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#Good omens thoughts
dalliancekay · 2 days
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I...
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gracenmoe · 6 months
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how I imagine aziraphale is in heaven right now.
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vavoom-sorted-art · 7 months
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Is that. A Nightingale????
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"I'm afraid that's not for you, sir. What about this?", Goldstone asks while showing Aziraphale a case with a bronze nightingale as a handle. "No, no, no, it's alright. I've found my showstopper.", Aziraphale answers, looking at the magic bullet catch.
Is Aziraphale actually choosing a RIFLE over a Nightingale in this scene. I am losing it.
Not only is he choosing danger over the safe option, he's choosing a weapon. HE IS CHOOSING TO FIGHT.
And, he is also choosing to do this with Crowley (even though Crowley is reluctant) and he is choosing to trust him. He's not even considering the safe option.
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aduckwithears · 8 months
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I don't think we're talking enough about how the premise for the 1827 meetup in the cemetery was a date, pure and simple. There was no "uh oh, Aziraphale is in trouble again", no big point in history that both sides needed them to attend, no Arrangement at all... nope, it was an invitation and an accepted invitation. It was literally Crowley saying "hey angel, I saw a thing that you'll find funny (I was thinking about you), come and hang out with me about it" and Aziraphale does.
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And I wonder what would have happened next if they hadn't stumbled across grave-robbing Elspeth and her moral dilemma.
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saddybildaddy · 15 days
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who else would conveniently discorporate if crowley shows up in anything like this in s3?
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forestofsprites · 10 months
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so is it safe to say that the phrase 'looking at someone as though they hung the moon and the stars' started at ground zero with an angel named aziraphale
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the-apology-dance · 7 months
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Aziraphale and The Bentley
One of the many things I love about Season 2 of Good Omens, is we get to see The Bentley interacting with Aziraphale.
We all know that The Bentley is an extension of Crowley.
It is hilarious to see how it mirrors him. The Bentley is an actual puppy. Crowley loves Aziraphale, which The Bentley is aware of. It is why he listens to him and does things to make him happy.
The travel sweets - Aziraphale loves food.
The type of music - It is aware of his love of classical music.
The color of the car changing - Aziraphale’s favorite color.
We can see it drives itself. Yet it refused to go faster. I WONDER WHY. It knows Aziraphale hates when Crowley drives extremely fast.
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Some MORE WAYS it behaves like Crowley:
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This car is following him, because it loves Aziraphale. Just like Crowley follows Aziraphale around. What makes it even better? The Bentley is following Aziraphale as he is walking back towards the bookshop. Crowley’s favorite place to be. The same demon who SAYS THIS:
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Funny enough, The Bentley is Crowley’s colors. It is just a “second Crowley”. When Crowley isn't there, The Bentley protects Aziraphale just like Crowley does. It has his protective nature. What makes it go back? Aziraphale telling it to.
Maybe because Crowley can't say “no” to Aziraphale….
Can we also talk about the little pats he constantly does on The Bentley to show affection? UHM. If that doesn’t symbolize that Crowley LIKES to be praised I don’t know what does honestly.
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THE BENTLEY LITERALLY ACTS AS A GUARDIAN. Azi wasn’t technically lying about the changes to the Bentley either. The Bentley accommodated to Aziraphale’s preferences, instead of Crowley’s. Essentially it wanted him to be happy by taking care of him. It even went so far as to disobey Crowley.
It only changes back when his Demon Dad finds out about the changes, and presses the pedal down more when Crowley threatens to start selling Azi’s books as it doesn’t want to cause Aziraphale trouble.
Also, proof that The Bentley sees Azi as his “other owner” and his “Angel Dad”
WHY IS THE BENTLEY SO CUTE😫🖤
(If any of you choose to use this as a headcanon for a fanfic/fanart, please credit me and let me know so that I can see it!🫶🏼✨)
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myfairstarlight · 4 months
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It's the way Aziraphale is a terrible liar and magician but he always effortlessly pulls through whenever it is to protect Crowley.
Exhibit A:
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In season 1, when Gabriel and Sandalphon drop by for a surprise visit, and they can tell something smells evil, Aziraphale very smoothly lies which is one of the only times he isn't an anxious mess in front of the Archangels.
Exhibit B:
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The picture swapping in season 2 which is emphasised even further later when Aziraphale tries to recreate the magic trick once they're back (safe) in the bookshop and just fails lol
There's no conclusion to this I just thought it was neat and I needed to ramble a bit
Edit: OK there is a conclusion, actually (my brain just needed to process lol). I think it really reinforces how at his core, Aziraphale is a protector. A guardian, if you will. It comes naturally to him. We see it with the way he decides to help Gabriel in s2 with no hesitation, with how he immediately puts the humans' safety first when the demons attack the bookshop. We're often so focused on Crowley's protective side towards our angel, it's easy to miss the maybe more subtle ways Aziraphale protects him right back.
And I think it could play quite a part in his decision to go back to Heaven. Perhaps it's wishful thinking but I don't think he'll fumble his role as Supreme Archangel, if we are to believe he made that decision partly to protect Crowley, then I 100% believe he'll pull through. Because he gets it right when it matters, after all.
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theonevoice · 8 months
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Have a gold star...
I swear, I started this as a wholesome innocent comment on how when Crowley has to think of a prize, after 6000+ years, his sweet head still goes to stars as the ultimate symbol of something beautiful and cherished.
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But then I was struck by something: sarcasm.
Both times, when he tells someone to "have a gold star," he doesn't say it with a tone of affectionate irony, like the cool-but-sweet uncle with a rough personality but a soft heart. He says it with a tone of bitter sarcasm, of painful disenchantment.
Because it's not a prize that he is offering; it's a sop, a cruel joke-gift, something that will get you excited at first just because you have a stupid, naive, innocent soul, and you will later realize that it means nothing to the one who assigned it to you, and that they are ready to take it away whenever they want, while the rest of the world laughs at your ridiculous gullibility.
Because this is what stars were for him.
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They were his beloved, exciting creation. The star-factory nebula was his cherished task, assigned to him by God, and he believed that it was meant to be a thing of beauty and splendor, and hold value in the grand scheme of the universe... only to discover, immediately after he created it, that it was never intended to have any value at all. It meant nothing to God. It wasn't even planned to last enough to fullfill its purpose. It was a joke, a cruel prank. 
The stars were God's bad pun of giving angel!Crowley something to do, and love, and have hope and expectations for, and then taking it away. Revealing that it was just a shiny piece of gold cardstock that only a simpleton could consider valuable. Of course he can only say "have a gold star" as a dry snarky sarcastic comment on someone who thinks they have achieved something meaningful when it's actually nothing. Be it the Them defeating the Four Horsemen. Be it Muriel being noticed by the Metatron.
Great, sure, have a gold star, be all excited and squealing with happiness, it will turn into ashes before you even know it.
I am not sure that Crowley's snake eyes were ever intended to signal that he cannot see the stars because snakes have bad vision (even ignoring the zoological fact that they are sensitive to UV light though, so they should still see astronomical objects, in the book it says that demons must be able to see at night, and that's why Crowley doesn't need to turn on the lights on the Bentley), but for sure the Fall and Heaven's cruelty has ruined the stars for him, in a way.
Now, in his mind, they are the ultimate symbol of delusion, of naivety, of foolishly investing your love and passion and hopes in something, of stupidly ignoring that the things you cherish will be ruined or taken away from you or leave you on their own accord.
That's also why Aziraphale's "nothing lasts forever" cuts him so deep. That's why his "no... no, I dont' suppose it does" sounds so much like a truth that he is remembering instead of one that he has jsut discovered.
Here you go, you did it again, you thought you had something significant and instead it was just like your stars, you should have known that whenever you find something beautiful it's just a matter of time before you lose it, you shouldn't get too attached.
In s1e6 he says it to the Them, in s2e6 he says it to Muriel. I do hope that in s3e6 he will get the chance to say it again, but this time it will be honest and out of joy, because whatever is going to happen will make him able again to believe that you can be happy, and can hold onto the good things that you love. You can have all the gold stars, for real. They don't always have to disappear and leave you in pain. They can stay with you.
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dalliancekay · 3 days
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“Father, if you are willing, take this cup from me; yet not my will, but yours be done.” Luke 22:42 
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Did Jesus have any choice?
Did Aziraphale?
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In the New Testament, when Jesus is struggling with his fate (his friends asleep), the night before his execution:
"An angel from heaven appeared to him and strengthened him." Luke 22:43
Do you think Aziraphale sat there next to him, consoling him and saying, you still have a choice (but knowing it's not really true). The message and the chalice he had to drink from were sent from God*. Much like, Aziraphale must have assumed, Metatron was.
* The God that apparently (although Az refused to believe it) asked for Job's kids to be whacked, the Flood to happen, the one whose atrocities litter the Old Testament and who didn't do much better after the New one, even though Jesus did as he was asked. Will we be surprised if Jesus (2.0) and Aziraphale decide to have the Second Coming on their own terms?
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inafever · 10 months
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On how much Aziraphale has learned since season one:
This is about character development. Inside of a story, everything that happens, happens for a reason. It's meant to tell you something, to teach you or the character of your story, something.
So if the story continues and your character repeats the same mistakes again you know that they are bound to be doomed this time, and even worse the audience is going to certainly lose respect for them, cause they have made the same mistake twice, they haven't learned anything, they're gonna do it again another time, they don't deserve a happy ending. (yes I'm talking about good omens here) So you don't do that to a character that matters to you and you respect even the tiniest bit.
A Lot of us here are thinking that this is what has happened to Aziraphale's character at the end of season two, that he has done it again, repeated the same mistake again and has left Crowley to join heaven and it's been because of reasons like wanting to change Crowley (not true, see this post), still believing in heaven's goodness (not true at all), not being on the same page with Crowley (I'm gonna talk about this one especially in this post) and such likes. But these are the things he should've known better about after 6000 years and all the events that we've learnt about especially throughout season two. (It seems to be rather the whole point doesn't it?)
But we all seem to rather believe that he's made that mistake again nonetheless. so what we're doing here is trying to find reasons to justify the mistake and somehow make the reason behind the wrong actions something relatable to ourselves so we can forgive him when the time comes.
In fact I don't believe that he's made a mistake. for Aziraphale's character to be redeemable, what he has done, must be the only option that he's had for saving them both. I don't care what kind of situation could have resulted in him making this decision, but the only reason, the one and only reason, must be his love for Crowley. Otherwise it'll prove that he hasn't learnt his lessons or doesn't love Crowley enough to make a compromise, and in both cases, he's not worthy of love. He won't earn his happy ending by being tortured and feeling sorry and doing the apology dance for Crowley if he's hurt Crowley out of selfishness and stupidity again
But I'm sure he'll earn his happy ending and I'm sure he's learnt his lessons and it's too late for him to have unlearned them all in a matter of a few seconds. (He is an idiot but he's not stupid) and it's mostly because of this, that I believe the reason why he made that decision, must be very different from what it appears to be on the surface.
Anyway, this post is about what Aziraphale has learned and how he's changed.
I have made a post about their moments of conflict from both season one and two, it's here and you can look it up. This is where you begin to understand how Aziraphale has changed since season one because these are his dialogues after he's had a fight with Crowley in the bandstand, season one:
"even if I did know where the antichrist was I wouldn't tell you we're on opposite sides"
"friends? We're not friends. We are an angel and a demon. We have nothing whatsoever in common. I don't even like you"
"there is no our side Crowley. Not anymore. It's over"
And then there's season two, when they disagree on what to do with Gabriel, Aziraphale is the one to point out that they both rely on the life they've built together
He's asking him to help him take care of Gabriel together and in response Crowley leaves
In the final scene he asks Crowley to come back to heaven
"work with me" "We can be together as Angels, Doing good" "I need you."
He says anything he can think of literally to convince him to stay with him and it doesn't work
We start from "we're not friends" and arrive at "work with me. we can be together"
Even if we don't know the reason why he's insisting on taking Crowley back to heaven with him, this is an Angel that has picked up the pace. That wants them to be an us. No matter what.
But these are only a few dialogues. I think there's more than that. I think the show in five and a half episodes (out of six) has tried its hardest to make the point quite clear about how Aziraphale feels about Crowley (or how strongly he feels those emotions). all through the way he looks at him and through his gestures and soft touches from time to time
I'm gonna make another post of those moments separately and I'm gonna link it to this when I do.
update: (here's the post. not just average moments of Aziraphale looking cute, it's something about the way he looks at him)
And I'd like to even compare those wishful glances to some of those from season one, but I can't, cause they are nonexistent in there.
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gracenmoe · 6 months
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if i was a billionaire I would just keep funding my hyperfixations. Oh what? good omens s3 cgi is over budget? heres 4 million don't worry bout it.
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azfell-ajcrowley · 2 months
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Something we didn't notice (part 2)
part 1
Overall, the meta is based on close observation of Aziraphale (for the most part) and Crowley. Without speculation or trying to guess what we haven't been shown (well, almost).
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The Metatron makes it clear that he is watching Aziraphale delivering the "good news". Aziraphale looks back at him.
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The first thing I'd like to explain. The Metatron is talking to Muriel, and then he stares at the window of the bookshop duplicating that gaze toward Crowley. The frame changes and we see Aziraphale looking out the same window, just for a second, but he will do it repeatedly.
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As Crowley starts his monologue, Aziraphale tries to stop him by gesturing for him not to say too much, while looking out the window himself. Aziraphale continues to turn to the window with every meaningful attempt to speak.
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Let's also note that Aziraphale doesn't usually behave in a similar way in conversations with Crowley. Yes, Aziraphale is characterised by active gesticulation, but the constant pauses, averting his eyes from the interlocutor, nervous and jerky movements - these are messengers that angel is holding something back, hiding or simply doesn't want to tell. Most often we see this Aziraphale in conversations with the leadership - God and Archangels.
https://commonmexicanname.tumblr.com/post/734305363759890432/good-omens-thoughts
Here's a prime example, comparing his interaction with Archangels when he's caught off guard and frantically trying to figure out how to get out of the situation.
I don't think Aziraphale is just lying to Crowley here, no. He just has an audience beyond Crowley. He tries to tell everything, knowing he has more than one viewer.
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When Aziraphale mentions the Metatron, he is not just hinting, he points his index fingers - one at the window, another at Heaven, and then in a distinctly active quick motion once more at the WINDOW.
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And again - turns his face to the window at the words about Gabriel failing, and then tilts his head towards the transparent panes of the bookshop.
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The conversation with the Metatron is important, among other things, to assess Aziraphale's behaviour when Crowley is mentioned by his superiors. At the words about their partnership Aziraphale looks frightened: his facial muscles are tense, his forehead and eyebrows are furrowed, and there is a terror in his eyes.
When the God's spokesman concludes his really suspicious speech, Aziraphale swallows nervously and averts his eyes. He certainly doesn't look like someone who's been offered the fulfilment of his cherished dream. And not like someone who believes it.
Aziraphale looks like someone who has just found out what an enormous amount of incriminating information is in his opponent's possession.
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"Tell me you said no. Tell me you said NO." Crowley is definitely shocked and horrified, he thinks the best of his angel. He can't believe what's going on (and he isn't supposed to).
Aziraphale turns his head towards the window again as an answer.
He actually said:
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And
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We see him right before he walks into the bookshop, he never says yes to the Metatron.
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Aziraphale utters his most delusional words while looking out the window. Of course, they're not meant for Crowley. Aziraphale hasn't believed it for a long time, Crowley even more so.
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And then Crowley says "Oh, God", without correcting himself afterwards, because this demon can only hope in God here.
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For a second Aziraphale has a look of hope on his face that Crowley has realised what he's getting at. Then Aziraphale realises that Crowley is trying to confess. He's waited for so long not to realise. He was about to confess too.
Aziraphale already knows everything Crowley is about to tell him, but more importantly, literally everyone already knows it. It's impossible to stay and start pretending again that there's nothing between them.
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Aziraphale has a completely blank stare past Crowley, and then he looks out the window. Again.
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And then the most interesting thing happens. Crowley starts his line "And I would like to spend…" But he turns his head and finally looks out the window, where Aziraphale has been pointing so hard since the beginning of their conversation.
Maybe that's the reason Crowley doesn't complete the sentence. And he begins to pick up different words. Maybe not, maybe the sun from the outside is preventing him from seeing the Metatron.
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In the final part of their conversation, when they move closer to the bookshop's door, Aziraphale looks towards the window again.
After "no nightingales" line he turns away to hide his feelings and pain.
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The cherry on the cake is the kiss, Aziraphale is falling into the abyss. He averts his eyes trying to figure out if the Metatron could have seen what just happened.
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When Crowley leaves, Aziraphale thinks he's lost him. But then, even when the Metatron walks in and says devaluing words about Crowley, Aziraphale can't tear himself away from the window, because now he can see Crowley there. Maybe not everything is lost.
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Aziraphale retreats back to the clock - to the very spot where Crowley was standing a few minutes ago. He looks out the window at Crowley, as if to say, "I stand where you stood, you stand where the Metatron stood."
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bwlkins · 2 months
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I think there's something in that.
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onceuponapuffin · 2 months
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Ineffable Bureaucracy and Ineffable Husbands
So, especially in the early days after the release of S2, I saw and heard a lot of people comparing these two as if they were the same. There were fan comics and fanart and fanfiction that included dialogue that was something along the lines of "why are they so healthy after only a few years and we aren't?" or "why do THEY get a happy ending and we don't?" And I mean, I haven't seen any of that in a while so maybe people have come to this conclusion on their own, but just in case, I wanted to point out
That they are fundamentally different. They are not the same.
And the reason why comes down to this conversation from 2x3:
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So, hold this conversation in your brain while we go through this.
First of all, we have our Ineffable Bureaucracy, Gabriel and Beelzebub.
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So these are the ones who, figuratively speaking, were born in a castle.
Gabriel was the Supreme Archangel for however many millenia, and Beelzebub was the Grand Duke of Hell for the same, roughly speaking. They are equals in positions of power.
So, when they fall in love, you have two supernatural authorities who have lived their existences believing that they can reasonably expect to have and keep whatever they want. After all, that's exactly what their lives have been (with the one exception being Beelzebub's Fall) - they want something, they get it, they keep it, and no one tells them no.
The biggest risk is to Gabriel. If Heaven were to find out, he would Fall. I can imagine Beelzebub being a bit concerned, but "Oh no," Gabriel probably figured "I Fall to Hell, and straight into your arms!" And I could see Beelzebub with a little smirk saying "I'd look after you, babe," in response.
The only time Gabriel actually worries is when he finds out that there's another punishment that he didn't realize was a possibility.
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Falling to Hell is one thing, but having his memories erased is an actual threat, and possibly the first time he's ever been told no. This is when we see him panic, and leave Heaven in a mess, storing his memories away to keep them safe from the Metatron. We find out later that he was on his way to Hell anyway and just forgot halfway there and got lost.
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And so, we have two beings who were always told they were Good Enough, who approached each other knowing they were able to have whatever they wanted, and were therefore able to communicate and fall in love in a healthy way. They didn't need to tip toe or hide, because they had no reason to believe anyone would ever tell them no until someone did. Their risk, because of their positions of authority, wasn't nearly as great as Aziraphale and Crowley's risk.
So now we come to our Precious Ineffable Husbands
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Crowley and Aziraphale start off in much lower positions on the Celestial Food Chain. We know that they have to be very careful about their relationship to avoid the repercussions. They can't mention The Arrangement out loud, they can't put their feelings for each other into words. It has been made clear to them that they are always being watched, and anything they have can be taken away from them on a whim.
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So how can they communicate safely when they've spent millenia living on eggshells and tightropes? Of course they won't, and of course it's going to be much harder for them to believe they can once they finally are safe. I definitely believe that they will get there (for my own wellbeing I have to believe that their love is stronger than anything), but they will need to fight tooth and nail in a way that Gabriel and Beelzebub didn't. All because they aren't figures of authority.
It might honestly be another good argument for Crowley taking the Grand Duke of Hell job (even though I reeeeaaaally don't want him to). It would put them in the same position as Gabriel and Beelzebub, and might give them the footing to actually escape the system (even though I think it's more likely that they're going to dismantle and/or repair the system in s3, but that's my own opinion).
These two pairs aren't mirrors of each other. Rather, they illustrate the problems with inequity that Crowley was pointing out in Edinburgh. And if S2 showed us that, I'm hoping S3 will show us possible solutions for it.
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phoen1xr0se · 2 months
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[reblog for wider sample size etc]
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