#Shapping culture

[igate777]

(via ELISHA'S LEADERSHIP TRANSITION IS A TYPOLOGY OF THE PRESENT THIRD-DAY CHURCH. PT 5.)

#Prayer #Intercession #Elisha's transition #Kingdom advancement #understanding culture #Shapping culture #The power of revelation #Faith and the kingdom #John:4;35 #Leadership and biblical principle #God is at work in you #kingdom perspective #Biblial principle #knowing God and his ways #Third day ministry #What is God doing today? #Prophetic perspective #Prophetic intercession #learning to pray #Building your spirit #What is biblical transition

[pluralcultureis]

plular culture is having your innerworld be shapped like your favirte childhood book so you never really need to make a map of the inner world yourself cus you can just open to book and trace that map and chage a few small things and bam its our innerworld

.

#endos dni #osdd #pdid #did #did system #pdid system #osddid #actually did #traumagenic #actually dissociative #plural culture is

[cellphishthekaiju]

Sennar, the Dragon (Deranged OC Rambling)

https://picrew.me/en/image_maker/23273

*Art used in this post is for approximation/reference of the character's appearance and may be replaced in the future with more accurate depictions

CONTENT WARNING: Heavy talk/reference/implication of rape, sexual abuse and subjects pertaining to gender identity and the like.

I'm back with more deranged character ramblings studies, this time with an original character for a sapphic smut short story I am, still, working on... part of a larger world I've sat on for the better part of a decade now (If folks would like a very lengthy lore dump on this world, comments/asks are always encouraging).

Meet Sennar, the Dragon.

Sennar is a female dragon of steel-grey scales that shimmer blue in the light. For her species, Sennar tends to be stand-offish and passive unless her temper is provoked or something of interest is presented to her (she enjoys stories and cultural behaviors & rituals that are foreign to her). Though identifying as female, Sennar is Rhaen (an Intersex gender identity) and suffers dysphoria due to how draconian culture treats and reviles her assignment.

*Ravine - Stjepan Sejic

Hailing from an undiscovered land far to the north-east of the continent of Aphrosia(where the short story takes place), across a seemingly endless ocean, Sennar flew for several days and nights before, in her exhaustion, crash-landed into a mountain range of Aphrosia known as Dracyn's Slumber. Not only did she suffer injuries from the landing (nearly destroying both her wings), she was also bearing relatively fresh claw and bite marks, having been attacked by another dragon.

In draconian society, males rule and females are nothing more than breeding stock to perpetuate the species (dragons were nearly hunted to extinction during a massive conflict they call The Fallen Eclipse, which led to their predecessors fleeing Aphrosia). Rhaen dragons are reviled by their own kin and few that make it to adulthood forever live a life of secrecy, else they be executed for bearing the 'curse' of the 'Betrayer God' Rh'ae (Goddess of Creation, Life, the Sun, Fire and Destruction and 'mother' to the dragons). Rhaen's, if not outright killed, are forced to go through torturous procedures to 'correct' their assignment.

Sennar was one of the few female Rhaen dragons that lived freely, as part of an exile clan. She had an unfortunate encounter with a young male dragon, that sought to add her to his harem. His claws gouged her flanks and teeth nearly snapped her neck as she fought back against his attempted rape. Upon discovering she was Rhaen, the male dragon left deep gouges over her groin in an attempt to castrate her. Sennar overpowered and killed the offending dragon despite the debilitation of her injuries.

*Ravine-inspired Dragon Bust by FABRICIO_BATISTA

Unfortunately, the clan's matriarch, an ancient dragon believed to have lived before The Fallen Eclipse occurred, feared retribution against Sennar now that her true nature was exposed and convinced her to fly across the 'Endless Sea' to find their ancestral home and live at peace.

Despite her injuries, Sennar made the flight and barely survived.

A human woman (Jorunn Fafindottir) discovered Sennar within the mountains and nursed her back to health, coaxing the dragon to follow her back to her homeland, Jormunheim, where the ravaging winter storms would hide the dragon while she finished recovering. There, Sennar learned some of the forgotten and omitted history of her kind and grew to understand the matriarch's fondness for mortal creatures such as Humans. To be among mortals that revered, not feared, her kind was quite a cultural shock... as well as coming to term with the fact that her position as a 'Rhaen' female was not hated or even registered as much more than a sexual curiosity.

Once the winter storms calmed and her injuries were healed, Sennar left to travel across Aphrosia, adopting the guise of a human. Though a shapeshifter, she could not maintain a total human disguise for longer than a day at a time. Most times, she adopted a 'half' form that most mistook for a Rh'xol, a species of mortals said to be the direct daughters of Rhae herself; partially draconian in physical appearance

*Dragon Girl by Giush

Before the next Fivulvinter came to cut Jormunheim off from the rest of Aphrosia for the winter, Sennar returned to the village with a sizable 'offering' (basically a dowry) to claim Jorunn as her mate. The previous year, the dragon had observed how her own people were only interested in her for brief carnal affairs and Jorunn's companionship had deeply touched and attracted Sennar, coming to see the woman as an equal during their time spent together.

Sennar was prepare to be rejected but Jorunn happily accepted the dragon's proposal and they become bonded/married. Sennar guards and cherishes her wife quite fiercely, as well as the entire settlement.

*Old art of them, done by me when I first made the characters. This started out as a smut comic (never finished it)

Welp, that's all I got. I hope you enjoyed and, as always, if you ever want to see more, comments & asks help me focus on doing this kinda stuff.

*Current, updated, piece I'm working on form Sennar and Jorunn. Sennar's design is not set yet.

#female oc #monster oc #dragon oc #i love my oc #i'm an absolute crackpot #i'm trying my best at original fiction

[lifephilosophys-blog]

الغيب، ذلك الواقع الذي يكون مخفيًا عن الوعي والحواس، ولكن الإيمان به يشكل علمًا متيقنًا لا يمكن إثباته بالقدرة البشرية. إنها الشكوك التي تعصف بالذهن وتتيح للخيال والتصورات أن تمتزج بالواقعية المرجوة. يمكننا أن نرى الغيب كمنطلق للتفكير العميق والتأمل في العوالم المجهولة خلف حدود الواقع.

الخرافة، بأشكالها المختلفة، هي ترسيخ لجهلنا وتأملنا في المجهول. إنها تجسد لحظة الضعف والترقب التي يختبرها الإنسان في مواجهة الغموض. يمكن أن تكون الخرافة نتاجًا لعواطفنا الأكثر عمقًا وتخوفاتنا الدفينة، حيث تنطوي على قوى خفية وتأثيرات تفوق الفهم البشري.

أما الأسطورة، فهي مرآة تاريخنا وثقافتنا، تسرد قصصًا تجمع بين الواقع والخيال. إنها تعكس عقولنا الجماعية وتوجهاتنا الروحية بطريقة تسلسلية ومحورية. الأساطير تعبر عن وعينا الجماعي وتسجل تاريخنا وقيمنا بطريقة تتجاوز الزمن والمكان.

تلك الأفكار والتصورات تثير في الإنسان دومًا حيرة وتشويقًا، بما يبقى خفيًا على أعيننا. قد يقف الإنسان حائرًا بين اليقين والشك، ويجده سبيلًا لمواجهة الغموض والتساؤل. يتذوق عالم الغيب بحماس ويصيغ له قصصًا وروايات تساعده في فهم عالم الروحانيات والعالم الذي يكون وراء حدود المعقول.

في نهاية المطاف، يمكن أن تكون الأفكار حول الغيب والخرافة والأسطورة مجرد تعبيرات للحقيقة التي ما زالت تنتظر الكشف. إنها محاولات لتقريب الإنسان من فهمه للحقيقة الكبرى التي قد تكون مخفية عنه. إنها سعي للتعبير عن التجربة الإنسانية كما هي، ولتلخيص الحكايات والمغامرات التي تصيغ شريط حياتنا.

الغيب والخرافة والأسطورة تشكل جزءًا من قيمنا وأفكارنا وترسخ وجودنا الروحي والثقافي. إنها كنز يُحفظ في أعماق الوجدان وتاريخ البشرية. قد تظل الأسئلة تدور حولها والمحاولات تتوالى لفك شفرتها، ولكنها تظل جزءًا من التجربة الإنسانية التي تحتفظ فيها الحكمة والعجائب بقيمتها وجاذبيتها.

في نهاية المطاف، قد تكون الحقيقة هي أن ما بين اليقين والشك، ما بين الواقع والخيال، ما بين الوعي والغيب، هي أجزاء من نفس اللغز الكوني الذي يحتاج الإنسان إلى محاولات مستمرة لفهمه واكتشافه. يمكن أن تكون الخرافة والأساطير وحتى الشكوك جزءًا لا يتجزأ من هذا المسار، وقد يكون من الضروري أحيانًا أن نمنح أنفسنا الحرية لاستكشاف هذه الجوانب الغامضة والمجهولة من الحياة.

إذاً، لنبقى متأملين للحقائق والشكوك والخيال، مع مساحة لاحتمالات الغيب والثقة في أن هناك أشياء لا تزال تخفى علينا، ولكننا في نفس الوقت نحمل آمالًا في الكشف عنها وفهمها.

The unseen, the reality that is hidden from consciousness and the senses, yet believing in it constitutes a certain knowledge that cannot be proven by human capability. These are the doubts that assail the mind and allow imagination and visions to blend with the desired reality. We can see the unknown as a starting point for deep thinking and contemplation of the unknown worlds behind the boundaries of reality.

Mythology, in its various forms, solidifies our ignorance and contemplation of the unknown. It embodies the moment of vulnerability and anticipation that humans experience in the face of mystery. Mythology may be a product of our deepest emotions and hidden fears, as it involves hidden forces and influences beyond human understanding.

As for legend, it is a mirror of our history and culture, recounting stories that bring together reality and imagination. It reflects our collective minds and spiritual orientations in a sequential and pivotal manner. Myths express our collective consciousness and record our history and values in a way that transcends time and place.

These ideas and concepts always evoke confusion and intrigue in humans, as the ultimate truth remains hidden from our eyes. Humans may find themselves torn between certainty and doubt and may see it as a way to face the mystery and questioning. They eagerly explore the realm of the unseen and craft stories and narratives to help them understand the world of spirituality and the world beyond the bounds of reason.

Ultimately, the ideas about the unknown, mythology, and legend may be mere expressions of the truth that is still waiting to be revealed. They are attempts to bring humans closer to their understanding of the ultimate truth that may be hidden from them. It is a quest to express the human experience as it is, and to summarize the stories and adventures that shape our lives.

The unknown, mythology, and legend form a part of our values and ideas and solidify our spiritual and cultural existence. They are a treasure preserved in the depths of consciousness and human history. Questions may continue to revolve around them, and efforts may continue to unravel their mystery, but they remain a part of the human experience in which wisdom and wonders retain their value and allure.

Ultimately, the truth may be that what lies between certainty and doubt, between reality and imagination, between consciousness and the unseen, are parts of the same cosmic puzzle that requires humans to make continuous attempts to understand and discover it. Mythology, legends, and even doubts may be an integral part of this journey, and it may be necessary at times to grant ourselves the freedom to explore these mysterious and unknown aspects of life.

So, let us remain contemplative of the truths, doubts, and imagination, with space for the possibilities of the unknown, and with the belief that there are things that are still hidden from us, while holding hopes of uncovering and understanding them.

[zedecksiew]

Three Clerks

Last week I tweaked my back. It hurt. A lot. As I recovered, I found that sketching with pen and pencil was less strenuous than writing on keyboard. So that's what I did.

Sketched characters from an adventure I am currently writing for Colin Le Sueur's We Deal In Lead. It began as a homage to Wisit Sasanatieng's tomyamgong western Fa Thalai Chon / Tears Of The Black Tiger.

+++

SHIN SUL SHAP, SHRINE CLERK 4 Grit 10 STR 10 DEX 10 HRT Switch (d4)

Face hidden by a broad-brimmed bonnet and veil. Patrols the lines of pilgrims; like a schoolmarm she thwacks anybody chit-chatting. Piety should be silent!

A waif snatches a lead token from her pouch, and bolts. A chase ensues. He begs your help. If Sul Shap finds him, she will sell him to captive takers.

+

Sul Shap is a clerk at the Shrine To The Headless Sun: a bare plaza; a marble pavilion; a golden man, with an ever-burning flame where his head should be.

The Headless Sun is patron saint of the Admiralty, whose laws now govern both Ocean and Sea. He was its founder. The kings of old captured and beheaded him. He overthrew them anyway.

+++

References for Sul Shap were basically Buddhist nun robes (mainly for the volume of fabric), plus an European bonnet.

Initially I'd imagined a conventional broad-brim hat---ie: her veil would be a cylinder around her whole head. But as I sketched I thought the bonnet made a more interesting shape? Also its rear was an opportunity to create a crest / halo of sun-rays. Religious iconography!

Alms bowl, because giving is a virtue. But the Headless Sun values ego-death, not asceticism---so colourful beads and gold amulets and pouches full of lead tokens (money).

+++

RIS SHAY NAM, RECORDS CLERK 2 Grit 10 STR 10 DEX 10 HRT Swung typewriter (d4)

In a wheelbarrow, pulled by a servitor, typewriter balanced on her belly, pockets filled with banana fritters. Greasy fingerprints on any document she works on.

Shay Nam thinks herself a moral soul. Will side with abolitionists and revolutionaries, with justice—until her own skin is at risk.

+

Shay Nam works at the Hibiscus Court. Princess Khur San, distancing herself from the old order, surrendered this palace to bureaucrats.

Clerks have filled its once-airy halls with shelves. By sympathetic sorcery, all contracts in the province manifest copies here. Rumour has it that this magic works both ways.

+++

This was my first sketch. In pain and bored I just started drawing.

No references, and it shows? Skirt and stockings and boots because these were the easiest for me to do. In my mind Shay Nam was an archetypal overweight NEET. Here she looks to be a sassy layabout. I like her better, now!

Also: a servitor is an empty body. Created when you ritually touch a shrine-stone to the Headless Sun---your soul is obliterated. What is left behind is mindless, hence the harness and reins.

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KHAN YUL MIN, COURT CLERK 4 Grit 1 DEF 10 STR 10 DEX 10 HRT Sabre (d8)

A university grad and former marine. But his townhouse sits below Rose Hill, on Merchant’s Row, beneath the old families' notice.

Yul Min means to change this. He has his eye on the Widow Gon. He will hire ruffians to waylay her palanquin—then swoop in, to rescue her. Elaborate theatre.

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Yul Min, like all these characters, live on the Sea of Sorrows, whose waters are literally the souls of the dead.

Roses always bleach within sight of it; to retain their colour they must be shipped in glass, then kept in arboreta—never once sharing air with the Sea.

Those who can afford red-rose gardens tend them on the south end of the city, where streets begin to climb Mount Go, in compounds walled like fortresses.

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Drew Yul Min last night. Had tabs open for "Thai traditional clothing" & "military uniforms 18th century" & "krabi" & "Vajiralongkorn".

Given my inspiration, I think the referencing of Mainland Southeast Asian material culture is appropriate. Maybe a little to obvious, though? Ie: the visual forms haven't been composted well, into new and more imaginative shapes ...

Still: very pleased with the proportions and details.

I liked how the hamsa-esque icon of the Headless Sun developed over the course of these sketches. I would not have discovered it, otherwise; it's one of those details, too small for words.

Drawing is an intrinsic part of the writing process, I guess!

+++

#writing #art #illustration #sea of sorrows #ttrpgs #characters #clerks #process notes #we deal in lead #fantasies #adventures #settings

[commandtower-solring-go]

How to lie in a job interview

I saw a post floating around about unspoken rules of a job interview, as a resource for people who struggle with them. I want to provide some hot tips to help you nail an interview that are a little more tongue-in-cheek about how underhanded they may be.

For context, i've never not gotten a job after an interview and I'm a very good sales person. Imo, getting the interview is the hardest part. But once you're there, its pretty easy. What you need to do to explain (or prove in the case of group interviews) the value you bring to a position. If you weren't qualified you wouldn't have the interview.

This requires an understanding of two elements.

Your experience

Expectations of the job role.

Once you understand how your experience can relate to the position you're looking for, then you'll nail the interview every time.

There are also two kinds of lying

Stretching the truth

Completely falsifying your experience.

Stretching the truth means either misrepresenting the nature of a precious position to make you sound better than you were or working with the fundamental experience you have and connecting it back to the position you want.

For example, i've worked largely in retail and sales roles. I have very little data entry experience. But, I'm looking for a role change. I could misrepresent the experience i gained from a previous position by saying that I have used digital management systems to keep track of stock over time, and aided in determining sales trends based on that. Which is true. I definitely look up stock levels a lot and I've done a stock take before. I've totally chatted with my manager, off hand, about ordering stock.

Or I might say that my role in sales required a level of interpersonal development which allows me to fit in well with an office culture. Which is does, but those skills were developed with customers and not other staff.

In either case, what I'm saying is technically true, but shapped to suit the role before me.

Outright lying is higher risk but offers greater reward. The benefit of lying now is that they already believe you. Afterall, you have the interview. Now, you need to show how your fake experience brings value to the new business. A basic understanding of the role you're lying about, and how to talk about it authentically is vital. It is usually best to lie about a role adjacent or structurally similar to one you've already worked.

To carry on from the previous example, let's say I've claimed to already work in an office. What value can I bring from an existing office position that sounds like it comes from someone whose worked in that role before? Well, I might say that I have experience developing stakeholder relationships and multitasking several different roles at a time. I could even make up examples.

When lying you need to stay confident. Whether you have worked the job or not doesn't matter. Your confidence needs to be the way this experience is relevant to your new role. And if you're asked to give an example, make up anything in the context of the job that lead to that outcome. At the end of the day, they don't know anything about your actual experience except what you've told them.

An element of all of this, and the underlying reason why it works, is that confidence and the ability to think on your feet will be infinitely more valuable to an employer than the actual experience you show. Even if the lie is found out, you were able to so confidentally understand the job criteria and relate to it on the fly and that makes you worth holding on to. Because it means you can be given a problem and can be expected to solve it with minimal assistance.

[stranger-rants]

(1) I hate how the Duffers and no one im the ST fandom allows Nancy to be flawed and how she's now shapped as this person incapable of making mistakes. With that mentioned, all these anons around Billy Tumblr finding genuine joy when she's bullied by Carol and Tommy (which i admittedly like how they embrace their mean energy), even after she's concerned about finding Barb, saying that her hitting Steve was wrong and that she shouldn't have reacted like that, making "nancy wheeler slander" party posts, the whole sex shaming situation that a lot of fans still feed into these days, blame her for Barb's death, claiming that all those moments that she was ridiculized weren't a big deal, pretty much laughing and saying that she deserves all that treatment just because she is annoying and entitled its something that pretty much makes my stomach churn in ways that i can hardly describe...

(2) This is coming from someone that stopped caring about her after S3, bur also from someone who has been in same slut shaming bullying situations and that possessive jealosy treatment Steve (i'm not saying he's bad either) gave her on S1 just because he thought she was cheating on him with Jonathan

I’ve only gotten a couple negative anons about Nancy, and they’re usually about Nancy and Steve. Otherwise, I don’t get these posts on my dash nor do I see them in the tags because I don’t follow anyone doing these things and I generally stick to the Billy Hargrove tag only. I think a possible reason for the antagonism in “Billy fandom” have to do with how many vocal Nancy fans are Antis, but at the same time there’s prominent Steve fans who are Antis as well and Steve does tend to avoid criticism for a lot of things. It just reads to me like two characters being pit against each other for the nice guy love interest Steve which is a tale as old as time in fandom spaces.

I do think Nancy and Steve come with an entitled attitude to certain situations, but that’s because of class. I am also critical of the way that the Duffers use her as a “girl boss” while also positioning her and her family as conservative. There’s something about how they’re not just trying to capture the pop culture nostalgia of the 80s, but the political nostalgia of the 80s through their most popular characters that really bothers me… but again Nancy is ultimately a teenage girl with her own flaws just like any other character on the show. I wish fans of the character and fans who hate the character alike would spend less time making it our problem.

I’m not particularly interested in The Wheelers, so I don’t spend a lot of time willingly talking about them unless something comes up that I want to address. I’m ambivalent to Nancy, but I will get defensive if fans pull unfair criticisms of just plain hate against her on my blog but really this isn’t a Billy fandom problem exclusively. I know post season two and three, there was a lot of discourse among Steve fans about her and what she “owed” or didn’t owe Steve. That pissed me off and I’ve spoken up about that in the past on my main blog, but really she is not the character I care to spend the majority of my time talking about outside of that.

I understand the discomfort this brings, but it also makes me uncomfortable how a wedge has been purposefully driven between Nancy fans and Billy fans despite the characters hardly interacting. The amount of hate comments I’ve seen from Nancy fans in the Billy tag is astounding and I’ve blocked many of their accounts, which might be why I don’t see this particular fandom discourse all the time. I don’t go into the Nancy tag, but I wouldn’t be surprised if they get similar hate posts. I just don’t see any of my mutuals doing that, nor giving love and support to hateful anons. I think it’s worthwhile to look at the wider fandom for criticism on this one.

#asks

[whosbex]

This is for @th3p0rtalmaker’s ask abt my shape shifter story. Here’s my main character’s profile.

Gianna Ivanov🥀🔪🐻

She’s 16,her birthday is Nov.3,and she’s half shape shifter,her mom is human,her dad’s the shape shifter,she has a little brother named Adavya(meaning Generous,happy,charming,and joyful person),her dad in animal form is an ox,her brother is a Scottish deerhound,and she’s a grizzly bear,in her dad’s culture you first get your ability to shape shift when you’re 9 on the first full moon after your birthday,if you’re a full Shape shifter ,after this ceremony you can shape shift between your animal self or normal self,and if full you will also have some part from your animal form in your normal form(like her dad is an ox so he has horns,a tail,a nose ring,and back legs of an ox),but if half,once u have the ability to shape shift you only have the parts of your animal at night and you can only shape shift into your animal on a full moon like at the ceremony.

Her mom is a human,she isn’t that nice to Gianna or her brother,when her parents were married,her dad would be out most of the day at his job at a pub for his kind,and while he would be gone Gianna would go to school and her brother would stay home with their mom. When Gianna went home her mom would yell all the time at her for not doing her chores(mind u she would be 6 or 7,and Adavya would be 1 or 2 at this time)and she would beat the crap out of her sometimes too if she tried to defend her brother,she’d do this so much that when her dad would come home she would be passed out on the sofa with her brother.Her dad always wondered why they both had bruises(mostly Gianna tho since she had the most),he finally found out that her mom was being abusive to them when he came home early and walked in on her trying to beat Adavya with Gianna in front of him,he shap shifted into an ox and got in front of them just in time to stop the wooden bat from hitting Gianna.They started to argue,and her dad filed for a divorce and went to court for the custody of the kids.

In court the whole room was all eyes on Gianna’s dad,most people didn’t like the shape shifters who lived just out side of their town,they always had a fear that they’d attack them,since they were not only different with more advantages but there were also many more of them then there were humans.

But Immanuil(Gianna’s dad) stood tall,head up,shoulders back,and walked with pride in that court room,as he took the stand and explained what he saw,his best friend and kids beside him,he spoke the truth and said he did no harm to his wife,and if he did it was to defend his children. But Amil(Gianna’s mom)had the advantage in this case,these people were her kind,so no matter how truthful Gianna’s father was,her mother had already won the battle. She lied to the judge,saying that Immanuil would come home late,drunk and not only hurt the kids,but her as well,which she had no proof of,un like Gianna and her brother who had bruises everywhere.

Either way,weather they liked it or not,Amil had won custody over Gianna since she had the most bruises,therefore the judge thought she was in more danger. Her father got to have her brother since he was a boy and needed a male role model in his life,not to mention they were half breeds,no one really cared that deeply or on what would happen to them.

Fast forward to 10 years latter. Yes she did get her ability to shape shift along with her god brother\best friend,Sasha.

Sasha,helped her sneak out that night so they could go to their ceremony together.

Gianna got a bear and Sasha got a hawk.He’s also a half breed,and they always walk to school together even though Amil would rather Gianna to stay away from her dad’s kind,but she couldn’t stop her neither could Shawn.

Shawn was Amil’s “boyfriend”,he was almost as bad if not worse then Amil when it came to Gianna. They’d team up on her sometimes and she’d go to school with a bunch of marks on her. He would also be kind of a pervert. Sasha wound go to her house and get her to stay the night at his place so she wouldn’t get hurt,he wanted to keep her safe,he’d do anything for her,because not only was she his best friend and god sister,he had fallen in love with her as well.Sasha’s parents would always cover for her if she wasn’t home at a certain time, so she could see her dad.

School’s also a struggle for Gianna,Sasha,and Adavya,since they’re the ONLY half breeds in the school,it doesn’t really help either that Shawn’s daughter,Scarlett likes to pick on them all the time.

Her and Gianna have gotten into fights A LOT,and when they’d go to the office Gianna is usually the one to blame even if she was triggered.

Sasha is either cheering her on or helping Adavya hold her back.

#og story #OCs #oc profile

[gender-mailman]

Hearts for me represent the person's soul or whatever 😭Can we please stop using them to show only love, attraction and etc?

That's why I used the hearts pointing on each other, because at least for me Y/N is literally a mirror of a reader and hearts are just what I see as a persons being qq

(In my species culture spark is the same as peoples soul and heart at the same time and I just... went with Heart using the same definition, who could have thought that hearts for everyone are just a LoVe /mad)

-- @hypnosiacon

Ooooooooooh!!!! :00 i didnt knew thats why ryu dod them like that :0!!

Also, hearts are just cool looking shapped things /silly /pos

#mailman speak #hypnosiacon #iacon my beloved /p

[fatehbaz]

The continued resonance of Crusoe myths [”Robinson Crusoe and the golden age” of paradise myth] highlights paradise’s past and continued relation to the history of colonization and its perseverance as a fantasy in [...] modernity, now operating within the discourses of tourism and the postcolonial exotic. [...] To proclaim the death of paradise after the Enlightenment is to fail to recognize its flexibility and resilience, its ability to shift over the centuries from a literal topos, to a myth, to a literary motif, to an advertising cliche with global relevance. [...] [P]aradise myth [...] in colonial literature [...] has been continually repackaged, appropriated, and reconfigured in response to economic shifts in order to justify exploitation and violence in different historical, geographical, and cultural contexts. [...] Myths of paradise in Mexico, Tanganyika, and Ceylon take on very different connotations in response to the geographical imaginaries, topographies, or climates -- “Occidental” America, “empty” Africa, or “Orientalist” Asia; mainland or island; tropical or volcanic; bush or highland -- and economic potentials of those specific spaces. In Mexico, the myth of the infernal paradise is inseparable from the hacienda and the maquiladora, the hope and failure of land reform, and the rise of Anglo-American informal imperialism. The myth of Ophir is tied to the mines of Africa’s interior, the fair land/black coast is driven by the spice plantations and tourist hotels of Zanzibar, the “isle of dharma” harks back to a time when Ceylon seemed manageable, containable, a paradise of cinnamon and tea  plantations. In neocolonial discourse, paradise [...] shap[es] desires for the tourist paradise and the consumer cornucopia, converting nostalgia for lost colonies into hunger for the postcolonial exotic.

---

All text above by: Sharae Deckard. Paradise Discourse, Imperialism, and Globalization: Exploiting Eden. 2010. [Presented here for commentary, teaching, criticism purposes.]

#multispecies #ecology #haunting #abolition #landscape #colonial #imperial

[vijudon]

Jammu and Kashmir State Board of School Education

As an esteemed educational institution, the Jammu and Kashmir State Board of School Education upholds rigorous academic standards and promotes a culture of continuous learning. Students under this board benefit from a well-rounded education that includes both theoretical knowledge and practical skills.

For more details:- https://collegetour.in/news/jammu-and-kashmir-state-board-of-school-education

#JammuAndKashmirBoardOfSchoolEducation #JammuAndKashmirBoardOfSchoolEducationnewsupdate

[f0xd13-blog]

Guys most portuguese are POOR AF!! Because their.entire goal in the past was to erase us. Obviously that a country that had ties with africa and rich history with it that in return shapped usa culture would be a problem right? Specially when it was created by visigothic romany like.... cri.cri cri that's why we found a hot gypsy president to flirt with hitler duh that fuckinv faggot

[chhaperiablogs]

Heating the Future: Chhaperia's Journey as Premier Air Heater Manufacturers in India

Introduction:

In the realm of industrial heating solutions, Chhaperia Electro Components Pvt. Ltd. stands as a beacon of innovation and reliability, particularly renowned for its expertise in air heaters. With a steadfast commitment to quality, technological excellence, and customer satisfaction, Chhaperia has emerged as a leading force in the Indian market. In this article, we explore the illustrious journey of Chhaperia as premier air heater manufacturers in India, shedding light on their contributions and impact on the heating industry.

A Legacy of Excellence:

Chhaperia's foray into air heater manufacturing is steeped in a rich legacy of excellence. With decades of experience and a culture of innovation, the company has continually pushed the boundaries of heating technology. From humble beginnings to becoming an industry stalwart, Chhaperia's journey underscores a relentless pursuit of perfection and a commitment to delivering cutting-edge solutions to its customers.

Unrivaled Quality Assurance:

At the heart of Chhaperia's operations lies an unwavering commitment to quality assurance. Every air heater manufactured undergoes stringent quality control measures to ensure compliance with international standards and specifications. Utilizing premium-grade materials, advanced manufacturing processes, and rigorous testing protocols, Chhaperia guarantees the reliability, efficiency, and durability of its air heaters, even in the most demanding industrial environments.

Diverse Product Portfolio:

Chhaperia boasts a diverse range of air heaters tailored to meet the unique requirements of various industries and applications. Whether it's tubular air heaters, finned air heaters, or custom-designed solutions, the company offers versatility in its product offerings. With the ability to customize heaters based on parameters such as heating capacity, airflow, temperature control, and mounting options, Chhaperia ensures optimal performance and compatibility across diverse sectors.

Innovation at its Core:

Innovation is ingrained in Chhaperia's DNA, driving continuous improvement and technological advancement. The company invests significantly in research and development to stay at the forefront of heating technology. By embracing cutting-edge design methodologies, materials, and manufacturing techniques, Chhaperia enhances the efficiency, reliability, and functionality of its air heaters, setting new benchmarks for industry standards.

Customer-Centric Approach:

Chhaperia places a strong emphasis on customer satisfaction, adopting a proactive and responsive approach to address the unique needs of its clients. The company's dedicated team of professionals collaborates closely with customers to understand their specific heating requirements and provide tailored solutions that exceed expectations. With a focus on timely delivery, technical support, and ongoing customer engagement, Chhaperia fosters enduring partnerships built on trust and mutual success.

Sustainability Initiatives:

As sustainability emerges as a key imperative in today's industrial landscape, Chhaperia remains committed to environmentally responsible practices. The company prioritizes energy efficiency, waste reduction, and eco-friendly materials in its manufacturing processes, minimizing its environmental footprint. By embracing sustainability initiatives, Chhaperia not only fulfills its corporate social responsibility but also contributes to a cleaner, greener future for generations to come.

Conclusion:

In the dynamic world of industrial heating solutions, Chhaperia Electro Components Pvt. Ltd. With a legacy of excellence, a diverse product portfolio, and a relentless pursuit of technological advancement, Chhaperia continues to lead the way as premier air heater manufacturers in India. As the company embarks on its journey towards greater heights, it remains steadfast in its commitment to shaping the future of heating technology, driving progress, and innovation in the ever-evolving landscape of industrial heating solutions.

#Air Heater Manufacturers in India

[phoenixlionme]

#caribbean culture #my posts #links

[satyahairsolutions2]

Redefining Self-Esteem: Exploring the Dynamics of Hair Transplant in Delhi

In the bustling metropolis of Delhi, where trends are set and stories unfold, a silent revolution is taking place—one that's transforming lives and restoring confidence, strand by strand. Welcome to the world of hair transplant in Delhi, where individuals are reclaiming their self-esteem and embracing a new chapter of confidence.

Delhi, renowned for its vibrant culture and dynamic lifestyle, is also a hub for medical advancements, including the field of cosmetic surgery. Among the various procedures offered, hair transplant stands out as a beacon of hope for those grappling with hair loss and its emotional toll. Let's delve into this transformative journey and unravel its significance in the lives of Delhiites.

The Rise of Hair Transplant Clinics in Delhi

With the increasing demand for aesthetic enhancements and the growing awareness about hair restoration techniques, Delhi has witnessed a surge in specialized clinics dedicated to hair transplant procedures. These state-of-the-art facilities, equipped with cutting-edge technology and staffed by skilled professionals, offer a range of solutions tailored to individual needs.

From Follicular Unit Transplantation (FUT) to Follicular Unit Extraction (FUE) and Platelet-Rich Plasma (PRP) therapy, patients have access to a comprehensive suite of treatments designed to address varying degrees of hair loss. Moreover, the emphasis on personalized consultations ensures that each patient receives a customized plan, ensuring optimal results and satisfaction.

The Emotional Impact of Hair Loss

Beyond the physical aspect, hair loss can profoundly affect one's emotional well-being, leading to feelings of self-consciousness, insecurity, and diminished confidence. In a city like Delhi, where appearances often hold significant cultural and social relevance, the psychological impact of hair loss cannot be overstated.

Many individuals find themselves grappling with anxiety and social withdrawal, as they navigate the complexities of living with thinning hair or baldness. However, with the advent of advanced hair transplant techniques, a beacon of hope shines bright, promising a transformative journey towards restoration and rejuvenation.

Transformative Journeys: Stories of Triumph

Behind every successful hair transplant procedure lies a unique story of resilience and triumph. Across Delhi, individuals from all walks of life are reclaiming their confidence and embracing newfound self-assurance, thanks to the power of hair restoration.

From professionals seeking a competitive edge in their careers to brides and grooms preparing for their special day, the motivations driving individuals towards hair transplant are as diverse as the city itself. What unites them is the desire for change—for a chance to rewrite their narrative and step into the world with renewed vigor.

Navigating the Journey: What to Expect

Embarking on a hair transplant journey can feel like stepping into the unknown, but with the right guidance and support, it becomes a transformative experience. In Delhi's thriving medical landscape, patients can expect a seamless process, from initial consultations to post-operative care.

During the consultation phase, experienced surgeons evaluate the patient's candidacy for the procedure, taking into account factors such as hair loss pattern, donor hair availability, and desired outcomes. Transparent discussions about expectations and realistic goals ensure a mutual understanding between the patient and the medical team.

On the day of the procedure, patients can expect a comfortable and meticulously planned experience, with emphasis placed on minimizing discomfort and maximizing results. Post-operative care instructions are provided, along with follow-up appointments to monitor progress and address any concerns.

Embracing the New Chapter: Empowerment and Confidence

As the hair begins to grow and the transformation takes shape, a sense of empowerment permeates through every aspect of the patient's life. Whether it's confidently facing professional challenges, enjoying social interactions, or simply looking in the mirror with a renewed sense of pride, the impact of hair transplant extends far beyond aesthetics.

In Delhi, where the pursuit of excellence is woven into the fabric of everyday life, hair transplant serves as a testament to the city's spirit of resilience and reinvention. It's not just about restoring lost hair—it's about unlocking confidence, embracing change, and rewriting the narrative of self-esteem.

Conclusion

In the vibrant tapestry of Delhi's cultural landscape, the journey of hair transplant emerges as a symbol of hope and transformation. With each procedure, individuals embark on a path towards self-discovery, reclaiming their confidence and embracing a new chapter of empowerment.

[bloodinkandashes]

https://www.tumblr.com/bloodinkandashes/735479539792216064/my-fatal-flaw-is-that-i-genuinely-dont-think-you

I mean the orientalism is pretty bad in them

If you really thought this was a point worth defending then you wouldn't be hiding behind a mask.

I do not believe that anyone who reads Discworld could ever accuse Pratchett of racism in any way shap or form. Many of his depictions of characters and cultures are caricatures of real life - he does the same thing with Scottish, Egyptian, and Romanian cultures, the Nac Mac Feegle being a ridiculous parody of scotts is a perfect example of this - so why does it bother you only when it comes to "orientalism"?

You lack either grounding or true conviction, feel free to come off anon whenever you get that sorted.