We're not appreciating the Weird Barbie enough. It's said in the movie that she helps everyone who need help while they always see her as someone who's not as good as them. She was friends with all dismissed Barbies and Kens, was there to offer support and safe shelter for everyone who needed it in Kendom, without her nothing in the movie would've been alright. When Stereotypical Barbie calls her "ugly and unwanted" she still helps her.
She was representing a woman in women's world who was pushed aside by other women because she didn't fit in but still had more wisdom and kindness than everyone who thought they're better than her.
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The scene was powerful in the book, but there was just something about watching reaper collect the bodies of the dead tributes in the arena. The way he removes the weapons from their hands, lays them out nicely, giving them the smallest bit of dignity in death. The contrast to the capitol gasping in shock as he pulls down the flag, not in rebellion, but in mourning. The way mourning in the hunger games IS an act of rebellion. “How are you going to punish me now?” The feed then immediately cutting to the news of the death of one capitol boy, whose death will be avenged upon those who had nothing to do with it. Only certain deaths are allowed to mean anything. God. Suzanne Collins knows what she’s doing.
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i do think that writers should be aware of the dark topics they're writing about; to me this means that e.g. if you're writing about an abusive relationship, you should know that it is abusive. i don't mean that you need to have a big and important point to make about abuse (especially not a necessarily moralistic one where e.g. the abuser "gets what's coming to them") in order to write it. just like that you should know what you're writing about. otherwise you get batman comics.
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Me before completing the forest temple: okay I get that ocarina of time is fun and nostalgic for people but it’s a bit of a stretch to call it one of the greatest video games of all time
Me after completing the forest temple: By revealing that Link is not a Kokiri, but a Hylian, the game effectively strips him of his humble origins amongst a group of people that already fail to recognize him in his adult form. Thus, kokiri village instantly becomes a location that is no longer Link’s home in any sense, exacerbated by the fact that the game now loads up in the temple of time instead of Link’s bedroom— he is a stranger in the only place that has ever been familiar to him and he is depressingly reduced to his destiny alone. However, the subsequent introduction of the time travel mechanic, which allows the player to travel from the horrific apocalyptic future back to the idyllic past of Link’s childhood, gives new meaning to the idea of this “destiny”. In effect, Link is not a stock “chosen one”, but a protagonist who consciously decides to fight onwards. Link’s dual existence as a child who knows the grim future and as an adult who was powerless to stop disaster gives a sort of desperation to his character, because while it brings the player relief to revisit the Castle Town that is populated by cheerful villagers instead of lurking zombies, the story can only be progressed through the acknowledgement of reality — the decision to make those seven years pass again. Therefore, both the player and Link as a character must be proactive in their heroism and make the conscious choice to struggle onwards despite the darkness that permeates—
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I mean. You want me to be a villain? Really? Me? Alright, if you insist.
The GIW go over the top, and commit atrocious crimes against Ghostkind.
And when Danny tries to strike back?
They get the JLD involved.
Now to be entirely fair, they lied to the JLD and withheld valuable information that would have let the JLD know that they were siding with the bad guys.
To be even more fair, Danny doesn't know that.
So fine.
They want him to be the bad guy?
He'll be the bad guy.
He never wanted in on this hero crap anyways.
Phantom and his two associates, Overdrive and Hemlock, take to the streets and show the JLD exactly how bad of an idea it was to make an enemy out of them.
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I love how the big bad is one of the most confused people in this whole ordeal is the big bad.
Major villains who have complete control over everything and mastermind literally the whole plot are out, and major villains who are absolutely flabbergasted by the heroes and just out of the depths in how fucked everything is going for them are in.
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