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#Walter Kelley
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Star Trek: The Original Series main cast by Frank Kelly Freas.
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evviejo · 4 months
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STAR TREK - S2E12 The Deadly Years
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aenslem · 5 months
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Who Mourns for Adonais? STAR TREK (1966–1969)
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citizenkampbell · 2 months
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Behind the scenes of TWOK, I love how Nichelle and De are in their robes.
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it kinda fucks me up seeing gifs and videos of the star trek actors and actresses in the media they made before coming on to trek because like... so many of them are in black and white?????? the original series is so vibrant and colorful and the lighting and sets are so pretty... these people started their careers before color was even a thing for tvs and that fucks me up to no end to consider
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mahbonesmccoy · 1 year
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Edited by yours truly.
Please I really don't know why I made this....
(The Toby Jack one is a reference of Deforest Kelley's baddie character in Apache Uprising)
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your-name-is-jim · 2 years
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TOS cast in a documentary from 1995. I made a clip of some favorite moments :)
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chernobog13 · 2 months
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The original cast's final assembly in character and costume for Star Trek Vl: The Undiscovered Country (1991).
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Here’s a great photo of Deforest and the gang at NASA in 1976 during the roll-out of the USS Enterprise space shuttle.
Hey, De is doing the Vulcan greeting without using his other hand to open his fingers.
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papersniffer · 2 years
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"Second star to the right, and straight on till morning," Kirk told Chekov at the end of Star Trek VI: The Undiscovered Country. After he said that, they gave the original characters a few seconds of screen time before fading out. Then across a screen of stars, the actors signed their names (and I might have teared up ALOT lol). I then took the final images and those signatures and combined them into a gif. Such a good movie (minus the slow clap near the end lol)
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abs0luteb4stard · 9 months
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W A T C H I N G
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evviejo · 5 months
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STAR TREK: THE FINAL FRONTIER Excuse me, I'd just like to ask a question. What does God need with a starship?
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vileandvenom · 2 years
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@athenapalmer I was inspired by the Ghostbusters one lol
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citizenkampbell · 9 months
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Original crew at a convention
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theoscarsproject · 4 months
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Star Trek IV: The Voyage Home (1986). To save Earth from an alien probe, Admiral James T. Kirk and his fugitive crew go back in time to San Francisco in 1986 to retrieve the only beings who can communicate with it: humpback whales.
I only have the vaguest recollections of watching this as a kid, so to it really felt like a bit of a gift to have the excuse to see it again, and man, what a gift! Just so full of warmth and good humour in a way that blockbusters these days forget. It's an invitation to hang out with characters you love in a familiar-unfamiliar context, in a way that really hones in on environmental issues of the time (rapidly declining whale populations!). It feels like it shouldn't work, but it just does. 8/10.
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DOVE TALE
Again and again I find myself sheepishly admitting that Star Trek, as in the original series, is my all-time favorite TV show. It's a little embarrassing to acknowledge that, north of sixty years old, I keep going back for comfort and refreshment to the corny sci-fi show that I loved as a kid.
Worse yet, for all the show's sophomoric heavy-handedness and cultural chauvinism and ludicrous science and inconsistently applied social values, I keep finding relevance, even prescience in it.
For instance, this past weekend I watched the third-season episode, scripted by the redoubtable Jerome Bixby (also author of the story that became the Twilight Zone favorite "It's a Good Life"), called "Day of the Dove..."
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You may remember it: Both the Enterprise and a crew of Klingons arrive at a planet, lured there under false pretenses by a powerful incorporeal alien Entity. Through a variety of mind tricks and matter transmutation, the Entity gets the Federation crew and the Klingons trapped together aboard the Enterprise, which is hurtling out of control on course to leave the galaxy.
Onboard, the factions are allowed their own turf, armed with swords--Scotty admires "a Claymore..."
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...and psychically aroused to furious hatred toward their adversaries and even toward each other. They soon discover that the conflict between them is self-renewing; their wounds heal miraculously and the Entity allows neither side complete victory.
As a kid, I always thought it was a pretty cool episode. It had plenty of action, including swordfights, and the coolest and most badass of all the original series Klingons, Kang, played by the rumbly-voiced Michael Ansara...
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...towering over Shatner...
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It was also the only glimpse we ever got, in the original series, of Klingon women, notably Susan Howard as Kang's wife and science officer Mara...
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In the course of the show Chekov, under the Entity's evil influence, attempts to violate Mara, although it looks like she could smack his little ass across the corridor with one hand.
Along with Chekov, Kirk, McCoy, Scotty and Uhura all get to work themselves up into highly entertaining angry lathers in this one. Shatner's in particularly hilarious, wound-up form here: "Look at me...Look. At. Me." And there's the great moment when the hysterical Scotty, responding to Spock's attempt to calm him, says "Keep your Vulcan hands off me," but it sounds like he said "Keep your f**kin' hands off me."
But watching it the other night, it occurred to me that this episode seems unusually relevant these days. I noticed this a few years ago about the second-season episode "The Omega Glory" as well. The theme, about the dangers of fetishizing and theocratizing America's foundational documents and other objects of patriotic regard like the flag, seems like a pedestrian, basic civics lesson. But it turns out that our society needs to be reminded of it regularly.
Similarly, with "Day of the Dove," the message might seem, at a glance, like the usual honorable but ineffectual Star Trek platitudes about the horrors of war and the bondage of bigotry and the liberating virtue of tolerance. But now, in light of the revelations from the Dominion lawsuit, it has a strikingly specific subtext. Because, of course, the reason the invading Entity is attempting to create this hellish eternal conflict on the Enterprise is that it feeds on violent hatreds, turning from yellowish-white to a happy shade of red...
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...when it sucks up some delicious fury.
It creates false narratives in people's minds to stir up their bloodlust--Chekov claims his brother was killed by the Klingons; Sulu later explains that the brother is imaginary, as Chekov is an only child--and feeds both sides with propaganda to gin up enmity. Essentially, the Entity is a farmer, planting outrage so that it can harvest rage.
In other words, the Entity is Fox News, and the "news" media machine of which Fox News is the most successful and egregious example. I mean, isn't it, kind of?
In this context, some of Bixby's lines take on an extra resonance, as when Kirk speculates "Has a war been staged for us, complete with weapons and ideology and patriotic drum beating? Even...Spock...even race hatred?"
Or, when Kirk says "It exists on the hate of others," and Spock replies "To put it simply. And it has acted as a catalyst, creating this situation in order to satisfy that need."
Or, again, Kirk's desperate appeal to Kang, in the climactic minutes: "...and it goes on, the good old game of war, pawn against pawn! Stopping the bad guys. While somewhere, something sits back, and laughs, and starts it all over again."
In the end, Kang is persuaded, a truce is ordered, and the weakened Entity is chased off the Enterprise to hearty laughter from both sides...
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Kang slaps Kirk on the back and for a second it looks like Kirk is going to pass out. A lovely moment; I would highly recommend it for our nation right now. But as the Entity goes flittering off the ship into space, it's all too easy to imagine it scurrying down to some TV "News" Network on some unsuspecting planet.
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