...even the snow beating against the panes--
I wanted that. And you, dear one, stopping
outside my study door, then going on . . .
that loving pause that longs but still respects
my solitude---I wanted you most of all!
...And more, there was always more:
I wanted to be wanted, to belong
in school, country, gender, neighborhood---
one of the good girls everybody loves,
the heroine of the story of my life
with a happy ending. I wanted that---
who knows why anymore?---but yes, I did.
Some things I wanted but I couldn't get
I wanted not to want---my mother's love,
that look of urgent cherishing I've glimpsed
in the soft eyes of dogs and the dying.
I wanted Papi's love unhinged from shame,
his own and mine. I wanted not to feel
that yearning for the child I never had.
What else was it I wanted? I forget.
Or could it be longing that I want
To make me stretch beyond the lot I got?
from “What Was It That I Wanted?” in The Woman I Kept To Myself: Poems by Julia Alvarez, p. 149-150
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The only thing that Jesus ever asked,
of a personal nature, was on the night
before he died: he asked three apostles,
James, John, and Peter, to stay up with him.
My soul is sorrowing to the point of death.
It was his humanness that needed them.
What else to ask for since he had to die?....
The Sufi mystic Rumi urges us,
Do not go back to sleep. And Lord Krishna
rallies the sleepy Arjuna to arise
and join the fray of an awakened life.
Buddha has taught us to breathe in, breathe out,
in order to stay mindful, stay awake
watching our current incarnation roll...
It seems the great religions all agree
in what they ask of followers: Stay up!...
...My soul is sorrowing because I know
that staying up won't save a blessed thing.
But oh, sweet Jesus! given what must come,
what else to ask or give our companions?
from “What We Ask For” in The Woman I Kept To Myself: Poems by Julia Alvarez, p. 147-148
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It's agency, not fame, I want: my words
at work, a slap awake, a soothing hand.
from “Direct Address” in The Woman I Kept To Myself: Poems by Julia Alvarez, p. 138
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...there's a list as long as an epic poem
of folks who'll swear a poem has never done
a thing for them . . . except . . . perhaps adjust
the sunset view one cloudy afternoon,
which made them see themselves or see the world
in a different light---degrees of change so small
only a poem registers them at all.
That's why they can be trusted, why poems
might save us from what happens in the world.
from “'Poetry Makes Nothing Happen'?” in The Woman I Kept To Myself: Poems by Julia Alvarez, p. 133-134
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The earth is just too big, too beautiful:
I like it small, through a window...
...Take one small thing in hand,
open it up, and there's another door,
and another, long corridors of views
into the heart of darkness or of light.
There's no such thing as a small portion
once you bite in and savor the flavors.
If truth is in the details, I'm the pope
of the particular..
...My lot's to be a nibbler at life's feast.
Bit by bit, I'll devour all of it!
from “Small Portions” in The Woman I Kept To Myself: Poems by Julia Alvarez, p. 131-132
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...I complained to his buddy
who ran the department. He paid me no mind,
complimenting my 'talents,' promising
to have a little talk with the old goat,
a nudge and a hand slap over bourbon and rocks.
By then, I had dropped out, feeling ashamed
as women often do when Eden, marriages,
or dreams don't work--a sin to have refused
to be muse fodder for a great man's work,
using the lame excuse: I'm here for art.
But then, a glorious revenge ensued:
he disappeared in anonymity!
Over the years, I never heard his name
in writerly discussions, never found his books
whenever I searched the shelves, relieved each time
he wasn't there: another hammer blow
on the coffin lid of a ghost. --Now, here he is!
(no justice in the life or in the work?)
a grizzled eminence, pronouncing stuff
some girls in the front row are writing down.
from “Famous Poet, Years Afterward” in The Woman I Kept To Myself: Poems by Julia Alvarez, p. 125-126
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I have a friend who tangos and attends
meetings in Helsinki, amazingly
the largest convention of tango lovers
in the world....
...Another man I know adores Star Trek
and meets with other Trekkies once a year.
Get him started and the dinner party
is ruined, except for the amusement
of seeing him so worked up....
...The man who cuts my hair spends his spare time
making doll furniture. Each time I hear
off one new passion, I feel gratitude
at one more instance of the many ways
we learn through what we love to love the world--
which might be all that we are here to do.
from “Aficionados” in The Woman I Kept To Myself: Poems by Julia Alvarez, p. 115-116
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...Another friend said he waited for months
that turned to years after his father died
for a sign promised from the afterworld.
My friend said he would set up little traps:
if the light turns green . . . if the doorbell rings . . .
if the leaf falls before the count of five . . .
Meanwhile his favorite maple shed its leaves,
replaced them, lost a branch in a windstorm,
burned gold--seasonal incarnations galore,
which my friend missed waiting for his dad's sign.
These stories came when I was full of grief
about my own losses, wondering what,
if anything, my words could do for those
broken on the hard edge of the world.
Vanity, I thought, this is vanity.
Roll up your sleeves and do something useful!
But here on paper, I fit piece to piece
until the roses match, the cracks are sealed,
the cup fills to the brim, and over the brim.
Drink, my sad friends, be briefly whole again.
from “Signs” in The Woman I Kept To Myself: Poems by Julia Alvarez, p. 89-90
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...Gone are my waif days, waiting in the wings,
my butterfly touch, my pretty satin things,
the beauty of the body vanishing . . .
No more withholding, I am almost home.
Deep in my self, a light has been left on--
as if somebody, knowing I'd return,
has set the table, kept my supper warm.
from “Gaining My Self Back" in The Woman I Kept To Myself: Poems by Julia Alvarez, p. 86
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...Probably God smiled on the seventh day,
looking down at creation, calling it good.
Let's hope. But it's His son I want to see
in stitches, infused with the holy spirit
of the ridiculous, a god made flesh
and full of nonsense...
...Maybe he smiled
at virgins toweling his feet with their hair
or fumbling Pharisees, but I want much more!
If I were doubting Thomas I would ask
to hear him laugh. Who cares about his wounds!....
from “Why Don't We Ever See Jesus Laughing?” in The Woman I Kept To Myself: Poems by Julia Alvarez, p. 75-76
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"Hairbands" by Julia Alvarez
My husband has given away my hairbands
in my dream to the young women he works with,
my black velvet, my mauve, my patent leather one,
the olive band with the magenta rose
whose paper petals crumple in the drawer,
the flowered crepe, the felt with a rickrack
of vines, the twined mock-tortoise shells.
He says I do not need them, I've cut my hair,
so it no longer falls in my eyes when I read,
or when are making love and I bend over him.
But no, I tell him, you do not understand,
I want my hairbands even if I don't need them.
These are the trophies of my maidenhood,
the satin dress with buttons down the back,
the scented box with the scalloped photographs.
This is my wild-haired girlhood dazzled with stories
of love, the romantic heroine with the pale, operatic face
who threw herself on the train tracks of men's arms.
These are the chastened girl-selves I gave up
to become the woman who could be married to you.
But every once in a while, I pull them out
of my dresser drawer and touch them to my cheek,
worn velvet and faded silk, mi tesoro, mi juventud--
which my husband has passed on to the young women
who hold for him the promise of who I was.
And in mid ream I weep real tears that wake me up
to my husband sleeping beside me that deep sleep
that makes me tremble thinking of hat is coming.
And I slip out of bed to check they are still mine,
my crumpled rose, my mauve, my black hairbands.
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...And you, whose names I sometimes can't recall,
came out of nowhere with buckets and vans
to help me move to the next rental,
packing my books, my clothes, my manuscripts,
storing my overspill in your garages.
Some of you even let me stay with you
on living-room couches, fold-away cots
telling me that old story: happiness
is around the next corner, heroines
were once sad women who got lucky.
You were right! At long last, happiness arrived--
a steady job, true love, a first novel.
By then, you, my bad-weather friends, were gone,
like thoughtful fairies in a Shakespeare play
who having cleaned up after our mistakes
tactfully vanish before the last act.
Now in my own house sitting at my desk,
looking out on a sunny autumn day,
I hear a roll call in the wind of thanks,
Zohreh, Jay, Greg, Judy, Marcela, Ann...
from "Bad-Weather Friends" in The Woman I Kept To Myself: Poems by Julia Alvarez, p. 46-47
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....'Keep it to yourself!'
my mother said, which more than anything
anyone in my childhood advised
turned me to this paper solitude
where I both keep things secret and broadcast
my heart for all the world to read. And so,
through many drafts, I became the woman
I kept to myself...
from "By Accident" in The Woman I Kept To Myself: Poems by Julia Alvarez, p. 36
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"The Red Pickup" by Julia Alvarez
The wish I always made in childhood
before the blazing candles or when asked
what gifted I wanted the Three Kings to bring
was a red pickup, which Mami vetoed
as inappropriate. And so I improvised,
trading in speed for a pair of cowboy boots,
bright red with rawhide tassels that would swing
when I swaggered into my fourth-grade class
asking for an exemption from homework
from my strict teacher, Mrs. Brown from Maine.
She called my mother weekly to complain
of my misbehaviors, among them
a tendency to daydream instead of
finding the common denominator.
(But what I had in common with fractions?
I wanted the bigger, undivided world!)
She was one more woman in a series
of dissuaders against that red pickup
in all its transformations, which at root
was a driving desire to be a part
of something bigger than a pretty girl,
the wild, exciting world reserved for boys:
guns that shot noisy hellos! in the air
and left crimson roses on clean, white shirts;
firecrackers with secret explosions
that made even my deaf grandfather jump.
I wanted what God wanted when He made
the world, to be a driving force, a creator.
And that red pickup was my only ride
out of the common denominator.
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It is mine, my prize, a body that's going to die!
from "Intimations of Mortality from a Recollection in Early Childhood" in The Woman I Kept To Myself: Poems by Julia Alvarez, p. 20
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...It took some getting used to but, of course,
life feeds life. Where'd I get the idea
that art and happiness could never jive?
I felt stupid, wasting so many years.
But I took solace from those locust trees,
known for their crooked, seemingly aimless growth.
We have to live our natures out, the seed
we call our soul unfolds over the course
of a lifetime and there's no going back
on who we are--that much I've learned from trees.
from "Locust" in The Woman I Kept To Myself: Poems by Julia Alvarez, p. 14
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...We clipped ourselves off from the family tree,
independent women! Or so we thought,
until our babies started to be born,
sporting Mamita's dimples...
Even I, the childless one, intend to write
New Yorker fiction in the Cheever style,
but all my stories tell where I came from.
from "Family Tree" in The Woman I Kept To Myself: Poems by Julia Alvarez, p. 4
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