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#Henry Weinhard
lylahammar · 2 months
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ppl don't experiment enough with root beer floats. one time I had a cherry coke float with chocolate fudge brownie ice cream and it was transcendental, now I'm havin a root beer float w ben & jerry's love potion #31 this shit rules
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theehorsepusssy · 6 months
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TheeHorsepussys Portland : Vaseline Alley aka Stark Street aka Harvey Weinstein ( I always get that mixed up) Harvey Milk Blvd
Documenting some gay-ass history for the kids
Red Arrow - 2 blocks to Touche. Not gay but spent most of the 90s in that bar. Fancy looking dining room/pool room but mostly service industry clientele. Hard to find a spot to do drugs discreetly.
Green - Everyday Music. Where to sell vinyl for dope money.
Yellow - Big BIG abandoned, scary building. Looked haunted. Was eventually renovated. But gave you the heebie-jeebies walking past it at night. Gay bashing zone
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Green Arrow - The City Nightclub. Underage nightclub. Chicken Hawks(is that Gus Van Sant?), lots of drugs, good DJ downstairs, GREAT DJ upstairs
Red - The Henry Weinhard Brewery (demolished) Made the area smell really, really awful. Gagging thinking of it.
(Stark Street starts to the right here. It looks like they built some weird barrier in the intersection..probably cuz drunk gays in middle of street)
Orange - The Bathhouse. Home away from home. I would sell rip-off size bags of meth to subsidize my habit. Sucked a huge penis here. Gagging thinking of it. Gay bar downstairs was called either Flossies or Silverado or both. Male strippers. Would buy my shitty little bags of dope.
Blue Arrow - at one moment in the 90s, a sex club I think owned by Fantasy Video. Robert would meet his side piece there . The director Todd Haynes, I fuzzily recall reading, was a patron. I went once. Weird vibe. There was a plaque on the wall outside the entrance commemorating the recording of Louie, Louie.
Orange - The Eagle. Bar where it was common to have sex. I saw a guy take a foot up his butt. Cops started randomly coming in to cock block. There is a new bar called the Eagle up in NE Portland up by the Heroin Fred Meyer (I suppose they all are now)
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Blue - Transient hotel above the store I hated buying cigarettes from but can't recall why. Maybe it was expensive.
Green - Greasy spoon called Roxys. Horrible breakfast food 24/7. I think it used to be down the street on Everett. Had a tiny basement bar. Moved to Vaseline Alley in 90s. Had ginormous picture of Quentin Tarantino or some shit. Very 90s
Yellow - Three Sisters (Six Titties) dive bar/gay bar. Never really went there. At some point was a male strippers bar. Robert had me escort one of his side pieces there. Kid thought the stripper was really into him. I tried to explain. I won $600 on the poker machine and drove the kid home.
Orange - Django Records. Large amounts of cheap used records. 3 for a dollar bins! I bought Eyehategod In the Name of Suffering here. Also the Cruising soundtrack...33cents!
Red - Fancy, expensive hotel. Yell really loud underneath the windows. They like that. Cops always parked along this stretch. Drunk gays got their first DUIs around here.
Mint- block of amnesia. I don't think it existed
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Red - Boxes. Gay bar where you did lines of coke/mda/meth in the bathroom without hassle. TV sets with Oprah or Steel Magnolias, shit like that on. Spartacus Leather fetish store was down a couple doors. Inside Boxes, you could take a wood paneled passage through the fish restaurant kitchen ( I don't think anyone ever ate there) and end up at.....
Green - the Brig. Named because dance floor had bars around it like a jail cell. Imagine the creative dance moves as the queens grappled bars, ass out while Madonna songs played on a loop. Your meth dealer could be found here, doing a fan dance. Don't wear black. Semen stains show up under the blacklights. (or do)
Yellow - the house paint store. Eventually became the Panorama in the age of MDMA. Rave type music. Went there once to meet a dealer. Obnoxious experience.
White - Silverado. Country Western night most nights. My roommate dj'd andtaught line dancing but dance floor was like 10 sq ft so it was just the gays holding hands and boot scootin' in a little circle for eternity. Bar I could get into underage.
Orange - Ben Stark Hotel. Like outta Barton Fink. But really,really seedy. Had some weird sex in there. Now a boutique hotel owned by some Donald Trump guy Gordon Someone who did something once. Probably haunted.
Brown - Scandals. Beer /wine bar. Big windows so you can people-watch and talk shit. Used to go in there underage until I got thrown out snorting a rail of MDA off the tabletop. Had electronic darts and video poker in the 90s. Me and Robert had a domestic dispute there.
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Red - row of funky vintage/antique shops. Someone used to broadcast a pirate radio station somewhere around there in the 90s
Blue - Portland Underground. Small venue had some big shows early 90s. Top floor is where I swear I saw Econochrist play. But it's an office building. Maybe confused
Yellow. OBryant Square aka Paranoid Park. Skateboarders and street drugs. I got "chased" by AF Nazis here. Probably more like I ran my fat ass up the street after this girl I knew screamed "run!" And they probably just laughed. I didn't look back. I think it's demolished now.
White arrow- up the block toward the Galleria. Second floor toilet was really cruisy. Careful of cockblocking rent-a-cops. Kiosk by cafe I think was only place downtown to buy pipe to smoke pot
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robothell · 1 year
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storybycorey · 2 months
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I need to know the results of the taste tests!
Root beer: Henry Weinhard's (and we've tried LOTS). We've even done a few root beer sampler packs that you order online
Chocolate milk: Nesquik (we were only testing the different 'mix-ins' that you add to regular milk)
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oc-menagerie · 2 months
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Mun comforts
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Comfort food: Ice cream, chocolate, zucchini bread, spaghetti
Comfort drink(s): Root beer float, Henry Weinhard's orange cream soda, crisp cold water
Comfort movie(s): Anything Studio Ghibli (especially Spirited Away), Lord of the Rings, Anything Disney (especially old stuff)
Comfort show(s): An anime called Hidamari Sketch/Sunshine Sketch, K-On!, Looney Tunes, Konosuba, Way of the House Husband
Comfort clothing: Soft hoodies, comfy pajama pants, fuzzy socks
Comfort song(s): Waiting for the Rain by Maaya Sakamoto, Mischievous Function by JubyPhonic, Zero by LMYK
Comfort book(s): Fruits Basket manga, Azumanga Daioh manga, Lemony Snicket Unfortunate Events series
Comfort game(s): Monster Hunter, Animal Crossing, Disney Dreamlight Valley, Super Mario World, Banjo-Kazooie
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tagged by @villains4hire
Tagging: Whoever wants to steal it from me
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Good evening my good sir. I see you are a root beer enjoyer. Do you have any recommendations on any root beer brands? I've had Barqs before and absolutely hated it and I want to give root beer another shot but I'm not sure if I trust mugs or not. Is there any other root beer that's actually good?
When it comes to root beer, your best bet is always going to be something in glass. So Mug, Barq's, and even A&W should generally be avoided (unless you can find an A&W restaurant, in which case, go for it). Of the brands that most people know, IBC is the best one to buy in the store. Others that you can usually find that are pretty good include Virgil's, Boylan, and Sprecher. Avoid Bundaberg and Henry Weinhard's, though; those suck.
But the really good stuff is going to be the smaller, often craft brands. The sort of things that your standard large grocery store probably isn't going to stock. There are a couple stores that I go to specifically because they have a good craft soda selection, and they're smaller, local affairs; or I order from stores online and get it shipped, which is the only way I've found to get some of my favorite brands.
There's a lot out there, some great, some bad, and a lot that fills the middle ground. But so long as you go at it with an open mind, I'm sure you'll be able to find something that you enjoy.
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jimhair · 1 year
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I love to make photographs of people with something of interest in the background and I had just finished my “wide-angle point and shoot” 4x5 that I had made from the shell of a discarded Crown Graphic, so I took it to Old Town during Saturday Market. When I met Matt he was taking a break from his travels. His stories reminded me of my trips hitch-hiking across the country in the early ‘70’s. From Wikipedia: The Skidmore Fountain “It was dedicated September 22, 1888, in memory of Stephen G. Skidmore, a wealthy Portland druggist who died in 1883, and partly financed by his will. It was designed by sculptor Olin Levi Warner for $18,000, all of which was donated. It is styled after fountains Skidmore viewed at Versailles on his visit to the 1878 Paris Exposition and intended for "horses, men and dogs" to drink from. Henry Weinhard offered to pump beer into the fountain at the dedication. It is Portland's "oldest piece of public art". Matt at Skidmore Fountain, Old Town, July 2015 🇺🇦💔🌎💔🌏💔🌍💔🇺🇦 #earth #america #human #family #photography #4x5 #restored #recycled #repurposed #wideangle #camera #bnw #白黑 @ilfordphoto #film #blancetnoir #Hēiyǔbái #siyahbeyaz #shirokuro #schwarzweiss #blackandwhite #pdx #filmisnotdead #istillshootfilm #portland #or #northwest #oregon #nw #documentary #photographer 1507xx FP4 Remade Crown Wide-Angle 65mm Rodenstock Grandagon https://www.instagram.com/p/CmugDzqSs1f/?igshid=NGJjMDIxMWI=
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brookstonalmanac · 1 year
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Birthdays 2.18
Beer Birthdays
Henry Weinhard (1830)
Larry Sidor (1950)
Drew Cluley (1965)
Teri Fahrendorf (1971)
Five Favorite Birthdays
Milos Forman; film director (1932)
John Hughes; film director (1950)
Molly Ringwald; actor (1968)
Louis Comfort Tiffany; artist (1848)
Gahan Wilson; cartoonist (1930)
Famous Birthdays
Aholom Aleichem; Russian writer (1859)
Edward Arnold; actor (1890)
Hans Asperger; Austrian pediatrician (1906)
Jean Auel; writer (1936)
Robbie Bachman; rock guitarist (1953)
Andre Breton; surrealist, writer (1896)
Helen Gurley Brown; writer, magazine publisher (1922)
Jacques Cassini; French astronomer (1677)
Bill Cullen; television game show host (1920)
Len Deighton; writer (1929)
Dennis de Young; rock singer (1947)
Matt Dillon; actor (1964)
Dr. Dre; rapper (1965)
Enzo Ferrari; automaker (1898)
George "The Gipper" Gipp; college football coach (1895)
Barbara Hale; actor (1921)
Johnny Hart; cartoonist (1931)
George Kennedy; actor (1925)
Henry Leys; Flemish artist (1815)
Ernst Mach; German scientist (1838)
Mary I Tudor a.k.a. Bloody Mary; 1st queen of England (1404)
Adolphe Menjou; actor (1890)
Toni Morrison; writer (1931)
Juice Newton; pop singer (1952)
Yoko Ono; artist (1933)
Jack Palance; artist (1920)
Boris Pasternak; Russian writer (1890)
George Peabody; businessman, philanthropist (1795)
Swami Ramakrishna; Indian mystic (1836)
Greta Scacchi; actor (1960)
Cybill Shepherd; actor (1949)
Regina Spektor; singer, songwriter (1980)
Wallace Stegner; writer (1909)
Julie Strain; model, actor (1962)
John Travolta; actor (1954)
Alessandro Volta; Italian physicist (1745)
Vanna White; television game show hostess (1957)
Wendell Wilkie; politician (1892)
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melodux · 2 years
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the hermit and the tower for the tarot questions ✨
☀️🌙✨ the hermit: what is your favorite soda pop? ✨🌙☀️
Ooh this is a tough one. A tie between Henry Weinhards black cherry cream soda, and Faygo red pop.
☀️🌙✨ the tower: favorite colors to wear?✨🌙☀️
Black, white, sometimes pastel purple. sksksk
From the ☀️🌙✨ tarot ask meme✨🌙
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spicybeansauce · 1 month
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hey any chance i can see that root beer doc
Ive dreamt of the day someone would ask this. Mug, a&w and barqs not included bc they're easy to remember(I like a&w and barqs, I think mug tastes mid at best), this is unedited so mind the errors. Enjoy.
Brownie Caramel Cream: tastes like a rootbeer float made with caramel ice cream, just a bit too sweet for my taste, a little licorice-y but not too much 8/10
Bulldog: yummy, very sweet, dessert rootbeer™ 8/10
Butterscotch Rootbeer: very yummy, tastes less like a rootbeer tho, def heavier on the butterscotch, if I saw it in the wild id probably be like ‘aw fuck yeah yummy’ but would prob buy a normal rootbeer if that’s what i wanted 5/10 rootbeer 8/10 soda
DADS BRAND ROOTBEER: DISGUSTING, I HATE THIS STUFF DO NOT BUY IT’S SO MOLASSES-Y I HAVE TO HOLD MY BREATH WHEN I DO DRINK IT. -4/10
Faygo Rootbeer: shockingly good. Why does faygo make good rootbeer. Why is faygo in my top three rootbeers. 9.5/10
Hank’s Gourmet Root Beer: Very good, def a fav w not being too carbonated but just a little weak 9/10
Henry Weinhard: very good! + easy to get lol, similar to a&w but stronger and less artificial, also carbonated but goes down super easy 10/10
IBC: also good, a little more bite and more carbonated than I like 8/10
Not Your Father's Root Beer: much better than Dads for sure, pretty licorice-y a little bit of rubbing alcohol but its booze rootbeer what do you want man 4/10
Virgil’s Bavarian Nutmeg Rootbeer: good, very heavy on the licorice however, but points for the reusable bottle 7/10
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wraith-of-thiodolf · 7 months
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What's your favorite rootbeer?
henry weinhard's
havent seen it in a while though. but i remember....
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salacommander · 2 years
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please do tell about your experience as a root beer connoisseur
Oh, snap. How long ago was this message sent?
Alright, so...I just like root beer and I try out every brand I can find.
Henry Weinhard's is the best I've found so far, and thankfully it's not too niche so you can find it in a lot of places. However, there is an elusive one I haven't been able to find since the first time I've had it and it's called Barrel Brothers. I look for it every time I go to a place that has obscure sodas and I never find it. As far as I can tell, it no longer exists.
It's been so long that I can't even remember if it's even good, but I feel like I wouldn't be this determined to find it again if it wasn't.
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thebrewstorian · 4 years
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“Maybe you’ve heard of her husband? Finding Louisa Weinhard.” The Zoom 2020 PCB-AHA presentation.
Last week I was supposed to give a presentation for the Pacific Coast Branch of the American Historical Association conference. That didn't work out... For the COVID-19 reasons. But we did make it work a week later on Zoom and it was terrific!
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My talk focused on Louisa Weinhard. Here’s what I said. 
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I started OHBA in 2013, the first of its kind in the country. 2013 is also when I met Peter Kopp [see photo above left bottom - Kopp is the author of Hoptopia: A World of Agriculture and Beer in Oregon's Willamette Valley] and we’re old hats at presenting together. Though usually we are in the same room. This talk, “Maybe you’ve heard of her husband? Finding Louisa Weinhard,” is based on an article for the Oregon Historical Quarterly I’m working on revisions for right now. I’m going to talk about women in brewing in Oregon, but first I want to talk about silence.
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Archives and records repositories are filled with voices. We visit them to learn about our families, past actions of governments, and the activities of private organizations. But they are also spaces that reflect power and document the dominant narrative. Decisions are made by creators, by archivists, and by researchers about what to include and who to exclude – the result can be distortion, omission, and erasure. And so, for all the voices recorded in an archive, there are also many that have been silenced.
As anyone who has done historical research on women knows, their stories weren’t actually hidden, more often they were simply not recorded. The history of nineteenth century women’s work is often told through the story of husbands and sons. They were categorized as wives and mothers rather than business partners or owners. One issue I always cite when talking about researching women is the complications surrounding names: if their first name was recorded in newspapers (not just “Mrs.”), actually finding a maiden name to track genealogy often feels like luck.
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Most (all) brewers in nineteenth century Oregon were men, but as I explored beer history more, I found the stories of early Oregon women and their work in brewing fascinating. In my research I found most women linked to breweries weren’t making beer, but I suspected they played an essential role in the businesses success (for example in running the household, child-minding, doing the books, participating in community events, etc.), and I knew that several ran the brewery for a time after their husband died.
I was preparing for an oral history in 2016 with Dana Garves, owner of BrewLab and former brewing chemist at Ninkasi, and I found a blog post she’d written called “Oregon’s First Women Brewers [1879-1908],” which included names and locations. I have since found photos of three of these women: Left to right is Fredericka Wetterer from Jacksonville, Mary Allen from Monument, and Marie Kienlen from southern Oregon. Garves also wrote about Theresa O’Brien from the north coast and Mary Mehl from the south coast. I added names of own, including Catherine Stahl and Frances Kastner from eastern Oregon; Margaret Beck from Capital Brewing in Salem, and Louisa Kiefer from Albany – she’s also Fredericka Wetterer’s sister.
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But is there a way to determine the jobs they did or the role they played? I did a lot of online newspaper searching and onsite research in the places these women lived, and the short answer is no. Variables in terms of family structure, geographic location, brewery size, and available documentation make generalizations and specifics quite difficult. 
But Henry Weinhard? His is a pretty familiar name and his business was extremely successful. And I was certain researching his wife would be a snap. An easy win and good practice for future work on the other women I’d identified.
I was wrong.
It turned out records for the Weinhards are scant, mostly limited to newspaper articles and ads, government records, lawsuits, and, for Henry, glowing biographies in “books about great men.”
And so I dug.
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This is Louisa, who had that very famous husband. Although she was famous in her own right for generosity, as well as her involvement in local church and aid societies, her legacy is marked by both details and silences.
Not to jump to the end of the story first, but the fact that I have this picture is a true testament to my Googling superpowers. I scoured archival collections, newspapers, and books looking for a picture of her, only to fail. Finally, using a string of search terms I can’t remember, I found a 2015 reference to a portrait in an article about the Portland Community College remodel. Days before I finished the first draft of my article, I emailed their Community Relations manager and she sent me a picture of the portrait. It sat on my desk and I saved it on my phone to show people who I was writing about. We have signed the paperwork to have this transferred to the collections at OSU – I was due to pick it up the week everything closed…
Luise Wagenblast was born in Germany in 1832. She lost her mother when she was four, traveled to Missouri at fifteen, arrived in the Northwest at twenty-three, and married a man who would become famous when she was twenty-seven. By the time she died at aged eighty-five, she’d buried her husband and four of her five children.
Through online genealogy sites and local history sources, I pieced together details about Louisa’s family’s move from Waldrems, Germany, a small town about 300 miles southwest of Berlin, to Missouri to Oregon. Although she travelled to Oregon by ship, her brother Gottlieb journeyed with the 1855 wagon train led by Dr. Wilhelm Keil, founder of Christian communal settlements in Bethel (Missouri) and Aurora (Oregon) – thanks to Peter’s dad James for his work on utopian communities in Oregon because it helped me tease out whether they were part of the colony or not. They weren’t.
Through government records, I learned when she was married to Henry and when her children were born. Census records and newspapers documented the family’s moves back and forth across the Oregon / Washington border. Through the census, I also learned about her neighbors, the ages of her children, and if she had servants living in her home. While dates and names are recorded, what isn’t is the scope of her loss, which feels immense. Her son Christian Henry died in 1863 at two years old and daughter Emma Augusta in 1864 at 18 months. Her daughter Bertha Carolina (Bettie) died in 1882 of acute appendicitis at 13. Henry died in 1904 of kidney disease. Just over a year later, daughter Louise Wagner died of heart disease at thirty-two. Only daughter Anna Wessinger, who lived to 87, survived Louisa.
However, mentions in newspaper articles gave me a significant, and somewhat intimate, glimpse into her life through her community activities. She sent roses to the 1903 Portland Rose Society annual rose show and thirty pounds of sugar to support unemployed men at the Gipsy Smith Tabernacle. She donated $100 to a benefit fund to purchase artificial legs for Marjorie Mahr, an actress who lost both legs in a railway accident. When thirteen-year-old Ervilla Smith arrived at the Weinhard house in the middle of the night in 1905 after being assaulted near the Lewis & Clark Exposition fairgrounds and left on the street by a saloon; the family welcomed her, called the doctor and the police, while “Mrs. Weinhard got her something to eat and made her comfortable for the night.” She was a member of the Portland Women's Union and sent money to the Louise Home for Unmarried Mothers and Albertina Kerr Nursery Home. And during the last weeks of her life, she offered money to a woman whose husband was in prison in California so she could visit him.
I have lots of stories that could expand and fill the rest of my time: things I found out about Louisa’s siblings; brewery owners, saloon keepers, gambling, prostitution, and vice; women’s clubs in Portland; or family real estate acquisitions. But since it’s where I found the most detail, I’m going to tell you about how Louisa used that wealth and her position at the end of her life.
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In the years following Henry and Louise’s deaths, it is difficult to determine how involved Louisa was in the brewery and family estate business, perhaps no more than in name as an executrix of the estate. What is clear is that she continued to support her German community. The most significant was her donation of a twenty-acre lot in Southeast Portland, worth $30,000, to build a retirement facility for elderly Germans to spend their final years “among their own people.” The Altenheim was to be the “most important of its kind in the U.S.” Newspapers reported that she wanted residents to take advantage of fresh air, good water, and rich soil; and because she valued work, also wanted “helpful occupations for charges” and imagined the home would be partially self-supporting through farming. On August 6, 1911, with 2,000 people present, the cornerstone was laid, which contained pictures of Henry and Louisa, as well as copies of Portland’s German and other daily newspapers. Louisa’s great-grandson talking later about a picture in the newspaper of Louisa at the May 1912 dedication, in an open carriage with the mayor of Portland, described her as looking like queen Victoria, “very short and very fat.” That’s the picture you see here – a find made possible by the University of Oregon’s Historic Oregon Newspapers site. I learned more about Louisa from the news coverage for the Altenheim than in most previous articles about Henry or the business. Beyond a tone-deaf comment about her appearance, I learned that she valued work, self-sufficiency, and cultural traditions, but also that she was part of a community that felt isolated from the rest of Portland. What we don’t hear are her words – in all the press coverage regarding the Altenheim there isn’t a single quote from Louisa.
The Altenheim was closed in 2003 and the building housed the German American Society offices until the property was sold to Portland Community College in 2010. And that’s where her portrait is waiting for me!
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Louisa died in Portland on April 23, 1918 and was buried at the River View Cemetery. She was eighty-five years old, had been in America for seventy-one years and Portland for sixty-three. News of her death was carried in several papers.
W.G. Maclaren, General Superintendent Pacific Coast Rescue and Protective Society, wrote a letter to the editor that was an unfettered tribute to her good works and the hidden nature of her charity. He said that during the hard times of 1907, she bought $100 worth of tickets for the Portland Commons, and distributed them among “men who were out of work and in need of food and lodging.” He went on “She gave me orders that I was not to allow any unfortunate person to go away hungry and agreed to meet the expenses of feeding them.” He continued, “there never was a case of a mother or child in sickness or distress that Mrs. Weinhard knew of where she would not give assistance” and concluded she was a “good woman with one of the best hearts where human suffering was concerned that I have ever known. I believe that the people of Portland should know something of what she did during her long residence in this city for the benefit of Humanity.”
This last sentence feels like a final reminder that she gave freely to charitable causes and individual people, not for personal recognition (and maybe not for our historical record) but for the purpose of bettering others.
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In researching Louisa, I found a handful of touchingly personal details that I couldn’t verify. The Weinhards supposedly had a house in Astoria and a farm of 620 acres in Yamhill County. An Oregonian article, written in 1954 when Louise Weinhard Wagner's home was being demolished, noted a 4-foot stained glass window with a woman sipping from a wine glass, said to have been installed by Louisa Weinhard as a gift with the house. The names Henry and Louise/a are handed down to subsequent generations in their family. And Louisa herself was immortalized in Brewery Block Two, a 242-unit high-rise residential building built on the location of the original Weinhard brewery in Portland.
But the last bit of sparkle to this story is a connection I made with one of her descendants on ancestry.com. I found Lizzie Hart, her great+ granddaughter, which had pictures of Louisa’s granddaughter and Lizzie’s grandmother. I wrote her and said “I’m an archivist. I have this picture of your relative and I’ve written this article about her, would you like either?” Fortunately, she wasn’t creeped out by this... 
Instead, through our ongoing correspondence she has given me a more personal perspective on the Weinhard family and validated my work in this area. My research has added a dimension both the story of the women in her family and in her own personal understanding of how she fits into it. Her family story was the story of men. 
I can’t end with a quote from Louisa, but I can end with one from Lizzie “What you are doing in your work -- the recovery of women's stories, painstaking as it may be to grapple in the dark room of the dominant narrative -- is such an important task to undertake on behalf of our futures.”
***
For more on archival silence, see 
Carter, Rodney G.S. 2006. “Of Things Said and Unsaid: Power, Archival Silences, and Power in Silence”. Archivaria 61 (September), 215-33. https://archivaria.ca/index.php/archivaria/article/view/12541.
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auraeseer · 4 years
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Depressing and sour
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ferox-venustas · 5 years
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Marko, is that you?
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mybeerandme · 5 years
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By: @evanpaulrhodes At: #Deming #Washington #USA 🇺🇸 Beer: #Henry #Weinhard's private reserve . . . #beer #birra #ビール #beerart #beerlife #thirst #craftbeerporn #beersofinstagram #beerporn #beerlife #craftbeerlife #brewery #craftnotcrap #craftbrew #beertasting #beersnob #beernerd #beeroclock #beergeek #travelpassion (at Deming, Washington) https://www.instagram.com/p/BpwQV_rgTog/?utm_source=ig_tumblr_share&igshid=o1qhdiuzw62e
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