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yourtemponashville · 9 months

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Best Tips for Staying Organized and Healthy During Summer Tours

Ah, the summer concert tour season—the time when music fills the air and fans unite to celebrate the magic of live performances. For musicians, bands, and touring staff, these tours are both exhilarating and demanding. With the adrenaline-fueled rush of performing night after night, it is easy for everyone involved in such grueling schedules to forget about staying organized and maintaining good health.

But fear not artists, musicians, crew members, and booking agencies, for we have compiled the best tips to keep you on top of your game during the summer concert tours. This blog post will explore the wonders of booking agency software and other organizational hacks that will ensure you have a blast while staying organized and healthy while on the road and entertaining all of your fans.

The Power of Booking Agency Software

As a musician or band gearing up for a summer tour, the booking process is one of the most crucial aspects. This is where booking agency software comes to your rescue. Such a platform offers a seamless and efficient way to handle gig scheduling, manage contracts, and coordinate with venues and promoters. By using a booking management platform, you can streamline your tour schedule, track performance details, and stay ahead of the game, eliminating any last-minute chaos.

Collaborative Planning and Communication

Touring involves a myriad of moving parts, and effective communication is the key to success. Create a centralized communication channel using your booking management platform, where everyone involved in the tour can easily collaborate. Regularly update each other on changes, progress, and challenges during the tour. Keeping everyone in the loop fosters a sense of camaraderie and ensures that everyone is on the same page, enhancing efficiency and minimizing misunderstandings.

Prioritize Rest and Self-Care

Summer concert tours can be demanding, both physically and mentally. These characteristics are particularly evident during this time of year because of soaring temperatures across the country. It is crucial to prioritize rest and self-care to avoid illness, injuries, fatigue, and burnout. Ensure you have downtime between gigs, allowing yourself and your crew to recharge and recuperate. Encourage healthy habits like regular exercise, balanced meals, plenty of hydration, and enough sleep to maintain peak performance throughout the tour.

Embrace Mindfulness and Meditation

The life of a touring artist or musician can be fast-paced and overwhelming at times. Consider incorporating mindfulness and meditation practices into your daily routine to stay grounded and centered. Meditating for a few moments each day can help reduce stress, increase focus, and boost overall well-being. Plus, it is an excellent way to keep the creativity and productivity process active and engaged.

Stay Hydrated and Eat Well

This advice is mentioned above, but it is worth mentioning in more detail because it is so important to overall health. On-the-road food choices can sometimes be limited and unhealthy. Be mindful of the selections you make. Sometimes a bit of comfort food seems like the right idea when you may feel tired or homesick. But the reality is that unhealthy food choices can be especially detrimental physically and mentally. Look for options that are fresh and unprocessed. Try to vary your food choices so you get a range of nutritious meals or snacks. Make an effort to stay hydrated and opt for lots of water rather than sugary drinks whenever possible. Carry reusable water bottles and healthy, easy-to-manage snacks with you to keep energy levels up and ensure you are ready to rock the stage each night!

Get Enough Sleep

Sleep is essential for musicians and touring staff alike, but it can be challenging when schedules seem all over the place. It is easy to fall into the trap of late-night socializing or long drives, but sleep deprivation can take a toll on your health and performance. Make sleep a priority, even if it means adjusting your schedule slightly. A well-rested artist or crew member will be more creative, productive, and ready to give their best on stage.

Organize Your Merchandise

Merchandise sales can be a significant source of income during tours. Keep your merchandise organized and readily accessible by using labeled bins or containers. This way, you will save time searching for specific items, and fans can easily find and purchase their favorite merch to commemorate their experiences. Additionally, consider using a digital payment system for merchandise sales to speed up transactions, minimize cash handling, and relieve yourself of this worry.

Plan For Emergencies

No matter how well-organized your tour is, unexpected emergencies can still arise. Have contingency plans in place for possible issues like equipment malfunctions, travel delays, or health emergencies. Make sure you have necessary items like phone chargers, booking agency contact information, and medication. Knowing what to do in these situations will help you handle them calmly and efficiently, ensuring minimal disruption to your tour schedule and avoiding any health or safety issues.

Connect with Fans and Take Breaks

Summer concert tours are an excellent opportunity to connect with your fans on a personal level. Remember, you are on the road because of your fans. Engage with them through social media, post behind-the-scenes glimpses, and interact with them at meet-and-greet events. These connections can foster loyalty and turn casual fans into devoted followers. Additionally, remember to take short breaks during long drives to explore new places or enjoy local attractions. It's a great way to recharge and find inspiration in the world around you.

As you embark on your summer concert tour, armed with the organizational help of your booking agency software and these top-notch tips, you and your team are destined for a sensational journey. Staying organized and healthy will not only boost your performance, but also ensure that you create unforgettable memories for yourselves and your fans. So, rock on, and let the music guide you on this extraordinary adventure!

For More Information visit us: Best Tips for Staying Organized and Healthy During Summer Tours

#booking agency software #concert tour #booking management platform #Booking Pro #Music Booking Management #Concert Booking Management

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juliatulia · 4 months

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But Johnny told a different story when they went to New York. Johnny said that he and moz went to buy records and clothes. I think Morrissey is lying about it. I feel like he knows the real reason Joe Moss left, but instead of telling the truth, he acted like Moss and the rest of the band were planning to get rid of him

Are you confusing the trip they took in early 1984 with the tour in 1986? The 84 one seems very harmonious and productive, but on the later one things seems to have changed.

Some book or article refers to the Joe Moss thing (dont remember where) that he (and mike and andy) wanted the whole homoeroticism thing toned down a lot. Seems to woken some bad feelings among them that they should be so "flagrant". The song What do you see in him later became Wonderful Woman at I think Joes insistence. If he was a spokesperson for the other two or speaking for him self, i dont know.

The whole deal with the Joe Moss affair is so dufficult to judge 40 years later. The man has been dead for years and he didnt speak to the press about his time as manager. I never got a grasp of him as a person. Did he see Morrissey as a weak card in the line up? Did he just dislike him? Did he want The Smiths as a pure rock group who would appeal to the most neanderthal amongst us? Who knows. I never knew or understood why he suddenly left but I think if he meddled with artistic output, he wasnt going to last anyway.

#if he had purely been organising tours #cars concerts and so on he would probably been a good match for them as a group. they all seemed to need a mentor figure who could lead #them in a good direction. but if he wanted artistic control and control of appearances they made he probably overstepped.#it wasnt so uncommon to replace a singer or other member of a band in those days. half of manchester claims to have been a early sniths #*smiths. i could be a clash of personalities or power struggle. very hard to say. johnny rogan wrote a book about different rock managers #and their role and manager style. (i own a copy but i cant find it :() could check if he wrote anything about him there.#morrissey #johnny marr #the smiths #marrissey

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federsturm · 2 years

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It's my birthday🥳🥳

That means only 365 days until I see Silbermond in a small club with only 499 other people🥳

(and also new Lower Decks Season tomorrow🥳🥳)

#i still can't believe i managed to get tickets to a concert that was sold out in two minutes #but here we are #also s/o to my mom for gifting me a spock wallet and a signed book from a german astronaut <3 #she truly gets it <3 #personal log

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codewareltd · 8 months

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Forget the old way of organizing your events. Change the game with an efficient online event booking system.

Plan events, sell tickets, build booking pages, manage attendees lists, and do tons of more stuff with Codeware Event Ticketing Software.

Features of online event ticketing software - Streamlined event setup - Customized Ticketing - Multiple payment gateways - Ticket validation checker - Manage ticket sales - Event Check-In - Analytics and reporting etc.

Learn more at https://www.codewareltd.com/produc.../event-ticketing-system

#event ticket booking system #event ticketing system #concert ticket booking #event ticket management software #event ticketing platform #theatre ticketing software #event ticketing solutions #Event management system

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ms-demeanor · 2 months

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Can you offer any advice for avoiding hoarding when part of the problem is that trying to deal with the clutter and garbage and dirt causes paralyzing anxiety? I want my house to be clean and cluttered because it's stuff I like, but instead it's full of trash and stuff that had a place but doesn't seem to fit back in it after being used.

I can absolutely offer advice about that.

Short TL;DR:

Select the room you want to clean and make a map of it.

Divide the room into small segments like "top of desk" or "cabinet under sink" or even "half of junk drawer." SMALL segments.

Designate bags "trash," "donate," and "consider later."

Schedule a time to work on cleaning each segment, don't just assume "i'll do it next week." Write down an assigned day for each area.

Go into your target area and sort things into those bags.

Optionally, create a bag for memento items to put into a specific memento box/book.

Take bags out of the space when they are full to make more room to work and to see progress.

Do the section for the day and stop. Don't get overwhelmed by a ton of stuff, stop when you've done what you planned for the day (unless you've got good momentum built up and continuing will energize you.)

Long TL;DR:

Go someplace where you are not looking at the mess. You want to draw a map of the room, but you do not want to be in the room. Work one room at a time.

Divide the area you want to clean into very small spaces. You aren't cleaning an entire desk, you are cleaning one drawer of a desk.

Take three containers with you for each section: one trash bag, one donation bag, and one bag of stuff to consider later.

Plan out time to work on the space. Don't say "I'll do the whole thing this weekend" or "I'll get to it after the holidays," sit down and write out a schedule. There's a version of this called 40 bags in 40 days that people do for lent (that was the version of this i first found and followed the first time i did it), but you could do it in ten days, or a hundred, just try to stick to working on each segment on the day it's scheduled.

In each space, keep the stuff that's obviously meant to go there in that space, so if you're cleaning a desk drawer and it has a stapler in it, the stapler can stay there but if the staples and paper clips and rubber bands are a mess put that stuff into the "consider later" bin. Same thing with papers; if you've got a bunch of papers and you may need to keep some and may need to trash some, put them in the "consider later"

THERE IS AN OPTIONAL BIN FOR PEOPLE WHO WANT TO HANG ON TO A MILLION MEMENTOS AND CONCERT TICKETS AND SUCH. I make them by getting gallon freezer bags and filling them up with business cards and concert programs and scraps of wrapping paper and birthday cards. This isn't quite "consider later" because it's probably stuff you know you want to keep, this is "I don't have a home for this thing right now but it's not trash" so this is a temporary home for that category.

Remove stuff from the space as you work. As you fill up a bag of trash or consider later or donate, take it out of the space so you aren't looking at it and you can see the progress you're making on the space.

Do each section as you come to it on your schedule and then call it quits. If you cleaned out the counter next to the sink and that was your area for the day, you don't have to worry about the area under the sink unless you have the energy and enthusiasm for it.

Philosophical musing about why this works

The reason this kind of plan works (for me) is by pre-managing several things. You know you're working with a limited area, you know what you're going to do with the stuff you find in that area (put it in one of your bags or leave it where it is if it belongs in that area), you're working on a limited time so this can't stretch out forever it's just a little chunk, you're thinking about the space as you build your plan so you're visualizing the anxiety inducing thing outside of the space that actually gives you the anxiety which hopefully allows you to detach slightly from the anxiety, and you're getting your steps lined up ahead of time so there's no muddle of "what do i do now, how do I get started" - you get started by grabbing your bags and you go to that day's scheduled section.

The whole thing is constructed to prevent you from getting overwhelmed.

I used to try to clean my room as a kid and I would find something that needed to get put away but I didn't know where it went so I'd spend a bunch of time trying to make a space for it and I'd end up getting lost in the weeds of imagining how I'd use the item and if the new place for it was accessible, and oh look at the items that I found in this other place where I was going to put this item and this method cuts off all of that. Where I am putting the item is in the bag, where it is going is the "consider later" pile and when I've cleared out most of the space I can consider where things go when I've gathered all the uncertain things into one place instead of continually unearthing them and disrupting the process of going through stuff.

What it means to Consider Later

The reason you're working room by room is because you should be isolating the consider later pile by room. If you're cleaning out the bedroom you may end up with stuff that belongs in the kitchen or the office, but you'll end up with a lot of stuff that belongs in the bedroom. When you've worked through all your segments, you can sort the consider later pile and now that you have all the objects together, you can consider whether some of them belong together in a space in the room.

For instance, when I first did this there were a lot of books that needed to go on bookshelves, but my bookshelves weren't accessible in the early parts of the process. So books from the floor and the bed and the nightstand went into the consider later pile and after the whole floor was clear and there was no trash on my desk and all the books I was donating had been pulled from my bookshelves, I was able to organize all of my books at once instead of stumbling across a book every four minutes and trying to shelve it.

That's what spawned the memento bags for me; there was a ton of stuff in my consider later bags that didn't precisely have a place but weren't trash and needed a place made for them. If I'd struggled to find where each item went as I cleaned it would have completely stalled me out.

I kept finding yarn as I went but I didn't have a dedicated yarn spot, so I just put yarn in the consider later pile and at the end I found a basket for it and put it on a shelf in the closet that had been cleared out when I'd donated old clothes. If I had tried to find a spot for the yarn before donating the clothes, I would have had to move it once the better spot opened up, so saving all the consider later stuff for later saved me from having to move stuff several times.

If you're in a small space or if you're living with people and you can't make a pile of stuff in another room for two weeks, at the very least remove the trash and donation bags as you go and designate an area for your consider later pile; maybe a laundry basket or something similar so that you can keep it mobile as you clean.

It's kind of like moving in to a new space. When you move in to an empty room, you have all your stuff in boxes and you need to figure out where it goes and that can take a while, but it's sometimes easier to find a place to put things in a new environment than it is to put things back "where they belong" because maybe you've added a dozen skeins to your collection and they don't belong in the little yarn bag anymore.

What to trash, what to donate, and what to consider later

Trash should be immediately obvious as trash. Anything that is trash goes in the trash bag right away.

If you find yourself thinking "but I might use this plastic fork that came with my value meal," or "this receipt may be important," put it in the consider later pile and don't think about it right now.

The donate bag should be for stuff that will still be useful for someone, but won't be useful for you. Clothes that you don't like, books you hated and won't re-read, toys you don't want to keep, all of that goes in the donate pile. If you think you might want to keep a piece of clothing but you want to make sure it doesn't fit, don't stop to try it on now just put it in the consider later pile and you can sort it into the donate bag later.

"Consider later" is for anything that requires more than thirty seconds of thought or effort to handle. If you're looking at your desk and you've got a keyboard for your computer on your desk that keyboard is staying there and doesn't need to be considered. If there's an empty takeout cup on your desk, that cup is going in the trash and doesn't need to be considered. If there's a receipt for your computer sitting on your desk, you may want to save that for record-keeping purposes but may not have a place to put it, so that is what you consider later.

Some guidelines on what is or is not trash

You might look at a sturdy plastic cup from a gas station and say "that isn't trash, I could use that, that's still good" but unless you have a specific purpose in mind for it right now, that is trash. If you wouldn't put it in a donation box to be used for some ambiguous future purpose, you don't need to keep it.

If you have a specific purpose in mind, like using an old milk jug to make a watering pitcher for your plants, it may not be trash. But only ONE is not trash; more than that is trash.

If you wouldn't need to have a hard copy of a paper and you have an electronic copy, it is trash. This means receipts for most everyday purchases like groceries and fast food. Don't keep receipts for items past their return period, don't keep receipts for items that you have a digital copy of unless that item cost over $1000.

Nice cardboard boxes (or good glass jars, or sturdy plastic takeout boxes, or cleaned food containers) that you don't have a use for are trash (or recycling, depending on where you live, but still in the trash category).

If you know someone who is specifically looking for an item (like maybe the neighbor kids are asking for cardboard tubes for a science project, or you work with a meal delivery group that could use extra packets of takeout utensils, or you have a friend who is into canning and has asked for jars, or if you make your own soup stock and need containers to put it in, or if you have a friend who is moving and needs lots of good cardboard boxes) then these items don't *have* to be trash but if you are just keeping them in your space and not giving them to people who want them or putting them to use yourself, they are just trash in your space and you should throw them away.

Memory Books/Memento Bags

I make memory books out of the little items i collect into one gallon storage bags. They allow me to hang onto the stuff that I want to keep because it brings me good memories without having a pile of random junk and sometimes without having to keep the item, or having to keep the whole item.

If the thing I want to keep because it brings me good memories is bulky, perhaps I can take a put a picture of that item to put in the book. If it is a worn out shirt, perhaps I can cut a patch off the shirt to put it in the book. If it is a card, perhaps I can cut out just the front of the card, or I can almost certainly just throw away the envelope and put the card in the book.

If you have things that do *not* fit into the memory book, like costume jewelry or rocks or a weird toy you got out of a coin machine on a really fun family vacation, you can also make a memory box; I have some of these and they've got a bunch of truly random crap in them, but I *like* having the nametag from the four hours that I worked at Denny's, or the keychain from when my mom took me to the morgue training class. It's fine to like these things, and to keep many of them, but you want to keep them someplace that they won't stress you out; that might be a display case for nice things, but it also might be a pretty velvet bag that you periodically pull out of a drawer and sort through like a magpie, or a wooden box that you painted.

You can also be selective about this stuff. You don't need every piece of costume jewelry your grandmother owned; keep the pieces you really like or the ones you have strong memories of or the ones that are very nice or the ones that are in good shape. But look, my mom was a teacher and she had a wide variety of goofy holiday jewelry that she wore in the classroom and I don't need to hang onto that. I don't need the big plastic ghost earrings that won't fit in my plugs, but I'll hang onto the spider brooch. She collected cheap watches - I don't need all of her four dollar watches, I can keep the nice ones, or the one that she got for ten years at her job. Do the same thing with stuffed animals and baby clothes and magazines and children's books. You don't need to keep all of it, and keeping all of it isn't going to help you remember that time more, or remember that person better.

Do you really want to keep it or do you feel obligated?

Youtuber Caroline Winkler (who has some great videos about home organization that I like a lot, in particular "this is why your home is a mess" - with the caveat that she likes closed storage and my ADHD ass loves open storage) has a really great tip on getting rid of stuff that works a LOT better for me than the Marie Kondo "Does this spark joy?" question and it's the Red Wine Test. Instead of asking if an item sparks joy, you ask yourself "If a bottle of red wine spilled on this (or if it was in some other way damaged) how hard would I try to fix it?" If you wouldn't try very hard, or if you would be *relieved* then you can get rid of that item. If one of the Venom mugs I have on the shelf fell down and broke, I wouldn't try hard to fix it. If my cat stuffed animal from when I was a kid tore open, I would immediately be looking for my sewing kit.

.... I should recycle those cheap teal glasses, actually.

Some general tips that may help to get you started that work for me and my ADHD and may work for you and your anxiety:

Start a timer for a short time. You don't have to clean your whole house, you are just going to pick up for five minutes. Then you can stop, and you only have to face a *little* bit of the anxiety.

5-4-3-2-1-go. Don't overthink it, count down quickly and then get up and do something. Keep going in as long a spurt as you can manage without getting too upset, but cutting down on the time for pre-game fretting might help with the anxiety.

Do the smallest amount possible. You don't have to clean this room, you just have to take one dish to the sink. You don't have to do all the dishes, you can just unload part of the top tray of the dishwasher.

Some general tips on trying to keep a space clean:

First, encouragement: It is a lot easier to maintain a clean space than it is to create one.

If you're thinking that something needs to be done and it can take you under five minutes to do it and it's right in front of you, do it. I do this with my dishwasher. It turns out unloading the dishwasher is the main thing that stalls me on dishes and keeps my sink full, so now when I'm waiting for the kettle or letting my tea steep, I unload whatever I can get done in that time. If I have the vacuum out and I did my living room but the hall and the bedroom could use a quick pass too, I vacuum them while I've got the machine in my hand.

Set success traps. Success traps are things that let you fall into succeeding by front-loading the effort (or executive function) of cleaning with planning. Trash collects in your living space? Put a bunch of little trash cans everywhere. Cleaning your bathroom takes extra time because you have to go get glass cleaner and paper towels from another room? Keep a bottle of glass cleaner and a roll of paper towels under the sink. You never sweep because it is a pain in the ass to get the broom out of the broom closet? Hang the broom from a mount in the kitchen. It takes too long to clean the counter because you have to pick up a bunch of makeup brushes and bottles and soap? Put that shit on a tray and now you only have to move one thing to clean the counter.

And for your specific question, with "things never seem to quite fit back where they came from" sounds like you're playing storage tetris, which is when things have a place and it is a *very specific and exact* place that doesn't have a lot of room around it. You may need to think about downsizing for your space, or, more likely, think about more efficient storage. That Caroline Winkler video I linked has some tips on this ("don't store things in a way that will make you angry like putting your common use objects on an out of reach shelf or you'll never put things back because it's hard to put them back" and "maximize your weirdo spaces" speak to your situation, i think) that I've put into use, particularly in my kitchen. It was hard to keep the counter clear because it was hard to put my stand mixer away because the rack for the stand mixer had a wok and a bunch of cast iron pans and a panini press and a chafing dish on it; I put the panini press and the least-used cast iron and the chafing dish and the wok in a more out-of-the way cabinet (because i basically never use them but they're very useful when I need them) and now that shelf has a little grill, my more commonly used cast iron, and my stand mixer so putting away the stand mixer is a lot less effort so my counter stays clear. I wasn't using the top shelf of my dish cabinet for dishes because it's too high up for daily use, but it's perfect for the rice cooker, waffle maker, and food processor that I use less than my dishes but more than my george forman grill.

And anyway, the TL;DR for all of that:

Work a little bit at a time, be nice to yourself, don't keep things that aren't worth keeping, and configure your storage in a way that works for you (by keeping your lifestyle, the way you use things, and how easy it is to put away into account before deciding that's where something lives).

Good luck!

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yourtemponashville · 9 months

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Tips for Taking Care of Your Instruments While on the Road

Summer travel season is upon us, which means making to-do lists and packing suitcases in anticipation of a weekend getaway or a more extended vacation. We carefully fold clothing and ensure that all toiletries are closed and secure. These might be typical tasks for the basic traveler, but a concert booking agency knows that summer means something entirely different for touring musicians and bands.

After a rather long pandemic-related hiatus, music touring around the United States and internationally is in full swing. It is important to remember that touring is work and not a vacation. Traveling from one location and venue to the next is hard on musicians and their instruments, especially in different climates and environments. Tour management can convey to musicians and bands some best practices for caring for instruments while on tour. Music business software solutions allow for combining innovations in touring logistics and practical instrument care advice to launch successfully managed events.

Down the Street and Around the World

Whether a gig is in your neighborhood or a continent away does not matter. All musical instruments require expert care, so they always function at peak performance.

Making a Case for Cases

It is important to invest in a proper case. A sturdy, hardshell case is essential for protecting your instruments while traveling. Have you ever seen airline employees handling your luggage? Now imagine them handling the most expensive investment in your craft. Various kinds of cases are available, but hard-sided cases can withstand the bumps, jostling, and drops that can occur when moving them from place to place.

Make sure cases are also well-padded inside as an added layer of protection during transport. Look for cases specifically designed for your type of instrument and consider investing in cases with TSA-approved locks. And for additional security, ensure that all cases have identification tags with contact details in situations of loss or damage.

The Art of Proper Packing

It is fair to say we all know that one person can pack everything they need in a suitcase with room to spare or fit everything into a car like a jigsaw puzzle. These same skills should be applied to packing musical instruments. When packing instruments for traveling one day or an extended tour, make sure they are secured inside the case. Remove any detachable parts or accessories that might prevent a tight fit and wrap them separately in bubble wrap or cloth. It is also important not to overpack cases as this may place undue stress on the instruments leading to damage.

It is Not Always a Dry Heat

Fluctuations in temperature and humidity can damage instruments, especially when changes are extreme. Your tour management should conduct a little research on the average climate and weather of the locations on your tour. Instruments must avoid extreme temperature and humidity conditions to maintain their musical integrity. Avoid direct sunlight and contact with water. Storing and traveling with instruments in a climate-controlled environment is preferable whenever possible.

Now It is a Dry Heat

When addressing the high temperatures in states like Arizona, New Mexico, and Nevada, we often hear climate observations about it being "a dry heat." Well, dry heat is still heat and can wreak havoc on musical instruments. Just like extreme humidity can cause damage, no moisture can also cause problems. Consider using a humidifier to keep instruments from drying out. This is an especially critical best practice for wood instruments like guitars, upright basses, and violins.

Squeaky Clean and Damage-Free

Regularly cleaning your instrument can help prevent damage and prolong its lifespan. During a summer tour, cleaning should be a regular part of your instrument maintenance to avoid problems before they occur and correct any damage that may be found. Use lint-free cloths to wipe down instruments before and after each use, and always avoid using any harsh chemicals or abrasive materials.

While cleaning your instruments, check for signs of any damage that may have occurred during transport. Look for cracks, scratches, warping, loose strings, and broken drumheads. Address issues immediately to avoid further damage and to prevent problems from interfering with the quality of the live performance.

Your Voice is an Instrument Too

While most of us think about safely transporting instruments like guitars, basses, violins, drums, and pianos, it is crucial to include an instrument that sometimes may be ignored- your singing voice. It can be delicate and fragile, thus requiring some extra care to keep it ready for every note. It is important to stay hydrated by drinking a lot of water and avoiding caffeine which can cause dehydration. Other bad habits affecting vocal quality should be avoided, like smoking and drinking alcohol. Warm up your voice before a performance, just like you would stretch your muscles before exercising. Try to avoid misusing your voice by excessive talking or yelling. Finally, it is essential to rest your body from head to toe, which will, in turn, protect your voice.

Fine-Tuning Instrument Care

Your artist booking agency or concert booking agency can assist musicians and bands with practical information to keep instruments sounding fantastic and a long-awaited summer tour to proceed smoothly. Instrument care requires a little extra effort, but it is well worth it to protect your investment and ensure high-quality performance.

For More Information visit us: Tips for Taking Care of Your Instruments While on the Road

#artist booking agency #concert booking agency #musicians #tour management #concert booking agency Software

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lovebugism · 9 months

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eddie x shy!reader , she asks him on a date by giving him tickets to a concert and he thinks its a joke til she walks away feeling rejected & he realizes she’s like dead serious & goes up to her

thanks for your request! i sorta broke my own heart with this one — the one where eddie rejects you and immediately regrets it (shy!reader, hurt/comfort, 2.6k)

bug's summer fic fest ♡

Robin tells you that he’s nice. She says he won’t turn you down because he loves Mötley Crüe too much and he’s called you pretty too many times. Robin Buckley is many things — a dork, a polyglot, and your best friend, to name a few — but she’s never been a liar.

She wouldn’t lead you to the slaughter that way. She wouldn’t just let you get your heart broken. More than anything, though, she knows Eddie far better than you do — partly because she’s actually able to talk to him.

So despite your lingering worry, you swallow her words like a shot of vodka and maneuver helplessly through the bustling crowd of the Hawkins High lunchroom.

Eddie Munson sits alone at the Hellfire Club table — the smallest one in the very back corner by the large square window.

Instead of eating a real meal (even though the hamburgers might be horse meat instead of cow), the boy eats crumbled-up pretzels from a worn ziplock bag. He pinches them into his mouth blindly because his chocolate syrup gaze is trained on the well-loved book folded in his left hand.

J.R.R Tolkien’s, The Hobbit.

It makes you smile softly to yourself. You hope one day you’ll have the courage to tell him you’ve read that book so many times you could recite it in your sleep. You hope that day comes soon.

��Eddie?” you call softly to him when you reach his table. Your sweaty fingers fidget with the concert tickets you clutch between them.

He just thinks he hears his name at first. It’s barely audible over the sounds of muddled chatter in the cafeteria. He glances up from his book, not expecting anyone to be there, and gaping when he finds you standing in front of him.

His cinnamon eyes go wide. The boy blinks owlishly at you once, then flits his eyes behind you like he’s expecting to see someone there. When he doesn’t, he blinks at you again.

“Hi…” you waver with a trembling smile.

Eddie grins back, still obviously confused. “…Hi?”

“I, uh… I don’t know if you heard, but— well, obviously you heard, that’s… that’s stupid,” you laugh at yourself, shaking your head with your eyes squeezed shut. You’re already stumbling all over yourself, and you haven’t even managed a full sentence yet.

“Mötley Crüe is coming to Indianapolis in a few days, and a friend of mine was selling tickets, so I bought them. For us. Potentially. You know, if you wanted to… to go… With me.”

Your offer lingers and hangs in the air between the two of you.

A smile quirks at the right side of Eddie’s pink mouth. It isn’t a kind one, though. It looks more cynical than anything else.

His head juts back. He’s almost peering at you from the corner of his eye as though you were some suspicious thing he needed to analyze. A laugh sputters from his lips. “Did Buckley put you up to this? Is that what this is?”

Your faltering smile fades entirely. Your features crumble in disappointment.

This worse he could say is no, Robin had told you.

You hadn’t prepared yourself for this.

“…What?” you wonder, voice fragile like a wilting flower petal.

Eddie chuckles to himself. He sets the book down to give you his full attention, though you’re not sure you want it anymore. “You know, I knew she was upset about me trying to set her up with Vickie and all, but this is a… whole new low.”

“Vickie…?” you murmur through a tightening throat, brows pinched in confusion. “I don’t understand—”

“Look, sweetheart… Tell Robin that this was a real funny joke, but I’m not interested, alright?”

Your chest aches with an empty feeling. You think your heart might be breaking. “J—Joke?”

“—Actually, tell her that this was very not metal of her, and that I will get my vengeance,” Eddie says with a sardonic laugh deeply rooted in his chest. His smile looks almost like he pities you as he shakes his head, eyes twinkling with pessimism. “I’m sorry she sent you to do her dirty work, but… You should probably go now. This is, you know, the Hellfire Club table and everything, so…”

You swallow thickly, then nod.

Eddie doesn’t want you here. Eddie doesn’t want you at all.

“I’m— I’m sorry if I…” The words get caught in your throat. You clear it and blink back burning tears. “I was just… I thought that maybe—”

“Eddie!” a boyish voice calls from across the cafeteria, only halfway drowned out through all the noise. A group of guys in Hellfire shirts walk towards the table.

You take that as your cue to leave. You don’t want to burst into tears in front of your crush and all of his friends.

“I’m sorry,” is all you manage to choke out before turning on your heel and walking away.

He’d been smiling up until that point — like it was all a big joke to him — because it was.

The girl he’s been fawning over since junior year comes out of nowhere with tickets to see one of his favorite bands? That was the kind of shit he dreamt about — the kind of plan only someone as vicious as Robin Buckley could concoct to hurt his feelings. And after spending so many years being the brunt of bullies, Eddie was tired of being embarrassed.

And at first, he thought you were just a really good actor. You did look almost genuinely confused when he’d snuffed out the plan so quickly. But those wide, glassy eyes you looked at him with — he doesn’t know if a person can fake that sort of heartbreak. That looked real.

Eddie had been close to commending himself for not letting Robin win. He thought he was a genius for not allowing Buckley to use you against him. Now he knows he’s the same dumbass he's always been.

“Hey, man…” Gareth wavers as he sits at his designated seat adjacent to Eddie’s. The boy’s forlorn and faraway gaze doesn’t go unnoticed by the rest of the club. They all share looks of confusion, but the sandy-haired boy is the only one brave enough to speak up. “You okay?”

Eddie keeps his gaze trained on your figure as you maneuver through the crowd. Robin looks happy for you when you reach her, but the puppy-like excitement washes away when she notices how sad you are.

He feels like someone’s shoved a knife between his ribcage. He wonders if this is what a broken heart feels like.

“I think I screwed up,” he answers, laughing cynically at himself. “Like, big time.”

“Well, it wouldn’t be the first time, right?” Dustin jokes before popping a fry into his mouth. He laughs, but no one else joins him. “…Right?”

Eddie glares at the boy.

He cowers. “…Kidding. I was kidding.”

—————

He stews over it all day — your offer and what he said to you and how sad you looked after he said it.

He pictures your pinched brows and big, glassy eyes and his chest starts to burn a little. Everyone always thought he was some raging asshole just because he had crazy hair and a crazier taste in music. Now he feels like they were sort of right about him.

Whatever chance he had with you has surely turned to dust by now. It wouldn’t surprise him after he shrugged you off like he did. But after waging a nearly four-hour war in his mind between lunch and dismissal, he knows he has to make sure.

He has to know if he’s ruined things entirely or if there’s a glimmer of hope he can hang onto.

He comes to you at the end of the day, dripping in metaphorical blood from the mental carnage he’d endured. He stood across the hall from you for five whole minutes as he tried to come up with something to say. He walks to your locker empty-handed and just blurts, “I thought you were joking,” like a total idiot.

Through the muddled conversation in the bustling hallway, you hadn’t heard him coming. You didn’t know he was there at all until he was right next to you. Seeing someone so suddenly close to you makes you flinch — hard.

And it’s not totally Eddie’s fault. You’re jumpy and too easily frightened at times, but he can’t help but feel like he’s messing things up more than he already has.

“Oh…” you deflate with a sigh, eyes still wide and swimming with something he can’t quite place. You look like you’re almost relieved to see him. Almost.

“Sorry— shit, sorry. I didn’t mean to…” The boy stumbles over his words, then trails off when they don’t come out the way he wants. He shakes his head and finds it in himself to smile. It’s bitter, though, filled with self-abhorrence. “I wasn’t trying to scare you.”

With one hand still clutching the door of your locker, and the other gripping a stack of textbooks, you peer at him through your lashes. “I know. It’s okay. I just— I wasn’t expecting it…”

He grimaces. “Sorry…”

“’S okay,” you repeat.

“I, um, I only came in so hot ‘cause I wanted to apologize— you know, for earlier. In the lunch room,” he stammers and puts his fidgeting hands in the pockets of his leather jacket. He tries to laugh, but it comes out more as an insincere puff of air. “Honestly, I thought you were joking.”

Your brows pinch. “Joking? Why would I—”

“I sorta locked Robin and Vickie in the old chemistry room in the east wing a few days ago,” he confesses, bouncing his shoulders. “Just because I know they both like each other and everything, and I thought maybe they’d finally admit it if they were alone together.”

“Okay…?”

“Well, they didn’t. And Robin was pissed. So I thought she was using you to get back at me.”

“Using me?” you echo.

“Yeah. ‘Cause I’ve kinda been into you since junior year and everything,” he admits with a nonchalant shrug. The corner of his rosy mouth quirks into a half-smile. “It’s, like, the one card Robin could use against me that would actually hurt, you know? If she did try to get me back.”

Your heart swells so much it hurts, almost — the same kind of hurt you'd felt in the lunch room earlier. It feels fiery, like someone’s taken a match to your ribcage and lit your heart aglow. But it’s different now. This is a good hurt, a happy hurt.

“Really?” you squint at him, your voice high and light. Your lips twitch like you want to smile, but you don’t let yourself — lest this all turns out to be some kind of elaborate dream. Or a joke.

“Since we had Mr. Kaminsky’s together, yeah,” Eddie affirms with a slow, confident nod. His chocolate eyes flit up to the water-stained ceiling. “Let’s see… We were learning about reproduction, and Tommy Hagan made some stupid joke about using you as a real-life model instead of the pictures in the textbook—”

“I remember,” you nod, trying not to shudder at the memory that still haunts you.

“And I told him that he was making it real obvious that he’s never seen an actual vagina before and that the one in the textbook looked a lot like his mom’s,” the boy recalls with a soft laugh. “And you looked over at me, and you smiled, and I… have been a goner ever since.”

He looks down at you again, all sheepish like he isn’t gluing your broken heart back together again. His chocolate eyes twinkle in a way you’ve never seen before. They sparkle in their softness. You have to look away before it turns you into a puddle at his feet.

You smile widely into your locker, pursing it off to the side in attempts to conceal its brightness.

“No one’s ever stuck up for me like that before,” you confess quietly after a few moments, peeking at him from the corner of your eye. “I’m pretty sure I gushed to Robin about it for days.”

“Yeah?” Eddie hums. He can feel his hopes getting too high.

“Yeah. I told her all about the pretty boy in the back of the room that finally got Tommy H. to leave me alone.”

“Oh… You think he’s pretty, huh?” the boy teases despite his pink cheeks.

You nod — made much braver by his previous admission — though you still have a little trouble looking him in the eye. You drag a notebook from your locker as you tell him, “I think he’s very pretty.”

“Well, I have it on good authority that the boy you think is pretty is super sorry for being such an asshole to you earlier,” Eddie murmurs, his nose scrunched and head tilted. “And that he’d really love to go to that concert with you— if you haven’t found some other schmuck to go with you, that is.”

Your eyes light up like a Christmas tree as you beam at him. No one’s ever looked at him that way before now.

“I’d like that,” you nod, then shrug. “I don’t think I’d wanna go with anyone else, anyway…”

“So, it’s a date?” Eddie asks, just to make sure. His raised brows disappear behind his fluffy bangs. His chin tilts to his chest as he smiles hopefully down at you.

You nod, and repeat it more softly than the loudmouth boy. “It’s a date.”

Eddie can feel himself grinning like an idiot. His cheeks ache with how wide he’s beaming at you, but he's too lovesick to stop. Like squinting into the sun, smiling every time he looks at you is muscle memory by now.

And what did a freak like him ever do to deserve a date with the freakin’ sun?

#published by bug #eddie munson x reader #stranger things x reader #eddie munson x y/n #eddie munson x you #eddie munson #stranger things #stranger things imagine #stranger things fanfic #eddie munson fic #eddie munson fanfiction #eddie munson fluff #eddie munson angst #st drabbles #eddie spaghetti drabble #bug's summer fic fest!

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molsno · 2 months

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Another hallmark of "just asking questions" coverage of detransition is a tendency to focus on individuals who were assigned female at birth. Similarly, proponents of "ROGD/social contagion" often claim that the supposed condition disproportionately impacts "young girls," especially those with autism or mental health issues, although the statistics and rationales they cite in support of such claims are deeply flawed. This emphasis on "girls" and "mental illness" appears to purposely play into traditionally sexist and ableist presumptions that these groups are inherently fragile, susceptible to persuasion, and incapable of making informed decisions about their own bodies and lives. After all, the "cisgender people turned transgender" trope is most effective when its imagined "victims" are constructed as "innocent" and "vulnerable." Perhaps the most illustrative example of this tactic can be found in Abigail Shrier's 2020 book, Irreversible Damage: The Transgender Craze Seducing Our Daughters. The book is focused squarely on protecting "our girls" from "ROGD/social contagion," relying heavily on the aforementioned traditionally sexist and ableist sentiments. Trans female/feminine people are largely absent from the book, with the exception of one chapter (featuring interviews with Ray Blanchard and J. Michael Bailey) that depicts us as sexually obsessed "autogynephiles." Given that chapter, in concert with the book's provocative subtitle, readers may be left with the impression that it's trans female/feminine people who are responsible for this "transgender craze seducing our daughters" (emphasis mine; other anti-trans activists have argued this more explicitly). While Shrier's book never mentions "grooming," its subtext conveys deep connections between "social contagion," the "cisgender people turned transgender" trope, and imagined sexual predation.

—Julia Serano, Whipping Girl (3rd Edition), p 380-381

this passage illustrates so clearly how even the transphobia aimed specifically at afab trans people nearly always comes with the quiet implication that there are more nefarious forces behind it. in misgendering trans people who were afab, reducing them to helpless and sympathetic victims, shrier still manages to evoke the image of the transfeminine sexual predator "grooming" these victims into identifying as transgender. she never makes this connection explicitly, but the subtext of the work leaves the reader to draw that as the only obvious conclusion. when trans women name transmisogyny as the basis for many other forms of gendered oppression, this is what we mean.

#transmisogyny #julia serano #1k

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hannieehaee · 4 months

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hi! i hope u are doingg greattt! can u please do a wonwoo fic about when u get into an accident while ur husband!wonwoo was on a tour????????plzzzz do this fic and a happy endingg plzzzz

content: husband!wonwoo, idol!wonwoo, established relationship, gender neutral reader, angst, mentions of an accident, mentions of hospital, (tw for car accident implications), fluff, happy ending, etc.

wc: 1188

a/n: thank u for requesting!! sorry i took a lil while to get to it T-T

masterlist

wonwoo had never felt such fear in his life. i mean, how else was he supposed to react to such an unpredictable situation?

last he had spoken to you had been only three hours ago. on the phone. he had bid you goodbye for the night, letting you know he was about to go on stage and that he'd call you the next morning due to your time differences. he knew you'd be going home from work and head straight to sleep, so he didnt want you to feel like you had to wait up for him as he finished his never-ending setlist.

the next thing he knew, he was walking into the backstage area once more, exhausted but ready to head back to the hotel. except his plans had been interrupted by his manager, who pulled him aside to give him the grim news.

you had gotten on an accident on your way home. there were no more details at the moment. something about your best friend calling wonwoo from the hospital, but his manager had picked up, not understanding much from your friend's frantic rambles. wonwoo's heart immediately dropped at the implication. an accident could mean anything. it had happened on your way home, so that couldve implied a car accident .. wonwoo couldnt breathe anymore. the more he thought, the more his heart raced. his breath became heavy at the bare thought of you scared and alone while at home, not having your husband by your side.

he had been having fun on stage with his best friends while you had gotten hurt. there was no way for him to forgive himself for not being with you right now. he called your phone over and over as he ran to his assigned car, not even caring to change out of his concert ensemble. in the meantime he had his manager book him a flight to you immediately, not giving a second thought to any repercussions to his absence.

it took him a while to receive a response from you, or well, your best friend. she had called from your phone, letting him in on more details of your accident. wonwoo couldnt help but let out a sigh of relief at the news. you were okay. you were alive. you had swerved too harshly in order to avoid a deer that had gotten in your way, which caused the car to crash against a tree. the hood of the car was destroyed beyond reparation, but you had been left injured, but almost unscathed past a few broken bones. it was a broken arm, a broken collarbone, and a few scratches (re: a ton), but it was manageable. he would still dote to you until you healed, but he was just extremely content that you were okay.

regardless of your state, wonwoo still insisted on flying out to you. according to your best friend, you were still passed out. fortunately for wonwoo, his flight would take him to you within five hours, meaning you'd likely be awake by the time he got to you. his heart couldnt help but continue to race for you. the scare was still fresh in his mind, and the thought that he wouldve been away from you had it been something worse made him want to repent.

somehow he managed to fall asleep during the flight, only to be awoken by his manager the moment the plane landed. thankfully, it had been an unplanned flight, which meant wonwoo had the luxury of no one awaiting him at the airport. he had covered himself up – a bucket hat and a face mask sufficed to get him to where he needed to be with no recognition. he made the trip as quick as possible, feeling an instinctual need to be by your side.

after some very inconvenient paperwork, he made it to your room, standing outside as he pondered as to why he was scared to go in. you were fine. and probably even awake by now. but he couldnt help but think: it had taken him a total of seven hours to get to you. if anything ever happened to you, his idol schedule would always get in the way. your husband was not truly a husband. he was always away, always prioritizing his work and his fans, unable to tend to you in such moments. he always knew you'd be better off with someone who partook a more conventional career, but moments like this truly proved his theory.

even now, he felt like a terrible partner. he was pitying himself instead of checking on you. the realization made him shake his head at his own thoughts, forcing them away as he walked in. any thinking prior to that moment had been useless, as his heart became swollen with adoration the moment he saw you look up at the door, smiling as soon as your eyes landed on him. you didnt pay mind to your injuries, sitting up and extending your healthy arm towards him to draw him in.

he couldnt help but fall into your arms, doing his best to avoid any broken bones as he held you against him. he was aware that some of his body weight was above you, but you wouldnt let him pull away to readjust. you wanted him in your arms as much as he did you.

damn any insecurities wonwoo had. he'd be selfish and keep you to himself. if he had to exhaust himself through hours of travel to get to you, he would. or even better, he'd take you with him from now on. be damned anything that tried to get in the way of him and his love.

"my love ..."

"dont worry, nonu. im fine! it was just a freak accident. you didnt have to come, but ... fuck, im so happy you're here," you rambled as soon as you pulled away, still keeping him sitting on the bed as you leaned as close to him as possible.

"ill always come, you know that," he paused, "you scared the fuck out of me, i ... that call. ive never been more terrified. im sorry i wasnt here, im sorry i-"

"wonwoo, no! i understand. i cant believe you flew all the way to see me even if its just a few broken bones. im sorry i scared you."

his hand made its way to your cheek, caressing it gently as he smiled sweetly at you, "dont apologize. ill take a million scares if it means you're okay. i ... is it okay if i stay? i want to take care of you. actually, no, i dont care if its too much, i- i need to be by your side. can i?"

"yes. you dont have to ask, i always want you here."

"good. ill take you home with me as soon as you're discharged. never letting you out of my sight again."

"what about tour, you-"

"shh. ill take care of it. you're my priority. ill take care of you, okay? i love you."

"i love you more, nonu."

he let yet another sigh of relief at those five words, knowing that as soon as he heard those words, he'd be okay. you'd both be okay.

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hopeastrz · 7 months

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𝐋𝐞𝐨 𝐢𝐧 𝐭𝐡𝐞 𝐡𝐨𝐮𝐬𝐞𝐬; 𝐢𝐧 𝐨𝐭𝐡𝐞𝐫 𝐰𝐨𝐫𝐝𝐬 𝐰𝐡𝐞𝐫𝐞 𝐲𝐨𝐮’𝐫𝐞 𝐦𝐨𝐬𝐭 𝐩𝐢𝐜𝐤𝐲🌻✨

𝐃𝐢𝐬𝐜𝐥𝐚𝐢𝐦𝐞𝐫: 𝐩𝐢𝐜𝐤𝐲 𝐚𝐬 𝐢𝐧 𝐰𝐡𝐞𝐫𝐞 𝐲𝐨𝐮 𝐨𝐧𝐥𝐲 𝐰𝐚𝐧𝐭 𝐭𝐡𝐞 𝐛𝐞𝐬𝐭 𝐨𝐟 𝐭𝐡𝐞 𝐛𝐞𝐬𝐭.

𝐍𝐎𝐓𝐄: 𝐦𝐢𝐬𝐬𝐞𝐝 𝐲𝐨𝐮 𝐬𝐨 𝐦𝐮𝐜𝐡 𝐠𝐮𝐲𝐬!! 𝐓𝐡𝐚𝐧𝐤 𝐲𝐨𝐮 𝐬𝐨 𝐬𝐨 𝐦𝐮𝐜𝐡 𝐟𝐨𝐫 𝟏,𝟐𝐤 𝐟𝐨𝐥𝐥𝐨𝐰𝐞𝐫𝐬 𝐭𝐡𝐚𝐭’𝐬 𝐚𝐛𝐬𝐨𝐥𝐮𝐭𝐞𝐥𝐲 𝐡𝐮𝐠𝐞!!💛💛

𝐋𝐞𝐨 in the 𝟏𝐬𝐭 𝐡𝐨𝐮𝐬𝐞 | 𝐋𝐞𝐨 𝐝𝐞𝐠𝐫𝐞𝐞𝐬 𝟓°, 𝟏𝟕°, 𝟐𝟗° on the 𝐀𝐂

Everyone wishes the best for themselves, and you aren’t an exception, but without doubt you make it your life mission to have the most perfect looks. No one touches your hair, only the most elite hairdressers can, in other words and in a more general sense you’re really picky in your appearance, the way you present yourself to the world, physical body, beauty, presence, ambition, your outward behavior.

𝐋𝐞𝐨 𝐢𝐧 𝐭𝐡𝐞 𝟐𝐧𝐝 𝐡𝐨𝐮𝐬𝐞 | 𝐋𝐞𝐨 𝐝𝐞𝐠𝐫𝐞𝐞𝐬 𝟓°, 𝟏𝟕°, 𝟐𝟗° 𝐨𝐧 𝐭𝐡𝐞 𝟐𝐧𝐝 𝐡𝐨𝐮𝐬𝐞.

Picky in the food you eat or cook, restaurants and cafés you go to, beauty products, perfumes, make up, just how you spend/manage your money in all aspects, you have the most expensive material possessions, like paintings, antiques, and also your music taste is quite unique, you only listen to specific chosen artists and songs!

𝐋𝐞𝐨 𝐢𝐧 𝐭𝐡𝐞 𝟑𝐫𝐝 𝐡𝐨𝐮𝐬𝐞 | 𝐋𝐞𝐨 𝐝𝐞𝐠𝐫𝐞𝐞𝐬 𝟓°, 𝟏𝟕°, 𝟐𝟗° 𝐨𝐧 𝐭𝐡𝐞 𝟑𝐫𝐝 𝐡𝐨𝐮𝐬𝐞.

Picky in the conversations you decide to take part to or listen to, picky to whom you speak to, picky in the thoughts that swarm your mind, picky in your transportations and your cars?, you may not like going to the subway. the ideas and informations you indulge in, picky in your cell phone brand, social media accounts, gossips and short trips you take.

𝐋𝐞𝐨 𝐭𝐡𝐞 𝐢𝐧 𝐭𝐡𝐞 𝟒𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 | 𝐋𝐞𝐨 𝐝𝐞𝐠𝐫𝐞𝐞𝐬 𝟓°, 𝟏𝟕°, 𝟐𝟗° 𝐨𝐧 𝐭𝐡𝐞 𝐈𝐂.

Picky in your home decor, the place where your home is especially if you live alone, the neighborhood/ place of residence you chose may be quite luxurious, picky in your self care products, things that give you comfort, and maybe even with whom you decide to start a family with, also maybe you have a picky mother!.

𝐋𝐞𝐨 𝐢𝐧 𝐭𝐡𝐞 𝟓𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 | 𝐋𝐞𝐨 𝐝𝐞𝐠𝐫𝐞𝐞𝐬 𝟓°, 𝟏𝟕°, 𝟐𝟗° 𝐨𝐧 𝐭𝐡𝐞 𝟓𝐭𝐡 𝐡𝐨𝐮𝐬𝐞.

Picky in what gives you pleasure, places you go to for fun, your hobbies, arts, movies you watch, hair products?, games you play, places you go for vacations, concerts, festivals, carnivals, malls and cinemas, just open air places, and maybe even your boyfriends and short-term partners!.

𝐋𝐞𝐨 𝐢𝐧 𝐭𝐡𝐞 𝟔𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 | 𝐋𝐞𝐨 𝐝𝐞𝐠𝐫𝐞𝐞𝐬 𝟓°, 𝟏𝟕°, 𝟐𝟗° 𝐨𝐧 𝐭𝐡𝐞 𝟔𝐭𝐡 𝐡𝐨𝐮𝐬𝐞.

Picky in your self care, self care products, strict workout routine/workout place, you only go to the best gyms, picky in your hygiene products, in your workplace, daily routine, tasks, picky in your diets, in your pets, you pick the best food for them etc..

𝐋𝐞𝐨 𝐢𝐧 𝐭𝐡𝐞 𝟕𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 | 𝐋𝐞𝐨 𝐝𝐞𝐠𝐫𝐞𝐞𝐬 𝟓°, 𝟏𝟕°, 𝟐𝟗° 𝐨𝐧 𝐭𝐡𝐞 𝐃𝐂 𝐡𝐨𝐮𝐬𝐞.

You’re picky in long term relationships, picky to those you chose to marry, picky in everything related to marriage, picky in people whom you’re attracted to, picky in your business partners, in your close associates and love affairs.

𝐋𝐞𝐨 𝐢𝐧 𝐭𝐡𝐞 𝟖𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 | 𝐋𝐞𝐨 𝐝𝐞𝐠𝐫𝐞𝐞𝐬 𝟓°, 𝟏𝟕°, 𝟐𝟗° 𝐨𝐧 𝐭𝐡𝐞 𝟖𝐭𝐡 𝐡𝐨𝐮𝐬𝐞.

Picky in sex, picky in your kinks, things you’d inherit, people you’re intimate with, picky with whom you share you secrets with, if you’re into astrology and taboo stuff in general you don’t share these topics with everyone, and if you ever let’s say book a tarot reading you only choose the crème de la crème of tarot readers.

𝐋𝐞𝐨 𝐢𝐧 𝐭𝐡𝐞 𝟗𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 | 𝐋𝐞𝐨 𝐝𝐞𝐠𝐫𝐞𝐞𝐬 𝟓°, 𝟏𝟕°, 𝟐𝟗° 𝐨𝐧 𝐭𝐡𝐞 𝟗𝐭𝐡 𝐡𝐨𝐮𝐬𝐞.

You probably went to one of the best universities, or like had an expensive college major, you’re picky in your beliefs, philosophies, languages and things you learn, also picky in the books you read, maybe even to where you travel daily too and media you consume.

𝐋𝐞𝐨 𝐢𝐧 𝐭𝐡𝐞 𝟏𝟎𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 | 𝐋𝐞𝐨 𝐝𝐞𝐠𝐫𝐞𝐞𝐬 𝟓°, 𝟏𝟕°, 𝟐𝟗° 𝐨𝐧 𝐭𝐡𝐞 𝐌𝐂.

One of my favorite placements to have in a chart, you’re picky in the career you pursue, salary, and your public image, meaning you take a good care in what you chose to display to the public, since you catch people’s attention easily, you’re also picky in your responsibilities and your professional matters/long term goals.

𝐋𝐞𝐨 𝐢𝐧 𝐭𝐡𝐞 𝟏𝟏𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 | 𝐋𝐞𝐨 𝐝𝐞𝐠𝐫𝐞𝐞𝐬 𝟓°, 𝟏𝟕°, 𝟐𝟗° 𝐨𝐧 𝐭𝐡𝐞 𝟏𝟏𝐭𝐡 𝐡𝐨𝐮𝐬𝐞.

Obviously picky with whom you befreiend, your friend group, close friends circle and even people you know on the social media, you tend to attract lots of famous and wealthy friends, I’m talking like meeting princess or actual celebrities. Picky in where you party, clubs you go to, you may be part of exclusive membership clubs or something, Picky in your desires, films you watch too, you have a very high manifestations, ideals and hopes, you dream big!

𝐋𝐞𝐨 𝐢𝐧 𝐭𝐡𝐞 𝟏𝟐𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 | 𝐋𝐞𝐨 𝐝𝐞𝐠𝐫𝐞𝐞𝐬 𝟓°, 𝟏𝟕°, 𝟐𝟗° 𝐨𝐧 𝐭𝐡𝐞 𝟏𝟐𝐭𝐡 𝐡𝐨𝐮𝐬𝐞.

Picky in whom you let get close to you, picky in your sleep/ sleep environment, you can’t just sleep anywhere, like you may need the place to be absolutely tidy, only sweet when there’s a sweet calming aroma wafting through the air, and on your silky sheets only too. Picky in your fears, picky in your hidden desires, who you chose to spill your past with.

𝐂𝐡𝐞𝐜𝐤 𝐭𝐡𝐢𝐬 𝐩𝐨𝐬𝐭 𝐟𝐨𝐫 𝐜𝐮𝐬𝐭𝐨𝐦 𝐩𝐚𝐢𝐝 𝐬𝐞𝐫𝐯𝐢𝐜𝐞𝐬, 𝐨𝐧𝐥𝐲 𝟏𝟓 𝐬𝐩𝐨𝐭𝐬 𝐚𝐯𝐚𝐢𝐥𝐚𝐛𝐥𝐞!.

#astrology #astrology observations #astrology aspects #astrology degrees #astrology notes #aesthetic #astrology reading #astrology houses #astrology planets #astrology ask #astroblr #astro notes #astro placements #astrotips #astro observations

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after-witch · 24 days

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Death by Stereo [Yandere Chrollo x Reader] [Vampire AU]

Title: Death by Stereo [Yandere Vampire Chrollo x Reader]

Synopsis: You’re just a nobody living in a small town when a mysterious stranger with a leather jacket, good looks and a penchant for kissing your hand rolls in, just in time for the ever-popular summer carnival. Things are going great, until dead bodies start piling up.

Word count: 17,510

Notes: yandere, vampire AU, descriptions of dead bodies, some violence, gore, abuse

Thursday

Is there anything more wearisome than a small town? Small towns grind you down so slowly that you don’t realize your feet have been eroded into useless nubs before it’s too late, and you have nowhere to run, even if you had the inkling to get away.

A small town has its charms, as they say--but it has its burdens, too. You know all the faces, but all the faces know you; some of them have even known you since you were just an ultrasound picture carried dutifully in your mother’s purse, pulled out at coffee shops and book clubs.

They know when you got your first period (age 13, in the middle of gym class--you were wearing white shorts); when your first boyfriend dumped you (at the school dance, right before he made out with the third most popular girl in school); what colleges you applied to, and later--why you dropped out (your dad got sick) and how he was doing (not so great but getting better) and where you worked, how you liked your coffee, and all these impersonal and personal details that made up the monotony of your life.

It was a trap, this small town life. A faux bubble of intimacy that your parents embraced, but you’d never fully believed. Because despite knowing so much about you, no one here really knew you. They could tell you that you looked just like your mom at her age; they could sling down a mug with your coffee order without you opening your mouth (black, 1 sugar, 1 cream, no milk)--but they didn’t want to hear about how much you wanted to travel; how much you wanted to see.

Did it matter? You weren’t getting out anytime soon, anyway.

Like all small towns, yours had a claim to fame. While others might boast being the hometown of some B-list celebrity or the site of an all-you-get-eat seafood festival, your particular small town had one edge over the others: a summer carnival right on the beach, designed to appeal to nearby tourists who came to much larger, resort-friendly beaches for the summer season.

The tourists loved to flock here on that singular summer weekend, pretending they were enjoying a quaint local carnival where they got drunk on cheap beer and sampled funnel cake until they puked. And if the locals hustled them as much as possible, overcharging for drinks and parking and sightseeing maps, was that so bad? Small towns needed to leech off new blood once in a while, after all.

The carnival was four days long--Thursday, Friday, Saturday, Sunday. Sunday was, of course, the grand finale. There was a massive fireworks show on the beach, a huge concert with local and sometimes vaguely familiar bands. A lot more booze traded hands on Saturdays, and the beach was lit up with more than just fireworks; the local volunteers always spent the next week picking up cigarette butts and discarded joints in the sand.

The carnival can be fun. Although like anything that happens every single year in a small town you’ve lived in your entire life (save the one year of college you managed before your dad’s test results came back) it gets wearisome.

Still--you go. What else is there to do? Besides, you’d be stupid to deny that it’s more fun to spend your summer weekend wandering the carnival, riding a few rides, speaking to people, than to sit at home or pick up an extra shift at the diner.

That’s why you’ve wandered into the carnival today--Thursday. Thursday is your favorite day of the carnival, because it’s the most quiet, relatively speaking. There are tourists here, sure, but they’re not rowdy yet. Not as overcrowded. There aren’t gaggles of kids running around with lobster-red faces and arms because they’re parents didn’t understand the necessity of sunscreen; there aren’t groups of women traveling in packs with matching sunglasses and hats, enjoying a summer break away from their rich and distant husbands.

It’s mostly locals on Thursday. People like you, bored coffee shop workers with nothing better to do on a Thursday evening.

Or people like Jake Jenson over there, currently aiming a colorful dart at a row of balloons in one of many carnival games that would hustle drunk tourists out of their money this weekend.

Jake was the town drunk--a title he gave himself, and others were only too happy to oblige him. He stuck to himself most of the time. During the carnival, he won as many carnival prizes as possible, and traded them to tourists with shitty aim for beers or cigarettes.

And over there--the early birds. They’ve come three years in a row, you think from somewhere in New York. They’re attached at the hip, constantly rubbing their noses together like some twee movie couple, and you’ve heard them complain that the boardwalks in their part of the country are a lot more “authentic.’

Sure, there’s the familiar faces, but unfamiliar ones, too. An older gentleman and his wife, who walks next to him more slowly, with a cane. He’s balancing a plastic plate with a fresh funnel cake in his hand. They’ll find a bench to sit down and enjoy it, maybe people watch, like you.

It’s time for one of your favorite games: making up stories for the various tourists you probably won’t ever see again. This couple--this is the last trip they’ll take together, because the wife got an awful diagnosis, and they’re spending what would have been the rest of their retirement savings on the dream vacation she always wanted to take. They met during the war, decades ago… he was a soldier and she was a nurse, and he hurt his leg, maybe, and wound up in a field hospital.

It would have been terribly romantic.

Your eyes shift away from the couple and onto a few other new faces.

Maybe that’s why you liked the carnival. It was nice to look at new people and imagine where they came from, what they did. The kind of life they had, which was surely more interesting and worldly than yours.

With people watching in mind, you abandon your bench in front of the games and head deeper into the carnival, weaving yourself in between snack and ticket booths, stepping over large black cables that kept the rides running.

Dusk had already settled in, and the warm glow of the summer had been replaced with a deepening sense of evening. The carnival lights had already begun to play against the darkening sky, creating that magical atmosphere that couldn’t be replicated during the day.

You don’t notice the stranger at first. It’s dark, the lights are a bit dizzying, and there are plenty of people simply wandering around and taking in the sights. What’s one more stranger, when over the course of the next few hours and days, the summer will be increasingly filled with them?

But this particular stranger shows up in the corner of your vision and immediately strikes you as… odd. He’s just standing there.

Watching you. Staring--right at you. What the fuck?

He’s wearing all black, and there’s some sort of scarf or cowl over his face. His eyes look impassive but there’s something awful in them, even in the brief glances you get from catching him from the corner of your gaze.

What a creep.

It sours the mood, and you decide to leave, or at least take a break and shake off whatever out-of-towner decided to pull off his best edgy horror movie impression to creep you out. It wouldn’t be the first time a tourist behaved like a jerk, or a weirdo, especially if they’d be drinking.

Something about nighttime at the carnival made people go wild.

So you head away from it all, from the couples trying to win stuffed animals, from the giggling shrieks of people on rides that spun them upside down until they wanted to puke. And maybe you should just head right home, but it’s not fair to waste a night of good weather.

Cool, but not too cool. Pleasant. The moon is out and the stars twinkle overhead.

Heading out on the dock might be nice. Tourists don’t bother with it, at least not on Thursday, when the beach isn’t lit-up and there’s no particular reason to head out this way.

But you’d been to this beach in the evening before; you weren’t scared of the dark. By contrast, you liked the way the beach sounded at night. The water moving in and out, slow and sure. The occasional sound of wildlife splashing in the water. And the din of the carnival behind you, all rainbow lights and indiscernible human happiness.

Your joy is cut off by the sound of footsteps. Your heart leaps in your chest and your hands slam into your pocket instinctively, fumbling for your keys. Fuck, how were you supposed to use these in self-defense again? Put them between your fingers?

Your heart hammers and you slowly turn around, squinting as you make out a figure approaching you in the dark.

“I’m sorry,” a voice calls out, penitent. “Did I scare you? I’m trying to get reception.” The man wiggles a small silver object in the air, raising it above his head. A small LED screen lights up and your heart rate begins to calm, slowly but surely.

After a few beats, he sighs, and shoves the phone in his pocket.

He turns, apparently to leave, but then looks back at you. “Are you all right? I really didn’t mean to startle you.”

You swallow, lick your lips. Feel stupid for the keys in your fingers. He seems nice enough. A typical tourist. “Um, yeah.” You laugh, an empty sound. “I guess I’m just a little jumpy tonight.”

The moonlight doesn’t give you a clear view of the man’s features, but you can see him tilt his head a little. “Jumpy?”

The keys in your pocket rattle when you let them go, and pull your hands out to point back towards the carnival. The man follows your finger with an almost studious interest.

“Someone was following me, maybe? Or he just seemed a bit creepy.” You laugh again, a habit ingrained after years of dealing with men in odd situations--defuse, tread lightly, always. “He was staring at me, but I couldn’t see his face. He had a scarf over it, I think.”

The man in front of you hums in acknowledgement after a moment. He almost seems a little amused, which is both irritating and relieving in its own way. You were just being silly, jumpy, overreacting, weren’t you? Maybe the guy wasn’t even looking at you in the first place.

“Can I walk you back to the carnival? It doesn’t feel right to leave you here alone.”

Ah, no, you think. Sure, the man in front of you might just be a tourist in search of reception, but that doesn’t mean you’re stupid. This is how people get murdered. Or attacked. Or like, hoisted into white vans and never seen again.

“No, that’s okay. I was going to stay out here longer and look at the stars. I’m going home soon, anyway.” Not a complete lie, since you did really want to go home. Something like this is usually enough for most people to take the hint, right?

The man doesn’t turn around. Instead, you see the shape of his smile, lit only by the moon in the sky above.

“You want me to walk you back to the carnival,” he says simply, and offers his arm out, like some kind of old-fashioned gentleman.

Oh. Of course you do. What were you thinking, staying out here on the dock at night? Mosquitoes would eat you up, anyway.

You smile in return and take his offered arm, stepping lightly as you make your way back to the carnival with a complete stranger.

Only by the time you make it back to the threshold of the carnival, which seems to be eaten up by the darkness surrounding all of the twinkling lights, he’s not really a stranger, is he?

And as you get closer to the carnival, the natural darkness of the beach gives way to an abundance of artificial lights that allow you to see him better. He’s cute--no doubting that, with dark hair that frames his face, and a bandage around his forehead. Maybe an accident, or an unfortunate birthmark.

Even if you weren’t familiar with most of the town’s residents in one way or another, you’d know he was an outsider from the way he’s dressed. A slim motorcycle jacket and dark jeans… not the type of guy that hangs around here for long.

As you stop at the border of the carnival, he asks where you live, and you tell him--”around.” He admits that he’s only in town for the carnival week.

“I figured,” you say lightly enough.

He raises his eyebrows. “Is it that easy to tell?”

You put your hands into your pockets and look around you.

“I mean, it’s a small town, right? Everyone knows everyone, after a while. A new face stands out pretty easily.”

His smile is charming. Practiced, but charming. Or maybe being practiced is how it’s so charming in the first place. “That makes sense.” He considers you for a moment. “You like to watch the tourists, then?”

You shrug and gesture with your chin towards a mom with a toddler clinging to her hand, pulling her along towards one of the games with enormous stuffed animals.

“I like people watching, I guess. Sometimes,” and as you’re saying it, you don’t know why you’re telling him this so openly. “Sometimes I like to make up stories about people I see. Like, where they’re from or what they do or a backstory like they’re from a movie or whatever.”

Your cheeks feel suddenly, stupidly hot. Christ, you meet a handsome stranger on the beach and your first major conversation involves you admitting you make up stories about people? You’ve got to get out of this town more.

But he doesn’t seem like he’s judging you. If anything, he looks interested.

“And what would you imagine for me?”

The question is unexpected.

“I think…” You try to force your mind to wander like it does when you people watch organically. What would you imagine, if you came across him walking around the carnival in the evening? He’d be on his own, surely, maybe his hands in his pockets. Quiet. A soft smile on his face, maybe?

“I think you’re some sort of… librarian. Or a curator. A collector?” You shake your head, unsure of exactly where you want to go with this one. “The point is, you’re traveling around the country, looking for things to add to a museum or library or something like that. And you came across an ad for a summer carnival and thought you’d take in some local culture.” You gesture towards the carnival--the lights, the crowd of people, the humanity on display. “But walking around here makes you feel lonely. So you walk down to the beach in the hopes of distracting yourself. Only,” you add, with a cheeky grin. “To come across the most amazing small town waitress in 100 miles standing on the dock like a weirdo.”

He doesn’t smile at your story. Not exactly. Instead--and you look away when you notice, feeling too rude for staring--his eyes widen just a smidge and he purses his lips in a thoughtful way.

“My name is Chrollo,” he says. “May I have yours?”

Chrollo is kind of old-fashioned, you decide. Perhaps you were more spot-on than you realized with your story.

Maybe you shouldn’t give your name. But there’s a giddy feeling inside your chest. Something akin to what you used to feel when you were a teen and you snuck out in the middle of the night for bonfire drinking parties.

I mean… a handsome stranger in a motorcycle jacket who escorted you back from the beach wants your name? You’d be stupid to say no.

So you give it.

At that, he finally smiles again.

“Well, then,” he says softly, saying your name in such a way that makes you hope he’ll say it again in the future, “I hope I’ll see you tomorrow night.”

“Help! Someone help me! For God’s sake!”

Jake Jensen cried out these words as loudly as he could--as clearly as he could, with booze slurring his words and making his mouth all mumbly. But he wasn’t loud enough. No one heard him. Not over the music and delighted screams of the carnival.

He had been chased away from the beach, past the dock, into a little storage shed used for kayaks rented to tourists during the summer. His worn out body protested with every movement, his lungs hacking from years of cigarettes.

His attackers, who blocked the door frame, said nothing. They only looked at one another, silent words passed between them, and the taller of the two grinned in the darkness.

Jake Jensen died screaming.

Friday

You tell yourself that you’re only sitting here on this bench, munching on fresh hot popcorn, because you had a hankering for carnival food. Definitely didn’t come here in the hopes of seeing a certain someone. You tell yourself this even as your eyes dart here and there, looking for any sign of the not-quite-a-stranger from last night.

The sun has just set, and it’s a bit hard making out faces in the glow of the early evening. There are a lot more people here tonight, a new wave of tourists drowning out the familiar faces. Not that the locals shy away from the carnival--you spot your former best friend from high school, your old math teacher, one of the regulars at the diner… Jake Jensen isn’t in his usual spot at the games, but maybe he’s sleeping off a hangover. He never misses a summer carnival.

“Hello again.”

Oh--you choke on your current handful of popcorn just as Chrollo appears suddenly in your line of sight, hands in the pockets of his motorcycle jacket, a casual smile on his face.

“Hey,” you say, coolly, like you didn’t just nearly spit chewed popcorn kernels in his face when he approached. The silence between you doesn’t last long, but you fill it anyway. “You um, want some popcorn?”

But when you hold out the now half-filled container, Chrollo only looks at it curiously. Like he’s never seen popcorn before or something? But then he takes a small handful and pops it in his mouth. Chews--but he might as well be chewing broccoli, for all he seems to enjoy it. Oddly, he watches you while he chews, seemingly studying your face. Did you have popcorn in your teeth?

Better to fill the silence again.

“Well, what do you think?” You ask, grinning, popping another handful in your mouth. “It’s my favorite because it’s fresh, and that booth actually uses real butter. Not the fake oil stuff.”

Chrollo hums in agreement. “I see. I thought that tasted like real butter. Thank you for sharing.”

You decide on the spot that you’re going to make the most of this evening, popcorn-in-teeth or no. So you shrug and give your best smile. “No biggie. Buuut… you will owe me.”

He raises his eyebrows. “Oh? And what will I owe you?”

It’s your turn to hum as you look out towards the carnival, scanning past the numerous faces, the booths, children running with balloons and sticks of cotton candy. “A ride on the Ferris wheel once it’s properly dark would be nice.”

A snort, though his nose. “I think I can manage that.”

He offers his arm again, and you take it, not minding how old fashioned it was. Somehow, despite his jacket, his sleek hair, the hint of motorcycle oil mixed with cologne, old-fashioned seemed to suit him.

Lots of things seemed to suit him, actually. You learn this as the evening wears on. He’s great at carnival games, choosing only a select few that he claims to be an expert in. He wins you a few stuffed animals that you pass on to little kids, save a smaller teddy bear that you can shoved inside your purse.

You learn other things, too. Like, he’s a great listener. He lets you talk--about yourself, about the town--and doesn’t interrupt or tell you that you talk too much or make it clear he’s not listening to a thing you say. He even asks you questions, which shows he’s actually listening, and not just thinking about other things and waiting to ask you to go somewhere “private” like some other guys.

It’s nice, surprisingly nice, to find someone from out of town who’s so thoughtful.

The line for the Ferris wheel is always long once the sun goes down, and you’re one of the last rides of the night.

When the carnival worker locks the bar down over your waists, you kick your legs and wait for the strange rush of adrenaline and pleasure that comes with the Ferris wheel. It’s a beautiful sight--all colored lights contrasted against the night sky, whisking you high into the air and giving you a view of the entire carnival and the ocean beyond.

But your body always reacts to the imagined danger of being carried so far away from the safety of the ground, and when the Ferris wheel reaches the top and begins to circle over for the first time, your stomach lurches and you gasp.

“Are you scared?” Chrollo’s voice is low--you could swear he’s teasing, but there’s something else in there, too.

“Yeah,” you say, breath catching as you're brought back closer to the ground, only to be whisked away again. “Of course. What if something goes wrong, and I fall off and break my neck?”

Chrollo tilts his head. “You’d be dead.”

You can’t help but grin. He’s so to-the-point sometimes. It’s charming in its own way, although you can’t exactly describe what “its own way” means with Chrollo. It’s like he stepped out of some old fashioned film but also came out of a cooler city. A biker who carries around an embroidered handkerchief, or something like that.

“And I don’t want to die, hence--the stomach flipping.”

Chrollo looks ahead, then, taking in the view as the Ferris wheel carries you over again. “No? How long do you want to live, then?”

The snort is involuntary. A philosophical question on the Ferris wheel--not exactly what you expected from tonight. But maybe it’s not so bad. He’s good company. And Chrollo looks earnest in his question, too, which makes you feel guilty for snorting in the first place.

Maybe it’s the lights of the Ferris wheel that dazzle you; maybe it’s the way being on the Ferris wheel at night makes you feel like you’re in some wonderful haze of a dream.

Whatever it is, you fling your hand into the air, towards the carnival, towards the stars.

“Long enough to achieve my dreams,” you breathe out, earnest, almost sing-song. “Whatever they might be. I haven’t figured them out yet.”

Chrollo turns his head to look at you. His eyes almost seem magnetic against the night sky, with the lights of the carnival playing in them.

Then, as the Ferris wheel brings the two of you down towards the ground, you see him. The man from yesterday, with the cowl over his face. He’s looking right at you, and it’s no mistake or figment of your imagination.

Your head swivels to the side and you grip the bar of the Ferris wheel until your knuckles hurt. You jerk one hand out and point to the stranger on the ground with a trembling finger.

“There--look! Look!”

Chrollo takes a moment to respond, and follows the sight line of your finger.

But now--there’s no one there.

“What do you see?” He asks, clearly unknowing that the object of your terror has vanished into thin air.

“The man… the man from yesterday. He was right there. I swear.” Your chest hurts; fear hurts.

Unbidden, Chrollo pulls you close to him, and you let him hold you tight.

“You’re all right. I’m here.”

He holds your chin in his fingers. “You’re safe, do you understand?”

The fear in your chest seems fuzzy now, like it had almost never been there in the first place. How silly of you to be scared, when Chrollo was right here. It doesn’t even seem strange that he’s touching you so intimately, does it? So you nod--yes, yes, you understand.

Chrollo smiles.

“Let me kiss you,” he says simply.

And you will. Of course you will. What else would you want to do?

But as you lean forward, eyes already closing, he pulls himself away.

“Wait.” You blink, head clearing, and he continues, words slow, careful. “Would you like to kiss me?”

Now, you think about it. Maybe it was too hasty. But the lights of the carnival are beautiful and Chrollo is beautiful, and he’s been so thoughtful all day, and now he’s here, holding you, promising to keep you safe from carnival creeps.

A summer carnival is the time for a flirty romance, after all.

“Yes,” you answer, simply. “I would.”

Chrollo’s finger strokes your chin as you lean in and share your first kiss on the Ferris wheel, glittering lights and carnival music dancing in your mind.

The wife died first. Too quickly, but perhaps it was all the alcohol in her system; $1 margaritas at a local watering hole on a Friday night did nothing to make her more agile when being chased by predators while running in black city heels that had no place in a small town carnival.

Well, to the dying woman’s credit: it was the heels and alcohol and the sliced tendons in her ankle. Taut wires cut through her flesh like butter and she was down for the count, crawling, sobbing, begging for her husband, for God, for anyone to help her.

No one did.

Those pitiful cries, too, were cut down by a wire pressed into her throat; silencing her vocal chords, yes, but spilling blood over her neck that was as pretty as a sight as anything to those watching her choke and scrabble her hands against the ground, eyes wide, gaping, wondering--how is this happening to me?

The margaritas may have hindered her before her unfortunate ankle accident. But they did make her blood taste sweet and tangy. Metallic, rich, with a twist of lime. All that was missing was a miniature umbrella.

This joke was said aloud, once everyone had a taste of her. A few laughed, blood on their teeth.

Her husband didn’t seem to find it funny, but perhaps he was more preoccupied with his own current slow death. An arc of his blood spurted into the air--”Don’t fucking waste it, Uvo”--before a greedy mouth latched onto the wound, beginning to suck him dry.

The husband, like the wife, would be shared.

Soon, though, there would be no need for sharing.

There would be enough for everyone to have their fill--and beyond that.

There would be enough to gorge.

Saturday:

Three people are dead.

You didn’t know them know them, but the shock is still there, making your hands tremble a little as you pour morning coffees and deliver plates of steaming eggs and overcooked bacon to tables of locals and tourists in almost equal measure.

Jake Jensen is one of those people. The identities of the other two are unknown--”Due to the state of the bodies, no identification could be provided at this time,” said the sheriff, above a rolling news ticker that had been on the diner’s singular TV all morning--but they might be a couple. A man and a woman.

People die all the time. Sure. But… dead bodies are not often found in your small town, where gossip typically revolves around couples breaking up or a local store not putting up enough holiday decorations to appease the older crowd.

Yet now, in one morning, there are three.

Jake Jensen, who was found near the beach.

And an unknown man and woman (John and Jane Doe) who were found in a wooded area near the carnival.

“Mighta been a bear,” says one of your regulars, gnawing on a piece of his burnt bacon. He liked it that way.

“I heard they were drained of blood!” Your head--and others’ too, you suspect--turns to the voice. It’s not a local. Someone who’s far too dressy for the diner, sipping on a coffee they brought from home while they sample your diner’s less than stellar fruit salad option. He’s oblivious to the stares, to the eye rolls, to the immediate dismissal that his outsiderness earns him. “Two puncture wounds on the neck. Heard it from a cop while I was walking in this morning.”

Someone murmurs a joke about vampires and the locals chuckle, then go back to their coffee, their eggs, their eyes now and then glancing up at the old TV screen.

Your eyes roll, too, but then you wonder.

If they were murdered--and it’s an if, of course, because it could have been animals and Jake Jensen could have gotten so plastered that he fell off the dock or something, murders just don’t happen in your town--then… could it have been that creepy guy from before? The one who’s been following you around the carnival?

Shit, maybe he was waiting for the chance to get you alone, so he could drag you off to the dock or the woods and slit your throat. The thought gives you goosebumps, and acrid coffee tries to climb its way up your throat, before you swallow it down.

It was a good thing you had Chrollo around for the past two days.

And you’d be seeing him again tonight.

They weren’t canceling the carnival--it brings in too much money. And while a part of you is all sore and soft for poor Jake Jensen (who was never mean, just drunk) you try to brush it away. It’s sad. But life is sad.

You don’t want to be sad tonight. You want to look nice--for Chrollo? He wasn’t the first out-of-towner that had flirted with you, that you’d flirted with back. He was the first one that you’d ever genuinely looked forward to seeing again, though.

So.

You want to be wearing your best smile when you meet Chrollo again tonight.

And you can’t do that if you’re thinking about Jake Jensen’s body washing up on the beach or if there’s a small, tickling question dancing through your mind--

What sort of animal leaves two pretty little puncture wounds on the neck?

You sit on the same bench as before; the bench, in your mind, where you and Chrollo have taken to meeting up these past few days.

There’s no room in your stomach for popcorn tonight, though. Or rather, there’s room--your stomach growls--but you can’t imagine chewing anything rich, hot and buttery right now. Your thoughts flit between horror (poor Jake Jensen, one time, when you were younger, he helped you fix a flat bike tire) and romance (Chrollo’s lips on yours, warm, the breeze tickling your neck, the lights of the Ferris wheel twinkling around you).

You feel bad for wanting to enjoy tonight. But that’s not fair, is it? Another small town tragedy: caring too much about someone you didn’t really know as anything more than a passing familiar face that you can’t even focus on a hot date.

Fuck.

“Daydreaming again?”

The evening sky above you is a wash of deepening colors, devoid of actual sunlight but clinging to the last vestiges of it like a child refusing to let go of his mother’s hand on the first day of school.

He’s holding up a stick of bright pink cotton candy in one hand, while the other arm is offered for you to take--the contrast between his leather jacket, the ball of fluffy sugar he’s holding, and the way he sometimes acts like an old timey gentleman out of the movies is enough to make you smile.

Perhaps there’s bitterness in it, because as soon as you’re standing, Chrollo regards you with a measured look.

“Are you all right?”

Well. You don’t want to ruin your evening, but it would be stupid to pretend everything was all sweetness and sunshine, wouldn’t it? It’s better to get it out of the way.

“Sorry, it’s… I don’t know if you saw the news?” He says nothing, and you continue. “Those people that they found dead this morning.” Your lips press together. “I mean, the guy--I knew him, sort of? Everyone did. He was drunk all the time, yeah, but he wasn’t a jerk about it.”

Chrollo hums.

“I can imagine that would be shocking for you to hear.”

Your smile is shaky, and you nab a piece of cotton candy from the stick and shove it in your mouth. The sweetness contrasts awfully with the words that pass through your lips. “For you too though, right? I mean, it’s not every day three people turn up dead at some small town carnival.”

Chrollo raises an eyebrow in a way that seems to say that he is not particularly shocked by the news.

“Shit, really? What are you in your non-touristy life, a mortician or something?” A sudden realization washes over you, that Chrollo has an entire life outside of you and these carnival evenings; he has a past, and family, and friends, and a job. Hopes, dreams, the whole nine yards.

“Something like that,” he says. When you move to apologize, he shakes his head. “It’s alright. I’m not terribly shocked by these things, I suppose, because of what I see in my day to day.” He looks at you a little curiously. “But I can see how it would rattle you.”

You open your mouth, but you don’t know what to say. Sugar sticks to your teeth.

“Come on.” Chrollo drops the cotton candy into a nearby trash can, and leads you towards a row of carnival games. “I know what might take your mind off things.”

For once, you’re glad to see the carnival games; the fast-paced spitting words of the barkers trying to hustle money from kids and couples, the sound of darts popping balloons, the triumphant music that plays before the obnoxiously difficult water shooting game.

You’re even glad to see the tourists in all of their Saturday glory, which isn’t so much “glory” as it is a sort of restlessness. Saturdays were always a strange day at the carnival; the last middle day before the grand finale. An unusual mixture of sleepiness, anticipation, and a buzz that held everyone together until tomorrow.

Strange day, strange faces. Some stranger than others. Staring up at the bell at the top of the Test Your Strength game is an exceptionally tall man with wild dirty blonde hair. By the size of his muscles, he might just break the game, which hadn’t been replaced in the many years you’d been coming here in the summer.

You tug on Chrollo’s arm and point the man out. “What do you want to bet the carnie will try to get him not to play? He might just break the thing…”

“I don’t doubt it.” Beside you, Chrollo snorts, but doesn’t linger on the man as he leads you further into the carnival.

The two of you walk, and talk. About nothing and everything. He asks you to come up with stories for a few tourists, and you do. Light ones. It really does take your mind off things. At some point, Chrollo buys you fries, which taste slightly sweet; probably cooked in the same oil as the funnel cakes.

You dig in your heels in front of the fun house, but Chrollo shakes his head, and won’t go in.

“Are you scared?” You tease. At night, the fun house was all lit up, and the clowns painted on the front had a ridiculously sinister air to them.

But Chrollo doesn’t smile or laugh. “They make me dizzy,” he says, quietly. There’s something behind his words, but you don’t know what. A medical problem? A bad experience? You apologize and then he does smile, shaking his head, at himself, or you, you’re not sure. “Think nothing of it, dear.”

Dear.

You want to hold onto that bit of affection like the sky holds onto the sunset on summer evenings. At least as long as you can, which tonight, seems to be until Chrollo takes you on the Ferris wheel again.

This time, he holds your hand as soon as the attendant locks the bar down. Your fingers interlock and squeeze and it sends butterflies rushing through your chest. What was there to worry about, to think about, when you were sitting next to him?

It takes a few turns around the Ferris wheel to remember what you were supposed to worry about, because on the trip down, your stomach fluttering from romance and gravity alike, you see him: the strange man. The stalker. The maybe-serial-killer-on-the-loose.

He’s standing still in the crowd walking here-and-there around the Ferris wheel, couples intent on getting in line, children running from tired parents as they beg for another carnival game.

And he’s staring straight up at you.

You don’t think this time. You grab Chrollo and point straight down and practically screech out the words: “There! He’s there! Look, look--look!”

And the stars must be aligned, because Chrollo actually sees him. His grip on your other hand tightens and he pulls you closer to him as you make your way back around the Ferris wheel and the man goes out of sight. By the time the two of you are at the top again, the stranger is gone.

Your goosebumps remain.

“We should talk to the police,” you murmur, a quiet, scratchy whisper.

Chrollo turns towards you. You recognize the look. The “Do you really think the police will do anything about this?” sort of look.

“I’ve been thinking…” You squeeze Chrollo’s hand and he squeezes back and that’s all you need to keep going. “That maybe he might have something to do with those people? The ones they found this morning?”

Chrollo’s eyes widen just a little. It’s both comforting and worrying to see him look taken aback, even if it’s only a bit.

“I heard…” You feel stupid saying this. But you shouldn’t feel stupid, not with Chrollo. He hasn’t given you a reason to feel like you can’t tell him things. “Someone at the diner today said they were found with puncture wounds on them. I was thinking, maybe… like an ice pick? Or a screwdriver or--I don’t know. But maybe they were killed.”

“Perhaps he’s a vampire,” Chrollo offers, voice low, lips curled into a smile, and your face must reflect the flash of offended shame that rushes into your chest, because he immediately apologizes. His sigh flutters against your cheek. “Well. He wouldn’t be the first killer to prey on crowds or small towns, would he?”

At least he didn’t say you were crazy to connect the two things, vampire joke aside.

He keeps you close once the ride is over, and you wouldn’t have it any other way.

“I’ll inform the police,” he insists, when the two of you finally stumble on a pair of deputies patrolling the carnival. He leaves you standing next to the Test Your Strength game, where the carnival barker has agreed to keep an eye on you. It made you feel like a child, but for once, maybe that wasn’t a bad thing--to be watched and protected.

You watch, biting your nails now and then, as Chrollo and the deputies talk. In the end, they shake his hand, and you feel cool relief in your stomach. The police will know what to do with the information. If this guy’s a killer, they’ll catch him. If he’s not, well. The carnival was almost over, and you wouldn’t have to worry about him much longer.

Things will be normal soon.

When Chrollo returns, you take his arm without hesitation, but this time he begins to lead you away from the carnival.

“I was thinking,” he says, “that we might go for a walk. Get away for a bit. If you don’t mind, that is.”

You don’t mind at all.

“Do you like trails?” You ask, steering him towards a trail that leads from the beach to a popular hiking spot for locals. “It’d be a bit more private. As long as you’re not scared of the dark.”

Chrollo chuckles. It’s a warm, dark, rich sound, and it sends a delightful thrill right through you.

“I’m not if you aren’t,” is all he says, and that’s enough for you to point out the way.

Thoughts of dead bodies and stalkers fade away with the carnival, whose sights and sounds fade bit by bit as you and Chrollo leave the beach and begin making your way into a wooded area with a paved hiking path lit on the other side by electric trail lights.

“I’m surprised to see these,” Chrollo says, quietly. He pulled his phone out at the start of the trail to give the two of you more light, though the trail lights were decent enough, especially since you’d been up here more times than you could count.

“Mm,” you murmur. “Locals come up here all the time at night. Especially teens. Usually to make out and stuff.” Chrollo gives you a look and your cheeks hit up, but you don’t elaborate. He doesn’t need to know about your high school escapades. “They added them to avoid the inevitable lost-teen-in-the-woods-at-night rescue scenario, I think.”

“Clever,” he says.

The waterfall is loud when you’re this close; so loud you can’t hear anything in the moment but your own thoughts, which have grown louder and louder somewhere between the hiking trail and this popular waterfall spot. So popular that it’s lit with a flood light near the top--supposedly a teenager slipped in one night and drowned in the shallow pool, though you’ve never been certain if it was a true story or not.

Regardless, you’re not sure you want to stay. No--you know you don’t want to stay.

This is a bit much, is what your thoughts are starting to scream. Chrollo is nice, but you don’t really know him, do you? And you just walked somewhere alone with him in the dark after being surprised by a maybe-stalker, the day that three people were found dead around here.

Yeah. A bit much might be an understatement. You should really get back to where there’s more lights and people and civilization in general. If Chrollo is a nice person (and he is, you insist, you’re just being smart!) he won’t mind.

“I think we should go back,” you say, but Chrollo can’t hear you. So you cup your hands around your mouth and lean closer to his ears. “I think we should go back!”

You expect him to nod and take your arm and lead you carefully down the lantern-lit trail, perhaps still using his phone to guide the way. Instead, he takes your chin in his hands--you move to jerk it out, you’d rather wait until you’re back at the carnival to kiss again--but his grip is impossibly strong.

“It’s all right,” he says, and it’s the strangest thing, you can hear him so clearly despite the roaring waterfall just a few feet in front of you. “You know that you’re safe with me. You don’t want to go back yet.”

How strange. How silly. Why did you want to leave, when you just got here? You didn’t even show him the best part yet.

“Come on!” It’s your turn to pull him along as you carefully walk the path leading to the front of the waterfall, which has already begun to soak water through your clothes.

“Is there a cave?” Chrollo asks--and again, you’re struck by how easy it is to hear him, despite the water rushing down in front of you.

“You sure know your way around local watering holes,” you jest.

He merely smiles. “I travel a lot.”

With that, you grip his arm tighter and run through the waterfall, shrieking in delight. Both of you emerge on the other side soaked; you, grinning, and Chrollo, looking around with interest.

The inside of the cave was lined with endless rows of fairy lights, courtesy of a local high school group. They had also brought in the two couches--used leather, frayed and flecking, but good enough for a hang out. When you were younger, there were only folding chairs; which were great for sitting, not so much for much less.

“Do you like it?” You ask, then feel stupid. Why do you care so much what he thinks of some local hang out spot, especially one you hadn’t been in for ages? The same reason why you’d spent all day telling him about your daydreams, about small town memories, bits and pieces of local lore that he didn’t brush aside but seemed to enjoy hearing.

Chrollo was so different from the others you’ve met at the summer carnival.

Maybe that’s why your heart begins to beat fast the moment you catch his eye again. His skin looks almost dewy in the glow of the lights, thanks to the water; his eyes shine, reflecting a soft, warm twinkling glow.

It’s just the two of you. No tourists, no locals, no would-be stalkers. Even the carnival itself seems far away; the lights blocked from view by the rushing water and canopy of the forest, even the wafting smell of popcorn and stale beer was long gone out here.

It was just you and Chrollo in a cave at the end of the evening.

But… it didn’t have to be the end of the evening, did it?

You ask him, this time.

“Do you want to kiss me?”

“I do,” he says. “Very much so.”

This time, your kiss is tinged with the tang of river water.

Five bodies lay scattered in the grass. Young men, young women. Teens that had been giggling and stumbling through the forest, flasks of pilfered whiskey in their bags.

Now some dead and going cold, their limbs twisted, their mouths open in silent screams.

Two were still alive, whimpering, weak hands beating against monsters’ chests as open mouths hungrily lapped up their life blood. They had screamed, all of them, but no one could hear them in the woods--over the water.

“This is a lovely spot,” said a woman, brushing back her blonde hair. A bit of red gore had stuck to the strands and she tsked at the sight of it. “The waterfall adds a nice touch.”

The man hummed, and stuck his hands in his pockets. The slightest touch of red showed on his lips; like a woman pressing her lipstick-covered mouth onto a bit of tissue to get rid of the excess.

The carnage made him indifferent; the whimpers of the dying, even more so. But as he looked around at the carefully placed lights on the trail, the way they flickered against the waterfall and its hidden cavern like delicate stars, he smiled.

“It came highly recommended.”

Sunday: The Final Day

Chrollo was in your bed last night, and you thought he’d be there in the morning. But when the sound of birds pulls you delightfully out of a restful sleep and you blink your eyes open to dappled sunlight through your blinds, you realize that the bed is half-empty.

Just you and the sheets and the leftover smell of Chrollo--cologne and, more faintly, sweat and sex.

You freeze, listening for the sound of someone meandering about an unfamiliar kitchen. He could be up and about already--making coffee or breakfast. The image of him serving up a plate of bacon and eggs almost makes you laugh.

But the apartment is silent, save for your breathing, the sound of a clock ticking in the living room.

Your heart lurches and shame pricks at the back of your eyelids. He fucked you and ran, didn’t he? Just like the others, just like--

But just when you’re about to give into the temptation to scrub yourself all over with hot water and erase every trace of Chrollo that ever existed in your presence, you see it: a piece of paper, torn from a notebook you keep on your dresser. Carefully folded over and placed on the side table next to the bed.

Your name is on it, written in a surprisingly beautiful, scrawling hand.

Curiosity and leftover shame-tinged dread curl together in your stomach as you sit up and slowly pick up the note.

Dear--

Your heart lurches again, for a different reason this time.

I apologize that I did not give you a proper farewell. I had an urgent matter to attend to. Forgive me, won’t you? We will see each other tonight, I hope, for a memorable and unforgettable evening.

Of course he didn’t fuck and run. He wouldn’t do that. And tonight would be--well, memorable and unforgettable, just as he said.

The pitter-pattering inside your chest takes on a new delightful cadence as you get yourself ready for the day. No work--you had Sundays off, thank God, maybe literally, for that. It was a shame Chrollo didn’t tell you where he was staying; presumably, the only hotel in town. But maybe he was at one of the B&Bs or was shacking up at a room for rent.

It would be nice to see him in the daytime, too.

But he didn’t, so you’re left with nothing to do but flick on the TV and make yourself a cereal bowl. Well, that’s wrong. That’s not the only thing you could do. You could go to your parent’s house and help out your mom; she could use a break with caring for your dad.

But… was it wrong to be selfish, just a little, for just one day? You didn’t want to see Chrollo tonight with something unpleasant sticking inside you, on the potential chance that your dad was having a not-so-great day.

It was better to approach your last evening together with a sunnier attitude.

Although you don’t really have a choice, because the first thing you see when the news returns from a commercial break is a giant banner scrolling across the screen: TWO MISSING TEENS FOUND DEAD AT LOCAL WATERFALL. POPULAR TRAIL CLOSED UNTIL FURTHER NOTICE.

In the background, the sheriff recites familiar lines about respecting the privacy of the dead, about putting the full energy of the police force into finding the investigation, about how there is no need to panic. He says that it may not have even been foul play.

Somehow, you don’t believe that. You just know.

Sugary cereal seems to lodge itself inside your throat. You were just there. You were just there, kissing Chrollo, holding his hand, and now two teenagers are dead and lifeless and, and--

And if it was that same man… the one who was staring at you, stalking you… how close did you and Chrollo come to dying last night?

Tears prick at your eyes and you grab your purse. Maybe you would spend the day with your parents, after all.

You should be more excited to see Chrollo. And you are, truly. But between the news this morning and the dull realization that this would be your last evening together ever, it’s hard to feel too enthused.

Chrollo would be going home after tonight. Tourist trap over, no need to stick around. Something childish in you thinks: maybe I can convince him to stay a little longer. And if he stays a little longer, he’ll see how nice it is here (it’s not) and maybe he’ll want to settle down (he won’t).

Oh, how stupid. It’s like when you’d meet the endless stream of New Best Friends every summer weekend as a kid, and you’d beg their parents together to extend their vacation.

It wasn’t going to happen. You’ll never see him again after tonight, and you’ll go your separate ways, and that’s that.

Reality sucks sometimes.

You’re still stuck in the dreary shit cloud that is reality when Chrollo’s now somewhat familiar footsteps approach you on the bench. The bench, your spot--your spot? As if you and Chrollo had anything that could be called an actual relationship that warranted the use of “your” plural.

You shake your head, hoping it shakes those silly childish delusions, and force yourself to smile.

Chrollo, to your surprise, doesn’t smile back.

Instead, he leans down, and takes your hand. His eyes roam over your fingers like they’re something special and it makes your stomach flutter stupidly.

“You seem a bit sad,” he says, bringing your knuckles to his lips for a kiss. The way that makes you feel is something you love and hate in almost equal measure. It’s not fair, is it, that he makes you feel this way--when he has to leave, and you’ll never see him again.

Perhaps it’s the knowledge that you will part ways after tonight that makes you speak freely.

“I’m just sad that you’ll be leaving.” He blinks at you, and turns his head a little. “That we won’t see each other after tonight,” you clarify.

You expect him to nod and agree, and perhaps say something trite but comforting, like, “We’ll just make the most of it.”

Instead, he gives your hand a squeeze.

“We don’t have to part, you know.”

It’s your turn to blink. A silly, little-kid-in-you hope does a twirl. He could stay--and this could maybe, possibly, in some far off millimeter of a chance, turn into something more serious than a summer fling. “You could extend your vacation? Your job would do that?”

Chrollo finally smiles at you.

“My life is flexible. But,” and now he pulls you up so that you’re standing. It’s a fluid, easy gesture for him, almost too easy--he’s stronger than he looks. “I was thinking that instead of staying here, you would come with me.”

The world around you is not silent. The carnival is always producing an eternal cacophony of sounds--screaming patrons hung upside down on the more thrilling of rides, cheery carousel music, laughter, popcorn endlessly beating like a fast paced drum, everything and anything all mixed together into a swirl of sound.

But it might as well be silent, because you feel like all you can hear is your heartbeat in your eyes for a few stretched moments.

“What? You’re not serious.” You smile, too, but it feels fake. Like it’s plastered on and cracking underneath. There’s a brief thought--maybe he means, like, for a weekend?--but you instantly know that’s not what he’s talking about.

This is too much, too fast. Too out of the blue.

Chrollo looks at you in a way that almost makes you uncomfortable. Like he wants to see something inside you that you’re keeping for yourself. Then that gaze is gone and he’s smiling softly, charming, a little bittersweet.

Bittersweet is familiar territory, and the ringing in your ears fades in favor of a carnival barker offering 2-for-1 prizes on the Test-Your-Strength game.

Chrollo’s voice cuts through it all, jovial, unassuming.

“We can talk about it later, if you’d like. Let’s go enjoy the carnival a bit more before the concert.”

That would be nice.

“I’d like that.”

And you mean it--you do. You shake your head and let Chrollo intertwine his fingers in yours, and it doesn’t take long for his question to fade away from your mind as you weave in and out of the crowds.

If you weren’t so distracted, so disarmed, you might have noticed an uncomfortably familiar figure clad in black watching the pair of you intently.

The Ferris Wheel worker should have kicked you off several spins ago, but Chrollo had slipped him a twenty as he buckled the safety bar down. It’s nice, this extra time with him--it’ll be the last time you ride the Ferris wheel together, after all.

What did it say about the state of your love life--or your life in general, actually--that slipping a carnie 20 bucks made your heart soar (and twist, and ache) even a little bit?

The night is prettier from the Ferris wheel. The world, too. Up here, you can’t see the grit and grime. The fermenting candy apples littering the ground, dropped two days ago by careless kids; the too-drunk couples arguing about whether they should stay for the concert or not; the exhausted carnival workers smiling hard no matter how much they get yelled at for their rigged games.

All you can take in from up here is the broad vantage point. Crowds and happy sounds--squeals and music interplaying above crowds of people, including a growing crowd on the beach in front of the black stage, waiting for the concert to start.

Chrollo’s grip on your hand tightens and draws your attention back to him. Even he looks more beautiful from up here, with the rainbow lights of the Ferris wheel playing on his face.

“I’ve enjoyed our time together,” he says softly.

Ah, you realize. The extra spins were for the inevitable “we’ll never see each other again but it was a blast” speech. You knew it was coming. Doesn’t make it any less bitter in your mouth. But what good is holding bitterness against your tongue?

“Me too,” you say, and it’s not a lie, even if you hate the way the conversation must end. You try to focus less on the sourness and more on the sweet that came before. After all, Chrollo was… well. Handsome, yes, magnetic, yes. But more than that. He seemed thoughtful. He listened to you prattle on about yourself and your small town, and he didn’t even make fun of you for knowing so many local stories.

He was good in bed, too, wasn’t he? You blink and realize you don’t actually remember all that much about last night, except that he wasn’t there in the morning. Vague snatches rush through your memory. You remember his mouth on your lips, his hand trailing against your skin, removing your clothes. You remember his mouth against your neck, then this teeth, nipping, and--

It’s all fuzzy. But you weren’t drunk. So why--

“Have you thought about what I said?” He asks, and once again you’re pulled away from your thoughts, although this time you’d like to focus on them. Why couldn’t you fully remember last night?

When you don’t answer, he raises his eyebrows.

“About coming with me,” he says, a bit louder, as if you can’t hear him over the carnival din.

You let out a soft puff of a breath, then, and force yourself to focus on the current conversation. For now.

“You’re serious?” You don’t mean to sound so flippant, but you do. Chrollo frowns, just a little, and you feel like a bitch for it. “Sorry. I just--I didn’t know if you really meant it.”

“I am,” is all he says.

You didn’t like the idea of the conversation headed towards Chrollo leaving, but you like the idea of him genuinely asking you to come with him even less. Partly because you know you never could, and partly because there’s some small, stupid, fantasy-of-your-hair-blowing-in-the-wind-wearing-a-leather-jacket-on-a-motorcycle part of you that wants to say yes.

“Chrollo, I can’t do that. I have a job here. A life.”

Chrollo doesn’t let go of your hand, but you can sense the way his muscles tense.

“A job at a local diner slinging hash browns,” he says, voice dry and almost hurtful. You must look offended--are you? You can’t tell--because he turns a little in the seat, trapping you with his gaze. His voice is earnest now, drawing you in.

“Don’t you want more out of life? The ability to pursue your dreams--to figure out your dreams?” One hand goes to your cheek, and his knuckle brushes against your skin. “You could travel. See so much more than your little town. Imagine it.”

An image starts to build in your mind. Unbidden by you, but there, somehow, nonetheless. Of you riding behind him on a motorcycle, holding onto his waist as he takes you wherever you want to go--wherever he wants to go, together. Life would be wild and unpredictable, but easy and fun and--

“My family,” you murmur, and Chrollo seems surprised that you’ve spoken.

His lips press thinner. “You could write to them, call them. No matter at all.”

Whatever fantasy has built in your head gets swept away and the Ferris wheel finally comes to a stop. The seat rocks back and forth and the bored (but $20 richer) carnie lets you off. Chrollo helps you as he’s done every time.

You wait until he’s escorted you away from the Ferris wheel to turn and address him.

“Chrollo, I can’t--” You try to find the right words, but there are no right words. “I don’t know you. Not… really. Not enough to give up my life here.”

Chrollo is quiet. He considers you, turning his head a little. You feel awful--maybe you should just end the night here, on this shitty, sour note, because you’ve probably ruined the rest of the evening anyway. You wish he hadn’t asked again before the night was over, but there’s no way to fix it now.

You’re ready to leave, to bite your cheek so tears don’t come. You’re prepared for Chrollo to say something low and insulting, to dismiss you, because why should he waste another minute on someone who would rather stay here in this shitpot of a town than--

“Come along,” is what he says, finally, holding out his hand--to your utter confusion. He still wants to go to the concert? With you? Now?

But you take his hand anyway.

“It would be wasteful to end our evening early and miss the concert.”

His grip is harder than it has been, but maybe you’re imagining it as he pulls you along, weaving in and out as the crowds grow larger and a little more drunk the closer the pair of you get to the beach.

This doesn’t feel right, suddenly. He’s upset, that’s why he’s holding you so tightly. Or maybe you’re upset and imagining it. Either way, it doesn’t feel good. Your primal gut instincts are telling you that it’s better to cut your losses and leave now, then to spend the night with a flipping stomach.

“Maybe I should just go home,” you yell over the crowd.

Chrollo stops, and you stumble forward a little, but he catches you in both arms before you make an ungraceful acquaintance with the ground. The hand not gripping your own gently grasps your chin and he leans in, not quite kissing you. His breath smells off, like rust.

“And miss the grand finale?”

You should insist on going home. Everything’s gone shitty. It’s too crowded and the music will be too loud, and Chrollo is clearly irritated with you--

“Come to the concert,” he whispers, and none of that seems to matter anymore. Of course, you’ll go to the concert. What else would you do?

He keeps his grip on your hand as you walk onto the warm, crowded sands of the beach, even though you have no intention of leaving.

Booze, sweat, and popcorn. That’s all you can really smell now, surrounded as you are by crowds of people jumping and swaying to some rock band you’ve never heard of before; but no one really cares what the music sounds like on a night like this, when alcohol has been flowing and summer is at its peak.

Even Chrollo seems to be enjoying himself, although he’s not dancing. Just holding you, his arm around your waist, pressing his lips now and then to your forehead.

You feel bad. That must be why there’s a pit in your stomach. You were being rude to him. Of course he’d ask you to come with him--if he’s the type to live so freely, he wouldn’t think twice about making the offer. He just doesn’t understand what it means to be rooted down, willingly or not, the way you are.

You can’t hold something like that against him, so you don’t.

Instead, you sway to the music, hips bumping against Chrollo now and then. Maybe after this, he could come back to your apartment again, for one last…

All thoughts in your head are stomped into the stand when you spot the strange man with the cowl in the crowd. He’s standing stock still while everyone around him jumps and dances and flaps their drunken arms.

And he’s looking right at you.

“Chrollo--” There’s no time to waste, and you grab his arm and jerk him towards the direction of the stranger.

But he’s gone. He’s just fucking gone. Cold terror seizes your chest.

“What is it, love?”

The nickname doesn’t even register.

“That--the man--the guy from before--he was there.” Your voice begins to tremble, frightened tears welling in your eyes. “Can we leave? Please?”

Chrollo pulls you closer to him and you feel dim comfort as he wraps his arms around you and presses his lips against your head. But he doesn’t tell you that of course, we’ll leave, of course, I’ll get you somewhere safe, of course, let’s talk to the police.

“Hush.” One hand begins to pet your hair. “Not much longer now. It’ll be over soon.”

“What do you…”

Behind Chrollo, you see another familiar face. Vaguely familiar. The tall man with wild blonde hair, the one who looked like he could snap the Test Your Strength Game in half if he really wanted to--he’s standing still, like the man from before, while everyone jostles happily around him. He’s not looking at you, but that doesn’t make it any less unnerving.

Your eyes dart over the crowd.

There are others, standing still. Others who seem out of place immediately, either because of their appearance or something awful you can’t describe. A woman with pink hair looking impassively as she scans the crowded beach, keeping her body perfectly still. A man with long black hair and something shiny and thin strapped to his shoulder. A woman with blonde hair in a smart black tailored suit that no one in their right mind would wear to a summer night carnival concert. Others, too, all out of place and making you want to be anywhere but here.

And then in a few blinks, they’re all gone. Like they were never there.

Dizziness overtakes you, along with a strange sort of fuzzy fear. Is this what a heart attack feels like, maybe? No, it’s just panic. Understandable but undeniably awful panic.

“Chrollo,” you manage, voice shaky. “Something’s wrong. There’s people, they seem--it’s---I don’t know how to explain, we should--I think we ought to--”

Chrollo doesn’t say anything. Instead, he turns you around, keeping you in his arms as he makes you face the stage.

“You’ll miss the concert,” he whispers in your ear.

Helpless irritation courses through you. Who cares about the concert right now? You have half a mind to ask him why he’s not listening to you, but that impulse is gone the moment you see the tall man with blonde hair and impossibly large muscles leap onto the stage.

The guitars and drums come to a confusing, stuttered halt. The lead singer, clad in an oversized black t-shirt with a skull on it, looks like he wants to throw his guitar at the intruder.

“Dude, what the fuck, we’re playing up here, you can’t just--”

Even from your vantage point, you can see the large grin the blonde man sports on his face as he raises his fist and knocks the lead singer’s head off with a single punch.

The body remains standing for a moment before collapsing without grace onto the stage. Blood spurts from the wound, spritzing high enough that it sprinkles the faces of those closest to the stage.

There’s a noise from the crowd that almost, for a moment, sounds like a burst of startled laughter.

And then the blonde man leaps onto the corpse, opens his mouth until it’s gaping far too wide to be human, and begins to suck on the headless neck like a crawfish.

It’s that moment when people finally begin to scream.

Your head jerks towards one of the screams, and she’s there--the woman with the pink hair. Latched onto someone’s neck while blood dribbles from her mouth and the person, eyes bugged out, cries out in wordless pain. His body is cross-crossed with strange cuts, like someone pressed him through a sieve.

You spin around, looking away from horror, only to see it again: the man with the long hair swings something out--a sword?--and strikes someone’s arm clean off his body, then pins that person down and begins to suck at the spurting blood.

That’s not all he hit. The person in front of them, a woman holding two drinks, staggers to the ground. Half her face slides off, revealing bone and brain. Lukewarm beer and gore meet the ground together.

You’re not entirely sure if you said Chrollo’s name, or when he let you go, or what you should do. All you know is that when you finally pull yourself together enough to look at him, he’s simply watching the events around you like a boring television show.

Like people aren’t screaming and running and bumping into you. Like blood isn’t flying. Like you aren’t seeing things that you’ve only seen in shitty horror movies.

He’s in shock. Fuck. So are you, maybe? But it will be up to you to get the pair of you to safety, so you grab his arm and shake him hard.

“Chrollo! We have to go! Now!”

He doesn’t move. You shake him again, and he finally looks at you.

He smiles, and holds out his hand, ignoring your jostling.

“You’ve had time to think about it, haven’t you? Will you stay with me?”

Oh, he’s definitely in shock. That doesn’t stop the impulsive words that flee your mouth as quickly as the people around you are trying--some not successfully--to flee the beach.

“You’ve lost your fucking mind. Let’s go!”

You don’t register what’s happened until you’ve hit the ground. Someone finally ran smack into you, and something--their elbow, maybe--strikes your head, hard. Pain blossoms in your knees and the side of your head when you hit the ground, then explodes when someone steps right on your hand.

There’s a feeling of lost gravity when someone yanks you up--Chrollo--but when you’re on your own two feet, he’s not there anymore.

You call his name. Once. Twice. Three times, four. He might not be able to even hear you over the din, if he’s nearby. Maybe he got swept away by the panicked people. Maybe his shock wore off and he ran to get help. Or ran--and left you.

There are a few moments where you almost run deeper into the crowd to look for him. A stupid thought. But then the wild, shock of fear inside you turns to complete ice and you’re not sure of anything in the world because he’s there.

Standing in front of you.

Close enough to touch.

Your stalker. The man with the cowl. Only the cowl is down, now, and his mouth is covered in a smear of blood. He smiles at you, and it’s not a nice smile at all. His smile grows wider, and you have to blink several times to realize what you’re seeing.

He’s got fangs.

Two of them, red tinged. Sharp enough to puncture your neck.

They’re vampires. Actual vampires. Actual, damn bloodsucking vampires.

There’s a brief, panicked thought--where’s Chrollo?--before your flight kicks in, and you’re scrambling through the crowd like everyone else. You stumble, of course you do. Over bodies, some dead, and you almost fall flat on your face when you make it off the beach and your ankle rolls on the uneven grass-covered ground.

If you were thinking logically, you might have run to the car park, and hopped into your car. You might have run in the direction of the crowds thinking the same, and gotten lost in them.

But there was no logic. Only pure primal panic, the realization that you people were being murdered all around you like animals, and you were one of those animals because one of the monsters was chasing you.

You didn’t dare to look back to see how far away he was; you just knew, deep down, that he was following you now. Running wouldn’t work: you couldn’t run forever, not with the pain in your ankle, and he’d catch up with you even if you weren’t panicked and in pain.

You had to hide. But where? The carnival was all lit up at night, and the beautiful lights that had been fun to see just a day before now made you want to scream. He could see you, just about clear as day, no matter where you ran.

Unless you can find somewhere to hide inside.

It’s this thought that pushes you to dash inside the fun house, sneakers pounding on the silver ramp leading into the entrance painted over like a mouth devouring any children who enter.

The stillness inside startles you more than anything else. The lights are on. The music is playing, quiet, delightful. It’s hard to hear it over the dulled screams coming from outside, and from the awful, pounding rush inside your ears.

You follow the short hallway until it leads to something which you’d forgotten about; but it wasn’t your fault. Panic made you stupid, and you hadn’t actually been inside a fun house in years.

The glass maze. All-see through panels that you’d smash into on an ordinary day, much less this one, where your mind is fried from panic and adrenaline keeps your body from coordinating properly. You smash against the panels a few times before you see it… something, behind you.

No. Not something. Someone behind you. Or near you. Or far away.

You can’t tell exactly where this person is, because of the fucking glass maze, but the fact remains:

He’s there--he’s here--he’s going to get you and kill you and it will hurt so bad.

You scream, at some point, and it’s dumb because the sound simply bounces off your current glass predicament and hurts your ears.

Maybe panic pushes you through, or maybe you’re just good at completing mazes when you’re in fear for your life; whatever the reason, you make it out. You stumble through a hallway made of rollers that nearly send you sprawling, until you’re at the end of the hallway.

A small red spiral staircase, barely usable for adults, is your only hope.

You don’t try to be quiet now and the metal stairs clang under your feet as you run up them, feeling dizzy, feeling like this might be the last thing you ever do in your short, stupid life.

The second floor isn’t entirely enclosed. It opens out onto the carnival in the front, and there’s a slide to take you down near the end. The wall behind you is covered in a series of mirrors--the kind that make you tall or short or wide or impossibly thin.

It’s not the mirrors that catch your eye, though. It’s what’s down below.

They’re all down there. The monsters from the beach. All covered in various amounts of blood and gore. Splatters. Smears. Like they’ve all gotten into different scrapes--killed people different ways.

All of them have blood around their mouths.

Fear rings in your ears. You want to wake up, more than anything. This is a nightmare and you want to wake up.

You don’t wake up.

Instead, you hear a metal clang.

Then another.

And another.

Someone is coming up the stairs.

Thoughts dart here and there, but there’s nowhere for them to go. If you go down the slide, well. There’s a gang of monsters waiting to kill you down below. If you stay up here, well. There’s still a monster waiting to kill you.

The metal clangs again, and again, and again.

He’s coming up the stairs and he’s going to kill you. You’re going to die. Today. Now.

Warm urine runs down your leg and thoughts come, too quick to really process: Mom-dad-school-work-never-did-anything-my-childhood-dog-that-one-time-we-went-to-Canada-to-visit-my-aunt-I-kissed-a-boy-under-the-bleachers-I-forgot-to-tell-dad-I-loved-him-yesterday-I-I-I--

It’s not the monster with the cowl who comes walking up the landing of the stairs.

It’s Chrollo.

It’s like you blink and you’re in his arms, clinging to his shirt and sobbing like a child. He presses a kiss to your hair and you realize, gratefully, that he doesn’t look hurt. No blood on him, no scrapes, no bruises.

“Thank God you’re here. Thank God you’re okay,” you say, reflexively. “Thank God, thank God, thank God.”

Chrollo pulls you tighter against his chest, and murmurs, “God? An interesting choice, my dear, considering…”

You aren’t even really listening. You’re just happy. Delirious, even. Chrollo’s here. He’ll help you. You can make it out together. Somehow.

There’s an almost giddy sort of hope in your chest--until you hear the metal stairs clang again. And again. And again.

You whimper stupidly and pull on Chrollo’s arm.

“We have to get out of here. Somehow. I don’t--maybe we can distract them?” Your eyes glance down at the monsters below you, who only seem to be watching more intently. The man with the blonde hair, which is now caked in blood, has an awful grin on his face. You imagine you can see his fangs, even if he’s too far away for you to properly make them out.

Chrollo doesn’t move. Shock again? Or he sees them, too, and knows the two of you won’t make it a step off the slide before being attacked.

The footsteps on the stairs stop. You look behind you, and your bowels clench at the sight of the monster with the cowl, pulled down, that same small, mean smile on his face.

Your hand tightens on Chrollo’s arm. A sentimental, if selfish, thought: At least I won’t die alone.

Chrollo turns, too, and looks at the man who’s been haunting you for days. Looks at the monster who has already killed people and feasted on their blood; at the creature who will now undoubtedly kill the both of you. Lovers for only a few days, but forever in death.

Chrollo sighs, and inclines his head towards the man.

“Wait a moment, will you, Feitan?”

There were many things you might have said in this moment. Eloquent things. Meaningful things. Things borne from inner betrayal and horror and anger. But all that comes out of your mouth, which gapes ridiculously, is:

“Huh?”

And then something clicks, and realization dawns like a morning you don’t think you’ll live to see. The idea comes naturally, somehow. Borne of a childhood reading books and watching movies about vampires. Bloodsuckers.

Your head turns, and you look over towards the wall of mirrors. You’re stretched thin like taffy about to break, your features a jumble in the dirty, cheap material.

In the mirror in front of Chrollo, which should make him ridiculously short, there is nothing at all.

When you look back at him, your eyes wide and pupils blown, he’s no longer the person you met a few days ago; the person you took to your bed, the person you were lamenting leaving. The person who kissed you and made you feel good, inside and out, if only for a while.

He’s a vampire.

“I advise you not to run,” he says quietly, if not, perhaps, a bit sympathetically.

You do, because you aren’t a fucking moron. Though you don’t make it far, as it doesn’t do you any good to run towards the staircase. You run right towards the other monster--Feitan--who grabs you with ease.

He’s faster and stronger than he looks. Maybe they all are. Your body and brain don’t care about that, though, so you struggle with all of your might.

In response, your arm is deftly twisted behind your back and you expect this monster to stop, you expect your arm to meet its natural resistance while you struggle.

He doesn’t. It doesn’t. Your arm snaps and the pain is so sharp, so sudden, that your vision goes blind for a few seconds. In those few seconds, you scream.

When you’re aware of the world again, there’s still the pain. Sharp and awful and renewed every time you jostle your body in any direction.

Chrollo, walking up to you, hums in sympathy.

“I know it hurts, dear. But this is what happens when you don’t listen to my orders. Do you understand?”

The strangest thing (and in a world where the man you fucked last night is currently standing in front of you with fangs, that is saying something) is that Chrollo’s expression is not wild or monstrous at all. If you thought about it, and you’re having a hard time thinking with the pain of your arm and fear of impending death, you might say he looks hopeful. That you will understand. That you have learned something.

And you have. You’ve learned that he’s a liar, that everything he ever said and did was just to keep you around long enough to literally eat you, that he has no morals, no empathy, that he’s not even a person.

“I understand,” you manage, voice tinged and weak with pain, “that you’re a fucking monster.” You spit at him. Or try to. Your mouth is too dry to manage more than a stringy dribble that sticks to your chin.

At this, Chrollo sighs. He shoves his hands in his pockets and frowns.

“You didn’t speak so crudely to me earlier this week.” A little smile. “Last night notwithstanding.”

Bitter tears well up in your eyes. It was all just a game to him. Cat and mouse. Every smile, every thoughtful word. Every kiss. Your bodies pressed together, his mouth on yours--

“I didn’t know you were a… a… fucking vampire earlier this week.”

Chuckles, from down below. Feitan, behind you, snorts.

Chrollo doesn’t look angry, but you can feel a flash of it ripple through the air. It quiets the chuckles. Feitan tightens his grip on you, and the flash of pain makes you groan and slump forward.

“Regardless,” Chrollo says, “respect must be maintained. I expect you to refrain from these little outbursts. Do you understand?” There’s still a tinge of cooing sympathy in his voice--it makes anger bubble up in your chest.

“Fuck you.” This time, the spit flies, and hits his cheek.

The gestures are slow. Unassuming. He wipes the spit off with the back of his hand. He wipes the back of his hand on his pants. And then he nods at Feitan.

Feitan’s hand reaches around your throat and when you glance down, you see that his nails grow. And sharpen. Sharp enough to cut, sharp enough to--

He drags his hand down your collarbone, and you feel the awful, deep sting of it before you see the blood spill out from your flesh. It coats the bare skin between your collar and the top of your shirt like some sort of morbid camisole.

You cry out, you shriek, but he doesn’t let you go until Chrollo gives him another nod. You’re shoved towards Chrollo, who doesn’t grip you, but merely lets you stand, swaying, in front of you.

When you finally get the courage to look up at him, his pupils are blown up like a shark’s.

“I’d like you to stay put this time,” he tells you, voice deeper, richer, at the sight of your blood. “And not run away from me. I’d like you to listen, and refrain from being… impulsive.”

He leans in, and the scent of rust hits you, but this time you know what it means. “I could make you do it, you know. I don’t have to ask.”

Realization hits you again, and it hurts even more this time. That night, on the dock. And on the Ferris wheel. And how many other times he’d told you to do something, feel something. What was really you, and what was him?

And now, despite all this, despite the scent of blood in the air and the wails of horror coming from the beach, he wanted you to listen to him? The audacity of vampires--it might have been funny, if you were in the mood to laugh.

“Like hell,” you mutter.

Chrollo breathes out through his nose. Impatient.

“I don’t believe I heard you, dear.”

You look up at him, gaze sharper. Heart sharper.

“Like. Hell.”

The slap you give him is weak. You’re surprised your good arm even managed it, all things considered.

But the shock of the act that ripples from Chrollo to Feitan and even down below is what gives you a few microseconds to escape, to run, ears ringing from the pain of your jostled broken arm, and throw yourself down the slide.

You don’t have a plan. How could you? As soon as you get to the bottom, you’ll just run. Run and maybe die but maybe you’ll get away, someway, somehow.

You don’t get more than a few steps before you fall. Not fall, exactly. Trip. You trip over something that shouldn’t be there, something taught and thin. A wire?

You see, from the corner of your vision, the woman with pink hair yank her hand backwards and the wire that shouldn’t be there slices deeply into both your ankles. Blood seeps through your socks before you even hit the ground.

Your ankles burn and bleed, and new sparks explode behind your eyes when your broken arm smacks the ground at the worst possible ankle. You think you scream, but it’s hard to tell, over the pain.

Chrollo and Feitan jump down from the second story of the fun house. It should break their ankles--it does not.

Someone turns you over on your back with their boot and you’re left staring up at the sky, ink black and throbbing with stars. It was such a pretty night, before all this.

Above you, Chrollo and Feitan look down with decidedly different expressions. Chrollo regards you coolly, with no real expression on his face; it’s like a porcelain mask, indifferent, never-changing. Feitan, on the other hand, is smiling--he’s looking not at you, exactly, but at your blood.

It’s Chrollo who speaks.

“I would like an apology for your behavior.”

If your eyes were not safely attached to their retinas, they might bug out of your face entirely. You are laying on your back with bleeding, mangled ankles; your arm is broken, flopping, useless; a collar of blood adorns your neck. Vampires are standing above you, fangs at the ready, having already spread carnage through an entire beach of concert-goers.

And he wants an apology?

You want him to go away. To not be real.

You want your mom, and your dad, and your childhood bed with covers big enough to hide you.

So you shake your head, helpless, like an infant lying on their back.

Above you, Chrollo says your name. Sternly. Just once.

When you muster up the words, you taste copper. You must have bitten your tongue after tripping.

“F…fuck you.”

Stupid words, you know. But you’d rather your last words be this than pointless begging. Now that would be stupid, begging for your life in front of grotesque creatures who want nothing more than to devour your blood.

Somewhere above you, a gruff voice says, with a hint of glee in his voice:

“Want me to do it, boss?”

Your eyes dart around, but you can’t see anyone else. Even Feitan seems to have stepped back, leaving you with no one but Chrollo in your line of sight.

Chrollo tilts his head a little, considering.

“No,” he says, finally. “Feitan will handle it. I appreciate your methods, but you might break something a little beyond repair.”

Whoever spoke chuckles, but doesn’t disagree.

The words reach you, but you don’t take them in for a slow moment.

Break… break… what else can they break, what else can they possibly do--

There’s a weight above you. A dark one that smells of blood and metal. It’s Feitan. He blocks out everything else, just for a moment, staring into your eyes with their big pupils and blurring tears.

When he pulls back, you see him move, but don’t know what it means until you feel an explosion of red hot pain in your hand--the hand you slapped Chrollo with. Your fingers crunch and break and you try to pull your hand away, but Feitan’s boot keeps it pinned down, grinding his heel until you shriek so loud that you think the inside of your throat will blister.

Time itself is hot and painful. You’re not sure how long it goes. You’re only sure that when you try to move your mangled fingers, they don’t move. Hot, thick pain shoots down them and it makes you stop trying to get up.

It’s not like you could run, anyway.

At some point, you hear a new sound. Sirens in the distance. Police? Ambulances? There’s no hope in your chest, no thought that they’ll save you. Even if they got here in time, the monsters would kill them.

Somewhere above you, Chrollo talks, though his words sound like they’re being spoken through water.

“Take care of them, will you? We’ll meet up near the waterfall before we head out.” A question from someone. A pause. “Yes, I’ll handle her.”

The voices fade away. Either because they’ve walked away, or you’re finally going to die from the shock. That might be a mercy compared to whatever grisly end Chrollo has in store for you. Is this how he planned for you to die, after all? Or was it meant to be swifter? You might have screwed it all up with your running and spitting.

Before Feitan broke your hand, you might have been proud of the spitting. Now you just wish you’d let them kill you quick.

Finally, Chrollo returns to your line of vision. He’s a bit blurry from your tears, from your pain. Probably a bit from your blood loss, too.

He kneels down next to you, and you tense. Even tensing hurts, and you whimper.

“Are you going to kill me now?”

Beside you, Chrollo coos. A soft, sticky sound. He takes your broken hand and your voice wants to shriek, but all you can manage is a strangled cry. He kisses your broken fingers like a gentleman.

“Kill you? Of course not.” He presses a last kiss to your mangled hand. “I do want to see that sweet girl from before.. the one who daydreams about strangers and holds onto my hand so tightly on the Ferris wheel.” An indulgent look crosses his face and he gives your broken fingers a painful squeeze that has you groaning.

“She’s still in there, no doubt.” His thumb brushes against your cheek, pushing away the dried salt of your tears. “Buried under fear and pain and newfound knowledge, no doubt.” He smiles nostalgically. “But those can be remedied with time.”

He’s crazy. I mean, you know he’s a vampire, sure. But he’s also fucking crazy.

“I want to go home,” you croak. Even though you can’t reason with crazy. “Please. Please.”

His eyes blink down at you. How old is he, anyway? Centuries? Longer? To him, you must be nothing. Insignificant. Ridiculous.

He doesn’t mock you, though. He only continues stroking your cheek with his thumb. “I’ll be your home now, wherever we go. And we will go so many places.” There’s some sort of dulled excitement in his expression that turns your stomach. “And from now on, you’ll do what I say, won’t you?”

Tears spill over your eyes, trickling down over his thumb. You don’t have the energy or the lack of survival instinct to say no. But you won’t say yes, either. You can’t.

“Well. I can make you obedient, if you’d rather be stubborn.”

You’re about to ask--”What?”--when he kisses you, shutting you up entirely.

You’re afraid to move. Your lips tremble against his, thinking only of death--of his fangs. His lips move and brush against your neck, and a mocking forgotten memory of last night flashes through you. He kissed your neck last night, too, a wet, sucking kiss that had your toes curling. Your toes curl now, too, out of fear. The blood from your ankle makes your toes slick inside your shoes.

And then his fangs sink into your neck and hot, searing pain shoots through your entire body, masking everything else. Your ankles. Your broken hand. Your brutalized arm. The cut on your collar. None of them matter compared to this pain, which is not localized at the sight of the bite but spreads throughout your bloodstream, making it impossible to think of anything but how much it hurts.

You’re dimly aware of your screaming. A helpless sound you heard from countless others tonight. Your legs kick, and you realize, vaguely, that you can’t really feel them anymore. They hurt, yes, but there’s a numbness behind it. Are you really moving them at all?

There are more screams now--from the beach. You don’t know how you know, but you do. It’s like you can see it in your mind although you’re flat on your back in front of the fun house with a monster draining you of blood.

The world spins as you imagine how the first responders must be dying right now, while you’re dying. Are they wishing they never responded to the emergency calls? Are they thinking about their families, their friends, and their little dogs, too?

Chrollo’s mouth is against yours again, and you taste yourself on him. Bitter metal, still warm. He’s blurry as he pulls back and bites against his wrist. What should be vivid red blood is dark and ugly--dead. He hovers his wrist above your mouth and the substance drips onto your lips. It’s cold, vile.

A final insult before you die, making you drink this nasty stuff. Vampires have a sick sense of humor.

But what did you know about vampires, anyway?

You black out as Chrollo murmurs something above you.

At least, you think, this is finally over.

You do not wake up in heaven or in darkness, either.

You wake up in a man made clearing, sitting against a tree, with a blanket draped over you. In front of you there is a fire, not roaring but alive enough in the night; a pot with spilled chili lay on the ground. Behind the fire is a camper van with its door wide open.

The corpse of a man is propped against the door of the van, keeping it open. His mouth is slack and ah, he’s not dead yet, is he? There are two glaring puncture wounds on his neck, but he’s still around. His fingers twitch and seem to register you with tired eyes, that drift from your face over to the far end of the camp.

You follow the look, and oh. There are two dead teens piled next to the fire. Already drained, already dead. His children, you think.

The world seems to come into more focus then.

You are, as far as you can tell, alive. You’re propped up against a tree. It’s night time. The people--the monsters, the vampires--are here, in this campsite. Some of them glance at you once they realize you’re awake, but no one says anything.

Strangely enough, you’re not in much pain. Soreness, yes. But you should be in agony. Your hand feels okay--sore fingers, but no longer blinding pain, and you can bend them almost normally. Your arm, too, feels sore but mended. Your hands reach up to your collar, your neck, but there’s no trace of the wounds except a thin scar on your collar and two small bumps on your neck.

How did it heal so fast? Did they bring you here to hurt you again? Keep you like some sort of blood bag?

Your eyes travel down to the blanket draped around you. It’s heavy, comfortable, and stained with blood.

You jerk like you’ve been electrocuted and throw the soiled blanket from your body.

Someone nearby laughs. “Picky princess, huh?” You vaguely recognize the voice--the tall man with wild hair. The one who knocked a man’s head off at the beach.

Just as renewed panic begins to awaken inside you, Chrollo appears from seemingly nowhere.

“You’re finally awake, I see.”

You shrink against the tree, and look around. Could you run into the woods? Were you still in the trail by the beach? How far could you run?

Chrollo smiles, and sits down next to you like this isn’t horrifying or unusual at all. “Don’t be ridiculous, dear. There’s nowhere to go.”

Your throat is dry and your words stick to your mouth several times before you can speak.

“Where… are we?”

If you’re close enough to home, you might still get out of this. Somehow. Find a gas station or a rest stop and beg for help.

“Far away from that little town, I assure you.” Chrollo jerks his head back and you finally see the row of motorcycles parked near the campsite. “We won’t stay here for long. We rarely do. Just long enough for you to get healed up, this time.”

Which means he plans to take you with him--with them. For how long? And where? And why? Why take you? Why not kill you, why not drain you dry in front of the fun house and leave your corpse for survivors to find?

You could ask all of these things, but you’re not sure you want the answer. Instead, you give the only answer your mind can manage, which is to curl up against yourself and cry.

“I want to go home.” You whisper, out of practicality more than anything. Your mouth is so damn dry.

“None of that,” he says, a little sternly. His expression softens when you flinch, and he brushes the hair from your face. “Don’t waste your breath on such a silly sentiment. You’re not going anywhere I don’t want you to go.”

“You said you didn’t know me well enough to leave with me,” he continues, pressing a chaste kiss to your cheek, then a warmer one to your unwilling lips. “You said you hadn’t had time to figure out your dreams. Now, you can take all the time you need for both of those things. We’ll have eternity, after all.”

Dull, cold horror pools in your gut.

Eternity.

“Did you… am I… did you make me--”

Your hands shoot to your mouth, to your teeth, feeling for fangs. But there’s nothing new inside your mouth, unless you count the awful cotton dryness that blankets your tongue and teeth like film.

He smiles indulgently, and you hear someone nearby snort.

“No.” A pause. “Not yet, not quite.” He smiles at your ignorance and takes your hand away from your teeth, giving it a kiss that feels like mockery even if you get the sense that he isn’t trying to make fun. “That may come later, if you behave. For now, I’ve made you…” Another kiss, this time with a smile on his lips, as he seems to debate on what to say. “… let’s say, mine.”

You shiver. From fear, and from cold.

Chrollo presses another kiss to your lips, until he can shove his tongue in between your teeth and run it against your own. You taste yourself on him, still, that rusty taste. It makes you gag, and he pulls away.

“You must be cold. I don’t want you catching a chill so soon. Why don’t you go sit in front of the fire and warm up?”

You shake your head, wanting to spit out the taste in your mouth, but not having the courage to do so.

He watches you for a moment. Calculating, cold. He makes you think of an animal, in this moment. An animal thinking on what to do when his prey does something odd in the wilderness.

“Go sit in front of the fire,” he tells you.

And without wanting to, without meaning to, you do. Your body jerks up and you walk over to the fire, with its spilled chili and corpses left in its wake, and sit down.

It’s like before, at the carnival, but different now. There’s no warm suggestion, no soothing manipulation. Only an order that you obey, and that’s that. When you try to push yourself up, you find that you simply can’t make your body do it. You can flex your fingers, your toes. You can move your arms up and down. But you cannot, in any way, stop sitting in front of that fire.

“I’d prefer you to do things willingly,” Chrollo says from his spot near the tree. “But I don’t mind giving orders either, love.”

Love.

You’re not sure he knows the meaning of the word.

But neither do you.

Despite the fact that there are two dead kids and their dying father just feet away from you, you find the fire comforting. It’s warm. It’s bright. It’s everything that the monsters around you aren’t; and you aren’t one of them, not exactly (not yet, your brain screams, he said not yet) and maybe you can cling to that. Cling to your humanity, to get you through this.

The fire crackles in front of you. At some point, Chrollo sits down, and offers you a bowl of chili that they must have set aside for you before knocking the pot down.

It’s lukewarm, and a bit bland. The dying man wasn’t a great cook. But you eat it, slowly, carefully, while Chrollo watches with an almost serene expression on his face. Like watching you eat was the most endearing thing in the world.

Above you, the night sky watches the scene with indifference.

#yandere chrollo #yandere chrollo lucilfer #yandere hunter x hunter #yandere #afterwitch writes #this fic is my baby /wraps it in a blanket

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