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filmtvfandom · 6 days
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my most unpopular stranger things related but not stranger things exclusive opinion is that i am very bored with how almost every story that has paranormal or scifi elements eventually evolves into a story about stopping the end of the world. and i do know that apocalypse media has its enjoyers however i am not one of them and i very rarely choose to consume it so you see why it would exhaust me that so often all my horror shows and podcasts turn into an apocalypse thing
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filmtvfandom · 17 days
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MacGyver (7.13 The Stringer, 1992).
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filmtvfandom · 5 months
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filmtvfandom · 6 months
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Jack O'Neill with a magnifying glass
Stargate SG1 (S08E04, S05E19, S04E01)
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filmtvfandom · 6 months
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Jeffrey Dean Morgan as Agent Harvey Russell in Rampage (2018)
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filmtvfandom · 7 months
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Our Flag Means Death is the definition of know your audience. Does the lgbt+ community want sexy ripped abs and sweaty sex scenes? No, they want middle aged idiots tripping head over heels in love and a cast that is as queer and strange as they are
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filmtvfandom · 7 months
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Declan Macrae - Sanctuary (2008-2011)
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filmtvfandom · 7 months
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@philcoulsonismyhero It's a bummer when you like a minor character, and there's zero content to find. Challenge accepted! More Declan-gif's coming up lol
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Sanctuary - Declan Macrae - Head of UK Sanctuary, loyal to Magnus, ex military, cheeky bastard.
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filmtvfandom · 9 months
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No hardcore fandom has ever died so quickly and so completely as Veronica Mars. This is the story of its murder.
They should study Veronica Mars in Hollywood. I'm serious. It's an incredible story of how to go from "loud, passionate fanbase with its own fandom name that campaigns and advocates constantly for it" to "absolutely zero fucking interest" damn near OVERNIGHT with just ONE epically terri-bad decision.
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If you weren't there, you don't understand: From 2007 to 2014, the fandom — the "Marshmallows," as they called themselves — were everywhere in the Internet's geek spaces, my friends. They routinely beat the drum about the series' three seasons and its excellence, lamented its cancellation, pushed others to give the show a try, and always - ALWAYS - proudly and loudly called for the series to be revived.
FULL DISCLOSURE/CONFESSION: I've not even watched that much Veronica Mars, frankly... ? Yeah, I'm sorry! it does seem pretty good from like the four-or-five hours I've experienced firsthand. I just never took the time to sit down with it. Regardless, I find fandoms and their dynamics — both how they operate internally and how they display to others externally — deeply fascinating. And I honestly find them easier to study from the outside than the inside. Like, if I'm IN a fandom, I'm more likely to stay in my corner and ignore places that seem negative. But being on the outside lets me just... absorb what's out there, looking into every forum without judgment. It's like studying pop-culture sociology or something? And it helps that I'm very close to some serious(-ly burnt) Marshmallows. It makes it so much easier to find and absorb the gamut of the fandom.
Besides: There is NO fandom story I've ever seen that's anything like what happened to Veronica Mars and the Marshmallows.
(Time to insert a brief explainer for the uninitiated: Veronica Mars was a TV series that aired from 2004-2007 on the now-deceased UPN network wherein Kristen Bell played the titular character, a high school girl whose single dad was a private detective in the fictional community of Neptune, California. She grew up working "unofficially" as his assistant, which meant that she herself was effectively a teenage private detective.
The three core elements of the series were: 1) Veronica investigating each week's big mystery with plenty of quips and snark, 2) Watching Veronica's various relationships develop and shift, with most of the focus given to a) her relationship to her father and b) Her romantic pursuits (which began as the Veronica/Duncan/Logan triangle before eventually becoming focused on the slow-burn, off-on Veronica/Logan love story), and 3) The gradual development of that season's "mytharc" — the overarching BIG MYSTERY that doesn't get resolved or wrapped until the season finale. So it went over the course of two seasons that took place in high school and the third, shorter season that was at the start of Veronica's collegiate career.)
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Just how big and how passionate were the Marshmallows? WELL! When series creator Rob Thomas (not the Matchbox 20 guy) and star Kristen Bell announced the Kickstarter campaign for the Veronica Mars movie in March 2013, it achieved its heretofore-unprecedented goal of TWO MILLION GODDAMN DOLLARS within less than 12 hours. At that time, it was the biggest Kickstarter goal to ever succeed — and certainly the fastest to reach that kind of height. Fans fell OVER themselves to pay out for it. Hell, my own significant other was DEEP in the tank for VM at the time and invested enough to get multiple t-shirts as backer rewards as well as a disk copy of the movie when it eventually came home.
And AFTER the movie hit in 2014? It was thankfully beloved and embraced! The once-teenage characters were adults who were actually out living on their own and working for a living, but the fandom had grown up with them, so it wasn't like they were begging for them to stay young students. They embraced Adult Veronica and her new adventure. The fandom rejoiced loudly and continued to be all over the geek side of the Internet... where they, of course, still wanted more. Sure, there were new novels in the aftermath (which were written by the creator of the series), but most of the Marshmallows were calling for more movies or a streaming revival.
And then, at long last... season four was actually announced. And there was much (premature) rejoicing yet again.
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Yes, Veronica Mars returned for a fourth season on Hulu in 2019. It was just eight episodes, and it was heavily centered on one season-long mystery instead of sprinkling that amongst a bunch of smaller ones, but it would still feature the same ol' Veronica. They promised a new, more "adult" mystery/investigation plus a strong focus on Veronica and Logan's love story.
New Hulu purchased the rights to the first three seasons and hyped up its presence on the platform while marketing the return for the new run. The marketing team played up the most popular quips from the show's history plus put out TONS of stuff centered on the Logan/Veronica ship to pump up the fans.
The season was dropped all at once using the classic Netflix "binge" model in July 2019. And then... afterwards?
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There was a brief explosion of LOUD RAGE from the Marshmallows at what series creator Rob Thomas had to done to burn and spite the fandom and ruin his own goodwill.
SPOILERS FOR SEASON 4: See, at the end of the movie, Veronica and Logan finally entered into a long-term relationship. In season four, they've been dating for years, and Logan proposes marriage. But of course there has to be drama/obstacles: In this case, Veronica isn't sure she's ready to marry... or capable of being in a marriage. Ah, but of course she eventually realizes how much Logan means to her. The two are married, and, in the season finale... Logan is killed by a car bomb in the penultimate scene. The final scene is a flashfoward to a year later, where Veronica leaves Neptune alone.
For most fandoms, that'd be a memorable point of pain. A big ol' speed bump that ultimately throws some people off the bus, leaving only the die-hards. But the fact that fans had been invested in this relationship for literally 15 years and that Hulu (and creator Rob Thomas) had heavily marketed the new season as being a big romantic event for the ship... it was too much. Unlike the aftermath of the Star Wars sequels, there was no lingering group of die-hard fans who were open to whatever was next — at least no significant one. I did some Googling and could only find TWO people who still wanted another season.
Funnily enough? Critics LOVED this. Hell, Vanity Fair infamously penned an editorial about how Veronica Mars had "finally grown up" with this finale. I suppose all the other murders and deaths and drug overdoses and r*pe weren't "mature" enough before now for... some... reason. (The same editorial also featured the author openly hating on Veronica ever being in a relationship because it causes "arrested development" and declaring that the movie -- which was acclaimed by both critics AND fans alike, I remind you -- was a lame dud. So. The writer must be a reeeaaaal fun person.)
But a series doesn't live based on critical acclaim, as it turns out. The fandom was murdered overnight. "Marshmallows" stopped appearing in geek spaces online entirely. No one expressed interest in seeing the next season or the next movie. The constant flow of fan AMVs on YouTube and fanfics on AO3 dried up to nothing or damn nearly so.
Since 2019 ? Nothing. Chirping crickets. An intensely dedicated fandom of 12 years was just... vaporized.
I've never seen anything like it before OR since.
That's why it's so fucking fascinating.
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So what went wrong?
Creator Rob Thomas was adamant about two things: ONE, the series was intended to be a noir show, which meant there couldn't be any happiness for its protagonist. And TWO, the death of Logan was necessary to evolve and grow the series.
Thomas thought that having Veronica in a relationship would be holding her back, and that a marriage would absolutely kill the series and leave her stagnant. It never even occurred to him that marriage isn't the end of a character's life and growth. It never occurred to him that plenty of drama can be had AFTER someone is married, or that development/growth could be that the characters mature enough to be capable of maintaining a committed relationship. Thomas' view of his own universe was so myopic that he couldn't conceive of any possible way that Veronica could still be a private detective involved in life-threatening investigations AND be married at the same time. Futhermore, he felt that fans just wanted Veronica to become a pregnant housewife, which is about as far from what Marshmallows were after as you can get without straight-up killing Veronica and/or Logan. He managed to do the only thing wronger than what he wrongly thought was their insistence.
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On top of the above, Rob Thomas only viewed "noir" as a vehicle for total fatalism... despite the fact that many of the most famous noir stories are cynical and full of moral ambiguity, but they still feature a positive outcome. The Big Sleep still has the protagonist get the girl. The Set-Up arguably ends with the happiest possible ending in spite of the beating the hero receives.
Perhaps most importantly? Despite Thomas own insistence that Veronica Mars was always "noir," the majority of both TV critics and fans did not think that designation ever truly applied. I suspect that's the reason why Thomas decided to go as dark and fatalistic as possible: He wanted to be noir, and he was being told that he wasn't. So he went so far into noir that he killed his own most popular property.
He was adamant that it was the only way for the series to grow. But as it turns out, it was instead the only way for the series to permanently end. Without that season four finale, a passionate group of fans would still be begging for more. With it? It's over. Nobody fucking cares now.
That's kind of amazing.
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filmtvfandom · 11 months
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Gay in Midsomer - Midsomer Murders
S18E02 - S19E01 - S20E04 - S19E05 - S18E01 - S22E05
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filmtvfandom · 1 year
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What was it with 90s sci-fi TV shows that made them think they needed constant dramatic background music at all times? My poor sound sensitive ears!
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filmtvfandom · 1 year
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I've been on a bit ob a Russell Crowe movie binge in the past few weeks and since he is almost sixty now, many of the movies I've watched were consequently older movies. and when I watched them, it struck me again, how much hollywood has changed in the last few decades when it comes to depicting men.
take Gladiator for example from the year 2000. Russell Crowe plays basically an action hero in it. he is a big, muscly dude, who is very strong and uses that strength to defeat his enemies. and this is what he looks like:
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looks like a strong man, right?
in the same year, Hugh Jackman as Wolverine looked like this in the first X-men movie:
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in 2013 the same character played by the same actor looked like this:
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it's a bit much, isn't it? I mean, he looks so skinny.
and if we go even further back: look at what the womanizer character Face from the A-team looked like in the 80s show vs the 2010 movie reboot:
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maybe the difference isn't that big but it really startled me when I watched that movie for the first time. in my mind there was no reason why Face should be particularly muscular since he is the charming one not the one known for being particularly strong.
if we go even further back, look at the charmin womanizer character Hawkeye in M*A*S*H from the 70's.
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I know he's a doctor and there is no reason for him to be ripped but I got the feeling if they did the show now, he would be.
I don't know what my point really is I'm just saying I got a bit nostalgic when watching these men. I cannot be the only one who'd rather see more of this:
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than this:
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also, as a sidenote: Russell Crowe gained a lot of weight for the nice guys and he is a fucking powerhouse in that film, like, when he punches someone, you really feel it because of the weight that is behind it and the shere mass of his body.
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(even if this may look different, he's about to break Ryan Gosling's character's arm. I couldn't find a gif of him punching someone but I swear it looks painfull as hell.)
so, in short: can we get big, heavy action guys back? cause I'm tired of seeing these skinny, despite being muscular dudes who look dehydrated as hell and on steroids.
and can we stop making characters ripped just for the sake of it? cause I'd rather cuddle with a guy looking like Hawkeye than one looking like Face from the new A-team movie.
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filmtvfandom · 1 year
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the best thing about ofmd is that absolutely nobody on the show is cool. blackbeard and jim can manage to pretend to be cool like maybe 70% of the time but at the end of the day ed is someone who says things like "you're a killer, bro" to try to psych himself up and secretly wants his hobbies to be sock-folding and planning talent shows, and jim's idea of a cunning distraction is knocking cups off the table like a cat. everyone else is an enormous gay dork and our hero stede bonnet is 90% pure cringe by volume. and the show says you should love them anyway because there's actually nothing wrong with being cringe. what's so great about being cool anyway. maybe you should try being happy instead.
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filmtvfandom · 1 year
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filmtvfandom · 1 year
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Rewatching The Orville season 3 and oh my Charlie Burke really is as horrendously bad a character as I remember. For a show that has loads of complex and interesting characters; what on earth were they thinking?
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filmtvfandom · 1 year
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It’s all lovely - Midsomer Murders S19E04
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filmtvfandom · 1 year
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you can instantly make a cool female character if you just take any stereotypically masculine character type and make him a butch lady. easiest trick in the book. you can try this at home
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