i’ve always kind of assumed that lo and li are azulon’s younger twin sisters and that’s why they were foisted off on azula, because she’s also a younger sister to the crown prince. but the fact that we never actually see them firebend is strange, because it implies either that nonbenders are instructing one of the greatest firebenders in the world, or that they are firebenders who simply do not firebend. and i think that the latter is more interesting, because it reflects how their position as elderly women devalues any firepower they might provide to the empire, passive and subdued even as they train ozai’s favorite weapon.
they are the ones to most overtly illustrate azula’s precarious relationship to femininity, after all. for example, noting the position of her hair after she successfully lightningbends in “the avatar state,” or emphasizing azula’s beauty when they introduce her in “the awakening.” and it’s clear that azula doesn’t really like them, dismisses and avoids them whenever she gets the chance. she can’t even tell them apart. their very existence is almost a humiliation. a reminder to azula that this is who she is destined to become once she lives past her usefulness. not the imperious azulon, her namesake, raised above on a fiery dais, but his sisters, insignificant and functionally powerless.
so of course “almost isn’t good enough,” of course “one hair out of place” is a failure. the only way azula can prove her worth to the empire she has devoted her entire self to in a way that matters is, perhaps, by being perfect, by being better and stronger than the discarded women who came before her. but that, too, is a delusion, that any amount of excellence will reward her in a way that compensates for the erosion of her very humanity. and yet, it’s all she has to cling to. so she gives it her all to excel within a system that will never really care about her because she has deliberately been made incapable of imagining an alternative. of simply recognizing the system for the failure that it is, conceptualizing a world beyond the bars of her gilded cage, and leaving.
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So was anyone going to tell me Faust is a bigger menace than EVERYONE in the game put together or like. Was I supposed to play the Impossible Choices event (Vincent and Charles ver) myself. I LOVE that he's the definition of: 'being smarter doesn't make me more mature or helpful, it just makes my inherent lust for chaos/entropy all the more unstoppable' This shit FUCKS
I think this is the first time I've ever seen a character make Shakespeare's life a living hell and the latter didn't expect/see it coming, that was AMAZING. Mf was out here like "What the hell??? You lot don't make me suffer I make YOU suffer. Let a man obsess IN PRIVACY" and then nobody cared. Peak comedic interaction, no notes everyone pack it up
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sth that always frustrates me is when people on here say things like "jewish ppl u can let go of connection to israel bc you can be at home in the countries you live in!" and someone responds with a whole essay on how antisemitism is alive and well.. bc that still accepts the original premise. you're saying yes, i agree, we would not feel a connection to the land if antisemitism didn't exist, but it does. this ignores the root misconception that makes someone say things like that, which is that they deny (or simply don't realize/understand) our connection to the land, which transcends the existence of antisemitism in the diaspora. walk into any orthodox school that doesn't even consider itself zionist, and you'll find the kids having conversations with their teachers about how to reconcile feeling comfortable in galut with the desire to properly mourn the beit hamikdash & yearn for mashiach so that we can return. this isn't metaphorical in the slightest; many of them will make aliyah whether mashiach comes or not (and it won't have anything to do with secular zionism or antisemitism). eradicating antisemitism in the diaspora would never change the fact that we are in galut. if they were smart they would actually shift the conversation to why we don't need an explicitly/exclusively jewish state in order to live safely & thrive in eretz yisrael, but they won't bc a) that would require accepting the validity of our connection to it and b) they consider it "validating settler fears" or wtvr the fuck. so instead they will continue to be totally inept at realpolitik solutions & fail to see eye to eye in conversation with jews bc they fundamentally misunderstand.. everything about us.
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i actually have so many ideas for things I wanna draw for my ship with Brook,,,, but it's mosyly memey shit rather then anything fleshed out,,,, and I'm not good at drawing stuff like that 😔 maybe one day I will just do a doodle page of them all cause I have like 4 or 5 ideas in my head,,, but i know they wouldn't be worth fulling rendering em,,,,
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do you have already some ideas for pride au s? i need to know what is going on in that blender that ur brain is. do u see him with high waisted levi’s and crop tops??? is he a total doormat for smiths enjoyer r??? i need to know more
hi omg yes! yes i do! s' deal is slightly different to r's, in that r has no parallel/does not correspond to any character in the original film, so i'm basically inserting him as a figure into the narrative (although as irrelevant as this is, to me he is. closest to bill nighy's cliff if cliff was a young man in the eighties xx), whereas s more or less fills the position that mark fills in the film. but other than that he is completely free 4 me to characterise and i think he will be so fun honestly! from the thoughts ive had so far hes sort of a mess of a guy at least to begin with. he is kind of moving at a hundred miles and hour + throwing himself into organizing this thing but if you were to slow him down and put him under a microscope hes uhhh. quite lost + lonely in a way. i expect it will not take him very long to become quite embarrassingly gone for r i think he will consider him the best thing since. sliced bread within hours of meeting him he is imagining them both as the two maidens of pompeii its. a really poor performance from him. he thinks r’s accent is sooo sexy every time he talks s is twirling his hair like omggggg. say that again or please elaborate please tell me more…please…..
also i am looking forward to dressing him up in fun outfits again because he is first and foremost my barbie i am just not sure what yet! i am not as familiar with the eighties as i am with the seventies in a lot of ways so. the setting and everything that comes with that will be really fun to research xx although i am struggling to decide on s' music taste!! r lends himself very well to eighties music i think i could build him a record collection easily (including the smiths sad but true) whereas. s seemed to fit better in the seventies :-/ i am not sure what hes listening to in the eighties apart from seventies records he hasnt let go of yet!! and despite the much more glaring aspects of this fic i have yet to turn my attention to frankly. deciding what silly little songs s wants to listen to is currently one of my main priorities xx
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even has killed people—though perhaps that depends on your definition of people—and it’s not. how do i put it. it’s never cool, you know? it’s never a moment where this puts them in control of a situation, where they can show off some skill in putting someone down. because even is not, generally, very powerful, and they do not know how to do this.
it just gets messy.
which is one of those terrible reasons why they… well, they don’t like the master, but they have to like that she can do it easy, quick, clean. she can give even the ability to, as well, when she wants. if for no other reason than it means that they won’t have to scrub it raw off their skin later, they appreciate that.
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i will be a hater for a minute. i hate the whole 'ohh i was too mature for my age as a kid but now i'm immature as an adult' cause never once have i seen anyone talk about the case where you were never mature. i never at all felt it or was on the same level with our peers at any point in life and that's a very different experience. the very few things we were into as a kid/teen were always juxtaposed with the things others were doing that were wiser and more sensible and more in touch with. whatever expectations are in place and whatever is gauged as mature
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