind. He had caused her to commit suicide, he could be blamed for her death. And he was the blackened, then.

>However, Eden needed to go against the idea of suicide, because she was supposed to sell the idea they had been friends once the note was revealed.

>When that happened, they had agreed Levi would push on the idea that Eden was the killer a bit, to “force” her to explain the note she wanted to explain anyways.

>Levi also added he’d protect Eden no matter what, but Eden responds “Don’t say stuff like that.” To the others, that was because Eden was worried Levi would end up like Arei. To Eden and Levi, it was a subtle way of saying ‘shut up and don’t link us together!’

~Eden explained the note, making sure to act like she was very distraught by the situation and genuinely believed Arei had wanted to change.

~She also provided a “handwriting sample” to look more innocent, but she intentionally wrote it in print instead of cursive to separate it from the note. Somehow, no one noticed.

>Meanwhile, David was starting to break down. She really had been trying to change, but the naive idiot had believed in David. And nothing good happens to those who believe in him.

>What a reprehensible killer indeed.

>But David’s breakdown was having an impact on Eden, who begun to think that maybe, just maybe, she had been wrong about Arei.

>She was in too deep, though. She needed to continue. She couldn’t turn back the clock now.

>When David is accused of everything, he decides he might as well enjoy the last of his life, of his killing game. He breaks down the same way he did when Arei confronted him, becoming insulting and dismissive to prevent any vulnerability from showing through. The words he said, he believed for the most part, but the smile on his face as he said them was perhaps his biggest lie yet.

>In other news, that’s pretty convenient for the murder duo! If they can just get David voted out, then…

~But that wouldn’t happen. Not if Teruko and Charles had something to say about it.

Chapter 2, Part 2

[This is just for fun]

+Charles realized the trick of the time of death, and the cast decided to start speaking of the murder method.

+After a bit of discussion (where Eden was surprisingly helpful!), they realized the murder would require inordinate strength, and they start pointing the finger at Levi.

+The secrets are revealed then, as some have realized what most of the remaining ones were. David deduced Hu must have the “hopeless child” secret, Teruko deduced Veronika must have the “self-harm” secret, Veronika in turn figured Teruko must have the “dead family” secret (that wasn’t hers, but it still applied to her life, so they didn’t question it too much. David bit his tongue), and… well, they somehow realize the “poison” secret must be Min’s.

+As Levi’s secret is narrowed down, he finally admits.

+He takes the glove from his pocket, and dramatically confesses: “I… I killed Arei”

+All going according to plan!

+The voting time is almost about to happen, but Veronika pipes in. She wants to talk about the Ace case for some reason, and while Teruko tries to deny her, the horror fanatic throws the luckster’s own words against her. “The more cases we solve, the better we’ll be at solving them in the future!”

+Reluctantly, Nico starts speaking about what they did. It was… an odd sequence, but it wasn’t too wild.

+Except, Rose pointed out something odd. What happened to the tape?

+Nico says it was still on the floor when they left. Rose says it’s impossible. Eden’s getting nervous.

+And Teruko goes dead quiet, as she runs the math again in her head.

+The lockdown… the lockdown meant no one should have been able to take the tape during nighttime… MonoTV claimed it wasn’t the one to take it… and she knew neither Ace or herself had taken it… so… It must have been taken by…

+”Teruko?” someone asked, but she wasn’t listening. It was clear now…

+She couldn’t resist the maniacal laughter that escaped her, as the adrenaline of realizing how close they’d gotten to dying (scratch that, she wouldn’t have died, but the others might have), and she realized she was right. She couldn’t trust anyone.

+The others looked at her in concern, but she just explained the simple truth.

+It was chaos. No one wanted to believe it. But the more they thought about it, more questions arose. Why would Levi make such a complex mechanism, when he could have just killed Arei in a much simpler way?

+Whit had an idea. He asked Levi which direction Arturo had ran after leaving the infirmary. And Levi answered wrong. He hadn’t listened on the conversation, then. It would be impossible for him to write the note. Charles further verified by asking Levi and Eden to spell “responsible”. Levi spelt it right, Eden spelt it wrong. “Responsibel”, the same misspelling as the note.

+There was a scrum debate, people went crazy, but in the end. They arrived at the answer, and voted for Eden.

+It was right.

+They asked for further clarification and Eden admitted everything which had led to her decision.

+”I feel terrible. Arei really was… I should have believed her. But- But, at that point, when I finally realized the truth, it was too late” Eden explained. “I wish I hadn’t done it, I want to go back… but time only moves forward. You can’t go back, no matter how hard you try”

+She hugged Teruko one last time, pleading she wouldn’t close herself off even further. But Teruko wasn’t having it. She asked MonoTV she was using a MonoCredit to get Eden away from her.

+And MonoTV obliged, starting the execution right that moment. [Credit for the idea to venus and accirax]

~This was the truth. A tragic misunderstanding, a horrible mistake. Call it whatever you want, one thing remains the same. The blackened of the case, who committed the crime with the help of Levi Fontana, the Ultimate Personal Stylist, was none other than Eden Tobisa, the Ultimate Clockmaker!

…

And right before dying, Eden reveals the name of the girl she had kissed was Mai Akasaki-

Conclusion

Yeah, this was longer than it really had to be, but I had fun writing it. This will probably be the last post I make about this case, at least until CH 2 Part 2 comes out. Hope you enjoyed it! Thanks for reading, hope time only brings you good things! Take care!

#drdt #danganronpa despair time #fanganronpa #drdt theory #eden tobisa #levi fontana #arei nageishi #drdt spoilers

[artemis-entreri]

Dungeons & Dragons: Honor Among Thieves Easter Eggs (Part 2)

[[ Part 1 can be found by clicking this link.

Deep in the Crevices

You've really got to search for these:

Mordenkainen: Yes, him again! Those are the three circles of his two-bladed sword on the Mordenkainen's arcane seal on the Castle Never vault. What's more, those same three circles appear on the front of the helmet of disjunction—which casts Mordenkainen's disjunction.

The spear of Aoth Fezim: Who? The Thayan warmage involved in the War of the Zulkirs during Szass Tam's takeover of Thay in the The Haunted Lands and Brotherhood of the Griffon series of novels by Richard Lee Byers from 2007 to 2013.

Trip and Shuffle: Introduced in A Reader's Guide to R. A. Salvatore's the Legend of Drizzt, marked only on maps since then. Only named on the Monopoly board.

Driftwood Tavern: From Neverwinter Campaign Setting and Drizzly novels. Only named on the Monopoly board and cast list. I don't even recall this in the movie.

The Citadel: Too dark to be sure, but the tower in Thay may be Szass Tam's base of operations.

Holga's darksteel greataxe: Made from darksteel and functioning roughly as last detailed in Magic of Faerûn and Volo's Guide to All Things Magical. This was forged by Ghelryn Foehammer of Targos, who appeared in 2e and 5e.

Loudwater: The thieves robbed Jolym of Jolym's Barrels & Packing in Loudwater, which was only mentioned in Volo's Guide to the North, 1993.

Zulkir Dmitra Flass: a 1300s Red Wizard of Thay, a non-speaking role and named only in the cast list.

Din Caldwell, of the Caldwell family of Baldur's Gate, named only in the cast list.

Porb Piiradost, of the Piiradost family of Waterdeep (not seen since 2nd edition), named only in the cast list.

Lord Nasher Alagondar: That's his giant statue outside the Neverwinter arena.

Lord Halueth Never: So possibly that's his giant statue next to Nasher's

The Gray Hands, just mentioned in the Neverwinter arena.

A portrait of Volothamp Geddarm in instrument to the heist.

How in the Hells Did You Find This?

The most obscure, the deepest cuts:

Pendant of invisibility: Kira's magic item. Most likely a coincidence as it wasn't on the wiki before, but it matches perfectly with a magic item of the same name in the back of Dungeon #112 in 2004.

The flashback of Szass Tam's spell and takeover of Thay appears to be a quick fictionalized summation of the events of The Crimson Gold and Unclean as well as the next century of Thayan history and descent into a necromancer's realm. Presumably this is set circa 1375 before Szass's coup and the Thayan civil war in the latter book.

Szass Tam's beckoning death spell for creating mass numbers of undead follows exactly the supposedly false story of "the spell of Undeath" that the would-be Harper King Rundorl Moonsklan and duped ally of Szass Tam spread in the early 1200s DR, as detailed in The Code of the Harpers by Ed Greenwood in 1993.

Whether or not it can be seen in the final cut of the film, thanks to an old photo from the set of the Triboar playhouse, we know there are images depicting the three boars for which the town was named as well as a shirtless man we assume to be Gwaeron Windstrom (given that god's relevance to the town).

Scenes of Lord Halueth Never and the early history of Neverwinter appear on the walls of Forge's office.

Wild Realmslore Theorizing

Insert meme of madman in front of conspiracy board here.

In Thay, it's "the eve of the solstice" and a few people are carrying red-and-yellow sun symbols. Amaunator the sun god has the summer solstice as his holy day and a sun holy symbol, particularly this one. While newly revived in 1374 DR and his association with Thay is unknown, it is plausible.

Daurgothoth moved into Dolblunde in the Year of Beckoning Death, 1253 DR, which has the same name as the Szass Tam's spell. Daurgothoth, the Creeping Doom, a dracolich, is also conspicuously absent from Dolblunde, while that necromantic spell for creating undead pours forth from something that looks like it just might be part of a dragon's horn.

We don't know officially what type of undead to classify Dralas and the other victims of Tam's beckoning death, however we note that they seem like perhaps a cross between the living Thayan knights and the unliving dread warriors (a favorite and original creation of Tam's).

----------------------------------------------------

Once again, credit for these finds goes to BadCatMan and the Forgotten Realms Wiki.

Once the movie hits streaming services, I’ll do an updated version of this post with movie screencaps to make it a more thorough visual guide. ]]

#Forgotten Realms #D&D #Dungeons & Dragons: Honor Among Thieves #DNDmovie #dnd movie #dnd hat #D&D HAT #dungeons & dragons #ooc

[cordonianroyalairlines]

All I Want for Christmas Part 2

Series: Cordonian Royal Airlines

Fandom: The Royal Romance

Pairings for series: Various

Pairing for this chapter: Riley x Drake, Liam x Max

Word Count: 2,848

Rating: General

Warnings for this chapter: none

Submissions: @choicesprompts rewrite challenge, holiday edition TRR x Untamed Heart (one of my all-time favorite movies). @choicesficwriterscreations holiday prompt: Stuck together in the snow; @choicesdecember2023 Christmas and @choicesholidays: This is the worst/best Christmas ever.

A/N: So the end of this is based very loosely on a scene from Untamed Heart. I looked for a clip of the scene in question but couldn't find one. You'll have to trust me that this is one of the most underrated movies of all time. If you've never seen it, you should look it up and watch it.

“Hey, you okay?”

“What?” Riley glanced up in surprise, wiping the wetness from her face with the palm of her hand, “I’m fine.”

“Hm.” Drake grunted as he pulled out a chair and sat down without waiting for an invitation. “You don’t look fine.”

She tried to laugh and cry at the same time and the sound came out as a little hiccup, “Sorry, it’s just Christmas Eve, you know?”

“Yeah….” He said carefully, reluctant to reveal that he didn’t know, not really. He had a mother and a sister, but he wasn’t close to either one. “So, you had plans, I take it?”

“Of course! Every year we all go to my parents’ house for Christmas. My brother Ryder and his wife and kids, my sister Amelia and her fiancé, and my brother Jory will be home from school, and this is Declan’s last year at home before he goes off to university…. I’ll be the only one not there this year….”

“So, you’re close to your siblings?” He set the bottle and glass on the table between them and gestured toward it. “Drink?”

She shook her head. “No thanks. And yes, I’m very close to my siblings and my parents.”

“Would you like something else? I’ll buy you a drink. You can tell me about your siblings.”

“I wouldn’t say no to an amaretto sour…”

An hour later, she looked up to find him smiling at her softly. She flushed as she realized she had been dominating the conversation. “I’m so sorry! I’m just rambling on and on about myself and my family! Tell me about yours!”

“Nah,” he waved her off, “There’s not much to tell. I’d rather hear about yours. Your brother Jory sounds hilarious. Declan should definitely dump that guy, and I agree with Max about your sister. It sounds like she takes your love and support for granted.”

“Max and Amelia have never gotten along,” Riley said with a sigh.

“You’ve known Max for a long time, huh?”

“Since we were teenagers. He’s the one that talked me into becoming a flight attendant and got me this job.”

“You didn’t want to be a flight attendant?”

She shrugged as she pulled her drink closer to her and toyed with the rim, “I was deep in my I don’t know what I want to be when I grow up phase.”

“And now?”

“I like it. I don’t know if it’s what I want to do forever, but it’s really fun for right now. I have no complaints.”

The tension that had set in his back and shoulders at the thought of her quitting eased out of him as he relaxed back into his chair. “As airline jobs go, this is about as good as it gets.”

“You’re not wrong.” Not only did the private airline pay better than commercial airlines, but there were many perks from more flexible schedules to stipends for living expenses while traveling and generous bonuses. But the biggest benefit was getting to work with her best friend. All in all, she really couldn’t complain. “Thanks, Drake.”

“For what?”

“Taking the time to sit here and cheer me up. You didn’t have to do that. I’m sure you have plenty of things you’d rather be doing than listening to me go on and on about my family.”

He scoffed as he looked away from her and lifted his glass to his mouth. “I really don’t.” He was estranged from his family, single, and his only real friend was Liam. All of which was usually fine with him. He preferred it that way honestly, seeing himself as a lone wolf. Community and togetherness were overrated. He needed very little to be happy.

Something about this girl made him want more, though, and the feeling unsettled him.

“Well, at any rate, thank you,” she yawned, “but I should probably get back up to my room.”

“Oh, yeah, sure,” he glanced at his watch as he stumbled to his feet, “Me too. I’ll walk you up.”

The look she gave him sent butterflies exploding through his chest and he quickly clarified, “For safety, you know.”

“Right,” she nodded in agreement, but the smile that played across her lips said she understood exactly what was going on between them.

Good thing one of them did.

Entering the elevator, he reached out and pressed the button for the twelfth floor. He turned his head to find her giving him a measuring look. “What?”

“I didn’t tell you what floor I was on. How did you know?”

His eyes widened as he stared at her like a deer caught in the headlights. He had never felt so much panic surge through his body at one time and he had flown into combat zones before leaving the military for the private sector. His scotch-laden brain struggled to come up with a response that didn’t include telling her he had asked Liam what floor she was staying on. “Max must have mentioned it.” He mumbled.

“When did you talk to Max?”

He was saved from answering when her phone vibrated, and she quickly answered a text from one of her brothers. He heaved out a sigh of relief and changed the subject. “So, what do you like best about Christmas other than your family? The presents?”

“No,” she laughed, “The tree and decorations. There’s just something so peaceful about the lights and ornaments. Waking up to my mom’s ham and cheese omelets for Christmas breakfast. Oh, and I love the music!”

“Yeah? What’s your favorite Christmas song?”

“Jingle Bell Rock,” she replied without hesitation. “I know it’s not the most popular, or sentimental, but I love the beat and I love horses, so there you go. What’s yours?”

“Mine? Oh, no, I don’t have-“

“Come on, Drake, you have to have a favorite Christmas song!”

“Okay, okay, if you put a gun to my head then I guess I’d say it’s Do They Know It’s Christmas.”

Her mouth fell open. “Really?”

“Yeah, really, why is that surprising?”

“I don’t know. I figured you for a Rocking Around the Christmas Tree kind of guy. Why is Do They Know It’s Christmas your favorite?”

“I don’t know,” he jostled his body weight from foot to foot as he silently willed the elevator to hurry the fuck up, “I think it’s the juxtaposition of mindless consumerism with the destitution of impoverished peoples. It makes you think. Or it should.”

“Wow, Drake. You have hidden depths. I knew it!”

He arched an eyebrow at her. “You think about my depths?”

It was Riley’s turn to flush as she spun her body back to face the doors just as they dinged open. “Well, here we are!”

He saw her safely to her door in a silence that suddenly felt comfortable and right, as if him walking her to her door was a normal, everyday occurrence.

She opened the door and looked back over her shoulder, “Thank you again….for everything.”

“I should be thanking you for saving me from drinking alone. See you tomorrow, Riley.”

“See you tomorrow, Drake. Merry Christmas.”

“Merry Christmas,” he said as her door closed.

He stood outside her door for a long moment as he talked himself out of knocking on it and asking her to let him in.

Relationships with co-workers never ended well. He would know.

He turned and started trudging back down the hallway toward the elevator when he was seized by a sudden inspiration. Whipping his phone from his pocket, his fingers flew over the keyboard as his pace quickened and he hurried briskly back to his room, a smile of anticipation curving up his lips.

***

The next morning, Riely rolled out of bed and pulled the curtains open to see the area blanketed in freshly fallen snow, but it was all on the ground. Nothing fell from the clear blue sky.

With a squeal of joy, she bounced back to the bed to grab her phone from the nightstand, preparing to call Liam and ask if they had a takeoff time and then Max to find out how things had gone with Liam the night before, but before she could dial either number, it vibrated in her hand. She glanced down to see a text message in the group chat Liam had created yesterday when he invited everyone to dinner. It was from Drake.

Meet me in the Mountain Vista conference room.

That was odd, but okay. She quickly dressed and hurried out into the hallway, bumping into Max as she did so. “Were you waiting outside my door?”

“I was about to knock! I guess you got the text from Drake?”

“Yeah, but it’s weird, right? I mean, his entire contribution to the group chat yesterday was the word okay. And not even the whole word, just the two letters O.K.”

“I don’t know, but I hope it involves food! Come on, let’s go!”

When they arrived at the lower-level conference room, Max pulled the door open, and Riley walked into a stunning surprise.

Christmas finery draped the entire room. A six-foot tree adorned the center of the raised stage at the front of the room, fully decorated, complete with an angel on top. There were gift-wrapped packages under the tree. Christmas music spilled out of the speakers and a buffet table lined the far wall. She turned in circles, taking in the decorations everywhere, her mouth agape, “What is all this?”

“Uh…” Drake rubbed the back of his neck sheepishly. “Nothing. I mean it is Christmas! Just thought you- um, just thought everyone could use a little Christmas cheer this morning.”

“You did all this?”

“Yeah…”

“Drake, it’s amazing! But why? Don’t get me wrong, I’m not complaining at all, but there’s a Christmas tree in the lobby.”

“I know, but that’s just a generic hotel tree for everybody. I thought you deserved something a little more personal.”

She stared up at him with wide eyes. “You did all this for me?”

“I mean….for all of us,” he declared hurriedly, turning away so she wouldn’t see the red coloring his cheeks. “I even managed gifts.” He plucked a package out from under the tree and held it out to her. “Don’t get too excited, they’re just t-shirts from the hotel gift shop. I got one for each of us.”

Riley watched as Drake tossed one to Liam, who had entered the room just behind them, and then Max. He kept the last one for himself. “Hope they fit.”

“How the hell did you accomplish all this?” A tinge of awe colored Liam’s voice.

Drake lifted his shoulder. “I just made a few phone calls and had things delivered.”

“They delivered all this in a snowstorm?” Max gaped at him.

“Well, the blizzard is over,” Drake scoffed, gesturing out the plate-glass windows along the side of the room. “This is just a lot of snow.”

“Ah, you missed your family today, too!” Riley gave him a sympathetic smile.

“Yeah.” Drake agreed as he turned his head to avoid the sharp look Liam gave him. “We should eat while this is still hot.”

“Ohhhh,” Max rubbed his hands together, “Good idea! It smells delicious!”

Drake followed behind Riley and Max toward the food. Liam sidled up next to him and lowered his voice so no one else could hear, “You never spend Christmas with your family.”

“What? Yeah, no, that’s….. you like waffles, right? Because I ordered waffles.”

“Oh, my god!” Riley exclaimed, “Ham and cheese omelets!”

“And bacon,” Max pointed out. “Don’t forget the bacon. Oh! And crepes!”

Her gaze slid thoughtfully to Drake as Max loaded his plate. “Did you order this because of what I told you last night?”

“Order what?” Drake shook his head as he reached for a plate. “I just asked for food. Lucky coincidence.”

“Okay.” She gave him an appraising look. He avoided direct eye contact with her.

The group sat down at a table near the center of the room and enjoyed breakfast together. Riley bit into a forkful of fluffy eggs, melted cheese, savory ham, and crisp onions as she took in the comforting twinkle of Christmas lights reflecting off red and gold ornaments. Max was already wearing the shirt Drake had given him and a Santa hat that he had produced from seemingly nowhere. All of it was set against the backdrop of sheer whiteness that could be seen through the conference room windows. Every ice-covered tree, bush and light post sparkled in the bright morning sun. A sense of peace and contentment that she hadn’t expected to feel on this particular morning settled over her as the group ate and laughed together.

Her phone rang. “It’s my mom!” she answered and after several tearful exchanges of I love you, I miss you and Merry Christmas, she addressed the group, “My mom wants to say hi to everyone.” She placed the phone in the middle of the table and pushed the speaker button so Catherine Brooks could wish the entire flight crew a Merry Christmas. “And especially you, Drake!” she gushed. “Riley told me about the tree and decorations. Thank you for making the day special for her. You’re a good friend.”

“I’m glad she liked it. I just thought we could all use a pick me up since everyone is missing the day with their family,” he lied. The truth was, he couldn’t stand to see her sad. The smile that had washed over her face and stayed there since she had first walked into the conference room made every bit of effort and expense he had gone to more than worth it.

Not that he was interested in her. He didn’t get involved with co-workers.

“Well, nevertheless, thank you and if you’re ever in our neck of the woods, we would love to meet you!”

“Ah…sure, that would be…all right…”

Drake was rescued by Max, who leaned over the phone to yell “I love you!” and “Merry Christmas!” at Riley’s family.

When every member of the Brooks family had spoken to both Riley and Max and the call was finally over, Liam looked up from his own phone and announced, “Great news…we can fly out now!”

“I almost don’t want to.” Max blurted out and then flushed from the tip of his nose all the way down to his toes. “I mean….I just meant this is nice, and it’s warm in here….”

“It’s okay, Max,” Liam grinned at him, “This has been nice, but we do need to get back home. If we don’t make it back today, we’ll have to reschedule tomorrow’s flight, and then I’ll have to deal with Madeleine and her bullshit.”

Drake shuddered. “Why the fuck did Leo give her part ownership again?”

“He didn’t give it to her,” Liam shook his head as he returned his phone to his pocket, “the judge in their divorce did.”

“Still. She acts like her twenty-five percent is controlling interest or something.”

“Tell me about it.” Liam was not overly fond of his ex-sister-in-law, but he couldn’t deny that she was skilled with the parts of the business he disliked, such as accounting and marketing. He just wanted to fly; and Madeleine taking over those parts, had allowed him to do exactly that.

“Well, I guess we should all go pack then,” Max headed toward the door, “You coming, Riley?”

“In a minute. You go on. And you’re still coming home with me today, right?”

“Bert won’t be home until tomorrow, so yes.”

Liam hurried across the room. “Hold on, Max, I’ll walk up with you!”

Riley and Drake watched them leave, then turned to each other. They stood silent and unmoving for a long moment in the middle of the Christmas finery, eyes searching eyes, unspoken emotions playing across both faces.

She took a step forward, “Drake…”

He caught her hand in his as she reached out for him. “Riley…we can’t…”

“And yet you did all this.”

“I’m sorry. It’s not you. It’s me.” He brought her hand to his lips and kissed the back of her fingers, then quickly dropped it. “Merry Christmas.”

“Merry Christmas, Drake, and thank you. Really. It means a lot to me.” She leaned in, went up on her tiptoes and placed a soft kiss on his cheek before whispering in his ear, “Don’t worry, I won’t tell anyone that you’re a gooey, mushy marshmallow on the inside. Your reputation is safe.”

A short laugh escaped him as she stepped away. He watched her walk to the door with a sinking feeling in the pit of his stomach that was at odds with the soaring feeling in his chest.

She liked him, right?

Not that it mattered. It was a bad idea to get involved with a co-worker.

As she slipped out the door, panic sliced through his being as he realized that he was involved.

He was very involved.

He heaved a sigh that was full of both resignation and wonder as he made his way back to his room to pack.

#trr #christmas #holidays 2023 #trr au #the royal romance #cordonianroyalairlines #choicesprompts #choicesholidays #choices fic writers creations #choices monthly challenge #cfwc fics of the week #cfwc holidays 2023 #cfwc lgbtqia #angelasscribbles

[blackbird5154]

Fanfiction masterlist

Hey! I'm Blackbird, She/Her, and I'm a Ghost fic-writer and artist! I write texts in Russian and then translate them into English. If you are ready to use an automatic translator, here is my main account with all my works. For everyone else, I make this masterlist with my translations.

The Third Advent [ru] [en]

Summary: After Papa Emeritus III was deposed and killed by his fellow believers, he laid in a coffin for five years. But nothing in the world lasts forever, not even death. After returning from the dead, Papa intends to take revenge on everyone who betrayed him. It's time to check the common statement that revenge is sweet.

Tags: Gen, Action/Adventure, Revenge, Resurrection, Violence, Hurt/Comfort, Character Death, Mysticism, Friendship, Romance, Character Study, Graphic Depictions Of Violence

Majesty [ru] [en]

Summary: Just two words: a glove kink. If you don’t have it yet, now you will. Yes, THOSE gloves.

Tags: Papa Emeritus III x fem!Reader, Smut, 18+, priest kink, hand kink, glove kink, petting, foreplay

Pleasures of Hell [ru] [en]

Summary: Papa Emeritus has decided to give you a little lesson in arithmetic. It promises to be a long night.

Tags: Papa Emeritus III x fem!Reader, Smut, 18+, Heartbeat Kink, Cunnilingus, Petting, Oral Sex, Dirty Talk, Manual stimulation, Mention of sexual trauma

Hide and Seek [ru] [en]

Summary: Something about Terzo's irresponsible attitude to work meetings. The fic is dedicated to the kink "silent sex".

Tags: Papa Emeritus III x fem!Reader, PWP, smut, oral sex, silent sex, church sex, toe flirting, Papa is a little bit a dominant bitch but it won't be for long))

The stars go out at dawn [ru] [en]

Summary: This fic is written under the impression of the song by Spiritual Front 'Choose Death'. Please listen to it, it's just amazing.

Tags: Papa Emeritus III x Cirice, 18+, Angst, Loss, Farwell, Implied/Referenced Character Death, Love, Foreplay, Petting, Manual stimulation, Mention of Religion

Analytics

I also write analytical notes. It's important to me to not only fantasize, but to research the character!

Papa Emeritus III: The analysis of mythological references [ru] [en]

This analysis is based on the Prologue to Meliora written by Peter Bebergal. At first glance, this text may seem like a set of nonconnected paragraphs, as well as the music video "From the Pinnacle to the Pit" can be considered as a simple cutting of scenes from old movies. But together these two materials can shed light on the mythology of the Meliora Era and the story of Papa Emeritus III - his origin, background and motives. Let's try to understand how it happened that in the image of Papa combined three mythological characters: Prometheus, Icarus and Lucifer.

Some possible sources of inspiration for Meliora design [ru] [en]

It is known that when creating Meliora, Tobias Forge was inspired by the movie "Metropolis" and the art deco style of the 1920-30s. Here I want to share my findings of some borrowed elements in the third era.

Terzo: Observations and analysis

I noticed that there is a request in the community for a more serious look at Terzo. I decided to start posting my observations and some conclusions based on them.

[part 1] [part 2] [part 3] [part 4] [part 5] [part 6]

I am always interested to hear your feedback and love to debate. If you have something you'd like to say, please leave comments. It helps to keep writing!

#masterlist #papa emeritus iii #terzo #the band ghost #ghost #papa emeritus #papa emeritus 3 #papa emeritus lll #ghost fanart #ghost band #ghost bc #ghost fanfiction #terzo emeritus #terzo fanfiction #my fics #terzo x reader #papa emeritus iii x reader #ghost band fic #ghost fanfic

[hyperfixatedfandomer]

An EXTREMELY angsty Spider and Quaritch thought #2

I woke up today and chose violence SO let’s set the scene

The final standoff at the end of the second movie. Quaritch and Neytiri are both holding each-other’s children at knifepoint while they themselves, in terror, beg their parents not to hurt them.

“You really think I care about some kid? He’s not mine” Quaritch tries to bluff his way out of the situation in a last ditch effort to shake that bond he’d built with his son in these months and complete the mission. All that while a small part of him screams to let the damn girl go, that the mission is not fucking worth it, and fatherly panic crosses his face for a moment, allowing Kiri’s mother to see right through his lies.

She raises the knife over Spider, and Kiri cries louder, but Quaritch holds his ground. That small part of him was now tearing at his heart in primal fear, and marine’s walls crumble under the pressure.

He only had to say a single word to stop this, but it got caught in his throat.

Just like Neytiri’s knife got caught in the throat of his boy.

Kiri let out a wail so animalistic it took others a second to realise it was coming from her.

Blood spilled, Spider choked and Tuk let out a scream, racing towards a teen she saw as family.

Kiri began thrashing like never before, crying for her brother and, being in total shock, Quaritch released his grip.

The girl was at his side immediately, holding a boy who has now stopped breathing and cried for him, as if he was still in agony and kicking, as if the blood hadn’t already filled his lungs.

The yells of her children snap Neytiri out of the trance and she looks down, horror finding it’s way onto her face as well. Sure she hated the kid but Eywa, he was only a child…

Jake is the one who wakes her from the shock, shakes her and begins dragging the girls away. Kiri tries picking Spider up but he’s too heavy for a fourteen-year old. Tuk too, struggles against her father grip.

It is Neytiri who picks up Spider, looking Quaritch in the eyes, those big, yellow eyes, with tears slowly filling them. A son for a son, she thought, but Spider grew up as a Na’vi, and will be buried like one. The sky people will not defile his body, will not throw it into the soil to rot, will not burn it.

It was the least she could do.

And so they disappeared into the sea, leaving Miles alone on the sinking ship, but that didn’t bother him, and neither did the pain in his bruised knees when he fell on them.

The memories began flooding back to him. All the days they’ve spent together. Every time Spider tried to escape, every time he cursed Quaritch out and vowed to always, always hate him and then, all those times he didn’t. When the boy taught him Na’vi and laughed at his bad pronunciation, when they flew on the ikran in the hallelujah mountains and his boy couldn’t stop smiling, all their sarcastic banter and insults that none of them meant seriously.

His smile. Spider’s smile was so radiant it lit up the room immediately.

And now, neither he, nor anyone else would see it again.

In the back of his mind, he can hear his base over the comms, trying to reach him. They caught wind of the ship wrecking but Miles didn’t bother responding. The mission could go fuck itself, he couldn’t care less about it, or about anything for that matter.

How strange. Just minutes before, Quaritch convinced himself the boy meant nothing to him, yet now he sat there, as water reached up to his torso, and the only thing he could care about was this feeling of agonising emptiness, like something vital has been ripped out of his body.

How did it come to this?

.

.

.

Author’s note: anyway, here’s some more angst for y’all 🥰💅 I wanted Neytiri and Jake to leave Spider’s body at first, but that would be extremely out of character, even for Neytiri. She is a grieving mother who lost herself in a moment of desperation, but not some monster.

Did you like it? Are you currently sobbing on the floor? Great! You can drop whatever questions and ideas you might have in the ask box. 😌

#avatar #avatar 2 #avatar spider #avatar headcanons #avatar way of water #spider socorro #miles quaritch #miles spider soccoro #recom quaritch #avatar neytiri #neytiri #avatar tuk #avatar jake #jake sully #avatar kiri #kiri sully

[alichiraku]

When did Iruka become a teacher?

I was making an Iruka timeline and realized we don’t have a clear answer, but rather multiple conflicting ones. So I tried to compile the informations somewhere! Here are some different indications as to when Iruka may have become a teacher at the Academy.

The first basic fact we have is this: Iruka would very probably not have become a teacher before he became a Chūnin, which happened when he was 16 years old (birthday May 26th).

IN THE ANIME/MOVIES :

The Childhood episodes show Iruka teaching Naruto’s generation while they are at a very young age, possibly 5 to 7 (see the “Naruto” and “Shikamaru” episodes). This would make Iruka 15 to 17.

In the movie The Last, Iruka is already a teacher in the Academy flashback. The children in this scene are all 7, making Iruka 17.

In the Rookie Instructor Iruka filler arc, a flashback shows Iruka asking to become an instructor. Kakashi is present in this scene and is already back in the field and in jōnin uniform, meaning this is after he left ANBU, which happened when he was 22-23 years old. Kakashi and Iruka have a 4 years age difference, making Iruka at least 18-19. This is already conflicting with the previous anime appearances.

IN THE MANGA :

There are even less indications in the manga than there are in the anime. At the very least, Iruka was not Sasuke’s first teacher (Sasuke entered the Academy at age 6), although nothing indicates whether he was already a teacher or not.

To me, the only reliable clue is in the flashback of Naruto and Sasuke’s fight at the Academy, supervised by Iruka (which spans over multiple chapters, beginning with Chapter 538 and ending with Chapter 697). The flashback is set post-Uchiha massacre, making the Naruto’s generation at least 7 and Iruka at least 17. I’d say that Naruto’s generation looks around 9-10? (compared to their Naruto Part I selves)

(There is also the fact that in Chapter 1, Iruka seems to have been around for Naruto’s two previous attempts at passing the Genin test, which would suggest he’s been teaching Naruto for at least 2 years. But since that’s already an entire problem in itself -Naruto would be 2 years older than his comrades, unless the exam happens multiple times a year like the Chūnin exam-, I’m not gonna use it.)

IN THE DATABOOKS :

Now okay, this is where I’m gonna sound a little crazy, but I’ve tried to calculate a likely age for Iruka to have become a teacher based on his number of Databook missions. Having become a Chūnin at 16, Iruka couldn’t have done A-rank and B-rank missions before this moment (or only on accident, I guess). Given that he doesn’t take missions during his teacher years (at least up to the Konoha Crush), Iruka’s 74 B-rank and 12 A-rank missions must have mostly been completed in the timeframe between his becoming a Chūnin and his taking up a teaching job. Shikamaru, who we see becoming a Chūnin, completes 9 B-rank and 19 A-rank missions in around 2 and a half years. If we assume A-rank missions take longer to complete (which isn’t at all a given but I’m desperate for clues), this gives Iruka around 3 to 3 and a half years to complete his own total, making him 19-20 when he becomes a teacher. 

CONCLUSIONS :

My personal preference would be for Iruka to have been 19 when he became a teacher at the Academy. The first two anime indications can be easily discarded: the Childhood episodes are simply cute filler episodes to end the anime, and the Last movie has more than one inconsistency. Iruka being 19 allows for the Rookie Instructor arc to be partly canon, as well as the manga indications: the Naruto vs Sasuke flashback would happen only 2 years or less after the Uchiha massacre, and Iruka would have been Naruto’s teacher for a total of 3/3 and half years (enough to have an initially strained relationship, then a more understanding one, and for Naruto’s memories from the Academy to be mainly associated with Iruka). This gives Iruka around 3 years on active duty as a Chūnin before retiring, and thus enough time for his ‘empathy’ for the enemy to become a worrying trend, if we take the Rookie Instructor arc as canon. 

(Also given that Naruto is 18-19 in The Last when he teaches at the Academy, this seems to be not too weird of an age for someone to start teaching.)

So there you have it! Obviously there is still some weird stuff anime-wise ; Iruka progressively becomes more of a Teacher Archetype throughout Naruto’s story, which explains why he’s often put in anime episodes despite being a literal teenager (yeah Konoha is fucked up about age anyway but even them probably don’t want a 15yo with anger issues to teach their knife-yielding middle schoolers).

#iruka umino #theory #meta #mine #naruto #the databooks are wild sometimes but i love them too much to ignore them completely #anyway as always there are so many conflicting infos that it's hard to pinpoint precisely #but i did try to at least point out the obvious #i find this especially interesting because we have such small knowledge of how konoha's education system works #the fillers at least tell us shinobi can ask to be formed as teachers. but they're fillers so #i don't even want to start thinking about the numbers of academy students bc those are absolutely all over the place #where are the other genins?? their teams??? why do we only have 3 konoha teams of naruto's generation??? kishimoto explain #also. where are the civilians' schools. are there even civilian schools. or do you become a civilian by being such a bad #soldier they throw you out. #ALSO how fascinating that iruka left the field. i'll never stop thinking about it #i hope i haven't forgotten additional hints but i'll update the post if this is the case #in any case i find it kinda cute bc Iruka’s handling of his class reminds me a lot of young teachers I’ve had #WAIT DID HE EVEN GO THROUGH ANY TEACHING TRAINING AT ALL. I DIDNT EVEN THINK ABOUT THAT

[eddiediazes]

temptation tuesday

okay i’m trying my hand at this this week for the first time! since i didn’t get in on the fun last week bc i was klmasdf Suffering. so i got tagged by @diazass for temptation tuesday, so here are some wips i have that i’m considering getting back into and/or possibly writing for the big bang?? in part i may be using this to decide what i’m writing for the big bang if any of y’all like any of these.

1. 118 ghost hunters au - i’ve shared from this verse a couple of times but it’s actually a wacky little thing i’ve dreamed up where the 118 (minus eddie bc he just moved to la) are LA’s only official team of ghost hunters, and they’re state/city funded just like other emergency workers but for ghosts. so ghosts are kind of a known entity but not everyone believes in them - but the supernatural is real, eddie’s house is actually haunted, and buck has a messed up trauma backstory relating to his own personal supernatural experience :) also. ghosts so i get to indulge my own interest in Spooky

2. action star buck / fight coordinator eddie - i have also posted excerpts from this like a thousand years ago now but. basically buck is an actor and the star of a popular action franchise (something like a blend between mission impossible and john wick) and he keeps insisting on doing his own stunts, and bobby and chim, who work with him, are genuinely concerned about him and think he isn’t coming at it from a healthy place. enter eddie, a mostly retired stunt coordinator who now runs a gym with lena bosko, who gets Pulled Back In For One Last Job by chim, because bobby thinks he could help out with buck. cue resentment and distance slowly building into friendship and then they fall in love :) also you know. movie sets and fight scenes and dangerous stunts and buck having Issues with thinking he’s expendable.

3. buck is a mind reader - i still don’t have much of this, but i like what i wrote - so it’s that fic based on the concept that buck actually can read minds like we all joked about but. i ended up going with him always having been able to instead of getting it from the lightning - with the one hitch that he cannot read eddie’s mind, kind of like how edward can’t read bella’s mind in twilight???? i’m a cornball i know i get it

4. hunter eddie au - this is also more vague and could maybe be combined with the above idea depending on how i handled it all but basically one night i spent like kasmdlf an hour or something spiraling in kaitlin @iinryer‘s dms over the concept of eddie being raised as a hunter (yes like supernatural style) and like. feeling very trapped by the system of violence and like the only thing he’s good for is hunting but then he meets buck who is some kind of supernatural creature and eddie doesn’t realize at first and he’s doing a lot of hard work on his own to rise above the way he was raised and the kind of things his dad said about “monsters” and then eventually he finds out about buck and - well. you know. you get it

5. eddie goes back to el paso - this fic has no real plot but it is like. my baby my cinnamon apple. originally i started it after 5b after hero complex and i was like. what if eddie stayed in el paso for a while to fix things with his family and then he invited buck to join him. and then instead it eventually became actually what if frank encouraged eddie to go back to el paso to really fully confront things instead of just taking a quick visit and he suggested eddie also take like. a safe person for himself and eddie was like well obviously that would be buck so then they go to el paso together and eddie walks buck through like. all his childhood memories and all the places he grew up and like. idk that’s the whole fic. but i think about her a lot sdkalfm

SORRY I’VE NEVER SHUT UP ONE DAY IN MY LIFE this is so many words about my silly little ideas. i’ll tag @spaceprincessem @comaboybuck @buckactuallys @iinryer @gayeddieagenda @fallingthorns @colonoscopys and anybody else who sees this and wants to do it please feel free to say i tagged you!

thank you to anyone who reads klmasdf any of this. please do tell me if they sound interesting. thanks bye <3

#temptation tuesday

[zepskies]

Hey Zep!

I love your writing, especially been enjoying the Soldier Boy series stuff and the latest with Smoke Eater!

(Btw are you taking inspiration from One Chicago (Fire, PD, Med) with it? If so kudos and I love it, big fans of those series myself 😊)

Anyway! I’ve really been enjoying your works, been pouring through them and the stuff you have on AO3. I also thought your tips for writing were super helpful!

I’m back to writing myself after a long ass break, but always struggle keeping inspiration so a lot of my work sometimes goes unfinished. I’d like to ask how you keep motivated and continue a fic even if sometimes you’re not into it? Do you have any tips or tricks?

Thank you and again, love your work!

Hey there, lovely!! ❤️

Thank you so much! I'm so glad you liked Break Me Down and are enjoying Smoke Eater too! ❤️‍🔥

(Oh yes, indeed I am! 😊 I love all things Law & Order and One Chicago. I based firefighter!Dean on Lt. Matt Casey in Chicago Fire, with a little Severide flair lol.)

Thank you again for reading my work, both here and on Ao3!! I'm also glad that my writing tips have been helpful to you in any way. I came back to Tumblr and writing in general after about a year break myself, so I feel you there.

I absolutely LOVE your question though...

Because it's something I still battle with myself. I think all of us writers and artists struggle to stay motivated, no matter how much we love our craft. I do, however, have a few tips that help me immensely.

5 Tips to Stay Motivated to Write:

Be organized. Create a realistic, attainable schedule. ✍️

My brain works in checklists, bullet points, very methodical. I can't write chapter five before chapter 1. I can't write a series (even a mini series or a long one-shot) without outlining first.

So my first step is creating a schedule for myself: from sketching the premise, to bullet points/outlining, to actually sitting down to draft, to then editing. When I'm working on a series, I write the first 3 to 5 chapters before starting post it.

This means I have a head start. I commit to writing a chapter per week after that until the series is done. This give me lots of time and wiggle room for editing before posting each chapter afterwards. For example, I wrote the first 5 chapters of Smoke Eater before I started to post. I'm now in the middle of drafting Part 19 out of 20 even though I just posted Part 11.

Now, this doesn't mean I don't slack off lol. If I don't follow these steps I lose my discipline. I can get lazy. (We won't talk about And So It Goes. 😅 I've been sitting on writing the last 5 chapters for a painfully long time.)

But I have other tips that help me get my head back into the game.

2. Revisit the thing that gave you inspiration in the first place! 🍿

Rewatch, reread, revisit the episode, movie, book, story, artwork that stroked your muse and had you daydreaming and brainstorming about the WIP you're working on. That can be a good way to revitalize you when you feel your motivation lacking.

3. Create a music playlist. 🎶

I love doing this, especially for a series. I often create a playlist of songs that remind me of the setting, the characters, the romance I'm trying to create. Whether it's the words or the tone/rhythm that get me going, music inspires me greatly.

(For Break Me Down, for example, I listened to songs like "All My Living Time" by Radio Company for the vibe of the plot, and oldies like "If I Didn't Care" and "You're Getting to Be a Habit With Me" by Mel Torme for nostalgic 40s vibes/the romance.)

4. Go for a walk. ☀️

I walk for exercise, but it also gives me time to daydream and run scenes in my head while vibing to my music (sometimes looking like a crazy person as I nod and make hand motions lmao). This helps me clear my head, get some fresh air, then come back to my laptop with a little more pep in my brain, ready to write.

5. Encouragement and feedback from others. 💞

This really helps, of course. Whether it's someone you trust to read over your work, or seeing how people react to your initial chapters after you post them. Both can be very motivating to keep going, at least for me!

And I'll be transparent, I've gotten a bit fatigued while writing the back half of Smoke Eater. I have a lot going on at work and my personal life at the moment. But seeing how people have been commenting and giving feedback on each chapter -- the mystery, the connection between Dean and the reader, the various storylines happening -- it's been incredibly motivating for me to read those back and remember that people are enjoying what I'm coming up with. It helps give me the push I need to get the rough draft out.

And a rough draft doesn't have to be perfect on the first try. That's why it's rough. I call it the "throw up draft." Just get it on the page. The editing process is where I truly find the nuance in the dialogue, refine the plot, exposition, etc.

Anyway. I'm long-winded again, as usual. 😂

I hope this helps you! If you have any other writing questions just let me know. I love talking about this stuff! 💕

#ask me stuff #reader appreciation #writing is hard #writing tips #staying motivated #tips for writers #support writers #support artists #smoke eater #break me down #dean winchester #soldier boy #spn #the boys #zepskies answers