#theory on fan appeal

[ere-the-sun-rises]

Why Certain Male Superheroes Have Such A Strong Female Fanbase

I discussed this on another post, but I think the trend of certain male superheroes having huge female fanbases has its roots in how relatable their characterization and struggles are. Despite being male characters, they are very strongly female-coded. I’ll use four examples, two Marvel (specifically their MCU portrayals) and two DC: Tony Stark, Bucky Barnes, Bruce Wayne and Dick Grayson.

I apologize in advance if you click the Read More, this will be a very long post.

Tony Stark gets a lot of shit from the fandom, especially after Civil War. Yet, he remains arguably the most popular character from the entire series and adored by female fans. I think there’s a very good reason for that - he takes on a very female-coded role in relation to everyone else he interacts with.

For starters, he’s constantly slut-shamed. Steve, in particular, takes his sexual habits as a measure of his reliability and ability to be serious/commit. He alludes to knowing Tony from news coverage in A1, and we know from JARVIS’ quip in IM2 that Tony’s sexual escapades are highly covered by media. He looks down on Tony for his displays of sexuality (and more importantly, how shameless he is about them). Mia in IM3 also takes her digs at him about this.

His intelligence is constantly underestimated. Tony is incredibly smart and knows what he’s doing. In every Avengers movie, he is the one who formulates and carries out the plans that save the day. He is the plot device through which everything gets resolved, yet no one actually gives that any weight. In A1, Hill needles him about Selvig’s notes. In AoU, no one listens to him when he tries to explain that he was not responsible for Ultron gaining sentience or turning evil. In Civil War, Steve doesn’t listen to him when he tries to explain his decision to agree to the Sokovia Accords. Don Cheadle’s Rhodey never has any faith in Tony’s actions and constantly treats him like a child in need of supervision.

His emotions are continually disregarded. A major plot point in IM2 is Tony’s Reactor poisoning him. He exhibits all the signs of a suicidal person (even though he’s not) - giving his possessions away, retreating from public and personal life, making rash and/or unsafe decisions, emotional instability - but neither Pepper nor Rhodey even notice. In Civil War, when he tries to relay the human cost of the Sokovia disaster to the team (when we were shown how much that affected him), they dismiss his emotional outreach as manipulative. Steve disregards his friendship at every turn (indeed, being actively hostile to him through almost all of AoU) and doesn’t trust him at all (not telling him that Bucky was programmed). He also doesn’t consider that Tony may have feelings about finding out that his parents were murdered and seems surprised that Tony would be distraught. He never apologizes for hiding such important information, or even admits he shouldn’t have. When Tony returns from space in A:IW, he’s dismissive of Tony’s anger. Right until the end of A:E, Tony has to ask if Steve trusts him to make the right decision and Tony isn’t certain the answer will be yes. Natasha also treats him like he’s unrelentingly selfish, despite having been close enough to him to be wearing his clothes (in CA:WS, she’s wearing the same sweater Tony was wearing in IM2 when the only other person she does this to is Clint, with whom she is incredibly close).

Another major theme is the continued violation of his bodily autonomy. IM1 establishes that Tony’s autonomy is represented by his Reactor and armour, and that his use of both are a means to regain control over his autonomy. Obadiah continually enters Tony’s personal space without invitation or reciprocation, going so far as to undress him without permission to look at the Reactor and this comes to a head with the theft of his Reactor. Pepper gets upset with Tony about his suits in IM3, even hinging the continuation of their relationship on him getting rid of them without addressing why he’s so reliant on them. Steve in CW, once he has Tony on the ground, goes right for the Reactor (not to mention that Tony raises his arms like he anticipated that Steve was going to behead him). Then Steve leaves him there.

I think Tony appeals to so many female fans because it’s so easy to see the way we are ignored, overridden, used and discarded in him. He never seems to be good enough for the ones that he loves. He also knows he can’t turn to any of his closest people for comfort and doesn’t bother to try. He’s been taught by experience that if he’s disruptive or not useful, he’s not welcome. It’s incredibly difficult for him to accept kindness, but very easy to shoulder blame and responsibility. He’s easily hurt, but so good at concealing it no one notices. No one takes him seriously in anything he does, even when he’s proven it with actions. He’s always fighting against preconceived notions of him that aren’t him.

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Despite being a physically imposing character with a deadly skill-set and high body-count, Bucky is characterized almost exclusively as a caregiver or a victim.

In CA:TFA, he’s got a severe case of “Eldest Daughter Syndrome”, concerned above all with making sure that Steve is taken care of and kept from harm. Bucky consistently cleans up after Steve, both by running off the people he fights and ensuring that Steve’s living situation is assured. As the team sniper, he’s always watching Steve’s back and making sure he doesn’t get hurt. Steve loves Bucky, but he doesn’t ever take care of him. In CW and afterward, Bucky’s still more concerned for Steve than himself. He would have resigned himself to whatever punishment INTERPOL would have give him, and it’s not until Steve is threatened in their fight with Tony that he actually gets involved. Even in FATWS, he helps Sam not only with the terrorists, but with the boat and he reaches out to the Wakandans to replace the Falcon suit that got destroyed. He helps Sam train with the shield, even mentioning that he was the one who helped Steve get a handle on how to use it.

His victimization also starts near-immediately, with him being the sole survivor of Zola’s experiments in CA:TFA. He’s victimized and abusively controlled through his entire time as the Winter Soldier. Like Tony, his autonomy is also materially symbolized by his arm, which is used against him by Natasha in CA:WS and Ayo in FATWS. Perhaps most upsettingly relatable, he’s held accountable for the actions of the Winter Soldier in FATWS as exemplified by the therapist, who victim-blames him and seems more concerned with checking off a box for the government than actually helping him recover in any meaningful way. Zemo capitalizes on this spectacularly in FATWS.

I think a lot of women can relate to the kind of exhausted resignation of Bucky. He’s so rarely in control of anything that happens to him, but he still tries to be useful and kind when he can. He’s scared and hurt and alone, abandoned by the only person he knew in a world completely alien and hostile to him. His body language screams for someone to take care of him, but he’d die before asking for it. He tries so desperately not to be a burden, but always feels like one. He’ll put the needs of those he cares for above himself without exception, even when it causes him a lot of distress. His body and skills don’t feel like they belong to him, and he feels like it’s only a matter of time before someone steals them away again.

 | | |

Bruce Wayne as Batman might seem like an odd example, and there are certainly iterations of him that won’t fit this characterization. However, there’s a lot about him that is highly relatable to the feminine experience.

For starters, he’s guilt-ridden as shit. Bruce always takes it hard and personal when something goes wrong, even when he’s not responsible for it. This is most obvious in relation to his parents or Jason Todd, where he blames himself for something he didn’t do and couldn’t control. While every failure he has is met with a practical reassessment of his tactics, he also looks inward, trying to find what it is about him personally that makes these things happen and/or why he isn’t enough to stop it. He has a tendency to just accept blame instead of pushing back (ei. whenever Jason throws his death in his face).

He’s been raped. However much it may be payed down, Talia drugged and had non-consensual sex with him to conceive Damian.

His main motivation isn’t revenge, it’s prevention. While he’s not above revenge, the purpose behind Batman is to ensure that tragedies don’t have the chance to happen and that, even though he uses violence to accomplish his goals, he will never be the source of that tragedy. He wants to lash out in violent retaliation, but he cares more about redressing the balance of pain than he does inflicting it back. That’s how he can be friendly with people like Harley Quinn, Poison Ivy and Two-Face.

Bruce is a single mom at his core. He might not be the best parent all or even some of the time, but he loves his children and would do almost anything for them. He gets accused of creating child soldiers (both in canon and by fans), but none of his kids are soldiers to him. They work for him as Batman, but they are so much more than his co-vigilantes. He loves them like a parent and would die for any one of them. Indeed, this is a sentiment that extends to a few members of the JLA too, especially amongst the OG crew.

Bruce’s emotions are also discounted a lot, though that’s generally because he’s taken as cold and emotionless. He feels very deeply, about nearly everything, but he’s very good at hiding it. He views his heart as incredibly vulnerable and so only reveals it to a select few. The more this backfires on him, the less he’s willing to open up and the more guarded he becomes. He cares so much, but he’s so gripped by the fear of being hurt that it has to be forcefully pried out of him.

Brucie Wayne is an expertly crafted persona that plays into the female stereotype of “ditzy bimbo”. The “tall, dark and handsome” persona could have done just as well for his public face, playing into a more mysterious and alluring figure, but he chose to portray himself as a charming drunk, always down for a good time and with all the depth of a puddle. Brucie Wayne is such a shallow and vapid personality, comparable only to that of Paris Hilton’s public profile.

As I said, not every Bruce Wayne is portrayed this way, but some of the more famous examples of him certainly are: Kevin Conroy (Batman: The Animated Series/Justice League Unlimited/The Arkham games), Bruce Greenwood (DCAMU, Young Justice), Robert Pattinson (The Batman 2022) and arguably even Ben Affleck (DCEU). He’s capable of being brutal, demanding and uncompromising, but he ultimately wants the pain to stop, not to inflict it.

I think a lot of women see him almost as a kind of power fantasy, a way to exact violent vengeance on the ones who hurt people but maintain an inner kindness. This may be a bit of a self-projection, but I also think women can relate to his “going too far” notion - for those who have been victims before, it is so, so easy to slip into the cycle of perpetuation and become the abuser. He manages to thread the needle of striking back at an abuser without becoming one.

 | | |

Dick Grayson is perhaps one of the most sexualized male characters in existence, and almost exclusively catering to the female audience, particularly once he’s Nightwing. He’s kind, warm, funny, charming, attractive and considerate. But I think a lot of his appeal comes not only from being made of boyfriend material, but the way he demonstrates these attributes.

Dick pretty generally falls into the Eldest Daughter role once he’s an adult, becoming very close with his siblings and often acting as an intermediary between Bruce and the other kids. He’s the one that the rest of the family turns to when something happens to Bruce, and he’s often the one to take up the temporary mantle of Batman when Bruce is otherwise unable. Even with the Teen Titans, he’s a tentpole figure that guides his teammates and helps them mature despite often being the same age or younger than them.

Partly due to his past as a performer, Dick is a people-pleaser. This goes for his home life, romantic relationships and general public persona. Dick is Bruce’s charming first son, Bludhaven’s affable vigilante or [insert love interest]’s considerate boyfriend. He’s a lot more genuine in his public persona than Bruce is, but he’s gracious in the way a retail employee is - a certain measure of forced cheer that’s expected of him. 

The way other characters sexualize Dick is also very female-coded. They always comment on his body, the tightness of his suit and how pretty he is. While they may also comment on his charm or personality, often the first things they discuss are physical. He usually plays along with this in good humour, but even other members of his family who share a lot of characteristics - Bruce, Tim, Jason, older Damian - don’t get the same kind of horny-on-main attention. He’s also usually paired with very strong/dominating love interests (Donna, Kory, Barbara) and has a tendency to be more passive in the relationship and get pursued when dating.

I think Dick acts like a lot of women do (or feel like they have to): upbeat and cheerful, attentive to their partners/family and always available for emotional caretaking. His body is a spectacle that receives unsolicited comment and judgment constantly. He fills the gaps where Bruce falls short and struggled to find his own path and identity away from the needs of his family.

 | | |

Women are used to having to relate to male characters in media, since female characters are generally so sparse, inauthentic or underdeveloped. I think that’s why, when we see ourselves in male characters, we latch onto them so tightly and care about them so much. While none of these attributes are exclusive to women, there’s a certain way that these aspects of characterization blend together that is generally more familiar to women than it is so men. There’s an echo of lived experience in their portrayals that hits very close to home.

#long post #very very long post #batman #bruce wayne #nightwing #dick grayson #iron man #tony stark #winter soldier #bucky barnes #marvel #dc #mcu #theory on fan appeal #female fans about male characters

[petorahs]

as a longtime zelda fan im subscribing to the theory that skyward sword's ending caused another timeline split where:

a) ss!link dueled demise and sealed him in the master sword, subsequently putting fi into "a sleep without end". this is where every other game takes place

b) ss!link used the goddess statue to kill the imprisoned demise like it was supposed to happen before ghirahim messed everything up. this is where totk and botw take place.

it explains why botw/totk!zelda can still hear fi in the master sword despite no other hero after ss!link ever interacting with her (cause shes asleep), why there are two (2) imprisoning wars (pre-ALttP, and Totk's) and why the latest two games are so far removed from everything.

it also explains why totk!ganondorf became the second coming of the demon king, because demise was never truly killed in that timeline. link wished for the complete eradication of demise, not his hatred. the triforce makes no distinction between good and evil, after all.

in a), hyrule is founded by hylians from ss!zelda and link's time, in b) the zonai descended and rauru founded hyrule instead

the only debunk of this theory i see is b) timeline not having a fully forged master sword since ss!link took it with him to kill demise. a) timeline still having the mother goddess statue brought down to the surface also has could be contested but i think that can be explained by skyward sword needing to end in a closed timeloop, and the triforce's power doing its thing. thoughts?

#aishi.txt #the legend of zelda #totk #botw #skyward sword #tears of the kingdom #breath of the wild #aishi.docx #sadge cause i wanted to believe that botw (being a series reboot) took place after the original legend of zelda on snes #like how fitting #but also i choose to believe totk was made not to just fck over lore enthusiasts and not just be explained away with #'oh the other games are just legends nothing more' like i dont think they would simply invalidate the rest of the series like that #this theory appeases nintendo's desire to wipe the timeline debate clean and start fresh #while also appealing to the lore fans like me LOL #and ofc not invalidate every other game #anyway thats my take. love totk despite its silly lore #theres also something to be said about a) timeline's zonai. i think they essentially became the twili in a) but thats another theory #for another day

[marblebees]

Sorry everything ive actually seen about this homestuck racism drama is stupid but The Fact. That two tumblr users were actually discussing and taking halfway seriously the potential of physically fighting over it is hilarious

Anyways if any future Tumblr Fights happen for real id like to volunteer to coach anyone doing it 👍👍 itll be less expensive than a real coach but you only need to beat up another tumblr user so itll probably be fine

#also re: the racism theres literally nothing wrong with not wanting to associate with homestuck fans lmao #but like. there is something that ppl like about it and that isnt the fucking racism like can yall be serious 😭😭😭😭 #especually when (to me) part of the appeal of hs has been its time capsule nature to the late 00s and early 10s internet culture #homestuck is still talked about because it has so much to discuss and i think it is valuable to analyse its Worse Moments in the context of #the contemporary culture #to bury your head in the sand and act like its irredeemable bc Hussie was trying to be edgy is kinda ignorant and it takes away from Everyon #e else who made homestuck what it is #bc all the stuff abt hussie this hussie that its auteur theory all over again and for a work SO multimedia and collaborative as hs #its just disappointing

[mighwnt]

some people are taking the shipping poll a bit too seriously on the “we blow fandom things out of proportion” website

#st*cky fans… ur on even thinner ice than before #i understand the appeal in theory but stevetony is soooo much better #not to mention the actual point which is that the pirates are actually gay #their only gay character is not some guy in a brief scene #their only gay (and otherwise lgbt) characters are ed. stede. jim. black pete. lucius. etc etc #like come on #txt

[x-ladydisdain-x]

I wonder how many people converted to Christianity/Catholicism because of unholyverse

#like I’ve seen at least two people now I think #and like ngl it does make it so appealing #technically my views haven’t changed but damn in theory it makes it look so nice #and it made me want a rosary #it’s interesting too bc we’re all mcr fans but Catholicism did Not do good things for real life Gerard Way #sometimes opal says stuff

[beepmon]

i really hate how i see ken get woobified down a lot by the fandom and even in the show just bc oh no he was just processed he’s actually just a sweet bean capable of no harm and i just don’t think that’s true like the dark seed mostly just makes you the worst version of yourself and in a more meta pov it’s about how his grief and inferiority complex let him harbor a really toxic mindset bc he felt isolated and how even the kindest people can become abusers and that a lot of his redemption arc could’ve been handled a bit better of him actually making more amends rather than wormon and daisuke instantly forgiving him. how do you deradicalize yourself? how do you reconnect to your inner kindness after the world turned you cruel?

that’s why i like ioris interaction with ken a lot bc iori is the character that makes ken take a hard look at himself but in a constructive way. it’s not the version of himself that wanted to die after looking at his crimes but the version of himself that is being held accountable by the character that cares most about justice and authenticity.

#bumbles (bee mumbles) #i don’t hate ken or even how 02 went really i just think there’s missed potential for something better #which is think is the whole appeal of 02 and why it has such a dedicated fan base #i think most fandom is powered by the potential people see in things #which is why we tend to have much bigger and invested fandoms for flawed franchises than ones we consider great #you don’t feel the need to add on to something that was executed perfectly and it’s fandom mostly exist as studies or appreciation #for example you don’t see ppl often making fan theories and involved aus for ghibli films even tho they are so beloved #you don’t feel the need to transform something if you are satisfied with it #sorry weird tangent

[selfinflictedgunshotwound]

lottie fans are so annoying

#this is why yj fans can't have nice things #and there's so many of them too... 😮‍💨 #like i get the appeal of the schizophrenic wilderness prophet cult leader girl in theory but in practice? she bores me so bad #ofc shauna nat and tai are my favorites and everyone seems to hate them so. who am i to judge #i like misty too. i liked the main four #but van is meh to me and lottie is just a snooze fest. they both are. i think that's because they are villains to me LOL so maybe i'm just #not being fair bc i've already written them off as being BAD and THE REASON FOR MOST OF THE BAD THINGS but. yeah. oh well #i miss jackie as well. at least she made being a failgirl entertaining

[angelcords]

the state of the aot fandom today is soooo sad…. like. i hate to say it but it was better when ereris were running it yea cursed ship but it wasnt misery and discourse everyday and a significant proportion of the fandom wasnt basically anime mgtows ……. sigh….. miss the days of jaeger bombastic….. do u wanna kill some titans…. marco is still alive theories… the bubblepop cmv……

#dnt come for me abt the ereri thing ok i liked it when i was 12 n too dmb to know better n am assuming everyone else was the same #so sad the bubblepop cmv was deleted aswell….. #it got deleted twice but someone reuploaded it… now its jsut gone … erased from history #like yall werent there when uprising arc was ongoing n that one freckled dude w the farmers hat was in it for prob like MAX 5 panels n it #spawned several marco is still alive n is a titan shifter theories yall werent there. #yall werent there when we saw frieda for thr first time through erens memories n thought it was him in drag like yall just werent there #and eremika is so boring sorry #like it definitely has its moments it definitely gives but like. ZZZZZZ #uno what it couldve been sm better n more appealing but #like this is jst a fact…. mikasas char sucks for most of the anime bc they took out so much of her dialogue n jst replaced it w her saying #eren. we have the proofs we have the screen recordings the back to backs the proof is in the pudding !!!! #i rlly wish i liked it …. i mean tbh i do actually like it but its fans also make me hate it a bit #and all the eren fans are fake as FUCK. they only started liking him after the timeskip like your fske as fuck we have NOTHING IN COMMON

[thesoftboiledegg]

What makes JKR's shitshow even harder to process is that she didn't just ruin a book series. Harry Potter was an entire subculture. Like Star Wars and Star Trek fans, Harry Potter fans dedicated their lives and careers to the series. I don't know if I'd call it "underground," but liking Harry Potter got you beaten up when I was in school, so it was more of a dedicated indie culture than a mass-appeal fanbase.

Harry Potter was so huge that fan works developed their own followings. Potter Puppet Pals racked up hundreds of thousands of followers and was nearly as relevant as the series itself. For fanfiction, Harry Potter and the Methods of Rationality got so big that it has a Wikipedia page. The band Harry and the Potters spawned the wizard rock music genre. A Very Potter Musical developed a fanbase and launched Darren Criss's career.

Harry Potter also has extensive ties to fandom history. Everyone in my generation (millennials) remembers coming home from school to read Harry Potter fanfiction on the Internet. Today, most people just post their stories on Wattpad or Archive of Our Own. But at the time, the fanbase was splintered between fanfiction.net and dozens of individual websites and forums, some made for specific ships. Since they all had individual hosts, a lot of those sites have been lost to time.

And there's the infamous My Immortal fanfiction, which is an Internet legend with people still searching for the author. Everybody read that one (and laughed at it) in middle school.

Pre-social media, fan sites like The Leaky Cauldron and Mugglenet had massive followings because they were one of few sources for news, theories, essays and fan content. Some of these sites still exist after being around for over a decade and building their own legacy.

Before Deathly Hallows came out, fans were so desperate to know what happened that Mugglenet published a book called What Will Happen in Harry Potter 7: Who Lives, Who Dies, Who Falls in Love and How Will the Adventure Finally End? Yep...Harry Potter was so big that people wrote separate books about what would happen in an upcoming book.

And that's not mentioning all the book release parties, Harry Potter-themed events, monuments, fan films, restaurants and even a theme park. A lot of fandoms have those, but Harry Potter infiltrated every aspect of popular culture.

Today, there's a thriving culture of "Harry Potter adults" with themed weddings, baby showers and Etsy stores. Putting your Hogwarts house in your Instagram bio is pretty much a prerequisite for joining the "bookish" community. Warner still produces new content, like the Fantastic Beasts series, although we've all seen what a disaster that's been.

Everyone has at least a few memories associated with Harry Potter even if it's just watching the movies. I had great memories associated with Harry Potter. But looking back at the subculture, history and thousands of fan works, it doesn't seem fun anymore. Studying the fandom or being part of it comes with an awkward tension because you don't want to seem like you're condoning JKR's bigotry but can't divorce her from the series. This subculture was spawned by a woman who turned her legacy of magic and wonder into one of abuse and hatred.

I don't expect people to write paragraphs about how much they hate JKR every time they post about Harry Potter, but it's still uncomfortable to see people make new content or wear their Harry Potter Etsy tote bags like nothing happened. Even if they clarify that they don't support her, it's just a weird, tense situation for everybody.

People dedicated years of their lives to running Harry Potter fan sites, writing fanfiction, cosplaying characters and making fan movies. If I were in that situation, I'd have a mild identity crisis. I'd ask myself "Did I waste all those years? Should I delete my content? Where do I go from here?"

So ultimately, JKR didn't ruin "just" a book series or even "just" a fandom. She tanked an entire culture, which inspired people to look at Harry Potter more critically. The issues that people brought to the light tainted the series's legacy even without JKR's personal issues.

Once, Harry Potter was a series for generations. Now, former fans hope that the series fades into irrelevancy. Unfortunately, JKR didn't just tarnish her legacy--she took decades of history, millions of fans and a worldwide subculture along with her.

#anti harry potter #anti jkr #anti jk rowling #harry potter critical #anti hp #text #jk rowling

[punksocks]

Astrology Observations: No.25

*just based on my personal observations, only take what resonates

Omg my first degree theory observation was wrong Danial Kwan has moon at 18 degree, a Virgo degree ! (My bad y’all I’m learning). I’ll say that he had to get a hold of his mental health while in Covid and his adult adhd diagnosis and that influenced the writing of everything all at once (Imma learn this lol, more studying must be done)

Ok better degree theory lol, the degree of your Venus and/or mars can show placements you attract. My Venus is at a cancer degree and I’ve dated a l o t of people with Cancer placements (an experience lol)

A guy’s Lilith can show that his sort of femme fatale attraction (type of girl that overstimulates him, makes him feel enamored but is also his weakness.) His Lilith placement can describe this femme in more detail. For Aries, a go getter that takes no shit (I believe @zeldasnotes said Lilith in Aries in a man’s chart is a strong indicator that he’s a feminist and I totally agree.); For Sagittarius she’d be untethered and have a great sense of humor and may be outside of his culture. For Aquarius she’d be idealized as a manic pixie dream girl, like quirky in a way he could never figure out. let me know if you all would like a whole post on this !

Only outer planets (Uranus, Neptune, Pluto) in your 1st can give you an extra ordinary appearance and make you stand out quite a bit.

Your mars conjunct to someone’s sun can make them feel competitive with you. Venus on the other hand can make you put the sun person on a sort of pedestal and can make the relationship feel like you’re a fan of the sun person. Moon to someone’s sun can feel more at home and at ease.

Men with water Venuses seem to be super monogamous or like incapable of monogamy (which is fine lol, but be ethical about it and establish boundaries and don’t cheat yo)

12th house synastry is sticky asl, as soon as you moved on someone just appears on your mind out of nowhere, lotta hidden energy all tied up together; 8th house synastry is really intense but it’s often hard to build something stable out of the intensity. 4th house feels like home, but as someone with Uranus over their 4th, I associate this synastry with being unpredictable and chaotic in familiar way. 5th and 11th house synastry tends to be good long term. 5th house means you feel fun and creative and always excited together. And 11th house will mean that there’s a feeling of friendship underneath the passion that usually sustains the connection imo.

For all of the seriousness associated with Capricorn placements (especially suns) often focus on a lot on whimsy in their creative works, like it’s the outlet for a lot of their hidden optimism (Hayao Miyazaki, Nobuhiko Obayashi the director of Hausu).

Ok ok I know Scorpio risings are known for intense, bedroom eyes and their overwhelming s*x appeal and making suitors flee because they’re so intimidated etc etc… but quietly I think our biggest weapon that people don’t see coming is our sense of humor. (Honest to god I was thinking of how funny Hugh Grant is even though he doesn’t need to be bc he’s been so handsome this whole time lol. He always puts in the effort into that comedic timing) (Also people still think if you’re hot and intense you can’t be funny so it defuses some of the tension pretty well imo)

I feel like Virgo placements always seem to think they feel boring even though they’re like very knowledgeable and compelling in their own right (I’m getting all reflective and remember when like Virgo moons/mars would always ask if they’re being boring or complain about being boring but they tend to be good conversationalists when they allow themselves to analyze things so deeply)

I think cancers are actually the most defensive sign, naturally. I want to say they have this in common with their sister sign bc Capricorns are defensive and don’t like to show “weakness”. But the way that underdeveloped cancers (can) play the victim when scrutinized is different. (Like Capricorns do that earth sign thing where they use their perception to make you feel like you’re wrong, and they want to be seen as the authority not the victim). Where cancer is in your chart could show where you’re especially guarded and trying to protect your sensitivity.

To me Jupiter conjunct south node means you’ll reap benefits of good karma from a past life (or the effects of bad karma will be a lot in this lifetime but I saw this in obama’s chart and it’s a benefic planet so the first thing is what I thought of lol, he’s not a good guy but becoming the first black president of the us seems like a past life power play imo)

#sorry been super busy lately lol #but I’m back #astro observations #astro notes #astroblr #astro community #astrology #lilith astrology #venus #mars #8th house #12th house #5th house #4th house #11th house #Capricorn #cancer #Virgo #scorpio rising

[hyperfixatedbastard]

do you write hypnosis stuff?? it's not specifically against the rules but idk it's kind of an iffy era for a lot of writers-

if it's okay with you, could you write some Vox x Singer!Reader who he uses his mind control on to sell their soul to him so they remain under the VoxTek label? (im sure remaining with him is an ulterior motive of his as well lol)

thanks :]

I can absolutely do that! I’m a little iffy about NSFW hypnosis, but I can do a SFW oneshot :)

siren songs

Obsessed!Vox x Singer!GN!Reader

Word Count: 1.4k

WARNINGS: Yandere-ish behavior, hypnosis, manipulation, toxic behavior, all that good stuff

A/N: I told y'all I'd be back with some toxic Vox!! I wasn't entirely sure how to end this one, but I've spent enough time rewriting it to stop caring. This one is only romantic in theory - nothing actually romantic happens between Vox and Reader, it's more mutual pining than anything else This is also my first time writing obsessive behavior, so I hope I did it well!

Dividers

You’ve been working with the Vees for years now. You were originally recruited by Velvette, who’s like a bloodhound for new talent. She saw some popular videos of your singing online, and she made you famous.

But you don’t work with her that much, oddly enough. Over time, you gradually started to see her less and less. Vox was the one to take her place. By the time you noticed, there wasn’t much you could do about it—you’re certainly not an equal to the Vees, so there wasn’t much you could do. Sure, you could’ve quit then and there, as you’d never signed a soul-binding contract, but you really liked your job. You were getting to do what you loved for a living! Who wouldn’t want that?

Well, you. You don’t want that anymore. You’re getting burnt out. You feel like you’re out of creativity for writing songs, and singing no longer has the same appeal it used to. It feels like a chore. Getting on stage doesn’t get you excited—it just fills you with dread.

Then you saw the videos of the annual clown pageant down in the Greed Ring. How Fizzarolli, Mammon’s favorite little jester, just…quit. Just like that. 

Can you do that?

You don’t have backup like Fizzarolli did. There’s no Prince of Hell to protect you if the Vees lash out in response to your resignation. But the Vees aren’t Mammon. They’re powerful Overlords, sure, but they wouldn’t kill off an easy cash grab like you. And they don’t have any leverage to use against you—you’re a fucking superstar, you learned to stop keeping secrets a long time ago.

Yeah, you can totally do this!

You spend the next week making a plan. You currently live in V Tower, so finding another living arrangement is a priority. Luckily, your standards are just as low as before you got famous, so snatching up an apartment doesn’t take long. You’ve been building up savings for some time now, just little bits here and there that wouldn’t look suspicious among your bank withdrawls, so you have enough money to last you a while. You’ve made a go-bag, but you’re not too worried about bringing anything with you, as you have enough cash to just buy new shit. By the time the end of the week comes around, you’ve got your escape plan ready to go. All that’s left is to actually quit.

You decide that directly speaking to Vox is your best option. Velvette and you don’t have the same rapport that you used to, and Valentino is just… no. During your time working with Vox, you like to think there’s some sort of friendship there. The two of you chat amicably, and he always makes sure you’re okay when it comes to creepy fans and the like. You feel like there could be something more than just friendship, but you don’t plan on staying long enough to find out. As much as you like Vox, you’re not willing to spend the rest of your afterlife hating every second of your job just for him.

You stand outside Vox’s lair, mentally preparing yourself for this conversation. You take a deep breath, and right before you can knock on the door, it opens.

Okay, here goes.

⋆⋅☆⋅⋆

You aren’t as sneaky as you seem to think you are.

A normal boss wouldn’t have noticed the small transactions in your bank account, or the little trips you’ve been taking to go look at apartments. But Vox isn’t a ‘normal boss’ by any means. And he noticed.

From the moment Vox set eyes on you, he knew he wanted you. You’re beautiful, and fuck, your voice—he just can’t get you out of his damn head, no matter how hard he tries. And he really fucking tried. But he couldn’t avoid you, thanks to VoxTek being such an integral part of your performances. And you’re like a damn siren with that voice of yours, even though he’s supposed to be the hypnotizing one here. Eventually, he just gave in and accepted that he was more than a little obsessed with you. That’s why he started drawing you closer to him, pushing away Velvette and taking control of your brand. He doesn’t like sharing.

Obsession isn’t a particularly new feeling for Vox. He certainly has… tendencies. But this isn’t like whatever the fuck he’s got going on with that deer-headed, old-timey bastard Alastor. It’s not a lust thing, either. You’re certainly attractive, and Vox most definitely would sleep with you, but that’s not the main factor at play here. This is a deeper obsession than any of that bullshit.

Vox knows that he doesn’t own your soul. He’s well aware that he can’t truly stop you from quitting. Even if he managed to trap you inside V Tower, he can’t force you to keep up the performances. If he had you under a proper soul-binding contract, though…

He would own you.

Now, he’s not Valentino. He doesn’t plan to take that kind of advantage over you. He doesn’t want to change a damn thing. He just wants you to stay.

And he will make you stay.

He knows when you approach his office, and he opens the doors with the touch of a button on his desk. He plasters that casually perfect smile on his screen and turns to face you as you enter. The doors shut behind you.

“I wasn’t expecting to see you today, my dear,” he lies easily, the charismatic mask fitting into place like it was never absent in the first place. “How can I help you?”

You hesitate, your anxiety starting to get to you. But you’re determined to do this. You clear your throat and step forward. “I’m resigning.”

Vox’s smile doesn’t falter, nor does his screen glitch. His demeanor is…unnerving, to say the least. You’ve known him to be temperamental, emotional. You expected some kind of reaction. But he’s just smirking at you like he always does.

“I don’t suppose there’s anything I can do to change your mind,” he replies smoothly, tilting his head to the side just slightly.

“No,” you confirm, trying to sound confident in your answer. You’re not sure if you succeed. “I’ve already made my decision.”

Vox sighs, though he doesn’t sound very defeated. His smirk hasn’t gone away, either. “Well, then. It’s been a pleasure working with you, darling.”

He holds his hand out for you to shake. The gesture immediately worries you, as it’s the well-known sign of a deal. But you reassure yourself that there’s no deal being made here. Hell may be chaotic, but there’s rules when it comes to these kinds of things. Neither of you have offered anything, therefore there’s no harm in shaking his hand. It’s just a respectful gesture of a boss wishing their employee farewell. It all feels too easy, but you’re too relieved to think too hard about it.

You go to take his hand, but as you lift your head up to meet his gaze, everything goes fuzzy.

Vox grabs you by your wrist before you can shake his hand. He’s not rough with you. He’s careful of his claws, ensuring they don’t put too much pressure on your skin. Not that you’d notice, either way—your mind is far gone at this point, thanks to those spirals in his eye.

“In exchange for your soul, you’ll remain under the VoxTek label and continue working for me. Your work will remain the same as before. You’ll forget about leaving. You will want to stay here. You will want to stay here with me.”

A golden scroll appears out of thin air, and it floats in front of you as it unfurls. “Sign it.”

Your body moves on its own. You sign your name on the line at the bottom of the page.

Vox releases your wrist, and takes your hand in his own as his eye reverts back to its normal state. When you come to just moments later, he’s shaking your hand with calm professionality.

“I’m glad we got that sorted out,” Vox remarks smoothly, his smirk looking almost proud now. “I look forward to your next performance, my dear.”

You blink a few times as you become more lucid and aware. “Uh, yeah. Can’t wait!”

You smile, and Vox releases your hand, seemingly satisfied with your answer. You don’t remember what exactly you came in here for, but you’re happy with the outcome.  “Perfect.”

#hazbin hotel #vox x reader #hazbin hotel vox #hazbin hotel vox x reader #hazbin hotel x reader #vox x you #hazbin vox #vox hazbin hotel #hazbin vox x reader #the vees #gender neutral reader

[danandfuckingjonlmao]

me, waking up drenched in sweat, violently sitting up in bed and letting out a gasp: IT'S A METAPHOR FOR BEING A YOUTUBER

idk if someone already thought of this and this is also probably the most obvious reading of it but here i go anyway: i was just walking a dog and listening to potato prints and when phil said "you've come a long way daniel" i was like "huh phil is in the teaching position in all of these just like he was for youtube" like phil just gives editing pro tips the whole time and it all parallels their story as a youtube duo.

and obviously the entertainment industry is rife (not proper usage of that word but it Feels Right so fuck you) with satanic symbolism/imagery/iconography/motifs. being an entertainer is "selling your soul to the devil" etc etc and we know dan hates being a youtuber and does feel that way. you gotta upload twice a day every day in order to be the number one art channel on youtube dot com after all. you gotta make those crafts for satan. bo burnham has a ton of lyrics/songs that i'm thinking about rn like "you used to do comedy when you felt like being funny but now you're contractually obligated so dance you fucking monkeeeey DANCE MONKEY DAAAANCE" and in "repeat stuff" which is a commentary of how mainstream pop love songs and pop stars have to be really superficial and unoriginal because they need to appeal to everyone and at one point he sucks satan off lmao and is like AHFRUEHQFWIIO I AM A VESSEL IDUSHISKA 666 KAJSDFI ILLUMINATI UIGDFSAHIO FREEMASONS. highly recommend looking at the lyrics to that song if you're into that kind of thing.

also the (very rightful) dig at phannies for the "don't cry craft" spamming like "we love all of our crafty audience that spread the message of this channel on all the other videos on the internet! everywhere! everybody enjoyed that!" is how creators who want to keep status have to address their audiences no matter how annoying or harmful they're being. thinking of the ajr line "stay out of politics, stay on the fence / stay out of all of it to keep half your fans" because like,, yeah if a creator ever expresses an opinion that declares their feelings on one side of an issue then they will lose support (smosh is a perfect example of a bunch of people never ever ever expressing an opinion if it could be considered controversial among their audience, like refusing to address the genocide happening right now and just taking their zionist member who the fans are mad at out of some videos to be like "shhhhh nothing to see here we don't know what you're talking about"), ESPECIALLY if that issue is the behaviour of their audience.

obviously the first dapc video was not made with any intended meaning, they just woke up and were like "let's be weird and freak people out" and they did that, and then adding in symbolism and making it all mean something developed with time. but i'm gonna pretend that it has always had consistent meaning because i'm neurodivergent and love overanalysing silly little media.

i am so jhfbvdahfkiufadkhlj right now so if anyone has more theories or things to add lmk and thank you for coming to my ted talk

#me saying shit #dnp #dan and phil #phan #dan howell #daniel howell #amazingphil #phil lester #danisnotonfire #yeet my deet #yeet my deenp #danandphilcrafts #squareflakes #glitterfaces #potato prints #slime

[blazinghotfoggynights]

I am so happy to see a canonical badass also be canonically queer. I can't tell you how many amazing men I know who were closeted bi because it wasn't an option for them to be open.

I'm also raising an eyebrow at the writers since we now know that without Fox's chokehold on them, and KR writing nonsense, they can spin a good story, surprise us, and keep us entertained.

I want to see Buck discover who he is outside of the 118, the Diazes best friend, and the man who is always left behind. I want to see Buck spoiled and taken care of for once. Instead of him planning and executing the grand gestures, it's time for someone to do it for him.

I stand by what I said in a post weeks ago. Eddie Diaz was coded to appeal to the more conservative of the population and I have a theory on who pushed that and why. It is obvious who that character was supposed to click with. I believe he was written in a way to prevent Buddie and if you look closely, whoever "developed" him did so in a way that baited Buddie but kept it subtle for those who would be offended if that happened.

911 goes to a more open-minded network and we get characters who are much more developed in just four episodes? That wouldn't be possible if the elements weren't already there but lying dormant. I wonder why those character traits weren't tapped at Fox. Hmm?

If fans don't see the potential for not just season 7, but season 8 and beyond, to yield amazing character development and story arcs, you are not paying attention. There are so many areas that have yet to be explored and so many loose ends from Fox and KR. Just cleaning up the mess from the prior powers could give the show a good two to three seasons.

In my heart of hearts, Buddie is endgame. Even in this episode, Buck gushes about Eddie. He gets that look in his eye and sings his praises just before kissing Tommy, who is literally a physical specimen reminiscent of Buck but a copy of Eddie in every other way.

Do I think Buck and Tommy will go anywhere? I do. Just like Buck and Taylor, I think it could be serious. I could also see Tommy figuring out Buck is into him because of how much like Eddie he is.

But, I am willing to celebrate the victory of seeing someone figure things out, explore life, and love it.

I told you all in an earlier post, it isn't uncommon to have a sexuality epiphany, I hate calling it a crisis, later in life. Ask me how I know.

Also, major props to Oliver Stark and Lou Ferrigno, Jr. It's easier now, but it's not easy and they are going to catch hate from the bigots.

#911 abc #9 1 1 buddie #911 on abc #buddie 911 #buddie #buck x eddie #eddie x buck #eddie diaz x evan buckley #evan buckley x eddie diaz #buck/tommy #eddie diaz #ryan guzman #evan buck buckley #oliver stark #tommy kinard

[villainsandvictimsalliance]

Tomura and Dabi both telling Toga she doesn't have to get a villain name if she doesn't want one hits even harder when you finally remember the circumstances of their own villain names.

Tomura got assigned a villain name because he was turned into a villain against his will. He didn't get to choose his identity, he didn't get to choose his destiny. Someone else came to him and then changed him until he couldn't recognize himself in the mirror anymore.

Dabi was rejected by his father over and over and over again. It's not like he wanted to deny who he was, in fact, he wanted to use it as a weapon and that's why he got a villain name. Dabi is more like the manifestation of all his trauma and grief. Dabi is a reminder, a scar and a story to tell.

See their arguments against the villain naming yourselves and get some free analysis about it:

From right to left*

Dabi:

(Villain names are) stupid. That's just some crowd-pleasing crap. A holdover from before the quirk registration system.

Dabi is the first to mention the origins of the hero and villain naming convections. Before there was order in their society, people needed names to identify their powers.

He's also aware that taking a villain name is done to both appeal to the public and oneself. See how Mr. Compress mentions that a villain name gives you class, or how Twice and Spinner seem to get it as a matter of being cool.

Touya himself knew he picked the name Dabi for the show. He's not particularly attached to it and he doesn't even defend his name when Compress decides to criticize it. Being Dabi is just a tactic.

Tomura:

There basically used to be no differences between heroes and villains. One story says... The alias stuff started when you'd have an anonymous enemy and you needed to call them something. From there, some decided to adopt those very nicknames to hide their identities.

Assuming another identity —like a new skin— was a matter of survival.

At some point, they went all-in with code names, ripped straight from comic books. According to this theory, it all started with people announcing themselves by those aliases, that's why the world's turned into a comic book.

Anyway, I'm good. (The names can be cool and all, but eh).

The rest assumes that Tomura has always been Tomura Shigaraki (even after hearing during MVA his confession about his past). In truth, you see he doesn't want a villain name. Like Toga, he rejected the idea when it was suggested.

Mr. Comic Book Fan #1 (AFO) was the one who gave Tomura his name and we all know what he did with those words. Similar to Touya's intention with the name Dabi, AFO hid Tenko Shimura so he could later use his identity as a weapon against All Might.

It was a matter of survival for Touya and Tenko alike. No one could know they were a Todoroki and a Shimura. That new identity prevented little Tenko from being found and allowed Touya the freedom to plot his revenge.

It's very important to me that they are the ones who tell Toga she doesn't need a villain name. She is good as she is, she must be able to live as she is too. Somehow, they protect her in her choice of not picking a skin to hide behind.

#bnha #mha #shan's reblogs #my hero academia #league of villains #lov #boku no hero academia #bnha spoilers #mha spoilers #shigaraki tomura #tenko shimura #dabi #touya todoroki #toya todoroki #toga himiko

[leoserblog]

Ok this might be an unpopular opinion but someones gotta say it...

Cassandra is a better Casey Jones than Casey Jr

Ive gotta be honest... i think casey jr is a kinda mid and i dont particularly think all the fanfare about him is warranted LOL

I want to note real quick that i dont DISLIKE him! He is a good character who only got as much development that a 2 hour movie could give him, and he filled and satisfied the role he needed to play in the movie, but the way the fandom latched onto him over the og casey... kinda makes me raise a brow

(Essay/rant about the prioritization of casey jr vs og casey under the cut :P)

Fandom spaces love a traumatized boy from the future, and believe me i do too! But the amount of attention given to casey jr after being revealed as casey is a wild amount compared to the amount of attention the original casey gets. Maybe its just me getting into rottmnt after the movie aired, but this seems a little baised?

Not only that, but the amount of... idk the best way i can think to describe it is infantilization of casey jrs character isnt helping my opinion of him. It feels like most content surrounding him babify him and reduce him only to his trauma post movie. I understand that it can be interesting to explore his trauma now that he no longer lives in the literal apocalypse, but it feels strange to see him reduced to someone who cant get around on his own and lives with the turtles when the original pitch for the movies ending has him leave to explore the world, which i feel is very appropriate for him and wish they had kept it in

In the movie when april shows us where the og casey has been and what shes been doing throughout the film, it tells us that casey is friends april which in theory, shouldve also shown us that she and the turtles are friends to some degree as well and should already have her place established within the group as this generations casey jones

However the final shot of the movie is a group shot of the family+casey jr, which subtlety implies that he's the new casey instead, and that this is the main cast moving forward (should it move forward *sob*). While both caseys being considered in the main cast could be true, it does strike me as a little odd that this was the final direction the rot team decided on for the official ending versus the scrapped ending, especially because it complicates the pre-established canon. It wouldve been one thing if our og casey was a different character, but that isnt the case.. y... (<_<)

Casey jr is an interesting character though! And i can understand why he appeals to fans, especially as his character post movie is fun to expand on aswell as developing his past involved with future versions of the main5, but one (me lol) could argue that the og casey is just as interesting of a character to delve into as she was involved, when you boil it down, a cult most of her life, and that concept, as well as the guilt she could hold for working with the foot and releasing the shredder, ontop of trying to befriend and gain the turtles and aprils trust are also intriguing concepts that could be explored, yet finding content that mentions her at all beyond her relation to casey jr is scarce

It feels as though shes been reduced to a background character within the fandom despite being a reoccuring character for the entire show.

For the two seasons of rottmnt that we did get, we are shown just what kind of character casey is and her possible dynamics with the turtles+april. Shes passionate and powerful and beyond determined to prove her worth and reach her goals. Shes also playful and reckless, a side that fits well with the main cast and their humor and, if the show was given more time, couldve developed naturally as the newest addition to the family as most caseys are. I could also argue that her characterization fits that of previous caseys more than casey jrs does (though i will admit that considering the plot of the movie, i cant positively say what hed be like outside of life or death scenarios, but i also cant imagine hes going to make a 180 in personality without it feeling jarring and ooc)

Now, i wont ignore the fact that her arc was cut horribly short and her involvement in the movie was quite literally a brief mention, both of which definitely play into how under appreciated she is. But at the same time it almost feels like everyone, including the show runners, have willingly pushed her aside for this new boy version to fill the role of casey jones. Hell, even when you look up rottmnt casey jones, cassandra barely shows up. Its casey jr which further proves my point

Idk, TLDR im pretty disappointed that despite being a consistent character for the entire show, no one seems to write or acknowledge her and if she is mentioned, its only relevant to push forward casey jrs character development or a brief cameo. As much as i do love casey jr (i can feel like hes mid and i can like him!) it seems like most people forget about the original casey, or favor casey jr in her place and she deserves more love and credit than shes given!

#rottmnt casey jones #rottmnt cassandra jones #rottmnt #rise of the teenage mutant ninja turtles #leoserpost #sorry to get so passionate about her #shes my little meow meow you see #now OBVIOUSLY some people write about her and casey jr #and they do it well #and im well aware of the rushing of the show along with the strange gap btwn it and the movie #but i still feel its important to mention because shes so cool!!!!! #and the best!!!!! #and i love her very much!!!!! #(also i didnt get into how fandom prioritize male characters over female ones and how that also likely plays a role in her being overlooked #(but i didnt feel like starting an argument w ppl who refuse to examine their own internalized misogyny so :P #we'll leave it at this) #plz appreciate her!!!!!!! #she deserves so much more!!!! #i want in depth fics about her life post shredder!!!!! #*if u want it sm go make it urself* i hear some say #and listen bud #<< #im thinking about it so hard in my brain #maybe i will! #😤 #ddjsjka ok im done #this is all very much my opinion #and maybe theres cassandra circles im missing out on #but this is also what ive observed #at the end of the day these are just silly cartoon characters and i just happen to feel strongly about this one!!

[swamp-adder]

Like many fans I've always had issues with Holmes' retirement in canon... not just the separation from Watson but the fact that he always loved detective work so much and it's just hard for me to think of a non-depressing reason why he decided to retire so early in life, move away from everything he loves and focus all his time on some random new hobby that we've never heard about before. I mean even though he's a solitary guy I just have a hard time believing Holmes would actually want to move out to the middle of nowhere where he can't easily go and see concerts whenever he wants.

I know some fic writers try to make sense of it by positing that he had a transformative experience during the Hiatus where he learned how to relax and find true happiness and emotional fulfillment by living a peaceful life appreciating nature instead of doing morbid stuff like obsessing over murders and risking his life all the time, but I dunno... it's not exactly that I find this unbelievable and more that the idea of Sherlock Holmes as a zen nature lover who couldn't be truly happy until he quit being a detective just doesn't appeal to me very much lol.

So how about this alternative theory:

Holmes is sick of being famous and having people hassle him all the time for interviews/autographs/etc (THAT part I can definitely believe). Around 1903 he gets fed up and decides to leave Baker St and secretly move to another location in London, possibly even under the thin façade of an assumed name to keep the neighbors from asking too many questions. (Maybe Mrs. Hudson also retired from landladying around this time and that was part of the impetus for him to leave.) For a while he'll go back to being primarily a "consulting" detective, taking cases from a few Scotland Yard inspectors or government officials who can be trusted with his new address. He had previously banned Watson from publishing any more stories about him, precisely to avoid growing his fame even further; but now he says, "You can publish more stories, but only on the condition that you tell them I'm retired and not living in London anymore." Then Watson is like "How should I say you're spending your retirement?" and Holmes is like "IDK, keeping bees?" as like a random joke. Either that or Watson made up all the "peaceful life of a country beekeeper" stuff to twit Holmes because it's the complete opposite of what he actually enjoys.

Of course eventually people will start piecing together the truth, so Watson writes "The Lion's Mane" to further push the story (and/or as another joke, making it deliberately ridiculous to see if people will still buy it).

Eventually, sometime after the war, Holmes does retire for real; but he stays in London (maybe at still a third address, to shake off the people who managed to track him down last time). He spends his days doing chemical work and writing his book on detection and going out to concerts every night. Watson may or may not live with him, but in any case he's also still in London and they see each other all the time. The end.

#sherlock holmes #acd holmes #watson as unreliable narrator