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brokehorrorfan · 5 days
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El Gato Gomez has painted five Lisa Frankenstein pieces. 8x10 prints, signed by the artist, are available for $20 each.
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cinematicjourney · 2 months
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Lisa Frankenstein (2024) | dir. Zelda Williams
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orangechickenpillow · 1 month
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Corporate needs you to find the difference between these two pictures
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fourorfivemovements · 2 months
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Films Watched in 2024: 20. Lisa Frankenstein (2024) - Dir. Zelda Williams
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byroncapped · 26 days
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LISA FRANKENSTEIN screencaps.
Linked above is a zip file of screencaps that I took of the 2024 film, Lisa Frankenstein. This cast includes: Kathryn Newton, Cole Sprouse, Liza Soberano, Paola Andino, Jenna Davis, Trina LaFargue, Henry Eikenberry, Carla Gugino, Joe Chrest, and more. There are about 2,675 caps. These screencaps can be used for icons, edits, promos, psd examples, etc... and anything for personal use. If you want make/sell base icons or use any of my caps in commission work, talk to me first.
WARNING: these caps feature violence, drug use, blood, murder, unwanted sexual advances, bugs, cole sprouse
CREDIT: please like/reblog this post. since i cap films and shows with little or no resources, i ask that you also consider leaving credit somewhere on your blog/docs/carrd so that more people can find these caps.
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moviemosaics · 1 month
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Lisa Frankenstein
directed by Zelda Williams, 2024
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ki-flor · 14 days
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Joe Chrest mentioning filming at the Wheeler house with Finn
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nileqt87 · 2 months
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Join the Lisa Frankenstein Discord server!
Come join us in this new, very active server for the 2024 romantic horror-comedy film Lisa Frankenstein, which has all the makings of a modern cult classic for those who grew up on similar films from the '80s and '90s.
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letterboxd-loggd · 2 months
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Lisa Frankenstein (2024) Zelda Williams
February 28th 2024
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abs0luteb4stard · 17 days
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W A T C H I N G
(Writer/Creator 'Diablo Cody' says it takes place in the Jennifer's Body universe)
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brokehorrorfan · 20 days
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6 Things I Learned from the Lisa Frankenstein Commentary
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We don’t get movies like Lisa Franeknstein often, which is a shame because it’s endlessly charming yet delightfully twisted. While it disappointed at the box office, it has "cult classic" written all over it.
The coming-of-age horror-comedy is out today on Blu-ray and DVD. Among the special features is an audio commentary by Zelda Williams. Here are 6 things I learned…
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1. Catch Me If You Can inspired the opening credit sequence.
The opening credit sequence, which briefly depicts the Creature's love story from his previous life in the style of Victorian shadow box art, was inspired by Catch Me If You Can.
"We wanted to do something interesting with the credits in this bit. I was really inspired by Catch Me If You Can, which I thought the opening credits were particularly interesting and helped establish the story before we ever got to it. And because Creature doesn't speak this whole movie, I wanted an opportunity to show what his life would have been like."
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2. The film was originally intended to be rated R.
Although Lisa Frankenstein pushes the PG-13 rating as far as it can go, it was originally intended to be a hard R. Williams cites the party scene, in which Lisa originally smoked a laced joint rather than drinking a PCP cocktail, as a difficult revision.
"This is where stuff got a little complicated when we were going from R-rated to PG-13. Originally there was a coated joint they were passing around. This is one of the only scenes that I'm not sure I'm as fond of in comparison to the joint stuff. Most of the rest of the changes were fine, but this one I find very strange. It's just a very different reaction and interaction than what used to be there. However, these are the things that happen when making a movie."
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3. Creature is an homage to Day of the Dead's Bub.
Not only Lisa is seen watching George A. Romero's Day of the Dead in the film, but the Creature is an homage to its iconic zombie, Bub.
"Creature for me is definitely an homage to Buster Keaton, but he's also an homage to the zombie you just saw on screen, Bub, who was in Day of the Dead, a Romero movie that I'm very fond of. It was an incredibly emotive and a very intelligent zombie and ended up getting revenge against the asshole in the movie. It was one of my favorite monsters ever made, so when I could put that on screen during the movie, it made me very happy."
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4. Zelda hid a tribute to her father, Robin Williams.
Williams is the daughter of Robin Williams, and she included his 1983 comedy album, Throbbing Python of Love, among the records scattered on the floor in Lisa's living room.
"Oh, there's Dad! We used one of Dad's vinyl albums because we had to scatter some across the floor." She refers to it as "a little, mini Easter Egg for me."
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5. The police officers are named after John Waters.
The police officers in the film are Officer John (played by Walker Babington) and Officer Waters (Sylvia Grace Crim) — named on a whim in honor of cult filmmaker, John Waters.
"They asked me to name the cops, because obviously they needed to have name tags, so I named them Officer John and Officer Waters." She thought no one would notice since they're so small, but a viewer pointed it out at a test screening.
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6. The film is sprinkled with movie references.
Williams wore her influences on her sleeve with her directorial debut, and she pointed out several references on the commentary:
A Trip to the Moon (clip featured in Lisa's surreal dream sequence)
The Cabinet of Dr. Caligari (stylistic inspiration on the dream sequence)
Weird Science (the party scene)
Suspiria (red lighting during drug sequence)
My Boyfriend's Back (camera shot from inside a grave looking up at characters)
Kill Bill (weapon point-of-view shot)
E.T. (a boy on a bike — played by Diablo Cody's son — at the end)
Notting Hill (reading together on a bench at the end)
Lisa Frankenstein is available now on Blu-ray, DVD, and Digital via Universal.
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twenty-words-or-less · 2 months
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Lisa Frankenstein
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Summary: Lonely goth teenager Lisa (Kathryn Newton) meets the resurrected corpse of a Victorian-era pianist (Cole Sprouse) and develops a relationship with him.
Darkly comic teen tale with good animated opening credits. Kathryn Newton reliable as always.
Rating: 3.5/5
Photo credit: Indie Wire
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dwobbitfromtheshire · 12 days
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Okay, now you guys want Karen to kill her husband? I'm so tired of the girl bossing attitude that people have about women, especially Karen. She didn't have a right to cheat, especially since she tried to cheat on him with a guy who was the same fucking age as their daughter. I try to remain neutral about her, but you guys really make me want to hate her. How in the everloving fuck is Ted Wheeler still the goddamn bad guy in this situation? I guarantee you that if it was the other way around and Ted had tried to sleep with a a 18 year old, you would be barbecuing his ass and calling him a fucking groomer. It's not Ted's fault that Karen's unhappy. That's on her. All the things that you love about Mike and Nancy. . .guess where they fucking get it from? Ted fucking Wheeler. The bluntness, having difficulty connecting with people, not very affectionate, and their fucking fixations too. . .they're autistic. Some of the things that you hate about Ted are things that autistic people struggle with. Instead of yelling at Ted, Karen could, I don't know, explain to him what he did or said because for someone like him, it's hard to tell. She's a neurotypical woman wishing her neurodivergent husband was normal. Man, if she doesn't like Ted, she's got to not like her kids either. I guarantee you that Dustin Henderson probably likes him and recognizes that he's just like Mike and Nancy. Their interactions are always so funny. I just love them.
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notforemmetophobes · 7 months
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The Lottery (1996) - M. Emmet Walsh 
[photoset #3 of 3]
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galacticrambler · 2 months
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I occasionally just scroll through YouTube trying to find trailers for movies that are coming out soon that I may have missed. Lucky for me, I decided to open the video for Lisa Frankenstein and was blown away.
We went to check out the movie and had a really good time. It’s only about one hour and forty minutes long, so it’s a quick watch. There are some absolute laugh out loud moments that would come just when you needed it.
The story is centered around a girl who, after a traumatic party where she was drugged and almost sexually assaulted, goes to the “bachelor cemetary” that she regularly visits. While there, she states that she  wishes she was with him. One lightning strike later, and he’s back from the dead in zombie form.
The 1980s setting and Kathryn Newton’s performance kept the film light and fun. A lot of her acting was opposite Cole Sprouse who was playing a mindless zombie who slowly regained his humanity. She was so funny in this, and I thought she knocked it out of the park.
The rest of the main cast (Liza Soberano, Joe Chrest, and Carla Gugino) were great in their rolles. Soberano’s performance as Taffy in particular was outstanding. Her timing was excellent, and she deserves all of the praise that she’s getting.
Diablo Cody wrote an excellent script for this movie, and Zelda Williams  nailed her big directorial debut. The movie nailed the 1980s aesthetic, and I think it was smart to set it in that time period to give the movie a solid anchor point to reality.
If you get the chance to see Lisa Frankenstein, you should give it a look. You’re going to have a great time.
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themosleyreview · 3 months
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The Mosley Review: Lisa Frankenstein
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Often the question the same question comes up in cinema. Why don't we have any more romantic comedies? Where are the quirkie coming of age films that tackle the age old themes of teen life struggles, social constructs within the popularity of each group or just the classic build up to a date to prom? Where are those films?! Well, here's a film that illustrates why that film genre has been buried and is slowing being unearthed. Like many of you, I enjoy a darker and off beat rom com from time to time and how it reflects the current youth lifestyle. Unfortunately, most of today's youth is online instead of in the real world. It was refreshing for this film to strip away modern tech and go back to the often romanticized era of the 80's and fully embrace the sorely missed awkward teen trope and macabre tone of early Tim Burton films. This film excels in that many times when it focuses on that vary grove it tries to stay in. Where it falters is in its weird pacing issues and lack of personal identity. It ultimately had nothing to say that I haven't heard already and it rushed its way through the magical nature of the heartfelt story that exists inbetween the seams.
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Kathryn Newton was fun as the shy and distant teen Lisa Swallows. What I liked in the beginning was her innocence and sort of quiet demeanor in the way she would interact with people in her life. For a few moments she had a mystery to her that gave her that needed silent edge. She was a teen of very little words and when she finally finds her confidence, that's when the character really comes to life. I wish we could've played with her psychological decent and how she copes with things. Liza Soberano was really perky and loving as her lively sister step sister, Taffy. I liked their dynamic and how Taffy is always lifting up Lisa from her more secluded nature and gets her to come out of her shell more. The chemistry between them was really good and made for a lighter version of an almost "Heather's" situation. Joe Chrest was good and essentially a little more attentive version of his character from Stranger Things, Ted Wheeler. Carla Gugino was fantastic as always and as Lisa's stepmother Janet Swallows, she was very much the wicked stepmother from Cinderella. Now the real standout of the film and the most charming character was Cole Sprouse as The Creature. His beautifully tragic story was told expertly in the opening credits and he was a joy to watch once he comes back to life. The physical comedy and sometimes micro expressions he made were brilliantly executed and I loved every second he was on screen. The chemistry between him and Lisa was the heart of the film and even though not a word is spoken from him, his intentions are clear. The two of them together bring out the Edward Scissorhands love story aspect of the film and it felt like a gothic fever dream at times.
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The score by Isabella Summers was good and serviceable, but I wish she leaned more into the horror a bit more which was also a problem with this film. For the majority of the film, I felt as if the film was really living its namesake. It was a greatest hits collection of all the best parts of the 80's horror comedies and early Tim Burton love stories that had so much heart, but this film failed many times to stay focused on those tropes. Where it was succeeding was when it would go down the implausible and fantastical fun of the love story, but it makes sharp turns away from it as things started to get more serious. The best way I could describe my feelings here is if you just look at the first trailer for this film. You get that exact macabre and comedic horror feel the film wanted to be. You get that, but it feels more watered down. Maybe if the film just focused on her coming out her shell and got rid of the stepsister and the other goth girl bully in the film, then maybe this would've been what that trailer promised. Also, I don't know if it was the theater I was in, but the sound mixing in this film was atrocious in the first 20 minutes of the film. The dialogue and score was turned down so low that I had to really focus on what was being said and I almost lost a god chunk of the story. Overall, this was a gothic rom com that had potential to be a new standout among the other same type of films we get each year, but I think it was bogged down by too many characters and the lack of expertise in the field. It could've been so much more. Let me know what you thought of the film or my review in the comments below. Thanks for reading!
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