Junicrane/Starstruck Ramble
I will not be brief, all under the cut
To clear some things right off the bat:
No corpse, no proof with Juniper. Obligatory this is set in a canon where he's alive and adjacent to the agency in some way.
Reggie & Juniper are just gay to me, but I don't mind any interpretation of their sexuality
The games are set in 1967/68 to me (based on a couple bits in game) which is before it was legal to be gay in America at least (1971), which is relevant to how I interpret canon as being somewhat grounded in reality, despite unrealistic elements.
This is just an insane amount of headcanons/elements of and AU all culminated into one post. I will talk about some headcanons like they're just facts because they are established in my head, and it saves me over explaining literally everything, however I will explain some parts a little bit for clarity.
Alright. Actual beginning of the ramble:
Juniper is a character to me who had gotten so lost in his job as an actor and a social presence that in the end his whole life revolved around that 'role'. Because of this, by the time he's put into the situation where he's around the Agency, he basically knows nothing about himself, though he doesn't realise at first. Furthermore, what little identity he had has changed in so many ways. He's no longer a beloved famous actor in the prominence of public light, he's legally dead and he tarnished his career just before he was supposed to die, with the bonus of that making him lose the majority of his estate. From that, he also has horrific facial scarring from the electrical burns from literally having his face fried. I believe a friend of mine made a post about this a while ago (I also think they were the first to think it up also), but, to me, Juniper has a permanent trimmer in his right arm (aka his dominant hand) from the electrical current and it is messing with his nervous system.
All in all, he's not doing great, but he's too proud to admit that he's not doing great, because if anything, what's left of his ego is all he has as a defense since he's deep in unfamiliar water.
Before ending up around the agency (I have multiple interpretations of this, so I'm just going to bring it up generally), he'd never actually seen Reggie, and his only impression of him is a single voicemail, which was his only reference he had to later impersonate him. Juniper probably has very little feelings other than the ones he projects onto him because of Phoenix and that, at the very least, he's physically attracted to Reggie to some degree (that's like the beginning of how everything else would tumble into place in this sort of interpretation at least).
And on Crane's side? His feelings towards Juniper are probably very intense and muddled. On the one hand, he adores musical theatre, and that's his now ex-favourite actor. The thought of just casually being around him blows the bit of fanboy in him away at first because THAT'S the GUY, plus the inklings of a celebrity crush which still poke at him. And then there's the rational side of him, which knows Juniper has committed absolute atrocities on the side of Zoraxis, and hates him for that. Then there's how much Juniper comes off as an asshole at first because he refuses to cooperate with anything the Agency tried to put in place. He finds Juniper endlessly frustrating, and yet he's stuck working with him since, afterall, he's the one who knows the Agency's history with Juniper the best. I imagine him acting a lot like how he does IEYTD 1 around Juniper.
At this point, I'm just describing the pitch for a romcom.
I think the start of their relationship with one another largely started with Juniper trying to wind Crane up. It was a way of getting his attention, and I don't think Juniper knows why he's so dead set on that at first, because I don't think he realises he has a crush on 'this grump' at first. (I think that's actually the fun part about these two, because it's almost like a role reversal of the celebrity crush dynamic. This ex-big name actor has a TERRIBLE crush on an average joe and it is KILLING HIM.) But of course the Agency keeps them together because Juniper is at least conversing with Crane, so it's a start.
Through one way or another, they actually get talking casually, at least mildly at first. It takes Juniper a long time to fully deconstruct the wall he's built, and the thing is, Crane isn't the one trying to deconstruct it, at least at first, because yeah, Juniper realises if he wants Reggie to actually like him in any way, he can't keep winding him up. So they talk. Small talk at first, something rhythmic and almost easy to keep to a script. And over time that turns into actual conversations. Genuine ones in which Reggie rips out the occasional one of his jokes which Juniper is endlessly endeared about. The way he smiles just before he makes them, like he wants to chuckle at what he's about to say before he says it. That's probably when Juniper realised that he does have some vague crush on him, and that it wasn't going away.
This is what kickstarts John I can't-buy-you-things-to-impress-you-so-acts-of-service-it-is Juniper to do little things for him. It mostly starts off as him trying to make Reggie his tea how he likes it. However, the nerve damage in his arm makes that hard, as the weight of the kettle and trying to pour is hard all of a sudden. And he refuses to accept that, so he tries for a very long while. Long enough that Crane would go to investigate what was going on. And when he does see Juniper leaning over a cup with the kettle as he uneasily tries to pour it, and when Crane asks Juniper responds so matter-of-fact that his intention is nothing but genuine. And it catches Reggie off guard because Juniper hadn't done anything like that up to that point, and his very apparent vulnerability is so clearly on show.
It shifts something between them.
From that point on, conversations are longer, more familiar. Both of their attitudes soften, and Reggie makes more jokes. Juniper learns how to better use his left hand while strengthening his right back to a point where it could be used again. Slowly, they're both spending time with one another not because they have to, but just because they can. Little bits at first, not too far outside what they already were doing, but those little bits turned into long bits to a point where the other person's company was genuinely desirable.
As time passes, Juniper probably realises that he doesn't genuinely know much about himself or what hobbies he's into, because he never really had the time when he got big, and his home life in his youth wasn't bad, but it wasn't picturesque. I think Reggie would pick up on it, and absolutely try to introduce him to some things he's into. Some things stick, other things don't (corn husking very much stays Reggie's passion, and John will go with him sometimes because it's him, but it's not something he strongly cares for). Crane introduces him to a lot of music, and it's something that becomes a staple between them, with tracks they listen to more than others (tragically, I know relatively little about 60s music so I couldn't really say what). Occasionally they dance, never anything intense, think slow dancing, but the closeness is nice.
Through all of it, Juniper is battling the worst crush of his life, and he can't stand it, because I think he struggles to read people since he doesn't have anything like a script or a director to refer back to, so he has no idea if Reggie likes him back or if he's just desperate for that to be true. I think because of that any sort of confession between them would be incredibly raw, not only because of the time they live in making it hard for them to be truthful about how they love, but because it's a complete show of Juniper who's worked to be this better person. I don't exactly know how that would go, mainly because I don't have one set version of their dynamic, this post is just a generalisation of main consistent points.
Reggie does like him back, because he's gotten used to Juniper being just this guy, not a figure in the public eye, not a Zoraxis lackey, and not any sort of Agency operative (despite being under their care to some degree). He's someone he genuinely cares for, because they've given one another the time of day to learn one another, and I think because Reggie was a field agent, he was a lot better at reading Juniper than Juniper was at reading him. Eventually Juniper's company becomes something he could see around him for the rest of his life, and I think he accepts that he likes Juniper a lot more gracefully.
I think any affection directed at Juniper would at first be met with him feeling a little muddled. Reggie was a very physically affectionate person when he could be, and sure the initial flirting with one another came with the occasional little touches, but everything now was so deeply intentional. I also don't think Juniper would almost ever get over the novelty of being able to kiss him, or many other gestures, because it made the fact that they were together so very real, and it was great. I do think it comes easier to Reggie, and it's a big way of showing how much he cares, so it's important for Juniper to try and show it back because he knows how much it means to the other.
I like the idea of them eventually living with one another, too. I think Juniper would have always had a quiet little daydream of sorts where he does just live a domestic quiet life, and he can with Reggie (well, as close as they can get between the Agency and Zoraxis always being at odds), and he loves that, and he loves him, and it's immense.
I think they cook for one another a lot, it helps Juniper work on his dexterity in a controlled environment, which means a lot because it's a huge point of insecurity (that and his scars). He does improve, and Crane is proud of that and shows it and it's great. I also think they'd probably cook together too, because they can deal with being in the kitchen together and they work well with one another. It's probably a good way for them to unwind because over time they can do it in relative silence.
As I said before, I also think music is a staple in their household, and that Reggie listens to things on vinyl almost all of the time because he likes the background noise. Sometimes Juniper will catch him chuntering along to the music which he finds endlessly endearing. I wouldn't put it past his dramatic ass to also join in to fluster Reggie, but I also don't think Reggie would mind that terribly because Juniper has listened to the music enough to know the lyrics, and that's huge to him.
I don't think they are without rough patches, no relationship is, but I think the good part about them is that they're willing to talk about it (... eventually). They're used to long conversations, and while they're often less fun conversations, they're needed and they know that, and it works out.
Alright. I think I'm done for now. I haven't mentioned everything, but this definitely got the worst of it out of my system. If you ever want to hear any specific thoughts my ask box is open but other than that, behold my general dynamic for these two which has been festering in my head for years. I think they're great
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Okay another instance of "fuck canon" that's not just Pharma-related, but Ambulon related. I keep thinking of Luna-1 where Ambulon called Pharma "Doctor DJD" and I feel like that's such a total "he would not fucking say that" moment. Obv JRO controls the characterization so what's in the comics is canon/right, I just think that it doesn't make sense for someone in Ambulon's position with his backstory to be that petty towards Pharma?
Ambulon's a Decepticon traitor, he's on the DJD's List. Moreover, he's stationed on Messatine which is the DJD's home planet and is (was?) still an active battle front until very recently.
Proof that Messatine being the DJD's territory is common knowledge: not only First Aid, who's stationed at Delphi, but also at least three Autobots on the Lost Light, know that the DJD make Messatine their home. And this is long before Pharma does his monologue to Ratchet about his t-cog blackmail with Tarn.
Proof that Delphi/the nucleon mines were in an active warzone at least until Pharma started his plague: Pharma wouldn't have had any t-cogs to harvest if there wasn't a continuous stream of soldiers/war-dead coming in to use as his supply.
So then, Ambulon knew fully well that he and all of the rest of them were right next to the DJD's home base, and as an ex-Decepticon he knows he would be on the list. Probably not very high on the list, since Ambulon was a mere MTO who got turned into a failed combiner experiment, but he IS on the list; just because the DJD only proceed through the list in order of importance, doesn't mean that Ambulon wouldn't know that they'd come for him eventually.
And this is a really fucking neat idea to play around with! We don't ever get a canon/explicit explanation for why Prowl decided to station those three medics on Delphi, especially one who's an ex-Con on an execution list. Did Ambulon have a choice? Or was he told to go there with no argument? Either way, I think Ambulon deserves some major kudos, because he must have ball (bearings) of steel to be an ex-Con in DJD territory without constantly being on the verge of a mental breakdown or panic attack. I could honestly write a whole post on the question of "why were these three stationed on Messatine" in itself, but that's for another time.
The point I'm trying to make here is basically that Ambulon of all people should've been sympathetic to the circumstances that drove Pharma to do what he did: they were ALL stationed in the DJD's territory and they knew it, they ALL knew that the DJD's playbook is horrific torturous murder, they ALL knew that Ambulon was a former Decepticon. It wouldn't take a genius for everyone at Delphi to piece together the fact that the DJD would come for Ambulon eventually if either he wasn't evacuated or Delphi as a whole wasn't evacuated. But I mean, this is wartime, right? Every soldier is risking their life, everyone could die at any moment. They can't close down Delphi or evacuate all of the personnel in an active war front battling over a mine just because a medic or three might feel unsafe. Nowhere in war is safe. If High Command let everyone abandon their posts who was afraid of being killed, nothing would ever get done because war comes with inherent risk of death that all soldiers accept by participating, as well as accepting the obligation to follow orders on threat of punishment. (Almost as if Pharma couldn't have just evacuated or run away like Ratchet suggested, but JRO clearly isn't a military expert so I'll digress/chalk it up to "wasn't plot relevant to bring up".)
We got all of like, two pages that showed Pharma and Ambulon's working relationship, and the best we have besides that is JRO's word of god that Pharma and Ambulon had 'mutual reluctant respect' for each other. It's highly unlikely that the two were best buddies regardless, but I don't think you need to be friends with someone like Pharma, while sharing the same situation as him, to be a little more sympathetic to him? Like I get that Ambulon would be offended by the idea of his boss trying to frame him for murder to cover up his own murders, but the "Doctor DJD" line always seemed weirdly callous and petty to me. "Doctor DJD" implies that Pharma was some sort of willing collaborator or servant to the DJD which clearly wasn't the case. And I find it hard to believe that Ambulon, who knows exactly what kind of people the DJD are, would have an opinion of Pharma that was just "oh he should've tried harder/been less of a coward and resisted." Hell, Ambulon's reaction to Sonic and Boom showing up at Delphi asking for refuge was to instantly take pity on them and offer them shelter immediately; if he feels protective/sympathetic towards literal random nobody Decepticon soldiers, shouldn't he have at least as much feeling (if not more) for another Autobot who he worked with and supposedly had respect for?
Assuming that Ambulon got the full details of Pharma's blackmail deal. I mean, there's no reason to assume that Ratchet would've lied to First Aid and Ambulon about what Pharma told him (unless??? conspiracy theory!!!!) , so Ambulon should've heard about the t-cog deal and how it was the only reason the DJD didn't raze Delphi to the ground so long ago. Then again, maybe Pharma's story got explained to him and First Aid via Ratchet's extremely judgemental take on events, so who knows how much of Pharma's side of the story Ambulon would've actually known.
But wouldn't it be so much more interesting if, instead of sneering at Pharma as "Doctor DJD", Ambulon had a more conflicted perspective of Pharma's face-heel turn? Would he wonder how it is that someone who he had such respect for could've been so despicable? Or, more sympathetically, would Ambulon ever wonder if Tarn threatening Delphi was his fault for being there? Would Ambulon wonder what he would've done in Pharma's position, being forced to bargain to postpone his own horrific execution? Would he be angry at Prowl or the higher-ups for stationing them all in such a dangerous post to begin with?
I mean, the answer is that Ambulon was a tertiary cast member at best, to the point that half of his appearances on the Lost Light literally are shown in retrospect after he died, so there would've been no room to explore this in the plot, and Ambulon and Pharma were way lower priority compared to other, more important protagonists. I just think it would be interesting to explore these questions in other metas and fan works.
And yes, I do think Ambulon would not fucking say that ("Doctor DJD") regardless of what canon actually says lmao.
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