AU where Leo is trapped in the Prison Dimension for months instead of minutes and the only way he gets by with his sanity intact is through recording himself talking to his wrist comm.
When they finally manage to get Leo back and make him rest up to heal, Donnie can’t help but listen to the recordings left behind.
He’s not sure what exactly he’s expecting, only that his subconscious is screaming at him that it has to be heartbreaking, that it has to be torturous.
Instead, what Donnie is subject to is a full thousand hours’ worth of Jupiter Jim and Lou Jitsu crossover fanfiction. More than one part in the series. Spanning well over a million words.
(The worst part is that it’s actually good.)
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Just saw someone on Twitter complain about the lack of Japanese people in Oppenheimer, and what did you expect??? Did you want the final act to be the bomb dropping and see people burning alive???
The reason why we don't see a Japanese perspective is because one, including a Japanese perspective, just to see how bad the suffering was would be exploitation. Two, to see an accurate and sensitive take on how the japanese felt about Oppenheimer, Christopher Nolan (as incredible as he is) isn't the right person to do this. And three, it's based on Oppenheimer's biography
Oppenheimer, the movie, literally shows you people (mostly the superiors, because by the middle/end of it you see Oppenheimer regretting his creation) doing something dubious and inhumane because they removed themselves away, both emotionally and physically, from the people they are hurting.
Nagasaki and Hiroshima only exist in those men's distant thoughts and imaginations. One guy literally asks to take a city off the bombing because that's where he had his honeymoon. It's disturbing and unsettling, as if those people were not real human beings. The lack of Japanese people drives the entire point home.
Also, Japanese cinema is right there. Barefoot Gen, Grave of the Fireflies, or Hiroshima (responsible for showing to many Americans the effects of the bombs for the first time) are just a few of the many, many decades of post-war Japanese movies we have
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Viggo Johansen (1851-1935)
"Silent Night" (1891)
Oil on canvas
Located in the Hirschsprung Collection, Copenhagen, Denmark
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for strange and unknowable reasons i have spent the past seven and a half hours making this emotional catharsis amv instead of sleeping. my personal love letter to the art that has changed me over the years.
homestuck / avatar: the last airbender / everything everywhere all at once / soul / homestuck / infinity train / koe no katachi / gravity falls / up / frozen / blue planet / the prince of egypt / night in the woods / the good place / everything everywhere all at once / blue planet / wonders of the universe / night in the woods / monument valley / monument valley / homestuck / journey / the good place / infinity train / homestuck / koe no katachi / gravity falls / infinity train / omori / avatar: the last airbender / everything everywhere all at once / blue planet / the prince of egypt / homestuck / spider-verse / monument valley / journey / homestuck / frozen / moana / mulan / avatar: the last airbender / kung fu panda / frozen / avatar: the last airbender / omori / everything everywhere all at once / gravity falls / kung fu panda / my little pony / infinity train / omori / how to train your dragon / soul / frozen / up / journey / koe no katachi / omori / undertale / infinity train / gravity falls / monument valley / àiqíng gōngyù / soul / the good place
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Another parallel between Valjean and Javert is that they’re eerily silent when captured or threatened.
Jean Valjean being captured by Patron-Minette:
The silence preserved by the prisoner, that precaution which had been carried to the point of forgetting all anxiety for his own life, that resistance opposed to the first impulse of nature, which is to utter a cry….
Javert being captured by Les Amis:
Javert had not uttered a single cry.
The other police spy who’s captured at the barricade— Le Cabuc— is not like Javert, in that he behaves like a normal person. He cries out in pain and anger and fear; he begs for mercy; he prays. But Javert is inhumanly tranquil, and reacts to his death with indifference.
Jean Valjean, when captured by Patron-Minette, is similar. He acts eerily “calm,” and inhumanly “silent.” Of course in Valjean’s case, he has to be silent, because he’s aware that the police would only hurt him if they arrived; his politeness is also a survival strategy. Knowing how to behave in a superficially polite solicitous way to avoid punishment from authority is clearly something he’s had to learn to survive prison.
This parallel feels like another way the trauma of prison has affected both of Valjean and Javert’s lives. Javert spent time in prison as a child, Valjean spent nineteen years serving his sentence— and both of them have now learned to silence “the first impulse of nature” to cry for help. They know instinctively how to behave in situations where they are trapped in another person’s power and have no autonomy. They are able to remain calm and tranquil and even “polite” even when they’re threatened with death.
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