Self-Diagnosing & Social Media - September 27th, 2022
Chances are that most of us have some sort of social media presence. Whether it be Facebook, Instagram, TikTok, Snapchat or some other platform. As a society we’re pretty well connected. While scrolling through social media it isn’t uncommon to come across a person talking about a mental health diagnosis they may have received. A lot of people do this to raise awareness about the disorder and it can be empowering to do so. It can help end the stigma around specific disorders and it can raise awareness for mental health in general. While there are some benefits of discussing a diagnosis on social media there can also be some risks. One such risk being individuals self-diagnosing themselves with a disorder.
Problems With Self-Diagnosis
One trend on TikTok lately seems to be people posting a disorder that they may have and then listing off the symptom criteria for the diagnosis. Again, this can be a great way to spread awareness, however, problems arise when individuals see the symptom criteria and start applying them to their own lives and eventually (and often inaccurately) come to the realization that they must also have the same disorder. So, what are some risks of self-diagnosis?
Incorrect Information: A TikTok video or post on Facebook about a mental health diagnosis may not include all the relevant information pertaining to a disorder. Furthermore, it could contain inaccurate or misleading information.
Identifying with One or Two Symptoms: One or two points a person makes on social media may resonate with you and lead to the belief that if they have the disorder then you must also. Many mental health diagnoses have overlapping symptoms. Some mental health diagnoses require an assessment administered by a professional to accurately make a diagnosis.
Cooccurring Disorders: Maybe you see all the symptoms of a mental health diagnosis on social media and then you correctly make a self-diagnosis. Maybe you and the person on a TikTok video both meet the criteria for generalized anxiety. Many mental health disorders can occur together or at the same time. So, while you may have concluded correctly that you have generalized anxiety you could be missing other symptoms that could indicate you have a cooccurring disorder.
What To Do Instead
If you feel like you are suffering from a mental health disorder or just having feelings of struggling in general the best thing to do is to seek out help from a qualified mental health professional. There are many resources online that can help you find a mental health therapist such as psychology todays provider directory which can be located at www.psychologytoday.com/us/therapists. Another good place to start is with your family doctor. They will be able to inform you of mental health resources in your community and prescribe medication if needed. Lastly, if your child is experiencing behavioral issues, in addition to the resources mentioned above, you may be able to talk with your child’s school and the school may be able to offer information on resources.
Social media can be fun, and it can help us stay connected with our friends and family. It can help us pass the time, and it can help spread awareness about disorders. What it can’t do is assist in making an accurate and informed diagnosis.
Aaron Carney, CAFCA Intern
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My new theory is that Anaïs keeps Reeve in the basement of the theater, he literally cannot leave. Even if he “leaves” he’s going to be like Aaron in Moulin rouge where they basically bring him out like a toy doll “everyone look it’s the boy!!!”
He’s been in the roll since what? God like 2011. Blink if you need help. (However then again if he really likes it I can’t blame him for staying as long as he has/can)
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Just saw Hadestown and I’m going nuts over it. It was the best. I love the idea of the inevitable tragedy existing but every time we sing it we get to feel the just as true and inevitable love in the middle. Reminds me of Moulin Rouge and Satine’s “tell our story, that way we’ll live forever” thing only in Hadestown it was actually effective (Aaron Tveit and Oyoyo Joi ate and left no crumbs when I saw it btw but I Do Not Like that show it is Weak.) In every universe, Eurydice and Orpheus meet and love each other for a while and that’s good enough for me.
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Tom Glynn Carney as Aaron Warner.
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SUEZ CANAL (Oct. 18, 2023) The Arleigh Burke-class guided-missile destroyer USS Carney (DDG 64) transits the Suez Canal, Oct. 18. Carney is deployed to the U.S. 5th Fleet area of operations to help ensure maritime security and stability in the Middle East region. (U.S. Navy photo by Mass Communication Specialist 2nd Class Aaron Lau)
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Hiya, can I please request something with Aaron Tveit, I love the way you write him. Maybe the reader is also on Broadway as Euridyce in Hadestown but it's her closing night, and Aaron is obviously there watching her. Just the two of them being emotional and lots of fluff. (Feel free to ignore this if it's too specific, I'm just not over Eva Noblezada's final flowers)
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Standing on the stage after your finale curtain call of your run as Eurydice in Hadestown, you couldn’t stop the tears from pouring down your face. This was your first show as a lead role in a show on Broadway and you couldn’t fathom the idea of no longer playing her. You were surprised that you’d managed to keep it together during the show after seeing Aaron sitting right in the middle of the front row. Even though you knew he was going to be there, there was something about actually seeing him there that made you push through the show and you’re pretty sure you’d just had your best performance.
Now, you stood on the stage as all of your cast mates were giving speeches about you, but the only thing you could think of was where Aaron had gone. You swear you’d looked away for two seconds and he was gone.
‘And now,’ Reeve Carney, your Orpheus, began, turning towards you, grinning, ‘I would have got you flowers, but I’ve been giving you a flower eight times a week for the past year and a half so I feel like I may have filled my quota on that.’ You couldn’t stop the laugh that escaped your lips, smiling as you wiped yet more tears away. ‘But we do have some flowers for you and we thought there was no one better to give them to you than a Broadway veteran, and the guy who has been sitting in this theatre, watching you shine on this stage, looking prouder than I thought anyone could ever look for about three quarters of your run.’
Gesturing to the side of the stage, your head turned and you gasped, more tears filling your eyes when you saw Aaron walking towards you holding a huge bouquet of red carnations. The moment he was next to you, you took the flowers and his arm quickly wrapped around your waist as you leant into him.
‘So, this is where you disappeared to,’ you said, smiling up at him as he pressed a kiss to your forehead.
‘I’m so proud of you, baby,’ he murmured in your ear, for only you to hear and fresh tears worked their way down your cheeks.
The rest of the curtain call seemed to go in a blur, the only thing you were focused on being Aaron’s arms around you and his chest pressing comfortingly against your back. However, the second you got back to your dressing room, you spun around, throwing your arms around him, still crying.
‘Baby, if you keep crying, you’re going to make me cry,’ Aaron mumbled into your hair, his voice thick as he tried to hold in his own tears as his arms wrapped tightly around you, holding you against him, kissing the top of your head every now and then.
‘I can’t help it,’ you said, your voice muffled by his shirt. ‘How do you do this every time you leave a show?!’
‘I don’t cry as much as you,’ he teased, cupping your cheeks as you lifted your head to look at him. ‘Plus, yeah, it’s sad that you’re finishing up this show, but you’re going straight into another show, a show you love might I add, so focus on that. We’re going on holiday for two weeks and then you’re straight back into rehearsals and I’m going to be front row in that audience too as often as I can.’
‘I love you so much,’ you told him, reaching up on your toes to press a gentle kiss to his lips.
‘I love you too, and I’m so proud of you.’
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If StEx Ever Got a Broadway Revival
Here's some casting decisions
Rusty - Jeremy Jordan, Reeve Carney
Pearl - Sierra Boggess, Phillipa Soo
Momma/Poppa - Audra McDonald, James Monroe Iglehart
Greaseball - Andy Karl, Will Chase
Dinah - Kerry Butler, Sutton Foster
Elektra - Callum Francis, Gavin Creel
Caboose (CB) - Ethan Slater, Amber Gray
Caboose (BV) - Aaron Tveit, Patina Miller (don’t fight me on this one, she could do it)
Belle - Eden Espinosa, Krysta Rodriguez
Carrie - Alli Mauzey, Kerry Ellis
Rocky 1 - Daveed Diggs, Okieriete Onaodowan
Rocky 2 - Anthony Ramos, George Salazar
Rocky 3 - Lilli Cooper, Renée Elise Goldsberry
Dustin - Alex Brightman, Ben Platt
Flat Top - Gavin Lee, John Gallagher Jr.
Coco - Shoshana Bean, Jessie Mueller
Ruhrgold - Rob McCLure, Bryce Pinkham
Brexit - Derek Klena, Jefferson Mays
Espresso - Ramin Karimloo, Santino Fontana
Manga - Telly Leung, Adam Jacobs
Turnov - Brian d'Arcy James, Christopher Jackson
Killerwatt - Leslie Odom Jr., Jonathan Groff
Volta (both m and f) - Lucas Steele, Idina Menzel
Wrench - Stephanie J. Block, Jessica Vosk
Joule - Ariana DeBose, Ali Stroker
Feel free to share your ideas too, if you want!
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Duke Ellington – Satin Doll
This clip was recorded in NYC, January 9, 1962
The players of the orchestra in these clips are:
Trumpet: Ray Nance, Shorty Baker, Cat Anderson, Bill Berry, Ed Mullens
Trombone: Lawrence Brown, Leon Cox, Chuck Conners
Alto-saxophone: Russell Procope, Johnny Hodges
Tenor-saxophone: Paul Gonsalves
Clarinet (and tenor-saxophone): Jimmy Hamilton
Baritone-saxophone: Harry Carney
Piano: Duke Ellington
Bass: Aaron Bell
Drums: Sam Woodyard
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Unrelated to the writing asks, have you ever thought about bringing 1789 to broadway? Who would you cast? Any specific staging ideas?
God, I've thought about it so much over the years.
From this post from 2019, here was my dreamcast at the time:
After hearing Reeve Carney in Hadestown, I’m actually curious about what his Ronan would sound like, even though I think that I would never be fully over “OH MY GOD, RONAN’S SPIDERMAN.” But Reeve Carney has the chaotic twink vibes that I feel like Ronan needs. I still feel like he needs more GREMLIN, but I can’t think of anyone who could really give me the gremlin vibes I NEED. I don’t know, I don’t follow Broadway all that much these days since I switched to Toho/Zuka/French musicals.
Lazare
(1) For a Toho-esque Lazare, I really, really like Norm Lewis as a possibility. I think that he could NAIL Lazare, and he’s already played Chauvelin and Javert, so it’s like…the Trio must be completed. He has the voice, he HAS the stage presence, and he does a PHENOMENAL job at playing authoritarian assholes who nonetheless remain nuanced. Any racists who want to argue about plausibility can and will have a brick-length biography on the Chevalier Saint Georges *delicately* applied to the back of the head.
(2) Ramin Karimloo, for a more Carnot-esque bent. Look…I KNOW, I KNOW that he tends to be in everyone’s Top 10 Fancasts For Everything, but…I DO think that he has the voice for Lazare, he has the stage presence, and he has the fanbase. My only concern is whether or not he’d bend my son a little too much towards the dark side.
(3), which is obviously dead serious, Patti Lupone. Because she would be TERRIFYING.
Marie Antoinette - SPEAKING OF EVERYONE’S MOST OVERUSED OPTIONS, I genuinely do think that Sierra Boggess could do a good job. Look, her enunciation sometimes bugs me and I’m not going to pretend that she’s my ULTIMATE FAVORITE CHRISTINE EVER, but she has a fun, sparky attitude, with the range to also do Antoinette’s more somber moments, she has a high enough range that I wouldn’t be TERRIFIED of her high notes (not to name names, but…you know who), and I just genuinely think she would have a fun time in the role.
Olympe - Eva Noblezada
Solène -Mandy Gonzales.
Artois - Josh Young
And I'll add, since I've thought about this more over the years:
Camille Desmoulins - Derek Klena
Lucile - Philippa Soo
Artois - Tam Mutu
Danton - Josh Young
Robespierre - Aaron Tveit
I would follow the Toho production more than the French -- We want something that feels contemporary and modern, but that isn't too abstract, with a solid 2 act structure. French musicals can be a tough sell to American audiences and I refuse to explain the apocalyptic furry tea party sex nightmare. I honestly think that this would be the perfect time for 1789, just because a lot of things that it was doing 10 years ago are now popular courtesy of Hamilton. I've seen a lot of people, even in French reviews of it, call Molière l'Opera Urbain "French Hamilton" and I'm here like "Okay, clearly they did take inspiration, you can see that from the logo, I'm not saying they didn't, but also, French musical theatre did Hamilton before Hamilton. We're seeing American influences strengthening a pre-existing French framework."
The dancing can stay the same, the overall style can say the same, I would probably borrow and refresh the costuming ideas from the French, making a style that keeps the silhouettes from the time period while also modernizing them and giving them a sleek, luxurious feel. Silks and satins for Olympe and Marie Antoinette, Robespierre can keep his black velvet coat and his red and black color scheme.
We're living in the age of projectors in musicals -- I think we could do more with that. I'd love to see a creative combination of physical staging and projectors to really highlight the extreme highs and lows of France at the edge of Revolution.
My gold standard doesn't actually come from either France, Japan, or America, but from Russia, with the staging of the Anna Karenina musical. (The entire musical just. Looks like this. Legitimately one of the most gorgeous stages and blocking I've ever seen in a musical *anywhere*)
We know that in my ideal world, I would pay Attia and Chouet a hundred million dollars or something so I could totally rewrite 1789 and make Peyronan canon, but since I CAN'T do that, there are a couple of things I would fiddle around with lightly, such as emphasizing the close relationship that Ronan and Solène had before everything went to shit and giving Solène and Olympe the stage together during Pour la Peine. Something that was done really well in a bootleg Japanese production I have was that they did have Lazare getting wounded during the Storming of the Bastille, with Ronan giving Solène the choice on whether to kill him or not. I would cut out the plotline to both Japanese productions on Solène becoming a Respectable Woman and let her stay as a sex worker.
Something potentially controversial, and that I'm not even sold about, is minimizing the historical figures -- it isn't that I don't like them, it's that (1) They create a lot of clutter and (2) They will not mean as much to an American audience. To a Japanese audience who are used to Rose of Versailles (and to an audience of Japanese musical theatre fans, who might have watched the Takarazuka Robespierre musical, Azure Moment, the Scarlet Pimpernel, The Poem of Love and Revolution, and Marie Antoinette) they are already familiar with Robespierre, Danton, and Desmoulins. They are Standard French Revolution Figures, we expect to see them.
...for an American audience? It isn't like I think that they're DUMB, but I'm saying that 1789 would face the same issues that Elisabeth would face on an American stage -- trying to make this part of history that Americans do not know all that much about, that isn't really part of our national identity, and to make it appealing and fun. That's a tall order. There's a reason I always said Rebecca had the best chance of being adapted of all the Kunze and Levay musicals (though maybe Lady Bess, especially on the West End), and it's because it's an adaptation of a book that is required reading for a lot of students. (It also isn't lost on me that it feels like this is only an issue. With American audiences.)
...I don't want to cut any of the three of them, not really. I love Au Palais Royal, I love A Quoi Tu Dans, I love the original staging for Ca Ira Mon Amour, but I feel like Danton is kind of the most expendable of the main cast. He can be cut, while Papa du Puget's role can be slightly emphasized more, both to emphasize Olympe's family life and to shed a little light on what the politics of the Bastille were like, since he was a very interesting man who was involved in a lot. Make Necker a ghost character who's mentioned but not seen. Cut Antoinette's love affair with Fersen, possibly give "Le Temps s'en Va" back to Ronan and Olympe, making it a sort of love at first sight situation before shit hits the fan. Tie the show's two villains, Lazare and Artois, closer together so it doesn't feel like two messy plots.
They're painful changes to make, I'm not sold on them (except for cutting Fersen), but I think they might create a slightly stronger show. In the absence of the audience being really familiar with the show, we have to settle for creating sympathetic, likeable leads and a strong love plot. If we don't have that, the show flops.
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i think for joker 2 they should cast aaron tveit as batman and reeve carney as robin
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Mrs. Frederic S. Claghorn (left) and Mrs. George J. Hauptfuhrer Jr. meet at the Chestnut Hill home of Mrs. Joseph S. Rambo (right) to complete plans for Oct. 30 gala being sponsored by women's division of Eastern Pennsylvania Multiple Sclerosis Society at Academy of Music.
The Philadelphia Inquirer (Sunday, October 12, 1969).
DANCE HONORS PRINCESS GRACE
Dance honors Princess Brace Princess Grace of Monaco will be guest of honor at a "champagne dance" on Thursday, Oct. 30, at the Academy of Music Ballroom. Mrs. Joseph S. Rambo, of Chestnut Hill, is honorary chairman of the gala being sponsored by the Eastern Pennsylvania Multiple Sclerosis Society to raise funds to support research in finding the cause and control of this disease.
Festivities will begin with cocktails at 5 P. M. followed by dancing to the music of Romig, Lewis and Carney orchestras.
CHAIRMEN LISTED
Mrs. William E. Milhollen, Mrs. William A. Roth and Mrs. A. Ardley Henkels, are cochairmen.
Assisting the chairmen in arrangements for the Oct. 30 dance will be Mrs. Lloyd M. Coates, Mrs. George Morris Dorrance, Mrs. Frank B. Axelrod, Mrs. Frank Garofolo, Mrs. Morris R. Shaffer, Mrs. Alan D. Ameche, Mrs. Kershaw Burbank, Mrs. Murray Firestone, Mrs. F. Howard Goodwin Jr., Miss Ann Jane Callan, Mrs. Margaret K. Con-Ian, Mrs. Sydney Daroff, Mrs. Michael Daroff and Mrs. Edward Dudlik. Also, Mrs. Frederick H. Le vis Jr., Miss Marian Hayes, Mrs. W.Thacher Longstreth, Mrs. George J. Hauptfuhrer Jr., Mrs. Paul R. Kaiser, Mrs.Frederic S. Claghorn, Mrs. Russell Levin, Mrs. William Levinson, Mrs. Donald LeVine. Others are Henry S. McNeil, Mrs. Walter J. Maiden, Miss Patricia Lockhart, Mrs. Charles Nicholson, Mrs. Elizabeth Orr, Mrs. B. Arthur Pinney, Mrs. William Putnam, Miss Mildred Rinker, Mrs. Henriette Wallace, Mrs. Stanley A. Welsh Jr., Mrs. Michael A. Walsh, Mrs. Thomas A. Wood Jr., Mrs. Douglas H. Worrall Jr., Mrs. Vernon D. Wright, Mrs. Charles Wilson, Mrs. Robert G. Wilder.
"OPENING NIGHT" IS THEM OF BALL
"Opening Night" is the theme of the sixth annual West Park Hospital Ball to be held Saturday evening at Radnor Valley Country Club.
The ball is sponsored by the Women's Auxiliary of the Hospital and is cochairmened by Mr. and Mrs. Aaron N. Cohen. Proceeds will benefit the hospital building fund campaign and a new cardiac unit.
LANEiBRiANT for Fine carpet. we design them. From you like investment in dedicated Wall-to-Wall Hardwick's Colors: Green, sq. yd..
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family lines; the quinn twins
aaron tveit and elizabeth debicki as melvin quinn and irene quinn, née fawcett
tom glynn-carney and hermione corfield as stephen quinn and charlotte quinn
naomi watts and liam cunningham as gwendoline quinn, née greengrass, and stephen quinn
danny griffin, alex pettyfer, and lucy boynton as camron quinn, stephen quinn jr. and bessie quinn.
charlie rowe and danny griffin as olly enfield and camron quinn
austin butler and cole sprouse as edmund ‘baby’ quinn and rome st. james
liv tyler and lucy boynton as delphine vixen and bessie quinn
hunter schafer as stephanie quinn-vixen
olly and rome belong to @potionboy3
delphine and stephanie belong to @endlessly-cursed
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so hi !! i recently found your blog, dug through the archives. it was really verry helpful so thank you <333
i'm not as much of a theatre kid, though, and more of a choir one, and still kinda new to that. i have a glee club audtion kinda soon and was wondering if you had advice/song recs?
i dont know my exact voice range, but in choir i oftentime have the second soprano part, the alto note are a 50/50 shot but kinda hurt to do, and the soparano one notes are good but its hard to belt them !!
thank you so much in advance !
I'm glad you found it helpful! My biggest piece of advice is have fun with whatever you choose to sing and remember to breathe. The best performances are the ones where people look like they enjoy being up there.
Voice teacher moment (since that's my actual job): If a note hurts to sing, don't sing it! Something is up with the technique there and will likely need a voice teacher or vocal coach to help work out (There are also just sometimes notes that are out of our range, nothing wrong with that).
Here's a video that can help you find your range pretty quickly: https://www.youtube.com/watch?v=9IejHKpfHso (remember to drop off when something gets too high or too low to comfortably hit).
Rules of Thumb for voice type (Though remember types are more guidelines than hard rules--they are also traditionally gendered, though more people are moving away from that)
Typically female or afab-aligned voice types:
Soprano: A3-C6, often a brighter sound with strength in the upper register (Kelli O'Hara, Audra McDonald, and Laura Benanti are good examples)
Mezzo Soprano: G3-A5, a slightly darker sound with strength in the middle range (Ruthie Ann Miles, Patti Lupone, and Barbra Streisand)
Alto (sometimes called Contralto): F3-G5, a dark (often warm) tone with a lot of strength in the bottom range (Karen Carpenter, Carol Burnett, Judy Garland, Nina Simone)
Typically male or amab aligned voice types:
Tenor: C3-C5, similar to soprano, brighter with strength that lies in the upper range (Reeve Carney, Aaron Tveit, Jeremy Jordan)
Baritone: A2-F4, strength in the middle range, often a rich tone quality (most common male voice type--sometimes you'll see Baritenor to describe Baritones with a strong upper extension) (Derek Klena, Norm Lewis, Brian Stokes Mitchell)
Bass: F2-E4, the lowest voice type, deep, sometimes dark tone quality, strength in the lower range (Patrick Page, George Hearn)
Before I recommend songs, can you tell me a little about what the glee club typically sings? Are they more pop-focused, more musical theatre, or a little of both?
In short though, sing a song you think you sing best and that you enjoy singing.
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RESERVAS OFICIALES
Al final del post dejamos la normativa de reservas por si alguien tiene dudas.
PERSONAJES CANON
Forrest Frey - TheKarpa
Jeyne Arryn - Espeon
Alicent Hightower - Scar
Baela Targaryen - Scar
Benjicot Blackwood - Bloody Ben
Alysanne Blackwood - Niña Indigo
Aemond Targaryen - Phantom
Jacaerys Velaryon - Simba
Tyland Lannister - Simba
Aegon Targaryen - Grey
Daemon Targaryen - CanciónNoEsTwitter
Kermit Tully - CanciónNoEsTwitter
Otto Hightower - Loyalty
Elmo Tully - Muppet
Jason Lannister - Narciso
Rhaena Targaryen - PanConMermelada
Brandon Stark - DeusVult
Cregan Stark - Lobo
Dalton Greyjoy - StrongBoi
Floris Baratheon - Maple
Helaena Targaryen - Sargent
Maris Baratheon - Alyanna
Coryanne Martell - Halo
Aliandra Martell - Exel
Rhaenys Targaryen - Meleys
Lucerys Velaryon - SoloOtroRolero
Daeron Targaryen - EtherealStar
Steffon Connington - EtherealStar
Cassandra Baratheon - Medialunita
Ormund Hightower - Gerris
William Royce - Gerris
Borros Baratheon - Arctic
Rhaenyra Targaryen - Yuna
Sara Nieve - borealnyx
Criston Cole - Harlan Hunter
Joffrey Velaryon - Ardillaloca
Qyle Martell - borealnyx
Sabitha Vypren - Alesbosamente
Garlan Tyrell - Enoee
Margaery Tyrell - Bear
Desmond Manderly - StrongBoi
Benjen Stark - Showstopper
Byron Swann - Muppet
Erwin Lannister - CojoHermoso
Qoren Martell - Caraxes
Martyn Tyrell - LaRosa
Corlys Velaryon - Elquenollegó
Oscar Tully - Espada
Cerelle Lannister - Briska
Tyshara Lannister - Edith Finch
Royce Caron - elViejoTio
Jeyne Bulwer - Faith
CASAS / FAMILIAS
Karstark - Niña Indigo
Mormont - Bear
Peake - StrongBoi
Dalt - VhagarNoo
Redwyne - Briska
Yronwood - MagicRules
Celtigar - Exel
Umber - Ishadriel
Darklyn - Señor de la Plaga
Rowan - Edith Finch
Vance - Harlan Hunter
Dondarrion - CojoHermoso
Tarth - Misifú María Eugenia
Dayne - Medialunita
Farman - TheQueen
Lannister de Lannisport - Pandora
Bolton - Bolifacio
Reyne - Elquenollegó
Mooton - Bruma
Oakheart - Rae
Rogare* - Amanda
Tarly - Phantom
Ambrose - Hécate
Fell - Lilacandviolet
Drumm - Neurona
Florent - Midnight
Mallister - Woodswood
Estermont - Halo
Ashford - Bluemoon
Largent* - PocholoTargaryen
Mertyns - Norteña
Wylde - TheKarpa
Plumm - UnViserysPlumm
Cerwyn - Freya
Harte - Ponyo
Farwynd - Gyda
Reed - Roilys
PBS
Adam Driver - TheKarpa
Katie McGrath - Espeon
Skandar Keynes - bloody ben
Emma Appleton - Niña Indigo
Ewan Mitchell - Phantom
Thimothée Chalamet - Simba
Ben Barnes - Grey
Tom Glynn-Carney - Grey
Adelaide Kane - Scar
Olivia Cooke - Scar
Matt Smith - CanciónNoEsTwitter
Cameron Monaghan- CanciónNoEsTwitter
Elissa Bibaud- Bear
Morgan freeman - Suco
Rhys Ifans - Loyalty
Michael Fassbender - Muppet
Nick Slater - narciso
Alex Hogh Andersen - DeusVult
Aaron Taylor-Johnson - Lobo
Leo Suter - StrongBoi
Santiago Cabrera - VhagarNoo
Charlie Vickens - VhagarNoo
Kylie Bunbury - VhagarNoo
Elle Fanning - Sargent
Marta Gastini - Alyanna
Morfydd Clark - Magic Rules
Natalie Dormer - MagicRules
Kaia Gerber - Halo
Bruna Marquezin - Woodswood
Jordan Patrick Smith - Ishadriel
Sophie Turner - Edith Finch
Jodie Comer - Edith Finch
Hugh Jackman - Harlan Hunter
Christian Bale - Harlan Hunter
Chris Hemsworth - CojoHermoso
Elliot Grihoult - SoloOtroRolero
Dominik Sadoch - EtherealStar
Alex Storm - EtherealStar
Harry Lloyd - Fatbelly
Tom Hiddleston - Fatbelly
Sai Bennet - Rae
Sadie Sink - Vma
Jessica Chastain - Misifú María Eugenia
Blance Soler - Medialunita
Alexandra Daddario - Pandora
Nicholas Galitzine - Bolifacio
Thea Sofie Loch Næss - Bolifacio
Jeanne Goursaud - Bolifacio
Emilia Clarke - Dracarys
Engin Ozturk- Apolo
Charlie Hunnam - CojoHermoso
Henry Cavill - Lilacandviolet
Katheryn Winnick - Eris
Millie Brady - Remedios
Jonathan Rhys Meyer - Elquenollegó
Kaya Scodelario - TheQueen
Alexander Dreymon - Pandemonium
Dayana Crunk - Brienne
Anton Closmain - Ardillaloca
Freya Allan - TheQueen
Anya Chalotra - Niña Indigo
Dove Cameron - Bruma
Elizabeht Debicki - Amanda
Luke Evans - PocholoTargaryen
Lily James - Rae
Daria Milk - Bear
Tom Hardy - Phantom
Eva Green - Carmilla
Vanja Jagnic - Misifú María Eugenia
Florence Pugh - Hécate
Farah Zeynep Abdullah - TresPerlas
Bradley James - Ishadriel
Victoria Justice - Exel
Peyton List - Exel
Jannis Niewöhner - Showstopper
Anne Hathaway - Ponyo
Lucky Blue Smith - Mushroom
Jarred Blakiston - Mushroom
Lea Seydoux - Mushroom
Matteo Martari - DeusVult
Harry Gilby - DeusVult
David Gandy - Caraxes
Sam Heughan - Caraxes
Michiel Huisman - Caraxes
Zach McGowan - Neurona
Clive Standen - ReyBuitre
Meryem Uzerli - Midnight
William Moseley - CojoHermoso
Eve Best - Meleys
Theo James - Bluemoon
Alice Pagani - Halo
Alexander Ludwing - Bluemoon
Jason Isaacs - Elquenollegó
Deva Cassel - Halo
Karl Urban - TheKarpa
Vika Bronova - Maple
Jensen Ackles - Harlan Hunter
Kennedy Walsh - PanConMermelada
Sean Harris - PocholoTargaryen
Alexandra Dowling - Norteña
Leele Sonosekisk - Norteña
Ruby Hartley - Norteña
Mads Mikkelsen - TheKarpa
Ruairi O'Connor* - Espada
Scarlett Johansson - Wendy
Travis Fimmel - Argon
Hayden Christensen - UnViserysPlumm
Frida Gustavsson - Freya
Katya Miro - Medialunita
Alina KovalenkoFreya
Lili Johanson - Briska
Katya Chertykova - Briska
Angelina Michelle - Briska
Anastasia Tsilimpiou - Edith Finch
Abigail Cowen - Colorada
Graham McTavish - elViejoTio
Imogen Potts - Gyda
Daneil Sharman - Roilys
George Blagden - Roilys
Felicity Jones - Faith
Daisy Ridley - Magic Rules
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╰ ┈ 𝐀 𝐑𝐀𝐕𝐄𝐍 𝐂𝐀𝐑𝐑𝐈𝐄𝐃 𝐀 𝐍𝐄𝐖 𝐋𝐄𝐓𝐓𝐄𝐑 : fc ideas for the targaryens?
i hate to be cliche but i can’t help it in some cases so here’s a bunch . some may work better for cousins then the king’s siblings milly alcock , emma d'arcy , paddy considine , eve best , tom glynn-carney , phoebe dynevor , morfydd clark , amy wren , anita briem , alexandra dowling , emilia clarke , alexandra moen , alicia agneson , amelia clarkson , ann skelly , annabel wallis , anthony head , bella heathcote , bradley james , camille lou , aaron taylor johnson , rebecca ferguson , lotte verbeek , charlize theron , claire foy , cynthia nixon , daisy head , elle fanning , eloise smyth , emma rigby , essie davis , florence pugh , freddie fox , freddie stroma , freya mavor , gabriella wilde , gillian anderson , hannah new , harriet walter , harris dickinson , harry lloyd , hayden christensen , helen george , holliday grainger , iain glenn , james norton , jordan renzo , josh whitehouse , lena headey , lily james , lindsay duncan , linus roache , naomi battrick , noemie schmidt , peter capaldi .
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why do i not sound like aaron tveit christian and whoever played orpheus in the boot i watched (reeve carney is my guess) and gus halper mischa all at once
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