The Highwayman: Part III - The Highwayman Comes Riding
Fandom: TRR (Historical AU)
Pairing: Drake Walker x F!OC (Harper Gale)
Series Summary: On a dark, moonlit night, a highwayman's luck runs out...
Masterlist: The Highwayman
Chapter Summary: Drake arrives, but it's too late...
Word Count: 4,100
Rating/Warnings: M (swearing, physical violence, murder, grief, suicidal thoughts, main character death) Do not read if you are triggered by any of these things!
Chapter theme song:
A/N1: As with Part II of this series, this installment is also quite grim and dark. So read at your own peril. There is no happy ending. As before, I have made some changes to the original, but hopefully, these are for the better.
A/N2: This is my third and final submission for @choicesprompts January 2024 Song Rewrite Challenge. The song I chose to rewrite is The Highwayman by Loreena McKennit.
Part III - The Highwayman Comes Riding
The crack of a musket explodes out into the night.
I duck instinctively, pistols primed and itching to return fire...
...until I realise that the shot had come from the casement.
My throat constricts. "Harper..."
But she has vanished behind the plume of powder smoke that now obscures her window.
"Shit..."
I'd known something was wrong the moment I laid eyes on her. She'd been too tense, too still, sitting on that ledge, more akin to a doll than a flesh-and-blood woman...
...but I'd spotted the silvery gleam of the barrel too late, and now all hell has broken loose.
Fucking Beaumont.
I should never have let my guard down.
Heedless of the preservation of my own skin, I leap forward, fingers on triggers, desperate to reach her.
Another flash of orange...
...and my hat sails from atop my head as a bullet goes just wide of its mark.
I raise a weapon, volleys of lead peppering the thatch to my left and right...
...but I am quickly forced to confront the obvious.
I cannot risk it.
The darkness, in combination with the smoke screen being kicked up by the 'Coats flintlocks obscures my sight into the room, and Harper's location within.
And though I desire nothing more than to dispatch each and every one of Beaumont's whoresons to the depths of hell, the truth is that I'd be firing blind. And I wouldn't be able to live with myself if my bullet found Harper instead of a dragoon.
So, I have but one choice.
Flank the bastards.
Spinning 'round, I dash back down the length of the roof, bullets nipping at my coattails. Diving to the side, I return a pair of retaliatory shots in the general direction of the inn — careful to avoid the actual window — so the 'Coats are under no illusion as to the direction of my retreat.
Sliding down the thatch, I push off from the roof to land bodily atop the muck heap.
Not the most graceful of my escapes, I have to admit, but beggars can't be choosers. And I am pressed for time that I do not have.
Rolling off the pile of shit, I quickly sheath my spent pistols and lope towards the barn with sabre drawn instead.
Emile, the stable hand, had paid back my previous generosity by making me wise to the unsavoury nature of the guests that had descended on the inn. So, instead of hitching Drogon and the new palfrey up in a stall, I've taken the added precaution of hiding the horses out in the gorse.
But where I erred was thinking that the Greencoat patrol had sought the inn out for benign purposes. Because it sure as hell hadn't been me who'd plotted the course for them. In fact, I've always taken care to ensure that my tracks never led directly back to Harper.
Which begs the question... How the fuck did I end up walking into an ambush? With Gale strung up as bait?
My grip tenses on the hilt of my sword.
Someone had let the cat out of the bag. They must've. There's no other explanation.
Who? I have no clue. As there are a grand total of two souls who are privy to the secret that I frequent The Crown, and neither would betray me.
Not willingly, at least...
But, first things first.
Skirting along the shadow of the structure's perimeter, I arrive at the stable doors.
It appears quiet. But after being greeted by gunfire once already this eve, I am loath to take further chances.
Pinching up a handful of peddles, I toss them through the doorway. Only when no shots fire in reply, do I dare slip inside.
"Sir?" comes the hesitant query from within the shadows. "That ye? I heard musket fire an'—"
My sabre slices through the night. "Thought I'd be dead?"
The boy's countenance morphs into a mask of horror as the blade comes to rest 'neath his jaw. "Nay, sir! I'd never! I—"
"Care to swear on that?" I interject with a dangerous edge.
"On a tower of Bibles stacked on my parents' graves, sir!" Emile vouches with a tremble to his voice.
I assess the lad under the pale light of the moon. His face is ashen but his eyes glint with steadfast surety.
I lower my blade. "The 'Coats have Harper..."
The hand emits a gasp of disbelief. "Sacré dieu...!"
"...and I could use your assistance," I add, moving to the closest stall that houses a mount bearing Greencoat livery.
"Anything, sir," he proclaims earnestly. "Yerself an' Mistress Harper ha' always been good t' me!"
"Fetch a bag of oats," I direct as I grab the reins of the bay gelding. "And a length of rope if you have it."
"Right away, sir!"
While Emile sets about his task, I lead the Greencoat mount out onto the gangway. Reaching for the girth, I tighten it back up before slipping the bridle off and tossing it into the straw.
"The things ye requested, sir," huffs Emile, reappearing once more.
"Good," I approve, taking the sack of feed from him. "Now, help me lash this to the saddle."
Working in tandem, we quickly secure the decoy atop the horse. Shrugging out of my justacorps — on top of the retribution for Harper, that cunt of a Beaumont also owes me a new hat and coat — I sling the muck- and bullet hole-ridden covering over the sack to complete the trick.
"Think'll fall for it, sir?" asks Emile as he meets my eye from across the horse's neck.
"Better pray to God they do," I reply, slapping the mount on the rear to send it galloping out into the night. "Else this might very well be our last meeting."
Emile's throat bobs in consternation. "Best o' luck to ye, then, sir."
"Christ knows I'll need it," I accede, grasping his palm to press a gold ducat into it. "Now, make yourself scarce afore the dragoons show up."
With a quick nod, the lad disappears back into the gloom of the barn.
Withdrawing from the stables once more, I skirt 'round the far side of the building, careful to keep to the shadows. Hopping the low fence of the vegetable patch, I make my way towards the low door that leads into the kitchen.
Trying the handle, I find it unlocked. Pulling the heavy wooden door back, I slip warily inside.
The crash of boots above me confirms that the Greencoats have fallen for my ruse. But there is no guarantee that every last one of their dastardly lot plans to depart the inn.
Belvedere Beaumont may be a godless dog, but he is by no means a fool.
Which means I'll need to keep ahold of my wits... and weapons.
Pausing at the bottom of the short set of stone steps that lead up to the main hall, I spare a moment to quickly reload my flintlocks.
Slotting one gun back into my belt, I grasp the hilt of my sabre in one hand, and the second pistol in the other before ascending the stairs.
The hall is dark... and quiet.
Whatever patrons there may have been must've made themselves scarce upon the discharge of the first shot.
Honestly? I cannot blame them. I certainly would not wish to be caught on the wrong side of the dragoon's crossfire.
I clench my eyes shut. Please, let her be safe...
Moving through the hall like a ghost, I arrive at the main staircase.
Cocking my pistol, I proceed onto the first step with as much care as I can muster, even as every fibre of my body is raring to dash upwards as quickly as humanly possible.
Sticking to the wall, I inch my way slowly towards the second floor, flintlock before me, on guard for the faintest sound or movement.
Reaching the landing without incident, I am greeted by the wanton destruction left in the wake of the dragoon besiegement.
My jaw piques in ire.
This had been punition — pure and simple. The setting of a heavy-handed example to put the fear of God into the hearts of all those who may cross paths with Beaumont and his men.
A warning of what will befall those who dare defy the letter of the law.
I shake my head. I should never have involved—
A shadow moves in one of the rooms to my left.
Flattening myself against the wall, I sneak a peek through the doorway...
...and what I see roils my guts.
Robert Gale — the inn-keep — is hunched over the chest standing in front of the large, four-poster bed, his hands bound behind him, his shirt and hair matted with sweat. A dark puddle of blood pools at his feet.
Two 'Coats root through the things in the room, pocketing anything that catches their eye and fancy, sniggering amongst themselves.
A hiss of chagrin escapes me. "Putain de merde..."
There is punishment, and then there is persecution. And Harper's father is — without a shadow of a doubt — a victim of the latter. The extent of his wounds provides ample proof of Beaumont's abuse of his authority.
And I cannot allow myself to stand idly by in the face of this atrocity.
I step out of the gloom and into the doorway.
A floorboard creaks beneath my boot.
One of the dragoons glances up...
...but by the time his faculties have clocked the fact that I am foe, not friend, I have already splattered his brains onto the wall behind him.
His compatriot meets the same fate half a breath later, as he fumbles ineffectually for his musket, his body thudding to the floor as the second of my bullets also finds sharp and swift retribution.
Robert Gale's voice croaks out from the foot of the bed. "Ye should'a left them alone, lad..."
But even that simple act is too much for his broken body, and he starts to hack violently.
Taking three quick strides 'cross the room, I manage to grab the old man 'fore he keels over. "Easy now..."
He heaves a shuddering breath 'gainst my breast. "Now, we'll be strung up fer sure..."
"Nay," I counter softly, reaching behind him to loosen the bonds that secure his wrists. "You just lay the blame at my feet. Where it belongs."
Robert twists his neck up to regard me with bruised eyes and cracked lips. "Yer him... The Raven Rider..."
"Amongst other things..." I admit, lowering him as gently as I can to the floor.
The inn-keep hacks out a strained laugh. "Aye... I can see why she likes you..."
"Have you seen her?" I demand, shrugging out of my waistcoat to press it to the wound at his side.
"Nay," Robert replies hoarsely. "Not since they found the gold in her room..."
The icy hand of dread grips my heart. "Sweet Jesus...How the bloody hell did they even know where to look?"
"Théo..." comes the raspy confession. "He... He heard—"
I nearly choke on my own breath. "The window..."
We never closed the damn window...
Springing to my feet, I dash from the room, heedless of the sound of wood striking wood as my booted feet pound the length of the hallway.
How could I have let myself be such a careless fool!
Not only have I tarred the woman I love by virtue of our association, but I've unwittingly led the bastards right to her! And if they found out about the gold, then...
I cannot allow myself to even think on that.
Skidding to a stop in front of the last doorway, I throw myself inside...
...and skid to an abrupt halt as I lay eyes on the horror spread out before of me.
"No..."
The dogged denial slips from my tongue in a whisper.
But my lack of acceptance does nothing to assuage the merciless truth of the reality that assaults me like a thousand knives to my chest.
Harper lies prone in the moonlight, bound and gagged, her golden tresses soaked in the slick crimson of her blood.
"No... No..."
My feet carry me unthinkingly to her listless form beneath the casement — the window of which sits still ajar — and I crash to my knees at her side.
Grasping her by the shoulders, I pull her to me with trembling hands, praying under my breath, hoping against hope that it's a mere trick of the night, a cruel misjudgement, a sordid nightmare that I have somehow stumbled into, soon to awake from...
...but even though her skin still feels warm to the touch, no breath issues from her chest and those hazel eyes that once sparkled with magic and love now stare dully out into the night.
My nails dig into her flesh as my body bows over hers. "Oh, God... Please... No..."
But if the Almighty Lord hears my plea, He is either a heartless bastard or an impotent fraud because He ignores my beseeachment. And she remains unmoving 'gainst my heart.
"NO!!!"
The delegation roars forth from my chest with a force that is naked in its brutality. The heathen keen echoes out into the night as the bitter taste of anguish engulfs my throat and my soul shatters 'neath the stars.
I am too late. And she is dead.
Shot in the heart and left to bleed out on the cold floor like a dog. Alone. Without any assurances or prayer.
All because I'd allowed my heart to sway my head. Convincing myself that despite all my prior misdeeds, I could nevertheless steal a future for myself. A future I had no right or claim to. A future that was more akin to the spectre of a mirage than any flesh-and-blood destiny. A future that was doomed from the start.
Yet my covetousness knew no bounds. And blinded as I had been by the promise of the lie I'd weaved not just myself but Harper as well, I'd led us into the mire of disaster.
"It should've been me..." I rasp into her neck as anguish blurs my vision. "It fucking should've been me..."
I hear the floorboards strain behind me. But I care not. I have no words or sentiment left. And if it's one of Beaumont's enterprising men come to shoot me in the back? Well, then at least they'll be doing me the favour of putting me out of my luckless misery.
Because the knowledge that I have doomed the woman I love cuts deeper than any mortal knife could.
And I've lost the right to live anyway.
"Imma sorry, lad..." says Robert Gale, laying a calloused hand on my shoulder, his own voice cracking.
I shrug the gesture off. I don't deserve his pity. Let alone his succour. I am the one holding the body of his dead daughter in my arms. If anything, he should be setting on me to tear limb from limb in payment for my sins.
Yet, he does no such thing.
"Had I know afore tonight 'bout ye..." He heaves a hoarse breath from above me. "But I s'pose we all had our secrets... And I know it inna any consolation as of now, but we'll bury her 'neath the oak tree. Next t' her mother. That way ye can—"
"Them," I bite out through clenched teeth.
The old man shifts. "What do ye—?"
"She was with child," I grit, reaching up to pull the bloodied gag from her face.
Robert falls into deathly silence beside me.
"So, raise your hand," I tell him bluntly as I pull her eyes gently closed. "Beat me. Wring my neck. Kill me, for all I care. For this is the only opportunity I'll afford you to exact your just vengeance upon me."
"Ye must think very little o' me, if ye think I'd strike a grieving man," rebuts the inn-keep with a hint of steel. "Let alone one who loved my daughter so."
"Then you are a better man than me," I reply solemnly, leaning in one last time to lay a kiss on her lifeless lips.
"Imma'n older man," he corrects as I gently return Harper's head to the floor. "Who's stood where yer standin'. So, I can afford some clemency. 'Specially in this bitter hour."
"You might come to regret your choice," I reply, forcing myself back to my feet. "As I bring nothing but death. And our paths will not cross again after tonight."
"Where ye goin'?" comes the flummoxed query as I push past him.
I throw my reply carelessly over my shoulder. "To exact vengeance of my own."
"They'll kill ye, lad!" Robert calls after me as I stride from the room. "They'll hang ye fer murder! And her death will've been fer n—!"
"I'm a dead man anyway."
Without caring to look back, I let my boots carry me back 'cross the corridor to retrieve my weapons from where I'd left them in the master bedroom.
Reloading the pistols on the fly, I stash them in my belt and I beat a determined path back to the lower level of the inn and out into the night.
The crash of the door 'gainst the wall catches unawares the pair of dragoons that had been left to stand watch on the exterior. But by the time they turn towards me, I have already run both of them through.
Leaving the sods to bleed out in the mud, I plunge into the darkness rising before me.
The cold, winter air whips through my hair, stinging my eyes and my lips in sharp contrast to the hot blood slithering between my knuckles.
But I pay it no need. For I have but one goal. One mission.
To take every soul I can into the night.
Because death? It is all but assured for me. As whether I go by my own bullet or a Greencoat's, it is simply a matter of choice at this point. For I have no reason left to live.
My world turned to ash the moment she died. And there is nothing left to salvage.
Coming to a halt some ways off from the inn, I shoot a sharp whistle into the depths of the murk. A shadowy form raises its head from the gorse, and in the next instant, Drogon is trotting eagerly towards me, the new palfrey in tow.
"Change of plans, mon gross," I advise as he comes to a stop in front of me, breath steaming in the moonlight. "And I don't think you're going to like it..."
The Merèns regards me for a moment, as if sensing the shift in my soul, before letting out a world-weary sigh.
"You always were far too opinionated," I tell him dryly, reaching up to untether the palfrey from his saddle.
Turning the bay towards the stables, I give it a slap on the rump to send it on its way. With Harper gone, I have no further use for the horse. And Emile will ensure it is well cared for.
The stallion shakes his head at me as I swing myself onto his back. But I allow him no further opportunity for protest as I gather the reins in one hand, and point him north.
"Hue!"
Upon command, Drogon leaps forward, and the night becomes a blur as we fly across the moor, like an ill wish upon the wind, seeking our quarry 'neath the path of the stars.
I have no clue for how long we ride. The silvery eye of the hunter's moon casts an eerie pall over the land, distorting any earthly sense of time or distance as its lunar magic stretches shadows and swallows minutes.
Eventually, though, from out of the darkness and the mist appears a ghostly glow, bobbing on the brow of the hill.
"Beaumont," I growl, watching the company ride closer.
They must have caught the horse and realised the nature of the ruse they had fallen prey to.
But it matters not. The time for tricks and cons has passed. There is no more running... No more hiding. No more trying to cheat or contrive our fates. The last of the road has run out.
It is judgment hour.
Wrenching the flintlocks from my belt, I press Drogon forward, down into the valley, down into the well of our doom.
Yet a strange sense of calm blankets me as we draw level with the oncoming troop. Perhaps because my heart already stopped beating the moment I laid eyes on her. And this last, earthly act is merely a formality. Or, I'm so drunk on the potent potion of grief and bloodlust that swirls through my veins that I've become numb to all else.
Either way, I am a shadow of the man I once was. And welcome the sweet promise of release.
The reins slip from my fingers as I raise the pistols to sight my shot.
The figures of men and horses coalesce from out of the gloom, torches borne aloft.
I reach the edge of the sphere of light...
... and let the first shot fly.
The lead dragoon's eyes widen in surprise as the crack of flint 'gainst frizzen ignites the black powder in the pan, splintering the calm of the night.
The lead round explodes out of the barrel in a flash of smoke and fire, hurtling through the air to imbed itself in the soft flesh of the man's cheek, shattering teeth and bone as it goes.
The shock of the impact causes the 'Coat to jerk back on the length of his reins, pulling his horse into the path of its neighbour.
Taking advantage of the confusion, I fire another round into the heaving mess of bodies, catching a horse in the shoulder, causing it to throw its rider from its back.
Cries of horror and surprise rise up as the precisely stacked formation careens into itself, turning both man and beast into a maelstrom of panic.
Slinging the spent weapons into the night, I whirl Drogon back 'round, his hooves rearing into the air as he seeks to redirect the sharpness of his momentum.
Whipping my sabre from its sheath, a hellish howl erupts from my throat as I point the tip of the blade across the narrow divide in vengeful promise.
"BEAUMONT!"
A glint of gold flashes in the middle of the fray as my target snaps his head up at the sound of his name.
"Shoot him, you whelps!" screams the captain, grabbing for his own pistol. "Blast him dead!"
But I am already charging forward.
Shots crack out into the night as I bear down upon my mark...
...and there is but one prayer on my lips.
"I am coming, mon coeur..."
I am almost upon the wall of dragoons when I feel Drogon stumble. Another round pierces my gut a breath later. A third lodges in my shoulder.
But still, I urge the stallion on...
...until his knees give way in the face of the desperate volley of bullets and he careens into the mud, taking me with him, mere steps from my goal.
A thousand pounds of horseflesh crashes down on me, pinning my leg 'neath the weight. My sabre clatters from my hand to vanish into the tangles of the gorse beside me.
The back of my head collides with the ground, and I find myself staring up into the black expense above me, my body broken, my senses reeling.
Drogon lifts his head briefly, attempting to pull himself to his feet, before succumbing to the inherent futility of the exercise with a mournful sigh.
"It's alright, mon gross," I whisper, attempting to comfort the wounded beast lying atop me, even as my vision skips and my lungs struggle for breath as a familiar wetness drenches my shirt.
This is not the way I planned to go. But it seems I left what remained of my luck in that cramped room where my love had blossomed and then died.
Fitting, really...
A pistol clicks above me.
With the last of my strength, I reach beneath my shirt, where Harper's talisman lies coiled 'gainst my heart.
Twisting the damp silk 'round my finger, I close my eyes with a final exhale.
…look for me by the moonlight.
They say that in the depths of the dark — when the moon is high and full — that the sound of hooves may be heard, galloping 'cross the moor...
And though you may not glimpse it, a ghostly rider's there. Searching for his love, they say, who gave her life for his...
If he finds her, 'tis not known; but he made a solemn vow to her. And a promise bound in blood and silk, is a promise that must be filled...
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finding/inventing Dothraki personalities: Jhogo
compilation ; Aggo ; Jhogo ; Rakharo ; Irri ; Jhiqui
I’m making a little series where I stare at everything the main Dothraki characters do and try to discern personality traits. The purpose of this is sort of “if you were to write a fanfic that actually fleshed out their characters, what’s a starting point? what is there, that we might not destroy in trying to build something larger?” It is not to claim that GRRM, um, wrote these characters well. But I do dislike rounding down to zero when it’s not literally zero.
Particularly for Jhogo, who gets the most lines and traits of the bloodriders. I start here:
Jhogo edged back, his hand on his arakh. He was a youth of sixteen years, whip-thin, fearless, quick to laugh, with the faint shadow of his first mustachio on his upper lip. He fell to his knees before her. "Khaleesi," he pleaded, "you must not do this thing. Let me kill this maegi."
Jhogo looked terrified as he struggled with the stallion's weight, afraid to touch the dead flesh, yet afraid to let go as well.
Daenerys tells us what she’s seen of him, this whole year or so she’s known him: ‘fearless’. But now, in the face of magic, of true danger, he’s terrified. He’s been projecting this image of fearlessness that’s very important to him and it is not, actually, true. He’s just a kid, of course he’s scared; only 16, and how many teenagers aren’t self-conscious? It is a generic basic Dothraki trait, but in Jhogo it is established specifically, with some detail.
Jhogo took the whip from her hands, but his face was confused. "Khaleesi," he said hesitantly, "this is not done. It would shame me, to be bloodrider to a woman."
Unlike Aggo, he can actually imagine doing it, but it would shame him. The barrier is his sense of personal reputation. He needs people to see him as brave and strong and proud.
When he does pledge himself to her, it is
murmured, pushing his face to the smoking earth
like he’s still hiding it, a little. He’s not sure, maybe, if everyone else is really going to agree that this isn’t shameful.
Again with the “generic/basic Dothraki trait, in Jhogo established with some detail”, I can actually point to specific evidence for why he changes his mind about becoming Daenerys’s bloodrider. See, of the five named members of her khalasar, we only actually see Jhogo and Irri call Dany, in written dialogue, Mother of Dragons. Irri only once, and in a private conversation, whereas Jhogo—
[Qarth] "make way, make way for the Mother of Dragons."
"Make way, you Milk Men, make way for the Mother of Dragons," Jhogo cried
[Astapor] "Make way!" Jhogo shouted as he rode before her litter. "Make way for the Mother of Dragons!"
Jhogo cries it out, because this is the title he picks to tell other people respect her, she’s special. It’s not shameful to serve a woman if people know that she’s the Mother of Dragons.
Pure fanfic time: I would decide Aggo simply slots Daenerys into his model of society at the top, in a way that doesn’t destabilise the rest, and contrast that with Jhogo thinking of her as An Exception but in a way that does make him quicker to think of other women as Exceptions.
Speaking of ‘quicker’:
Jhogo replied, kicking his horse. Quaro and the others followed his lead,
Jhogo was the first to lay his arakh at her feet.
He moves first -
Pyat Pree drew a knife and danced toward her, but Drogon flew at his face. Then she heard the crack of Jhogo's whip, and never was a sound so sweet. The knife went flying, and an instant later Rakharo was slamming Pyat to the ground.
(after drogon, but first human)
One man kept his saddle long enough to draw a sword, but Jhogo's whip coiled about his neck and cut off his shout.
The whip fits him because of this: it is only dangerous when moved quickly; it lends itself to sudden interceptions—
The trader vaulted over the stall, darting between Aggo and Rakharo. Quaro reached for an arakh that was not there as the blond man slammed him aside. He raced down the aisle. Dany heard the snap of Jhogo's whip, saw the leather lick out and coil around the wineseller's leg.
—catching someone who moves to fast for all of Dany’s other bodyguards combined. It also ties into “quick to laugh”—he acts quickly. And maybe regrets it later or doesn’t.
(...he doesn’t. But, if you were, say, writing fanfic of their ADWD adventures, you could have him actually rush in too quickly to danger and need to learn some of Aggo’s caution, have Rakharo think up some strategy that Jhogo actually acts on, give them a whole dynamic.)
Jhogo asks five questions, in the five books. Three of them are:
"Jhogo asks if you would have him dead, Khaleesi," Irri said.
"What shall we seek, Khaleesi?" asked Jhogo.
"Khaleesi, we saw him strike you. Would you see the color of his blood?"
which are all proactive, asking for orders or outright suggesting a course of action. (Violence. duh. dothraki. thanks grrm.) Underline see and seek in there, too...
Jhogo spied it first. "There," he said in a hushed voice. Dany looked and saw it, low in the east. The first star was a comet
do you see the girl in the felt hat? There, behind the fat priest. She is a—"
"—cutpurse," finished Dany.
this is an evil place, a haunt of ghosts and maegi. See how it drinks the morning sun?
He’s literally observant; he’s also the one who finds Qarth, literally coincidence but symbolically related. These are all concrete, physical, observations, to be clear, not a psychological or political meaning of ‘observant’.
...say, let’s compare some Jhogo statements to the other two, end of AGOT.
On Eroeh’s rape and murder, Aggo says “It was her fate, Khaleesi” like it just sort of passively happened; Jhogo describes the specific actions Mago and Jhaqo took. On Drogo’s khalasar dissolving, Rakharo describes the events and adds “It is the right of the strong to take from the weak” which draws out an abstract philosophical stance on it; Jhogo says "A khal who cannot ride is no khal" which contains the same idea but keeps it concrete, in the realm of specific action.
Jhogo moved close to help Ser Jorah support her. Aggo and Rakharo stood behind.
The Dothraki offered a hand down. When she took it, he pulled her up onto his horse and sat her in front of him,
Jhogo slid one hand about her waist and leaned close.
"She is, and no spawn of shadows may touch her." Jhogo brushed Quaithe's fingers away with the handle of his whip.
"You must not get any closer. Do not let them touch you! Do not!"
The hand about her waist in particular reads as romantic-interest-coded to me. So taking that framing back, pairing his actions with Jorah’s jumps out, moved close while Rakharo and Aggo stand back. Then we could sort of tie the two don’t-touch-her lines together—while the first truly has the vibe, ‘cause he is touching Daenerys, this just doesn’t really show up again after that one scene in Clash, because Irri tells him she’s sleeping with Daenerys so back off bro none of these characters actually have, like. arcs. V:
Mind you he’s a lot less scared of Quaithe than he was of Mirri Maz Duur, which duh she’s not performing blood magic right then but one could pretend there’s something arc-ish?
The ‘romantic interest’ frame also contributes to Jhogo’s overall narrative position, where he has mild Protagonist Energy: he’s the one who helps with MMD’s ritual, the first one Daenerys asks to be bloodrider and the one who finds Qarth and the only one who actually gets an extended conversation on-screen ever and the one taken hostage by Yunkai so might act independently in that plotline and generally the most likely to be singled out.
On a character level it’s because Jhogo has initiative, an essential trait of a leader. And I - almost believe GRRM might mean that? Technically all three of them are stated to be leading the riders into battle, off-screen in ASOS and ADWD, and for fanfic purposes I’d suggest having Jhogo take charge overall, over the course of their mission to liberate the hinterlands. But the fact that Jhogo is the one with the most lines, dialogue, actions - that when GRRM singles out one of them, it’s usually Jhogo - I can almost hope that we might see him one day in Winds, taking the lead on his own.
in conclusion,
Jhogo bought a handful of fat white cherries.
snacc.
(Aggo’s, right next to this, is meat, probably no traditional Dothraki dish but more like it, maybe, than choosing fruit?) (something you could plant?)
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Dragon Biology (Part 2): Skull Shapes
Hi everyone! I made a first post HERE where I explained that I wanted to do a breakdown of everything we know about dragon biology and the different variation we have. I just wanted to get into the science of it because I was curious, and I also wanted to see if the biological evidence provided support for any of the popular fan theories about which dragons might be related. As a reminder, here are the hypotheses we'll be investigating as we go along:
Vhagar -> Vermithor
Dreamfyre -> Sunfyre
Dreamfyre -> Drogon, Viserion, and Rhaegal
Syrax -> Arrax, Vermax, Tyraxes
In that first post, I discussed two aspects of dragon biology: Coloring, and size. Please check that one out first before reading this one, because I'll reference it in my final conclusions section! So let's get into it below the cut:
Dragon Skull Shape
Skull shape wasn't a category I'd really noticed, but the HotD showrunners explicitly said that they designed every dragon to have one of three skull shapes: That of a horse, that of a wolf, and that of a T-rex. As a side note, the easiest way to distinguish between these three is to look at the size of the forehead/nose bridge area, at the top of the head and kind of between the eyes. T-rex is the narrowest, and horse is the flattest/widest, with wolf as a kind of in-between. The jaw shapes are also slightly different, but I find the forehead the easiest way to tell. Also, remember that this describes general shape, and doesn't include any of the dragons' crests and horns, which have a lot more variation.
Let's start with the horse shape, with a very flat, wide space at the top of their heads, and a straight jaw with a more rounded chin. We have confirmation that Syrax is representative of this category:
These are the dragons whose visuals best fit that shape, with a picture of a horse skull for reference. This is interesting, because remember that the theory is that Vermax and Arrax might be Syrax's kids, and their shared skull shapes lend evidence to this theory.
Now let's move onto the wolf shape, with a slightly narrower space between the eyes and a straight, pointy chin:
These are the dragons whose visuals best fit that shape, with a picture of a wolf skull for reference. If you compare it with the T-rex shape below, you'll see that it looks fairly similar but has a few subtle differences; namely, that the top of the head is still flatter.
Finally, let's move onto the T-rex shape, with a very narrow space between the eyes and a more convex, sloping jawline with less emphasis on a super pointy chin. We have confirmation that Drogon, Viserion, and Rhaegal are meant to fit this shape:
(There's no picture of Viserion because I was being picky about the angle but we know he matches his brothers). I also think that Dreamfyre likely has this shape, going mostly off of her jaw. Again, this is interesting because of the theory that Dreamfyre was possibly the parent of Drogon, Viserion, and Rhaegal. The skull shape and crest situation definitely supports this theory.
There are two other dragons that I think fit this category; they look fairly different from these first three, but that's largely because of the crests along the jaw and forehead, not because of the actual contours of the skull. So let's take a look:
There's obviously still some variation within this category. I grouped Vhagar and Vermithor together because they resemble each other most strongly due to the lack of crests and horns (and also because otherwise the pictures would be too small lmao).
Final Conclusions
Okay so here I'm just going to go through all of the biological evidence we do or don't have for the hypothesis of dragon relations I mentioned at the beginning of this post. Then I'll combine this with any narrative evidence to provide an overall opinion on whether or not I believe each theory.
Vhagar -> Vermithor: Though not every aspect of their coloring is the same, the uniqueness of their scale color I think is cause to support these two being related. Both of these dragons are described as having the same size, which supports the theory. And finally, both dragons have not just the same skull shape, but the same presentation of crests and horns, which is distinct from the other dragons within their skull category. Overall, I think there's a fairly strong amount of biological evidence for this theory. Combined with the narrative evidence, and the fact that the ages line up, which I've discussed here, I firmly stand behind it.
Dreamfyre -> Sunfyre: There is some evidence within coloring (wings, specifically being the same pink color) to support them being related. These dragons are described as having the same size, which supports the theory. We'll have to wait until season two in order to make a determination about Sunfyre's skull shape, since we just have concept art that that's known to sometimes change a lot (think of the official Vhagar concept art, which looks fairly different from in the show). So for now, skull shape is inconclusive. The non-biological evidence for this theory is mainly the -fyre suffix at the ends of their names, as well as the fact that the ages line up just fine. Overall, I'm undecided on this theory, and want to wait until we see more of both dragons in season 2 of HotD.
Dreamfyre -> Drogon, Viserion, and Rhaegal: Coloring information reaffirms that the three brothers are related. In some ways (wing, eye, and crest color), it points to Dreamfyre possibly being their parent, but not definitively so. As mentioned above, I think size is inconclusive because though Drogon is bigger than Dreamfyre could have been at that age (she's definitively smaller than Balerion, who he's compared to), we don't know if Dreamfyre's size represents her true potential. The evidence behind the skull shape does actually support this theory; they not only share the same skull shape, but the same distinctive patterning of crests and horns along their jawline and likely their forehead. Because of the wing color, and because of just how unique their skull and crest patterns all are, I do lean towards believing this theory.
Syrax -> Arrax, Vermax, Tyraxes: Lastly, coloring doesn't provide positive evidence for Syrax being the parent of Arrax, Vermax or Tyraxes. But it does provide evidence that at least Arrax and Vermax are likely related, and probably as brothers, given what we observed about Dany's dragons. All of these dragons are described as having the same size, which supports the theory. They also have all of the same skull shapes, though Vermax and Arrax don't have the exact same crests that Syrax does (hers are very distinctive). So based on biology alone, I do believe Vermax and Arrax are brothers, and that they're likely Syrax's offspring because of their skull shape. And narratively I think the show has basically confirmed this, with the deliberate mention of Syrax's eggs being considered for baby Visenya in season 1 episode 10 of HotD. So overall, I stand behind this theory.
Hope you guys found this interesting! :)
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