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drzito · 1 year

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Las 211 peliculas que he visto en 2022 (parte 2)

En negrita las que os recomiendo:

106. Azul oscuro casi negro (Daniel Sanchez Arevalo, 2006).

107. Destino Final 3 (James Wong, 2006)

108. El territorio de la bestia (Greg McLean, 2007)

109. Lake Mungo (Joel Anderson, 2008)

110. Las Ruinas (Carter Smith, 2008)

111. Los limoneros (Eran Riklis, 2008)

112. Superagente 86 de película (Peter Segal, 2008)

113. Petit Indi (Marc Recha, 2009)

114. Edificio España (Víctor Moreno, 2010)

115. El hombre sin pasado (Lee Jeong-beom, 2010)

116. Tron: Legacy (Joseph Kosinski, 2010)

117. Beyond the black rainbow (Panos Cosmatos, 2011)

118. La bicicleta verde (Haifaa al-Mansour, 2012)

119. The Bay (Barry Levinson, 2012)

120. Ahora me ves (Louis Leterrier, 2013)

121. El gran simulador (Nestor Frenkel, 2013)

122. The Borderlands (Elliot Goldner, 2013)

123. Frank (Lenny Abrahamson, 2014)

124. The Big Men (Rachel Boynton, 2014)

125. The Guest (Adam Wingard, 2014)

126. Caza al asesino (Pierre Morel, 2015)

127. El despertar de los dragones (Soi Cheang, 2015)

128. La juventud (Paolo Sorrentino, 2015)

129. Perdiendo el Norte (Nacho G Velilla, 2015).

130. Una pastelería en Tokio (Naomi Kawase, 2015)

131. Ahora me ves 2 (Jon M. Chu, 2016)

132. Cien años de perdón (Daniel Calparsoro, 2016)

133. Doña Clara (Aquarius) (Kleber Mendonça Filho, 2016)

134. El Caso Sloane (John Madden, 2016)

135. El Vacio (Jeremy Gillespie y Steven Kostanski, 2016)

136. La autopsia de Jane Doe (André Øvredal, 2016)

137. Paterson (Jim Jarmusch, 2016)

138. Reina de Katwe (Mira Nair, 2016)

139. The eyes of my mother (Nicolas Pesce, 2016)

140. Un italiano en Noruega (Gennaro Nunziante, 2016)

141. Ingrid Goes West (Matt Spicer, 2017)

142. Lady Bird (Greta Gerwig, 2017)

143. Tierra Firme (Carlos Marques-Marcet, 2017)

147. Verónica (Paco Plaza, 2017)

148. Default (Kook-Hee Choi, 2018)

149. El ombligo de Guie’dani (Xavi Sala, 2018)

150. Searching... (Aneesh Chaganty, 2018)

152. Silvio (y los otros) (Paolo Sorrentino, 2018).

153. Un pequeño favor (Paul Feig, 2018)

154. Upgrade (Leigh Whannell, 2018)

155. Así crecen los enanos (Raul Serrano, 2019)

156. Bliss (Joe Begos, 2019)

157. Brittany corre un maratón (Paul Downs Colaizzo, 2019)

158. Contagio en alta mar (Neasa Hardiman, 2019)

159. El bosque maldito (Lee Cronin, 2019)

160. First cow (Kelly Reichardt, 2019).

161. La cabaña siniestra (Veronika Franz y Severin Fiala, 2019)

162. La democracia en peligro (Petra Costa, 2019)

163. Los días que vendrán (Carlos Marques-Marcet, 2019)

164. Nación cautiva (Josh Wyatt, 2019)

165. Quien a hierro mata (Paco Plaza, 2019)

166. The Beach House (Jeffrey A Brown, 2019)

167. Vivarium (Lorcan Finnegan, 2019)

168. Aves de presa y la fantabulosa emancipación de Harley Quinn (Cathy Yan, 2020)

169. Casa Ajena (Remi Weekes, 2020)

170. Come true (Anthony Scott Burns, 2020)

171. El capital humano (Marc Meyers, 2020)

172. El hombre invisible (Leigh Whannell, 2020)

173. Hillbilly, una elegia rural (Ron Howard, 2020)

174. La boda de Rosa (Iciar Bollain, 2020)

175. Mandíbulas (Quentin Dupieux, 2020)

176. Mas allá de los dos minutos infinitos (Junta Yamaguchi, 2020)

177. Minari. Historia de mi familia (Lee Isaac Chung, 2020)

178. Murder Death Koreatown (anonimo, 2020)

179. Sputnik (Egor Abramenko, 2020)

180. Tenet (Christopher Nolan, 2020)

181. Underwater (William Eubank, 2020)

182. Un lugar tranquilo 2 (John Krasinski, 2020)

183. Black Widow (Cate Shortland, 2021)

184. Chavalas (Carol Rodríguez Colás, 2021)

185. El buen patrón (Fernando Leon de Aranoa, 2021)

186. Freaks Out (Gabrielle Mainetti, 2021)

187. Gaia (Jaco Bouwer, 2021)

188. Hombres lobo entre nosotros (Josh Ruben, 2021)

189. In the Earth (Ben Weathley, 2021)

190. Kate (Cedric Nicolas-Troyan, 2021)

191. La abuela (Paco Plaza, 2021).

192. La peor persona del mundo (Joachim Trier, 2021)

193. Los voyeurs (Michael Mohan, 2021)

194. No mires arriba (Adam McKay, 2021).

195. One Shot: Mision de Rescate (James Nunn, 2021)

196. Paris, distrito 13 (Jacques Audiard, 2021)

197. Petit Maman (Céline Sciamma, 2021)

198. Sin tiempo para morir (Cary Joji Fukunaga, 2021)

199. Spencer (Pablo Larrain, 2021).

200. Spiderman: No way home (Jon Watts, 2021)

201. Titane (Julia Ducornau, 2021).

202. Ultima noche en el Soho (Edgar Wright, 2021)

203. Un héroe (Asghar Farhadi, 2021)

204. Woodlands Dark and Days Bewitched (Kier-La Janisse, 2021)

205. Alcarras (Carla Simón, 2022)

206. Bullet Train (David Leitch, 2022)

207. El agua (Elena López Riera, 2022)

208. Kimi (Steven Soderbergh, 2022)

209. Minions: El origen de Gru (Kyle Balda, 2022)

210. Thor: Love & Thunder (Taika Waititi, 2022)

211. Todo a la vez en todas partes (Dan Kwan y Daniel Scheinert, 2022)

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lucasartres · 3 years

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Bethany Collins. Not What, But How. 2016.

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ruleof3bobby · 3 years

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youtube

THE GUEST (2014) Grade: D+

Wasn't feeling it overall. Had some good music & style but the plot was too thin and vague. Not missing anything unless you have nothing else to watch.

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flashfuckingflesh · 2 years

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Dan Stevens. The New Face of EVIL? Freakin' Love It! "The Guest" reviewed! (Second Sight Films / BD-R Screener)

Dan Stevens. The New Face of EVIL? Freakin’ Love It! “The Guest” reviewed! (Second Sight Films / BD-R Screener)

Recently hospital discharged combat soldier David Collins visits a fallen brother in arms’ family, The Petersons, to convey their son’s last moments of love for his family. Taken immediately in by the grieving mother, David stays for a few nights at the Peterson home, quickly befriending the family of four with his military “yes ma’am” charm and good looks. When a string of accidental and…

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scuttlebuttstuch · 7 years

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I just wanted to say, we support you guys. If you need anything just let me know.

The Guest (2014)

#the guest #dan stevens #joel david moore #adam wingard #movie and tv gifs

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stainedglassgardens · 5 years

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Favourite films watched in 2018

I arranged them into broad categories -- other than that they’re in no particular order.

Indie

River of Grass, Meek’s Cutoff and Night Moves (Kelly Reichardt, 1994, 2010 and 2013)

Tangerine and The Florida Project (Sean Baker, 2015 and 2017)

We Need to Talk About Kevin (Lynne Ramsay, 2011)

Winter’s Bone (Debra Granik, 2010)

Kumiko, the Treasure Hunter (David Zellner, 2014)

Ginger & Rosa (Sally Potter, 2012)

Cracks (Jordan Scott, 2009)

I Am Not a Witch (Rungano Nyoni, 2017)

Turn the River (Chris Eigeman, 2007)

Hello I Must Be Going (Todd Louiso, 2012)

Shuttle Life (Tan Seng Kiat, 2017)

On Body and Soul (Testről és lélekről, Ildikó Enyedi, 2017)

Vagabond (Sans toit ni loi, Agnès Varda, 1984)

Easy Living (Adam Keleman, 2017)

Mother of George (Andrew Dosunmu, 2013)

Khadak (Peter Brosens and Jessica Hope Woodworth, 2006)

Shirkers (Sandi Tan, 2018)

Comedy

Lipstick Under My Burkha (Alankrita Shrivastava, 2016)

Addicted to Fresno (Jamie Babbit, 2015)

The Spy Who Dumped Me (Susanna Fogel, 2018)

Edge of Seventeen (David Moreton, 1998)

Secretary (Steven Shainberg, 2002)

Experimental

Scorpio Rising (Kenneth Anger, 1963)

Always Shine (Sophia Takal, 2016)

The Midnight Swim (Sarah Adina Smith, 2014)

La Jetée (Chris Marker, 1962)

Daisies (Sedmikrásky, Věra Chytilová, 1966)

Classics

Reflections in a Golden Eye (John Huston, 1967)

Dead Ringer (Paul Henreid, 1964)

Horror

Creep and Creep 2 (Patrick Brice, 2014 and 2017)

The Poughkeepsie Tapes and As Above, So Below (John Erick Dowdle, 2007 and 2014)

Raw (Grave, Julia Ducournau, 2016)

Cargo (Ben Howling and Yolanda Ramke, 2017)

Hard Candy (David Slade, 2005)

Snowtown (Justin Kurzel, 2011)

Banshee Chapter (Blair Erickson, 2013)

Mandy (Panos Cosmatos, 2018)

Science fiction

Primer and Upstream Color (Shane Carruth, 2004 and 2013)

Resolution and The Endless (Justin Benson and Aaron Moorhead, 2012 and 2017)

Midnight Special (Jeff Nichols, 2016)

Arrival (Denis Villeneuve, 2016)

Into the Forest (Patricia Rozema, 2015)

Ex Machina (Alex Garland, 2014)

Under the Skin (Jonathan Glazer, 2013)

Liquid Sky (Slava Tsukerman, 1982)

Bird Box (Susanne Bier, 2018)

Action

Hell or High Water (David Mackenzie, 2016)

M.F.A. (Natalia Leite, 2017)

Revenge (Coralie Fargeat, 2017)

Brick (Rian Johnson, 2005)

Full list of 306 films watched in 2018 under the cut!

January

The Devil’s Candy (Sean Byrne, 2015)

A United Kingdom (Amma Asante, 2016)

Creep (Patrick Brice, 2014)

The Witch (Robert Eggers, 2015)

The Blues Brothers (John Landis, 1980)

The Lost Boys (Joel Schumacher, 1987)

Midnight Special (Jeff Nichols, 2016)

Arrival (Denis Villeneuve, 2016)

We Need to Talk About Kevin (Lynne Ramsay, 2011)

Life (Daniel Espinosa, 2017)

Logan (James Mangold, 2017)

Creep 2 (Patrick Brice, 2017)

The Discovery (Charlie McDowell, 2017)

Otherlife (Ben C. Lucas, 2017)

The Dressmaker (Jocelyn Moorhouse, 2015)

Bokeh (Geoffrey Orthwein and Andrew Sullivan , 2017)

February

Get Out (Jordan Peele, 2017)

The Handmaiden (아가씨, Agassi, Park Chan-wook, 2016)

Brick (Rian Johnson, 2005)

Looper (Rian Johnson, 2012)

Winter’s Bone (Debra Granik, 2010)

Thelma (Joachim Trier, 2017)

The Guest (Adam Wingard, 2014)

Beach Rats (Eliza Hittman, 2017)

Let the Right One In (Låt den rätte komma in, Tomas Alfredson, 2008)

Cameraperson (Kirsten Johnson, 2016)

Sweet Bean (あん, An, Naomi Kawase, 2015)

The Hallow (Corin Hardy, 2015)

Cloverfield (Matt Reeves, 2008)

10 Cloverfield Lane (Dan Trachtenberg, 2016)

The Cloverfield Paradox (Julius Onah, 2018)

Moonlight (Barry Jenkins, 2016)

28 Days Later (Danny Boyle, 2002)

Take Shelter (Jeff Nichols, 2011)

Ginger Snaps (John Fawcett, 2000)

River of Grass (Kelly Reichardt, 1994)

Old Joy (Kelly Reichardt, 2006)

Reflections in a Golden Eye (John Huston, 1967)

March

Raw (Grave, Julia Ducournau, 2016)

Palo Alto (Gia Coppola, 2013)

By the Sea (Angelina Jolie, 2015)

Lady Bird (Greta Gerwig, 2017)

Jupiter Ascending (The Wachowskis, 2015)

Irreplaceable You (Stephanie Laing, 2018)

Kumiko, the Treasure Hunter (David Zellner, 2014)

Annihilation (Alex Garland, 2018)

Ravenous (Les Affamés, Robin Aubert, 2017)

The Bad Batch (Ana Lily Amirpour, 2016)

Notes on Blindness (Peter Middleton and James Spinney, 2016)

Breathe (Respire, Mélanie Laurent, 2014)

Night Moves (Kelly Reichardt, 2013)

Carol (Todd Haynes, 2015)

Lovesong (So Yong Kim, 2016)

Upstream Color (Shane Carruth, 2013)

April

ARQ (Tony Elliott, 2016)

Primer (Shane Carruth, 2004)

Meek’s Cutoff (Kelly Reichardt, 2010)

Certain Women (Kelly Reichardt, 2016)

The Lady from Shanghai (Orson Welles, 1947)

Waking Life (Richard Linklater, 2001)

Roman Holiday (William Wyler, 1953)

American Honey (Andrea Arnold, 2016)

Maurice (James Ivory, 1987)

The Silent House (La Casa Muda, Gustavo Hernández, 2010)

Viral (Ariel Schulman and Henry Joost, 2016)

Buster’s Mal Heart (Sarah Adina Smith, 2016)

Waitress (Adrienne Shelly, 2007)

Grey Gardens (Albert and David Maysle, 1975)

Ginger & Rosa (Sally Potter, 2012)

Cracks (Jordan Scott, 2009)

Into the Forest (Patricia Rozema, 2015)

A New Leaf (Elaine May, 1971)

Vertigo (Alfred Hitchcock, 1958)

The Beguiled (Sofia Coppola, 2017)

Scarface (Brian De Palma, 1983)

The Violent Years (William Morgan, 1956)

The Ritual (David Bruckner, 2017)

Casting JonBenet (Kitty Green, 2017)

Slums of Beverly Hills (Tamara Jenkins, 1998)

We’ve Forgotten More Than We Ever Knew (Thomas Woodrow, 2017)

Love and Other Cults (Kemonomichi, Eiji Uchida, 2017)

You Were Never Really Here (Lynne Ramsay, 2017)

Shirley: Visions of Reality (Gustav Deutsch, 2013)

Catfight (Onur Tuckel, 2017)

Pyewacket (Adam MacDonald, 2017)

May

Lick the Star (Sofia Coppola, 1998)

Scorpio Rising (Kenneth Anger, 1963)

Novitiate (Maggie Betts, 2017)

The Tree of Life (Terrence Malick, 2011)

The Happiest Day in the Life of Olli Mäki (Hymyilevä mies, Juho Kuosmanen, 2016)

Dead Reckoning (John Cromwell, 1947)

Human Flow (Ai Weiwei, 2017)

Mystery Train (Jim Jarmusch, 1989)

Dawson City: Frozen Time (Bill Morrison, 2016)

The Killing of a Sacred Deer (Yorgos Lanthimos, 2017)

I Am Not a Witch (Rungano Nyoni, 2017)

Cléo from 5 to 7 (Cléo de 5 à 7, Agnès Varda, 1962)

Orbiter 9 (Órbita 9, Hatem Khraiche, 2017)

M.F.A. (Natalia Leite, 2017)

Lipstick Under My Burkha (Alankrita Shrivastava, 2016)

Kedi (Ceyda Torun, 2016)

Deidra and Laney Rob a Train (Sydney Freeland, 2017)

The Most Dangerous Game (Irving Pichel and Ernest B. Schoedsack, 1932)

Girl Asleep (Rosemary Myers, 2015)

Always Shine (Sophia Takal, 2016)

The Monster (Bryan Bertino, 2016)

Desert Hearts (Donna Deitch, 1985)

Addicted to Fresno (Jamie Babbit, 2015)

Beyond a Reasonable Doubt (Fritz Lang, 1956)

The Fits (Anna Rose Holmer, 2015)

Hell or High Water (David Mackenzie, 2016)

The Midnight Swim (Sarah Adina Smith, 2014)

The Quiet Hour (Stéphanie Joalland, 2014)

Synchronicity (Jacob Gentry, 2015)

Who’s Afraid of Virginia Woolf? (Mike Nichols, 1966)

Pod (Mickey Keating, 2015)

Turn the River (Chris Eigeman, 2007)

Tangerine (Sean Baker, 2015)

Frequencies (Darren Paul Fisher, 2013)

Spring (Justin Benson and Aaron Moorhead, 2014)

Time Lapse (Bradley D. King, 2014)

Meet Me There (Lex Lybrand, 2014)

Ex Machina (Alex Garland, 2014)

The Florida Project (Sean Baker, 2017)

Berberian Sound Studio (Peter Strickland, 2012)

Laggies (Lynn Shelton, 2014)

Starlet (Sean Baker, 2012)

Dead Ringer (Paul Henreid, 1964)

The Doom Generation (Gregg Araki, 1995)

The Riot Club (Lone Scherfig, 2014)

Berlin Syndrome (Cate Shortland, 2017)

Dude (Olivia Milch, 2018)

Nightcrawler (Dan Gilroy, 2014)

June

Hello I Must Be Going (Todd Louiso, 2012)

Romy and Michele’s High School Reunion (David Mirkin, 1997)

Mystery Road (Ivan Sen, 2013)

The Double (Richard Ayoade, 2013)

Dear White People (Justin Simien, 2014)

The Selfish Giant (Clio Barnard, 2013)

Don’t Breathe (Fede Álvarez, 2016)

Marina Abramović: The Artist is Present (Matthew Akers, 2012)

Hot Bot (Michael Polish, 2016)

Beneath the Harvest Sky (Aron Gaudet and Gita Pullapilly, 2013)

Tim’s Vermeer (Teller, 2013)

The Firefly (La Luciérnaga, Ana Maria Hermida, 2015)

Twinsters (Samantha Futerman and Ryan Miyamoto, 2015)

Resolution (Justin Benson and Aaron Moorhead, 2012)

Enemy (Denis Villeneuve, 2013)

Mother of George (Andrew Dosunmu, 2013)

We Are What We Are (Jim Mickle, 2013)

The Battery (Jeremy Gardner, 2012)

Crystal Fairy & The Magical Cactus (Sebastián Silva , 2013)

Boy (Taika Waititi,2010)

The Perks of Being a Wallflower (Steven Chbosky, 2012)

White Bird in a Blizzard (Gregg Araki, 2014)

The American (Anton Corbijn, 2010)

Ocean’s Eight (Gary Ross, 2018)

Compliance (Craig Zobel, 2012)

Seeking a Friend for the End of the World (Lorene Scafaria, 2012)

Weekend (Andrew Haigh, 2011)

Under the Skin (Jonathan Glazer, 2013)

July

Martha Marcy May Marlene (Sean Durkin, 2011)

Safety Not Guaranteed (Colin Trevorrow, 2012)

Hard Candy (David Slade, 2005)

Duck Butter (Miguel Arteta, 2018)

The Artist (Michel Hazanavicius, 2011)

Another Earth (Mike Cahill, 2011)

Melancholia (Lars von Trier, 2011)

Woodshock (Kate and Laura Mulleavy, 2017)

Hanna (Joe Wright, 2011)

Snowtown (Justin Kurzel, 2011)

Aloft (Claudia Llosa, 2014)

A Fantastic Woman (Una mujer fantástica, Sebastián Lelio, 2017)

The Feels (Jenée LaMarque, 2017)

The Endless (Justin Benson and Aaron Moorhead, 2017)

Shuttle Life (Tan Seng Kiat, 2017)

I Origins (Mike Cahill, 2014)

The Taking of Deborah Logan (Adam Robitel, 2014)

Chasing Ice (Jeff Orlowski, 2012)

Manchester By the Sea (Kenneth Lonergan, 2016)

The Bar (El Bar, Álex de la Iglesia, 2017)

Mr. Roosevelt (Noël Wells, 2017)

Woman Walks Ahead (Susanna White, 2017)

The Manual (William Magness, 2017)

The Conjuring (James Wan, 2013)

Oculus (Mike Flanagan, 2013)

The Eye (Pang brothers, 2002)

August

The Overnight (Peter Brice, 2015)

Axolotl Overkill (Helene Hegemann, 2017)

Little Sister (Zach Clark, 2016)

Witchfinder General (Michael Reeves, 1968)

Secretary (Steven Shainberg, 2002)

The Quiet Earth (Geoff Murphy, 1985)

The Hunger (Tony Scott, 1983)

They (Anahita Ghazvinizadeh, 2017)

Revenge (Coralie Fargeat, 2017)

Cargo (Ben Howling and Yolanda Ramke, 2017)

Fast Times at Ridgemont High (Amy Heckerling, 1982)

Radius (Caroline Labrèche and Steeve Léonard, 2017)

17 Girls (17 Filles, Delphine Coulin and Muriel Coulin, 2011)

The Deuce of Spades (Faith Granger, 2011)

The Bank Job (Roger Donaldson, 2008)

La Jetée (Chris Marker, 1962)

Train to Busan (부산행, Busanhaeng, Yeon Sang-ho, 2016)

As Above, So Below (John Erick Dowdle, 2014)

Liquid Sky (Slava Tsukerman, 1982)

Wild Zero (Tetsuro Takeuchi, 1999)

Multiple Maniacs (John Waters, 1970)

The Lifeguard (Liz W. Garcia, 2013)

The Umbrellas of Cherbourg (Les Parapluies de Cherbourg, Jacques Demy, 1964)

The Beales of Grey Gardens (Albert Maysles, David Maysles and Ian Markiewicz, 2006)

The Edge of Seventeen (Kelly Fremon Craig, 2016)

Salesman (Albert Maysles, David Maysles and Charlotte Zwerin, 1969)

Easy Living (Adam Keleman, 2017)

Going Back (Adam Keleman, 2010)

A Series of Acts (Adam Keleman, 2006)

Long Days (Adam Keleman, 2012)

Okja (Bong Joon-ho, 2017)

Before I Fall (Ry Russo-Young, 2017)

The Poughkeepsie Tapes (John Erick Dowdle, 2007)

Three Colours: Blue (Krzysztof Kieślowski, 1993)

Three Colours: White (Krzysztof Kieślowski, 1994)

Three Colours: Red (Krzysztof Kieślowski, 1994)

Island of Lost Souls (Erle C. Kenton, 1932)

Khadak (Peter Brosens and Jessica Hope Woodworth, 2006)

The Lure (Córki dancingu, Agnieszka Smoczyńska, 2015)

Vagabond (Sans toit ni loi, Agnès Varda, 1984)

Little Evil (Eli Craig, 2017)

September

The Harder They Come (Perry Henzell, 1972)

Isle of Flowers (Ilha das Flores, Jorge Furtado, 1989)

Beat Girl (Edmond T. Gréville, 1960)

On Body and Soul (Testről és lélekről, Ildikó Enyedi, 2017)

Village of the Damned (Wolf RIlla, 1960)

Tampopo (タンポポ, Tanpopo, Juzo Itami, 1985)

Mustang (Deniz Gamze Ergüven, 2015)

Outside In (Lynn Shelton, 2017)

Voyeur (Myles Kane, 2017)

The Land of Steady Habits (Nicole Holofcener, 2018)

Clouds of Sils Maria (Olivier Assayas, 2014)

Already Tomorrow in Hong Kong (Emily Ting, 2015)

Tig (Kristina Goolsby and Ashley York, 2015)

Shortwave (Ryan Phillips, 2016)

The Loss of a Teardrop Diamond (Jodie Markell, 2008)

Sexy Beast (Jonathan Glazer, 2000)

October

The Most Assassinated Woman in the World (La Femme la plus assassinée du monde, Franck Ribière, 2018)

I Think We’re Alone Now (Reed Morano, 2018)

The Woman Who Left (Ang Babaeng Humayo, Lav Diaz, 2016)

The Babysitter (Brian Duffield, 2017)

The Frighteners (Peter Jackson, 1996)

Emelie (Michael Thelin, 2015)

21 Grams (Alejandro González Iñárritu, 2003)

Apostle (Gareth Evans, 2018)

Phantasm (Don Coscarelli, 1979)

Banshee Chapter (Blair Erickson, 2013)

Joshua (George Ratliff, 2007)

Office (오피스, Hong Won-chan, 2015)

The Nightmare (Rodney Ascher, 2015)

The Spy Who Dumped Me (Susanna Fogel, 2018)

Before I Wake (Mike Flanagan, 2016)

The Most Unknown (Ian Cheney, 2018)

Private Life (Tamara Jenkins, 2018)

Octavio is Dead! (Sook-Yin Lee, 2018)

Leave No Trace (Debra Granik, 2018)

Cube (Vincenzo Natali, 1997)

Galveston (Mélanie Laurent, 2018)

Growing Up Coy (Eric Juhola, 2016)

Texas Chain Saw Massacre (Tobe Hooper, 1974)

November

Murder My Sweet (Edward Dmytryk, 1944)

Madeline’s Madeline (Josephine Decker, 2018)

Out of the Past (Jacques Tourneur, 1947)

Mandy (Panos Cosmatos, 2018)

Crossfire (Edward Dmytryk, 1947)

The Lobster (Yorgos Lanthimos, 2015)

Silent Light (Stellet Licht, Carlos Reygadas, 2007)

Shirkers (Sandi Tan, 2018)

Berlin Express (Jacques Tourneur, 1948)

Red Road (Andrea Arnold, 2006)

Angels Wear White (嘉年华, Vivian Qu, 2017)

Interstellar (Christopher Nolan, 2014)

The Italian Job (F. Gary Gray, 2003)

In the Aisles (In den Gängen, Thomas Stuber, 2018)

Edge of Seventeen (David Moreton, 1998)

Mad Max: Fury Road (George Miller, 2015)

Columbus (Kogonada, 2017)

I Don’t Feel at Home in this World Anymore (Macon Blair, 2017)

The Full Monty (Peter Cattaneo, 1997)

Daisies (Sedmikrásky, Věra Chytilová, 1966)

Blue My Mind (Lisa Brühlmann, 2017)

December

The Tokyo Night Sky is Always the Densest Shade of Blue (夜空はいつでも最高密度の青色だ, Yozora wa itsudemo saiko mitsudo no aoiro da, Yuya Ishii, 2017)

Michael Lost and Found (Daniel Wilner, 2017)

The Trader (Sovdagari, Tamta Gabrichidze, 2018)

Valley Girl (Martha Coolidge, 1983)

The Kindergarten Teacher (Sara Colangelo, 2018)

Everything Beautiful is Far Away (Pete Ohs and Andrea Sisson, 2017)

McQueen (Ian Bonhôte and Peter Ettedgui, 2018)

Better Watch Out (Chris Peckover, 2016)

I Feel Pretty (Abby Kohn, 2018)

Eighth Grade (Bo Burnham, 2018)

A Simple Favor (Paul Feig, 2018)

Bombshell: The Hedy Lamarr Story (Alexandra Dean, 2017)

Grandma (Paul Weitz, 2015)

Bird Box (Susanne Bier, 2018)

The Man in the Wall (האיש שבקיר‎, Evgeny Ruman, 2015)

Tout ce qui brille (Géraldine Nakache and Hervé Mimran, 2010)

Gas Food Lodging (Allison Anders, 1992)

Love, Cecil (Lisa Immordino Vreeland, 2018)

#watched in 2018 #films #2018 in review

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fictionz · 3 years

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New Fiction 2021 - April

A Stitch in Time by Andrew J. Robinson (2000)

Star Trek x Godfather II.

Star Trek: Deep Space Nine - Crossroads of Time dev. Novotrade International (1995)

I don’t know where to land here. It’s frustrating until it’s not because one must practice and fail repeatedly to make progress, which is the nature of the thing. Can I hate it for being what it is? Regardless, all these characters and stories make no sense unless the television show is top of mind.

Star Trek: Deep Space Nine - Harbinger dev. Stormfront Studios (1996)

Everything is as stiff as a board, which constraints of the era demanded of it. However, as above, knowledge of the show and its relationships enrich the experience, and in that scenario it is perhaps worth the journey. Special shouts to the writers and voice actors who elevate this several notches above where it appears it should be.

"Burrow" dir. Madeline Sharafian (2020)

It’s to let them help me.

"Genius Loci" dir. Adrien Merigeau (2019)

Sharing space, understanding and regret.

"Opera" dir. Erick Oh (2020)

We’re vital members of society.

"If anything happens I love you" dir. Will McCormack & Michael Govier (2020)

Our capacity is bottomless.

"Já-Fólkið" dir. Gísli Darri (2020)

To exist together.

"Kapaemahu" dir. Kanaka (2020)

A divided people.

"The Snail and the Whale" dir. Max Lang & Daniel Snaddon (2020)

I don’t know. I think it would be nice to have someone.

"To: Gerard" dir. Taylor Meacham (2020)

You really can’t know, so be good.

"The Present" dir. Farah Nabulsi (2020)

The simple fucking dignity.

"Feeling Through" dir. Doug Roland (2020)

You know what they say about life.

"Two Distant Strangers" dir. Travon Free & Martin Desmond Roe (2020)

Trapped because the trawler net stretches back centuries.

"Ayn Levana" dir. Tomer Shushan (2020)

What’s important to you.

"The Letter Room" dir. Elvira Lind (2020)

The fascination is real, as are the consequences.

"Monsters in The Dark" dir. Apollonia Thomaier (2021)

Trust is closely guarded.

"The Tell-Tale Heart" dir. Ted Parmelee (1953)

Everyone has the eye, the eye.

"Captain Yajima" dir. Worthikids (2021)

A master of the craft.

The Pianist dir. Roman Polanski (2002)

Humans,

The Journey of Natty Gann dir. Jeremy Kagan (1985)

If father abandons then father pays.

Aeon Flux dir. Karyn Kusama (2005)

Watch The Invitation.

Lucky dir. Natasha Kermani (2021)

You don’t believe, you don’t believe, you don’t believe.

A New Leaf dir. Elaine May (1971)

The rich man’s legacy.

The Dig dir. Simon Stone (2021)

Let the man dig.

Shipwrecked dir. Nils Gaup (1990)

Keep it under the mattress.

Godzilla vs. Kong dir. Adam Wingard (2021)

Challenged by the mere notion.

Avalon dir. Mamoru Oshii (2001)

It’s only real when you accept that longing is the source of your melancholy.

Nobody dir. Ilya Naishuller (2021)

A middle-aged fantasy.

The Fog dir. John Carpenter (1980)

The blame is always there.

Blood Simple dir. Joel Coen & Ethan Coen (1984)

Desperate measures call for desperate times.

Rango dir. Gore Verbinski (2011)

Performance is the essence of our existence.

The Black Cauldron dir. Ted Berman & Richard Rich (1984)

It must be nice to be born of potential.

Batman: The Killing Joke dir. Sam Liu (2016)

Barb deserves better, but so does any woman in these stories.

Tangled dir. Nathan Greno & Byron Howard (2010)

Youth is a prison.

The SpongeBob Movie: Sponge on the Run dir. Tim Hill (2020)

Of a different era of celebrity appearances.

Race for Your Life, Charlie Brown dir. Bill Melendez & Phil Roman (1977)

The gas crisis as a repressed memory.

La Casa Lobo dir. Cristóbal León & Joaquín Cociña (2018)

Horrifying history through art, I tell you.

Seoul Station dir. Yeon Sang-ho (2016)

I didn’t see it coming.

The Last Unicorn dir. Arthur Rankin Jr. & Jules Bass (1982)

Quite a mood in this one. Ethereal and lonesome.

Fantastic Planet dir. René Laloux (1973)

Takes me back to the Heavy Metal movie and how strange and different it felt from everything, except of course this begat all of that which arrived in the late seventies and eighties.

The Falcon and the Winter Soldier (2021)

The new Agent Carter gets shafted in these stories, so I sincerely hope they don’t drop the ball again.

#new fiction #2021 #april

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theredpelican · 6 years

Text

Films watched in 2017

Moonlight (2016) dir. Barry Jenkins ★★★★★

Pulp Fiction (1994) dir. Quentin Tarantino ★★★★☆

The Handmaiden (2016) dir. Park Chan-wook ★★★★★

A Clockwork Orange (1971) dir. Stanley Kubrick ★★★★★

Psycho (1960) dir. Alfred Hitchcock ★★★★☆

The Way He Looks (2014) dir. Daniel Ribeiro ★★★★☆

Breakfast at Tiffany’s (1961) dir. Blake Edwards ★★★☆☆

The Talented Mr Ripley (1999) dir. Anthony Minghella ★★★★☆

Happy Together (1997) dir. Wong Kar-wai ★★★★★

Les Chansons d’Amour (2007) dir. Christophe Honoré ★★★☆☆

Inglourious Basterds (2009) dir. Quentin Tarantino ★★★★☆

In the Mood for Love (2000) dir. Wong Kar-wai ★★★★★

Roman Holiday (1953) dir. William Wyler ★★★☆☆

Eva Doesn’t Sleep (2015) dir. Pablo Agüero ★★★☆☆

Pariah (2011) dir. Dee Rees ★★★☆☆

Fallen Angels (1995) dir. Wong Kar-wai ★★★☆☆

Get Out (2017) dir. Jordan Peele ★★★★☆

Submarine (2010) dir. Richard Ayoade ★★★★☆

Orphée (1950) dir. Jean Cocteau ★★★★★

The Shining (1980) dir. Stanley Kubrick ★★★★★

Pan’s Labyrinth (2006) dir. Guillermo Del Toro ★★★★☆

Okja (2017) dir. Bong Joon-ho ★★★★☆

The Grand Budapest Hotel (2014) dir. Wes Anderson ★★★☆☆

Howl’s Moving Castle (2004) dir. Hayao Miyazaki ★★★★★

Tom à la Ferme (2013) dir. Xavier Dolan ★★★☆☆

Marie Antoinette (2006) dir. Sofia Coppola ★★★★★

Kiki’s Delivery Service (1989) dir. Hayao Miyazaki ★★★★★

Stoker (2013) dir. Park Chan-wook ★★★☆☆

Lost In Translation (2003) dir. Sofia Coppola ★★★☆☆

Cherrybomb (2009) dir. Glenn Leyburn & Lisa Barros D'Sa ★★★☆☆

The Secret World of Arrietty (2010) dir. Hiromasa Yonebayashi★★★★☆

Mr Nobody (2009) dir. Jaco Van Dormael ★★☆☆☆

Un Chien Andalou (1929) dir. Luis Buñuel ★★★★★

Emotion (1966), dir. Nobuhiko Ôbayashi ★★★★★

Porco Rosso (1992) dir. Hayao Miyazaki ★★★☆☆

Corpse Bride (2005) dir. Tim Burton & Mike Johnson ★★★★☆

Mystère à la Tour Eiffel (2017) dir. Léa Fazer ★★★★★

Caravaggio (1986) dir. Derek Jarman ★★★★☆

Le Fabuleux Destin d’Amélie Poulain (2001) dir. Jean-Pierre Jeunet ★★★★☆

Total Eclipse (1995) dir. Agnieszka Holland ★★★★☆

Inside Llewyn Davis (2013) dir. Joel & Ethan Coen ★★★☆☆

The Color of Pomegranates (1968) dir. Sergéi Paradzhánov ★★★★★

The Royal Tenenbaums (2001) dir. Wes Anderson ★★★☆☆

Kill Your Darlings (2013) dir. John Krokidas ★★★★☆

The Life Aquatic with Steve Zissou (2004) dir. Wes Anderson ★★★☆☆

Laurence Anyways (2012) dir. Xavier Dolan ★★★☆☆

The Girl with the Dragon Tattoo (2009) dir. Niels Arden Oplev ★★★★☆

When Harry Met Sally (1989) dir. Rob Reiner ★★★☆☆

Orlando (1992) dir. Sally Potter ★★★★★

The Princess Bride (1987) dir. Rob Reiner ★★★★☆

Trainspotting (1996) dir. Danny Boyle ★★★☆☆

Les Invasions Barbares (2003) dir. Denys Arcand ★★☆☆☆

Rushmore (1998) dir. Wes Anderson ★★☆☆☆

Y Tu Mamá También (2001) dir. Alfonso Cuarón ★★★☆☆

Astérix: Le Domaine des Dieux (2014) dir. Alexandre Astier & Louis Clichy ★★★★★

Kingsman: The Golden Circle (2017) dir. Matthew Vaughn ★★★★☆

Renoir (2012) dir. Gilles Bourdos ★★★☆☆

Atomic Blonde (2017) dir. David Leitch ★★★☆☆

Loving Vincent (2017) dir. Dorota Kobiela & Hugh Welchman ★★★★★

L’auberge Espagnole (2002) dir. Cédric Klapisch ★★★☆☆

Fata Morgana (1971) dir. Werner Herzog ★★★★★

Valerian and the City of a Thousand Planets (2017) dir. Luc Besson ★★☆☆☆

Russian Ark (2002) dir. Aleksandr Sokurov ★★★★★

Blade Runner 2049 (2017) dir. Denis Villeneuve ★★★★☆

Arthur Christmas (2011) dir. Sarah Smith ★★★★☆

Call Me by Your Name (2017) dir. Luca Guadagnino ★★★★★

Star Wars: The Last Jedi (2017) dir. Rian Johnson ★★★★☆

Alice Through the Looking Glass (2016) dir. James Bobin ★★★☆☆

The Prince of Egypt (1998) dir. Brenda Chapman, Steve Hickner, Simon Wells ★★★★★

A Cure for Wellness (2016) dir. Gore Verbinski ★★★☆☆

Death Note (2017) dir. Adam Wingard ★☆☆☆☆

The Fifth Element (1997) dir. Luc Besson ★★★★☆

Les Aventures extraordinaires d'Adèle Blanc-Sec (2010) dir. Luc Besson ★★★★☆

All Roads Lead to Rome (2015) dir. Ella Lemhagen ★★★☆☆

Baby Driver (2017) dir. Edgar Wright ★★★☆☆

#2018 resolution: watch more movies!#film recs

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jlawbenn · 21 days

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If I could pick the AFL captains:

Adelaide - don’t know enough about them but Josh Rachelle should be somewhere up there just because I like saying his surname, also he looks like he has Daicos genes in him

Brisbane - can’t stand Lachie Neale or James Hird’s metaphorical son Harris Andrews so dump them both (although I see why Lachie is up there with the multiple Brownlows) I reckon Josh Dunkley is a very good leader and he loves his club and plays wherever for the benefit of the team so he should climb up the leadership ladder, Charlie Cameron a main goal kicker I can’t stand him because he thinks he’s the superior Charlie but I’d put him up too. Also Dev Robertson for the eye candy.

Carlton - drop Cripps instantly, remove Weitering from leadership team. I’d like to see Cerra up there like deputy, Jack Silvagni because he’s so loyal to the club and the club history and loves us, I reckon TDK in the leadership team couldn’t hurt because he’s so good and seems so caring of his teammates, oh also remove Walsh from any leadership duties because he’s just too inconsistent. Not sure who I’d have as captain but Cerra is certainly always improving. Also sack our coach.

Collingwood - no change with the captain, I’m happy with Darcy Moore. But I’d definitely drop Maynard and Quaynor. It’s surprising that there’s no Daicos in the leadership team.

Essendon - I love Zach Merrett but I feel like his appointment of captain isn’t legit enough, he’s been known to play like a thug and hurt other players deliberately and I feel like that’s not very good for a captain. Very happy with Andrew McGrath as vice, would prefer him as captain but I guess the Essendon faithful don’t agree. Dyson should still be in the leadership team, I don’t get why people hate on him so much?

Fremantle - Nat Fyfe overrated but I prefer him as a captain to that creepy Alex Pearce. Don’t know much else about the team, surely Brayshaw should be up there.

Geelong - who else to take over Joel Selwood’s long reign than Dangerfield 🙄 I think Tom Hawkins or Mitch Duncan should have captained the team. But Geelong have so many good players even if they’re older, like even Jeremy Cameron. Idk I just don’t like Dangerfield. But I guess they can’t appoint a blonde because everyone would be playing ‘spot the captain’ at the games

Gold Coast - I have no care for this team but Touk Miller annoys me on another level because whenever he’s playing, my brother ALWAYS screams his name out and it’s irritating. Idk what a Jarrod Witts is. Idk I liked David Swallow there I guess no change other than drop Touk. Definitely don’t appoint Casboult he’s a proven traitor.

GWS - TOBY GREENE IS THE WORST DECISION AS AN AFL CAPTAIN SINCE RYAN GRIFFEN AND TEX WALKER! Like are you kidding me, he has to go, he’s a professional thug and a horrible opponent and never plays fair. Stephen Cogniglio should have been captain before him, and I don’t like him either. Not a fan of GWS and their backwards agenda at all.

Hawthorn - I’ve seen some absolute thuggery out of James Sicily before, especially when he was bleach blonde but idk I love Chad Wingard, id rather Chad as captain but is he still there? Does he ever play? I feel like I haven’t seen him in a million years. I don’t know many other hawthorn players but I can safely say Ginnivan in leadership role is not a good idea.

Melbourne - HATE max gawn! What a creep. Definitely think Petracca should be captain, even that Viney plate face guy, basically anyone besides Gawn, May, Hunter and Fritsch.

Norf - I love Jye Simpkin as captain but it’s so weird without Zieball, he’s been around forever but he seems so young and his retirement was so random. I don’t like MacDonald but definitely Simpkin, and I reckon Sheezel and fisher would make excellent leaders too.

Port - Idk what a Connor Rozzee is but I don’t really like Port at all, Travis Boak is a legend and it’s sad he stepped down. Maybe the 3 named one that also played for Norf, Horne Francis? He could go up there

Richmond - Dion Prestia gives me the heebie jeebies idk why. Oh wait it’s Nankervis who’s captain and he’s even worse!!! Idk, Tom Lynch could be captain but he’s such a thug so that’s not fitting. Idk, it’s hard with these young teams, some choices seem to be right out of desperation.

St Kilda - Jack Steele is an excellent option even if I can’t stand him and he has a head like an accountant. Can’t see anyone else other than Jack Higgins doing the job, and Jack seems so young, like he never ages? But also Liam Stocker would be a FANTASTIC leader but I guess because of his depression it’s too hard.

Sydney - idk what a Callum Mills is, wasn’t Paaarrkeeerrr captain? At least it’s not Heeney or Papley. ESPECIALLY Papley.

West Coast - Well they’re always tanking so I guess they’ve got the right captains!!! As long as it’s not Jack Darling I’m happy.

Western Bulldogs - super controversial opinion here but I can’t stomach Bont. Never have, never will. And there’s definitely plenty of players who could take over, like Adam Treloar (unfortunate for me because I can’t stand him either), Taylor Duryea who has the experience + hawthorn premierships, Jamarrah definitely, but sack Bailey Smith PLEASE.

No offence intended I just genuinely like sharing my backwards mean opinions lol

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decadesofhorror-blog · 7 years

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Introduction to this blog

Hi! The “official” title of this blog is Daughter of Horror. :)

This blog will focus on American Horror Films starting from 1960 to the present, and with the exception of Night of the Living Dead, I will be writing in chronological order. I will not rate the films; the point of my blog is to explore and discuss how each film was influenced by popular culture, social issues, historical events, and the predominant fears and anxieties of the time.

I strongly believe that horror as a genre is progressive. Horror films force viewers to confront collective anxieties and [even if only temporarily] identify with transgression and subversion of the dominant ideology. Of course, there are still plenty of reactionary horror films, and I will be talking about them as well (Shivers and Fright Night are two prime examples).

About Me:

My name is Mary and I’m a 23 year old student in Toronto, Canada. Currently I’m majoring in professional writing with a minor in film studies. I will likely be specializing in Soviet Cinema for my master’s degree, but I’d still like to continue my research in the horror genre and hopefully publish a book that follows a similar theme as this blog. I’m also a Marxist, so when I am reading and critiquing a film I am often writing from a Marxist perspective.

Future Reviews:

Here is the order in which I will be posting. I’d like to post once every two weeks, but it may take me longer to compile research on certain films and/or directors. I may also post sooner than biweekly depending on the film.

My first post [on George A. Romero’s Night of the Living Dead] will be up by the last week of April.

If you have any suggestions, don’t hesitate to message me! I also appreciate feedback, criticism, and discussion.

Note: Some of these films are *not* american, but I will discuss why I believe they are still relevant to American society.

13 Ghosts (1960) dir. William Castle

Homicidal (1961) dir. William Castle

Carnival of Souls (1962) dir. Herk Harvey

The Birds (1963) dir. Alfred Hitchcock

Strait-Jacket (1964) dir. William Castle

Die, Monster, Die! (1965) dir. Daniel Haller

Picture Mommy Dead (1966) dir. Bert I. Gordon

Chamber of Horrors (1966) dir. Hy Averback

Something Weird (1967) dir. Herschell Gordon Lewis

Rosemary’s Baby (1968) dir. Roman Polanski

Satan’s Sadists (1969) dir. Al Adamson

House of Dark Shadows (1970) dir. Dan Curtis

The Wizard of Gore (1970) dir. Herschell Gordon Lewis

Blood and Lace (1971) dir. Philip S. Gilber

The Last House on the Left (1972) dir. Wes Craven

The Exorcist (1973) dir. William Friedkin

The Crazies (1973) dir. George A. Romero

It’s Alive! (1974) dir. Larry Cohen

The Texas Chainsaw Massacre (1974) dir. Tobe Hooper

Jaws (1975) dir. Steven Spielberg

Salo, or the 120 Days of Sodom (1975) dir. Pier Paolo Pasolini

Shivers (1975) dir. David Cronenberg

Carrie (1976) dir. Brian De Palma

The Omen (1976) dir. Richard Donner

The Hills Have Eyes (1977) dir. Wes Craven

Dawn of the Dead (1978) dir. George A. Romero

I Spit on Your Grave (1978) dir. Meir Zarchi

Martin (1978) dir. George A. Romero

The Amityville Horror (1979) dir. Stuart Rosenberg

The Brood (1979) dir. David Cronenberg

Nosferatu the Vampyre (1979) dir. Werner Herzog

When a Stranger Calls (1979) dir. Fred Walton

Cannibal Holocaust (1980) dir. Ruggero Deodato

The Fog (1980) dir. John Carpenter

Friday the 13th (1980) dir. Sean S. Cunningham

The Shining (1980) dir. Stanley Kubrick

The Evil Dead (1981) dir. Sam Raimi

Possession (1981) dir. Andrzej Żuławski

Poltergeist (1982) dir. Tobe Hooper

The Thing (1982) dir. John Carpenter

Christine (1983) dir. John Carpenter

Sleepaway Camp (1983) dir. Robert Hiltzik

Videodrome (1983) dir. David Cronenberg

Children of the Corn (1984) dir. Fritz Kiersch

A Nightmare on Elm Street (1984) dir. Wes Craven

Fright Night (1985) dir. Tom Holland

Day of the Dead (1985) dir. George A. Romero

The Fly (1986) dir. David Cronenberg

Henry: Portrait of a Serial Killer (1986) dir. John McNaughton

Hellraiser (1987) dir. Clive Barker

The Stepfather (1987) dir. Joseph Ruben

Child’s Play (1988) dir. Tom Holland

Dead Ringers (1988) dir. David Cronenberg

The Serpent and the Rainbow (1988) dir. Wes Craven

Pet Sematary (1989) dir. Mary Lambert

Flatliners (1990) dir. Joel Schumacher

Misery (1990) dir. Rob Reiner

The People Under the Stairs (1991) dir. Wes Craven

Candyman (1992) dir. Bernard Rose

The Blair Witch Project (1999) dir. Daniel Myrick, Eduardo Sanchez

Ginger Snaps (2000) dir. John Fawcett

Uzumaki (2000) dir. Akihiro Higuchi

Cabin Fever (2002) dir. Eli Roth

They (2002) dir. Robert Harmon

High Tension (2003) dir. Alexandre Aja

The Village (2004) dir. M. Night Shyamalan

They (2002) dir. Robert Harmon

Land of the dead (2005) dir. George A. Romero

The Devil’s Rejects (2005) dir. Rob Zombie

Hostel (2005) dir. Eli Roth

30 Days of Night (2007) dir. David Slade

Let the Right One In (2008) dir. Tomas Alfredson

Martyrs (2008) dir. Pascal Laugier

The Human Centipede (First Sequence) (2009) dir. Tom Six

Jennifer’s Body (2009) dir. Karyn Kusama

Rubber (2010) dir. Quentin Dupieux

V/H/S (2012) dir. Adam Wingard, David Bruckner, Ti West, Glenn McQuaid, Joe Swanberg, Radio Silence.

Evil Dead (2013) dir. Fede Álvarez

V/H/S/2 (2013) dir. Jason Eisener, Gareth Evans, Timo Tjahjanto, Eduardo Sánchez, Gregg Hale, Simon Barrett, Adam Wingard

As Above, So Below (2014) dir. John Erick Dowdle

The Witch (2015) dir. Robert Eggers

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coolfollowposts · 4 years

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6-12 Movies in 2020

JUNE

Wonder Woman 1984 (2020)

Directed by: Patty Jenkins

Starring: Gal Gadot, Chris Pine, Kristen Wiig

Opening on: June 5, 2020

Candyman (2020)

Directed by: Nia DaCosta

Starring: Yahya Abdul-Mateen II, Tony Todd, Teyonah Parris

Opening on: June 12, 2020

Soul (2020)

Directed by: Pete Docter

Starring: Jamie Foxx, Tina Fey, John Ratzenberger, Daveed Diggs

Opening on: June 19, 2020

In the Heights (2020)

Directed by: Jon M. Chu

Starring: Anthony Ramos, Leslie Grace, Corey Hawkins, Jimmy Smits, Stephanie Beatriz, Dascha Polanco

Opening on: June 26, 2020

Top Gun: Maverick (2020)

Directed by: Joseph Kosinski

Starring: Tom Cruise, Jennifer Connelly, Jon Hamm, Val Kilmer, Jay Ellis, Miles Teller, Monica Barbaro

Opening on: June 26, 2020

JULY

Minions 2 (2020)

Directed by: Kyle Balda, Brad Abelson

Starring: Pierre Coffin

Opening on: July 3, 2020

Ghostbusters: Afterlife (2020)

Directed by: Jason Reitman

Starring: Carrie Coon, Finn Wolfhard, Mckenna Grace, Paul Rudd

Opening on: July 10, 2020

Tenet (2020)

Directed by: Christopher Nolan

Starring: John David Washington, Elizabeth Debicki, Aaron Taylor-Johnson, Robert Pattinson, Kenneth Branagh, Michael Caine, Himesh Patel

Opening on: July 17, 2020

Jungle Cruise (2020)

Director: Jaume Collet-Serra

Starring: Dwayne Johnson, Emily Blunt, Édgar Ramírez, Jack Whitehall, Jesse Plemons, Paul Giamatti

Opening on: July 24, 2020

Green Lantern Corps (2020)

Directed by: TBD

Starring: TBD

Opening on: July 24, 2020

Morbius (2020)

Directed by: Daniel Espinosa

Starring: Jared Leto, Jared Harris, Adria Arjona, Matt Smith, Tyrese Gibson

Opening on: July 31, 2020

AUGUST

Bill & Ted Face the Music (2020)

Directed by: Dean Parisot

Starring: Keanu Reeves, Alex Winter, Samara Weaving, Jillian Bell, Kristen Schaal, Anthony Carrigan

Opening on: August 21, 2020

SEPTEMBER

Monster Hunter (2020)

Directed by: Paul W.S. Anderson

Starring: Milla Jovovich, Meagan Good, Ron Perlman, Tony Jaa

Opening on: September 4, 2020

The Conjuring: The Devil Made Me Do It (2020)

Directed by: Michael Chaves

Starring: Vera Farmiga, Patrick Wilson, Ruairi O’Connor, Sarah Catherine Hook, Julian Hilliard

Opening on: September 11, 2020

The King's Man (2020)

Directed by: Matthew Vaughn

Starring: Harris Dickinson, Ralph Fiennes, Aaron Taylor-Johnson, Gemma Arterton, Matthew Goode, Charles Dance, Daniel Brühl, Stanley Tucci, Djimon Hounsou

Opening on: September 18, 2020

The Many Saints of Newark (2020)

Directed by: Alan Taylor

Starring: Michael Gandolfini, Vera Farmiga, Jon Bernthal, Billy Magnussen, Ray Liotta, Corey Stoll, Alessandro Nivola

Opening on: September 25, 2020

Last Night in Soho (2020)

Directed by: Edgar Wright

Starring: Anya Taylor-Joy, Matt Smith, Thomasin McKenzie, Diana Rigg, Terence Stamp

Opening on: September 25, 2020

OCTOBER

BIOS (2020)

Directed by: Miguel Sapochnik

Starring: Tom Hanks

Opening on: October 2, 2020

Death on the Nile (2020)

Directed by: Kenneth Branagh

Starring: Kenneth Branagh, Gal Gadot, Armie Hammer, Annette Bening, Rose Leslie, Letitia Wright

Opening on: October 9, 2020

Snake Eyes (2020)

Directed by: Robert Schwentke

Starring: Henry Golding, Samara Weaving, Iko Uwais

Opening on: October 16, 2020

Halloween Kills (2020)

Directed by: David Gordon Green

Starring: Jamie Lee Curtis, Judy Greer, Anthony Michael Hall

Opening on: October 16, 2020

The Witches (2020)

Directed by: Robert Zemeckis

Starring: Anne Hathaway, Octavia Spencer, Stanley Tucci

Opening on: October 16, 2020

NOVEMBER

Eternals (2020)

Directed by: Chloé Zhao

Starring: Angelina Jolie, Salma Hayek, Kumail Nanjiani, Gemma Chan, Richard Madden, Kit Harington, Brian Tyree Henry

Opening on: November 6, 2020

Ron's Gone Wrong (2020)

Directed by: Alessandro Carloni, Jean-Philippe Vine

Starring: TBD

Opening on: November 6, 2020

Stillwater (2020)

Directed by: Tom McCarthy

Starring: Matt Damon, Abigail Breslin, Camille Cottin

Opening on: November 6, 2020

Red Notice (2020)

Directed by: Rawson Marshall Thurber

Starring: Gal Gadot, Dwayne Johnson

Opening on: November 13, 2020

Godzilla vs. Kong (2020)

Directed by: Adam Wingard

Starring: Millie Bobby Brown, Kyle Chandler, Rebecca Hall, Brian Tyree Henry

Opening on: November 20, 2020

Raya and the Last Dragon (2020)

Directed by: Paul Briggs, Dean Wellins

Starring: Awkwafina, Cassie Steele

Opening on: November 25, 2020

Escape Room 2 (2020)

Directed by: Adam Robitel

Starring: TBD

Opening on: November 30, 2020

DECEMBER

Dune (2020)

Directed by: Denis Villeneuve

Starring: Timothée Chalamet, Josh Brolin, Rebecca Ferguson, Oscar Isaac, Javier Bardem, Jason Momoa, Dave Bautista, Zendaya

Opening on: December 18, 2020

Uncharted (2020)

Directed by: Travis Knight

Starring: Tom Holland, Mark Wahlberg (in talks)

Opening on: December 18, 2020

The Croods 2 (2020)

Directed by: Joel Crawford

Starring: Ryan Reynolds, Nicolas Cage, Emma Stone

Opening on: December 23, 2020

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leanpick · 5 years

Text

Nathan Wilson to replace Fremantle Dockers teammates Joel Hamling in AFLX tournament

Fremantle defender Nathan Wilson will replace his Dockers teammate Joel Hamling in next week’s AFLX tournament, which has suffered more big-name withdrawals.

Hamling is understood to have suffered a soft-tissue injury, with Wilson set to step into his place for Eddie Betts’ Deadly side.

It comes as AFL stars Chad Wingard and Robbie Gray were both pulled from next Friday’s event, on the back of…

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hypergremlinisation · 6 years

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1-100

1. The Wailing (Na Hong-jin, S. Korea, 2016) - 8.25 2. Suspiria (Dario Argento, Italy, 1977) - 9.5 3. Opera (Dario Argento, Italy, 1987) - 8.25 4. The Evil Dead (Sam Raimi, USA, 1981) - 8.5 5. The Evil Dead 2 (Sam Raimi, USA, 1987) - 8.0 6. Blair Witch (Adam Wingard, USA, 2016) - 4.0 7. The Shining (Stanley Kubrick, UK/USA, 1980) - 9.0 8. The Untold Story (Herman Yau, Hong Kong, 1993) - 8.25 9. The Witch (Robert Eggers, USA/Canada, 2015) - 9.25 10. Night Of The Living Dead (George A. Romero, USA, 1968) - 8.5 11. WNUF Halloween Special (Chris LaMartina, USA, 2013) - 8.0

12. Blue Velvet (David Lynch, USA, 1986) [2013 Fan Edit] - 9.5 13. Sombre (Philippe Grandrieux, France, 1998) - 7.25 14. Friday The 13th Part II (Steve Miner, USA, 1981) - 7.5 15. [rec] (Jaume Balaguero/Paco Plaza, Spain, 2007) - 8.25 16. Don’t Breathe (Fede Alvarez, USA, 2016) - 8.0 17. Audition (Takashi Miike, Japan, 1999) - 8.25 18. The Night Of The Hunter (Charles Laughton, USA, 1955) - 10 19. Videodrome (David Cronenberg, Canada, 1983) - 8.0 20. The Descent (Neil Marshall, UK, 2005) - 9.75

21. Braindead (Peter Jackson, New Zealand, 1992) - 9.25 22. Martin (George A. Romero, USA, 1978) - 9.0 23. Vampyros Lesbos, (Jesus Franco, West Germany/Spain, 1971) - 7.75 24. The Thing (John Carpenter, USA, 1982) - 9.0 25. The Cabin In The Woods (Drew Goddard, USA, 2012) - 9.0 26. Nosferatu (F. W. Murnau, Germany, 1922) - 8.0 27. Whistle And I’ll Come To You (Jonathan Miller, UK, 1968) - 7.25 28. The Texas Chainsaw Massacre (Tobe Hooper, USA, 1974) - 10 29. Eaten Alive (Tobe Hooper, USA, 1977) - 8.25 30. The Snake Girl And The Silver Haired Witch (Noriaki Yuasa, Japan, 1968) - 6.5

31. Black Sabbath (Mario Bava, Italy/France, 1963) - 8.25 32. Envy (Barry Levinson, USA, 2004) - 2.0 33. Heavy Metal Parking Lot (John Heyn/Jeff Krulik, USA, 1986) - 9.5 34. Sickhouse (Hannah Macpherson, USA, 2016) - 6.5 35. The Godfather (Francis Ford Coppola, USA, 1972) - 10 36. The Godfather Part II (Francis Ford Coppola, USA, 1974) - 8.5 37. The Terminator (James Cameron, USA, 1984) - 8.0 38. Terminator 2: Judgment Day (James Cameron, USA, 1991) - 9.75 39. The Goonies (Richard Donner, USA, 1985) - 7.0 40. Wayne’s World (Penelope Spheeris, USA, 1992) - 5.0

41. Furious 7 (James Wan, USA, 2015) - 8.0 42. The Fate Of The Furious (F. Gary Gray, USA, 2017) - 6.75 43. 2001: A Space Odyssey (Stanley Kubrick, UK/USA, 1968) - 10 44. Manson (Robert Hendrickson/Laurence Merrick, USA, 1973) - 6.5 45. La Jetee (Chris Marker, France, 1962) - 10 46. Manchester By The Sea (Kenneth Lonergan, USA, 2016) - 8.25 47. Babel (Alejandro Gonzalez-Innaritu, USA/Mexico/France, 2006) - 7.75 48. Moonlight (Barry Jenkins, USA, 2016) - 9.0 49. World Of Tomorrow (Don Hertzfeldt, USA, 2015) - 9.0 50. Christine (Antonio Campos, USA, 2016) - 7.25

51. Kate Plays Christine (Robert Greene, USA, 2016) - 7.25 52. The Tree Of Life (Terrence Malick, USA, 2011) - 9.25 53. Y Tu Mamá También (Alfonso Cuarón, Mexico, 2001) - 9.5 54. Children Of Men (Alfonso Cuarón, UK/USA, 2006) - 9.25 55. The Hurt Locker (Kathryn Bigelow, USA, 2008) - 8.25 56. Zero Dark Thirty (Kathryn Bigelow, USA, 2012) - 8.5 57. The Squid And The Whale (Noah Baumbach, USA, 2005) - 8.25 58. Trasgredire (Tinto Brass, Italy, 2000) - 6.0 59. Ghost World (Terry Zwigoff, USA, 2001) - 9.25 60. Office Space (Mike Judge, USA, 1999) - 7.75 61. Extract (Mike Judge, USA, 2009) - 7.25 62. Elle (Paul Verhoeven, France/Germany, 2016) - 8.25 63. No Country For Old Men (Joel Coen/Ethan Coen, USA, 2007) - 10 64. True Grit (Joel Coen/Ethan Coen, USA, 2010) - 8.5 65. Roger And Me (Michael Moore, USA, 1989) - 8.0 66. Capitalism : A Love Story (Michael Moore, USA, 2009) - 7.5 67. A Touch Of Sin (Jia Zhangke, China/Japan/France, 2013) - 8.0 68. The Lobster (Yorgos Lanthimos, Ireland/UK/Greece/France/Netherlands, 2015) - 8.0 69. Fahrenheit 9/11 (Michael Moore, USA, 2004) - 7.0 70. Meshes Of The Afternoon (Maya Deren/Alexander Hammid, USA, 1943) - 9.5 71. The Room (Tommy Wiseau, USA, 2003) - 9.0 72. Up In The Air (Jason Reitman, USA, 2009) - 7.25 73. This Is The End (Seth Rogen/Evan Goldberg, USA, 2013) - 8.25 74. City Of God (Fernando Meirelles/Katia Lund, Brazil, 2002) - 8.0 75. Bus 174 (Jose Padilha/Felipe Lacerda, Brazil, 2002) - 8.5 76. How High (Jesse Dylan, USA, 2001) - 6.75 77. Harold And Kumar Go To White Castle (Danny Leiner, USA, 2004) - 7.0 78. The Conversation (Francis Ford Coppola, USA, 1974) - 8.75 79. At Land (Maya Deren, USA, 1944) - 8.25 80. Riki-Oh: The Story Of Ricky (Lam Nai-choi, Hong Kong, 1991) - 8.75 81. Bad Santa (Terry Zwigoff, USA, 2003) - 8.25 82. Blade Of The Immortal (Takashi Miike, Japan/UK, 2017) - 8.0 83. It’s A Wonderful Life (Frank Capra, USA, 1946) - 8.5 84. Home Alone (Chris Columbus, USA, 1990) - 7.5 85. Home Alone 2: Lost In New York (Chris Columbus, USA, 1992) - 7.5 86. Better Watch Out (Chris Peckover, Australia/USA, 2017) - 7.5 87. Night And Fog (Alain Resnais, France, 1956) - 10 88. Baby Driver (Edgar Wright, USA/UK/2017) - 8.75 89. Shrek (Andrew Adamson/Vicky Jenson, USA, 2001) - 8.0 90. All About Lily Chou Chou (Shunji Iwai, Japan, 2001) - 8.25 91. Whiplash (Damien Chazelle, USA, 2014) - 8.25 92. Series 7: The Contenders (Daniel Minahan, USA, 2001) - 7.0 93. Sans Soleil (Chris Marker, France, 1983) - 8.25 94. Mad Max: Fury Road (George Miller, Australia/USA, 2015) [Black & Chrome] - 10 95. The Killing Of A Sacred Deer (Yorgos Lanthimos, USA/UK/Ireland, 2017) - 7.5 96. Half Baked (Tamra Davis, USA, 1998) - 7.5 97. Moana (Ron Clements/John Musker, USA, 2016) - 8.25 98. The Hole (Tsai Ming-liang, Taiwan, 1998) - 8.5 99. La La Land (Damien Chazelle, USA, 2016) - 7.75 100. Selma (Ava DuVernay, USA, 2014) - 9.0

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getseriouser · 7 years

Text

20 THOUGHTS: 2018 AFL State of Origin Teams

THIS column has long been a strong advocate for the return of State footy to the AFL, a league longing to get the representative stuff right but never quite has. The constant tweaks and rejuvenation to the hybrid games against Ireland further proves that there’s a thirst and commitment to scheduling fixtures outside of club football each year but that we’re still yet to crack it.

State of Origin was born and bred in Australian Rules football, not Rugby League, and a successful reincarnation of the glory days, a three game series each year played during the pre-season, would be just the most glorious opener to the football season ever.

The format, again, would be simple, the big three states play each other once, every second year the fixtures reverse, allowing each state to play each other once at home over the two year period. No amalgamated sides or the poorer states, just Victoria, SA and WA battling it out, an elite standard of our game we have not seen in decades. It would too further grow the game in the northern states, mirroring the interest that the rugby league equivalent drives in the southern states.

A part of this grander plan would see the State sides selected the prior year during ‘awards season’ to which we are now entering, so with that in mind let’s enter the realm of this alternative future and see what it would look like if we had State of Origin to look forward to next summer.

Firstly, a fixture, and it’s amazing in its own right:

Saturday, Feb 17, 2018 Perth Stadium WA vs. VIC

Saturday, Feb 24, 2018 Adelaide Oval SA vs. WA

Saturday, Mar 03, 2018 MCG VIC vs. SA

What better way to open the brand new Perth Stadium than with WA hosting Victoria, 60,000 Western Australians going bananas as they see their state side play for the first time at home in 20 years.

Adelaide hosts week two, the Croweaters welcome Franklin, Fyfe and Kennedy, then it’s the big one in week three, Victoria hosting South Australia at the MCG in front of a properly big crowd.

It’s important to note that whilst these three games are played, the first three weeks of the JLT series would be played in and around these matches, by players not selected for their states,

The fourth and final week of pre-season games would be played the weekend of March 9-11, where all players would be available for their clubs, ensuring the most minimal impact to clubs preparations for the home and away season which starts late-March.

Now onto the selections, which in this make-believe world would be immensely prestigious, up there with an All-Australian selection, to be picked for your state truly a massive honour.

**please note, the 40-man All-Australian squad was the basis of selections, it filled the Victorian team almost in itself. For any vacancies it was then my judgement, and those long-term injured were not considered, so no Scott Pendlebury for Victoria or Nic Naitanui for WA, even though in all likelihood the latter probably has to play.

SOUTH AUSTRALIA

B Rory Laird (Adelaide) Heath Grundy (Sydney) Tom Jonas (Port Adelaide)

HB Shaun Burgoyne (Hawthorn) Phil Davis (GWS Giants) Shannon Hurn (captain, West Coast)

C Ryan Burton (Hawthorn) Brad Ebert (Port Adelaide) Brodie Smith (Adelaide)

HF Chad Wingard (Port Adelaide) Justin Westhoff (Port Adelaide) Shane Edwards (Richmond)

F Orazio Fantasia (Essendon) Tim O’Brien (Hawthorn) Daniel Menzel (Geelong)

Foll Sam Jacobs (Adelaide) Bryce Gibbs (Carlton) Lachie Neale (Fremantle)

Inter Brodie Grundy (Collingwood) Jared Polec (Port Adelaide) Hamish Hartlett (Port Adelaide) Bernie Vince (Melbourne)

Emerg Paul Puopolo (Hawthorn) Caleb Daniel (Bulldogs) Travis Varcoe (Collingwood)

Not the strongest SA team compared to bygone eras, but the key forward stocks aside it’s not too bad. Tim O’Brien is the luckiest footballer in the land but especially since Matthew Pavlich has retired and Taylor Walker is from Broken Hill, close but it’s not quite South Australia, so the young Hawk has to get in. Backline is fairly strong, the small forward brigade is decent and look, it’s not to the standard of Victoria or WA but they are still far superior to any of the other states still and in State footy, with a good game plan, who’d be super confident betting against them?

VICTORIA

B Jake Lever (Adelaide) Michael Hurley (Essendon) Sam Docherty (Carlton)

HB Michael Hibberd (Melbourne) David Astbury (Richmond) Dylan Roberton (St Kilda)

C Rory Sloane (Adelaide) Patrick Dangerfield (Geelong) Zach Merrett (Essendon)

HF Josh Kelly (GWS Giants) Tom Lynch (Gold Coast) Robbie Gray (Port Adelaide)

F Eddie Betts (Adelaide) Joe Daniher (Essendon) Toby Greene (GWS Giants)

Foll Matthew Kreuzer (Carlton) Dustin Martin (Richmond) Joel Selwood (captain, Geelong)

Inter Josh Kennedy (Sydney) Matt Crouch (Adelaide) Marcus Bontempelli (Bulldogs) Dylan Shiel (GWS Giants)

Emerg Adam Treloar (Collingwood) Trent Cotchin (Richmond) Clayton Oliver (Melbourne)

What do you say really, it’s a terrific side. Astbury rewarded with becoming one of the best lockdown defenders in the comp, even in a side featuring arguably the very best in Rance. Eddie Betts qualifies as a Victorian, which is a luxury this side doesn’t really need, and the list of quality midfielders available is an embarrassment of riches. Dangerfield and Martin together alone is just scary.

WESTERN AUSTRALIA

B Neville Jetta (Melbourne) Alex Rance (Richmond) Tom Barass (West Coast)

HB Elliott Yeo (West Coast) Jeremey McGovern (West Coast) Jason Johannisen (Bulldogs)

C Mitch Duncan (Geelong) Tom Mitchell (Hawthorn) Bradley Hill (Fremantle)

HF Sam Menegola (Geelong) Lance Franklin (Sydney) Jeff Garlett (Melbourne)

F Jack Darling (West Coast) Josh Kennedy (West Coast) Charlie Cameron (Adelaide)

Foll Paddy Ryder (Port Adelaide) Patrick Cripps (Carlton) Nat Fyfe (captain, Fremantle)

Inter Rory Lobb (GWS Giants) Stephen Coniglio (GWS Giants) Daniel Wells (Collingwood) Nathan Wilson (GWS Giants)

Emerg Michael Walters (Fremantle) Stephen Hill (Fremantle) Alex Fasolo (Collingwood)

Very nice backline, good level of star quality up forward and through the middle, this team would be very competitive with the Victorians. Nowhere near the depth of course but 22 on 22, especially with 60,000 screaming home fans opening a new stadium, they’d be quite the value bet. The idea of Franklin and Kennedy in the same forward line is just insane.

So there it is, whilst we celebrate the All-Australian team, the Rising Star, and the rest of the honours rolled out in the period between the home and away season and Grand Final day, here would be another prestigious recognition rewarding those players who have had fantastic seasons.

Plus, unlike the All-Australian team, we would then have the utter pleasure of seeing these three sides actually play off against one another, in three huge games, in front of three monster crowds, to open the 2019 year of football in a way the football fan could either barely remember or barely curtail their excitement.

Who doesn’t want to see Buddy Franklin in the time-honoured gold jumper with a black swan head down to the forward line, crossing paths with the likes of Dangerfield, Martin and Bontempelli walking towards middle in the navy Big V?

And even though they aren’t at their pinnacle, a sea of red at the Adelaide Oval, especially hosting Victoria in 2019, would be one of the best sights in all of sport. They go mental for Crows or Power games, more so the Showdowns, but the Croweaters hosting the Big V, that’s a whole another level of fanaticism.

Bring it back Gil, you’ve got my number, let’s do this.

(originally published August 29)

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