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#John Henry Twachtman
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New York Harbor painted by John Henry Twachtman (1853 - 1902)
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peaceinthestorm · 3 months
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John Henry Twachtman (1853-1902, American) ~ Falls in January, about 1895
[Source: wichitaartmuseum.org]
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oncanvas · 4 months
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Boats Moored on a Pond, John Henry Twachtman, circa 1890-1902
Oil on canvas 72.5 x 50 cm (28.54 x 19.69 in.) Museo Nacional Thyssen-Bornemisza, Madrid, Spain
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classicalcanvas · 8 months
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Title: An Early Winter
Artist: John Henry Twachtman
Date: 1882
Style: Impressionism
Genre: Landscape
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saaggss · 4 months
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Windmills, Dordrecht, The Netherlands, 1881, John Henry Twachtman
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nancydrewwouldnever · 3 months
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John Henry Twachtman, Winter Harmony, ca. 1890/1900, oil/canvas (National Gallery of Art, Washington D.C.)
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lux-vitae · 1 year
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The White Bridge by John Henry Twachtman (c. 1895-1900)
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careful-disorder · 1 year
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John Henry Twachtman, Arques-la-Bataille
“Its emphasis on formal design recalls both Japanese woodblock prints and James McNeill Whistler’s nocturnes.” - MET
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dumbbitchhour · 8 months
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John Henry Twachtman, Arques-la-Bataille, 1885 x
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lubentina · 1 year
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John Henry Twachtman (American 1853 - 1902)
Icebound
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granstromjulius · 9 months
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John Henry Twachtman
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My Summer Studio John Henry Twachtman
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peaceinthestorm · 11 months
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John Henry Twachtman (1853-1902, American) ~ Sailing in the Mist, 1890s 
[Source: pafa.org]
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arthatred · 10 months
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John Henry Twachtman. The Phillips Collection.
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classicalcanvas · 8 months
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Title: Winter Landscape
Artist: John Henry Twachtman
Date: 1882
Genre: Cityscape
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MWW Artwork of the Day (6/28/22) John Henry Twachtman (American, 1853-1902) On the Terrace (c. 1890-1900) Oil on canvas, 64.1 x 76.5 cm. Smithsonian American Art Museum, Washington DC (Gift of John Gellatly)
John Henry Twachtman settled in Greenwich, Connecticut, in 1889 and painted many images of his farm property. This springtime scene shows his wife, Martha, and their children on a terrace bordered by flowers and bathed in soft light. Martha rocks her newborn son while daughters Marjorie and Elsie play quietly by her side. Twachtman wanted the figures in his paintings to appear casual, and here the intimate group evokes a snapshot of family life rather than a formally posed portrait. The crisp white dresses echo the white flowers along the pathway and create an aura of innocence and purity around the young children and their mother. (from the Museum catalog)
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