Y'all, the world is sleeping on what NASA just pulled off with Voyager 1
The probe has been sending gibberish science data back to Earth, and scientists feared it was just the probe finally dying. You know, after working for 50 GODDAMN YEARS and LEAVING THE GODDAMN SOLAR SYSTEM and STILL CHURNING OUT GODDAMN DATA.
So they analyzed the gibberish and realized that in it was a total readout of EVERYTHING ON THE PROBE. Data, the programming, hardware specs and status, everything. They realized that one of the chips was malfunctioning.
So what do you do when your probe is 22 Billion km away and needs a fix? Why, you just REPROGRAM THAT ENTIRE GODDAMN THING. Told it to avoid the bad chip, store the data elsewhere.
Sent the new code on April 18th. Got a response on April 20th - yeah, it's so far away that it took that long just to transmit.
And the probe is working again.
From a programmer's perspective, that may be the most fucking impressive thing I have ever heard.
If you send me an ask containing links to Good Omens fan fiction you think I should read, I'll delete it. Do it again and I'll (regretfully) block you. This is a general blanket sort of thing -- I don't want to read it, legally I can't read it, no I won't make it into the next series, and, no matter how pure your motives, it's crossing a line.
So we all know that Tumblr is US-centric. But to what degree? (and can we skew the results of this poll by posting it at a time where they should be asleep?)
Excerpt from Soviet-Armenian film Nahapet Նահապետ (1977) directed by Henrik Malyan. Based on a novel by Hrachya Kochar, the film depicts the Armenian genocide of 1915. Nahapet is a survivor who tries to rebuild his life after the tragic loss of his family. The scene is accompanied with Armenian folk song “Dle Yaman” Դլե Յաման, which became a hymn of the genocide, here it is sung by Melania Abovian.
One of the recurring scenes in the film involves scores of red apples falling from a tree, rolling into a river, and floating en masse downstream. The scene is a painful symbolic reminder of the multitude of Armenian bodies thrown into the Euphrates by the Young Turk regime during the genocide. (x)
An apple tree on the lakeshore, with countless red fruits rolling down towards the blue water, is how Malyan, the ‘lyricist’ of Armenian cinema, pictures the huge loss sustained by his nation. Yet like all true metaphors, this image is multi-semantic and means not only loss but continuation, the prospect of reaching the shore one day. […] ‘salvation’ and ‘revival’ of the apple tree symbolize the rebirth of a massacred nation. (x)