#Kristin Scot Thomas

[dear-indies]

Who are you favourite lbgtq+ faceclaims currently?

Maxine Peake (1974) - not sure on labels but she has signed and interacted with a lot of Queers for Palestine content.

Sara Ramirez (1975) Mexican, some Irish - is non-binary (they/them).

Haaz Sleiman (1976) Lebanese - is gay.

Ser Anzoategui (1979) Argentinian and Paraguayan - is non-binary (they/them).

Angelica Ross (1980) African-American - is a trans woman.

Beth Ditto (1981) - is queer.

Yolanda Bonnell (1982) Ojibwe, White / Indian - is two-spirit and queer (she/they) - is open about having OCD and ADHD.

Asia Kate Dillon (1984) Ashkenazi Jewish / Unspecified - non-binary and pansexual (they/them).

Ravyn Ariah Wngz (1984) Mohawk, Tanzanian, Afro-Bermudian - is a two-spirit trans woman (she/her).

Kristin Chirico (1984) - is questioning their gender, “encompassing a lot of things” but is not yet sure if she’s non-binary or a gender non-confirming woman and uses they/her - openly bisexual and demisexual and has OCD, ADHD, dyslexia, and asthma.

Eréndira Ibarra (1985) Mexican - is bisexual.

Mihaela Drăgan (1986) Romani - is queer.

Eugene Lee Yang (1986) Korean - is gay.

Bob the Drag Queen (1986) African-American - is polyamorous, pansexual and non-binary (he/her).

Pidgeon Pagonis (1986) Mexican and Greek - is intersex and non-binary (they/them).

Ericka Hart (1986) African-American - is non-binary femme, queer, and polyamorous (she/they).

Alba Flores (1986) Romani, Spanish [including Andalusian] - is a lesbian.

Lido Pimienta (1986) Colombian [Wayuu, Afro-Colombian] - is queer.

Whitney Greyton / wittnsass (1986) Black South African / Namibian - is queer (she/they).

Munroe Bergdorf (1987) Afro Jamaican / English - is a trans woman.

Michaela Coel (1987) Ghanaian - is aromantic.

Erika Ishii (1987) Japanese - is genderfluid (she/they/any).

Juliana Huxtable (1987) African-American - is a trans woman.

Sasha Velour (1987) Russian Jewish / Ukrainian, other - is genderfluid (she/they when not in drag, she while in drag).

Pearl Mackie (1987) West Indian / White - is bisexual.

Mercury Stardust (1987) - is a trans woman.

Joel Kim Booster (1988) Korean - is gay and has bipolar disorder.

Mary Lambert (1989) - is a lesbian.

Shea Couleé / Jaren Kyei Merrell (1989) African-American - non-binary (they but she/her while in drag).

Laith Ashley (1989) Afro Dominican - is an asexual trans man.

Arrows Fitz (1990) African-American - is non-binary (he/they/she/it).

Katie Findlay (1990) English, Hongkonger, Portuguese-Macanese, Scottish - is queer (they/them).

Poppy Liu (1990) Chinese - is non-binary (she/they).

Vico Ortiz (1991) Puerto Rican - is non-binary (they/them).

Jari Jones (1991) African-American / Filipino - is a trans woman.

Emma D’Arcy (1992) - is non-binary (they/them).

Rivkah Reyes (1992) Filipinx-Jewish - is non-binary and queer (they/she, but mostly they) and has bipolar disorder.

Hari Nef (1992) Ashkenazi Jewish - is a trans woman.

Bobbi Salvör Menuez (1993) - is trans non-binary (they/them).

Naomi McPherson / MUNA (1993) West Indian and Irish - is queer and nonbinary (they/them).

Josette Maskin / MUNA (1994) Jewish - is queer and nonbinary (she/they).

Theo Tiedemann (1994) Asian - is trans non-binary and gay (he/they).

Arsema Thomas (1994) Nigerian / Ethiopian - is non-binary (she/they).

Kehlani (1995) African-American, French, Blackfoot, Cherokee, Spanish, Mexican, Filipino, Scottish, English, German, Scots-Irish/Northern Irish, Welsh, Cornish, Irish, Choctaw - non-binary womxn, lesbian and polyamorous - she/they.

Jasmin Savoy Brown (1994) African-American / White - is queer.

Lauren Jauregui (1996) Cuban [Spanish, possibly other], likely some Basque - is bisexual.

Leo Sheng (1996) Chinese - is a trans man.

Ally Beardsley (1996) - is non-binary (they/them).

Quintessa Swindell (1997) African-American / White - is non-binary (they/he).

Kaiit (1997) Papuan / Gunditjmara, Torres Strait Islander - is non-binary (she/he/they).

070 Shake (1997) Dominican - doesn’t like to put labels on her sexuality.

Celeste O'Connor (1998) Kenyan - is non-binary (they/them).

Chella Man (1998) Hongkonger and Jewish - is deaf, trans genderqueer and pansexual (he/they).

Clairo (1998) - is bisexual and has juvenile idiopathic arthritis.

Ethel Cain (1998) - is a trans bisexual woman.

Zoe Terakes (2000) - is trans masc non-binary guy (they/he).

Celia Rose Gooding (2000) African-American - is bisexual and gray asexual (she/they) - also saw somewhere they don’t like being called a woman.

Ari Notartomaso (2001) - is non-binary (they/he).

Morgan Davies (2001) - is a trans man.

Aaron Rose Philip (2001) Afro-Antiguan - is a trans woman who has cerebral palsy.

Bobby Sanchez (?) Peruvian [Quechua] - is two-spirit and trans, uses she/her sometimes they/they).

Ellie Kim / SuperKnova (?) Korean - is genderfluid, transgender woman (she/her).

Nori Reed (?) Korean / Unspecified - is non-binary (she/her).

Of course all these have spoken up for Palestine!

#fc help #rph #rpc

[bloodydayshq]

watch your step, noble courtier, you've been summoned to hampton court palace by his majesty's degree & pleasure. please hasten to send your blog in, and review our checklist (and introductory sheet) prior to beginning interactions.

additional note to all registered members: whether through discord or through our askbox – NOT THE IMS – please send us a quick hello so we can pass along the link to our discord server. normally we would be happy to send one unprompted, but in the interest of not getting sh*dowb*nned, we have to make concessions!

alicia von rittberg as eleanor grey

cate blanchett as elizabeth tudor

cengiz coskun as robert dudley

damien lewis as thomas wyatt

dominique devenport as elisabeth of valois

elodie young as caterina de medici

emilia schule as cecily fitzroy

emily carey as ursula rich

jack lowden as john seymour

jannik schümann as edmund percy

jessie mei li as mary queen of scots

kristin scott thomas as anne boleyn

laura berlin as judith carey

matilda de angelis as sibilla percy

olivia cooke as agnes grey

oscar isaac as james cecil

pedro pascal as thomas walsingham

rege-jean page as richard boleyn

ruairi o'connor as william iii

sai bennett as isobel percy

santiago cabrera as sebastian de lorges

tamzin merchant as philippa grey

#bd.accept

[cinemaven99]

A Grieving Process in Between New Love:“Rebecca” Film Review

o   Before watching the film, I’ve overheard that it was based on classic European literature. Side note: Over what I’ve witnessed so far, Netflix has been doing pretty great when it comes to putting out films that have originated from novels (“The Kissing Booth” series, “To All the Boys” series, “Altered Carbon,” and so forth). Entering the new life as a wealthy newlywed, a young woman faces clues as she continues to discover who her husband’s late partner was.The film was pretty good; it shows both an elegant and a melancholy atmosphere, during so.

·       What did I like about it?

o   Casting choice: I enjoy how the cast was set up with Armie Hammer and Lily James playing the newlyweds. Them, along with Kristin Scott Thomas as the leading head of the manor.

o   Production value: Strives towards elegance while being poetic and sombre overtones. The lighting struck pretty well, especially in some of the scenes.

o   Editing: How the film was edited is one of the highlights of this film. One of the best scenes from this film was the dream sequences that our protagonist has. The way how it was made was gracefully eery.

·       What didn’t I like about it?

o   During the film, we haven’t taken some time to confront Maxim’s dismissive behavior or at least have the current wife take some recognition that he’s not doing so well in the relationship.

Who would I recommend this to?

College students; partly because as their going into the semester they’re going to go through an Aplengeist of grade maintenance; so this is a good film for those that are in deep stress.

o   “Rebecca” is a fine work that is both relaxing and both chilling for viewers. I give this movie a 6.9/ 10

#movie review #review #Rebecca #based on a novel #Daphne Du Maurier #author #Ben Wheatley #Director #Armie Hammer #Lily James #Kristin Scot Thomas #cast #drama #thriller #suspense #romance #1950s #marriage #loss #grief #social class #class #2020 film #2020

[60sicons]

like or reblog.

#2K CELEBRATION! #kristin scott thomas #kristin scott thomas icon #kristin scot thomas icons #rebecca de mornay #rebecca de mornay icon #rebecca de mornay icons #80s #80s icon #80s icons #actress #actress icon #actress icons

[chanelmirabelle]

Henry Cavill family template ! requested by @eileen-stuff

father -> daniel day-lewis (64) could play 58-70 ; ethnicity : english, northern irish, remote welsh, ashkenazi jewish

mother -> kristin scott thomas (61) could play 54-66 ; ethnicity : welsh, english, as well as 1/16th dutch

aunt -> jennifer connelly (51) could play 45-56 ; ethnicity : irish, norwegian, ashkenazi jewish

older brother -> matt bomer (44) could play 39-48; ethnicity : english, welsh, scottish, irish, scots-irish/northern Irish, swiss-german, german, remote french

base -> henry cavill (38) could play 32-43 ; ethnicity : english, irish, some scottish

older sister -> meghan ory (39) could play 33-44 ; ethnicity : ashkenazi jewish, possibly other

younger sister -> margaret qualley (27) could play 21-33 ; ethnicity : english, french, scottish, irish and welsh, 1/16th belgian/walloon, 1/32 dutch, 1/32 belgian/flemish

younger brother -> aidan gallagher (18) could play 14-22 ; ethnicity : english, scottish, irish, norwegian, swiss-german, distant dutch, ashkenazi jewish

cousin -> logan lerman (30) could play 25-35 ; ethnicity : ashkenazi jewish, possibly others

#henry cavill #henry cavill family template #daniel day lewis #faceclaim help #family template #face cast #meghan ory #matt bomer #aiden gallagher #margaret qualley #logan lerman #henry cavill edit #the witcher

[bisluthq]

Jack Lowden: ‘Acting is embarrassment’

Because Jack Lowden is a tall, talented, nice-looking, Olivier award-winning actor with a growing body of acclaimed screen work behind him, a celebrity girlfriend – he is going out with the four-time Oscar nominee Saoirse Ronan – and a strong Scots Borders accent, there is an instinct to look him up and down and assume he is not someone particularly burdened by self-doubt. There is an instinct to assume he is one of those restless young alphas you sometimes encounter in acting who seem to have the entire world in their crosshairs. There is an instinct, perhaps, to assume even more. “I met someone recently and he was like, ‘I thought you were going to be a complete c***,’ ” he says, frowning. “And I said, ‘OK, I can see why. But at least give me a chance.’ ” So, let’s give him a chance. We meet for lunch in a north London gastropub – two pints and a plate of risotto each – because he is, ostensibly, promoting Benediction, a Siegfried Sassoon biopic in which the 31-year-old plays the poet. It is an excellent, achingly sad film in which Lowden’s Sassoon quietly absorbs trauma after trauma: the carnage of the Western Front; the deaths of his brother and of his friend Wilfred Owen; a series of painful and acrimonious romantic relationships with other men followed by a lustless lavender marriage; a gradual decline into loneliness and critical obscurity. And through it all, Lowden delivers the kind of subtle, slow-burning performance that wins awards and sends careers stratospheric. He really is very good. But Lowden isn’t sure. In fact, one thing that quickly becomes apparent in his company is that he has as much professional self-doubt as anybody. Possibly a bit more. “I’m very hard on myself,” he says, and describes how he struggles badly when forced to watch his performances back. “You do all that work. And you think that you’ve really researched this person. And then you watch it and you just think, ‘F***! That’s just me!’ ” he says, drawing out the “meeeee”, fingertips pressing into his cheeks. “That’s just me in a costume. And someone’s calling me Dave or John or Steve.” This is not wink-wink self-deprecation. Nor is he being self-pitying: Lowden – who also currently stars alongside Gary Oldman and Kristin Scott Thomas in the Apple TV+ series Slow Horses – is thoughtful, funny and self-aware. But perhaps, if anything, he is too self-aware. Because something about acting – standing in front of a camera and pretending to be Dave or John or Steve – seems to really embarrass him. “Just severe embarrassment,” he says. The fact that he is almost always required to ditch his own accent and perform in another voice only adds to his discomfort and the uneasy sense of confection. He is not the sort of actor forever primed to drop a few apposite Shakespeare verses into conversation. “The idea of me doing a monologue to you right now? I couldn’t think of anything worse.” Plus, he continues, the inherently subjective nature of performance makes it very hard to know, for sure, if what he’s delivering is genuinely any good. “My younger brother has just been made principal dancer with the Royal Swedish Ballet,” he explains. “And what he does is so black and white. You can either jump high or not.” But unlike ballet dancers or athletes, when it comes to acting, it feels as though effort does not always equal results. “It’s never satisfying for you,” he says. He sips his beer. He wonders, long-term, if he might end up doing something else. “I really want to get rid of that feeling. But I don’t know how.” So, what’s going on? How do you end up having such an uncertain relationship with the very thing you do for a living? Lowden was, he says, a “very, very, very shy child”. He and his brother were both born in Chelmsford, where his parents had relocated in order to access IVF treatment, but grew up in the small village of Oxton after his family returned to Scotland. During his childhood, he developed an intense devotion to a number of classic British sitcoms – Only Fools and Horses, Open All Hours, Porridge – and would watch them obsessively. “It was like a comfort blanket.” He would even take his collection of DVDs on holiday, so as not to be parted from them, and would hate it whenever he’d see behind-the-scenes footage of, say, Only Fools, in which the Trotters’ Peckham flat was revealed to be a film set with a studio audience. “I didn’t want to know that it wasn’t real,” he says. “Everything in those programmes just had a lovely air to it. Everything seemed quite innocent. Nobody seemed bored. There was no boredom at all. And I just wanted to live in them.” He would tag along to his brother’s ballet classes and have a bash himself. “But I was shite at dance and was encouraged, very quickly, to do the narrating.” The sensation of being on stage, however, was something he soon came to love. And with the encouragement of his parents and a particularly supportive music teacher at the local state secondary school he attended, Lowden found himself entering the world of amateur operatics in the Scottish Borders. He became, in fact, a fixture at the Galashiels Amateur Operatic Society. This sounds twee, almost comic. But he shakes his head. “It’s a big thing. It’s huge. In the Borders, it’s like life and death,” he says levelly. “There are like eight or nine societies. People who have been in their society for 50 years get their 50-year medal. They take it f***ing seriously. More seriously than in the profession.” He was swept along by the intensity and energy of this tight but passionate rural arts circuit. Four of his best mates did it with him. “It was like a rite of passage. And none of them are actors now. But they loved it, running about and acting in musicals.” The way he describes it, there was something almost transcendental about it. “You’d be in Guys and Dolls performing next to a fireman or a teacher or whatever. Just seeing these people light up on a Tuesday night was amazing.” After doing his A-levels, Lowden studied acting at the Royal Scottish Academy of Music and Drama and, in 2010-11, played the lead role in the National Theatre of Scotland’s production of Black Watch. This play, which details the experiences of soldiers from the Scottish regiment in Iraq, toured the UK and the United States. “We didn’t play theatres. We played arenas. You felt like a rock star,” he says, without bravado. More stage credits came, and he won his Olivier for Best Supporting Actor in a 2014 production of Ibsen’s Ghosts. But by the time he reached his mid-twenties he thought, “I’d better do some screen.” He didn’t struggle for roles – he appeared in the BBC’s adaptation of War & Peace, Christopher Nolan’s Dunkirk and played a young Morrissey in the singer’s biopic England Is Mine – but he struggled with the change of pace. “The pedestrian element of film sets kicks in. Because film is much more technical and takes much longer. The buzz is not there.” On some level, I think he’s still struggling with the fact that very little in his career so far has been quite as exciting – or quite as profound – as his teenage nights under the lights at the Galashiels Amateur Operatic Society. Knowing that you’ve smashed a song and dance number in front of a packed village hall is more cathartic than doing take 23 of a few lines of dialogue to a camera on a silent set. For a long time, whenever he would get drunk, Lowden would force his mates to watch old Gene Kelly or Bob Fosse dance routines on YouTube. “I’m a music hall actor,” he says, “in this very technical profession.” Still, it’s not all bad. If he hadn’t got into film then he’d never have met his girlfriend. In 2018, Lowden appeared in Mary Queen of Scots opposite Saoirse Ronan, now 28. He was playing Lord Darnley, an English nobleman who marries the Scottish queen. It sounds quite a romantic backdrop against which to meet and then fall in love with your other half. Until, that is, you watch the film and realise that the relationship between the two was violent and abusive. There is a particularly unpleasant sex scene, the preparation for which saw Lowden and Ronan – not yet a real-life couple – throw some ideas around. “It’s this scene where she tries to get him to basically impregnate her. And we were like, what if you started hitting me? That was back when I’d first met her, so I went, ‘Yeah, hit me as hard as you want,’ ” he says, fixing me with his eyes and dropping his voice half an octave. So Ronan hit him – “F***ing bang!” – and when he returned to his trailer, he discovered he had a gigantic blood bruise across his chest and shoulders: “I couldn’t move.” The following day, she asked if he was OK, to which he could only manage a noncommittal, high-pitched noise. He chuckles. “It was a strange way to meet.” Workplace romances are excruciating, I say. Too much like being back at school. Lowden disagrees. “But that’s what makes it fun.” He and Ronan now divide their time between London, Scotland, the US and wherever their jobs take them. “I was up in Orkney recently, on a recce for a film that I’m going to do with Saoirse,” he says. “And I was just in Australia, actually, where she’s shooting something.” Aside from all her industry experience, which is helpful, he says that he sometimes asks her to help him do the audition “self-tapes” he is often required to produce when up for a part. He will stand in front of a digital camera, delivering his lines, and she will stand off-screen, reading all the other parts. “She’s one of the best actors in the world and she’ll be giving twice the performance that I’m giving on camera. It’s hilarious.” Last year, ahead of England and Scotland’s Euro 2020 fixture, Lowden and Ronan posted a short, homemade video online in which the pair of them recreated a pre-battle scene from Braveheart: “I felt it was something that needed to be done to mark the occasion.” Lowden is a supporter of Scottish independence. He had been living in Leith prior to getting a part in Slow Horses, which required him to relocate to London two years back. “But I want to move back as soon as I can.” It winds him up when English people, like me, tell him that they always want Scotland to do well in their sporting fixtures. “Like, you don’t have to say that,” he says, shrugging indifferently. “Want us to lose. Whatever. We don’t care.” Recently, he was at Murrayfield watching Scotland host England in the Six Nations, and he was reprimanded by a fellow Scot for booing God Save the Queen. “He turned around and went, ‘Come on, man.’ And I said, ‘No! This is the problem! It’s got to be difficult for them to come here. We’ve got to create an atmosphere. What’s the point in being polite?’ ” A little later he revisits the subject, a little gingerly, just to clarify that he was talking about anthem-booing in a purely sporting context and that he genuinely doesn’t want to upset anybody. He has friends from south of the border, he says, who can dish it out every bit as much as he can. “Two of my best mates are English, and we always go and watch rugby together. And you’ve got to have a sense of humour around that.” One thing he genuinely does seem to enjoy about his job is hanging out with actors. “They are great people to have around a dinner table. Great people to talk to. They’re very trusting, very quickly, great people to confide in. If you ever have difficulty opening up, find an actor. You’re not going to shock an actor. Well, you’re not going to shock a British actor.” For someone like Lowden, who is naturally shy, you can see the appeal. For a while, in his mid-twenties, he says that he made a concerted effort to be more outgoing. “I looked around and thought, ‘The world wants a gobby person. I’ve got to have a bit of oomph about me,’ ” he says. “So I sort of tried that on for a bit. Like a coat. And it went fine. I wasn’t an arsehole. But it felt like I was having to put a lot of effort into it.” Now he’s back to being quiet, which suits him better and is probably for the best. “Particularly in a work environment. The people you want to work with again aren’t necessarily the loudest in the room.” He’s turned down big money for parts he didn’t fancy. His dad, who works for the Bank of Scotland, never understands. “He says, ‘Why would you do that?’ But I’ve never regretted it.” His social media channels are not exactly the slick shop windows of many other young actors, and his passion for railways and service stations is instantly discernible. “I’m a massive fan of service stations. Wetherby on the A1…” he says dreamily, before finishing his second pint. He is not aware of any intense online fandom, although there is a small but committed group of Jack Lowden superfans who will come and watch him perform on stage. “There’s about five of them, lovely lasses, mainly from England. They came 25 times when I did Measure for Measure at the Donmar. It was like, wow, you must be minted.” He has no concrete professional goals or ambitions. “There isn’t anything where I’m like, I absolutely have to play that,” he says, before gathering his stuff together to leave and catch a train to Scotland. “I just want to play a role where I feel, ‘Wow, you really f***ing pushed yourself.’ Because only I know when I’ve really pushed myself. Because sometimes I think I have done, but then I get home at night and think… ‘Nah, you really didn’t. You just sort of did that thing you always do.’ ” He smiles and sighs. Oh well. It’s hard not to hope that he finds what he’s after. In the meantime, though, we can’t complain. That thing he always does is great. Better than most. Fingers crossed, he’ll see that soon.

[a-m-e-t-h-y-s-t-r-o-s-e]

Going back to the Roman Polanski petition and the Epstein files, just the ones I’ve seen so far, it’s so incredibly disheartening seeing how many entertainers and people I generally held in positive regard are on these lists. There is, of course, the chance they didn’t know anything and were just shuttled around as being famous rich people, but...man. They’re on the same list as people we know are cretins, so there’s no way of actually knowing who is and isn’t good. It’s like trying to tell which porn is and isn’t consensual, you just can’t.

anyway here’s a list so far of all the elites named in the epstein files, or who supported roman polanski’s relase after he was arrested for raping a teenage girl:

SIGNED PETITION TO RELEASE ROMAN POLANSKI AFTER HE WAS ARRESTED FOR RAPING A 13-YEAR-OLD GIRL AND FLEEING THE COUNTRY ---------- Adrien Brody Alejandro G. Inarritu Alexander Payne Alexandre Desplat Alfonso Cuaron Asia Argento (apologized, regrets) Buck Henry Darren Aronofsky David Lynch Emma Thompson (claims to have signed, asked for her name to be removed) Guillermo Del Toro Harmony Korine Harrison Ford Jean-Jacques Annaud Jeremy Irons Jerry Schatzberg John Landis Jonathan Demme Julian Schnabel Kristin Scot Thomas Marin Scorsese Michael Mann Mike Nichols Monia Bellucci Natalie Portman (apologized, regrets) Neil Jordan Paul Auster Penelope Cruz Stephen Frears Steven Soderbergh Terry Gilliam Tilda Swinton Tom Tykwer Walter Salles Wes Anderson Wim Wenders Woody Allen Xavier Dolan (apologized, regrets)

CELEBRITIES NAMED IN EPSTEIN FILES ------------- Adam Perry Lang Akon Alan Dershowitz Alberto Pinto Alec Baldwin Alyssa Rogers Anderson Cooper Andrea Mitrovich Andres Pastrana Anthony Kiedis Audrey Raimbault Barack Obama Ben Affleck Beyonce Bill Clinton Bill Gates Bill Hammond Bill Murray Brian Affleck Caren Casey Casey Wasserman Charlie Sheen Chelsea Handler Chris Tucker Chris Wagner Cindy Lopez Claire Hazel Courtney Love Dan Schneider David Koch David Yarovesky Demi Moore Donald Trump Doug Band Ed Tuttle Ehud Barak Ellen Spencer Eminem Emmy Taylor Eva Dubin Fleur Perry Land Freya Wissing Gary Roxburgh George Mitchell Ghislaine Maxwell Glen Dubin Greg Holbert Gwen Stefani Gwendolyn Beck Hank Coller Heather Mann Henry Jarecki Henry Rosovsky Itzhak Perlman James Franco James Gunn Jean Luc Brunel Jean Michelle Gathy Jeffery Epstein Jeffery Jones Jim Carrey Jimmy Kimmel Joe Pagino John Cusack John Glenn Juan Pablo Molyneux Juliette Bryant Justin Roiland Kathy Griffin Katy Perry Kelly Spamm Kevin Spacey Kirsty Rodgers Larry Summers Larry Visoski (pilot of Lolita Express) Laura Wasserman Lawrence Krauss Linda Pinto Lisa Summers Lynn Forester De Rothchild Madonna Mandy Ellison Marc Collins-Rector Mark Epstein Mark Lloyd Marvin Minsky Melinda Luntz Meryl Streep Michelle Wolf Nadia Marcinkova Naomi Campbell Natalie Blachon De Perrier Nichole Junkermann Oliver Sachs Paul Hala Paul Mellon Paula Epstein Peter Marino Pharrel Williams Prince Andrew of England Quentin Tarantino Ralph Ellison Ray Barzanna Ricardo Legoretta Robert Downey Jr Rodney Slater Ron Burke Ron Eppinger Sandy Burger Sarah Kellen Seth Green Shawn Carter (Jay-Z) Shelley Harrison Shelley Lewis Sophie Biddle Stefani Germanotta (Lady Gaga) Steven Colbert Stephen Collins Stephen Hawking Steven Spielberg Steven Tyler Svetlana Griaznova Teala Davies Tiffany Gramza Tom Hanks Tom Pritzker Tyler Grasham Victor Salva Virginia Roberts Wanda Sykes Will Ferrell Will Smith Woody Allen

KNOWN SEX PESTS NOT OTHERWISE NAMED ------------ Bill Cosby Drake Harvey Weinstein Jada Pinkett-Smith R. Kelly

#sj shit #so upsetting #personal potatoes #the only thing I can take solace in is that Michael isn't on the lists

[ericfruits]

Sources and acknowledgments

The author would like to thank the following for their help:

Erin Amico; Michael Amiridis; John Austin; Ed Bachrach; Carmelo Barbaro; Tom Barrett; Tim Bartik; Austin Berg; Scott Brave; Max Brickman; Sherrod Brown; Pete Buttigieg; Kendall Byram; Dan Caulkins; Hayley Child; Chris, in Assumption; Kathy Cramer; Kate Collignon; John Cranley; Rick Cruse; Art Cullen; Donald Dennis; Orphe Divounguy; Mike Duggan; Rahm Emanuel; Thea Ewing; Micah Ezekiel; Flash, in Decatur; Tony Flora; Charles Franklin; Tim Franklin; Laura Frerichs; Tim Frisbie; Jeremy Jacobs; Edward Glaeser; Anika Goss-Foster; Nathan Grawe; John Gurda; Beth Hansen; Dave Harrison; Brad Henderson; Tom Henry; Eric Herman; Walter Johnson; Aaron Jones; Robert Jones; Paul Judge; Bruce Katz; Ryan Kelly; Thomas Klier; Birgit Klohs; Paul Krugman; Bob Leonard; Lori Lightfoot; Richard Longworth; Jeffrey Lyttle; Jeremy Manier; Bert Matthews; Richard Mattoon; Sonya Mays; Kenny McDonald; Scot McLemore; Leslie McGranahan; Rick Melcher; Julie Moore; Aidan Mouat; Tom Murphy; David Oppedahl; Mark Patton; Tef Poe; Darrin Redus; Brian Reisinger; Aaron Renn; Jamala Rogers; Rafael Salmi; John Sampson; Jeff Sloan; Tom Sloan; Sloan Spalding; Ramesh Srinivasan; Diane Swonk; Lauren Underwood; John Urbanus; Mike Venerable; Jay Walder; Thomas Walstrum; Ray Waters; Ben Wikler; Bob Zemsky.

A list of books and reports used for this report follows.

Books:

“Bleeding Out; The devastating consequences of urban violence, and a bold new plan for peace in the streets”. By Thomas Abt.

“Dignity, Seeking Respect in Back Row America”. By Chris Arnade.

“The New Chicago Way; Lessons from other big cities”. By Ed Bachrach and Austin Berg.

“Shortest Way Home; One mayor’s challenge and a model for America’s future”. By Pete Buttigieg.

“The Politics of Resentment: Rural Consciousness in Wisconsin and the Rise of Scott Walker”. By Katherine Cramer.

“Nature’s Metropolis, Chicago and the Great West”. By William Cronon.

“Storm Lake; A chronicle of change, resilience, and hope from a Heartland Newspaper”. By Art Cullen.

“Evicted; Poverty and profit in the American city”. By Matthew Desmond.

“The Nation City; Why mayors are now running the world”. By Rahm Emanuel

“Our Towns; A 100,000 mile journey into the heart of America”. By James Fallows and Deborah Fallows.

“What’s the matter with Kansas? How conservatives won the Heart of America.” By Thomas Frank.

“Triumph of the City; How our greatest invention makes us richer, smarter, greener, healthier and happier”. By Edward Glaeser.

“The Making of Milwaukee”. By John Gurda.

“Janesville; An American Story”. By Amy Goldstein.

“The Fall of Wisconsin; the conservative conquest of a progressive bastion and the future of American politics”. By Dan Kaufman.

“American Summer; Love and death in Chicago”. By Alex Kotlowitz.

“The Heartland, An American History”. By Kristin L Hoganson.

“The Broken Heart of America; St Louis and the Violent History of the United States”. By Walter Johnson.

“The New Localism, How Cities can Thrive in the age of Populism”. By Bruce Katz and Jeremy Nowak.

“The Promised Land; the great black migration and how it changed America”. By Nicholas Lemann.

“Sundown Towns, A Hidden Dimension of American Racism”. By James W Loewen.

“Caught in the Middle; America’s heartland in the age of Globalism”. By Richard Longworth.

“The South Side; A portrait of Chicago and American Segregation”. By Natalie Y. Moore.

“Cahokia; Ancient America’s Great City on the Mississippi”. By Timothy Pauketat.

“Great American City; Chicago and the enduring neighbourhood effect”. By Robert Sampson.

“North America”. By Anthony Trollope.

“The Warmth of Other Suns; the epic story of America’s great migration”. By Isabel Wilkerson.

Reports:

“A Vital Midwest; the path to a new prosperity”. By John Austin and Alexander Hitch; The Chicago Council on Global Affairs. 2020.

“Between the Great Migration and Growing Exodus: the future of black Chicago?” By William Scarborough, Iván Arenas, and Amanda E. Lewis. Institute for Research on Race and Public Policy, University of Illinois at Chicago. 2020.

“How stagnating cities can prepare for the future”. Aaron Renn. Manhattan Institute. 2019.

“Jobs for the Heartland: Place-based policies in 21 st century America”. By Benjamin Austin, Edward Glaeser, Lawrence Summers. Brookings Papers on Economic Activity. 2018.

“Midwest success stories, these 10 cities are blooming not rusting”. Aaron Renn. Manhattan Institute. 2019.

“The State of the Heartland”. Mark Muro, Jacob Whiton, Robert Maxim, Ross De Vol. Metropolitan Policy Program at Brookings. 2018

“Why the Garden Club couldn’t save Youngstown; Civic infrastructure and mobilization in economic crises”. Sean Safford. 2004

The Midwest an outsized punch

This article appeared in the Special report section of the print edition under the headline "Sources and acknowledgments"

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#IFTTT #Feedly

[myhikari21things]

My Books Published In Years Ending In 2

Adventures of Tom Sawyer-1872 Mark Twain

Carmilla-1872 Joseph Sheridan

Metamorphasis-1912 Franz Kafka

Tarzan of the Apes-1912 Edgar Rice Burroughs

Anne’s House of Dreams-1922 Lucy Maud Montgomery

Brave New World-1932 Aldous Huxley

King Kong-1932 Delos W. Lovelace

The Birds and Other Stories-1952 Daphne du Maurier 

The Voyage of the Dawn Treader-1952 C.S. Lewis

Something Wicked This Way Comes-1962 Ray Bradbury

The Drowned World-1962 J.G. Ballard

The Man in the High Castle-1962 Philip K. Dick

The Woman in the Dunes-1962 Kobo Abe

We Have Always Lived In The Castle-1962 Shirley Jackson

Conquest of the Planet of the Apes-1972 John Jakes

Annie On My Mind-1982 Nancy Garden

Creepshow-1982 Stephen King

Different Seasons-1982 Stephen King

Schindler’s List-1982 Thomas Keneally

The Gunslinger-1982 Stephen King

The Running Man-1982 Richard Bachman

Dragonfly in Amber-1992 Diana Gabaldon

Gerald’s Game-1992 Stephen King

The Ice House-1992 Minette Walters

Attack of the Clones-2002 R.A. Salvatore

Baron: The Cat Returns-2002 Aoi Hiiragi

Coraline-2002 Neil Gaiman

Distant Shores-2002 Kristin Hannah

Eleanor Crown Jewel of Aquitaine-2002 Kristiana Gregory

Everything’s Eventual-2002 Stephen King

From a Buick 8-2002 Stephen King

Gyo 1-2002 Junji Ito

Gyo 2-2002 Junji Ito

Jahanara Princess of Princesses-2002 Kathryn Lasky

Kafka on the Shore-2002 Haruki Murakami

Mary Queen of Scots Queen Without a Country-2002 Kathryn Lasky

Nightmare at 20,000 Feet-2002 Richard Matheson

Sondok Princess of the Moon and Stars-2002 Sheri Holman

Abandon-2012 Blake Crouch

Aristotle and Dante Discover the Secrets of the Universe-2012 Benjamin Alire Seanz

Cinder-2012 Marissa Meyer

Eleanor & Park-2012 Rainbow Rowell

Home Front-2012 Kristin Hannah

Kase-San and Morning Glories-2012 Hiromi Takashima

Kingdom Hearts Dream Drop Distance-2012 Tomoco Kanemaki

Me Before You-2012 Jojo Moyes

Son-2012 Lois Lowery

The Casual Vacancy-2012 J.K Rowling

The Fault In Our Stars-2012 John Green

The Haunted-2012 Blentley Little

The Kingmaker’s Daughter-2012 Philippa Gregory

The Song of Achilles-2012 Madeline Miller

The Wind Through The Keyhole-2012 Stephen King

#books #reading #book lists #my books

[lulabo]

books of 2017

that I read! 

the tally is lower than I thought it would be (at 37 actual books read, not counting the dozen or so (at least) that I started and didn’t finish either because: library holds always come in at the same time, disinterest, or personal moral failure), but this was the year I also read a lot of news, just many, many, many articles across a lot of publications because, you know, 2017

alphabetical by author, with three word reactions:

Simon Vs the Homo Sapiens Agenda, Becky Albertalli (I LOVED IT) Leaf Reader, Emily Arsenault (I DON’T REMEMBER) Nothing, Annie Barrows (I WAS SURPRISED) Emmy & Oliver, Robin Benway (LOVE IS REAL) Lion, Saroo Brierley (IT’S HIS NAME) Alexander Hamilton, Ron Chernow (I FINISHED IT) The Late Show, Michael Connelly (IDK IDK IDK) When a Scot Ties the Knot, Tessa Dare (OCH AYE WOO) The Guineveres, Sarah Dorrett (LADY PATRON SAINTS) Clover Adams: A Gilded and Heartbreaking Life, Natalie Dykstra (FASCINATING, SAD, BEAUTIFUL) Little Deaths, Emma Flint (DEPRESSING AND DISTRESSING) Five Days at Memorial: Life and Death in a Storm-Ravaged Hospital, Sheri Fink (ALL MY NIGHTMARES) Norse Mythology, Neil Gaiman (MYTHS ARE WEIRD) Killers of the Flower Moon, David Grann (ATROCITIES IN BUREAUCRACY) Turtles All the Way Down, John Green (HARD, WORTH IT) The Nightingale, Kristin Hannah (WWII AMIRITE ¯\_(ツ)_/¯) We Have Always Lived in the Castle, Shirley Jackson (YES WE HAVE) 11/22/63, Stephen King (READ FOR SPITE) Rosemary: the Hidden Kennedy, Kate Clifford Larsen (SHE DESERVED BETTER) Northanger Abbey, Val McDermid (READ AUSTEN INSTEAD) Release, Patrick Ness (TRIPPY, INTERESTING, SADDISH) Born a Crime, Trevor Noah (SOLID READ OBVI) The Captive Prince trilogy, C.S.  Pacat (OPPOSITES ATTRACT, BATTLE) For Darkness Shows the Stars, Diana Peterfreund (MOSTLY ENJOYED IT) Bone Gap, Laura Ruby (HALLUCINATORY MAGICAL REALISM) Aristotle and Dante Discover the Secrets of the Universe, Benjamin Alire Sáenz (LOVE IS HARD) Today Will Be Different, Maria Semple (FAMILIAR, NOT BERNADETTE) Pretty Girls, Karin Slaughter (SUPER FUCKED UP) Station Eleven, Emily St. John Mandel (GOD SAVE US) The Hate U Give, Angie Thomas (READ THIS BOOK) Unbelievable: My Front Row Seat to the Craziest Election in American History, Katy Tur (IT HAPPENED ANYWAY) Blood of Emmett Till, Timothy B.Tyson (THEY MURDERED HIM) Another Brooklyn, Jacqueline Woodson (GORGEOUS AND FARAWAY) Jane Austen at Home: A Biography, Lucy Worsley (STOP WINKING LUCY)

recent “I started expecting to be done by 2018 but I’m only one person” titles include 17 Carnations and Princes at War, both about the Duke of Windsor, all-time narcissist, Pioneer Girl, Two Kinds of Truth.

#books #reading

[pknoepfl]

NEJM paper links 3 blinded patients to publicly-traded stem cell clinic

NEJM paper links 3 blinded patients to publicly-traded stem cell clinic

Do 3 blinded stem cell clinic patients with major or complete vision loss constitute a significant adverse outcome?

I would say so and a new paper details how this happened apparently at a particular publically-traded South Florida stem cell clinic business.

You can see the damaged retinas of one such patient below in an image from a new NEJM paperreporting the severe adverse outcomes. The red…

View On WordPress

#Ajay E. Kuriyan #Bioheart #clinicaltrials.gov #George Q. Daley #Harry W. Flynn #Hemang K. Pandya #Jeffrey L. Goldberg #Justin H. Townsend #Kristin Comella #M. Brandon Parrott #Marianeli Rodriguez #NCT02024269 #Philip J Rosenfeld #Robert E. Leonard #SCOTS trial #SCOTS vision trial #stem cell clinic patients #stem cell researcher and Harvard Med School Dean George Daley #Thomas A. Albini #US Stem Cell #US Stem Cell Clinic #US Stem Cell lawsuit #US Stem Cell Training

[dear-indies]

your fc suggestions are always so helpful. thanks for all you do! when you have the free time could you list some of your favorite fcs in their 60s? any gender is great! thanks in advance and again thanks for all the wonderful work you do.

Two-Spirit:

Tomson Highway (1951) Cree - Two-Spirit - he/him.

Alec Butler (1959) Métis of Mi'kmaq heritage - Two-Spirit trans man - he/they.

Women:

L. Scott Caldwell (1950) African-American.

Tantoo Cardinal (1950) Metis of Cree, Dene, Nakoda Sioux, and French.

Jane Lind (1950) Aleut.

Joan Armatrading (1950) Saint Kittitian - not straight but otherwise unsepcfiied. 

Shabana Azmi (1950) Indian.

Maryam Mursal (1950) Somali.

Lillias White (1951) African-American.

Margo Martindale (1951)

Geraldine Keams (1951) Navajo.

Tracey Norman (1952) African-American - trans.

Annette O'Toole (1952)

Alfre Woodard (1952) African-American.

Charlayne Woodard (1953) African-American.

CCH Pounder (1952) Afro-Guyanese.

Katey Sagal (1954) Ashkenazi Jewish / German, English, Swiss-German, French, Scottish.

Rene Russo (1954) -  has bipolar disorder.

Marsha Warfield (1954) African-American - lesbian. 

Marina Sirtis (1955)

Kate Mulgrew (1955)

Kim Cattrall (1955) 

Sandra de Sá (1955) Afro-Brazilian - bisexual. 

Michelle Yim (1955) Hongkonger.

Karasuma Setsuko (1955) Japanese. 

Ann Dowd (1956)

Catherine O'Hara (1956) 

Linda Hamilton (1956) - has bipolar disorder.

Carla-Rae Holland (1956) Mohawk, Seneca, and French.

Lesley Manville (1956)

Yo Kimiko (1956) Japanese. 

Geri Jewell (1957) - has cerebral palsy.

Kathy Najimy (1957) Lebanese.

Sheri Foster (1957) Cherokee.

Ratna Pathak Shah (1957) Gujarati Indian.

Jenifer Lewis (1957) African-American - has bipolar disorder.

Amy Aquino (1957) 75% Italian 25% Ashkenazi Jewish.

Velina Hasu Houston (1957) African-American, Pikuni Blackfoot, Japanese, Chinese, Native Hawaiian, Cuban, Argentinian, Brazilian, Armenian, Greek, German, English.

Faith Nolan (1957) Mi’kmaq, African Canadian, and Irish - lesbian.

Jamie Lee Curtis (1958) Ashkenazi Jewish / Danish, smaller amounts of English, Scots-Irish/Northern Irish, German, Swiss-German, remote French.

Holly Hunter (1958) - is deaf in left ear.

Susanna Thompson (1958)

Madeleine Stowe (1958) Dutch, German, English / Costa Rican {Spanish], one quarter German.

Jennifer Tilly (1958) Chinese / Finnish, Irish.

Allison Hedge Coke (1958) Metis, Huron, Cherokee, Chickasaw, Seminole, Choctaw, Muskogee, French, Portuguese, English, and Scottish.

Angela Bassett (1958) African-American.

Kristin Scott Thomas (1960)

Rena Owen (1960) Māori.

Elaine Miles (1960) Cayuse, Nez Perce.

Lorraine Toussaint (1960) Afro-Trinidadian.

Lou Bennett (1960) Yorta Yorta, Dja Dja Wurrung - lesbian. 

Orla Brady (1961)

Julia Louis-Dreyfus (1961) 

Men:

Ron Perlman (1950) Ashkenazi Jewish.

CJ Jones (1950) African-American - deaf. 

John Goodman (1952)

Sammo Kam-Bo Hung (1952) Hongkonger.

David Byrne (1952) - is autistic.

Mandy Patinkin (1952) Ashkenazi Jewish.

Graham Greene (1952) Oneida.

Thom Gossom Jr. (1952) African-American.

Gil Birmingham (1953) Comanche.

Robert Finley (1954) African-American - blind.

Gregory Zaragoza (1954) Akimel O’odham and Mexican.

Raoul Max Trujillo (1955) Spanish, Tlaxcaltec, Apache, Comanche, Pueblo, Ute, Métis, Sephardi Jewish, and Moorish.

Jimmy Smits (1955) Dutch-Surinamese / Puerto Rican.

Chow Yun-fat (1955) Hongkonger.

Mark Boone Jr. (1955)

Nathan Lane (1956) - gay.

Keith David (1956) African-American.

Anil Kapoor (1956) Indian.

Jeremy Wade (1956)

Julian Richings (1956)

Ernie Dingo (1956) Yamatji.

Steve Buscemi (1957)

Dirk Blocker (1957)

Richard E. Grant (1957)

Dolph Lundgren (1957)

Isaach de Bankolé (1957) Ivorian.

Ray McKinnon (1957)

Daniel Day-Lewis (1957) Ashkenazi Jewish / English, Northern Irish, remote Welsh.

Kim Coates (1958)

Peter Capaldi (1958)

Gregory Scott Cummins (1958)

Giancarlo Esposito (1958) African-American / Italian.

Alec Butler (1959) Métis of Mi'kmaq heritage - Two-Spirit trans man - he/they.

Ken Watanabe (1959) Japanese.

Bradley Whitford (1959)

Tony Slattery (1959) - is gay and has bipolar disorder. 

Hugh Laurie (1959)

Sanada Hiroyuki (1960) Japanese.

James Spader (1960)

Jean-Claude Van Damme (1960) -  has bipolar disorder.

Cyril Nri (1961) Igbo Nigerian - bisexual. 

Emilio Rivera (1961) Mexican.

Please note that not all of these have resources at time of posting!

Thank you so much for your kind words too! 

#fc help #rph #rpc #olderfcs #pls lmk if any of these are problematic i did google!

[dear-indies]

Could you please recommend some faces that would fit a modern fantasy setting? Any ethnicity, age, and gender is fine. Thank you so much!!!

Melonie Diaz (Charmed) Puerto Rican.

Anna Lambe (Trickster) Inuit - bisexual. 

Alisha Wainwright (Shadowhunters) Afro- Haitian / Jamaican. 

Alberto Rosende (Shadowhunters) Cuban / Colombian..

David Gyasi (Carnival Row) Ghanaian. 

Precious Mustapha (Fate: The Winx Saga) Nigerian. 

Tati Gabrielle (Chilling Adventures of Sabrina) African-American / Korean.

Adeline Rudolph (Chilling Adventures of Sabrina) Korean / German.

Jaz Sinclair (Chilling Adventures of Sabrina) African-American.

Chance Perdomo (Chilling Adventures of Sabrina) Afro-Dominican / Guatemalan.

Maisie Richardson-Sellers (The Originals) Black British - queer.

Danielle Rose Russell (Legacies)

Kaylee Bryant (Legacies) 1/4 Japanese 3/4 English, Danish, German, Irish.

Chris Lee / Chris De'Sean Lee (Legacies) African-American. 

Jenny Boyd (Legacies)

Aria Shahghasemi (Legacies) Iranian. 

Peyton Alex Smith (Legacies) African-American. 

Quincy Fouse (Legacies) African-American.

Anna Diop (Titans) Senegalese.

Alan Ritchson (Titans)

Conor Leslie (Titans)

Chelsea Zhang (Titans) Chinese. 

Minka Kelly (Titans)

Ryan Potter (Titans) Japanese / Swedish, English, German, Scots-Irish/Northern Irish, Ashkenazi Jewish.

Ricky Whittle (American Gods) Afro-Jamaican / English. 

Pablo Schreiber (American Gods)

Emily Browning (American Gods)

Yetide Badaki (American Gods) Nigerian - bisexual. 

Lana Parrilla (Once Upon a Time) Puerto Rican / Sicilian-Italian.

Adam Beach (Nancy Drew) 7/8 Saulteaux, 1/8 Icelandic.

Tunji Kasim (Nancy Drew) Nigerian / Scottish.

Katie Findlay (Nancy Drew) Chinese, Macanese, Portuguese, Scottish, English.

Maddison Jaizani (Nancy Drew) Iranian.

Leah Lewis (Nancy Drew) Chinese.

Kennedy McMann (Nancy Drew)

Mädchen Amick (Witches of East End)

Jenna Dewan ( Witches of East End ) Lebanese, Polish / German, English.

Julia Ormond (Witches of East End)

Rachel Boston (Witches of East End)

Anna Paquin (True Blood) - bisexual.

Stephen Moyer (True Blood)

Alexander Skarsgård (True Blood)

Ryan Kwanten (True Blood)

Rutina Wesley (True Blood) African-American - sexuality unlabelled but is engaged to a woman.

Kristin Bauer van Straten (True Blood)

Deborah Ann Woll (True Blood)

Tyler Hoechlin (Teen Wolf)

Shelley Hennig (Teen Wolf)

Crystal Reed (Teen Wolf) - sexuality unlabelled but is engaged to a woman.

David Giuntoli (Grimm)

Tim Rozon (Wynona Earp)

Melanie Scrofano (Wynona Earp)

Shamier Anderson (Wynona Earp) Afro-Jamaican. 

Varun Saranga (Wynona Earp) Tamil. 

Dominique Provost-Chalkley (Wynona Earp)

Lesley-Ann Brandt (Lucifer) Cape Coloured (English, East Indian, German, Spanish, Dutch, Khoisan, Ashkenazi Jewish).

Lauren German (Lucifer)

Tom Ellis (Lucifer)

Matt Ryan (Constantine)

Laura Vandervoort (Bitten)

Greyston Holt (Bitten) 

Robert Sheehan (Misfits) 

Antonia Thomas (Misfits) Afro- Jamaican / English, possibly Welsh.

Nathan Stewart-Jarrett (Misfits) Afro-Barbadian.

Anna Silk (Lost Girl) English, Turkish, Cypriot.

Ksenia Solo (Lost Girl)

Ruth Connell (Supernatural)

Osric Chau (Supernatural) Hongkonger / Malaysian.

Olivia Taylor Dudley (The Magicians)

Hale Appleman (The Magicians) Ashkenazi Jewish / Irish, English - queer.

Summer Bishil (The Magicians) Indian / Mexican, German, English, distant Dutch.

Jason Ralph (The Magicians)

Arjun Gupta (The Magicians) Indian. 

Harvey Guillén (The Magicians) Mexican - queer.

Jade Tailor (The Magicians) Ashkenazi Jewish / German, English, Irish, Dutch, Scottish.

Aidan Turner (Being Human)

Michael Socha (Being Human)

Angela Bassett (American Horror Story) African-American.

Angelica Ross (American Horror Story) African-American. - trans woman.

Adria Arjona (Emerald City) Guatemalan / Puerto Rican.

Oliver Jackson-Cohen (Emerald City) Egyptian Jewish / English.

François Arnaud (Midnight Texas) - bisexual.

Arielle Kebbel (Midnight Texas and The Vampire Diaries)

Peter Mensah (Midnight Texas) Ghanaian. 

Parisa Fitz-Henley (Midnight Texas) Afro-Jamaican - non-binary - she/her they/them.

Lauren Cohan (The Vampire Diaries) 

Most of these have resources if you add /tagged/fc name at the end of the blog URL!

#fc help #rph #rpc #Anonymous